Arts & Entertainment

‘Shrek’ Review – Playhouse South – Come Look at the Freaks

May 14, 2015 By Russell Florence, Jr.

What makes you special makes you strong. This inspirational mantra, a celebration of self-empowerment and individuality, is the feel-good foundation of Playhouse South’s absolutely delightful production of composer Jeanine Tesori and lyricist/librettist David Lindsay-Abaire’s 2008 tunefest “Shrek The Musical,” based on the 2001 Academy Award-winning film and 1990 novel.

www.play(left to right) Tia Seay as Donkey, Esther Hyland as Fiona, Zach King as Shrek, Jim Brown as Lord Farquuad and the cast of Playhouse South’s production of “Shrek The Musical.” (Contributed photo)

Being labeled a freak can be cringe-inducing or hurtful, but in this context it’s something to take extreme pride in. After all, swamp ogre Shrek could care less about what people think about him. His primary aim is to protect his humble surroundings, which have been overrun by a bevy of fairy tale characters ousted from their habitats by Lord Farquuad’s startling decree. In order to save his home, Shrek agrees to rescue the lovely, abandoned Princess Fiona and return her to the villainous, diminutive Farquuad, who plans to marry her and rightfully become king of Duloc. But along the way, and with a wisecracking Donkey in tow, Shrek and Fiona grow to a newfound appreciation of love’s fundamental ability to look beyond outwardly appearances and treasure the glories of inner beauty.

Director Becki Norgaard, spearheading an entertaining, over 50-member cast, astutely embraces the conceptual challenges within the fanciful yet imbalanced material, particularly hindered by a few frivolous, forced gags from Lindsay-Abaire. Instead of overpowering the stage with elaborate scenery, Norgaard opts for slightly scaled-down sets (efficiently designed by Jim Brown) properly establishing tone while stirring the imagination. Norgaard retains a few elements of the Broadway and national touring productions, but her vision, accented by Annette Looper’s lively choreography, is refreshing overall, especially in such playful numbers as “Travel Song” and “Morning Person.” She also scores points for reimagining the role of the Dragon by placing a clear emphasis on its large, intimidating wings.
Zach King delivers one of his finest, most endearing performances as the titular green outcast. King skillfully conveys the menace, charm, frustration, and vulnerability fashioning Shrek’s amiable journey, heightened by his defiant, powerful rendition of “Build a Wall.” The equally radiant Esther Hyland, perfectly compatible with King, marvelously inhabits the multifaceted Fiona who harbors a secret in her quest for true love. Rising to levels of role originator Sutton Foster, Hyland’s sharp, mature instincts humorously drive “I Know It’s Today” (nicely shared with Cate Shannon and Stephanie Penrod) and heightens her character’s appealing emotional arc as Fiona warms to Shrek’s prickly nature. Strong vocalist Tia Seay, a recent standout in Dare to Defy Productions’ concert version of “Hair,” hilariously and energetically fits the bill as the loudmouth Donkey, quickly bonding and molding an enjoyable rapport with King and Hyland. The aforementioned Brown brings vengeful glee and apt physicality to his wonderfully heartless portrayal of Farquuad. The dynamic Parisa Samavati nearly steals the show belting the soul-flavored, encore-worthy “Forever” as the domineering Dragon smitten with Donkey. Brent Hoggatt (Pinocchio), Mackensie Vonderbrink (Gingy/Rag Doll), Aaron Eechaute-Lopez (Big Bad Wolf), Mary Nunnery (Ugly Duckling), Donna Cason (Wicked Witch), Janelle Chamness (Fairy Godmother), Angie Thacker (Mama Bear), Lisa Glover (Humpty Dumpty), and Aaron Brewer (Mad Hatter) are among the colorfully cheery array of fairy tale cohorts storming the stage to deliver knockout versions of “Story of My Life” and “Freak Flag.”
Additionally, the production is vibrantly and eye-catchingly costumed to the hilt by Meagan Kuchan and her impressive team (Melissa Fogle, Kathleen Carroll, the aforementioned Cason and Nunnery, Summer Lehman, Rachel Annabo Smith, Maggie Carroll, Aurora Nunnery, Rachel LaFountain Earich, Jordan Norgaard, Jenni Cypher, Tonia Scearce, Ian Meadows, and Jess Evans). Music director Lorri Topping and conductor Jason W. Clark expertly handle the melodic, introspective score.

In the final minutes of this truly enjoyable showcase comprised of varying ages and backgrounds, I couldn’t help but think of just how magnetic and inclusive community theater can be. It really is a big bright beautiful world always open to accept and embrace the freak within us all.

“Shrek The Musical” continues through May 17 inside the Clark Haines Theatre (Kettering Board of Education Building) 3750 Far Hills Ave., Kettering. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Act One: 70 minutes; Act Two: 60 minutes. Tickets are $13 for adults, $11 for seniors and military, and $8 for students. For tickets or more information, call 1-888-262-3792 or visit www.playhousesouth.org

Summer Flicks Series Returns to Victoria Theatre

May 11, 2015 By Dayton Most Metro

Victoria Theatre Association’s annual Cool Films Series is just around the corner bringing back Reel Late at the Vic late night movies and daytime Family Films lineup! Beginning July 10, VTA will set out the popular FREE popcorn and FREE soda plus some FREE nostalgia with the 2015 Cool Films Series at the historic Victoria Theatre. Passbooks for the series go on sale Monday, May 11 at 10 a.m. at Ticket Center Stage. Call (937) 228-3630, or purchase online at www.ticketcenterstage.com.

“We’re always striving for a balance between golden age of Hollywood titles (1935–1955) and newer titles that deserve a big screen revival or just would be fun for new audiences,” says VTA president & CEO Ken Neufeld. “Finding good quality 35mm prints of films for the Victoria’s 35mm projector can be challenging, but it does give you that authentic pre-digital film experience that is so unique. This year we were able to secure every film in 35mm, which is quite a feat. And, we are bringing back last year’s family weekday matinees with some wonderful family films and Reel Late at the Vic channels the nostalgia of the Victoria Theatre’s days as a popular movie house. You don’t want to miss the fun downtown this summer!”

What’s the best part about the 2015 Cool Films Series (besides FREE popcorn and soda)? Tickets are just $6 each ($3 for the Family Matinees) or $35 for a 10-ticket passbook– a great entertainment bargain during a year when a night at the movie theater can cost up to $20 per person! Passes can be used in any combination or across all films!

AMERICAN GRAFFITI– July 10- 12
(1973). Starring Ron Howard & Richard Dreyfuss and directed by George Lucas

Summer nights, cars, girls, rock ‘n’ roll! This film was one of the first – and probably best – teen-focused films that featured a soundtrack so strong, it was practically another character in the story! The film highlights the fabulous California car culture of the day with surprising supporting roles by a young Harrison Ford and even younger Mackenzie Philips, as well as many others. Rated PG.

THE BIRDCAGE– July 17-19
(1996). Starring Robin Williams & Nathan Lane and directed by Mike Nichols

In tribute to Williams’ passing last summer, here is one of his best film roles. A gay cabaret owner and his drag queen partner agree to pretend they’re straight so their son can introduce them to his fiancée’s conservative parents. What ensues is comic chaos in this remake of the 1978 Franco-Italian original, La Cage aux Folles. Rated R.

JAWS – July 24-26
(1975) Starring Roy Scheider, Robert Shaw & Richard Dreyfuss and directed by Steven Spielberg

It’s the 40th anniversary of the first summer blockbuster that 67 million people saw in its initial release, despite massive production difficulties. Three men band together to capture the great white shark that’s terrorizing the shores of a small beach town. It won three Oscars®, including one for John Williams’ now iconic theme. Spielberg once referred to it as a “the less-you-see-the-more-you-get thriller.” Rated PG.

THE PINK PANTHER- July 31- Aug. 2
(1964) Starring Peter Sellers & David Niven and directed by Blake Edwards

Meet the original bumbling Inspector Clouseau in this classic comedy that spawned a genre. A conceited French police inspector tries to catch the Phantom, a daring jewel thief whose identity and features are unknown – and is acting right under his nose. Henry Mancini’s theme and the original animated credits are now a part of pop culture. Not rated.

12 ANGRY MEN– Aug. 7-9
(1957) Starring Henry Fonda and directed by Sidney Lumet

One of the best courtroom dramas ever made. Fonda plays a dissenting juror who slowly manages to convince the others that the case is not as obviously clear as it seemed in court. Nearly all the suspenseful dialogue takes place in the jury room. An absolute classic with a star-studded cast that is as current and pertinent today as it was in 1957. Not rated.

NOTORIOUS- Aug. 14-16
(1946) Starring Cary Grant & Ingrid Bergman and directed by Alfred Hitchcock

One of Hitchcock’s very best with a dark and dangerous relationship played out between Bergman and Grant. A woman of notorious reputation is asked by a government agent to spy on a group of her father’s Nazi friends in South America. How far will she have to go to ingratiate herself with them? Not rated.

AN AMERICAN IN PARIS– Aug. 21-23
(1951) Starring Gene Kelly & Leslie Caron and directed by Vincente Minelli

All Gene Kelly all the time. The film’s incredible music and dancing, including the iconic dream ballet, plus knockout performances (and choreography credits) by Kelly, won the film six Oscars®. Now on Broadway in a gorgeous stage version that was nominated for several Tony Awards®, the classic film version is celebrating 64 years of absolute romance. Not rated.

BACK TO THE FUTURE– Aug. 28-30
(1985) Starring Michael J. Fox & Christopher Lloyd and directed by Robert Zemeckis
Perhaps one of the most popular films of the ‘80s, Fox stars as a high school kid who is accidentally sent 30 years into the past via a time-traveling DeLorean. It won the Oscar® that year for special effects and the hearts of millions with its feel-good vibe. Now celebrating its 20th anniversary. Rated PG.

FAMILY WEEKDAY MATINEES!
Families, youth groups and day campers will enjoy 4 fun films in July! These films are all rated G and shown each Thursday in July at 10 a.m. Tickets are a steal at $3.

THE GREAT MUPPET CAPER- Thursday, July 9, 10 a.m.
HAPPY FEET- Thursday, July 16, 10 a.m.
E.T.: THE EXTRA-TERRESTRIAL- Thursday, July 23, 10 a.m.
DR. SEUSS’ THE LORAX- Thursday, July 30, 10 a.m.

REEL LATE AT THE VIC

Remember coming to the late show back in the day at the Victory (now Victoria)? Well, whether that’s part of your youth or not, join us for three 10:30 p.m. showings of some great late-night film fare.

THE INVASION OF THE BODY SNATCHERS- Saturday, July 18, 10:30 p.m.
MAD MAX- Saturday, August 15, 10:30 p.m.
BLADE RUNNER- Saturday, August 29, 10:30 p.m.

Passbooks are on sale now through Ticket Center Stage. They may be purchased at the Schuster Center Box Office in downtown Dayton, by phone at (937) 228-3630 or toll free (888) 228-3630, or online at www.ticketcenterstage.com – click on Victoria Theatre Association, then Cool Films Series.

Individual tickets are available day-of-show at the Victoria Theatre Box Office, beginning one hour prior to showtime. Films are shown at 7 p.m. on Fridays and Saturdays, and 3 p.m. on Sundays in the air-conditioned comfort of the Victoria Theatre. Recreating the feel of the old-time movie palaces, guests may enjoy free popcorn and soda in the lobby beginning one hour prior to showtime, a Mighty Wurlitzer organ concert beginning 30 minutes prior to showtime, and a classic cartoon just before the movie.

10th Annual Sideshow Debuts This Weekend

May 8, 2015 By Dayton Most Metro

The event of grand proportions, Sideshow, will be held May 8th from 5pm ‐1am and May 9th from 3pm‐1am at the Sideshow’s home in The Yellow Cab Building, 700 E 4th St, Dayton Ohio.

Sideshow is celebrating its 10th anniversary of creating a free show of Art and Music that all ages can enjoy. Sideshow is run entirely by volunteers and uses fundraisers and donations to offset the cost of hosting a show featuring more than 100 local artists and musicians. This event will be the biggest Sideshow yet with Sculpture, Painting, Music, Performers, Dancers, Comedy, Food Trucks, Local Brews, Photography and much much more. It will also feature a special Kid’s Sideshow portion as well as a Sideshow history exhibit featuring memorabilia from the 9 previous Sideshows.
Over the years this has become an event that draws creators from all backgrounds, all levels of skill and all media. Fostering an open creative environment that will grow talent of all kinds has been our goal from the start. Sideshow is also a proud part of Dayton’s Art in the City festival which is highlighting the amazing talent and creativity that has made its home in our city.
The Sideshow will once again open during Art in the City, downtown Dayton’s giant street party and celebration of the arts. It traditionally features a variety of artwork – including video installations, sculptures and paintings – from more than 50 local artists – and last year we had performances by over 40 musical acts. This year is shaping up to be the biggest one yet.

Admission is free: donations will be accepted to support the event.

The Sideshow celebrates the local arts scene and is unique in Dayton for its variety and ambition. The Sideshow recognizes the potential of every individual to create. We empower the members of our community by helping them actualize their dreams. We value the contributions of everyone, and we support each other with a true sense of community.

Jack Black, James Marsden & Elaine Paige – See New Films at THE NEON

May 8, 2015 By Jonathan McNeal

Hello Everyone,

Today we opened the Sundance hit THE D TRAIN – a new comedy starring Jack Black and James Marsden. On Wednesday, May 13, we will have a one-night-only screening of I’M STILL HERE: ELAINE PAIGE. In addition, this week we’re holding onto my favorite comedy in a long, long time – WHILE WE’RE YOUNG (starring Ben Stiller and Naomi Watts) and got the last two films for this year’s DAYTON JEWISH FILM FESTIVAL. GREY GARDENS (the original) starts next Friday!

Synopsis for THE D TRAIN: “All his life, Dan Landsman (Jack Black) has never been the cool guy. That’s about to change – if he can convince Oliver Lawless (James Marsden), the most popular guy from his high school who’s now the face of a national Banana Boat ad campaign, to show up with him to their class reunion. A man on a mission, Dan travels from Pittsburgh to LA and spins a web of lies to recruit Lawless. But he gets more than he bargains for as the unpredictable Lawless proceeds to take over his home, career, and entire life.” (IFC Films) Click this LINK to visit the film’s official site.

THE DAYTON JEWISH INTERNATIONAL FILM FESTIVAL has a terrific line-up this year, and it is already at the half-way point. Here’s a list of remaining screenings at THE NEON:
Tue, May 12 at 7:15 – FOR A WOMAN
Thu, May 14 at 7:15 – RUN BOY RUN
The official website for the festival has lots more details. You can read about all the films, watch trailers and discover all that the festival has to offer. Check it out by visiting this LINK.

On Wednesday, May 13 at 7:30, we will have a one-time screening of I’M STILL HERE – ELAINE PAIGE AT THE ROYAL ALBERT HALL. Tickets are just now starting to move! “The incomparable Elaine Paige brings her sell-out Farewell Concert from the Royal Albert Hall to the big screen accompanied by a live orchestra featuring special guests. Filmed for cinema, the concert features the BBC Concert Orchestra, with Elaine performing the highlights of her extraordinary 50 year career, including “Memory,” “I Know Him so Well” and “As If We Never Said Goodbye.” The evening will finish with special footage including a Q&A and more intimate performance with special guests recently captured in London.” (taken from press notes) General Admission tickets just $12. Senior tickets just $10. Tickets for this event can be purchased on-line via this LINK. They are also available at our box office (without the surcharge).

“Stivers School for the Arts-Film & Animation Studio Presents THE SHOWCASE. This compilation of short films includes live action & animation and ranges from comedy to documentary. Some of these films have already won regional and state awards. Following the show, there will be a Q & A with the student filmmakers. All proceeds go towards updating equipment in the Stivers Film and Animation studio. The Showcase runs one night only – Wednesday, May 20th at 7:30pm. Tickets are$5.00 in advance and $7.00 on the day of the event.. Tickets are now available at THE NEON’s box office and Stivers School for the Arts. Please join us for an evening of entertainment as we celebrate this next generation of filmmakers.” (taken from press release)

On Tuesday, May 26 at 7:30, T.J.’s Place of Hope will host a screening of I AM A GIRL. This film is “an inspirational feature length documentary that paints a clear picture of the reality of what it means to be a girl in the 21st century. Feminism may have promised equality and sought a better and fairer world for women but the reality is that girls make up almost a quarter of the world’s population yet still face the greatest discrimination of any group in the world. Technology and science offer unimaginable potential but we still struggle to ensure men and women are afforded equal opportunities. Yet in spite of these obstacles, girls have found extraordinary ways to persevere and in our documentary we hear their stories of strength, hope, courage and a refusal to be second best.” (taken from Gathr press notes) Advanced tickets are $10 each and must be purchased on Gathr’s website. If tickets remain on the day of the event, they will be available at our box office one hour before the screening. Click this LINK to visit the site and purchase your ticket.

Next Friday, we will begin limited screenings of the newly restored, 40th Anniversary edition of GREY GARDENS – one of my favorite documentaries of all time. I’ve heard people in our lobby say “I saw that on HBO, why are they playing it?” This isn’t the made for HBO narrative film starring Drew Barrymore & Jessica Lang, this is the original documentary on which that film was based. This film has been the basis for numerous books, the HBO film and even a Broadway musical. You’ll not want to miss the opportunity to see this classic film on a big screen!

https://www.youtube.com/watch?v=ijPIfZt72vc

Thanks for your continued support.
See you soon,
Jonathan

SHOWTIMES for Friday, May 8 – Thursday, May 14:

THE D TRAIN (R) 1 Hr 37 Min
Friday & Saturday: 12:40, 3:00, 5:15, 7:30, 9:45
Sunday: 12:40, 3:00, 5:15, 7:30
Monday – Wednesday: 2:50, 5:10, 7:30
Thursday: 2:50, 5:10

WHILE WE’RE YOUNG (R) 1 Hr 37 Min
Friday, Saturday: 12:00, 2:20, 4:50, 7:20, 9:40
Sunday: 12:00, 2:20, 4:50, 7:20
Monday: 3:00, 5:15, 7:30
Tuesday & Wednesday: 3:00, 5:15
Thursday: 3:00, 5:15, 7:30

DAYTON JEWISH FILM FESTIVAL
(see list above for specific titles)
Tuesday: 7:15
Thursday: 7:15

I’M STILL HERE: ELAINE PAIGE (NR) 2 Hrs
Wednesday: 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
May 15: GREY GARDENS
May 22 – FAR FROM THE MADDING CROWD
TBD – CLOUDS OF SILS MARIA
IRIS
SUNSHINE SUPERMAN
SALT OF THE EARTH
LAMBERT & STAMP
SAINT LAURENT
ALOFT
Early July – ME AND EARL AND THE DYING GIRL

‘Grease’ Review – Dayton Playhouse – Lukewarm Nostalgia

May 6, 2015 By Russell Florence, Jr.

The cast of the Dayton Playhouse’s production of “Grease” (Contributed photo)

The Dayton Playhouse’s entertaining production of Jim Jacobs and Warren Casey’s 1972 musical “Grease” lacks authenticity where it counts.
Most people assume “Grease” is an easy show to do because the tuneful music fuels the story and the characters are instantly relatable. However, you have to rely on specific types to truly sell the cool factor inherent in the comedic material set in and around Rydell High School in the late 1950s. Director Tina McPhearson assembles a committed cast but there’s too much caricature and not enough character evident in key roles to propel the staging beyond its odd spoof mentality. Granted, due to the slightly clunky, vignette-esque storytelling structure of the original libretto (the Playhouse isn’t using the revised libretto incorporating familiar songs from the popular 1978 film) it can be a challenge for some actors to dig deep and find a three-dimensional purpose in their characterizations. Even so, it isn’t an impossible task, particularly when you consider the emotional unease sweethearts Danny Zuko and Sandy Dumbrowski (a mismatched, reserved Bobby Mitchum and Amanda Carter) should be feeling at almost every turn as they clumsily try to make sense of their newfound relationship while coping with peer pressure. In the same regard, there are complex layers simmering within the playful yet testy bond between roughneck Kenickie and his sarcastic girlfriend Betty Rizzo (perplexingly inhabited by a surprisingly off-kilter Desmond Thomas and Kelli Locker) simply left unexplored.
Nevertheless, as the horny Burger Palace Boys and sassy Pink Ladies bicker and banter with risqué tendencies, fully realized portrayals still arise from a few principals. Tyler Henry, even stronger here than in “The Fantasticks” four months ago, is straightforwardly charming as sensitive guitarist Doody. Max Santucci, in his musical theater debut as Sonny LaTierri, solidly creates character in his speaking voice alone without lessening the believability or impact of his performance. Naman Clark (Roger) and the mature-beyond-her-years Tori Kocher (Jan) are a delightful hoot in “Mooning.” Allie Jackson (Marty) and Emily Church (Frenchy) firmly assist in humor and spirit. Appealing supporting work is offered by Theresa Kahle (Miss Lynch), Melanie Barrett (Patty Simcox), Tyler Smith (Eugene Florczyk), Malcolm Casey (Vince Fontaine), William Scarborough (a very suave, period appropriate Johnny Casino), Tamar Fishbein (Cha-Cha DiGregorio), and strikingly smooth tenor Andrew Spoon (Teen Angel).

Elsewhere, choreographer Paige Hanshaw’s energetic routines are a huge asset, particularly the high spirited “Alma Mater Parody,” “We Go Together,” “Born to Hand Jive,” and special addition/finale “You’re the One That I Want.” Scenic designer Chris Newman’s retro set wonderfully recalls high school exteriors of yesteryear. Steve Burton, Tim Grewe and McPhearson supply terrific costumes and wigs, especially for the comical “Beauty School Dropout.” Musical director Nancy Perrin leads a small yet steady orchestra.

This “Grease” falls short but the songs will keep you engaged nonetheless.

“Grease” continues through May 17 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. Act One: 50 minutes; Act Two: 55 minutes. Tickets are $18 for adults and $16 for seniors and students. For tickets or more information, call (937) 424-8477 or visit online at www.daytonplayhouse.com.

‘Wicked’ Review – Victoria Theatre Association – Wonderful Witches of Oz

May 2, 2015 By Russell Florence, Jr.

I couldn’t be happier to tell you the current national tour of composer Stephen Schwartz and librettist Winnie Holzman’s blockbuster 2003 musical “Wicked,” a fascinating, humorous and dark revisionist prequel to “The Wizard of Oz” based on the 1995 novel by Gregory Maguire, once again proves its worth as a must-see at the Schuster Center courtesy of the Victoria Theatre Association.

Alyssa Fox and Carrie St. Louis as Oz witches Elphaba and Glinda in “Wicked.” (Photo by Joan Marcus)

The production’s tremendous technical elements heighten the show’s appeal as usual, but this mounting, even stronger than its well-received 2010 engagement, uncovers new depths in the vital relationship between the green-skinned, misunderstood Elphaba and the beautiful, bubbly Galinda, the engaging duo that respectively becomes the Wicked Witch of the West and Glinda the Good Witch of the South. Emphasizing the importance of connection and sisterhood, director Joe Mantello finds refreshing avenues for the characters to explore primarily during their impressionable time at Shiz University, the launching pad for their iconic wizardry. In fact, the moment Elphaba arrives at the Stardust Ballroom only to be humiliated by her peers yet ultimately encouraged by Galinda is filled with a revitalizing, extended sense of empowerment, respect and understanding between these characters I haven’t seen in previous productions. Mantello molds their newfound camaraderie wonderfully in the following scene which finds Galinda enthralled with Elphaba with a passion that grows to makeover proportions. By and large, it’s great to witness a “Wicked” completely rooted in the value of Elphaba and Galinda’s friendship no matter the cost, especially as political corruption and the intricacies of love threaten to dismantle their bond.
Alyssa Fox brings fierce urgency to her firm, commanding portrayal of Elphaba, effectively showcasing the intelligent, vulnerable and determined facets fueling the character’s complexity. Her superb renditions of “The Wizard and I,” “No Good Deed” and phenomenal Act 1 finale “Defying Gravity” contain terrific pop inflections. As perky Glinda, the absolutely dynamic Carrie St. Louis, a gorgeous soprano with a vibrant Elle Woods sensibility, skillfully balances the role’s pristine sophistication and playful undercurrents. She fantastically inhabits the exuberant “Popular,” an Act 1 hallmark, with hyperactive, cheerleader finesse while blending hilarious shades of Kate McKinnon (“Saturday Night Live”) and Salt-N-Pepa in the process.
Elsewhere, TV legend John Davidson is a kooky, grandfatherly delight as the Wizard, particularly filling “Wonderful” with a good old-fashioned vaudeville vibe. Kristine Zbornik is equally winning as the haughty, menacing Madame Morrible. Handsome former boy band star Ashley Parker Angel (O-Town) brings innate charisma and pleasant vocals to his understated portrayal of Fiyero. Michael DeVries (Dr. Dillamond), Liana Hunt (Nessarose) and Lee Slobotkin (Boq) provide solid work. The sharp ensemble, very astute and full of personality, is also commendable along with conductor P. Jason Yarcho’s excellent orchestra including nine local musicians.
Whether you’ve seen it before or you’re tempted to finally discover what all the fuss is about, “Wicked” resonates to the fullest in one of its finest touring incarnations.

“Wicked” continues through May 17 at the Schuster Center, Second and Main Streets., Dayton. Performances are Tuesday-Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 and 7:30 p.m. Act One: 90 minutes; Act Two: 60 minutes. Tickets are $43-$157. Discounts are available. A lottery for a limited number of orchestra seats is also held 2 ½ hours before each performance in the Wintergarden of the Schuster Center. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

The 25th Anniversary FutureFest Lineup!

April 30, 2015 By Dayton Most Metro

Dayton Playhouse has sponsored FutureFest, a festival of new and unproduced plays for over twenty five years, put on by a community theater run entirely by volunteers. Each year in one weekend they showcase six new unproduced plays as chosen by the FF committee from the submissions entered that year. Each play is dramatized as either a staged reading or a full dramatization. Each play is a full length play and they do not limit the subject matter. They bring the playwrights to the festival for the weekend so you can mingle with them and we have talk back sessions with them after their show. Dayton Playhouse brings in adjudicators from around the country to pick the best play and give the playwrights a professional critique in front of the FF audience. It’s a play lover’s dream come true, and an opportunity a playwright can’t get anywhere else. FutureFest dates for 2015 will be July 17-19

Here are the plays that will be featured this year:

Blue Over You – by Dan Noonan

Where’s Mitzi? What happened to Mitzi?! Francis, an enchanting high school drama teacher, comes home to discover that his wife, Mitzi, is missing. Did she leave because of his infantile behavior, has she run off with the hunky maintenance man, or is something much darker at work here? Join this song-and-dance man as he tries to find Mitzi and woo her back.

Book of Hours – Thomas Klocke

Margins, decorative marginalia, marginalized people. Every connotation of the word is broached when one 14th century Manuscript Illuminator stands his ground for artistic integrity against the heavy handed censorship of the Church which commissioned the handmade BOOK OF HOURS devotional. To tell the story, the play crosses centuries and oceans, from the Biblical times of Abraham and his sons to contemporary gay street hustlers just trying to survive in the margins of an uncaring city.

Hail the Conquering Hero – Rich Amada

Tom Azuric is a radio humorist who has toiled for years in various stations around the country until he has finally made it to the biggest U.S. radio market of them all – New York City. However, judging from his demeanor, his family can sense that something is terribly wrong. Despite his professional success, Tom, it seems, has failed to fulfill a promise to his deceased mother, leaving him feeling terribly inadequate. That feeling, coupled with the pressure his
boss is putting on him to engage in some sleazy politics, is pushing Tom to the breaking point.

Return to Goodnight – Jared Robert Strange

Irene Deckard has lost her father, but she may also lose her mind fulfilling his final wishes, which involve bringing his remains from Montana all the way down to Goodnight, Texas, and in the company of her gay ex-husband Casper, no less. It’s all part of a promise they made to her father a long time ago, a promise that will bring them together for the first time in thirty years to face old demons, discover new truths, and maybe – just maybe – rekindle their long-dead friendship.

Smoke – Gloria Bond Clunie

In the drama SMOKE, country store owner Ora Rakestraw wants no parts of the mysterious Wallace Johnson when he descends upon her tiny southern town to organize tobacco workers. It’s the 1960’s— and though Kennedy orders the Surgeon General to investigate smoking— tobacco is king in Carolina. The Marlboro Man, Lucky Strikes, and Camels are Kool because they put food on the table for her customers. As promises are made and secrets revealed, love collides with small town politics in one hot, tumultuous summer!

The Consul, the Tramp, and America’s Sweetheart – John Morogiello

On the eve of World War II, Georg Gyssling, the nazi consul to Hollywood, confronts Mary Pickford, the silent film star and co-founder of United Artists, to stop production on Charlie Chaplin’s controversial first talkie, The Great Dictator. Gyssling succeeds until war is declared and the movie is needed to buck up the allies.

Casting requirements for the festival will be posted in advance of the June 1 and June 2 auditions. Check their Auditions page for details.

A Fascinating, Little-Known Tale Filled with Heart, Heroism and High-Flying Chutzpah.

April 29, 2015 By Dayton Most Metro

Would you risk everything – your future, your citizenship, even your life – to help a brother in need?

In 1948, just three years after the liberation of Nazi death camps, a group of Jewish American pilots answered a call for help. In secret and at great personal risk, they smuggled planes out of the U.S., trained behind the Iron Curtain in Czechoslovakia and flew for Israel in its War of Independence. As members of Machal – “volunteers from abroad” – this ragtag band of brothers not only turned the tide of the war; they also embarked on personal journeys of discovery and renewed Jewish pride.

ABOVE AND BEYOND is their story.

Showing Thursday night, April 30th 7pm as part of the Jewish Film Festival at the National Museum of the U.S. Air Force with special guest Producer for a very special discussion about her personal involvement with the documentary. Tickets and more info on their website.

The first major feature-length documentary about the foreign airmen in the ’48 War, ABOVE AND BEYOND brings together new interviews with the pilots, as well as stunning aerial footage, to present a fascinating, little-known tale filled with heart, heroism and high-flying chutzpah. The film follows the pilots on their circuitous route from the United States – where they met and trained in secret and struggled to stay two steps ahead of the FBI – to Panama, Italy and Czechoslovakia, where they flew versions of the very Nazi planes they had tried to shoot down in World War II.

More than a retelling of the ’48 Arab-Israeli War, ABOVE AND BEYOND examines the motivations of the foreign volunteers – both Jews and non-Jews. It mines the tensions between the Israelis and Machal soldiers. Would the foreign pilots stay in Israel after the war? Were they Americans first or Jews first? The film recounts the personal stories of the young pilots, whose experiences in Israel were life altering. And through their stories, ABOVE AND BEYOND reveals how under-equipped and isolated the Israelis were, how desperately they needed planes and pilots and how critical the actions of these young American men were for the country’s survival.

About the Producer:

An accomplished businesswoman, fundraiser and philanthropist, Nancy Spielberg, Producer, has in recent years turned her energy and talents to producing documentary films. She served as consultant on the Oscar-winning documentary Chernobyl Heart, and is executive producer of Elusive Justice: The Search for Nazi War Criminals, which aired nationally on PBS, and the forthcoming documentary Mimi and Dona.

Spielberg grew up surrounded by the film industry, where she worked on her brother Steven’s early films. She attended Arizona State University and UCLA and, after moving to New York, studied film at Sarah Lawrence College and the New School in New York. She is founder and co-founder of several charities including “A Bid for Charity,” “Children of Chernobyl,” “Project Sunshine” and the American branch of The Jerusalem Academy of Music and Dance.

‘Taking Shakespeare’ Review – Human Race Theatre Company – You Have To Be Carefully Taught

April 24, 2015 By Russell Florence, Jr.

The incredibly testy, life-changing relationship between a disheartened Shakespeare professor and her unmotivated student drives the humor and poignancy of John Murrell’s intimate, relatable two-hander “Taking Shakespeare,” a highlight of Canada’s 2013 Stratford Festival currently receiving a terrific Midwest premiere at the Loft Theatre courtesy of the Human Race Theatre Company.
Set in a non-descript town on the ground floor of an old house, attractively realized with disheveled, lived-in finesse by designer Dan Gray, “Taking Shakespeare,” delicately directed with atmospheric acuteness by Shakespeare devotee Aaron Vega, is primarily fueled by a very impressive cast, certainly one of the best assembled on the Loft stage this season. Johanna Leister as the seasoned, critical and concerned Prof and Jon Kovach as 24-year-old slacker Murph are a marvelously well-matched duo, meticulously, and at times, breathtakingly uncovering the beauty, mystery, rage, and significance of “Othello,” one of the Bard’s deepest, most complex plays, without forgetting the importance of connection and the subtlety of executing scenes with realistic impulses.

Johanna Leister and Jon Kovach in The Human Race Theatre Company’s production of Taking Shakespeare. Photo courtesy of Scott J. Kimmins.

Over the course of five strenuous, enlightening weeks (lighting designer John Rensel and sound designer Jay Brunner expertly mark the moody passage of time), Prof educates Murph on the Bard’s fascinating intricacies while also revealing truths behind the politics and professionalism of academia. The stern yet droll Leister, sustaining a wonderfully agitated discontentedness, dynamically engrosses. In fact, she is specifically mesmerizing in the dramatic moments which stir emotions. In addition to bringing power and vulnerability to Prof’s reflections on her upbringing and a serious crush that left an indelible imprint which hasn’t subsided, she masterfully interprets Shakespeare’s challenging, illuminating language. Trust me, when Leister steps into Othello’s shoes late in Act 1, a pulsating moment of epiphany for Prof and Murph, the descriptive passage “Villain, be sure thou prove my love a whore. Be sure of it. Give me the ocular proof…” will linger in the recesses of your mind. By and large, don’t be shocked if the drive and fervor within her tremendous portrayal conjures memories of one of your memorable, unabashedly passionate teachers and the invaluable lessons learned.
Likewise, Kovach, returning to the Race following a 2012 appearance in “Band Geeks!,” is equally captivating. His perfectly awkward, nonchalant aura strikingly dissipates as Murph, attempting to regain some inkling of goal-driven maturity having particularly disappointed his mother, one of Prof’s former students, advances to a better understanding of the Bard’s intentions. Due to the magnetic credibility of Kovach’s excitable evolution, it’s easy to root for Murph’s success and his future potential, particularly as he grows more confident in his textual debates with Prof and gets to the heart of what “Othello” truly means not only on the page but within his soul.
“Taking Shakespeare,” a reminder that the Bard’s legacy extends far beyond his use of iambic pentameter, would have flowed better as a one-act and has an ambiguously forced conclusion, but it’s easily one of the most absorbing, pleasantly surprising new plays you’re likely to see this spring.

“Taking Shakespeare” continues through May 3 in the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesday-Saturday at 8 p.m., Tuesday at 7 p.m.; Sunday at 2 p.m. Act 1: 65 minutes; Act 2: 35 minutes. Tickets are $35-$45, but discounts are available. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org.

Ticket Contest

DMM has 2 pairs of tickets to giveaway for some lucky winner to see this show. Like and share this post and fill out the entry below to enter our random drawing. Feel free to leave a comment below to convince the judges to pick you. We’ll name a winner Sunday night. [form 55 “DMM Contest Entry – Generic”]

DCDC2: Definition of Exquisite

April 24, 2015 By LIbby Ballengee

This Sunday, April 26th, from 4pm-6pm you have the opportunity to experience the Definition of Exquisite with the DCDC2, the Dayton Contemporary Dance Company‘s repertory-training ensemble. The intriguing program promises to explore the essence of exquisite, through creative choreography and modern dance. Movement is one of the most powerful tools for artistic expression, and DCDC uses it in a truly soul stirring way.

DCDC was founded in 1968 by the visionary pioneer Jeralydyne Blunden, who later established the DCDC2 ensemble. Both groups perform locally and tour regionally, performing for the likes of Oprah Winfrey and Dr Maya Angelou. Highly regarded for their artistic excellence and community partnerships, they are truly a gem in the Gem City! If you have not been to one of their productions, please do yourself a favor and attend this performance at The University of Dayton’s Boll Theatre. Tickets are only $15 and can be purchased via Ticket Center Stage (937-228-3630).

‘Sondheim on Sondheim’ Review – Wright State University – Let Him Entertain You

April 22, 2015 By Russell Florence, Jr.

Art isn’t easy but it can certainly be glorious. Case in point: Wright State University’s excellent regional premiere of the 2010 musical revue “Sondheim on Sondheim,” a fascinating, revelatory tribute to Grammy, Oscar, Tony and Pulitzer Prize-winning composer Stephen Joshua Sondheim, who celebrated his 85th birthday last month.

The cast of Wright State University’s regional premiere of the musical revue “Sondheim on Sondheim,” a celebration of the life and career of composer Stephen Sondheim. (Contributed photo)

Conceived by James Lapine, who shared the Pulitzer with Sondheim as librettist of “Sunday in the Park with George,” “Sondheim on Sondheim” is a marvelous, multimedia rarity in the revue mold. Unlike most revues confined by a song to song format and a thin story structure, this project is astutely constructed around Sondheim’s vivid, humorous and heartbreaking descriptions of his life and career executed within the archival framework of over 100 video segments. Lapine’s documentary-driven decision to allow Sondheim to be as open and vulnerable as possible about himself in addition to the rigors and joys of the collaborative creative process gives the audience an opportunity to connect with the seemingly reserved composer on a deeper, engaging level, particularly as he reflects on his rocky relationship with his cynical, melancholic mother and how he came to terms with his sexuality.
Propelled to prominence in the 1950s by writing lyrics to “West Side Story” and “Gypsy” yet perhaps best known for composing “Send in the Clowns,” Sondheim, a proudly neurotic only child, primarily embraced musical theater due to the encouragement of his mentor and neighbor Oscar Hammerstein II. His legacy as a Broadway composer began with a hilarious bang (“A Funny Thing Happened on the Way to the Forum”), but he ultimately transformed musical theater with exceeding bite and maturity in the 1970s creating such sophisticated, dark, intelligent, and thought-provoking shows as “Company,” “Follies,” “A Little Night Music,” and “Sweeney Todd.” Curiously, this revue doesn’t incorporate any songs from his stellar “Pacific Overtures,” delightful “Dick Tracy” or quirky “Frogs,” but ample room is given to cult favorites such as “Merrily We Roll Along,” “Assassins” and “Passion” as well as a handful of terrific cut songs specifically from “Company.” As an added bonus, it’s refreshing to know Sondheim doesn’t mind poking fun at his genius as evidenced in the original tune “God.”

Photo by Geek With a Lens Photography

Envisioning the show with an informal, cozy living room approach inside the intimate black box Herbst Theatre, director Jamie Cordes, at his finest when showcasing songs from “Assassins,” “Company” and “Merrily We Roll Along,” assembles an energetic, vocally dynamic cast skillfully interpreting over 40 character-conscious numbers. The spectacular Cassi Mikat, showcasing exquisite lyric aptitude in one of the best performances of the season, takes charge with sublime renditions of “Take Me to the World” (a gem from the little known “Evening Primrose”), “Not a Day Goes By” and “In Buddy’s Eyes.” Just as mesmerizing and vital here as Barbara Cook in the Broadway production, Mikat is such a pro that her truly breathtaking embodiments of “Passion” numbers “I Read” (one of the most challenging arias in the Sondheim canon) and “Loving You” as well as “Send in the Clowns,” the fitting climax of the revue, are enough to tell me she’s immediately ready to offer her own Sondheim showcase at New York’s 54 Below or Joe’s Pub. Katie Momenee, a beguiling mix of delicacy and fieriness, offers a lovely “Good Thing Going” and exuberant deliveries of “The Wedding Is Off” (which became “Getting Married Today”) and “Ah, But Underneath.” Soprano Abby Murray Vachon nicely accents the comedy fueling “The Wedding Is Off” and winningly inhabits the breeziness of “Do I Hear a Waltz?” Kelsey Pohl, so natural and grounded, effortlessly drives the truth permeating “Now You Know” and charms throughout the terrific “Opening Doors,” which Sondheim regards as his most autobiographical song. Strong tenor Nathan Pecchia commands attention while relishing the malevolent rage of “Epiphany” and the eerie moodiness of “The Gun Song.” The very personable Ian Benjamin gives firm, heartfelt versions of “Is This What You Call Love?” and “Being Alive.” Logan Torbet vibrantly tackles “Franklin Shepard, Inc.” The solid, expressive Keaton Eckhoff winningly joins Pohl and Torbet for “Opening Doors,” one of the show’s best sequences along with “Waiting for the Girls Upstairs” and “Something Just Broke.” Ensemble members/understudies Zachary Fretag, Natalie Girard, Caitlin Geisser, and Jim Miller pleasantly support the principal cast albeit in a lesser capacity.

Additionally, music director/pianist Sean Michael Flowers leads a small yet superb band including guitarist Mark Beyer and cellist Emsie Hapner. Scenic designer Pam Knauert Lavarnway straightforwardly fills the space with chairs, rugs and a couch but adds two staircases for greater dimension. Costumer Emily Sollinger provides attractive formal wear for the ladies in Act 2. Jessica Drayton’s lighting design and James Dunlap’s sound design are equally fine.

Without a doubt “Sondheim on Sondheim” is an absolute must-see for Sondheim fans, but even if you prefer the company of other composers you will find something appealing in his journey. By and large, getting to know the greatest living composer of American musical theater is an immense treat in WSU’s impressive hands. I’m glad Sondheim is still here fully prepared to give us more to see.

“Sondheim on Sondheim” continues through April 26 in the downstairs, black box Herbst Theatre of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Thursday at 7 p.m., Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 p.m. Act One: 65 minutes; Act Two: 65 minutes. Tickets are $12 for adults, $10 for seniors and $5 for students. All shows have general admission seating. For tickets or more information, call (937) 775-2500 or visit www.wright.edu/tdmp.

EX MACHINA Opens Friday & Jewish Film Fest Starts This Weekend at THE NEON!

April 21, 2015 By Jonathan McNeal

Hello Everyone,

If you still need to see WOMAN IN GOLD, a film that many of our regulars are absolutely loving, you only have until Thursday to see it at THE NEON. On Friday, we will open a new sci-fi film about artificial intelligence – one that seems all the more scary after having heard a story about a similar subject on NPR. EX MACHINA has been garnering rave reviews, and it certainly looks sophisticated and thought provoking…it also holds the record for the biggest opening of 2015 in larger markets. We have our fingers crossed that Dayton audiences are interested! TRUE STORY will stick around for another week, and WHILE WE’RE YOUNG will open on May 1. For this week’s remaining showtimes (they’re different than the upcoming week – which are listed below), please visit our website at www.neonmovies.com

Synopsis for EX MACHINA: “Alex Garland, writer of 28 Days Later and Sunshine, makes his directorial debut with the stylish and cerebral thriller, EX MACHINA. Caleb Smith, a programmer at an internet-search giant, wins a competition to spend a week at the private mountain estate of the company’s brilliant and reclusive CEO, Nathan Bateman (Oscar Isaac). Upon his arrival, Caleb learns that Nathan has chosen him to be the human component in a Turing Test-charging him with evaluating the capabilities, and ultimately the consciousness, of Nathan’s latest experiment in artificial intelligence. That experiment is Ava, a breathtaking A.I. whose emotional intelligence proves more sophisticated – and more deceptive – than the two men could have imagined.” (A24) Click this LINK to visit the film’s official site.

THE DAYTON JEWISH INTERNATIONAL FILM FESTIVAL has grown considerably over the years, and the line-up is always terrific. Screenings at THE NEON begin this Sunday:
Sun, April 26 at 3:10 – 70 HESTER STREET & THE STURGEON QUEENS.
Sun, April 26 at 5:00 – ZAYTOUN.
Tue, April 28 at 10am – THE OUTRAGEOUS SOPHIE TUCKER.
Tue, April 28 at 7:15 – 24 DAYS.
Wed, May 6 at 7:15 – DANCING IN JAFFA.
Tue, May 12 at 7:15 – FOR A WOMAN.
Thu, May 14 at 7:15 – RUN BOY RUN.
The official website for the festival is now up and running! You can read about all the films, watch trailers and discover all that the festival has to offer. Check it out by visiting this LINK.

Montgomery County Food Policy Coalition is brining a special screening of GROWING CITIES to town. “Growing Cities is a film about urban farming in America. At a time when so much negative attention is paid to the food system – from mad cows to factory farms – this film tells the inspiring stories of city-dwellers who are transforming their communities one vacant lot, backyard beehive, and rooftop farm at a time. Join the filmmakers on a cross-county road trip, along the way these growers show that the urban farming movement is about a whole lot more than simply food and that everyone can take part in creating a healthier, more just, and sustainable food system.” (taken from press notes) This film will screen on Saturday, May 2 at 3:00. Tickets are free, but reservations must be made by calling or emailing Emily Bradford at (937)225-6470 or [email protected]

On Wednesday, May 13 at 7:30, we will have a one-time screening of I’M STILL HERE – ELAINE PAIGE AT THE ROYAL ALBERT HALL. “The incomparable Elaine Paige brings her sell-out Farewell Concert from the Royal Albert Hall to the big screen accompanied by a live orchestra featuring special guests. Filmed for cinema, the concert features the BBC Concert Orchestra, with Elaine performing the highlights of her extraordinary 50 year career, including “Memory,” “I Know Him so Well” and “As If We Never Said Goodbye.” The evening will finish with special footage including a Q&A and more intimate performance with special guests recently captured in London.” (taken from press notes) General Admission tickets just $12. Senior tickets just $10. Tickets for this event can be purchased on-line via this LINK. They are also available at our box office (without the surcharge).

“Stivers School for the Arts-Film & Animation Studio Presents THE SHOWCASE. This compilation of short films includes live action & animation and ranges from comedy to documentary. Some of these films have already won regional and state awards. Following the show, there will be a Q & A with the student filmmakers. All proceeds go towards updating equipment in the Stivers Film and Animation studio. The Showcase runs one night only – Wednesday, May 20th at 7:30pm. Tickets are$5.00 in advance and $7.00 on the day of the event.. Tickets will soon be available at THE NEON’s box office and Stivers School for the Arts. Please join us for an evening of entertainment as we celebrate this next generation of filmmakers.” (taken from press release)

Thanks for your continued support.

See you soon,

Jonathan

SHOWTIMES for Friday, April 24 – Thursday, April 30:

EX MACHINA (R) 1 Hr 48 Min
Friday, Saturday: 12:10, 2:30, 5:00, 7:30, 9:50
Sunday: 12:10, 2:30, 5:30, 7:30
Monday – Thursday: 2:55, 5:15, 7:40

TRUE STORY (R) 1 Hr 40 Min
Friday, Saturday: 12:00, 2:20, 4:50, 7:20, 9:45
Sunday: 12:00, 7:30
Monday: 2:40, 5:10, 7:30
Tuesday: 2:40, 5:10
Wednesday & Thursday: 2:40, 5:10, 7:30

DAYTON JEWISH FILM FESTIVAL
(see list above for specific titles)
Sunday: 3:10, 5:00
Tuesday: 10am, 7:15

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
May 1 – WHILE WE’RE YOUNG
TBD- RED ARMY
TBD – MERCHANTS OF DOUBT
TBD – GREY GARDENS
TBD – ’71
May 22 – FAR FROM THE MADDING CROWD
TBD – ME AND EARL AND THE DYING GIRL

Xenia Author’s First Book Published

April 15, 2015 By Dayton Most Metro

Ohio author, Ryan Ireland will present his debut novel, Beyond the Horizon. Beyond the Horizon is both a fabled rewritten history of the American West and a critical metaphor of American expansionist period. In frontier America, a man lives with a pregnant woman who is not his wife.

Ryan will discuss the writing and publishing process, read selections from the book, and take questions from the audience. Refreshments will be provided.

Franco and Hill in TRUE STORY Starts Friday + Elaine Paige News at THE NEON!

April 14, 2015 By Jonathan McNeal

Hello Everyone,

If you still need to see THE WRECKING CREW, IT FOLLOWS or WILD TALES, you only have until Thursday (Apr. 16). WOMAN IN GOLD was loved by patrons this weekend, and it will stick around for another week. Many thanks if you hurried out this past weekend to see it! On Friday, we will open a film based on a true story…and guess what, it’s called TRUE STORY – starring Jonah Hill, James Franco and Felicity Jones. For this week’s remaining showtimes (they’re different than the upcoming week – which are listed below), please visit our website at www.neonmovies.com

Synopsis for TRUE STORY: “When disgraced New York Times reporter Michael Finkel (Jonah Hill) meets accused killer Christian Longo (James Franco) – who has taken on Finkel’s identity – his investigation morphs into an unforgettable game of cat and mouse. Based on actual events, Finkel’s relentless pursuit of Longo’s true story encompasses murder, love, deceit, and redemption.” (Fox Searchlight) Click this LINK to visit the film’s official site.

“This Sunday, April 19 at 3:00, join The Dayton International Peace Museum at THE NEON for an upbeat rally to inspire, inform and prepare Team Captains for their essential role in the upcoming May 2 Peace Heroes Walk at RiverScape MetroPark. Featured speaker will be Captain Paul Chappell, author, educator and Peace Leadership Director at the Nuclear Age Peace Foundation. Featured musical entertainment will be Michael and Sandy Bashaw. Artists/musicians Michael and Sandy Bashaw are based in Dayton, Ohio. Michael is a musician, visual artist, and educator. For over 25 years, he has conducted residencies and workshops in hundreds of schools. Sandy began her musical career as a folksinger and recording artist for the Vanguard Recording Society. Both are BMI-affiliated, Emmy-nominated composers. More information about the walk at: PeaceHeroesWalk.org This event is sponsored by the Dayton International Peace Museum and NCCJ of Greater Dayton. It is open to anyone interested in helping organize a team for this year’s Walk.” (taken from The Dayton International Peace Museum press notes)

THE DAYTON JEWISH INTERNATIONAL FILM FESTIVAL has grown considerably over the years, and the line-up is always terrific. The following are films that will screen at THE NEON:
Sun, April 26 at 3:10 – 70 HESTER STREET & THE STURGEON QUEENS.
Sun, April 26 at 5:00 – ZAYTOUN.
Tue, April 28 at 10am – THE OUTRAGEOUS SOPHIE TUCKER.
Tue, April 28 at 7:15 – 24 DAYS.
Wed, May 6 at 7:15 – DANCING IN JAFFA.
Tue, May 12 at 7:15 – FOR A WOMAN.
Thu, May 14 at 7:15 – RUN BOY RUN.
The official website for the festival is now up and running! You can read about all the films, watch trailers and discover all that the festival has to offer. Check it out by visiting this LINK.

Montgomery County Food Policy Coalition is brining a special screening of GROWING CITIES to town. “Growing Cities is a film about urban farming in America. At a time when so much negative attention is paid to the food system – from mad cows to factory farms – this film tells the inspiring stories of city-dwellers who are transforming their communities one vacant lot, backyard beehive, and rooftop farm at a time. Join the filmmakers on a cross-county road trip, along the way these growers show that the urban farming movement is about a whole lot more than simply food and that everyone can take part in creating a healthier, more just, and sustainable food system.” (taken from press notes) This film will screen on Saturday, May 2 at 3:00. Tickets are free, but reservations must be made by call or emailing Emily Bradford at (937)225-6470 or [email protected]

On Wednesday, May 13 at 7:30, we will have a one-time screening of I’M STILL HERE – ELAINE PAIGE AT THE ROYAL ALBERT HALL. “The incomparable Elaine Paige brings her sell-out Farewell Concert from the Royal Albert Hall to the big screen accompanied by a live orchestra featuring special guests. Filmed for cinema, the concert features the BBC Concert Orchestra, with Elaine performing the highlights of her extraordinary 50 year career, including “Memory,” “I Know Him so Well” and “As If We Never Said Goodbye.” The evening will finish with special footage including a Q&A and more intimate performance with special guests recently captured in London.” (taken from press notes) General Admission tickets just $12. Senior tickets just $10. Tickets for this event can be purchased on-line via this LINK. They will also be available at THE NEON’s box office (without the surcharge) beginning 4/15/15.

We have so many one-night-only events on the horizon. In the next couple months, we’ll have Gathr screenings, a Stivers Student Showcase, and a special presentation of TAB HUNTER CONFIDENTIAL. More details coming soon. Stay tuned for the latest!

Thanks for your continued support.

See you soon,
Jonathan

SHOWTIMES for Friday, April 17 – Thursday, April 23:

WOMAN IN GOLD (PG-13) 1 Hr 49 Min
Friday, Saturday: 12:10, 2:30, 5:00, 7:30, 9:50
Sunday: 12:10, 5:15, 7:30
Monday – Thursday: 2:55, 5:15, 7:40

TRUE STORY (R) 1 Hr 40 Min
Friday, Saturday: 12:00, 2:20, 4:50, 7:20, 9:45
Sunday: 12:00, 2:20, 4:50, 7:20
Monday – Thursday: 3:00, 5:30, 7:50

Dayton International Peace Museum’s
PEACE HEROES WALK RALLY (NR)
Sunday: 3:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
April 24 – WHILE WE’RE YOUNG
TBD- RED ARMY
TBD – MERCHANTS OF DOUBT
TBD – GREY GARDENS
TBD – ’71
May 22 – FAR FROM THE MADDING CROWD
TBD – ME AND EARL AND THE DYING GIRL

‘Songs for a New World’ Review – Sinclair Community College – Embracing the Moment

April 10, 2015 By Russell Florence, Jr.

Jason Robert Brown’s tuneful, reflective and stirring 1995 Off-Broadway song cycle “Songs for a New World” receives a very commendable and engagingly intimate treatment inside Sinclair Community College’s Black Box Theatre.

(l to r) Andre Tomlinson, Anna Shedon, A.J. Breslin, Natalie Sanders, and Skyler McNeely are featured in Sinclair Community College’s production of Jason Robert Brown’s musical revue “Songs for a New World” (Photo by Patti Celek)

This contemporary musical revue, one of the most popular of its kind, expresses an array of emotions grounded in the expectancy, wonder, vulnerability, and discovery of a single moment. In fact, Brown has stated: “It’s about hitting the wall and having to make a choice, or take a stand, or turn around and go back.” The songs are not connected, which may puzzle or polarize those in search of a traditional plot or story structure. Even so, they certainly strike a chord and stand alone with a sparkling wit, depth and romantic flair only Brown can provide. The varied numbers run an intriguing gamut from Christopher Columbus’ voyage to America (“On the Deck of a Spanish Sailing Ship, 1492”) and an act of sheer desperation (“Just One Step”) to the mysteries of love and desire (“Stars and the Moon”) and the heartache of war (“The Flagmaker, 1775”). Brown, who won Tony Awards for his marvelous scores of “Parade” and “The Bridges of Madison County,” particularly crafts his splendid, uplifting music with rhythmic and vocal complexities which have become his artistic signature. Even so, director Kimberly Borst’s appealing, lyric-driven five-member ensemble, strikingly communicating with each other and the audience on various platforms, embraces the demanding score assuredly and purposefully on the whole.
Borst, setting the revue amid the backdrop of what appears to be a new, mysterious land of possibilities attractively designed by Chris Harmon, assembles some of Sinclair’s strongest vocalists who aptly sell the story in each song aided by Rodney Veal’s expressive choreography. A.J. Breslin, outstanding last fall in “bare” and “A Charlie Brown Christmas,” endearingly connects, revealing a wonderfully soulful urgency in the aforementioned “On the Deck…” as well as the passionate pleas fueling “King of the World.” Skyler McNeely, a memorable King Arthur in “Monty Python’s Spamalot,” steps away from his musical comedy persona to display a mature, sincere tenderness in such relationship-centric numbers as “She Cries” and “I’d Give It All For You.” Anna Sheldon, another standout from “Charlie Brown Christmas,” firmly inhabits her character-driven numbers, particularly the aforementioned “Just One Step” and the humorous “Surabaya-Santa.” Vocal powerhouse Natalie Sanders, tailor-made for this show, effectively blends with her fellow actors, but dynamically steps into the spotlight with “I’m Not Afraid of Anything” and provides great warmth in “Christmas Lullaby.” André Tomlinson, seen in “bare,” is the weakest vocalist but his commitment is unmistakable. Music director Daniel Greene leads a fine, well-balanced five-piece orchestra. Brandy L. Simmons’ costumes and Pauline Humber’s sound design are also noteworthy.
Overall, Sinclair ensures “Songs for a New World” still speaks to the universal power of community, togetherness and hope. In the grand scheme of things, all of us matter and have a special song to sing.

“Songs for a New World” continues through April 11 in the Black Box Theatre, Building 2, Fourth Floor, of Sinclair Community College, 444 W. Third St., Dayton. Jennifer Smith and David Brandt serve as Swings. Performances are Friday and Saturday at 8 p.m. Act One: 40 minutes; Act Two: 45 minutes. Tickets are $15 (general admission seating). For tickets or more information, call (937) 512-2808 or visit www.sinclair.edu/tickets.

American Impressionism On Display at the DAI

April 10, 2015 By Dayton Most Metro

The Dayton Art Institutes laste show, “American Impressionism: The Lure of the Artists’ Colony,” runs through May 31. It comes from the Reading Public Museum in Pennsylvania. It’s a comprehensive look at more than 100 works by American Impressionists from the 1880s through the 1940s, including John Singer Sargent, Mary Cassatt, William Merritt Chase, Childe Hassam, John Twachtman, and many others.

Arranged according to the artists’ colonies that played a critical role in the development of American Impressionism around the turn of the century, this exhibition examines artistic communities at Cos Cob and Old Lyme in Connecticut; Cape Cod, Cape Anne, and Rockport, in Massachusetts; New Hope and Philadelphia in Pennsylvania; Taos, New Mexico; and throughout California. Within each of these colonies, artists were able to teach, collaborate and escape the daily rigors of their city studios. Often located in scenic locations within striking distance of major cities, artists’ colonies served up steady doses of natural beauty and provided ample subject matter for the practitioners.

The resulting selection of lyrical landscapes, ranging from snow-covered hills to sun-filled harbors and seascapes, penetrating portraits, and remarkable still-life paintings documents an important moment in the history of American art.

Museum Hours:

Tuesday – Saturday: 11:00 a.m. – 5:00 p.m.
Sunday: Noon – 5:00 p.m.
Extended hours until 8:00 p.m. on Thursdays
Closed Mondays

Exhibition Admission*

Museum Members: Free
Adults: $14
Seniors (60+): $11
Students (18+ w/ID): $11
Active Military: $11
Groups (10 or more): $11
Youth (ages 7-17): $6
Children (6 & under): Free

* Prices include admission to the exhibition and the museum’s permanent collection. Admission prices include a $2 fee for Building Preservation and Art Conservation.

Would you like to be DMM’s guest to view this exhibit? Just fill out this form below to win a 4 pack of tickets and leave a comment below on why we should pick you to win. We’ll name the winner on Sunday, April 12th.[form 55 “DMM Contest Entry – Generic”]