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McCoy on Movies: The Courier

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The Courier a solid if-not familiar Cold War drama best suited for older audiences

 

“This seems strange … There’s no caped superheroes here to back me up … And I have a mustache!” Greville Wynne (Benedict Cumberbatch) in a scene from Dominic Cooke’s based on a true story Cold War drama THE COURIER. Credit: Liam Daniel © Lionsgate and 2020 Roadside Attractions. All rights reserved.

WATCH THE TRAILER(S) HERE:

DIRECTOR: Dominic Cooke

KEY CAST MEMBERS: Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan, Angus Wright, Jessie Buckley, Petr Klimes and Kirill Pirogov

THE BACK STORY: Greville Wynn (Benedict Cumberbatch) is a simple businessman, nothing more, nothing less. Then his life is turned upside down when a MI-6 agent (Angus Wright) and a CIA operative (Rachel Brosnahan) approach him with a request: Get information from would-be Russian defector Oleg Penkovsky (Merab Ninidze) about the Soviet supply of nuclear weapons to help prevent a third world war at the height of the Cuban Missile Crisis.
As long as Greville and Oleg don’t get caught by Gribanov (Kirill Pirogov) and/or any other KGB agent, for that matter, everything should be just fine …
THE REVIEW: The Courier is fine. Cumberbatch commits to the role of Greville well, playing him with fish out of water sensibility quite well while Ninidze is convincing as Oleg. Likewise, Jessie Buckley is a classic mid-20th Century housewife as Sheila, demure yet confident and guarded given her husband’s past indiscretions only to reveal a softer side as the story progresses.
In similar fashion, Brosnahan is steadfast in her mission as CIA operative Emily Donovan, playing well against the traditionally reserved British gentleman that is Angus Wright’s Dickie Franks. And then there’s Kirill Pirogov’s performance as Gribanov, a man who is not so much a villain as a man committed to his cause, just as the American forces that are convinced they are right, so is he.
So what then, keeps The Courier from excelling to higher heights? It could be the familiarity of the entire affair (the Cold War has been cinematic fodder for 70 years). It could also be the familiarity of the characters (the tension between husband and wife in Greville and Sheila, the cat-and-mouse set ups as the story progresses with the foreshadowing being fairly heavy to the point it feels a bit too predictable. This does change, however, at about one hour into the story, but there is one grandiose moment that feels a bit to “made for the movies” for its own good.
In short, The Courier is a solid historical drama for those already interested in the subject matter that pays respect to its subject … It just lacks something inherently dynamic about it the way a say Good Night and Good Luck grips you. Think of it like a good meal at a restaurant you frequent. It’s solid, but it’s familiar. It feels like a film for an audience of a certain age, which is a bit of misstep given that it is based in a classic tale of espionage.
And for a man who’s story is largely unfamiliar to the world, you might be wishing there was just a little more than that.
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):
 

 

 

Marvel’s Sorcerer Supreme Arrives on the Big Screen in Magic Fashion

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“This window needs to be cleaned … But I ain’t gonna be the one to do it!” Benedict Cumberbatch stars as the titular character in a scene from director Steve Derrickson’s take on Marvel’s “sorcerer supreme,” DOCTOR STRANGE. Credit: Jay Maidment © 2016 Marvel Studios. All rights reserved. 


WATCH THE TRAILER(S) HERE:


 

 



KEY CAST MEMBERS: Benedict Cumberbatch, Chitewel Ejiofor, Tilda Swinton, Mads Mikkelsen, Benedict Wong, Rachel MacAdams and Benjamin Bratt

WRITER(S): Jon Spaith, C. Robert Carghill and Steve Derrickson (screenplay); Stan Lee and Steve Ditko (Comic book characters on which the film is based)DIRECTOR(S): Steve Derrickson 

WEB SITE: http://marvel.com/doctorstrangepremiereHERE’S THE STORY: The first “new” character (not new if you are a fan of the comic book) in Marvel Studios Phase Three plan, Doctor Strange stars Benedict Cumberbatch as Steven Strange, a renowned neurosurgeon. Working alongside his on-again, off-again girlfriend Christine (Rachel McAdams), Strange is as skilled as he is full of himself – which is to say very. 


Then, he crashes his expensive sports car in an accident that shreds his divine tools (his hands) to pieces, leaving both his career and his life in shambles.


Desperate to save his life’s work, Strange seeks out treatment from just about everyone he can think to no avail, each attempt leaving him more bitter and broken. It’s only then that he happens to hear about and then seek out Johnathan Pangborn (Benjamin Bratt), a once paralyzed man who miraculously is not only no longer paralyzed, but back to playing pick-up basketball at a local park. Pangborn tells him about a mysterious place in Nepal that may be able to help him, leaving Strange to spend his last dime to travel there in search or refuge. But once he’s there, Strange discovers just how strange the place he has come is compared to anything he has ever encountered before.


Meeting up with a bald woman known simply as “The Ancient One” (Tilda Swinton) and her main assistants Wong (Benedict Wong) and Mordo (Chitewel Ejiofor), Strange undergoes a major transformation that, while it does not affect his hands in the way he foresees, affects his understaning of the world and his place in it forever.


And that’s a good thing, especially since Kaecillius (Mads Mikkelsen) – a.k.a. The Ancient One’s former apprentice – has taken his knowledge of her teachings and plans to apply them for a very nefarious purpose …  

WHO WILL LIKE THIS FILM THE MOST? Benedict Cumberbatch fans; people who will enjoy the Inception-like scene shape shifting; those who generally enjoy Marvel films

WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? Those who feel the film is a bit “whitewashed” or, ironically, too ethnically diversified given the actors playing certain roles in the film that were not those ethnicities in the comic; religious people who feel the film dives too much into things like the black arts, etc.

SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? A Marvel origin story film that actually focuses on developing its lead character well to the point you almost crave some more information about the secondary characters, Doctor Strange is another win for the premier comic book movie studio.


Cumberbatch fully throws himself into the character of Steven Strange, giving him a complete evolution, if you will, as man who goes from arrogant, self-serving should-be hero to humbled, thrust into action actual hero. While that story in and of itself is nothing new, Cumberbatch delivers a needed mix of ego, humor and disbelief along his journey, which makes his character’s eventual 360 transformation believable, honest and most importantly given his character’s nature, smart. His responses to his situation are completely normal, a factor which is important in making the character believable and both heroic as he does progress. While Swinton and Ejiofor deliver solid performances in their supporting roles as the guides of Strange’s journey – Wong, however, is hilarious in his role – it is Cumberbatch who succeeds in channeling the story through him in a fashion that thoroughly works. This is a movie about a man’s journey on the road to becoming a hero, not a good guy vs. bad guy movie and the film plays out that way. While one could argue all superhero origin stories are that way, Doctor Strange digs deep into its protagonist’s life with the action sequences only existing when feeling necessary and not because he quote-unquote “kicks ass.” 


While the beginning of the film may have a bit of a slower pace atypical of most Marvel films, Director Scott Derrickson deserves a good amount of credit for making the mystical world of Doctor Strange accessible for the non-comic book viewer, breaking down the things that need to be for the casual observer while leaving enough insider nods for the die hard fan. While the talk of magic, mystic arts and the like might be a bit much at first, the strength of the tale told under Derrickson’s director will start to hook you before eventually delivering a satisfying cinematic experience. 


Then again, Marvel’s been making movie magic with that formula now for years, so why would they stop doing it now?
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

Best Picture Nominee THE IMITATION GAME Opens Thursday at THE NEON! WILD a Big Success!

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The-Imitation-Game-Final-Poster-1Hello Everyone,

WILD was a big success over the weekend.  Many thanks to all of you who came down to support it at THE NEON.  It will be sticking around through the end of the year.

We’re pretty excited for what we hope will be our next big film – THE IMITATION GAME – opening this Thursday. This film about Alan Turing and the breaking of the Enigma Codes during WWII has been nominated for 5 Golden Globe Awards including “Best Picture.” (In addition to already winning the “Audience Choice Award” in Toronto, it has also garnered lots of recognition from critics this season.) Benedict Cumberbatch and Keira Knightley are sensational, and the screenplay is terrific. In addition, the story has an interesting connection to Dayton. Though there’s only a fleeting reference to NCR in the film, Dayton’s connection to Alan Turing (he actually visited Dayton in the early 40’s) and cracking codes during the war was pretty significant. (To find out more about this compelling connection, tune into WDTN for the news this evening (Monday, Dec. 22). Mark Allan will have a story about Dayton’s important role in helping to end WWII.)

If you still need to see THE THEORY OF EVERYTHING or THE HOMESMAN, Wednesday will be your last chance to catch them at THE NEON. Remaining showtimes for this current week can be found on our website at www.neonmovies.com

Synopsis for THE IMITATION GAME: “THE IMITATION GAME portrays the race against time by Alan Turing and his team of code-breakers at Britain’s top-secret Government Code and Cypher School at Bletchley Park, during the Second World War. The group of scholars, mathematicians, linguists, chess champions and intelligence officers had a powerful ally in Prime Minister Winston Churchill who authorized the provision of any resource they required. The film spans the key periods of Turing’s life: his unhappy teenage years at boarding school; the triumph of his secret wartime work on the revolutionary electro-mechanical bombe that was capable of breaking 3,000 Enigma-generated naval codes a day; and the tragedy of his post-war decline following his conviction for gross indecency, a criminal offense stemming from his admission of maintaining a homosexual relationship.” (Lucy Powell, Optimum Releasing) This film will almost certainly be nominated for “Best Picture” at this year’s Academy Awards. Click on this LINK to visit the film’s official website.

https://www.youtube.com/watch?v=S5CjKEFb-sM

KRW Cycles is hoping to bring another motorcycle-inspired film to town. “ON ANY SUNDAY: THE NEXT CHAPTER is an exploration into the pursuit of excitement, passion and life in the two-wheeled world of motorcycle riding. Experiences that are as relatable to a rider as a day with friends, others that explore human triumph and overcoming fear, and some which occur once in a lifetime. One moment of riding a motorcycle – On Any Sunday.Critically acclaimed director Dana Brown (“Step Into Liquid” and “Dust to Glory”) teams up with his father, Academy Award Nominee Bruce Brown (“The Endless Summer” and “On Any Sunday”) to journey deeper into the humanity, thrills and excitement of the global culture of motorcycle riding; those who are bonded by their passion for the race, the love of family and friendship, and on a deeper level – their quest for the thrill of the next ride.” This is a tugg event. The movie is scheduled to screen on Thursday, Jan. 15 at 7:30. If not enough reservations are made by Jan. 2, the event will be cancelled. Visit this LINK to reserve your ticket.

Don’t forget that we sell gift certificates in $5 and $10 denominations at our box office. They make perfect holiday gifts for the film lovers in your life…or for people who have never experienced THE NEON. Diana also ordered some delicious 2-pack biscotti from Tastes of Nostalgia – they’d make a perfectly sweet pairing to our certificates.

Thank you for your continued support.

Wishing you the happiest of holidays!

Jonathan

SHOWTIMES for Thursday, Dec. 25 – Thursday, Jan.1:

THE IMITATION GAME (PG-13) 1 Hr 54 Min
Thursday (Dec. 25): 2:30, 5:00, 7:30
Friday & Saturday (Dec. 26 & 27): 12:00, 2:30, 5:00, 7:30, 9:55
Sunday (Dec. 28): 12:00, 2:30, 5:00, 7:30
Monday – Thursday (Dec. 29-Jan. 1): 3:00, 5:30, 8:00

WILD (R) 1 Hr 55 Min
Thursday (Dec. 25): 2:45, 5:15, 7:45
Friday, Saturday (Dec. 26 & 27): 11:45, 2:15, 4:45, 7:15, 9:45
Sunday (Dec. 28): 11:45, 2:15, 4:45, 7:15
Monday – Thursday (Dec. 29-Jan. 1): 2:45, 5:15, 7:45

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Jan. 9 or 16 – FOXCATCHER
TBD – FORCE MAJEURE
TBD – MR. TURNER
TBD – STILL ALICE
TBD – OSCAR SHORTS
TBD – TWO DAYS ONE NIGHT
TBD – LEVIATHAN
TBD – WILD TALES
TBD – THE SECOND BEST EXOTIC MARIGOLD HOTEL

Oscar Hopeful THEORY OF EVERYTHING Opens at THE NEON!

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10482287_381129725378465_1199013742911067013_nHello DaytonMostMetro Fans,

I’ve got good news. WHIPLASH and BIRDMAN will be able to share a screen starting this Wednesday. That said, if you need to see either of these films, I’d suggest hurrying down. They may not last more than one more week. Tomorrow (Wed, Nov. 26), we will open a film that I know many of you will embrace – THE THEORY OF EVERYTHING. When I saw this film at the World Premiere in Toronto, the auditorium was packed with stars who were anxious to see the film – including Jon Stewart, Julie Taymor and Andrew Garfield. The standing ovation was remarkable, and hearing Eddie Redmayne (who deserves the Oscar for this performance) speak about the process was incredible. I hope you’ll be anxious to see the film with us this weekend.

Synopsis for THE THEORY OF EVERYTHING: “Starring Eddie Redmayne and Felicity Jones, this is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde. Once a healthy, active young man, Hawking received an earth-shattering diagnosis at 21 years of age. With Jane fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of – time. Together, they defy impossible odds, breaking new ground in medicine and science, and achieving more than they could ever have dreamed. The film is based on the memoir Travelling to Infinity: My Life with Stephen, by Jane Hawking, and is directed by Academy Award winner James Marsh (MAN ON WIRE).” Click on this LINK to visit the film’s official website.

The Annual Family Holiday Film Series, presented by The Dayton Holiday Festival, The Downtown Dayton Partnership, Channel 99.9 and THE NEON, has secured titles for this year’s line-up. Films will screen at Noon on December 6, 13, & 20 – and the price is absolutely amazing. Admission is FREE for kids 12 & under and only $2 for general admission. ELF will play on December 6, THE MUPPET CHRISTMAS CAROL will play on December 13, and the Cary Grant classic THE BISHOP’S WIFE will play on December 20. Tickets will only be available starting 45 minutes before each screening, and children must be present to claim free tickets.

Last year, THE NEON hosted a few screenings of THE TRIUMPH for a local non-profit. On December 10, 4Mary.Org will bring back this documentary another time. “THE TRIUMPH is a powerful new documentary film about a prophecy unfolding right now, before our very eyes. From Medjugorje, a tiny village in Bosnia-Herzegovina, comes a message from the Mother of God. Does this woman really know mankind’s future, as millions believe? Decide for yourself.” (taken from press notes) Tickets are $10 each and can only be purchased in advance by visiting the official site. Click this LINK to purchase tickets and this LINK to check out the trailer.

As we head into the holiday season, I want to take this opportunity to express my great thanks for your patronage. We’re trending to make 2014 a banner year, and we wouldn’t be in this great place without your enthusiasm & support. In addition, I want to thank Diana Cordero – our assistant manager. Diana has been right beside me for over 13 years at THE NEON, and I couldn’t do it without her. Thank you!

Wishing all of you a great Thanksgiving!

We hope to see you soon,

Jonathan

SHOWTIMES for Wednesday, Nov. 26 – Thursday, Dec. 4:
PLEASE NOTE: This schedule is more than a week!

THE THEORY OF EVERYTHING (PG-13) 2 Hr 3 Min
Wednesday & Thursday: 2:45, 5:15, 7:45
Friday & Saturday: 11:45, 2:15, 4:45, 7:15, 9:45
Sunday: 11:45, 2:15, 4:45, 7:15
Monday – Thursday: 2:45, 5:15, 7:45

BIRDMAN (R) 1 Hr 59 Min
Wednesday & Thursday: 2:40, 7:30
Friday & Saturday: 2:40, 7:30, 9:55
Sunday – Thursday: 2:40, 7:30

WHIPLASH (PG-13) 1 Hr 47 Min
Wednesday & Thursday: 5:10
Friday, Saturday, Sunday: 12:20, 5:10
Monday – Thursday: 5:10

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Dec. 5 – CITIZENFOUR
Dec. 25 – THE IMITATION GAME
Dec. 25 – WILD
Jan. 9 or 16 – FOXCATCHER
TBD – FORCE MAJEURE
TBD – HOMESMAN

BIRDMAN (with Amazing Cast & Stellar Reviews) Opens Friday at THE NEON!

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hr_Birdman_1Hello Everyone,

Audiences are loving all three of our current attractions, but if you still need to see PRIDE or MY OLD LADY, you’ll need to move quickly. PRIDE will screen for the last time tonight (Wednesday) and MY OLD LADY will screen for the last time on Thursday afternoon. ST. VINCENT is sticking around. If you need a refresher about any of our current films, please visit our website at www.neonmovies.com

On Friday, we’re excited to open BIRDMAN – a film by the brilliant Mexican director Alejandro G. Inarritu, director of AMORES PERROS, 21 GRAMS, BABEL and BIUTIFUL. This new film, which has garnered 100% reviews from some of today’s most esteemed critics, has also garnered a lot of great press for the lead performance by Michael Keaton.

Synopsis for BIRDMAN or (THE UNEXPECTED VIRTUE OF IGNORANCE): “BIRDMAN is a black comedy that tells the story of an actor (Michael Keaton) – famous for portraying an iconic superhero – as he struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego and attempts to recover his family, his career, and himself. ” Also starring Zach Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, and Naomi Watts. Click on this LINK to visit the film’s official site.

VSOP Music & Film is bringing HARLEM STREET SINGER – THE STORY OF REVEREND GARY DAVIS to THE NEON for a one-time screening on Wednesday, Nov. 12 at 7:30. “The film tells the story of the blind, self-taught musician Reverend Gary Davis. It chronicles his hardscrabble life and the profound impact he made on musicians eager to explore his technique – a homegrown guitar style forged from ragtime, gospel and blues. In addition to archival footage and interview segments with Bob Weir, Jorma Kaukonen, John Cohen, David Bromberg, Ramblin’ Jack Elliott and others, the film features newly recorded versions of songs Davis was closely identified with performed by a band led by Woody Mann. Blues and jazz historian (and frontman for the Classic Jazz Stompers) Dave Greer will lead a Q&A following the screeing.” (taken from VSOP Press Notes) Tickets will be $8 each and available starting Oct. 22 at THE NEON’s box office.

Next week, I’ll announce our line-up for the Annual Family Holiday Film Series – presented by The Dayton Holiday Festival & The Downtown Dayton Partnership. Films will screen at Noon on December 6, 13, & 20 – and the price is absolutely amazing. Stay tuned!

Thanks so much for your continued support!

We hope to see you soon,

Jonathan

SHOWTIMES for Friday, Nov. 7 – Thursday, Nov. 13:

BIRDMAN (R) 1 Hr 59 Min
Friday & Saturday: 11:50, 2:15, 4:45, 7:15, 9:45
Sunday:11:50, 2:15, 4:45, 7:15
Monday – Thursday: 2:45, 5:15, 7:45

ST. VINCENT (PG-13) 1 Hr 42 Min
Friday & Saturday: 12:30, 2:50, 5:10, 7:30, 9:50
Sunday: 12:30, 2:50, 5:10, 7:30
Monday – Tuesday: 2:50, 5:10, 7:30
Wednesday: 2:50, 5:10
Thursday: 2:50, 7:45

HARLEM STREET SINGER (NR) 1 Hr 16 Min + discussion
Wednesday: 7:30

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

Nov. 14 – WHIPLASH
Nov. 28 – THE THEORY OF EVERYTHING
Dec. 5 – CITIZENFOUR
Dec. 19 – THE IMITATION GAME
Jan. 9 – FOXCATCHER
TBD – FORCE MAJEURE

TIFF 2014 – Day #8

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movies-benedict-cumberbatch-the-imitation-game-filming-3Thursday, September 11, 2014

Welcome back!  Thanks for checking out my Day #8 blog of my TIFF adventures.

This morning was so different than the others.  I slept in!  Because I didn’t need to be in line by 7:00, I woke up at 9:15 instead of 6am.  It was glorious!

My first film of the day was LOVE IN THE TIME OF CIVIL WAR – a French-Canadian film about a 20-something guy with a crack problem.  An alternate title for this film could be DON’T DO CRACK.  I’ve never seen such a gruelingly monotonous film about drug use.  The lead character smokes to get high, has some sex (in what is generally very unsexy footage), buys some drugs and gets high again.  Sometimes, he has to find money – so he robs someone, gets paid for sex and then buys more drugs and gets high.  This film could essentially be a 2-hour PSA about the horrors of crack.  As much as I wanted to go, I felt like I needed to stay.  I didn’t make the right decision.

There is no trailer available for this film.  Below is a picture.

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I went into my next film with a qualifier in place.  If the film failed to reel me in within the first 12 minutes, I would leave to go to a different selection.  It failed and I walked.  The next selection was worse.  Including eye-rolling situations with characters that were much too twee or playing on archetypal stereotypes, I failed to see the backbone of good storytelling…so I left that screening and got lunch instead.

After a 30-minute nap, I was off to AN EYE FOR BEAUTY – the new film from Denys Arcand (director of BARBARIAN INVASIONS, JESUS OF MONTREAL and more).  It’s the story of a married man and how he’s both interested in another woman and dealing with the mental instability of wife.  This film is full of stunning landscapes, the changing seasons, and well-written dialog.Though fully engaged, I felt the film fell flat with a lack of focus.

There is no trailer with English subtitles, but take a look at this anyway.

https://www.youtube.com/watch?v=Y1QO8SXywHs

THE IMITATION GAME was my final film for the day.  I am quite certain that this film will be nominated for “Best Picture.”  I’ll bet the farm on it! Based on the story of Alan Turing and the breaking of the Enigma codes, this film is filled with familiar NEON favorites Benedict Cumberbatch, Keira Knightley and Matthew Goode.  The art direction is superb, the story is touching and suspenseful with quite a few laughs, and the packed 1200+ audience was truly engaged.  Though I wasn’t as emotionally attached to this film as I was to THE THEORY OF EVERYTHING, I still think this film will play very well.  (For those who know the story, NCR was only mentioned once very quickly. No other mention of Dayton was made.)

https://www.youtube.com/watch?v=S5CjKEFb-sM

A last-minute decision for a late-night cocktail in the neighborhood where I’m staying ended up creating a nice evening.  I ran into some old and new friends and was able to talk about highlights of the festival before wrapping it up for the night.  More than likely, I’ll see at least 3 films tomorrow…and I head home Saturday.

More soon!

Thanks for reading,

Jonathan