Zoot Theatre Co.

Coming Up in Dayton Theatre – 04/21 – 05/04

April 22, 2011 By Dayton937 Leave a Comment

THURSDAY, APRIL 21 – WEDNESDAY, MAY 4

When I was growing up, my grandparents had dinner for our extended family at their home every Easter Sunday, but the highlight of the day was always the Cousins’ Easter Egg hunt. My uncles hid something like five hundred eggs outside, and the race was on to find the most or to find one of the special prize eggs. Now, despite flashes of chilly weather and our constant busyness with school, work, and/or life, somehow Easter is already this weekend.

Easter always seems like a quick holiday, marked by time at the in-laws’ or parents’, consisting of dinner, church, and/or an egg hunt, and lasting for approximately one day. However, a great way to extend that a little is to see a show at some point during the weekend, to make the holiday longer than just dinner. This weekend, both a family show and a mature drama are presented, so whether you’re in the mood to laugh or feel deeply, or just do something besides the typical holiday offerings, check out the productions below!

Another Openin’, Another Show

…SHOWS CLOSING SOON

Permanent Collection

HUMAN RACE THEATRE COMPANY

The Story: Loosely based on a true story, in this play, eccentric collector Alfred Morris pretty much guarantees the collisions when his will stipulates both that his museum go to an historically black college and that the displays be kept precisely as they are – leading to an inevitable battle over African artworks that have been kept in basement storage.(HRTC)
Dates: April 14 – May 1, 2011
Tickets and More Information: Human Race Theatre Company

Phantom Tollbooth

ZOOT THEATRE ASSOCIATION

The Story: In this adaptation of the youth classic performed at the VTA Schuster Center’s Mathile Theatre, after the very bored Milo receives a make-believe tollbooth, he is transported to the Lands Beyond, a fantastic and imaginitive world. He meets Tock the watchdog, the floating Alex Bings (whose legs have not yet grown down to earth), Dynne (a monster made of smoke), and many others, ultimately learning the boundlessness of imagination.
Dates: April 21 – 30, 2011
Tickets & More Information: Victoria Theatre Association , Zoot Theatre Company

…ONE WEEKEND ONLY

Blackbird

DAYTON THEATRE GUILD

The Story: Fifteen years after their affair, two ex lovers meet, and are overwhelmed by guilt, rage, and raw emotions bpertaining to their relationship of years past, when she was twelve and he was forty. After prison and hardship, Ray has finally forged a new life for himself; Una, however, still remembers and definitely wants answers. This award-winning drama “ruthlessly explores the complicated history and bond between a man and a woman as they struggle through a deep exploration into what happened and why it happened, and what it all means now.”
Dates: April 22 – 24, 2011
Tickets & More Information: DMM Preview Article , Dayton Theatre Guild

One Short Day

…SPECIAL EVENTS FOR THE THEATRICALLY MINDED

Big Fat Concert Series, Vol. II: I Feel So Much Spring

ENCORE THEATER COMPANY

The Basics: After a standing-room-only fall concert, ETC is back with a second series and two performances, held this time at the Color of Energy Art Gallery in the heart of the Oregon District. Featuring songs from some of the most innovative new writers, including Derek Gregor and Sam Carner, Jeff Thomson & Jordan Mann (Jonathan Larson
Award-winners), Kyle Jarrow, Benj Pasek & Justin Paul as well as locally-based musical theatre writers, this concert features the best of rising musical theatre.
Dates: April 29 & 30, 2011; 8 pm (venue open at 7:30 pm for cocktails)
Tickets: $5 at the door
More Information: Encore Theater Company

~KN

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@gmail.com.

Imagination and Collaboration

April 14, 2011 By Dayton937 Leave a Comment

The Phantom Tollbooth

THE ZOOT THEATRE COMPANY
AND
TOWN HALL THEATRE COMPANY

Theatre at its very essence is collaboration: designers and directors; directors, production team, and actors; artistic and front of house staff; and numerous other people all work together to create art. However, we don’t have to limit collaboration to simply what can be done within a single theatre. Rather, collaborating between theatre groups, working together to put on a show or teach classes or read plays, can greatly expand both audiences and participants.

This weekend, the Zoot Theatre Company and Town Hall Theatre are doing just that in their production of The Phantom Tollbooth. In the story based on Norton Juster’s 1961 classic, young Milo is bored with everything from his toy collection to his life, so extremely that the Demons of Ignorance eagerly wait for him to succumb and urge him not to do anything at all (for that would be dangerous). However, with the arrival of an anonymous package and his entry into the fantastical Phantom Tollbooth, he discovers a new world and embarks on a remarkable journey to save the Kingdom of Wisdom. A funny and entertaining show for all ages, The Phantom Tollbooth is filled with puns and plot elements, such as Milo’s sudden Jump to (the Island of) Conclusions, that are the consequences of interpreting idioms literally.

Because of the combination of familial and fantastical elements, this show perfectly showcases the expertise of both the Dayton-based Zoot Theatre Company, which focuses on puppet work, and Centerville’s Town Hall Theatre, a professional and quality-driven children’s theatre. ZTC and THT have collaborated equally on a production annually for the past four years; they usually share artistic responsibilities, and selected this show together. This piece is different in that due to the nature and schedule of this piece, ZTC directed and artistically formed The Phantom Tollbooth, while THT handled all the front of house, publicity, and related areas. However, several students and Town Hall regular actors play the childrens’ roles, including the lead of Milo, making this production a successful model of collaboration between two groups, and providing both patron bases with opportunities beyond what either theatre could do alone.

Working together benefits both theatres. Mark Metzger, Artistic Director at Town Hall Theatre, remarked,

“I look for opportunities for our young people to be challenged, and to operate a puppet and receive feedback from professional puppeteers is an opportunity they won’t get anywhere else.”

Working on a production where the puppets take center stage, and other production elements (set, lighting, costumes) support the puppetry, is a great learning experience for student participants and audience members. This is especially beneficial given the prevalence of shows on Broadway – such as The Lion King, Avenue Q, Shrek, and WarHorse – that incorporate similar techniques.

Even if puppet-based shows were not experiencing such popularity, though, because plays are meant to be seen, not just heard, the addition of such a predominant visual element teaches skills applicable to all theatre, and collaborations such as this benefit both organizations. Metzger commented on Zoot’s talent and ability to produce quality theatre, so he had no reservations whatsoever about doing a project where THT’s own artistic involvement was minimized, knowing that the show would be excellent for both theatres.

As a traveling-based rather than single-venue theatre, Zoot finds collaboration extremely important. Working with Town Hall allows them the chance to perform in another space and with a different patron base; they also do a lot of work within schools and help area theaters with puppet-based work when needed, and even within specific shows, place a high emphasis on collaboration. For example, in describing the process through which the theatre designs and creates puppets, Zoot’s Artistic Director Tristan Cupp explained that various artistic staff design, sometimes originating with group discussions and sometimes with a focal designer’s vision, all the while working with the director to make puppets that align with the characters’ and show’s needs. These different processes, and Zoot’s production skills, are very collaborative. Cupp said,

“What’s wonderful is each one of these artists has strengths in different mediums and different styles, which really lends to the variety of puppets and looks and different ideas… You can expand your creative horizons that way, by learning from each other and learning to use different materials and different styles; that’s what’s needed, and it’s really appealing to a lot of artists who want to help us out and be a part of it.”

Part of that collaboration involves the input of visual artists not involved in theatre, which adds diversity and a variety of skills to the art.

Fittingly, then, Zoot has just announced a residency with the Victoria Theatre Association, and their Mathile Theatre at the Schuster Center. In the previous couple of years, Zoot has presented two shows independently at the Mathile, but this residency will provide both groups an opportunity for growth and collaboration. Zoot’s productions fit into two categories, Mainstage and Zoot Tales (child or family oriented), and the residency will introduce more people within those areas to a type of theatre relatively new to Dayton. Now, Zoot will choose a season of three shows to present, and the VTA will provide venue and/or assistance with touring; the Victoria will be able to offer educational initiatives in puppetry through ZTC, which fits nicely with programs such as their Physicians for Kids Discovery Series.

“Puppetry itself is storytelling through a universal language.”

As such a collaborative organization, Zoot is looking ahead to continuing their work with schools and various theatres, and both Town Hall Theatre and the Zoot Theatre Company hope to continue their collaborations together. Cupp noted, “Puppetry itself is storytelling through a universal language,” and the idea of working together on something so universally applicable is beautiful. Collaboration, too, is universal, for we all have a certain connection as imaginative human beings capable of working together because of that humanity. Reflecting this, The Phantom Tollbooth provides an experience and combination unlike anything else in Dayton right now, where audience members truly can experience imagination come to life.

~KN

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@gmail.com.

TICKETS AND PERFORMANCE INFORMATION

Dates: April 15 – 17, 2011, at Town Hall Theatre; April 21 – 30, 2011, at the Schuster Center’s Mathile Theatre

Tickets: Town Hall Theatre or Ticket Center Stage (choose appropriate site for venue)

More Information: Victoria Theatre Association: Phantom Tollbooth, Town Hall Theatre, Zoot Theatre Company

Coming Up in Dayton Theatre – 04/07 – 04/20

April 7, 2011 By Dayton937 Leave a Comment

Human Race Theatre Co.: Permanent Collection

THURSDAY, APRIL 7 – WEDNESDAY, APRIL 20

Famous playwright, critic, and essayist George Bernard Shaw (who wrote Arms and the Man, opening this weekend at Clark State) once said, “You see things; and you say, ‘Why?’ But I dream things that never were; and I say, ‘Why not?’” The capacity to imagine and “dream things that never were” is vital to appreciating the arts, for the moment you walk through theatre doors, you become part of a new world and story for the next few hours. From a monster made of smoke to a drag queen with just “an angry inch” to four men running around in various stages of undress and clergy suits, the shows in the greater Dayton area this week are sure to expand your imaginations, while inspiring laughter and thought at the same time. Between special performances and weekend schedules, eight shows and a special event over the next two weeks provides you the opportunity to see a show almost any night you choose. So, this week, see a show or two or eight and enhance your imagination – as Shaw said, “Why not?”

ANOTHER OPENIN’, ANOTHER SHOW

…SHOWS OPENING SOON

The Phantom Tollbooth

ZOOT THEATRE COMPANY with TOWN HALL THEATRE COMPANY

Photo Credit: ZOOT Theatre Company

The Story: In this adaptation of the youth classic, after the very bored Milo receives a make-believe tollbooth, he is transported to the Lands Beyond, a fantastic and imaginitive world. He meets Tock the watchdog, the floating Alex Bings (whose legs have not yet grown down to earth), Dynne (a monster made of smoke), and many others, ultimately learning the boundlessness of imagination.
Dates: April 15 – 30, 2011, at both Town Hall Theatre and the Schuster Center Mathile Theatre
Tickets and More Information: Town Hall Theatre, Victoria Theatre Association , Zoot Theatre Company, and watch for a DMM feature article next week!

See How They Run

CEDARVILLE UNIVERSITY

Students rehearse in preparation for the show. Photo credit: Scott Huck

The Story: Galloping in and out of the four doors of an English vicarage are an American actor and actress, a cockney maid who has seen too many American movies, a staunch parishioner who unknowingly gets into the cooking sherry, and four men in clergyman suits. One is the bishop who really lives there, another is a disguised escaped prisoner, one just dropped in to visit, and the other — well, that’s left for those on stage and the audience to figure out in this WWII-era farce. (CU)
Dates: April 7 – 17, 2011
Tickets and More Information: Cedarville University Production Season, Cedarville University Box Office , and watch for a DMM feature article!

Arms and the Man

CLARK STATE UNIVERSITY THEATRE

The Story: “The Petkoff women inadvertently save an enemy soldier’s life during wartime. After the war, the soldier returns to the Petkoff home only to be reunited with his warring enemies. With classic George Bernard Shaw witticism,”Arm & the Man” shows the foolishness of war against a lush and romantic backdrop.” (CSU press release)
Dates: April 8 – 17, 2011
Tickets and More Information: Clark State box office

Permanent Collection