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Dayton Music

‘My, Oh My!’ Tina is a Powerhouse!

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Tina, the Musical, packs so much energy, you’ll be exhausted just watching it. And it’s not all upbeat and bouncy. The show takes us through Tina’s life and times. Nothing is left to the imagination, and at times, you will feel the heartache and heartbreak that Tina Turner endured. From the time the curtain rises, we get a sense that there’s a lot to Tina….and from her early life as Anna Mae Bullock, to her brilliant rise to stardom as a single act, we get to cheer her on.

The perseverance, the passion and the push forward that she models is a good lesson for everyone. For most of us. we know the story…we saw the incredible movie that opened the door on Tina’s struggles and successes. But, as is always the. case, the stage brings an intimacy. You are there. At no other time in the musical is that more apparent then the scene right before intermission. ‘I Don’t Wanna Fight’ plays as Tina sees her way out. So Satisfying.

The musical features all the songs you know and love from Tina’s anthology and Ike’s as well. Most of the songs fit perfectly with the story’s progression (although ‘We Don’t Need Another Hero’ pops in at a strange time.)

It’s really in the final moments of the actual show that you feel the audience sit-up as if to say, ‘There’s Tina!’ Do yourself a favor and hang in there after that curtain falls…you’ll thank me. You will be on your feet!

The cast is superb. Big, bellowing voices, high kicking dancers and acting that is more than run of the mill convincing. You feel it.

There are some magic moments, like  ‘Let’s Stay Together’ and how it was fits in the script, and I really loved ‘River Deep, Mountain High,’ because it was pure, and poppy! OH, and of. course ‘Proud Mary!’ need I say anything about that quintessential favorite.

Faced with an unloving mother, a pompous husband and a world that wasn’t exactly ready for the star that was Tina Turner, the show is so incredibly redeeming, and, for the record, Tina will remain an inspiration to us all!

For More Information….log-on to: https://www.daytonlive.org/venues/schuster-center/

Crowed House “Teenage Summer” Tour Coming to The Rosse

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Multi-platinum selling rock band Crowded House have released their new single “Teenage Summer” off the eighth studio album Gravity Stairs which will be released May 31 via BMG. The band also announced a 2024 North American headline tour – Gravity Stairs Tour – in support of the new album. The tour will include a stop in Huber Heights, OH for a performance at Rose Music Center at The Heights on Tuesday, September 10.

Produced by the band with Steven Schram (Paul Kelly, San Cisco), Gravity Stairs shows Crowded House’s current incarnation featuring Neil Finn, Nick Seymour, Mitchell Froom, Elroy Finn and Liam Finn.

The new single, played on stage in recent shows and formerly known as “Life’s Imitation” is now curiously renamed “Teenage Summer.” As Neil explains “My grandson Manaia told me “Teenage Summer” was one of his favorite songs. He’d identified the peak moment in the song and a light went on. It’s that simple, the children must be heard.”

Speaking about the album title Gravity Stairs, Neil says the name was inspired by an unnaturally heavy stone staircase near where Finn vacations. “The Gravity Stairs are symbolic of the struggle to ascend, acknowledging the opposing forces of weight on the mechanics of living. It’s an act of will every day.”

Crowded House have sold over 15 million records worldwide as well as earning a Brit Award, 13 Australian ARIA Awards and an MTV VMA, the band have generated billions of streams, consistently sold-out tours on multiple continents and have been captivating audiences for nearly four decades. Originally founded by Neil Finn, Nick Seymour, and the late Paul Hester, the group’s self-titled debut in 1986 went platinum, uplifted by worldwide smashes “Something So Strong” and “Don’t Dream It’s Over” which has been covered by everyone from Miley Cyrus and Ariana Grande to U2, among others.

In 1996, the group delivered a legendary performance to an audience of over 150,000 on the steps of the Sydney Opera House, beginning a hiatus that finished in the wake of Paul’s passing in 2005. This led to albums Time on Earth (2007) and Intriguer (2010) and a return to the Sydney Opera House for three unforgettable nights. 2018 saw Neil join Fleetwood Mac as a full-time member, canvasing the globe on a massive world tour. Two years later, he and Nick led another era of Crowded House, forming the band’s current line-up. They issued their first full-length offering in eleven years, the unanimously acclaimed Dreamers Are Waiting (2021) and the band leapt into a rapturous world tour in support. From joining his brother Tim in the New Wave favorites Split Enz to leading Crowded House to his numerous solo efforts, Neil’s varied body of work is connected by his knack for penning meticulous, indelible melodies and impressionistic lyrics that demand multiple listens. It’s earned him devoted fans all over the globe.

Tickets will go on sale to the public beginning at 10AM on Friday, April 19 at Ticketmaster.com and the Rose Music Center Box Office.

 

A Tribute to ABBA Returns To The Rose Music Center

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ATC The Concert: A Tribute to ABBA will bring one of the greatest pop phenomena back to life at Rose Music Center on August 20!
The Concert: A Tribute To ABBA continues to be the top ABBA tribute group in the world, dazzling all who see with their fantastic performance while playing the most iconic hits from ABBA, including “Mamma Mia,” “S.O.S,” “Money, Money, Money,” “The Winner Takes All,” “Waterloo,” “Gimme, Gimme, Gimme,” and “Dancing Queen.”

Many critics agree, The Concert: A Tribute To ABBA is the most amazing and authentic ABBA tribute show in the world. Come dance, come sing, having the time of your life at THE ULTIMATE TRIBUTE CELEBRATION!

Tickets will go on sale to the public beginning at 10AM on Friday, April 12 at Ticketmaster.com and the Rose Music Center Box Office.

*The Concert: A Tribute To ABBA is not affiliated with the original ABBA group or Mamma Mia.

An Interview with Arland’s Greg Bowers

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Photo by Bobby Te

Greg Bowers is the vocalist and composer for the Dayton project, Arland. I sat down to chat with him in his Belmont home about the band, ballads, Black Sabbath, and his upcoming single, “The Day My Dream Comes True” (out April 8, 2024).

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Arland is your middle name?

GREG BOWERS: Yep, exactly. Exactly.

So with this project being mostly you, why not call it “Greg Bowers?”

BOWERS: I don’t know if you’ve ever searched Greg Bowers online but there is a jazz pianist who will come up. That’s my uncle. He releases music under that moniker, so I had to do something else. But, [Arland is] a very interesting name. It’s the single-name thing.

With building a band in the studio — without exactly having one — what does playing music ideally look like for you?

BOWERS: At this current stage, it’s not so much about playing music as it is the composing and writing of it, and eventually releasing it. I do need that band so I can actually start to go out and play music more consistently.

I think the beauty of what is happening with music right now is that bands can just exist on record. The live music aspect, as a form of getting the music out there, expands reach, but bands can exist without performing.

BOWERS: Yeah.

I know from the way you just said yeah that you wouldn’t want it that way.

BOWERS: It’s not so much that I wouldn’t want it that way, but I haven’t experienced it [as a band yet]. 

If you were able to make it work solely in the studio, would you do that?

BOWERS: I think I might. I consider myself a writer — a musician. So from that perspective, being able to focus on writing songs, composing songs — that’s what really appeals to me. Playing music is cool. But for me, the focus is really on telling these stories and getting them out there.

What kind of music were you influenced by?

BOWERS: I grew up in this very religious environment. And so we had a lot of your more traditional [Contemporary Christian music]-type stuff. Eventually, I started to move toward the crossovers. There were a few metalcore bands. Have you heard of August Burns Red? They’re metalcore.

No, but you can throw “-core” after anything and I generally understand what you’re saying. 

BOWERS: So metalcore, from my understanding, tends to be very heavy: lots of uncleans, but also lots of cleans. High soaring vocals, and very melodic guitars, as well. I was, and still am, very focused on the vocal side of things. I used to listen to Josh Groban, as well. Very vocally-focused.

I know how [Reel Love Recording Company Producer] Pat [Himes] works in the studio; he likes to double a lot of things. And when I’m listening to your vocals, I believe that’s what’s going on. There are points when I think you sound a little like Ozzy [Osbourne].

BOWERS: Ozzy. Interesting.

Have you ever gotten that comparison?

BOWERS: I have never listened to Ozzy Osbourne or Black Sabbath.

Ever?

BOWERS: Ever. So that’s interesting.

That blows my mind.

BOWERS: I have a really weird musical background. 

We’ve gotta listen to some before I leave.

BOWERS: Sounds good.

So you released “Islands” in January 2022, which, for lack of a better word, is a ballad. There are movements, but…

BOWERS: One thing I have trouble with is music genres. What is a ballad? What is a ballad to you?

When I think of ballads, I think of hair metal that goes soft. Guns N’ Roses doing “Patience” or “November Rain.” Softer songs, but whoever’s pushing it has a heavier oeuvre. It doesn’t always have to be like that. There are just sweet people… are you confused by the ballad label?

BOWERS: I am, yeah. It’s not like I mind it at all. To my extremely limited and miniscule understanding, I’ve always kind of perceived a ballad as a “piano ballad,” or it’s a literal piano song. 

You say you have an extremely limited understanding, but it sounds like you have a firm grasp of music in general.

BOWERS: I guess my term is “rock opera.” Movements, stories you’re telling somewhat through the lyrics, through the sections of music, sometimes through the music itself, to introduce a different feel — those types of things. Structurally, I’m definitely doing things but I don’t have great terms for them.

It’s interesting that you say it like this because I thought your second release “Day Breaks” also felt like a ballad. Your new song, “The Day My Dream Comes True,” isn’t necessarily a ballad but it has elements of one. But when I first heard your music a couple of years ago [via a Google Drive link], I heard screamo. And maybe that’s another term you don’t agree with, but there was something on the verge of screaming happening. So with these three releases being so much softer than the other stuff, what’s the choice to frontload those softer sounds?

BOWERS: At this point, there’s no guarantee there’s actual metal coming out, but there might be. The idea of frontloading, I guess, is hinged upon that. 

You don’t disagree with the metal label?

BOWERS: No. I guess I don’t understand the metal side of things for the piano ballad. I’ve talked about a lot of this artsy-fartsy stuff, but I view “Islands” in a sort of quantum superposition, of being chronologically placed after my first two albums. But if you listen to the story or the message, it works well as a debut song.

So you’re saying that what you’re doing right now is George Lucas making the first Star Wars movie.

BOWERS: I don’t know if this will be anywhere near as successful, but I guess. 

But that’s the idea behind it: “Islands” could be a stand on its own, but to give context there is also a prequel series in the form of those first two albums.

BOWERS: So when I was thinking about my debut single, something that really gets out there, I was thinking about these first two albums and the story they tell and where it all leads. And so it does all tie together in that sense, narratively.

If you had to boil down that narrative thread, what is that narrative thread? 

BOWERS: It’s just a general person’s philosophy changing as they go through things, eventually sort of culminating in “Islands.” So that’s the trick: The answer is out there, but it’s not going to be obvious what it actually means until you’ve heard those first two albums.

When are we getting the first two albums?

BOWERS: The plan is [to release] “The Day My Dream Comes True” on April 8. Hopefully then, within the next few months or so, I’ll get the album out. It’s all written, basically all the music is recorded. We’re trying to get some strings in. And then do the final mix, mastering, that sort of stuff. Second album, obviously the lyrics are all written. [I’m] in the midst of writing the music. So, two or three years. Something like that.

To have it all.

BOWERS: Or at least this stage of it all. 

This new song [“The Day My Dream Comes True”] feels like a breakup — with someone or something. And that’s not definitive, of course; that’s just my interpretation. But do you think you’ll ever come out with the true meaning, or will you always keep things vague? Not just for this song, but for everything. 

BOWERS: It’s hard to say whether that’d be a good idea or fits where I want things to be in five years when this story is done. There are other songs that are more explicit. Other singles, other album ideas. This one in particular is much more open-ended.

In a world where everything is quick and constant, does it concern you that this long-term plan will be lost on people?

BOWERS: I don’t really worry about it, but I recognize that it’s absolutely a possibility. People are going to consume things at their own rate, to their own interests, and that’s fine. I still think in this perspective of telling a grander story across songs, across an album. Ultimately, all I can do is put out what I feel like I need to put out. And if people like it, they like it. 

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After the interview, I gave Greg Bowers a tour of Black Sabbath’s catalog — from “Paranoid” to “Iron Man” to “War Pigs” but nothing seemed to catch on. I think he might’ve been confused by the whole comparison, and I suppose I was a little confused, as well.

Arland’s third single, “The Day My Dream Comes True,” along with its music video, will be released on the day of the Solar Eclipse, April 8, 2024. The significance of that is up for interpretation.

Multi-platinum artist Elle King makes her Rose Music Center debut July 20!

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Elle King can do many things, ranging from exuberant alternative/punk to soul pop. She’s also been a compelling presence in country music; winning both Country Music Association and Academy of Country Music Awards and breaking the 30-year-old, glass-ceiling record for women on the radio charts with the lead single “Drunk (And I Don’t Want To Go Home).” She’s collaborated with Dierks Bentley, Miranda Lambert, Ashley McBryde and been on tour with Chris Stapleton for the better part of 2022; it’s been an unbridled love fest with Nashville’s music community.

She made it country music official with 2023’s Come Get Your Wife, a dozen glorious tracks that run a gauntlet of styles and attitudes leaving King’s roots showing. The quadruple Grammy nominee co-produced the album with award winning songwriter Ross Copperman and the result is a collection that moves through all the topics. From being a hot mess, a glorious excess, and a woman coming into her own, King has created a very real, small-town frayed at the edges but solid at core missal.

“Even the album title, it comes from something some asshole said to my partner one night. Something thrown off in a bar, intended to put me in my place… and he probably didn’t think twice about it. But I did.”

Indeed, she did. Elle King, singular, swaggering, sardonic, is a musically and personally fearless woman. With Come Get Your Wife, she sharpens her gaze, digs into her roots, puts her banjo front and center, and creates a record that’s as alive and electric as she is. Taking all the pieces – the rock, soul, (blue)grass and country that she loves – she’s made an album that demands your attention, then delivers on all cylinders.

“There’s something about how you put the pieces together,” King offers of her first true country project. “This whole album is a crazy quilt of all sorts of moments and things that might not seem to go together, but because they’re me, they do. It’s very Southern Ohio, very who we are – and very much a lot of people who are just like me, because I know they’re out there.”

Tickets go on sale THIS FRIDAY at 10am. Get more info ➜ bit.ly/elleking-24

Doug Hart Live at Crooked Handle

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Doug Hart is a long-time favorite local musician. He’s known for his blues and classic rock genres with his full band. Seeing Doug solo is just as expectantly outstanding! His talent behind the guitar and microphone is virtually unmatched!

Stray Cats To Strut Their Stuff at The Rose

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STRAY CATS – original members Brian Setzer (guitar, vocals), Lee Rocker (upright bass, vocals) and Slim Jim Phantom (drums, vocals) – will rock their way across America this summer when they return to the road for a three-week tour.  The multi-million selling band’s trek will include a stop in Huber Heights, OH for a performance at Rose Music Center on Monday, August 12. They’ll be joined by The Midnight Cowgirls as the support act.

These shows will mark the STRAY CATS’ first performances since the release of their critically acclaimed 2019 album 40 and subsequent reunion tour, which they followed with a live album ROCKED THIS TOWN: FROM LA TO LONDON in 2020.  Concertgoers can expect to hear the band’s signature unparalleled virtuosity and red-hot rock & roll spirit via their classic tunes alongside their most recent material. Their setlists will include massive hits such as “Stray Cat Strut,” “Rock This Town,” “Runaway Boys,” “(She’s) Sexy + 17,” “I Won’t Stand in Your Way” and more.

BRIAN SETZER: “I’ve always said that we all grew up in the same neighborhood, so there’s an instant feeling between us when we play. It allows us to be confident and spontaneous. Man, that’s priceless.”

LEE ROCKER: “With just a string bass, a guitar and a drum, we have always had less instruments and gear, but more rumble, more twang, more shake, and more bang than anyone else. Now’s the right time to bring it back!”

SLIM JIM PHANTOM: “I’m thrilled to be doing shows in 2024 with Stray Cats in the U.S.A.! Playing drums with Brian and Lee in our rockabilly band is the best possible way to spend a summer!”

Tickets will go on sale to the public beginning at 10AM on Friday, March 29 at Ticketmaster.com and the Rose Music Center Box Office.

RAVE REVIEWS FROM THE STRAY CATS 2019 TOUR AND 40 ALBUM:

“It’s was definitely a swingin’, rockin’, and shoutin’ of a good time as the sensational, iconic and legendary band the Stray Cats prowled their way to the Greek Theatre…In no way, shape or form are the Stray Cats showing any signs of slowing down…” -DANIEL SEYUM, Music Connection

“All three are now virtuosos on their instruments, with Rocker and Phantom weaving together intricate rhythms while Setzer delivers wild guitar solos…The simplicity of their setup makes what they do with songs like “Rock This Town,” which becomes an epic anthem live with solos from Setzer and Rocker, all the more stunning.” -Glenn Gamboa, Newsday (New York)

“The beauty of this band is, even their new songs sound old. That’s always been by design. So those brand new tracks fit right into the set with ease.” -Brett Callwood, LA Weekly

“Thanks to Setzer’s wide-ranging guitar vocabulary, the trio has added more “abillies” — jazzabilly, bluesabilly, twangabilly, punkabilly, boogieabilly, surfabilly, swingabilly, even bluegrassabilly. At times Setzer, like Chuck Berry, would switch styles of music in mid-solo Sunday. He truly cut loose on the extended ‘Fishnet Stockings,’ fingers going full speed up and down the fretboard, downshifting to descending lines, jamming in any direction he wanted and, of course, giving Rocker and Phantom moments to solo…” -Jon Bream, Star Tribune (Minneapolis)

ABOUT STRAY CATS

The STRAY CATS, the band that put Rockabilly music back on the record charts in the early ’80s, scored several big hits on both sides of the Atlantic thanks to a striking visual 1950’s style brought “up to date” with exaggerated pompadours and colorful tattoos and as well as genuine musical chops that evoked the best players of rockabilly’s original heyday. Formed by guitarist/vocalist Brian Setzer, upright bass player Lee Rocker and drummer Slim Jim Phantom in the Long Island town of Massapequa, NY, in 1979, the trio shared a love for Rockabilly music. After banging around New York for a few months, in the summer of 1980, and seeing a pompadoured kid on the cover of UK magazine NME, they hopped a plane to London where a rockabilly revival movement was just beginning to emerge. Their massive hits and videos include “Runaway Boys,” “Rock This Town,” “Stray Cat Strut” “(She’s) Sexy + 17,” and “I Won’t Stand in Your Way.”

This Must Be the Party — A Tribute to the Talking Heads

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This ain’t no party, this ain’t no disco, this ain’t no fooling around — except it is a party, it is a disco, and there is a fair amount of fooling around.

This Must Be the Party — a Dayton, Ohio all-stars celebration of the music of Talking Heads — is on Saturday, March 30 at The Brightside Music & Event Venue. 

From its impetus at the now-defunct Oddbody’s in 2017 to the Brightside ballroom in recent years, this annual stage show recreates the frenetic mannerisms of David Byrne and the rest of the Heads from Jonathan Demme’s 1984 concert film, Stop Making Sense.

Then again, This Must Be The Party might be closer to a Heads’ show than Demme’s documentary since the Dayton stage show also includes “Cities” and the mashup of “Big Business/I Zimbra”: songs that were part of the Heads’ 1983 performance but not the theatrical release.

From setlist to wardrobe to props to choreography, This Must Be The Party is as faithful to the show as Byrne was to (allegedly) snorting stimulants. But filling the many big suits of David Byrne takes a certain level of commitment.

“Nobody wanted to be David Byrne all night,” said Libby Ballengee, booker for The Brightside and owner-operator at Venus Child Productions. “That’s when we cooked up the idea of having multiple David Byrnes, literally just for stamina because there’s so much running on stage.”

Donning the loose-fitting gray Byrne suits this year are Nathan Peters (Turboslacker), Eric Cassidy (Human Cannonball), Matt Byanski (Nasty Bingo), and Asche Pooler (Abertooth Lincoln) as the newest member of the group, graciously taking the place of the late Brian Spirk who passed away unexpectedly in October.

“Brian was an immensely talented and beautiful soul,” said Brian Hoeflich, drummer for This Must Be The Party. “We hope to honor him by continuing this show and spreading the joy that he spent so many years bringing to everyone.”

Here are a few David Byrnes on being David Byrnes:

Eric Cassidy: “I think that being David Byrne for the night is the most fun you can possibly have entertaining people. Just like actual David Byrne, the crowd will follow you to some weird places. And the more you give, the more you get back from the crowd. Walking out in front of one of the best bands that you have ever heard is so empowering. They got the crowd moving. They got ME moving. And I can ride that wave and use it to explore the stage with dance that is partly inspired by the original show, and also kind of my own thing. And the songs are just so good and well-known. It’s a blast!”

Matt Byanski: “It’s an honor and a challenge. The coat is great — the pants need to stay on! Suspenders are your friend!”

Asche Pooler: “I can’t tell you honestly in context just yet (because it is my first year) but I can tell you this: the rehearsals alone are so incredible to be a part of and watch, so I have an immense feeling that the actual show will be something to behold as well. I’m realizing that David and I have more in common as “weird” sort of musicians while doing it. So, in short, it feels good, man.”

Another addition to this year’s show is keyboardist Damien Dennis, alongside the return of backup singer Mykal who was an integral part of past performances.

Alongside the musicians mentioned above, the cast for This Must Be The Party includes Khrys Blank, Nathan Lewis, Patrick Himes, Chris Corn, and Erich Reith.

“We hope to eventually develop a theater stage version of the show,” Hoeflich said. “With projection screens and mobile instrument risers — just like Talking Heads did originally.”

Every year, the show grows nearly indistinguishable from Byrne’s original concept. So even if this is not your beautiful house and this is not your beautiful wife, This Must Be The Party. It’s once in a lifetime and it happens once a year.

This Must Be the Party — A Tribute to the Talking Heads, a Venus Child Production, is on Saturday, March 30 at the Brightside Music & Event Venue (905 E 3rd St, Dayton, Ohio 45402). Doors are at 8 p.m. Funky esoteric post-rock trio The Social Q opens the show at 8:30 p.m.

Tickets are $20 and available at VenuePilot.

Drawing Room Chamber Concert

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Hayner’s Drawing Room Chamber Concert  will feature guitarist, Dr. Stephen Mattingly on Tuesday, March 26th at 7:30pm. Mattingly is from the University of Louisville where he is Associate Professor of Guitar. He also pursues research on the guitar with frequent writings on the history and pedagogy of the instrument. He has performed throughout the United States and Europe as a soloist and with the Tantalus Quartet of which he is a founding member.

Stephen earned a Doctor of Music and a Theory Pedagogy Certificate at the Florida State University under the instruction of Bruce Holzman. Prior to his doctoral studies, Stephen completed a two-year residence in Germany where he was awarded an Artist Diploma while studying with Dale Kavanagh at the Hochschule für Musik Detmold. Stephen also studied with Oscar Ghiglia at the Accademia Musicale Chigiana in Siena, Italy. Prior to his work in Europe, Stephen studied with Nicholas Goluses at the Eastman School of Music where he earned a master’s and a bachelor’s degree with distinction, a Certificate in Arts Leadership, and a Performer’s Certificate.

This concert series takes place on the last Tuesday of most months in the school year. It is hosted by Steven Aldredge who is Music Director of Opera at Wright State University and is a collaborative pianist and composer in his own right. The Drawing Room Chamber Concert series is presented free to the public through the generosity of the citizens of Troy, loyal sponsors, and the Friends of Hayner members. Learn more about Hayner’s cultural events and the good folks who support them at www.TroyHayner.org .

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TROY-HAYNER CULTURAL CENTER

301 West Main Street, Troy, Ohio 45373    937-339-0457

Lyle Lovett Returns to The Rose

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4x GRAMMY Award-winning singer, composer and actor Lyle Lovett will embark on an extensive tour this summer with his Large Band.  The tour will include a stop in Huber Heights, OH for a performance at Rose Music Center at The Heights on Friday, July 26.

 

Whether touring with his Large Band, Acoustic Group, or in conversation and song format, Lovett’s live performances show not only the breadth of the Texas legend’s talents, but also the diversity of his influences, making him one of the most compelling and captivating artists in popular music.

The upcoming performances will feature songs from across Lovett’s extensive catalog, including his latest album, 12th of June, which was produced by Lovett and Chuck Ainlay. Coupled with his gift for storytelling, the record further highlights Lovett’s ability to fuse elements of jazz, country, western swing, folk, gospel and blues in a convention-defying manner that breaks down barriers. Of the album, The Wall Street Journal hails, “Few artists can bring all of these moods and sounds into one place and put a personal stamp on them all; Lyle Lovett does that.”

Lovett has broadened the definition of American music in a career that spans 14 albums. Since his self-titled debut in 1986, he has evolved into one of music’s most vibrant and iconic performers. Among his many accolades, besides four Grammy Awards, he was given the Americana Music Association’s inaugural Trailblazer Award, was named Texas State Musician and is a member of both the Texas Heritage Songwriters’ Association Hall of Fame and the Texas Cowboy Hall of Fame.

Tickets will go on sale to the public beginning at 10AM on Friday, March 22 at Ticketmaster.comand the Rose Music Center Box Office.

HYRDER- Grateful Dead Tribute Band

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Hyryder to The Brightside on Friday, March 22nd! They are an amazing Grateful Dead tribute band – and they’re stoked to make their Dayton debut. Advance tickets are just $15 here: https://www.venuepilot.co/events/94405/orders/new#/
ABOUT HYRYDER:
Hyryder – regarded as the Midwest’s premier Grateful Dead tribute band, has been captivating audiences with their riveting live performances since 2008. The quintet – Charlie Morgan (lead guitar, vocals), Nick Neureiter (drums, vocals), Eric Thompson (rhythm guitar, vocals), Blair Ping (bass, vocals) and Kirby Hammel (keyboards, vocals), is the embodiment of passion, devotion, and the unwavering love for the legendary band that influenced a generation. Their quest to keep the Dead’s music alive has become their mission, and they carry this torch with distinction.
Hyryder’s live performances are an immersive experience that transports the audience to a place where time ceases to exist. Their set lists are always unique, tailored to each show, allowing for a level of spontaneity that keeps even the most seasoned Deadheads on the edge of their seats. The band’s ability to recreate both the improvisational and composed aspects of Dead’s music with such accuracy is breathtaking, with extended jams that take on a life of their own, culminating in moments of musical transcendence.
Over a decade of legendary shows across the Midwest has garnered them a loyal following that grows with every performance. Their appearances at The Mousetrap in Indianapolis are always eagerly anticipated, and their reputation has earned them a spot at the prestigious Skull & Roses Festival in Ventura, California, where they showcased their talents to an even wider audience. In 2023 Hyryder has played major sets at All In Festival, and Gratefulfest.
Hyryder’s music is more than just a tribute to the Grateful Dead; it’s a celebration of life, love, and the human spirit.

Funky G Reunion Show at Moe Harrigans

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Ladies and Gents! It’s time for a x! Saturday night before St. Patrick’s Day, Funky G will perform at Moe Harrigan’s Tavern under the big white tent! Come out and party with us! It’s been awhile and we can’t wait to see everyone!

 

Come Join Us For Our
St. Patty’s Weekend Celebration ☘️✅
Featuring Madtree & Tullymore Dew
– Plenty of Drinks ✅
– Plenty of Food ✅
– Plenty of Entertainment ✅
– Huge Heated Tent ✅
– And Much Much More ✅
– All weekend long ✅
MARCH 16 ($5 Cover)
Dave’d And Confused
3PM ▶️ 6PM
Funky G
7PM ▶️ 11PM

Check out the Midwest Record Store Crawl

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Eighteen record stores from Troy to Florence, Kentucky are participating is the first Midwest record Store crawl on Saturday, March 23rd from 10am – 8pm. Music lovers who participate can enter to win prizes along the way, including the grand prize of $1000.

You’ll receive a “Crawl Card” to keep track of your progress as you go from store to store.  No purchase is necessary to receive an entry into the giveaway. Simply show up at as many stores as you can for a higher chance to win! On top of that, each individual shop will have their own sales and fun going on through the day such as giveaways, sales, concert ticket giveaways, etc.

Participating Stores & Locations:

MORROW RECORDS

6608 Dixie Highway, Florence, KY 41042
Phone: (859) 918-1236
https://morrowrecords.com

JET AGE RECORDS

817 Monmouth St, Newport, KY 41071
Phone: (859) 916-5466
https://jetagerecords.com

SHAKE IT RECORDS

4156 Hamilton Ave # 1, Cincinnati, OH 45223
Phone: (513) 591-0123
https://www.shakeitrecords.com

SPIRAL GROOVE RECORDS

215B Main St, Milford, OH 45150
Phone: (513) 600-8018
https://www.facebook.com/spiralgrooverecords/

EVERYBODY’S RECORDS

6106 Montgomery Rd, Cincinnati, OH 45213
Phone: (513) 531-4500
https://everybodysrecords.com

PLAID ROOM RECORDS

122 W Loveland Ave, Loveland, OH 45140
Phone: (513) 583-1843
https://www.plaidroomrecords.com

THREE FEATHER RECORDS

1105 Magie Ave, Fairfield, OH 45014
Phone: (513) 816-7361
https://threefeatherrecords.com

UNSUNG SALVAGE DESIGN CO

212 Main St, Hamilton, OH 45013
Phone: (513) 642-9339
https://www.unsungsalvagedesign.com

HEY SUBURBIA RECORDS

108 W Main St, Mason, OH 45040
Phone: (513) 492-9864
https://heysuburbiarecords.com

STRANGE RECORDS

10 Miranda St Studio 9, Morrow, OH 45152
Phone: (513) 416-2881
https://www.strangerecordsmorrow.com

LESTER’S ROCK ‘N’ ROLL SHOP

1959 Central Ave, Middletown, OH 45044
Phone: (513) 997-9621
https://www.facebook.com/Lestersrocknrollshop/

NEW 2 U VINYL & VINTAGE

611 S Main St, Miamisburg, OH 45342
Phone: (937) 388-4712
https://new2uvinylvintage.com

CATACOMB RECORDS

2310 E Dorothy Ln, Kettering, OH 45420
Phone: (937) 572-6090
https://catacomb-records.com

BLIND RAGE RECORDS

740 Watervliet Ave, Dayton, OH 45420
[email protected]
https://blindragerecords.com

SKELETON DUST RECORDS

133 E 3rd St, Dayton, OH 45402
Phone: (937) 221-8528
https://www.skeletondustrecords.com

OMEGA MUSIC

318 E 5th St, Dayton, OH 45402
Phone: (937) 275-9949
https://omegamusicdayton.com

TOXIC BEAUTY RECORDS

220 Xenia Ave, Yellow Springs, OH 45387
Phone: (937) 767-0300
https://vinylgram.com

RESIGNATION RECORDS

225 S Market St, Troy, OH 45373
[email protected]
https://www.resignationrecords.com

Bob Ross Auto Group Jazz and Beyond: Mambo Combo “A Latin Jazz Experience”

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Join us on Thursday, March 14, as the Bob Ross Auto Group Jazz & Beyond series presents the Latin jazz of Mambo Combo “A Latin Jazz Experience” Free with museum entry!
Celebrating the classic mambo, Latin jazz and cha-cha of Tito Puente, Cal Tjader, Poncho Sanchez and Mark Levine, Mambo Combo has its compass set toward Cuba. It’s stocked with an all-star cast of Cincinnati-area musicians.
This performance takes place in the Shaw Gothic Cloister. All seating is general admission and tickets may be purchased at the door the night of the concert. The concert is free for museum members and included in museum general admission for non-members.
A cash bar will be available for drinks (alcoholic and non-alcoholic), and an assortment of snacks provided by Leo will be available for purchase.

The Ultimate Elvis Concert

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Elvis Vegas Nights is an unforgettable spectacle of music, dance and entertainment that will transport you to the era of the King of Rock and Roll, Elvis Presley. Headlined by the Ultimate Elvis Champion Cote Deonath, who has been hailed as one of the best Elvis Tribute Artists in the world, the show promises to be an electrifying experience that will leave you wanting more. 

Backed by the incredible Infinit-E Tribute Band, Cote Deonath brings the timeless classics of Elvis to life with his powerful voice, dynamic stage presence and authentic costumes. From the early years of Elvis’ career to his iconic Las Vegas performances, Elvis Vegas Nights showcases the very best of the King’s music and style.

Whether you’re an Elvis fan or just looking for a night of high-energy entertainment, Elvis Vegas Nights is the perfect show for you. So put on your blue suede shoes and get ready to rock and roll all night long!

 

The Fourth Annual Dayton Battle of the Bands Finale

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The fourth annual Dayton Battle of the Bands finale takes place on Saturday, March 9, 2024, at The Brightside Music (905 E 3rd St, Dayton, OH 45402), and features six winning bands from each of the playoff rounds.

The finalists from all six weeks include The Bruins (pop/rock), Sheller (alt/punk/metal), Austin Wolfe (Americana/folk), The Shady Pine (country/bluegrass), Melinamarie (hip-hop/R&B), and Freakquency (funk/jam/progressive).

While the finalists were determined in their categories via a combination of audience and judges’ votes, the final round will be 100% determined by the audience. 

“We do ranked-choice voting so that alleviates the popularity contest issue,” said Libby Ballengee, music booker and promoter at The Brightside. “People can come and vote for their fave band, but sometimes everyone loves one band and they get everyone’s 2nd place vote, and that puts them over the top.”

By eliminating the element of bias, relying entirely on the audience feels like an objective method of choosing a winner.

“I don’t know that any panel of judges I could put together would be fair considering we all have genres we like more than others,” said Ballengee.

Previous weeks’ performances were on The Brightside’s smaller Vod-Vil Bar stage, while final competing bands will make their musical cases and perform once more on the Ballroom stage.

Vying for the Grand Prize, the winner gets a free EP recording session with Dayton Sound Studios and the opportunity to perform at Levitt Pavilion Dayton, among other rewards from Little Monster Printing and Dayton’s Original Pizza Factory.

Dayton Battle of the Bands 2023 winner, crabswithoutlegs, a jazzy nine-piece, has quickly become one of Dayton’s darlings, playing the Levitt and becoming a staple act at The Brightside. There’s a good case to be made for the potential of this year’s winner.

Tickets to Dayton Battle of the Bands are $15 in advance and $20 at the door. Doors open at 6 p.m. The show starts at 7 p.m. Each ticketholder will be granted one vote.

The Brightside Music & Event Venue is located at 905 E 3rd St, Dayton, OH 45402.

Ticket link: https://www.venuepilot.co/events/94654/orders/new