Oddbody's
This Must Be The Party!
This Must Be the Party! is a brand new benefit show produced by the Dayton Ballet Barre, as a fundraiser for the Dayton Ballet. This “dance party for the dancers” is a special collaboration by the region’s most talented musicians, performing songs from The Talking Head’s epic 80’s rockumentary “Stop Making Sense.” This classic performance will be recreated by this fantastic ensemble on Saturday April 15th at Oddbody’s Music Room. Doors open at 8pm, and Show runs from 9pm–11:30pm. The best part is that it’s a super affordable way to support the Arts in Dayton: Just $15 for pre-sale tickets or $20 at the door, day of show. 18+
Libby Ballengee, President of the Dayton Ballet Barre and a local music promoter through her own music production company, Venus Child Productions, explains the origin and inspiration for this event: “It was an easy ‘win’ all around – the Ballet Barre needed a fundraiser, a group of musicians wanted a reason to perform this album (because it’s so fun!), and lots of my friends would be in heaven if we did this show. I could not be more excited for this show! This is truly going to be an extremely fun event!”
The incredible line-up of Dayton, Cincinnati and Louisville musicians performing include: Brian Hoeflich, Patrick Himes, Nathan Lewis, Erich Reith, Greg Lewis, Aaron Holm, Dan Hereford, Keith Cost, Khrys Blank, Mykal, John Dubuc, Nathan Peters, Brian Spirk, Eric Cassidy, and Matt Byanski.
Big thanks go out to the sponsors of this event: Houser Asphalt & Concrete, Nightstar Security, Turner Property Services Group, On-the-Go Prints, and Oddbody’s Music Room.
How to go?
Saturday April 15th 2017 at Oddbody’s Music Room.
Doors 8pm. Show 9pm. 18+ with valid ID.
$15 advance. $20 day of show.
For tickets: https://www.ticketfly.com/purchase/event/1437688
Dayton Music All-Stars Gather for Aria Marie Fundraiser
The Dayton music scene is a generous one, gathering often to give back to the community and loved ones through benefit shows. One that is particularly exciting is coming up at Oddbody’s Music Room. Nightbeast, Jasper the Colossal, Shotgun Surprise and Team Void are all performing together to benefit the Aria Marie Foundation on July 9th, 2016. 
The Aria Marie Foundation was founded in March 13, 2014 by Dale Spradling, lead singer of Shotgun Surprise shortly after Aria Marie, his daughter, lost her life tragically. She left behind a beautiful baby girl, Maleigha Nicole. Dale was inspired to start up the foundation to help children who have lost one or both parents by raising money to provide a small college fund for each child and providing Christmas presents to the children yearly.
Attending this show is a win-win for rock fans. Very reasonable, typical entry fee to see one some of Dayton’s best rock bands, plus help give back to a deserving charity! If you want to make a donation to the Aria Marie Foundation, click here.
How to go?
Oddbody’s Music Room
July 9th, 2016
Doors 7pm. Show 8pm.
Door Donation $5
All ages w/ ID.
This event is sponsored by Centerville Pizza And BBQ
Get to know Oddbody’s Music Room
In my early years of going to see live music in Dayton, I went to many memorable shows at McGuffy’s House of Rock in east Dayton, off Burkhardt Ave. It’s always been a great general admission venue, which is so much more fun than seated shows. In the last few years, the line-ups just weren’t calling to me, and it fell off my radar.
In 2014, the venue was sold to new owners. Now named Oddbody’s Music Room, I was cautiously optimistic about the venue’s future. When I first met with the new owners, Neilson Hixson, Skip Murray and Richard Eckhardt, I knew this historic space was in good hands. I was so impressed by their professionalism and dedication to bringing not only great sounding shows, but a more diverse offering of musical acts.
In the last couple years I can attest that have done a simply fantastic job bringing our former stomping grounds to new heights. What’s new? Well other than a fresh coat of paint, the sound and light system has been revamped and cranking! It’s definitely one of the best indoor venues in the regional area.
I got a chance to catch up with Neilson about his thoughts on taking a chance on the venue, the local music scene, and how to keep up with this exciting spot:
1. What inspired you to open a music venue? What an exciting venture!
It’s really simple. I think we’re crazy. This is a tough business, make no doubt about that. So many highs and lows. I’ve been promoting shows for well over 20 years and we had an opportunity to maintain this iconic Dayton stage. We took a leap of faith and did it.
2. Let’s say someone hasn’t heard of Oddbody’s Music Venue. How would you describe it? What differs it from other venues in town?
We look like a classic mid cap rock club that you’ll find scattered around the country. The room might not be fancy but what we really have going for us is our stage and production capabilities. And that’s really what matters doing what we do. The stage and the team we have running it. We put it on a pedestal to honor it. The production of a concert is hands down the single most important part in all of this. And I think the patrons, the fans, who come and see these artists really feel that.
Upcoming shows at Oddbody’s Music Room
3. You have been involved in the Dayton music scene for a long time. How has the scene changed over the years? Thoughts about it’s current state?
When I got started doing all this stuff I was primarily booking and promoting metal. That’s always where my heart has been. And the metal scene is still pretty solid around here. Great local artists and when we bring in these larger touring bands generally the attendance at the shows remains good. In the last two years I’ve learned a lot about other music scenes in Dayton. Some are extremely strong, others hit and miss. But there remains a lot of extremely talented local talent. Bottom line is the bands and the people actively attending shows will change over time. Change is constant in the music business. But if you book the right bands at the right time people will come out to see them. You absolutely can’t take anything for granted though. Just simply booking a band and expecting people to buy tickets will run you out of business as quickly as you started it. Getting butts in the seats remains hard work. And if you are not willing to do the work this business is not for you. That sure hasn’t changed much.
4. What advice would you give to musicians? Regarding promotion and/or professionalism?
Decide who you are. Are you doing it for fun or is this a business? Are you just happy being a local band playing some gigs here and there or are you going to try to “make it”. Are you willing to put in the work? Look it’s just as crazy being a young touring band as it is a venue owner. But it’s what we do. It’s in our blood. Practice your instrument, develop a sellable product, invest in your product, and fully commit to your product. Build a team to help you sell your product. It’s like running any other business. It’s not easy, you have to take some leaps of faith. You will still probably fail. But you only live once. And who wants to go through life thinking you never tried to do anything. In a matter of minutes venue owners and stage managers can see what choice you’ve made. Think about that too.
5. You have some amazing shows coming up. What’s the best way for way for people to keep up with the schedule?
www.oddbdoys.com or www.facebook.com/oddbodys would be the best two places to check out the always changing musical calendar! (Editor’s Note: You can always check the DMM Calendar for upcoming shows as well.)
How to go? Located at 5418 Burkhardt Ave, Dayton OH 45431
An easy 10 min drive from downtown Dayton, via US-35 East
Get out and support the Dayton music scene!!
Soul Asylum and The Meat Puppets live at Oddbody’s
Yes indeed the 90’s are making a return this weekend via Soul Asylum and The Meat Puppets! Touring together, and stopping in Dayton, to help us relive Runaway Train, among other classics of the decade.
Formed in the summer of 1981 by high school friends Dan Murphy, Karl Mueller, and Dave Pirner, Soul Asylum (named Loud Fast Rules up until 1983) quickly became frontrunners of American college rock, following in the tradition of fellow Minnesota bands Hüsker Dü and The Replacements.
Along with Soul Asylum, are legendary desert punks the Meat Puppets. They have carved a unique niche for themselves with an unmistakable blend of cosmic country and punk rock filtered through countless acid trips, dog-eared comic books and their eclectic record collections. Along the way they’ve earned the admiration of a pantheon of critics and rock music peers. The band’s live shows and new material, including their 14th studio release, Rat Farm (April 16 release via Megaforce Records), are as colorful, vital and undiluted as ever.
Soul Asylum performs at Oddbody’s Music Room Saturday night!
How to go?
Saturday November 7th
Doors 7pm, Show 8pm
Tickets: $25-$30
Purchase online here: https://www.ticketfly.com/purchase/event/905331
Caldron of Musical Mayhem at Oddbody’s
It was a dark stormy night and Dr. Lovenstein was hard at work in the depths of his Subterranean freak lab mixing up a strong batch of funk. As he poured his steamy concoction into the large kettle before him the chemicals began to swirl and a dark melody arose. He raised his arms in victory and the Cauldron of Musical Mayhem was born.
Dr. Lovenstein has invited Glostik Willy, and Jahman Brahman to the Subterranean Funk lab to help share his mystical creation. You won’t want to miss this event that takes place Halloween night October 31st at Oddbody’s! A freaky night of funky musical fun awaits you!
How to go?
Subterranean’s Caldron of Musical Mayhem Featuring Subterranean, Glostik Willy, & Jahman Brahman
Performing at Oddbody’s Music Room (conveniently near 35, north of the Woodman exit at 5418 Burkhardt Rd.)
8pm Doors. $10 in advance, $15 at the door. 18+
Get tickets: http://ticketf.ly/1LCwRlK
More about the bands:
Subterranean approaches improvisation with intent. Pushing stylistic boundaries and fearlessly exploring their musical journey while still presenting infectious grooves. This creates a unique experience at every live performance making each one a must see.
Glostik Willy is the life support for the rock & roll you thought was dead. The band formed in early 2008, and since then has grown to be a driving force in today’s scene bridging the gap between rock and jam and forming their own genre of music that can only be described as Hippy Metal. GW has done 500+ performances in more than 17 states and counting. The band has hosted 7 music festivals (May Daze, Stik Nite, Twig Nite, Willy Fest) and performed at over 35 festivals. Glostik Willy brings an energy like no other during live performances that gets crowds moving and grooving all night long. Currently the band is working on a new album that will feature the bands most recent musical workings while releasing a series of live albums. Glostik Willy continues to thrive on the road spreading their love for music to anyone with an open ear. If this group of in your face Hippy Metal addicts happen to stop by a city near you, be sure not to miss this amazing musical spectacle that the world knows as Glostik Willy.
Jahman Brahman is a four-member collaboration originating from Columbus, Ohio in 2005, and currently residing in the mountains of Asheville, NC. The musical intuition of each member overcomes the restrictions of any particular genre as they pioneer the musical trail with a sound completely their own. The name Jahman Brahman emerged from each member’s goal to achieve the ultimate state of musical cohesion; each instrument connected to one another to create a piece of music from the heart of one.
They’ve described their particular style as shred ‘n’ flow, a dynamic sound with a wide breath of influence, but a focus on rich, fluid, progressions of energy. Providing the low end, Nate “Brother” Brown brings his own style of funked out and super fresh bass grooves giving depth to Justin Brown’s full and conscious lyrics. Drummer Chuck Knott gives the sound its steady concrete pulse providing the heartbeat for Casey Chanatry’s riveting guitar-work. Combined, Jahman Brahman leaves the listener with a message on life, love, and the wonders experienced being part of an extraordinary musical family.
Each member holds a unique passion toward many different audio paths, with influences ranging from classic rock to electronica; from punk to jazz. Instead of conforming, they ascend music through the coalescence of their diverse styles, taking risks that unfold into powerful jams and creative compositions.
Local band, Subterranean, hosts their first Halloween extravaganza!
Bonz Live in Concert AT Oddbody’s
Lead vocalist Bonz was the original frontman of Stuck Mojo who trail blazed the rap-rockgenre by melding their heavy metal-bred Southern heritage with a blend of metal, rock, and hip-hop. Formed in 1989 by guitarist Rich Ward, Stuck Mojo set out to experiment with this genre-blending musical hybrid, inspired by bands such as the Red Hot Chili Peppers, Faith No More, Run DMC and Black Sabbath
Chris Knight Live in Concert
I don’t ever get in a big rush about things,” Knight says. “I can tour pretty good on what I got. I took my time, like I always do. Write a song every now and then. I don’t like to talk about politics, but I do write what I’m thinking about.” And if many of the songs on Little Victories seem to take a hard-eyed look at the current socio-economic climate, Knight – the former strip-mine inspector who still lives in the backcountry coal town of Slaughters, Kentucky (population 200) where he was raised – is upfront about their origins.
The Bourbon and The Chainsaw: Jackyl Brings Their Own Party
The home of great sports and great rock.
When I was younger, one of the first concerts I went to was a sold out show at the Richfield Coliseum on the Aerosmith “Get A Grip” Tour. The Coliseum was an amazing venue south of Cleveland, seeing many great musical acts come through there and hosting some incredible sports teams. It was the home of the Cavaliers for three decades (and the home of Larry Bird’s final game), and where every major band that came to Cleveland played. Thus the rock legends from Boston touched down there, bringing another, lesser known band to open for them. Jackyl was entertaining to watch and blended in well with the rock that was going to be the main course for the day. Their big hook was one of their songs, called “The Lumberjack”. Their front man, Jesse James Dupree, played a chainsaw on stage as part of the song. It was an interesting way to kick off the show, but not as interesting as you can kick it off now. Dupree has been fronting Jackyl since the late 1980’s. That is a lot of bars played at, and a lot of beer and whiskey sold. And by his reckoning, he has been “personally been responsible for millions of gallons of beer and whiskey that have been consumed over the years.” He rectified the beer part of that equation, releasing Jesse James America’s Outlaw Beer around 2008 and may still be available in Kansas, Missouri, and South Dakota. A few years ago, American Outlaw Bourbon hit the scene, taking care of the whiskey.
Being from the South, Mr. Dupree knows something about whiskey. Jesse James Spirits was launched in 2010, the same year of Jackyl’s studio release When Moonshine and Dynamite Collide. It brought the American Outlaw Beer under a solid home, and allowed the release of The Original Jesse James American Outlaw Bourbon Whiskey into the world. Distilled in Kentucky and rested in charred oak for three years, it is an uncommon find when you are roaming the liquor stores of Ohio, or many other places in the United States. Lest you think that Dupree went into this as a lark, American Outlaw won a Bronze Medal, along with Four Roses Yellow Label, at the 2012 San Francisco World Spirits Competition. He has also planned some expansion into Trimble, Tennessee, butting heads with the state over being able to create a product labelled as Tennessee Whiskey. Jack Daniels has a lock on that title, and on the process, that it requires to be called a Tennessee Whiskey. He
Pick up a good bottle of hard-to-find bourbon!
was one of many voices that argued that the requirements listed in the law were the process Jack Daniels’s used to make their whiskey, and shuts out the small distillers like his.
If you are either a bourbon or Jackyl enthusiast, today is (somewhat) your lucky day! The lucky bit is that Jesse James Dupree will be selling, and signing, bottles of his American Outlaw Bourbon and Michael Balard’s Full Throttle S’Loonshine at Manor Wine and Liquor on Airway Road. The unlucky part of it is that his second stop of the evening, Oddbody’s Music Room, where Jackyl will be performing with Transylvania Hellhounds and Four Star Revival at 7 PM, is sold out.
A good deal of time has passed since that concert in 1993. The Coliseum is now a field in the Cuyahoga Valley National Park, and Jackyl is no longer a little known opening act. They have become a powerful force in the rock world, with a new opening act they are looking to introduce to a broader audience. From what we have seen and heard about it, and with the continuing growth of the craft bourbon and whiskey scene, we may be seeing American Outlaw Bourbon eventually making a big name for itself. Cheers!
REVIEW: Bobaflex Rocks Oddbody’s
They avoided or skipped the chaos of Black Friday in Dayton this year but West Virginia’s hardest working band Bobaflex brought the diesel fumed rock as only they could as the black leathered bad men hit the Dayton stage once again on Saturday December 5th.
Desalitt (photo by Mike Ritchie)
Locals Desalitt brought a unique blend of grunge, punk and metal, and the long haired/dreadlocked blokes from across the sea October Rage brought their version of hard rock bordering on metal to the heartland.
Created in 2008 in Xenia, Desalitt plays rock with a grungy metal twist. They played a few originals with heavy covers mixed in. The dual vocals of the leather and spiked clad, green haired, mic fisted in your face Shug played a nice opposite to the ‘calm, long sleeved but not flannel, and collected’ guitar playing “more serious” Greg Crawford. A ten song set of originals and covers included a mix and match of punk, rock and grunge as the “Bodies” hit the floor. They had a little bit of rage to get out before the Aussie’s had their turn with “Bulls on Parade.” It was time to Take a Look in the Mirror with Korn “Right Now.” Original “Broken Strings” carried a melancholy atmospheric mood in the guitars with a mix of Scott Stapp and Scott Weiland vocals. “Insane” had a swampy guitar attitude digging deep into the Sabbath blues. “Want Me to Be” had Eddie Vedder invading on vocals with Pearl Jam’s angst riddled creed behind him.
Dubbed one of the “hardest working bands in rock” on their seven month USA Outrage Tour racking up over 70,000 miles and 120 shows traveling across the country spreading their October Rage to America, the brother’s and co. have brought their metal tinged Aussie rock to Yankee ears.
Formed by brothers Nick (vocals, guitar) and William (bass) Roberts in late 2008, they’re from the Central Coast of New South Wales, Australia and quickly gained notoriety supporting Bon Jovi on their Circle Tour at sold out shows in Sydney.
With their 2011 debut Outrage and this year’s Fallout, Dust and Guns release under their belts they’ve played with Steel Panther, Saliva, Sevendust among others.
Bobaflex (photo by Mike Ritchie)
The rage began with “Wayside” with Nick and William’s hair and locks flying around the stage like Rob Zombie whiplashing the post at a roadhouse back porch witch burning. “Valkyrie” hits a little harder with some dirt under the wheel riding by with rebel thunder. Beware of the “White Walkers,” you can feel them “Coming in the Air Tonight.” They add in a little acoustic charm with the rock on “Silver Line” floating close to Skillet territory and ‘dangerously’ close to Nickelback. They turn the rock back up on “Set You Free” finishing with the slow bluesy sing along “Reign of Fire”, adding a bit of Skynyrd to the mid-section jam, prompting a lighter tribute, once thought extinct in the era of the cell phone glow.
With hell in their hearts the men in leather and black started with “Low Life.” It was George Thorogood on steroids as they cruised down the “Chemical Valley” screaming loud and proud before crashing and burning with style with the help of some sweet liquid sin. Charlatan’s deadly venom made its first appearance with the loving neck caress of “Strangle You.” The camera does strange things to the “Pretty Little Things” next door. Sweet and innocent turned addicted media queen. From all of us to you, with true sincerity, “I’m Glad you’re Dead.” Can’t you hear me laughing as I dance on your grave? Break out the bubbly.
The life of the trailer park says come back to me but the pleasures and excess of touring say never. It’s so hard to resist the seductive sharp kiss of the “Vampire.” She’s a blood boiler, life sucker. Exorcise her demons with the back of your hand, “Bad Man.” Simon and Garfunkel along with Depeche Mode enjoy “The Sound of Silence.” Bringing a bit of the 60’s hippie folk vibe rocked up with some guitar rev.
They’re losing their minds on motor fuel, decibels and live octane doing it on stage their way. Don’t fall in love and get hurt, they just want a meaningful one night romance, enough time for a “Rogue” dance. They brought the hands up with the ultimate West Virginian rebel rouser anthem. Members of Desalitt and October Rage came out to jam the way any road weathered rock star wants to go out. Die with your boots on so they’ll “Bury Me with My Guns On.” Hey! Sending the crowd home happy, they encored with an attitude on “Better than Me.”
Oddbody’s Host UD Metal Conference after Show with Alex Skolnick
Forces of Nature (photo by Mike Ritchie)
There was an addictive, contagious energy in Oddbody’s on Saturday November 8th. Maybe it was due to the night being the top off, after party to three days of multi diverse and cultural information given by respected academic scholars at the University of Dayton on the global impact and culture of metal music and its growing community of supporters. Maybe it was because each of the three bands that performed on stage were handpicked from a group of over a dozen hopefuls from around the state to play for a crowd of appreciative metalheads and also….because one of the distinguished conference guests of the day was in attendance to watch them throw down.
The three full days of lectures and presentations were a true international experience for the 85+ in attendance. With 32 of the 36 presenters being from esteemed collegiate institutions bringing their knowledge and expertise to the eyes and ears of over 50 undergraduate/graduate students and a few select pillars of the local community. Seven countries were represented including the US, England, Canada, Germany, Norway, Sweden and Puerto Rico with Ohio, North Carolina, New York, Pennsylvania, New Jersey, Virginia, Utah, Missouri, Texas, California, Florida and Illinois also represented. Over the course of the conference over 40 attendees averaged each presentation so all information brought and taught was welcomed, wanted and assimilated by ‘suit and tie guys’ and ‘long haired metal heads’ possibly at the same table. Mr. Skolnick averaged the biggest audience with over 50. The film March of the Gods on opening night drew 32 attendees and the art exhibit “Mask: Face Paint, Head Coverings, and Masks in Popular Culture” drew approximately 35 for the formal showing plus more during the week.
Conference topics included: “Queer Metal Matters: Metal, Sexuality, and the Future”, Metal and Religion, Community and Metal, Extreme Metal and the Aesthetics of Community, Metal Under Totalitarianism, Metal and Culture, Cultural Legitimation of Metal, Metal and Education, Metal to the Extreme, Women and Metal, Metal as Performance, “Louder Education–Alex Skolnick,” Defining Metal, and “Heavy Metal: A Business, A Lifestyle, Past, Present, Future”
Lick the Blade (photo by Mike Ritchie)
It’s not every day an Ohio band gets to play a show with a man who’s traveled and performed on the world’s stages with the roaring bellow of Chuck Billy and Bay Area thrash legends Testament. A man many on stage with a guitar idolized and many within the crowd grew up head banging and moshing to his music. On the evening of Saturday November 8th, Alex Skolnick was at Oddbody’s.
The event helped raise money for Project Read of Dayton and the Ronnie James Dio Stand Up and Shout Cancer Fund. Each band played with sincere strength, passion, energy and vigor representing their scene and the Ohio scene as a whole. As the night progressed the musicians performed as if standing in front of a packed, screaming arena.
Cleveland’s Lick the Blade brought the second coming of Iron Maiden from the north with the soaring, searing Ted Anderson hitting Manowar pitch notes with a power metal groove. Dayton reps Engine of Chaos brought the middle ground dividing the night with a slower, smoother bluesy groove mixed in its Dio meets Cornel Seattle sound and finished with the always intense mammoth thrash attack of Forces of Nature.
An arena sized passion was present and played from the beginning with a collective unity showing visitors from other cities, states and countries what Dayton can deliver.
Cleveland’s Lick the Blade brought the modern day classic sound of Iron Maiden mixed with power metal sounds and the endlessly high octaves of vocalist Ted Anderson who ranged from Dickinson, to Halford to Tate peaks. Formed in 2004, they decimated locally, going through a few member changes before acquiring Anderson and songwriter/guitarist Brian French. Signing with Cleveland based metal label Auburn Records in 2006 they released their debut Graveyard of Empires in 2009. From growing popularity overseas they were invited to perform at the sold-out Headbanger’s Open Air Festival in Brande-Hörnerkirchen, Germany. “Royal Blood,” from Graveyard, earned spots on compilation CDs from both Germany’s Heavy and Poland’s Hard Rocker magazines and Lick The Blade was voted “Best Metal Band of 2009″ in Cleveland Scene magazine’s 2010 issue of its annual “Cleveland Music Awards” feature. They’ve opened for Loudness, Exodus, Vader, and 3 Inches of Blood and more currently with a certain amount of musical irony, former Iron Maiden vocalists Paul Di’Anno and Blaze Bayley. Their second album The Sun and Time is out now.
The “Mark of Nero” opened with galloping guitars as Tim ‘Ripper’ Owens aka Anderson owned on old school early Dickinson era maiden. There was history in them riffs on “Guns, Germs and Steel” as they went back to the Di’Anno club days when Eddie was just a face on a sign. They headed back to the inspiration of Ra and the Powerslave era on “Blood-Soaked Majesty.” The chalice runneth over with glorious crimson on the celebration table. “Voyage of the Damned” could be their “Rime of the Ancient Mariner” as the ship traveled through the sea of madness through murky fog, where spirits of dead pirates waited to steer their vessel a foul. A majestic opening with Anderson singing a soft wail of woe of land not seen till forever’s end. “Twilight of the Idols”, it’s metaphysical with twilight in the sky of the ancient and eternal idols. The hooded Charon the Ferryman made an appearance, pointing his oar to all souls looking for transportation after adding to his pouch of coins. “Charon’s Obol” gave protection to the soul with safe passage to the next world. Album title track “The Sun and Time” was next followed by “Thanatos” bringing the death of us all riding the battle plight of “The Trooper.”
Engine of Chaos with Alex Skolnick (photo by Mike Ritchie)
Engine of Chaos came out ready to deliver the midsection of the night’s metal from Ohio selection with a set heavy with jam, groove and blues. Sirens went off as guitar reverb filled the speakers and bass thundered in. The first crunch of the almighty riff hit with the thunderous melodic yell of Scott Toops. Title track from Uncover the Bones brought forth some dirty buried secrets straight from the depths of Nola, LA. They went Down with conformity playing the warriors call, marching with stained feet from “Blood on the Shore.” The guitars got slow, moody and melodic with their own super-“Unknown.” The silence of the swamp was mucked up and smashed by the “Tug River” as watery guitar notes slithered down the river like hissing snakes venom. The bouncy thrash infused blues of “The One” was fused and followed by the dark tale of the “Deceiver.” Some bitches were born to deceive. They got a lil’ Sabbathy on the “Change” then the premiere of the new/unreleased “Dream the Past.” Dude Mounts guitar chugged and marched with searing notes, telling them God-Damned “Lies.” “7 Demons” finished up the set with special guest vocalist Joseph Palmer.
Then a special encore happened with the world renowned guest guitarist. “This song needs no introduction. If you’re a metalhead you’ll know this.” Toops proudly proclaimed. “Are you guy’s metalheads out there? Are you mother——‘s metalheads out there?” The opening notes of one of the greatest metal anthems began. “I wanna hear ya Dayton Ohio, get the f- up off your chairs (in the back) and get up here!” Tonight Dayton gathered in their masses, to see Alex Skolnick on stage, shredding Sabbath, kicking our asses.
Forces of Nature came forth and played with the power and passion of the gods and goddess’s. Marc Godsey took the mic speaking with genuine, heartfelt emotion about how incredible the last few days had been, the knowledge gained at the conference and the feeling of true love, unity and dedication displayed by the local scene. Not to mention meeting one of your guitar idols and being on stage with him. He stamped the statement with “and I CAN’T WAIT to play this set.”
The opening iron welding riff and yelling notes of “Magnus Lee” shot out of Jimmy Rose and Marc Godsey’s guitars laying inflamed ground work for Tate Moore’s screeching serpent’s tongued dark demonic delivery. It was a sharp, hard punch to the face with a warm hello, saying we’re here, now f—–g pay attention! It started raining blood in the “Forest of Corpses” from a lacerated sky. Drums hit guitars grinded and riffed upward in a tale of tortured self-hate. Mary’s one messed up bitch, in a moshed up f’n mess.
“Throwing Fists” in a cage or a concert, you’ll get hit back either way… and the cage is safer. Drums tapped ushering in the ram-rodder guitars smashing TV’s with wrecking balls, sledgehammers and other hardcore fist shaking plunder. It’s the only way to get that crap off “A.S.O.T.” “Nevermore” slows it down ‘a bit’, enough for a short pit-break before your personal “Apocalypse” comes on reentry. Get ready you stupid, stupid, stupid son of a bitch! Rose shined on the six minute instrumental opus “Dark Carnival” bringing the addictive emotional darkness and thrash poetry from his fingers. Something wicked as shit, this way came. The heavy pair of double D’s was shown in public again with “Deception” and “Devices.”
After the show Rose got his guitar neck signed by Skolnick and enjoyed a few surreal, inspirational moments with the guitar legend as did other members of Forces and other audience members throughout the evening.
REVIEW: Oddbody’s Brings the Solstice to Dayton
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Crucifixion (photo by Tom Wilson)
Saturday September 6th, could be seen as a night when the perpetually moving solstice of change and evolution in the Dayton scene was showcased on the Oddbody’s stage. The young, upcoming new blood opened followed by the established former instrumentalists with a new voice and the scene veterans played direct support to the national headliners.
The origins of Crucifixation spawned when guitarist Max Mobarry and bassist Shane Tucker finally got a chance to jam during the summer of 2012. A few months later the two, along with vocalist Eric Bucio started jamming discovering a mutual love of intense metal music. Eric suggested they form a band and Crucifixation was brought forth onto this earth. After a year-long search, they were contacted by drummer Jorden Garberson, who became the man behind the kit. They’ve assembled an onslaught of brutal thrashing metal honoring the greats and destroying those who stand in the path of their unholy Crucifixaters.
Playing hard and banging harder they tore into their set playing with an old school Sepultura meets early 90’s Florida death metal roar, throwing buckets of adrenaline and fury on stage. Opener Infestation carried the militaristic march of the young soldiers hitting with the first wave of heavy artillery. Redemption brought the slow, evil, seething technical death thrash slowly slithering towards you. Breastflesh cracked the bones, softening up the anatomy for the pluck pounding and Cannibal Corpse lyrics. Max Mobarry was definitely Puckin’ Around waving his long crimson red windmill mop at hurricane speed as they played homage to the game on ice and any other hockey masked guy prone to violence. What could be their future Toxic Waltz, Stand Up and Thrash had a nice bass groove with some Slayerish riffs and an almost boogie feel. Bucio delivered screams, growls and some spoken word vocals. Besides Death, Cannibal Corpse and Six Feet Under it’s fitting that Morbid Angels in there as Mobarry could be the younger doppelganger of Erik Rutan.
Zuel now has the voice of Brandon Hawk, a younger Dan Lilker in appearance, and they started with No One Has Partied Here in Years, aka Johnny. They bring the hardcore belated hangover shoveling it in with bulldozer guitars, a bit of Fear Factory industrial tools, some sweet melodious Death courtesy ofUncle Chuck and some Morbid Angel signature guitar slides providing the musical diary and building blocks of a madman’s metal puzzle. Unfettered aka Year Long sounded like Opeth falling down an open air spiraling staircase, smashing into an ascending Mastodon during a lightning storm. Whisper in the Ear aka 1984 had a nice descending mental melody and deliriously mad, dark mood.
They finished with Take Kindly/Endless Rapture and The Flaws We Seal as Secrets. Keep updated on these multi-stylistic noise makers often seen at Hanks Pub, Oddbody’s, Blind Bob’s and on top of tall buildings being shot by proton packs.
Forces of Nature (photo by Tom Wilson)
One of Dayton’s hardest working/scene supporting bands Forces of Nature played the stage under the Oddbody’s banner for the first time cranking out metal meal riff-muncher Magnus Lee as Tate Moore summoned his inner cookie monster and accompanying serpents tongue. We took a lovely stroll through piles of death and carnage caused by one man’s madness and wrath or your favorite conqueror, tyrant or serial killer of choice. The Godsey’s, Jimmy Rose and Johnnie Wallace gave the Forest of Corpses life; Moore gave mutilation and anguish a voice. They played the stalking chainsaw wielding killer in the woods past midnight pace of Mary Hates Herself. It’s a wonderful life, live it loud and play it with metal. Quote, the Forces of Nature, Nevermore. Throwing Fists in the pit, it’s hit or miss, till you get your ass kicked for being a dick. Wallace continues to shine against two powerhouse guitarists bringing Dimebag’s spirit to the bass. They gave a loud reminder that we’re all dwellers on this Black Earth. A set mostly taken from the new Dark Ages CD ends with A.S.O.T. questioning God and country’s need for martyrdom and some seriously weird, creepy s**t descending down the walls as blood runs up.
From the air, heat, sand and dirt of Florida’s early 90’s death/thrash metal explosion spawning Death, Deicide, Obituary and Cannibal Corpse among many others comes the Solstice. Founded by drummer Alex Marquez (Malevolent Creation), Rob Barrett (Cannibal Corpse) and Dennis Munoz (Iniquitous) and newly recruited Ryan Taylor (Atomik) on rhythm guitar and vocals they brought three records of speed and thrash to the stage. Taylor brought the noise Vio-lence to the forefront starting with an Age of Quarrel song from the Cro-Mags. Starting from 1992’s self-titled debut, they dove straight into the darker side of the mirror on Netherworld. Upon the wastelands arose a true unholy decimator of all that’s conquerable with a Cataclysmic Outburst. The land of the free, pulled by the strings of filthy politicians, must be Cleansed of Impurity. By any means necessary. Aberration asks how much pain can we possibly bear with such a young soul. They send some respect to the Bronx, pounding with 44 Caliber Brain Surgery to the head, Demolition Hammer style.
Plasticized, your aging body is rotten as you’re rolled up into a corner and forgotten. The Eternal Waking of one’s inner self to a world of inner consciousness and dreams. They took the first page from the steamrolling/wrecking ball guitars and banging bass book of Pray and played the title track prophesizing the triumph of science over the hypocritical elements of religion. Survival Reaction, seeing red as the instinct to survive kicks in, at all costs.
They play a Peter Steele tribute Carnivore style and possibly one of the reasons Playgirl called. When one is six-foot-seven, size matters. They end with the weak, aging mind Transmogrified by dementia and loss of faculties.
Crucifixation, Forces of Nature, feature images courtesy of Tom Wilson
Editor’s Note-On Saturday September 20th, for the 8th straight year Forces of Nature volunteered their time, working with event coordinator Jeanette Monaghan, performing at the Wright Pat Air Force Base Marathon. They played a non-stop, six-hour (7am-1pm, with pre-dawn setup/5:30 am sound-check) gig positioned near the last leg of the course. They banged and thrashed as over 15,000 runners went by, many raised the horns in respect and gratitude for the extra effort, adrenaline and energy to the finish line of the 26 mile trek. When the set-list started getting low their ‘late morning’ creativity-caffeine kicked in with adlibs and jams coming up with new material. Tom Wilson along with event supporter Kelli Wilson also made the early morning base trip making sure the heavy metal patriotism was documented. After playing all morning and a brief break Mr. Godsey spent the evening at Oddbody’s working security for the Nonpoint show.
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REVIEW: Hollow, Damaged Soul Play Oddbody’s
Hollow (photo by Mike Ritchie)
Hollow, Dayton’s tribute to dual era Alice in Chains and Damaged Soul a tribute to the music of Black Sabbath and Ozzy played the newly reopened House of Rock now known as Oddbody’s on Saturday August 23rd. The place slowly filled with local fans and musicians showing up supporting the new venue and showing respect for the stage and appreciation that a long time live music staple was back again.
Alice Cooper probably did it first but Alice in Chains took the name bringing their dark, dismal, murky but incredibly catchy and moody metal from the Seattle rainfall to the world. Vocalist Greg Smith brought the spirit of Layne Staley and the continuing saga of William DuVall to the room with a career spanning set of favorites and obscure tunes from Facelift to The Devil Put Dinosaurs Here.
They started, digging up the Dirt on Them Bones and Dam That River then gave those unfamiliar, the first dose of DuVall era from Black Gives Way to Blue, the deep opening guitar note drag of Check My Brain. The Dirt continues to fall Down in a Hole followed by album mid-number Junkhead. The Dinosaurs return on Stone.
We finally got a loud, uncomfortable Facelift that’s somewhere between Love, Hate, Love sticking around for seconds. We could say it was sloppy but It Ain’t Like That. We got factory sludge in the face then went to Jar of Flies to get cracked open like a Nutshell. They played their namesake tune then went out and snuffed the Rooster, in a Sea of Sorrow.
AIC’s biggest hit was next, and he’s still bur-ied in his s**t. They finished with the instantly recognizable seductive bass line. If I could Would you? There were no angry chairs and heaven wasn’t beside us but still the goods were delivered.
Damaged Soul (Photo by Mike Ritchie)
Damaged Soul came up to play two sets from the Sabs and the prince of darkness. They started at the beginning… of Ozzy’s solo career with I Don’t Know. Go backwards to the early days of Paranoid, watching those Fairies Wear Boots in the park. Fast forward to the mid- eighties and relive Ozzy’s silver sparkle jacket and life sized stage Buddha with Shot in the Dark. They went back to Sabbath with a winter’s offering from Vol 4. Snowblind: a type of temporary eye damage caused by snow reflecting UV light, or……
The legendary drum beat began as the guitar dragged/wrenched out the pioneering first notes of Iron Man. Electric Funeral fire flared up next then they finished with the song ‘penned’ about Wards beard and widely interpreted as about the nativity.
They return for set 2 with a happy birthday tribute to Tim and Dimebag Darrell Abbott. Do what thou wilt shall be the whole of the law. With that in mind they invite in Mr. Crowley. As much as he enjoyed rum soaked tobacco, the Birmingham boys loved their Sweet Leaf. We’re all Believer(s) in Ozzy and the power of metal that compels us. The rest of the band took a break while Tim and bassist Norm Lilly of WTUE took us all through some Changes. We got mixed up in a Suicide Solution of lyrical misunderstanding. We got the old school version of the walking dead on Children of the Grave. We took a few more hits off the leaf and went Flying High Again just in time to climb aboard the Crazy Train ay, ay, ay, ay… It’s enough to occupy anyone’s brain making them Paranoid.
They finish with the dance of the War Pigs and Kent Martin ends a Damaged Soul show with a damaged guitar string. Crazy, yeah, but that’s how it goes.
