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education

Call For Nominations: 2019 Wilson A. Charbonneaux Award

April 25, 2019 By Brian Petro

Engineers Club SealThis award, named for Mr. Wilson Charbonneaux, a longtime member of the Engineers Club of Dayton where he reenergized the Club’s Barn Gang and served on many of the Club’s committees. During his career, he established three successful companies and was personally granted 17 patents. He directed a great deal of energy to make science and technology understandable and accessible to the general public.

 

It is given to individual(s)/organization(s) for their innovative approaches to increasing the public’s understanding of science and technology. The quality of their outreach will be assessed. A demonstrated commitment to advancing and defining the role of science and technology in all aspects of society must be shown. Volunteer/not for profit activities will have preference over Government/Industry funded activities.

Past winners have included Dayton aviation writers, Howard R. DuFour, Fred Fisk and Marlin Todd, Melba Hunt and Mary Ann Johnson, a founding member of Aviation Trail, Ralph Dull Homestead, Dr. and Mrs. James Stewart, Mr. Walter Hoy and Mr. Stephen Frey. Organizations that have been honored are The Boonshoft Museum of Discovery, The Experimental Aircraft Association’s Young Eagles Program in the Dayton Area, the Affiliate Societies of Dayton for TechFest, the Wright “B” Flyer organization, Team Ohio Rocket Club, Air Camp, Mound Science and Energy Museum Association and the Dayton Regional STEM Center’s Science Saturday.
Wilson Charbonneaux AwardThe nomination should include the name(s) of the individual(s) or organization, statements addressing the above criteria, and contact information. The award will be presented at the Engineers Club’s Annual Meeting Dinner in June, 2019.

 

Nominations should be sent to the Engineers Club of Dayton, 110 E. Monument Ave., Dayton, Ohio 45402 by May 15, 2019
For more information or to submit a nomination via e-mail, please contact Ms. Darbie Kincaid at (937) 228-2148, [email protected] or the following link on the club website at http://www.engineersclub.org. Please include in the subject line of any e-mail “Charbonneaux Award”

The Engineers Club mission is to foster the advancement of business, education, engineering and science, and to promote the professional development of its members. The Engineers Club offers individual memberships, including special memberships for students and non-residents, as well as corporate and group memberships. More information is available at http://www.engineersclub.org/.

Filed Under: Networking, Clubs & Associations Tagged With: awards, Dayton, Downtown Dayton, education, Engineering, Engineers Club, STEM, Technology, Things to do in Dayton

Engineers Club Teaches Merit Badges to Local Scouts

February 4, 2019 By Brian Petro

Boy Scout Merit Badge Work

Talking about science in the English Room.

Once again the Engineers Club of Dayton has taught technical Merit Badges to 12 different troops from Montgomery, Greene and Clark Counties represented by 27 Scouts BSA members. Since 2012 we have taught such subjects as Astronomy, Aviation, Composite Materials, Digital Technology, Electronics, Electricity, Energy, Engineering, Environmental Science, Inventing, Nuclear Science, Space Exploration, and Sustainability along with Geology, Robotics, Radio, and Weather which have been taught in previous years.  All in all, we have taught over 150 scouts and they have earned nearly 300 merit badges. We are proud of the fact that in previous years we have had scouts from Kentucky and West Virginia to earn Merit Badges here because they were not offered at their troop’s location.

Engineers Club Boy Scout Rocket Merit Badge

Working on the Space Exploration Badge with a view of Dayton.

While the Club typically teaches in the building at 110 East Monument Avenue, we have gone to various sites around the Dayton Area such as the local Rocket Club’s site on a farm in Greene County for a rocket launch required by Space Exploration Merit Badge, the National Museum of the Air Force for the Aviation Merit Badge.  We typically teach over 6 weeks starting in late October and ending the weekend after Thanksgiving.

We have worked with the Miami Valley Council BSA, representing the Sunwatch and Wright Brothers districts, north and south of Dayton.  The Council has notified the troops of our ability to teach the technical merit badges.  Our Merit Badge leader is Dr. Charles Bleckmann who has had many meetings and conversations with the Council making sure we meet all the Scouts requirement for teaching the merit badges as well as having interactions with the scouts.

Filed Under: Community, Networking, Clubs & Associations, Schools/Education, The Featured Articles Tagged With: Boy Scouts, Dayton, education, Engineers Club, Science, Scouts USA, STEM

A Mash of Wisdom – Michael Veach and The Filson Bourbon Academy

October 14, 2013 By Brian Petro Leave a Comment

Bourbon bottle with corn

This where the story of bourbon begins…

“The history of the bourbon industry is a rich one that mirrors the history of America.”

These words were written by Michael Veach in his most recent book, Kentucky Bourbon Whiskey: An American Heritage. Bourbon was officially designated as “America’s Native Spirit” in 1964 through a bill which may also mark the last time Congress agreed on anything. Not all whiskey gets to be bourbon. The whiskey has to be made in the United States (though over 90% of all bourbon is made in Kentucky) and it has to contain at least 51% corn in the grains used to distill it. Only pure water can be added to the finished product, and there are a few other technical details it must comply with. Bourbon has been made in this country since the 19th century, but no one can really pinpoint an exact starting year. What we can pinpoint is that over the last decade, it had been growing in popularity by leaps and bounds. We are lucky that in Dayton we have one of the best bourbon bars in the country, The Century Bar, steered to prominence in the bourbon scene by the very well respected Joe Head. Joe is brining Mr. Veach to The Century on October 19th for an eight hour class on bourbon.

A native of Jefferson County and a lover of history, Michael Veach is currently an associate curator of Special Collections at the Filson Historical Society, specializing in the delicious history of bourbon. Mr. Veach has visited the Century before, back in September of 2012. He spoke there about bourbon, and “was very impressed” with not only the bar, but with the deep knowledge the staff had of bourbon. While studying to become a history professor at the University of Louisville, he was approached by United Distillers to help archive and organize some of the papers they had from an old distillery. “Being in Kentucky, I always drank bourbon,” Veach notes. “I learned a lot in the first year, like how many flavors there are in bourbon and how complex the flavors can be.” When he started his bourbon journey, there were a few other things that surprised him as well. “What really surprised me is how little written history there is on the subject. Very unplumbed. In my book, every chapter could be its own book.” He spent time learning all about bourbon, meeting with master distillers and historians and reading any book he could find.

Kentucky being the home of bourbon was no accident. What makes The Bluegrass State such a prime place for bourbon? “It was geography, really,” Mr. Veach explains. “Kentucky is the first American west. When people were travelling down the Ohio River, there was no sign saying ‘Settle Here’.” It was not just the Ohio River that gave Kentucky an advantage when it came to distilling bourbon. “Kentucky has more miles of creeks and rivers that any other state but Alaska. This region is on a limestone shelf that gives you water that is iron free. Iron is bad in distillation and fermentation. This state also has the right climate, with warm summers and cool winters. Put it all together, and KY becomes the center. “They were making whiskey made on both banks, and it was called Kentucky whiskey. It was not until the 20th century that Kentucky cemented its reputation. There was good distillation on both sides well into the 20th century. The whiskey being made in Lawrenceburg, IN is just as good as what is made in Kentucky. Ohio was the birthplace of temperance, and did not have the support for distillation that Kentucky did.” The combination of easy access to transportation, good water, and friendliness to the distillers made Kentucky the right environment for this budding new spirit. That tradition has continued through modern times.

Michael Veach

Your instructor for the day will be Michael Veach, bourbon historian and member of the Kentucky Bourbon Hall of Fame.

Making a delicious spirit enjoyed by the world is not just an art; there is science to back it all up. The distillation and fermentation process to make bourbon has been experimented with over the country. A barrel of bourbon takes roughly six years in the charred oak barrel to arrive at the proper flavor profile the company is looking for. Some companies have begun to experiment with smaller barrels to get more bourbon in contact with the barrel. The Cleveland Whiskey distillery uses a proprietary process where they use pressure to compress the six years of aging into a week. It has received mixed reviews from the industry and customers. The historian, and admitted bourbon purist, has a view that one would expect from someone that intimately knows the ins and outs of the process. “There is no substitution for time. It is drinkable, but not good. Same thing with the small barrels. They had them in the 19th century, and they disappeared for a reason.” This is where Michael brings up a favorite quote of his by the late Lincoln Henderson, master distiller or bourbon for decades: Yeah, you get a lot of flavor out of the barrel in the first year. You spend the next four or five getting rid of them. “There is more going on than contact with wood. The heating cycles in the warehouse add maturation. It may be worth something, but oxidation is also happening. That only happens with time.”

The science behind bourbon is not the only thing being tested. Jim Beam, Wild Turkey, and Evan Williams have all introduced bourbons with added flavor to it. The category is not expanding as quickly as vodka is, but it is moving. When it comes to Mr. Veach’s opinion of this growing trend, he reinforces his position as a bourbon purist. “I don’t like that they call it bourbon when they add flavors. You can only add water to bourbon. If you add something else, it is not bourbon. They should call it a blended whiskey.” He sees the trends in other flavored spirits, especially vodka, being an influencer of this trend.  “Scotch and vodka had been doing it with their products. More distilleries are being owned by vodka companies doing it. They gave strict definitions in the 19th and 20th century to define bourbon as it is. Vodka is a flavorless, odorless spirit by definition. If you add flavor, it is not longer vodka, it is a liqueur. That is my opinion of flavored whiskey; when you add flavors, it is a blended whiskey.”

Michael Veach is well educated about the history and science of bourbon, and he has sampled and spoken widely about bourbon and all of its subtleties. With all of experience, he would be the one who knows what makes great bourbon. He laughed a little about the question. “Everybody’s taste is different. I hate rating systems. Every experiences different things. You may agree or you may not. You drink it the way you want to drink it. You experience what you want to experience.” He goes on to talk about how we all have different taste buds, so even with the same bourbon we would each experience different things. What is Michael looking for when he drinks bourbon? It starts with the aroma. “I look for balance. A little bit of caramel and vanilla, some fruit and spice. I like some hazelnut or pecan, maybe a little honey. I pick up all these aromas. Some may be rich in caramel; some may be rich in chocolate and apricot. Every bourbon is so different.” After he takes an inventory of the bouquet of the spirit, it is time to taste it.  “I want to taste the aromas I smell. I like good fruity bourbon and good spicy bourbon. I like bourbon that has some finish. Something that has a good flavor even ten minutes later, whether is it fuity and sweet or tannic and dry. I do not like bourbon that is too old and woody, like chewing on a barrel stave. I want some bitterness, but not a whole lot.”

Book, certificate, and glass on bourbon history

The glass, book of knowledge, and certificate you will receive for completing the class.

Looking into the past and understanding it as well as Michael does have some advantages. He can see what people were doing in the past, what that led to, and use that to come up with some ideas about where the future of the business is going. Much like the beer business, he sees craft whiskeys being coming up to challenge some of the bigger distillers. But craft distillers have a much different challenge than the craft brewers did. “Craft breweries have impact fairly quickly. They only have six months or so from when they first start brewing to having a product to put on the market. Whiskey will take four, five, or six years. Craft breweries had to compete against “crap breweries”. The bourbon industry has always had a well made product. They have to prove they can make a product as good as what the big guys are doing.” There are many distilleries in Ohio that are looking to take up the challenge; Red Eagle Spirits in Geneva, Watershed Distillery and Middle West Spirits in Columbus,  Woodstone Creek Winery in Cincinnati, and Flat Rock Spirits in Fairborn are all either in the process of distilling bourbon or have it out on the market. Even with bourbons that rival their Kentucky counterparts, they all have a big obstacle in their way: cost. “Craft distillers are going to have to charge more because of a lack of volume. You can spend $35 for a craft bottle of bourbon or spend $18 for a bottle from a big distillery. The cheaper one tastes just as good, so why spend more money?” One bourbon that Michael does see making a big splash soon is Wyoming Whiskey’s Small Batch Bourbon. “Kirby Wyoming hired Steven Nally, retired distiller from Maker’s Mark. It is three years old, and it is a wonderful product. It is as good as I have had in a three year old product, and it is only going to get better.  I do not see Cleveland making this kind of splash. Wyoming wants to get into the business for the long run, making a high quality product. Cleveland is trying to take shortcuts. I can see them trying one bottle, but not trying a second. You can sell that first bottle, but the secret is selling the second one.” And from the sound of Michael’s voice as he spoke about it, Wyoming is going to be selling a good amount of bourbon.

The class that will be happening at our celebrated Century Bar will have eight sessions over eight hours. Each session will provide information on different topics, such as the history of bourbon, how to taste it, and a sampling of the distinct styles of bourbon and some other whiskeys. Lunch will be provided in the middle of the day, and your newfound skills will be tested with a blind tasting at the end of the day. You will also earn a certificate showing that you completed the class, as well as a commemorative glass and other goodies to take home with you. You are also helping the Filson Historical Society, a privately funded Historical Society that was founded in 1884 and is internationally known for its first American West and antebellum south collection. It contains letters from William Clark, including six letters written while on the expedition with Lewis, more than any other institution in the United States. Our collection focus is Kentucky, the Ohio River Valley and upper South.

The Century Bar logo

The Century Bar offers a great selection of bourbons and bourbon wisdom.

Like the small rivers that join together to form the Ohio River, the knowledge and experience Mr. Veach has weaves a story about bourbon. This is a wonderful opportunity for the bourbon enthusiast to learn a little more about the history of the spirit, or someone just beginning their journey into the wonders of bourbon to jump start their education from one of the masters in the field. One story he told me about his time in the bourbon industry goes back ten years, to when Booker Noe was in charge of the Jim Beam distillery. “The first time I ever heard from Booker Noe from Jim Beam, it was back when the small batch came out. Booker and Paul Pacult were doing a series of tastings to promote the new craft bourbons they were introducing. I was invited to the Seelbach Hotel in Louisville. Paul gets up with the first three bourbons, talking to the crowd about all of the flowery descriptions of what you are tasting.  When he gets to the last bourbon, he turns to Booker and says ‘He has to tell you about the last one.’ Booker stands up and tells his story about how Booker’s was developed. He finally declares “And this is how I like to drink it!” He pours the Bookers into water, at about 50/50 mixture. He then takes a drink and declares. “And it’s GOOD!” It was so much more effective than any of the descriptions and information Paul gave. Booker was a very good marketing person. What Booker said was more memorable than what Paul did.” There are so many other stories for Michael to tell. You know where to go on October 19th, and where to get the tickets for the event. Cheers!

Filed Under: Dayton Dining, Hidden Gems, The Featured Articles Tagged With: bourbon, Century Bar, Dayton Ohio, Downtown Dayton, education, Filson Historical Society, Joe Head, Michael Veach, tasting, Things to Do

We Care Arts Celebrates 30 Years

April 22, 2013 By Tiffany Shaw-Diaz Leave a Comment

busyin the studioThirty years is a remarkable amount of time.  In a culture where TV shows are cancelled almost as soon as they begin, and businesses rise and fall with the latest trend, commanding longevity in an ever-changing world means you know how to leverage good fortune, anticipate change, and strategize for the future.

Celebrating their 30-year anniversary, We Care Arts, a Kettering non-profit that teaches art to people with disabilities, has succeeding in doing just that, and their place in the artistic and special needs communities continues to blossom.

“What we do here is very important to a lot of people,” explained Shari Hignite, the program coordinator for We Care Arts.  “Without us, many of our clients have nowhere else to go. Many of them have tried other agencies or methods to help them, but they have not had any success.  Art is a powerful tool, and our programs help them in ways that nothing else will.”

In 2012 alone, We Care Arts served about 900 clients across four counties in more than a dozen creative fields including woodworking, painting, knitting, sewing, and jewelry making.  These are awe-inspiring statistics, considering how they modestly began in a closet attached to the Rose E. Miller Recreation Center’s wood shop to accommodate two clients (one of which was taught by We Care Arts’ executive director, Terry Schalnat).

long view of studioFlash forward three decades.  We Care Arts experienced a rapid-fire expansion that included adding a gift shop, changing locations, and developing nearly two dozen outreach programs to aid as many demographics as possible.  And they are still expanding.  “We’ve been at our Wilmington Pike location for nine years, and it’s amazing how we are already busting at the seams,” said Brenda Thieman, We Care Arts’ bookkeeper.

During We Care Arts’ 30 years, the staff has witnessed radical transformations–mentally, emotionally, and spiritually–in many of their clients from their newfound sense of pride and self-worth.

“We have had so many people come through our doors broken, in mind and spirit,” mentioned Hignite.  “They come to us at their lowest low; at the beginning of the rebuilding process.  We provide them with advice, encouragement, and the tools to start moving upward.  Many of our clients have gone on to college, gotten jobs, started families, mended fences, left their abusers, and improved their lives.”

Considering the outpouring of inspirational stories, it’s no wonder that We Care Arts is celebrated by the citizens of Dayton.

“I think if we can continue to provide the community with a safe place for people, then we have met our goals,” offerlincoln park (1)ed Hignite.  “What we do here is very important to so many individuals, yet it is really simple.  We are kind. We are supportive, encouraging, loving, and caring.  It is amazing what people can do when given the right tools and a little encouragement.”

Hignite mentioned that We Care Arts has several new programs in the works.  They currently teach one class at each school they serve, but they have been asked to do more, in addition to piloting initiatives at other schools.  They are also thinking about creating more programs for nursing homes.

To supply their massive reach, We Care Arts is always in need of donations, both monetary and in-kind, and they also rely upon the dedication of sundry volunteers who help in-class, serve on committees, man the gift shop, and organize fundraisers in tandem to a variety of other duties.  But one of the best ways to contribute to this organization takes very little time.

“What I hope for the most is that more people become aware of us and visit our gift shop,” mentioned Hignite.  “When people purchase something made by our clients, it lifts them more than anything else. It is a validation that they are worth something.”

The gift shop certainly has something for everyone and every budget, offering paintings, comic books, household items, coffee mugs, baby blankets, cards, painted wine glasses, and more.  They also strive to offer a wide array of seasonal items, especially for Mother’s Day and Christmas, which are some of their busiest times in-store.

In talking with the We Care Arts’ staff, their passion for their vocation is evident, and it is certainly one of the driving forces behind We Care Arts’ success.

“This is the first job I have ever had that I love getting up to go to,” exclaimed Thieman.  “Even when I have a bad day, I can take a minute to just visit with a client, and my spirits are lifted.”

Echoing the comments of Thieman, Bruce Rill, a tenured instructor at We Care Arts, offered these parting words:

“Art has great value in the lives of all human beings, no matter where they are in life,” he explained. “We are blessed to use our gifts, all the while learning from others.”

We Care Arts will have their Garden Party fundraiser on Saturday, May 4th.  For more information about their programs and upcoming events, visit www.wecarearts.org or call 252-3937.  We Care Arts is located at 3035 Wilmington Pike, Kettering, OH, 45429.  Their gift shop is open Monday – Friday 9 a.m. – 4 p.m. and Saturday 10 a.m. – 2 p.m.

Filed Under: Community, The Featured Articles Tagged With: Annual We Care Arts Garden Party Article, arts, education, Kettering, Non-profits, volunteer opportunites, volunteerism, We Care Arts

Meet Jean Howat Berry – Building Culture Through Community at Cityfolk

December 12, 2011 By Dayton Most Metro Leave a Comment

Pandora, one of artists in residence during the 2011 Culture Builds Community program, works with students (Photo by Rodney Veal)

Jean Howat Berry is the new education and outreach manager at Cityfolk.

Cityfolk is the Dayton-based “only full-time, professional presenter of traditional and ethnic performing arts” in Ohio, according to the Cityfolk website.

Berry’s main responsibility is overseeing the Culture Builds Community program, which is in its sixth year.

“The main thrust of the job is this huge project that happens in the spring,” said Berry.

The CBC project, which culminates in April, focuses on engaging participating elementary students in research and practice of specific cultural activities. The project incorporates local ethnic centers and national and local artists of music and dance.

This year’s Culture Builds Community project is called Sole Rhythms and five neighborhood schools are participating. The schools are Ruskin, Edison, Cleveland, Kiser and Fairview elementary schools.

Each school has its own team that focuses on an assigned specific cultural tradition.

Berry said this year’s theme is percussion music and dance. The traditions of focus include Turkish dance, Mexican folk dance, traditional American spirituals and the roots of jazz, the African American fraternity step dance tradition and old time clogging of Appalachia mixed with Irish step dance.

“The whole idea, and what City Folk strives to do with this, is build community,” she said. “There’s so many different facets to Dayton, because we are so immigrant friendly and because we have tremendous gifted artists that work here, we’re able to pull all those folks together to build a team that can go out and connect with those many communities. Because we’re all really one big community.”

Within the context of the schools, CBC helps kids learn new skills, new information about culture and practice physical activity, since this year’s project is a danced based program.

“Kids have the opportunity to use all facets of themselves within the project,” Berry said.

She said from the kids perspective, the project is completely voluntary. CBC provides a few teasers informing the students about their school’s cultural focus. They will then take 15 students 5th through 8th grade and another 10 participants at 16 and older.

Big Mijo teaches students the basics of krump dancing during the 2011 Culture Builds Community program (Photo by Rodney Veal)

According to Berry, last year’s project only encompassed three schools and took ten students from each. So this year’s project is taking on two-to-three times as many participants.

She wants participants to be educated in their specific cultures, but more so she wants them to learn the importance of commitment.

“We want it to be at will, we want a particular age group, but we mostly want commitment, and that’s something this project really seeks to develop in the young people,” Berry said.

Berry said her previous job working at East End Community Services, which sponsors Ruskin Elementary afterschool programming, prepared her well for her new position. Her theatre background will also be helpful in her new role. She said she’s played the role of the artist educating kids in the classroom, just as the artists she’s assigning to the five groups will do.

Berry said CBC has a fairly broad funding base for this project that includes Sinclair Community College, Dayton Power and Light, Target and Arts Midwest.

“It’s a really exciting program,” Berry said. “I just think that it has the capacity by what it’s goals are to continue to grow and to be a real force for bringing folks together in Dayton and that’s what we really want to reach out and do.”

For more information visit Culture Builds Community online at http://www.cityfolk.org/cbc.htm.

Filed Under: Arts & Entertainment, Dayton Music Tagged With: arts, Cityfolk, culture, Culture Builds Community, Dayton Club Scene, Dayton Music, education, Jazz

Imagination and Collaboration

April 14, 2011 By Dayton937 Leave a Comment

The Phantom Tollbooth

THE ZOOT THEATRE COMPANY
AND
TOWN HALL THEATRE COMPANY

Theatre at its very essence is collaboration: designers and directors; directors, production team, and actors; artistic and front of house staff; and numerous other people all work together to create art. However, we don’t have to limit collaboration to simply what can be done within a single theatre. Rather, collaborating between theatre groups, working together to put on a show or teach classes or read plays, can greatly expand both audiences and participants.

This weekend, the Zoot Theatre Company and Town Hall Theatre are doing just that in their production of The Phantom Tollbooth. In the story based on Norton Juster’s 1961 classic, young Milo is bored with everything from his toy collection to his life, so extremely that the Demons of Ignorance eagerly wait for him to succumb and urge him not to do anything at all (for that would be dangerous). However, with the arrival of an anonymous package and his entry into the fantastical Phantom Tollbooth, he discovers a new world and embarks on a remarkable journey to save the Kingdom of Wisdom. A funny and entertaining show for all ages, The Phantom Tollbooth is filled with puns and plot elements, such as Milo’s sudden Jump to (the Island of) Conclusions, that are the consequences of interpreting idioms literally.

Because of the combination of familial and fantastical elements, this show perfectly showcases the expertise of both the Dayton-based Zoot Theatre Company, which focuses on puppet work, and Centerville’s Town Hall Theatre, a professional and quality-driven children’s theatre. ZTC and THT have collaborated equally on a production annually for the past four years; they usually share artistic responsibilities, and selected this show together. This piece is different in that due to the nature and schedule of this piece, ZTC directed and artistically formed The Phantom Tollbooth, while THT handled all the front of house, publicity, and related areas. However, several students and Town Hall regular actors play the childrens’ roles, including the lead of Milo, making this production a successful model of collaboration between two groups, and providing both patron bases with opportunities beyond what either theatre could do alone.

Working together benefits both theatres. Mark Metzger, Artistic Director at Town Hall Theatre, remarked,

“I look for opportunities for our young people to be challenged, and to operate a puppet and receive feedback from professional puppeteers is an opportunity they won’t get anywhere else.”

Working on a production where the puppets take center stage, and other production elements (set, lighting, costumes) support the puppetry, is a great learning experience for student participants and audience members. This is especially beneficial given the prevalence of shows on Broadway – such as The Lion King, Avenue Q, Shrek, and WarHorse – that incorporate similar techniques.

Even if puppet-based shows were not experiencing such popularity, though, because plays are meant to be seen, not just heard, the addition of such a predominant visual element teaches skills applicable to all theatre, and collaborations such as this benefit both organizations. Metzger commented on Zoot’s talent and ability to produce quality theatre, so he had no reservations whatsoever about doing a project where THT’s own artistic involvement was minimized, knowing that the show would be excellent for both theatres.

As a traveling-based rather than single-venue theatre, Zoot finds collaboration extremely important. Working with Town Hall allows them the chance to perform in another space and with a different patron base; they also do a lot of work within schools and help area theaters with puppet-based work when needed, and even within specific shows, place a high emphasis on collaboration.  For example, in describing the process through which the theatre designs and creates puppets, Zoot’s Artistic Director Tristan Cupp explained that various artistic staff design, sometimes originating with group discussions and sometimes with a focal designer’s vision, all the while working with the director to make puppets that align with the characters’ and show’s needs. These different processes, and Zoot’s production skills, are very collaborative. Cupp said,

“What’s wonderful is each one of these artists has strengths in different mediums and different styles, which really lends to the variety of puppets and looks and different ideas… You can expand your creative horizons that way, by learning from each other and learning to use different materials and different styles; that’s what’s needed, and it’s really appealing to a lot of artists who want to help us out and be a part of it.”

Part of that collaboration involves the input of visual artists not involved in theatre, which adds diversity and a variety of skills to the art.

Fittingly, then, Zoot has just announced a residency with the Victoria Theatre Association, and their Mathile Theatre at the Schuster Center.  In the previous couple of years, Zoot has presented two shows independently at the Mathile, but this residency will provide both groups an opportunity for growth and collaboration. Zoot’s productions fit into two categories, Mainstage and Zoot Tales (child or family oriented), and the residency will introduce more people within those areas to a type of theatre relatively new to Dayton. Now, Zoot will choose a season of three shows to present, and the VTA will provide venue and/or assistance with touring; the Victoria will be able to offer educational initiatives in puppetry through ZTC, which fits nicely with programs such as their Physicians for Kids Discovery Series.

“Puppetry itself is storytelling through a universal language.”

As such a collaborative organization, Zoot is looking ahead to continuing their work with schools and various theatres, and both Town Hall Theatre and the Zoot Theatre Company hope to continue their collaborations together. Cupp noted, “Puppetry itself is storytelling through a universal language,” and the idea of working together on something so universally applicable is beautiful. Collaboration, too, is universal, for we all have a certain connection as imaginative human beings capable of working together because of that humanity. Reflecting this, The Phantom Tollbooth provides an experience and combination unlike anything else in Dayton right now, where audience members truly can experience imagination come to life.

~KN

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

TICKETS AND PERFORMANCE INFORMATION

Dates: April 15 – 17, 2011, at Town Hall Theatre; April 21 – 30, 2011, at the Schuster Center’s Mathile Theatre

Tickets: Town Hall Theatre or Ticket Center Stage (choose appropriate site for venue)

More Information: Victoria Theatre Association: Phantom Tollbooth, Town Hall Theatre, Zoot Theatre Company

Filed Under: On Stage Dayton Previews, The Featured Articles Tagged With: education, family, Schuster Center - Mathile Theatre, Things to Do, Town Hall Theatre, Victoria Theatre Association, Zoot Theatre Co.

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