Arts & Entertainment

Oscar Nominee TIMBUKTU Opens & FREE Oscar Party Details at THE NEON!

February 19, 2015 By Jonathan McNeal

$TIMBUKTU-newposter-Oscarnom_{d5704ff5-075b-e411-9d0b-d4ae527c3b65}_sm$ Hello Everyone,

The response to STILL ALICE was really terrific this weekend. Most customers agree that Julianne Moore’s performance is honest and beautifully done…and that she will deserve the Academy Award this Sunday. STILL ALICE will stick around, and on Friday, we will open a contender for this year’s “Best Foreign Film” Oscar – TIMBUKTU – the first time a film from Mauritania has ever received a nomination. The last day for TWO DAYS, ONE NIGHT will be Thursday, Feb. 19. MR. TURNER is slated to open on Feb. 27 and THE SECOND BEST EXOTIC MARIGOLD HOTEL is set to open on March 6!

Synopsis for TIMBUKTU: Currently rated 98% Fresh on Rottentomatoes.com, this stunning film is as important as it is beautiful. “Not far from the ancient Malian city of Timbuktu, now ruled by the religious fundamentalists, proud cattle herder Kidane lives peacefully in the dunes with his wife Satima, his daughter Toya, and Issan, their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become shadows but resist with dignity. Every day, the new improvised courts issue tragic and absurd sentences. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes abruptly in this stunningly rendered film from a master of world cinema.” (taken from Cohen Media) Joe Morgenstern of The Wall Street Journal wrote, “If Timbuktu – a nominee for this year’s foreign-film Oscar – were politically astute and nothing more, it would still serve a valuable purpose. But the film throbs with humanity, and abounds in extraordinary images.” Click this LINK to visit the film’s official site.

Many thanks to the Alzheimer’s Association for their help in spreading the word about our engagement of STILL ALICE. “More than 5 million Americans are living with Alzheimer’s and the the signs of Alzheimer’s are often dismissed as typical aging. Memory loss that disrupts daily life is not normal – it’s one of the 10 warning signs of Alzheimer’s disease. If identified, these signs should be taken seriously and a doctor should be consulted. Early detection is important so that individuals and families can seek possible treatments that may provide relief from symptoms and allow more time to plan for the future. The Alzheimer’s Association Miami Valley Chapter is here to help! You can contact their 24/7 Helpline at 800.272.3900 or alz.org/dayton.” (The Alzheimer’s Association has literature available in THE NEON’s lobby during our run of STILL ALICE.)

“The Junior Leaguers Club of Dayton will sponsor a special screening of DEAR WHITE PEOPLE on Feb. 28, 2015 at noon. DEAR WHITE PEOPLE is a 2014 American satirical film written and directed by Justin Simien. The film focuses on African American students who attend a predominately white university. This is the fourth annual movie sponsored by the Junior Leaguers of Dayton as a fundraiser for scholarships. The film will be followed by a community discussion led by Jeannette Taylor, program coordinator for NCCJ. The cost is $30 per ticket which includes the cost of movie, soda, a glass of wine, popcorn and the discussion.” (Taken from event press notes.) Tickets can now be purchased at THE NEON’s box office.

The Oscars are this Sunday, and you’re invited to our Annual FREE Oscar Party! Oscar ballots and details are now available in our lobby. Many thanks to the folks at ThinkTV for agreeing to help us get a broadcast signal for the event! Additional thanks to our friends at Square One Salon & Spa for donating a special gift for our grand prize of the night!

The ReelAbilities Film Festival is happening at numerous venues around Cincinnati, but one special screening is coming to Dayton on Wednesday, March 4 at 7:30 – ON BEAUTY. “Rick Guidotti, who after 15 years of working for clients such as Yves Saint Laurent, Elle, and Harper’s Bazaar, grew tired of seeing the same ideal of beauty ‘spit up at us constantly.’ In a moment of serendipity, Rick walked by a young woman with Albinism at a New York City bus stop, and wondered why she wasn’t considered beautiful in his other world. This exploration resulted in a show-stopping magazine spread for Life Magazine called ‘Redefining Beauty.’ The Cincinnati ReelAbilities Film Festival, organized by LADD and presented by Macy’s, is our region’s largest film festival celebrating the stories, lives and art of people who experience disability; all of the film screenings benefit local nonprofit organizations.” For more information or to order advanced tickets, click this LINK to the official site.

On Sunday, March 8 at 3:20 (Please Note – the date in last week’s newsletter was incorrect!), Taller Trees Productions will premiere THE FALL LEAGUE – a locally produced documentary about seniors, softball and life. “This heart-warming documentary captures the story of a Dayton senior league (all players are over age 63), but it goes much further, exploring the impact of the sport in regard to family relationships, the bonding and camaraderie between players, and topics of aging that are necessary considerations for active seniors…the movie has been accepted for the Indy Sports Film Fest Experience in Toronto…and Louisvilles’ International Festival of Film.” (taken from press notes) To read more about the film and its production and to view the trailer, visit the film’s official site by clicking this LINK. Tickets, just $7 each, will be available at THE NEON’s box office beginning this weekend. Many people involved with the production of the film will attend the screening.

“On Sunday, March 15 at 3:00, The Turkish American Society is proud to present a special, one-time screening of director Hasan Kiraç’s TWO HEARTS AS ONE (Birlesen Gönüller). This powerful film – one of the most expensive productions in Turkish film history – is based on a true story. Starting in 1940’s Soviet Russia, and continuing into 1990’s, this is the story of four hearts which couldn’t be stopped by distances and years. Newlyweds Niyaz and Cennet are forced to separate when war rears a violent and chaotic head. Niyaz is taken to Red Army to fight on the Soviet side, while Cennet is sent to a camp when the Nazis took over their village…Woven into the narrative is the story of Yunus and Dilek, a loving couple from Turkey who leave for Almaty, then the capital of Kazakhstan, in the 1990’s. Ambitious Yunus is planning to build a school, but he has no resources at all. His wife Dilek sympathizes and supports him, but their enduring poverty wears her patience and resolve – until a chance encounter provides some much-needed perspective. Tickets for this special event are $10 and will be available on the day of the event (to purchase tickets in advance, visit The Turkish American Society – 2601 East Fourth Street). Presented in Turkish, with English subtitles.” (Taken from press notes)

http://www.youtube.com/watch?v=154LpFZZBnI

Thanks for your continued support.
We hope to see you this weekend – at the movies and our Oscar Party!

Stay warm,
Jonathan

SHOWTIMES for Friday, Feb. 20 – Thursday, Feb. 26:

TIMBUKTU (NR) 1 Hr 37 Min
Friday & Saturday: 12:45, 2:50, 5:00, 7:15, 9:30
Sunday: 12:45, 2:50, 5:00
Monday – Thursday: 3:00, 5:15, 7:30

STILL ALICE (PG-13) 1 Hr 41 Min
Friday, Saturday: 12:40, 3:00, 5:15, 7:30, 9:45
Sunday: 12:40, 3:00, 5:15, 7:30
Monday – Thursday: 3:15, 5:30, 7:45

OSCAR PARTY (NR) Runtime: Who Knows?!
Sunday: Seating begins at approximately 7:00

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

Feb. 27 – MR. TURNER
March 6 – THE SECOND BEST EXOTIC MARIGOLD HOTEL
March ? – WHAT WE DO IN THE SHADOWS
March ? – LEVIATHAN
March ? – RED ARMY
April 3 – WOMAN IN GOLD
TBD – MOMMY
March ? – WILD TALES
TBD – GREY GARDENS

FilmDayton Hosts Virtual Oscar Party

February 17, 2015 By Dayton Most Metro

Behind every Oscar winner, there’s a film commission. FilmDayton is a 501c3, non-profit that serves the film industry in the greater Dayton and Miami Valley region. FilmDayton depends on contributions to finance resources and programs to grow our local film industry and attract outside productions to our area. Money spent on a babysitter, tux or fancy dress for the traditional party would be better utilized in supporting our local film commission. Contributions are tax deductible.

And now, on to the fun……

Going to an Awards party? Staying home in your pj’s to watch? Party with FilmDayton on Awards night wherever you go! This year we are doing a multi-interactive party with loads of fun events and prizes!

Read details below on how you can win a FilmDayton swag bag, 50/50 cash ballot and Marion’s Piazza delivered to your house or party by Jim Bucher during the Academy Awards broadcast!

Highlights of the evening are:
– Raffle for FilmDayton Swag Bag ($300.00 value)
– 50/50 cash Awards ballot entries
– Chances to win Marion’s Piazza delivered to you by Jim “Buch TV Guy” Bucher during the Academy Awards broadcast on 2/22/’15.

Here’s how to enter for the contest portion of the event:

Complete your 50/50 Ballot here ($1.00 per chance; minimum of 10 chances):

Purchase your Raffle Tickets here for the FilmDayton SwagBag ($5.00 per chance):

Links to enter the Marion’s Piazza contest will be posted & shared via our Facebook and Twitter feeds at 6pm the night of the event. (Feb. 22) The pizza contest will only be held from 6pm to 9pm during the telecast. (see contest rules below)

Prize Details

FilmDayton Swag Bag Contents: ($300.00 value)
~ 2 Neon Movie Passes
~ $25.00 Certificate for Olive, An Urban Dive
~ Up to $40.00 of hair services from Salon EXP
~ 1 Year FilmDayton Membership ($40)
~ 1 FilmDayton thermal travel mug
~ 2 FilmDayton tee-shirts (specify size)
~ 1 FilmDayton messenger bag
~ 1 FilmDayton cloth lanyard
~ Collection of cd film soundtracks from Classical 88.1, WDPR
~ “Matrix” screenplay script book
~ “Downton Abbey” teleplay script book

Marion’s Piazza Delivery with Jim Bucher:
This contest is exclusively for participants of the live interactive FilmDayton event on Facebook.com/FilmDayton and Twitter.com/FilmDayton
Enter to win pizza from Dayton’s own “Piazza Of The Stars”, Marion’s Piazza, delivered TO YOU during the Academy Awards broadcast by local personality, “Buch TV Guy”, Jim Bucher! Entries will begin at 6:00pm and end at 9pm (2/22)
$5.00 per chance, enter to win.
There will be two winners chosen for this contest.

Contest rules:
Winning entries for all contests associated with this event will be selected by contest software.

*Marion’s Piazza delivery by Jim Bucher contest:
Delivery address must be within 5 miles of a Dayton Marions Piazza location. (This does not need to be your own home. It can be a party you are attending or even if you are at work! The delivery address MUST be within a 5 mile radius and will only be offered during the televised Academy Awards on 2/22/15.)
Delivery only.
2 pizzas per winner only. (NO ADDITIONAL pizza, beverage or food orders to be added to winning delivery.)
There will only be 2 pizzas per winner. Contest begins at 6PM, ends at 9PM. Marion’s Piazza winners will be drawn randomly via electronic selection.

*50/50 ballot contest:
All 50/50 ballot submissions must be completed before 6PM on 2/22/15 and winners will be drawn randomly via electronic selection after all Oscars have been awarded. (approx. 11:30pm Eastern)

If you would rather receive paper ballots for the 50/50 or paper raffle tickets, please email Shelly Hulce at [email protected].

To make a pledge to FilmDayton, please use PayPal ([email protected]) or send to:
FilmDayton
22 E. 5th. St.
Dayton, Ohio 45402

All products and services used in this event are from local businesses and vendors. All proceeds stay local and also benefit FilmDayton. All contributions to FilmDayton are tax deductible.

Please support the greater Dayton and Miami Valley regional film industry! We are all winners when we support local arts!

Dayton Theatre Hall of Fame Nominations Sought

February 15, 2015 By Dayton Most Metro

Nominations are being sought for 2015 Dayton Theatre Hall Of Fame inductees. Any member of the Dayton arts community is eligible to receive this annual award designed to recognize individuals who have dedicated themselves to theatre arts in Dayton. Completed nomination forms and two letters of recommendation must be received by May 8, 2015 and will be reviewed by the Hall of Fame Committee. Nomination forms are available at www.daytonys.org or from the Dayton Theatre Hall of Fame Nomination Committee Chair, Chuck Larkowski, at c[email protected].

Established in 2002, the Dayton Theatre Hall of Fame was created to honor local theatre artists and patrons of the arts. It is designed to acknowledge people whose life-long participation, innovation, and creativity have influenced the Dayton arts culture. The Hall Of Fame recognizes their contributions to the arts by perpetuating their legacies. The Induction Ceremony will be held in conjunction with the annual DayTony Awards Presentation on August 8, 2015 at Sinclair Community College; this event is open to the public. The 2014 inductees were Barbara Jorgensen and Saul Caplan. The Dayton Theatre Hall of Fame is operated and governed by the Dayton Theatre Hall of Fame Executive Committee.

‘Nice Work If You Can Get It’ Review –Victoria Theatre Association – Giddy, Glorious Gershwin

February 12, 2015 By Russell Florence, Jr.

Hugely entertaining and marvelously accented by the timeless tunes of George and Ira Gershwin, “Nice Work If You Can Get It,” a 2012 Tony Award nominee for Best Musical presented at the Schuster Center courtesy of the Victoria Theatre Association’s Premier Health Broadway Series, pleases as a giddy throwback to bygone musical comedy.

Based on Guy Bolton and P.G. Wodehouse’s book for the 1926 Gershwin musical “Oh, Kay!,” “Nice Work” is a silly, summertime, Prohibition-era romantic farce that finds goofy criminals, sexy dames, handsome henchmen, and the haughty upper crust colliding on Long Island. As is standard fare for such zany stories, mistaken identity runs rampant nearly to the point of excess. However, librettist Joe DiPietro, who won Tonys for Best Book and Score for “Memphis,” keeps the tale peppy and engaging with enough twists, particularly in Act 2, to genuinely delight even when corny jokes and double entendres provoke eye rolls along the way.

Photo by Jeremy Daniel (www.JeremyDanielPhoto.com)

Alex Enterline (Jimmy Winter) and the female ensemble of “Nice Work If You Can Get It.” (Photo by Jeremy Daniel)

In a refreshing turn of events for a national tour, the leading players actually outshine their Broadway counterparts. As wealthy, spoiled playboy Jimmy Winter, created to one-dimensional effect by Matthew Broderick, Alex Enterline truly sparkles with charm, finesse and excellent, lyric-conscious vocals. He is perfectly matched by the outstanding Mariah MacFarlane as bootlegger Billie Bendix, who pines for Jimmy although he’s been married three times and is currently engaged. MacFarlane, a sublime soprano specifically navigating “Someone to Watch Over Me” with lovely tenderness and surprising humor, surpasses Tony nominee Kelli O’Hara in the role due to a more convincing grasp of Billie’s tough, tomboy sensibilities. Enterline and MacFarlane’s beautifully breezy treatment of “’S Wonderful,” which director/choreographer David Eggers winningly recreates from Kathleen Marshall’s original vision, is particularly joyful and smile-inducing as the carefree duo dances merrily throughout Jimmy’s living room.

In addition to splendid Tony-nominated costumes designed with period panache by the late, great Martin Pakledinaz and a top-notch orchestra conducted by Charlie Reuter, the featured performers are strong overall. Reed Campbell and Aaron Fried terrifically and respectively fuel the comedic chaos as Cookie McGee and Duke Mahoney, Billie’s cohorts. Rachael Scarr is a ditzy pleasure as modern dance interpreter Eileen Evergreen, Jimmy’s fiancé. Stephanie Gandolfo beguilingly seduces as the incredibly daft Jeannie Muldoon, who is convinced Duke is heir to the British throne. Thomas Schario admirably appears in the thankless role of Chief Barry. The terrific Barbara Weetman hits the mark as Millicent Winter, Jimmy’s sassy, sophisticated mother. Benjamin Perez duly commands attention as uptight Senator Max Evergreen. As Duchess Estonia Dulworth, Max’s no-nonsense, pro-prohibition sister, Stephanie Harter Gilmore is too young to fully sell Estonia’s seasoned, domineering gravitas, but steals the show during a kooky Act 2 dinner sequence that finds her hilariously “Looking for a Boy.”

“Nice Work” doesn’t possess the conceptual aptitude of “Crazy for You,” the finest Gershwin-inspired tribute to date, but certainly satisfies as a warm, inviting dose of feel-good fun to cure the chilly winter blues.

“Nice Work if You Can Get It” continues through Feb. 15 at the Schuster Center, Second and Main Streets, Dayton. Performances are today and Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 75 minutes; Act Two: 60 minutes. Tickets are $25-$97. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com.

Kettering CitySites Call For Public Art Proposals

February 9, 2015 By Dayton Most Metro

Artists, artist teams, designers and architects are invited to submit proposals for a new public artwork to be located at the City of Kettering’s Southdale Park and Habitat Environmental Center. The artist will design, fabricate and install a permanent, site-specific piece using approximately 120 aluminum tiles created by Kettering City Schools students. The tiles were created during a special aluminum casting event with the foundry team of Bernie Carreno of Austin, TX.

The Habitat Environmental Center offers numerous programs and events throughout the year, as well as ecologically themed exhibitions to promote environmental stewardship. The center is located in Southdale Park, an eight-acre park that includes a nature trail, picnic tables and a nature-themed playground. The chosen artwork will reflect this site, include nature and sustainability themes and actively support interaction and play.

Interested artists must be based within a 60-mile radius of Dayton. The projects will be reviewed based on aesthetic quality, feasibility, durability in an outdoor setting, experience of artist/team members and adherence to project criteria. Q & A sessions will be held at the Habitat Environmental Center on February 18 and March 18 from 5 – 6pm. Shayna McConville, Cultural Arts Manager, and a representative from the Parks division will be on hand to discuss the project.

The total project budget for the artwork is $15,000 and includes all project costs. Artists may submit their proposals for consideration through March 27, 2015. Proposals must include a resume, artist statement, three references, images, a project narrative and a budget breakdown. Incomplete proposals will not be considered. For full submission requirements, please visit citysites.ketteringoh.org.

For additional information about the City of Kettering’s Cultural Arts programs, call (937) 296- 0294, e-mail [email protected] or visit rosewood.ketteringoh.org.

‘The Fantasticks’ Review –Dayton Playhouse – Love Is In the Air

February 6, 2015 By Russell Florence, Jr.

Lyricist/librettist Tom Jones and composer Harvey Schmidt’s tender, intimate 1960 musical “The Fantasticks,” loosely based on Edmond Rostand’s 1894 play “Les Romanesques,” receives a visually engaging, strikingly designed presentation at the Dayton Playhouse.

Matthew W. Smith spearheads his finest directorial achievement thus far by envisioning the material with nods to commedia dell’arte and vaudeville with particularly lovely sprinkles of whimsicality recalling Jones’ superb direction of the current off-Broadway production. Smith’s show-within-a-show concept is marvelously heightened by scenic designer Chris Newman’s treasure trove of collectibles. Books, lampshades, drums, candles, candelabras, curtains, trunks, and more accent the minimalist approach that has worked so well for this musical since its inception. After all, “The Fantasticks” can be told anytime, anyplace so it’s great to see such an imaginative focus soundly implemented and executed.

Kami Flanders as Luisa and Tyler Henry as Matt in Dayton Playhouse’s production of “The Fantasticks” (Contributed photo by Art Fabian)

Tyler Henry and Kami Flanders, in lead acting Playhouse debuts, are compatibly cute as Matt and Luisa, lovebirds separated by a wall unaware their scheming fathers have been their matchmakers for years. Henry, confident and mature, and Flanders, demure and capricious, are responsible for singing the majority of the vocally challenging score and do so admirably, particularly the gorgeous “Soon It’s Gonna Rain” and “They Were You.” The duo also brings ample dismay and potency to Matt and Luisa’s pivotal if drawn-out Act 2 separation that finds the couple searching for more after realizing every happy ending has a price.

Rob Willoughby (as Matt’s father Hucklebee) and Brian Sharp (as Luisa’s father Bellomy) create a warm, humorous partnership genuinely grounded in friendship and mutual parental interest, wonderfully displayed in their rendition of “Plant a Radish.” As wistful narrator El Gallo, Shawn Hooks, in excellent voice from the very first strains of the straightforwardly sublime “Try to Remember,” lessens the brooding, mysterious qualities of the role in favor of an amiable, conversational approach that is more magnetic and accessible. Charles Larkowski (Henry) and Saul Caplan (Mortimer) are a comical joy as a pair of veteran actors who help El Gallo in a fake kidnapping ultimately transpiring with Matt as a hero. Caplan is hilarious in his American Indian garb/makeup, and Larkowski, effortlessly natural and inviting in a funny, refined, attention-grabbing role that requires him to be slightly over-the-top, keeps the frivolity of their scenes at an entertaining high. The handsomely mirthful William Scarborough has great presence and smoothly fuel’s the production’s fancifulness as the Mute who at times represents the wall.
Smith’s terrific creative team includes costumer Janet G. Powell (Willoughby and Sharp’s colorful outfits are particularly appealing), lighting designer Anita Bachmann, sound designer Bob Kovach, choreographer Mike Embree (who actually releases “Much More” from its typical stiltedness), fight choreographers Natasha Randall and Craig Roberts, and musical director Ron Kindell whose fine four-piece orchestra features lilting piano accompaniment by Bryon Dobbs.

As Valentine’s Day beckons, “The Fantasticks” certainly satisfies as a romantic escape worth exploring.

“The Fantasticks” continues through Feb. 8 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Friday and Saturday at 8 p.m., and Sunday at 2 p.m. Act One: 60 minutes; Act Two: 45 minutes. Tickets are $18 for adults and $16 for seniors and students. For tickets or more information, call (937) 424-8477 or visit online at www.daytonplayhouse.com

‘Fiddler on the Roof’ Review – Cedarville University – Prolonged Exodus

February 5, 2015 By Russell Florence, Jr.

Robert Rhodes as Tevye in Cedarville University’s production of “Fiddler on the Roof”

Cedarville University’s production of Joseph Stein, Jerry Bock and Sheldon Harnick’s classic 1964 musical “Fiddler on the Roof,” based on the stories of Sholom Aleichem, is deflated by awkward, inadequate musicality.

Barring technical difficulties, there’s no reason in the world why anybody’s staging of “Fiddler” should produce an Act 1 heading toward two hours. But this is exactly what’s happened at Cedarville due to weak music direction by conductor Carlos Elias who hasn’t mastered the timing within Bock and Harnick’s score, superbly accenting an endearing story of a poor Jewish family coping with change in their tiny Russian village of Anatevka in 1905.

In Elias’ hands, the waltzes are startlingly slow (“Sunrise, Sunset” is particularly painful) and the sprightly sentiments (“If I Were a Rich Man,” “To Life,” snippets of “Tevye’s Dream”) lack vigor. The only number that truly resonates in terms of musicianship is “Do You Love Me?,” an Act 2 gem containing an engaging, conversational essence (akin to “I Remember It Well” from “Gigi”) that constantly flows thereby avoiding any sense of derailment.

Thankfully, “Do You Love Me?” is also a signature moment because of the wonderful rapport and lyric-driven astuteness of Robert Rhodes and Anna Caroline Porter as Tevye and Golde. Throughout the tune, which finds Tevye and Golde tenderly reminiscing about their marriage, Rhodes and Porter beautifully connect with humor, depth and a mutual understanding that their love will survive no matter what the future holds. Excellent portrayals under the direction of Diane Conrad Merchant extend to the sharp, witty David Widder-Varhegyi as humble tailor Motel and a marvelously firm Madison Hart as the daring Chava who defies her family with dramatic results.

Choreographer Carrie Anthony’s commendable routines bursting with personality and colorful exchanges, Robert Clements’ first-rate scenic and lighting design, and Debbie Hamrick’s attractive period costumes are additional assets of this presentation still in search of its musical pulse.

“Fiddler on the Roof” continues through Feb. 8 in the DeVries Theatre of the Stevens Student Center at Cedarville University, 251 N. Main St., Cedarville. Performances are Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 3 p.m. Act One: 1 hour and 45 minutes; Act Two: 55 minutes. Tickets are $12-$15. For tickets or more information, call (937) 766-7787 or visit www.cedarville.edu

Hold On: DCDC Set To Premiere Latest Production “HeartShakes”

January 30, 2015 By Dayton Most Metro

Heavily rooted in the African-American experience, the Dayton Contemporary Dance Company has become one of the largest companies of its kind between places like Chicago and New York City. With national and international acclaim gained over the years, the company has assembled a wide-range of choreographers to highlight their artistic vision to the stage. The works that have played out on the local theaters provided audience’s with some of the most breathtaking, stunning performances since being founded in 1968. HeartShakes, the next production the DCDC will be unveiling this Saturday night at Victoria Theatre, will be added to the incredible list of shows.

The creator-choreographer of HeartShakes, Kiesha Lalama, is putting the final touches on her work with the stage production of Into The Woods down in Miami. With the original composer Stephen Sondheim giving his blessing, the role of the witch will be played by extraordinary actor Tituss Burgess. The casting of Burgess has caused this version of Into The Woods to be labeled as “ground breaking and historical” due in part of Burgess being an African-American gay man. Publications like Out magazine, and the Huffington Post, along with the Inquisitr have all released features on Burgess’ involvement, and the impact that it’s creating. “Tituss Burgess is a genius. He is one of the smartest actors that I have worked with…ever,” Lalama gleefully says. “Every choice he makes as the witch is just perfect. His voice is magic.”

For over twenty years now, Lalama has been choreographing events like Into the Woods. Starting with high school musicals and teaching at the dance studio she trained at around her hometown, Lalama continued all the way through college at Point Park University. However, a recurring knee injury that required a few surgeries would halt Lalama from continuing to perform. With the end of her performing dance career, Lalama pressed on with her teaching at the college. As her students would go on to graduate and met with artistic directors of dance companies, they would mention that Lalama was needed to be brought in. “My students launched my national career,” Lalama says.

It took five years for Lalama to be choreograph a piece for DCDC. When the opportunity finally came, she released Shed to critical praise with not only the community, but within the company. The act, inspired from a deep desire to spread the message and importance of self-love, challenges the spirit to find courage, let go, and be free. Lalama’s passion and dedication to her dancers, and the crew made it hard for the first show being the only one. Lalama was going to come back with a brand new set. Little did she know, the story would come to her quickly.

HeartShakes began to materialize when the opening performance of Shed was over. As Lalama began to drive back home to Pittsburgh, she started to think of how she was going to set up her next dance. She inserted the copy of the band Alabama Shakes’ Boys and Girls into her car stereo, in hopes to release her mind for the long drive home. That 2012 album debut launched the bluesy-rock group and created a rabid following around the world.

As each song played, and she started piecing together the narrative that was unfolding in her mind. The gritty, Southern soul songs that came out, Brittany Howard’s wailing, yet fierce voice, began interweaving with one another. Playing Boys and Girls in her car was meant to be a release. To distract her from forging forward. In the end, the album spoke with Lalama in ways that she couldn’t imagine. Lalama mentions that she emotionally connected with Howard in each lyric sung. “I’m all soul. I wear my heart on my sleeve. I will tell you what I am thinking. I feel like everything that Brittany said resonated,” Lalama says with a passionate tone. “Her lyrics, her passion, her power. In everything that my dancing is-it just fits. I just fits.”

HeartShakes will be taking spectators into the lives of five different relationships of various lovers, who throughout the span of one evening in a quaint but moody nightclub, will witness them intersecting with one another. With each song from Boys and Girls, the music features various stages of love. “I wanted to make sure that I built something that the audience would walk away feeling something, relating to this characters and certainty being entertained,” Lalama explains.

Watching a dancer perform a contemporary piece is awe-inspiring. The fluid movement of their body. The athleticism that is required to achieve a level of flexibility that most only dream of. Contemporary dance numbers demand you to be held captive throughout, only because you don’t know what to expect each time. There is a beauty, and most importantly an appreciation, to the form that shouldn’t be overlooked. DCDC has embedded themselves within the heart of it all, and continue to attract people young and old with each show.

When it’s all said and done, HeartShakes will allow to have Lalama to imprint her mark in the city for years to come. With DCDC owning the rights, there has been talk on possibly taking the show on a tour. It’s even been brought up that it would be a dream come true to have the Alabama Shakes perform live during the show. For now, the show will go on at the Victoria Theatre. The excitement that comes out when talking to Lalama is uncontrollable. “I really believe in this,” she says. “The dancers give me everything they have. It’s so draining, because they go through this roaring arrange of emotions. It demands so much of them…there is no other company like DCDC. These guys are so versatile, and so committed-I’m honored to be associated with such a great group of people.”

See HeartShakes world premiere at The Victoria Theatre at 138 North Main Street, Dayton Ohio on January 31 at 7:30pm or Sun Feb 1 at 3pm. Tickets are $25 to $45 each and are available at Ticket Center Stage at 937-228-3630 or 888-228-3830 or www.ticketcenterstage.com.

15 Oscar Nominees Start Friday at THE NEON

January 29, 2015 By Jonathan McNeal

Hello Everyone,

Over the past few years, more and more people have been interested to see as many of the Oscar nominated films as possible before the ceremony…and now you can get even closer to that goal by having access to all 15 nominated short films. Starting Friday, we will open all three programs of the Oscar Nominated Short Films – ANIMATION, LIVE ACTION and DOCUMENTARY. Showtimes can be found by scrolling to the bottom of this newsletter or by visiting our official site at www.neonmovies.com. In addition, we will hold two other big nominees – THE IMITATION GAME and FOXCATCHER. (As an FYI, the Documentary Program will only play three times over the weekend – it’s a long, challenging and rewarding collection of work…you’ll certainly get your money’s worth.)

Synopsis for OSCAR NOMINATED SHORT FILMS: Each collection of short films contains the 5 nominees for this year’s Academy Award (in the case of the ANIMATION selections, additional noteworthy films have been added in order to create a feature-length program). Though none of the programs are officially rated by the MPAA, I think it’s good to have a “guess” for each program. For the Animation Program, we suggest a rating of “PG” due to one of the films being a bit dark. That said, kids over 8 should not have a problem with any of the material. For the Live Action Program, we suggest a rating of “PG-13” due to some cursing. We think kids over 11 or 12 would be fine. For the Documentary Program, we suggest a rating of “R” due to difficult and disturbing images. (The next to last film in this 2 hour 40 minute program takes place at a slaughterhouse. Though quite powerful, some may find the images rather disturbing.) Click on the image below to visit the official site for the OSCAR NOMINATED SHORTS. On this site, you can view a short clip from each film.

Patrick Larreategui is trying to bring a special screening of CHARLIE VICTOR ROMEO to town. If 68 tickets are reserved by Feb. 6, the screening will move forward – scheduled for Thursday, Feb. 19 at 7:30. “When you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the ‘black box’ transcripts of six major airline emergencies, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second. This chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with [the filming of] a stage play that recreates transcripts word for word.” Tickets are $10 each and reservations are required via the official link. (Your credit card will only be charged if enough reservations are made in order for the event to move forward as scheduled.)

Oscar ballots for our Annual FREE Oscar Party will be available in our lobby this weekend. Many thanks to the folks at ThinkTV for agreeing to help us get a broadcast signal for the event!

Thanks for your continued support.

We hope to see you this weekend,

Jonathan

SHOWTIMES for Friday, Jan. 30 – Thursday, Feb. 5:

THE IMITATION GAME (PG-13) 1 Hr 54 Min
Friday & Saturday: 2:45, 5:00, 7:20, 9:50
Sunday: 2:45, 5:00, 7:20
Monday – Thursday: 3:10, 5:30, 7:50

FOXCATCHER (R) 2 Hr 13 Min
Friday, Saturday, Sunday: 4:50
Monday – Thursday: 5:15

OSCAR SHORTS – ANIMATION (NR) 1 Hr 17 Min
Friday, Saturday: 2:50, 9:50
Sunday: 2:50
Monday: 8:00
Tuesday: 3:00
Wednesday: 8:00
Thursday: 3:00

OSCAR SHORTS – LIVE ACTION (NR) 1 Hr 57 Min
Friday, Saturday, Sunday: 12:20, 7:30
Monday: 3:00
Tuesday: 8:00
Wednesday: 3:00
Thursday: 8:00

OSCAR SHORTS – DOCUMENTARY (NR) 2 Hrs 40 Min
Friday, Saturday, Sunday: 11:30a.m.

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Feb. 6 – TWO DAYS, ONE NIGHT
Feb. 13 – STILL ALICE
Feb. 20 – MOMMY
Feb. 20 – MR. TURNER
March 6 – WHAT WE DO IN THE SHADOWS
March 6 – LEVIATHAN
March 13 – RED ARMY
March 27 – WILD TALES
TBD – THE SECOND BEST EXOTIC MARIGOLD HOTEL

DCDC Produces a Wonderful Valentine for Dayton

January 28, 2015 By Rodney Veal

This is definitely one of the must see dance performances of the 2014-15 season. Having had the pleasure and benefit of seeing HEARTSHAKES in rehearsal. I cannot think of a more delightful evening that one could spend at the theatre. Crafted with exquisite charm by Kiesha Lalama and set to the bluesy/soulful music of Alabama Shakes. This evening length work is ambitious theatre for Dayton Contemporary Dance Company, a perfect prelude to Valentine’s Day. You do not want to miss this concert.

HEARTSHAKES
Saturday, January 31, 2015 – 7:30 pm
Victoria Theatre, 138 North Main Street, Dayton, Ohio 45402
www.dcdc.org
Tickets: www.ticketcenterstage.com
This evening length contemporary dance theater piece takes a sneak peek into the lives of various lovers, whose relationships collide and intersect throughout the span of one evening in a quaint but moody nightclub. Emotions are stirred. Hearts break. Hearts mend. One thing is certain, hearts shake as stories unfold to the gripping, passionate, and love stricken anthems of the Alabama Shakes debut album Boys and Girls.

This is a must see event choreographed by Kiesha Lalama.

Choreographer, Kiesha Lalama has created more than 50 works to date. Kiesha choreographed feature film, The Perks of Being a Wallflower, Sorority Row and hit television documentary series Broadway or Bust (PBS). Theatrical credits include National High School Musical Theater Awards (Broadway), All Shook Up (North Shore Music Theatre), Jesus Christ Superstar (Kansas City Starlight Theatre), and Judge Jackie Justice, Ruthless! The Musical, and A Grand Night for Singing (Pittsburgh CLO). Concert dance highlights include Shed (DCDC), Alegria (Giordano Dance Chicago), and Torque (August Wilson Center Dance Ensemble).

Lalama has created two full-length contemporary dance theater productions. The Bench received rave reviews and was named by the Pittsburgh Post Gazette’s “Best of Dance” Top Ten list in both 2009 and 2010. The Bench is currently under commercial development with Titus Theatricals. HeartShakes for DCDC will launch the World Premiere in January 2015.

DMM Ticket Giveaway!

We’ve got a pair of tickets to giveaway to HeartShakes, so just fill out the form below and leave us a heartfelt comment about the someone you’ll take to the show if you win. We’ll announce the winner Thurs night here! [form 55 “DMM Contest Entry – Generic”]

‘Family Shots’ Review – Human Race Theatre Company – Matters of the Heart

January 26, 2015 By Russell Florence, Jr.

Pictured (left to right): Randy Brooks, Corbin Bleu and Colleen Zenk. Photo by Scott J. Kimmins.

Inside a suburban New Jersey hospital, the Baker family has come undone. Crisis brings them together, but what will keep them together? Playwright Michael Slade provides clues with wonderfully relatable authenticity and astute, unresolved ambiguity in his new original play “Family Shots,” an excellent, touching comic drama superbly presented in its world premiere at the Loft Theatre courtesy of the Human Race Theatre Company.

Recalling Nicky Silver’s comedy “The Lyons” coupled with the quiet sophisticated intimacy of Richard Greenberg (“Three Days of Rain”), “Family Shots,” deftly helmed by Race producing artistic director Kevin Moore, concerns the heart health of patriarch Sam (Randy Brooks), a plastics entrepreneur and frequent tennis player whose seemingly fit body has been driven to the breaking point due to Viagra. Sam’s fussy, self-absorbed wife Marsha (Colleen Zenk) and concerned, devoted son Aaron (Corbin Bleu) try to make sense of it all, but the unexpected quality time they now share and prize with Sam eventually opens old wounds.

Slade, in a refreshing departure from his dark, disturbing and polarizing dramas “Under a Red Moon” and “Gingerbread Children” previously presented by the Race, impressively turns his attention to more interesting, engaging themes of marriage and commitment. Sam and Marsha have been together 40 years. Aaron has only been married one year to retail salesman Malcolm Harrison (Adam Halpin). Creating two colorfully complex and contrasting relationships, particularly Aaron and Malcolm’s deteriorating journey involving the dangers of fiscal irresponsibility and casual flirting, gives Slade many avenues to explore that are ripe for compelling drama, especially since the action transpires in the uncomfortable confines of a hospital thereby fueling the need for venting emotions. It’s fascinating how Sam and Marsha have been rattled by too much love while Aaron and Malcolm, who believed they were ready for marriage, cope with the regret of not having loved enough. By and large, Aaron and Malcolm’s arc particularly contains some of the finest morsels of contemporary playwrighting you’ll find right now on a regional theater or NYC stage.

Pictured: Corbin Bleu and Colleen Zenk. Photo by Scott J. Kimmins.

Bleu, who starred as energetic sidekick Chad Danforth in Disney’s megahit “High School Musical,” brings striking confidence and genuine warmth to the conflicted Aaron, a talented photographer humble enough to accept unglamorous assignments as he awaits a breakthrough. When it is revealed that Aaron’s sexuality troubled Marsha years ago and continues to bother his homophobic sister-in-law, who apparently keeps his brother from visiting even during a family emergency, Bleu expressively connects with anger, hurt and dismay. Overall, without resorting to flashiness or melodrama, he delivers a terrifically sharp, effortlessly magnetic performance solidifying his mature evolution as one of the most skilled actors of his generation.

Zenk, a three-time Emmy nominee as villainous Barbara Ryan on “As the World Turns,” is a flustered, worrisome joy brilliantly conveying the nervous agitation derived from accepting and embracing the unknown. In addition to marvelously describing the peculiar noises that arise when living alone in silence, Zenk never fails to reiterate the love Marsha feels for Sam in spite of their disagreements. It is apparent Marsha’s fragile world would surely crumble if she didn’t have her husband, her favorite travel companion and close confidant, by her side.

The remarkably understated Brooks, a TV and film veteran, is an amiable, comical source of stability amid instability. He is well aware of how vital it is for Sam to be grounded as a mediator as commotion swells around him. Brooks is basically confined to a bed throughout, but his down-to-earth presence and plain spoken insightfulness appealingly resonates.

Pictured: Corbin Bleu and Randy Brooks. Photo by Scott J. Kimmins.

Featured players Halpin, Arash Mokhtar as Sam’s cardiologist Dr. Patel, and Annie Pesch as Sam’s nurse Joyce truly shine. Compatible with Bleu and very strong opposite Brooks, Halpin delicately uncovers the disappointment and frustration dwelling underneath Malcolm’s chipper, materialistic Bergdorf Goodman façade. Mokhtar brings a gentle aura of suave charisma to Patel, who is attracted to Aaron but remains entirely professional. One of the play’s singular moments involves Patel and Malcolm examining Aaron’s photographs from opposite ends of Sam’s room fully aware of how much they adore the artist and his art. Pesch, in an earnestly kindhearted role reminiscent of Vivian Bearing’s dutiful nurse Susie Monahan in “Wit,” greatly supports Brooks with encouraging verve and sensitivity.
This stellar production, the best Race offering thus far this season, is expertly accented by Scott J. Kimmins’ efficient, revolving scenic design incorporating three platforms and two large walls beautifully showcasing photos at the conclusion of every scene, costumer Janet G. Powell’s fashionably modern attire, John Rensel’s proficient lighting, Nathan D. Dean’s first-rate sound design, and Sean Michael Flowers’ satisfying incidental music.

“Sometimes you have to talk. Sometimes you have to listen.” Sam’s important advice serves as the universal foundation for any productive relationship, any productive family. In order to grow closer, in order to be more understanding and forgiving of each other’s faults and imperfections, relationships must value correct communication. The road ahead for the Bakers will not be easy, but as long as there is love there is hope.

“Family Shots” continues through Feb. 8 at the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesdays-Saturdays at 8 p.m., Tuesdays at 7 p.m., and Sundays at 2 p.m. The play is performed in 90 minutes without intermission. Tickets are $17.50-$45. Call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org.

Hollywood Film Series at the Air Force Museum

January 24, 2015 By Dayton Most Metro

The Air Force Museum Theatre is proud to announce the 2015 Hollywood Series, sponsored by Cassanos Pizza King. With the support of Cassanos, the theatre will continue to bring Hollywood blockbusters and classics to the giant screen on the fourth Sunday of each month throughout the upcoming year.

‘Flashdance’ Review – Victoria Theatre Association – The Maniac Returns

January 22, 2015 By Russell Florence, Jr.

A 1980s pop culture explosion can be found at the Schuster Center with the presence of the national tour of “Flashdance – The Musical” courtesy of the Victoria Theatre Association’s Premier Health Broadway Series.

It’s quickly apparent how important nostalgia is to the appeal of this middling adaptation of the 1983 film of the same name set in and around a steel mill in blue-collar Pittsburgh. The Schuster lobby contains various images of the Greed Decade from Culture Club to Cabbage Patch Kids and the show curtain recalls MTV’s glory days. But eye-catching distractions can’t disguise the show’s weaknesses, specifically its mediocre score (music by Robbie Roth with lyrics by Roth and Robert Cary) and predictable, uneven and humdrum book (co-written by Cary and original co-screenwriter Tom Hedley). The score in particular, a flimsy attempt at pop pastiche evoking Debbie Gibson, Michael Jackson, Billy Joel, Kenny Loggins, the Pointer Sisters, and more, is startlingly forgettable despite inserting pop/rock classics “What a Feeling,” “Maniac,” “Manhunt,” “Gloria,” and “I Love Rock ‘N’ Roll.” Conceptual concerns extend to director/choreographer Sergio Trujillo whose attempts to fill the stage with skin (and there’s a lot of it in a PG-13 sense akin to “Rock of Ages”) feels desperate and borders on overkill.

As Alexandra “Alex” Owens, the welder/exotic dancer who longs to become a professional performer, the fiery and feisty Karli Dinardo dances and sings terrifically but doesn’t evolve beyond the surface. As Alex’s conflicted boss-turned-boyfriend Nick Hurley, excellent tenor Adam J. Rennie (bringing to mind Matthew Morrison of “Glee”) has a tendency to become stiff and detached in his book scenes but is more adept in his musical numbers. As Alex’s friends, Heidi Friese (Gloria), Brianna-Marie Bell (Kiki) and Danielle Marie Gonzalez (Tess) embody their roles with energy and personality. The sensitive Friese, believably fueling Gloria’s yearning for pop stardom, notably has a dramatic arc that manages to be more heartrending than Alex’s journey, one of the book’s odd flaws. Patricia Bartlett (Hannah), Jacob Tischler (Jimmy), Randy Charleville (C.C.), Michael Kingston (Harry), and Ryan J. MacConnell (Andy) lend amiable support. The artistic team of scenic designer Klara Zieglerova, costumer Paul Tazewell, lighting designer Howell Binkley, projection designer Peter Nigrini, and sound designer Kevin Kennedy is first-rate. Conductor Eric Fotre Leach leads a vibrant, well-balanced seven-piece orchestra.

“Flashdance” is tailor-made for Generation X but misses the mark at its core.

“Flashdance – The Musical” continues through Jan. 25 at the Schuster Center, Second and Main Streets, Dayton. Performances are today and Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 70 minutes; Act Two: 55 minutes. Tickets are $25-$97. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com. Patrons are advised the show contains adult situations and themes.

A Newbi Rubi Will Be CROWNED!

January 22, 2015 By Dayton Most Metro

The search for New Rubi Girls is on! Will they have what it takes?

This will be a show everyone will be talking about.
YOU DO NOT WANT TO MISS THIS!

The Rubi Girls have been entertaining Greater Dayton and raising money for non-profit organizations for over 25 years — including raising hundreds thousands of dollars for AIDS Resource Center Ohio (ARC Ohio).

And now, this fun-loving, talented, and glamorous bunch of girls is looking for a NEWBI RUBI to replace those girls who have moved away, those who have retired from the lavish lifestyle, or some who are (as Dana Sintell says) “just plain tired”.

You’ll see them walk the runway in the Parade of Nations, learn about the “girls” as they share a song from their favorite show, lip sync for their life, and finally strut their stuff in gowns and glamour for the final Q & A before we crown a brand new Rubi Girl!

And yes, The Rubi Girls will also be performing several numbers, too!

SATURDAY, JANUARY 24, 2015

Show at 8pm, Doors open at 7pm.

IUE-CWA Union Hall
313 South Jefferson Street Dayton, Ohio

General Admisson tickets are only $20, order yours online now.
VIP TICKETS ARE SOLD OUT!

*As part of the competition, all Newbi Rubi contestants are asked to help raise funds for ARC Ohio. Some are hosting fundraisers — like using online tools like Everyday Hero to help support our life-saving services. Your support of the Newbi Rubi contestants helps us continue to provide our clients access to a comprehensive, coordinated, and cutting-edge response to HIV, from prevention to diagnosis and treatment.

‘Oliver!’ Review – Muse Machine – Pleasures, Large and Small

January 16, 2015 By Russell Florence, Jr.

The Muse Machine’s incredibly entertaining, excellently cohesive production of Lionel Bart’s 1960 musical “Oliver!,” the arts education organization’s 31st annual student musical, touches the heart and radiates with joy at the Victoria Theatre.
Based on Charles Dickens’ 1838 novel “Oliver Twist,” “Oliver!” totally charms as performed by over 100 students from across the Miami Valley who smoothly navigate the comedic highs and dramatic tension within this breezy, occasionally dark tale of Victorian England ethics and hypocrisy. The production –co-directed with marvelous synergy by choreographer Lula Elzy, producer Douglas Merk, and Wright State University musical theater professor Joe Deer –is inspired by Cameron Mackintosh’s reconceived 1994 London revival (for instance, the show briefly opens ominously with Oliver’s backstory instead of launching directly into “Food, Glorious Food”), but retains the requisite elements of character and community that keep the story familiar and inviting.

Brianna Russ of Alter High School portrays Nancy in the Muse Machine’s production of Lionel Bart’s “Oliver!” (Photo courtesy of Muse Machine)

Joey Schairbaum, in an endearing musical theater debut, conveys a quiet, gentle humility as the titular workhouse orphan thrown out of the only home he’s ever known to be sold to an undertaker and ultimately seek refuge and love with the lower and upper class. Oliver Twist is a very demanding role for a young actor, and Schairbaum tackles his duties with observant, understated commitment. Rollie Fisk, an easygoing, crowd-pleasing Fagin, fully embraces his juicy role as a cunning father figure and mediator with firm authority and humorous flamboyance. Fisk’s terrific, believably perplexed version of “Reviewing the Situation” clearly dissects the various scenarios Fagin considers as he mulls over his uncertain future. Brianna Russ, vocally dynamic and appealingly earthy as the friendly, abused Nancy, commands the stage with fierce vivacity. Her superbly lyric-driven renditions of “It’s a Fine Life,” “Oom-Pah-Pah,” and “As Long As He Needs Me” are signature moments that take this presentation to professional heights.
Elsewhere, Sean Cheatwood (Mr. Bumble) and Christine Fiala (Widow Corney) are a hilariously compatible duo, Mitchell Rawlins (a delightfully creepy Mr. Sowerberry), Callia Tellez (Mrs. Sowerberry), and Cecily Dowd (Charlotte Sowerberry) rule their roost with cruel glee, Leo Deer (Noah Claypole) intimidates to the hilt with impressive dialect, Isaac Bement (Artful Dodger) is a sunny, animated encourager, Tyler Hanson (Bill Sikes) strikes fear with imposing heft (although “My Name” is unfortunately absent), William Peters (Mr. Brownlow) is fittingly amiable and caring, Joel Daniel (Charley Bates) lends fine support among the pickpocket ensemble, and there are particularly lovely vocals from Anna Hlinomaz (Bet), Anna Knippling (Mrs. Bedwin), and the uncredited street vendors/quartet bringing beauty to “Who Will Buy?,” one of many energetic numbers Elzy flavors with personality and originality.

Dennis Hassan’s expertly detailed set, attractive period costumes from the team of Lyn Baudendistel, Robin Brown, Patty Peters, Toni Donato Shade, and Alisa Vukasinovich, first-rate lighting and sound by John Rensel and David Sherman respectively, the vocal music direction of Carol Chatfield, and orchestral musical director Claude Thomas’ splendid orchestra are additional pluses.
Consider yourself informed that the Muse Machine has created a hit.

“Oliver!” continues through Jan. 18 at the Victoria Theatre, 138 N. Main St., Dayton. Performances are Friday at 8 p.m., Saturday at 3 and 8 p.m., and Sunday at 2 p.m. Tickets are $26-$60. For tickets or more information, call (937) 228-3630 or visit www.ticketcenterstage.com

‘4000 Miles’ Review – Dayton Theatre Guild – Someone to Watch Over Me

January 14, 2015 By Russell Florence, Jr.

Jared Mola as Leo Joseph-Connell and Barbara Jorgensen as Vera Joseph in rehearsal for the Dayton Theatre Guild’s local premiere of Amy Herzog’s dramatic comedy “4000 Miles.” (Contributed photo)

The Dayton Theatre Guild enters 2015 with a solid local premiere of Amy Herzog’s 2013 Pulitzer Prize-nominated dramatic comedy “4000 Miles,” an emotionally awkward and surprisingly poignant depiction of two headstrong individuals in need of stability and protection.

Sharply directed by Kathy Mola with an excellent grasp of tone,”4000 Miles” concerns 21-year-old college student Leo Joseph-Connell who travels by bike from Seattle to New York’s Greenwich Village to visit his 91-year-old grandmother Vera. Grief, tragedy, uncertainty, and disillusionment cause Leo to seek temporary solace, but misunderstandings are ultimately unavoidable, especially since it seems Leo, still trying to find his purpose in life, and Vera, suffering from dementia, can be irritable relatives. Affection just doesn’t come easy to them, and in turn, Herzog threatens to keep the audience at a cool distance due to prickly quarrels. Still, their complex relationship evolves for the better when vulnerability arises, particularly as Leo reveals the details of his best friend’s death which occurred on his excursion. Inevitably, Vera, on the brink of requiring a caregiver, comes to understand how difficult it is for young adults to remain planted when Leo rejects her offer to extend his stay in her cozy apartment, attractively designed by Fred Blumenthal and accented by Wendi Michael.

Jared Mola, superb earlier this season as Roy in the Guild’s “Nice People Dancing to Good Country Music,” and Barbara Jorgensen, a longtime Guild member inducted last year into the Dayton Theatre Hall of Fame, create terrifically grounded portrayals that sting and soothe. The energetic, engaging Mola inhabits Leo with a defensive, easily agitated edge signifying how troubled and confused he is underneath his tough exterior, especially when Leo’s journey involves the odd reality that he kissed his sister at a party. Mola, wonderfully astute, not only fills this quandary with believable ambiguity, but particularly captivates in his marvelous delivery of Leo’s heartbreaking monologue reflecting on the final moments he shared with his friend. The magnetic Jorgensen, conveying a feeble, sluggish sensibility, greatly appeals with outspoken charm, genuine feistiness, and a gentle awareness that Vera is heading into her twilight years with dignity and grace. Appealing Guild newcomers Lindsey Kortyka (as Leo’s testy ex-girlfriend Bec) and Anna Prince (very funny as Amanda, Leo’s boozy date) complete the cast in thankless, underwritten roles.

“4000 Miles,” a hit among regional theaters, is mildly puzzling in terms of its dramatic structure, but the Guild’s breezy presentation is delightfully first-rate.

“4000 Miles” continues through Jan. 25 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Performances are Fridays at 8 p.m., Saturdays at 5 p.m., and Sundays at 3 p.m. The play is performed in two acts which run roughly 45 minutes each. Tickets are $19 for adults, $17 for seniors, and $12 for students. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org. Patrons are advised the show contains adult language and themes.