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McCoy on Movies: A Beautiful Day in the Neighborhood

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Hanks, Rhys shine in the Mister Rogers’ biopic A Beautiful Day in the Neighborhood

“Hey kids – if this was a Yeezy 350 Boost, I might tell you how to toss it on eBay to make a profit with which you could start a nice savings account!” Fred Rogers (Tom Hanks) strikes a familiar pose in a scene from director Marielle Henner’s inspired by true events biopic A BEAUTIFUL DAY IN THE NEIGHBORHOOD. Credit: Lacey Terrell © 2019 CTMG, Inc. All rights reserved.

WATCH THE TRAILER(S) HERE:


KEY CAST MEMBERS: Tom Hanks, Matthew Rhys, Chris Cooper, Susan Kelechi Watson, Christine Lahti, Wendy Makenna, Enrico Colantoni, Tammy Blanchard, Noah Harpster and Maryann PlunkettDIRECTOR(S): Marielle Heller

THE BACK STORY: Lloyd Vogel (Matthew Rhys) is a journalist for Esquire magazine who’s used to doing hard-hitting, investigative pieces that often leave the subjects of his stories, much like a James Bond martini, a bit shaken if not internally stirred. So, when his boss (Christine Lahti) assigns him to write a 400 word piece on children’s television show host Fred Rogers (Tom Hanks), he’s a bit miffed to say the least. 


Then again, Lloyd’s negative predilection to get to dig deep to find the dirt on people might have something to do with his own issues. He’s still very mad at his dad (Chris Cooper) – whom he prefers to call by his first name of Jerry – for what he did when his wife/Lloyd’s mom got sick. And now that he’s got a newborn son of his own with his wife (Susan Kelechi Watson), he’s feeling a bit of pressure not to pass along any of his own pain to his offspring. 


Thus, what happens when a cynical, depressed reporter is asked to spend extended time with perhaps the most upbeat, positive person in the world? Something that is definitely going to not fit into 400 words but definitely may touch plenty of hearts in theaters nationwide. 
THE REVIEW: Inspired by true events biopics often take liberties with the facts of their subject matter, omitting certain controversial details, adding characters or sometimes straight up just diverting from the facts for the sake of the story the filmmaker wants to tell. And given the success of 2018’s documentary Won’t You Be My Neighbor?, putting a well-known actor like Tom Hanks in the role of playing a beloved cultural icon like Fred Rogers could be a recipe for disaster if not done well with a compelling story.Anyone debating whether or not to see A Beautiful Day in the Neighborhood, however, should have no such concern – for the film is easily one of the finest releases of 2019.

Neighborhood‘s storytelling, under the direction of Marielle Henner (2018’s Can You Ever Forgive Me?), is almost like watching an episode of Rogers’ beloved television show itself – a simple yet genius move that brings the story to life. Instead of digging deep into its subject’s personal life (that aforementioned documentary does exist, after all), the film shows how the relationship between Vogel – based on Esquire writer Tom Junod who’s article served as a basis for Neighborhood – and Rogers. In doing so, it showcases the reasons Rogers became and remains an inspiration to millions of people throughout North America: In talking with Vogel about what drives him, Rogers works Vogel through his myriad of problems, making the writer learn about him but more importantly, himself.

Of course, this wouldn’t happen without Heller’s excellent direction that incorporates elements of both Rogers’ show and Hanks’ full immersion into the role. From his voice affectations and mannerisms to his legendary calm tone of speaking and self-deprecation, Hanks does about a fine a job as you’d hope for in a portrayal of a beloved figure without crossing into saint territory (which the movie directly addresses). Hanks’ ability to channel Rogers own approach to tough subject matter shows how his wisdom rings true for both children and adults to this day.

Rhys, however, may arguably deliver the strongest performance in the film, giving his reporter a layered depth to serve as the canvas on which Rogers’ true magic is fully revealed. Rogers hoped to create healthy positive adults instead of the type of adult Rhys’ character is: angry and wrongs done to him and unable to let it go, cynical, distrustful and afraid they’ll screw things up worse than their parents did. (Sound like anyone you know in your own life?) In showcasing the juxtaposition between the two, Heller crates a walking, talking exercise in a lesson typical of an episode of Mister Rogers’ Neighborhood with her two male leads playing their parts perfectly. Strong supporting turns by the always strong Cooper and Watson further complete the exercise, the latter’s enthusiasm for life and peace playing well against Cooper’s apologetic manchild father trying to make amends.

All things considered, the thing that will stay with you after the film is over is how dedicated Rogers was to making the world a better place, no small feat in a world where so many of us let so many things destroy our happiness. An atypical film in a cinematic landscape filled with remakes, the perennial sex and violence and hokey family fare that often misses the mark,  A Beautiful Day in the Neighborhood proves that good people still exist in the world – and good movies about them do, too.

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN): 

 
 

TIFF 2019 – Day #4

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Hello NEON Fans,

A lot came together today.  Tickets for tomorrow fell into line and I squeezed in a film that I wasn’t anticipating.

My first film of day #4 was A BEAUTIFUL DAY IN THE NEIGHBORHOOD. “A jaded journalist (Matthew Rhys) reluctantly accepts an Esquire assignment to profile the children’s television host Fred Rogers (Tom Hanks), and encounters a profoundly empathetic world view that changes his life forever.” (taken from TIFF catalog) This film, though a little uneven, works in mysterious ways.   I found the opening to be rather upsetting – as though there was a tongue-in-cheek approach to the reverence of Mister Rogers.  Were they praising him while slightly mocking him?  My initial thought was “this isn’t working”…and then the film strikes.  I saw this film with a jaded press/industry audience, and there were numerous signs of sniffles and crying…and even a splattering of applause at the end (something that almost never happens at industry screenings).  Tom Hanks is wonderful, and Heller (DIARY OF A TEENAGE GIRL and CAN YOU EVER FORGIVE ME? both played at THE NEON) works some magic (though it certainly lacks some of the edginess that her earlier indies displayed).  One really nice touch was a cameo (blink and you might miss it) of Fred’s wife in a restaurant scene…she arrives at just the right moment.  Even though the Focus documentary about Rogers was our highest grossing film last year, being a big studio film, this one likely won’t make it to THE NEON.

Next up, I managed to wiggle in a screening of GREED.  “Festival favourite Michael Winterbottom skewers the fast-fashion industry in this scathing farce about the grotesque inequality between a retail billionaire (Steve Coogan) and the female garment workers who toil on his trendy clothing line.” (taken from TIFF catalog)  This film is problematic.  It’s a farce.  The set-up is comedy, and the writing is scathingly good…perhaps too good.  Instead of laughs, I found most of it cringe-worthy. The main character’s true lack of compassion seemed a little too probable – and thus quite hard to laugh at.  That said, the film supplied a great deal of education as to how someone in this particular industry can make money – all legally (though drenched with moral irresponsibility).  Title cards at the end of the film provided statistics as to how much money people in the textile industry make…and how the rich keep getting richer.  It’s such an interesting piece on so many levels – and perhaps the only way to get people to see the statistics is to lure them with a comedy…but I was hardly laughing.  (That said, there are some really great moments and material here.)  There’s no trailer yet, but here’s a clip.

1982 “During the 1982 invasion of Lebanon at a private school on the outskirts of Beirut, 11-year-old Wissam tries to tell a classmate about his crush on her, while his teachers — on different sides of the political divide — try to mask their fears, in this poignant debut feature from Oualid Mouaness.” (taken from TIFF catalog)  I went to this film namely because it stars Nadine Labaki – a director and actress I greatly admire.  (We’ve shown three films she has directed, including last year’s Oscar nominee CAPERNAUM.)  This film is a slow burn, but when the war keeps creeping closer and closer, it becomes rather terrifying.  There’s a strange device regarding Wissam and his drawings that I didn’t really feel was needed, but the performances and tone are strong.

Before my last film, I came back to the apartment and caught up on some NEON-related items and then I stopped by a gathering for The Art House Convergence.  I ran into a couple friends there, but I had to quickly scurry to the Princess of Wales Theatre.

JOJO RABBIT was my last film of the day.  This was the world premiere, and many people from the cast and crew were there. “Taika Waititi (WHAT WE DO IN THE SHADOWS) directs a riotous cast — including Sam Rockwell, Scarlett Johansson, Rebel Wilson, Thomasin McKenzie, and newcomer Roman Griffin Davis — in this daring, touching, and comedic satire about a young German boy who discovers a Jewish girl hiding in his home and consults with his imaginary best friend, Adolf Hitler (Waititi).” (taken from TIFF catalog) This film has raised a lot of eyebrows.  I’ve heard numerous people chatting about how this film shouldn’t be working…it’s irresponsible…with sentiments the likes of “How can we have a comedy about Hitler Youth?”  “How can Hitler be funny?” “This is sacred ground and we shouldn’t be laughing.”  But satire about Hitler has been around for decades – from Chaplin’s GREAT DICTATOR to Mel Brooks’ THE PRODUCERS.  And one interesting fact is that Waititi (the director) is Jewish, and he’s the one playing the absurd imaginary Hitler. This film does tread a very risky line, and some may find it in poor taste.  But ultimately, it’s a film about family and realizing that hate is a learned behavior. Waititi talked about how in 1933, Hitler came to power and little by little, he made changes.  People realized the changes weren’t good…but they didn’t seem “that bad.”  But he continued to make more and more changes…and citizens never revolted – they allowed the changes to happen until it was too late.  Waititi believes that we have to find different ways to tell these cautionary tales – because we need to learn from mistakes.  The production design, costumes, photography and performances are all fantastic, and this little film is an off-color gem.

Tomorrow is quite a full day.

Thanks for checking in,

Jonathan

Audiences & Critics Love SING STREET – Opening Friday at THE NEON!

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-132434-poster-xlarge-resizedHello Everyone,

We had a really nice weekend at THE NEON. Folks in the packed house on Saturday night really loved the screening of PURPLE RAIN…so we’re bringing it back one more time this Saturday at 10pm (last week’s screening sold out, and numerous people were disappointed not to get tickets). In addition to holding both MILES AHEAD and A HOLOGRAM FOR THE KING, we’re opening a brand new film that is currently rated “97% Fresh” on rottentomatoes – SING STREET. This charming, uplifting and funny film is a complete gem, and it’s from John Carney – director of ONCE.

Synopsis for SING STREET: “In 1980s Dublin, 14-year-old Conor is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, uber-cool and beautiful Raphina, and with the aim of winning her heart he invites her to star in his band’s music videos. There’s only one problem: he’s not part of a band…yet. She agrees, and now Conor must deliver what he’s promised – calling himself ‘Cosmo’ and immersing himself in the vibrant rock music trends of the decade, he forms a band with a few lads, and the group pours their heart into writing lyrics and shooting videos.” Click this LINK to visit the film’s official website.

Don’t forget about this Thursday, May 5th’s special screening! Stivers School for the Arts is coming back to THE NEON with a new edition of student work – THE SHOWCASE. “This eclectic compilation of short films includes comedies, documentaries, animations, music videos, as well as experimental work. Some of these films have won national and regional awards. Following the show we’ll have a Q & A with the student filmmakers. All proceeds go towards updating equipment in the film and animation studio. Tickets will be $5.00 during the pre-sale and $7.00 day of the screening. Tickets are now available at THE NEON’s box office. Our students thank you for your continued support!” (taken from press notes)

“The Dayton International Peace Museum invites you to save Sunday, May 8, 2016 at 3:00 p.m. for HIP-HOPERATION. In conjunction with our ‘Invent Peace’ theme, this funny documentary follows the Journey of Seniors from New Zealand as they not only learn to dance Hip Hop, but attend a World Hip Hop Dance Championship in Las Vegas. Enjoy their delight in discovering a new world. Suggested Donation: $10 (includes popcorn!) More info at: daytonpeacemuseum.org or call Jerry at 937-999-7314.” (If you liked YOUNG AT HEART – the documentary about seniors singing rock songs – you’ll love this film.) Check out the trailer by clicking this LINK.

Mark your calendars! I can hardly believe it, but the documentary TRUTH OR DARE is now 25 years old! Take a Holiday with Madonna and her entourage as we celebrate the film’s anniversary on the big screen…one of the great concert films of the past 30 years…and an incredibly important film to me when I first saw it at age 17! “This documentary chronicles Madonna’s controversial 1990 ‘Blonde Ambition’ international tour (which ROLLING STONE has recently called “the best concert tour of the 1990’s”). The film is a behind-the-scenes look at Madonna’s relationships with her dancers and crew, her then-boyfriend Warren Beatty, and her family and friends, achieving an intimate glimpse into the boundary-pushing singer’s drive and individuality.” Gene Siskel said it was “One of the best and most entertaining films of the year.” Come dressed as Madonna or wear your favorite Madonna T-shirt for discounts at the Concession Stand! Tickets are now on sale. TRUTH OR DARE will screen Thursday, May 19 at 7:30 and Saturday, May 21 at 10pm.

“Massie Creek Paddlers and Tomfoolery Outdoors are pleased to announce the Dayton screening of THE REEL PADDLING FILM FESTIVAL WORLD TOUR. The festival is an international adventure film tour presenting the world’s best paddling films of the year – categories include: whitewater, sea kayaking, canoeing, SUP, action and lifestyle. Audiences will see hairy whitewater action, sea kayakers exploring remote coastlines, northern river canoe expeditions, international river travel films, motivating environmental documentaries, grueling kayak fishing battles and hilarious short films capturing the lighter side of paddling life. Join us on May 25 at 7:30 for the best paddling films of the year.” Tickets are $10 in advance and are only available at this LINK. If tickets remain on the day of the show, they will be $15 each and available at our box office one hour before showtime.

“LUNAFEST, a national festival of women’s films, comes to Dayton for the 7th time Sunday June 5 at 3:00 at THE NEON. The program features six award-winning short films that are international in scope, plus a short film by local filmmaker Aisha Ford. The films examine women’s stories told through the lens of women filmmakers in places ranging from Dayton, Ohio to the Philippines, Cuba and Iran. The diverse, thought-provoking stories for 2016 include challenges facing a woman boxer, a deaf woman dealing with cancer, the effects of drug addiction, raising a transgender child and more. Funds raised by this event will go to the Breast Cancer Fund and to Planned Parenthood Southwest Ohio Region. Tickets are $10.00 ($5.00 for students) and donations over this amount are gratefully accepted. The event is sponsored nationally by Luna and locally by Dayton Women’s Rights Alliance & the Dayton chapter of the American Association of University Women. Tickets can be purchased in advance at THE NEON.” (taken from press notes) To read about each of this year’s films, visit this LINK. A trailer for Aisha Ford’s film WREN can be viewed at this LINK.

Next week, we plan to bring a film that will absolutely delight foodies – CITY OF GOLD. If we have room, we’ll also open the big SXSW winner KRISHA.

Thanks for your continued support.

See you soon!
Jonathan

SHOWTIMES for Tuesday, May 3- Thursday, May 12:

MILES AHEAD (R) 1 Hr 40 Min
Tuesday & Wednesday (May 3 & 4): 3:00, 5:10, 7:30
Thursday (May 5): 3:00, 5:10
Friday (May 6): 12:20, 5:00, 9:30
Saturday (May 7): 12:20, 5:00
Sunday (May 8): 12:20, 5:15
Monday – Thursday (May 9-12): 5:10

A HOLOGRAM FOR THE KING (R) 1 Hr 37 Min
Tuesday-Thursday (May 3-5): 3:10, 5:20, 7:40
Friday & Saturday (May 6 & 7): 2:45, 7:15
Sunday (May 8): 7:30
Monday (May 9): 2:50, 7:30
Tuesday (May 10): 2:50
Wednesday (May 11): 2:50, 7:30
Thursday (May 12): 2:50

STIVERS FILM & ANIMATION – THE SHOWCASE (NR)
Thursday (May 5): 7:30

SING STREET (PG-13) 1 Hr 46 Min
Friday & Saturday (May 6 & 7): 12:30, 2:50, 5:10, 7:30, 9:45
Sunday (May 8): 12:30, 2:50, 5:10, 7:30
Monday – Thursday (May 9-12): 3:10, 5:30, 7:50

PURPLE RAIN (R) 1 Hr 51 Min
Saturday (May 7): 10:00pm

HIP HOP-ERATION (NR) 1 Hr 33 Min
Sunday (May 8): 3:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
May 13 – CITY OF GOLD
May 13 – KRISHA
May 20 – THE MEDDLER
May 27 – LOVE AND FRIENDSHIP
TBD – A BIGGER SPLASH
TBD – THE CONGRESSMAN
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE
TBD – HUNT FOR THE WILDERPEOPLE
TBD – SWISS ARMY MAN
TBD – CAPTAIN FANTASTIC
July 22 – ABSOLUTELY FABULOUS
July 29 – CAFE SOCIETY

Tom Hanks Fever + Cincinnati & Dayton’s MILES AHEAD at THE NEON!

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26004198166_ffa375b1b8_oHello Everyone,

We’re cleaning house this week!  On Friday, we will start two brand new films. First is Don Cheadle’s MILES AHEAD. This film was shot in Cincinnati and Dayton, and many filmmakers and actors from the region participated in the production (I even had the privilege of being an extra for a day back in 2014). In addition, we’ll open A HOLOGRAM FOR THE KING – starring Tom Hanks. Dayton is currently quite excited about Hanks and his attachment to Wright State University. Interestingly, Stuart McDowell of WSU visited Hanks on the set of HOLOGRAM FOR A KING in Berlin. It was during this meeting that Hanks agreed to put his name on the new “Tom Hanks Center for Motion Pictures” at WSU. (Would you like to win an autographed poster? Keep reading.)

Synopsis for MILES AHEAD: “In the midst of a dazzling and prolific career at the forefront of modern jazz innovation, Miles Davis (Don Cheadle) virtually disappears from public view for a period of five years in the late 1970s. Alone and holed up in his home, he is beset by chronic pain from a deteriorating hip, his musical voice stifled and numbed by drugs and pain medications, his mind haunted by unsettling ghosts from the past.” (taken from Sony Classics) Shot in Cincinnati & Dayton, this improvisation on the life of Miles Davis is a treat for music lovers! Click this LINK to visit the film’s official website.

 

Synopsis for A HOLOGRAM FOR THE KING: This film is based on the beloved novel by Dave Eggers and directed by visionary director Tom Tykwer. “Cultures collide when an American businessman (Tom Hanks) is sent to Saudi Arabia to close what he hopes will be the deal of a lifetime. Baffled by local customs and stymied by an opaque bureaucracy, he eventually finds his footing with the help of a wise-cracking taxi driver (Alexander Black) and a beautiful Saudi doctor (Sarita Choudhury).” (taken from Roadside Attractions) Click this LINK to visit the film’s official website. (More about Hanks, HOLOGRAM and WSU below.)

On Monday, April 25 at 7:30, Gathr Films along with Tricia Rau-Hammond will present a one-time screening of the new documentary MILK. “Through an intimate and artistic lens, MILK brings a universal perspective on the politics, commercialization and controversies surrounding birth and infant feeding over the canvas of stunningly beautiful visuals and poignant voices from around the globe. Inspiring, informative, provocative and sensitive, MILK celebrates bringing a new life into this world with a strong call to action and reflection.” (taken from Press Notes) In addition to the screening, the evening will feature a raffle of prizes from Luna Blue’s Boutique. Advanced tickets must be purchased on the Gathr site by following this LINK. If tickets remain, they will be available at our box office one hour before the screening.

“The seniors from the award winning Motion Picture program at Wright State University are showcasing their thesis work at the annual BIG LENS FILM FESTIVAL. The film festival of new work is scheduled for May 1st, 2016 at 7:30. There will be work from Joe Cook, Alan Lewin, Mitch Centers, Sydney Waltz, Brian Roll, C. B. Hovey, Jessica Barton, Michaela Scholl, Eric Risher, and Liz Lowe. Past participants in Big Lens have won awards at festivals such as Slamdance, Student Academy Awards, and Sundance.” (taken from press notes) Tickets are $7 and can now be purchased at THE NEON’s box office.

Thursday, May 5 at 7:30 has been reserved for a showcase of student work from Stivers School for the Arts. I’ll have more details for you soon!

“The Dayton International Peace Museum invites you to save Sunday, May 8, 2016 at 3:00 p.m. for HIP-HOPERATION. In conjunction with our ‘Invent Peace’ theme, this funny documentary follows the Journey of Seniors from New Zealand as they not only learn to dance Hip Hop, but attend a World Hip Hop Dance Championship in Las Vegas. Enjoy their delight in discovering a new world. Suggested Donation: $10 (includes popcorn!) More info at: daytonpeacemuseum.org or call Jerry at 937-999-7314.” (If you liked YOUNG AT HEART – the documentary about seniors singing rock songs – you’ll love this film.) Check out the trailer by clicking this LINK.

Would you like to win a poster from HOLOGRAM FOR THE KING signed by Tom Hanks? During our run of the film, you can enter your name for a chance to win one. Stuart McDowell helped to get posters autographed for us during yesterday’s festivities at WSU with Hanks – a truly fantastic event! Here are a couple photos I took from the ceremony.

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Thanks for your continued support.
I hope to see you soon at THE NEON,
Jonathan

SHOWTIMES for Friday, April 22 – Thursday, April 28:

MILES AHEAD (R) 1 Hr 40 Min
Friday & Saturday (Apr 22 & 23): 12:50, 3:00, 5:10, 7:30, 9:45
Sunday (Apr 24): 12:50, 3:00, 5:10, 7:30
Monday-Thursday (Apr 25-28): 3:00, 5:10, 7:30

A HOLOGRAM FOR THE KING (R) 1 Hr 37 Min
Friday & Saturday (Apr 22 & 23): 12:30, 2:45, 5:00, 7:20, 9:40
Sunday (Apr 24): 12:30, 2:45, 5:00, 7:20
Monday (Apr 25): 3:10, 5:20
Tuesday-Thursday (Apr 26-28): 3:10, 5:20, 7:40

MILK – BORN INTO THIS WORLD (NR) 1 Hr 30 Min
Monday (Apr 25): 7:30
ONE NIGHT ONLY!

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
TBD – THE DARK HORSE
TBD – KRISHA
TBD – THE CONGRESSMAN
May 6 – SING STREET
May 13 – LOVE AND FRIENDSHIP
May 27 – THE MEDDLER
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE

Toronto Film Fest – Day #3

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Hello Again,

I started off this morning with Derek Cianfrance’s follow-up to BLUE VALENTINE.  This film is called A PLACE BEYOND THE PINES, and it’s well shot, edited, etc…but I really disliked it.  The film is about a motorcycle trick rider with a traveling carnival who finds out that he an old fling ended up pregnant during his last stop through town.  He decides to stick around when the fair leaves…and will do anything to make things “right.”  There are three chapters to this film – each with its own set of acts.  Ryan Gosling, Bradley Cooper, Eva Mendes, Dean DeHaan are the leads.  The story seemed overly contrived to me, and I thought the score had elements of western/thriller hybrid – which somehow appropriate didn’t seem right at the time (only after seeing the whole film did it make sense…but doesn’t work as far as I’m concerned).  I shook my head and snickered at several moments…that wasn’t the response the director was hoping for.

Next up, I saw a film from the Netherlands called THE DEFLOWERING OF EVA VON END.  When a handsome German exchange student arrives at the home of the von End family, their backwards, slightly wacky lives are turned upside down as almost everyone (except one jealous son) tries to win the attention of the new arrival.  This film started off quirky & hysterical…became a little twisted…and then took some completely zany turns.  Whereas I liked 80% of this movie, the ending dragged on and I wasn’t completely sold on the entire third act.  (That said, I did laugh quite a bit for the first hour.)

 

Lastly, I saw the world premiere of CLOUD ATLAS.  This epic film from the directors of THE MATRIX and Tom Tykwer  (PERFUME and RUN, LOLA RUN) covers numerous characters, numerous plotlines and numerous time periods.  Whereas I’m rarely a fan of science fiction (GATTACA is the only sci-fi film from the last 20 years that I consider a favorite), this film had me intrigued from the opening sequence.  Though it’s a big Hollywood film (Warner Brother is distributing), it’s thoughtful, complicated and quite topical.  It’s funny, it’s gory, it’s rough, it’s tender…and the crowd gave the film a standing ovation for more than 6 minutes.  So many were there – the directors, Susan Sarandon, Ben Whishaw, Jim Broadbent,  Halle Berry, Tom Hanks, and more!  Overall, I think this is an ambitious piece – and for the most part, sucessful.  Check out the long, special trailer below!

[yframe url=’http://www.youtube.com/watch?v=hWnAqFyaQ5s’]

After the film, I met up with an old friend who I haven’t seen since last year’s fest.  I figured out that we met exactly 10 years ago to this very weekend.  Bill and I met in line for Pedro Almodovar’s TALK TO HER – one of my favorite films of all time.  And we’ve stayed in touch for a decade.  That’s pretty special.

Time for bed.  More tomorrow.

Jonathan

Lights, Camera, Action!

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Everyone loves a good Tom Hanks movie every now and again. You’ve Got Mail, Castaway, or That Thing You Do will satisfy any Hanks fan’s need.  He’s such an appealing actor and seems to have a movie that everyone loves. But what people don’t know is that Tom Hanks has a scholarship program for students in major arts at Wright State University. In 2005 Hanks and his wife donated nearly $5,000 to the Department of Theatre, Dance and Motion Pictures. This was the beginning of the Tom Hanks Scholarship and Visiting Artist Fund. After collaborating with Erik Bork, an alumnus of Wright State, on the television series Band of Brothers and hearing about his experience at WSU, Hanks was bound to create a scholarship program for the students. In May of 2005 a black-tie affair raised over $20,000 for the scholarship.

The quarter I transferred to Wright State I was walking through the Union looking for something good to eat when swore I saw a high school friend by the name of  Baxter Stapleton. To my surprise, it indeed was him. We met up for coffee one day and he informed me that he had just transferred to Wright State as well that quarter to attend the film school. In a recent chat with my long time friend he told me why exactly he chose Wright State for his studies.  “I decided to transfer since Wright State’s programs  complemented perfectly with what I want to do after I graduate. I was immediately attracted to the  film program because of my interest in documentary filmmaking and the amazing work I had seen come out of the program” said Stapleton.

Wright State students have been acknowledged for their work in producing and writing feature-length and short form films and winning Golden Globe and Emmy awards.  Their work has also been in multiple film festivals winning various awards. Students get the opportunity to work in all different aspects of the film industry through the program, everything from a producer of features to being the director.

Stapleton informed me that the students in the film program work a great deal with FilmDayton and that this year; the students’ work will show up at the FilmDayton Festival this weekend. This is their second annual film festival and is an awesome opportunity for the young film makers of Wright State to get to show their work. “Not only does Wright State have great academic programs, but the University also does a great job of immersing the students into the community” said Stapleton. So if you get some free time this weekend, stop by the film festival and take a look at what the talent of Wright State has to offer!