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Take Us Home: A Dayton Film from Israel

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If I told you there is a touching documentary that tells the story of the exodus of a family of Ethiopian Jews to Israel  – would you think it’s a Dayton film? Well – it is! TAKE US HOME is the most recent documentary by Aileen LeBlanc, known for telling the Joe Desch story through Dayton Codebreakers. Aileen worked with a Dayton-based team that included Mike King, Jim Klein, Michael and Sandy Bashaw, John Mays, Julia Reichert and Steven Bognar, and many others.  Major support for this project came from The Levin Family Foundation and numerous local partnerswho helped bring the story to life.

TAKE US HOME follows Fekadu who has been waiting for ten years in Ethiopia to go to Israel to reunite with his siblings and be welcomed into a more full experience with his Jewish faith. We see the rest of his family get the go-ahead for the trip, but Fekadu, his wife and their six children must stay behind. They learn their emigration is in jeopardy because of their adopted son, Worku. They must leave him behind or be forced to stay in Ethiopia under religious persecution. The audience watches the challenging decisions between faith, family and freedom. We watch how the events unfold in Ethiopia and Israel. Even returning ‘home’ to their Israel is not easy as the Ethiopian Jews are outcasts; they are overwhelmed by life in the high-tech, Hebrew-speaking country and their Jewish-ness is doubted among their new countrymen.

The Dayton premiere of this award-winning documentary will take place on Thursday, November 15 at the Dayton Art Institute. It’s presented as part of the Cultural Arts and Book Festival in partnership with FilmDayton, The Dayton Art Institute, 91.3 FM WYSO, and the Jewish Community Relations Council. A 7 PM reception precedes the 7:30PM screening of the film. Immediately following, there will be a Q&A with the filmmakers. As a special treat Worku and Fekadu will be in attendance to answer your questions about their story! Tickets are only $5 in advance and $7 at the door and may be purchased through The Dayton Art Institute Web page. [yframe url=’http://www.youtube.com/watch?v=7wCfzmj9CSY&feature=plcp’]

A Sinister Approach to Found Footage Genre

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From the producer of Paranormal Activity and writer/director of The Exorcism of Emily Rose, Sinister is being marketing as a horror film which it is but is much more than your run of the mill haunted house story. Its part horror, suspense, psychological thriller, supernatural ghost story, true crime drama and even part snuff film.  It gives plot nods to The Amityville Horror and in smaller extent The Strangers. Ethan Hawke plays Ellison Oswalt a true crime writer moving his family into a murder house so he can write a book about it and re-ignite his career.  The local sheriff’s none to pleased or happy with their presence given the former residents demise and Oswalts reputation and best seller Kentucky Blood.

It’s a different/unique take on the ‘found footage’ genre, having the main character find old home movies stashed up in the attic. The audience watches the strategically placed Super 8’s with him throughout the movie sharing his feeling and emotions. Some start innocently with family get-together’s but end up gruesome. The films grainy footage, high realism and creepy melancholy ambiance give off feelings of hidden discomfort watching them through windows or witnessing a creepy crawl in their homes. A few reels in we see Mr. Boogie. Hawke’s character slowly tries to put the pieces together as things happen around the house from bumps in the night to ghostly projector running. We watch as he slowly starts to mentally unravel while his wife deals with his bizarre behavior and the situation’s influence on the kids. Despite some drawings on the wall the scares for the most part are creative and original.   Past and present events play with his conscious showing an inner struggle questioning his own motivations and the building driving/obsessive desire to know more about what happened and why. Has he written true crime for his own personal gain and legacy or an honest desire to bring justice to the victim’s?

The supernatural element picks up mid-way and the music makes the movie just as scary and perverse as the plot.  We hear subtle background voices whisper in Oswalt’s ear as he creeps around the dark house and genuinely uncomfortable music and effects in the projection scenes, planting a subconscious toying suggestion, though the box was meant to be found, you’re really not supposed to be seeing this. With help from one of the local PD he slowly gathers information on the entity, its purpose uncovering a pattern. The entities appearances are creatively strategic as one might expect to see it waiting in the corner when a character enters a room or a door is closed. Sinister’s ending is dark, twisted, ballsy and disturbing even making movie sleuths ahead of Hawks character think, are they really going there?  Then again how many true crime stories have happy endings?
Much of the tension is built on slow burn suspense and anticipation of what might or is about to happen. There’s of course a few jump scares but many you don’t see coming. The movie will genuinely disturb some people. Several scenes are Saw level violent which isn’t completely expected heightening the impact.  A lot of Sinister is what your mind might conjure up while reading a true crime novel of the movie, put on screen.  One of its great elements is the combination of supernatural/gore and real life horror. To a certain point the movie happens in a real life setting. Hawke’s character doesn’t succumb to the stereotypical actions a character/victim usually does instead comes off real, like a normal guy who happens to write about unexplained, gruesome events and is watching/experiencing them himself.

SEARCHING FOR SUGAR MAN & Digital News at THE NEON

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Hello Everyone,

All of us at THE NEON have been working long hours the past several days, and I hope you’re able to discern this newsletter – my eyelids are quite heavy as I type this note. As soon as the benefit was over on Sunday night, we began prepping our projection booth, auditoriums and lobby for some major changes and improvements. On Monday morning, the 35mm projection gear was removed, and new digital projectors (and servers and cases and lenses and cables and monitors and…) began to arrive that afternoon. While technicians have been preparing our new system, the staff has been busy painting, cleaning and painting some more. Our old carpet is being torn up right now, and the new carpet will be laid this afternoon.

Sunday’s benefit was a big success! Thanks so much to all of you who attended. We set our limit to 120 tickets…and we sold the 120th ticket just as the party was getting started. Additional thanks to everyone who made a donation to our cause! Our goal for fundraising was set at $25,000, and we’re currently at $22,160. That’s really wonderful!

On Friday, we will open with all new digital projection. While we will hold onto our last two titles – SLEEPWALK WITH ME and ARBITRAGE – we’ll also open a new documentary that has been a huge hit on the festival circuit. SEARCHING FOR SUGAR MAN is part mystery part historical document, and music lovers can’t get enough.

Synopsis for SEARCHING FOR SUGAR MAN: “Searching for Sugar Man tells the incredible true story of Rodriguez, the greatest ’70s rock icon who never was. Discovered in a Detroit bar in the late ’60s by two celebrated producers struck by his soulful melodies and prophetic lyrics, they recorded an album which they believed would secure his reputation as the greatest recording artist of his generation. In fact, the album bombed and the singer disappeared into obscurity amid rumors of a gruesome on-stage suicide. But a bootleg recording found its way into apartheid South Africa and, over the next two decades, he became a phenomenon. The film follows the story of two South African fans who set out to find out what really happened to their hero. Their investigation leads them to a story more extraordinary than any of the existing myths about the artist known as Rodriguez.” (Sony Pictures Classics) Click this link to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=tDw7OqVBT-w’]

“Help support DATV and be inspired by short films that aim to make a difference in our lives. DATV presents the MEDIA THAT MATTERS SHORT FILM FESTIVAL on Thursday, November 8th at 7:30pm, at THE NEON in Downtown Dayton. The MEDIA THAT MATTERS SHORT FILM FESTIVAL is the premier national showcase for short films on the most important topics of the day. The films engagediverse audiences and inspires them to take action. The festival features 12 jury selected short films that tackle a broad range of social issues with humor, humanity and honesty in 12 minutes or less.” (provided by DATV) Tickets are $10 each, and we have a few available at our box office and on DATV’s site. For more details about the event and the films, visit the official site.

Though we’ve got lots to still learn (training on the new projection equipment will begin this afternoon), this weekend marks the start of a new era for THE NEON – the culmination of months worth or research and preparation. We hope to see you soon.

Thanks so much for your ongoing support!
All the best,
Jonathan

SHOWTIMES for Fri. Oct. 19 – Sun. Oct. 25:

ARBITRAGE (R) 1 Hr 47 Min
Friday, Saturday, Sunday: 5:15, 9:30
Monday – Thursday: 5:15

SLEEPWALK WITH ME (NR) 1 Hrs 30 Min
Friday, Saturday, Sunday: 1:00, 3:10, 7:30
Monday – Thursday: 3:10, 7:30

SEARCHING FOR SUGAR MAN (PG-13) 1 Hr 26 Min
Friday, Saturday, Sunday: 1:00, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:30, 8:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
very soon – KILLER JOE
very soon – LIBERAL ARTS
Nov. ? SAMSARA
Nov. 16 (2 weeks only) – A LATE QUARTET
Nov. 21 – THE SESSIONS
Nov. 30 – ANNA KARENINA

Story Of Levi Leipheimer + Frankenstein Double Feature + Rifftrax Live Birdemic + Poltergeist 30th Anniversary + Alex Cross + Paranormal Activity 4

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Hello Dayton! This week is jam packed with special events and new releases. It’s fall and Halloween is around the corner so Rave Dayton South is preparing by having some scary special events!

STORY OF LEVI LEIPHEIMER TUESDAY OCT 23RD @ 7:30PM

The first movie this week is not scary but inspiring. In the debut of his untold story, Levi Leipheimer, professional cyclist, will start with an introduction where he will set up the documentary. Immediately following the debut of this personal account, Levi will return with some of his friends for an in-depth panel discussion about the current state of professional cycling and what the future of the sport looks like. Panelists include actor Patrick Dempsey, filmmaker Frank Matson, and others. Professional cyclist Levi Leipheimer has been nearly silent in his efforts to impact the lives of those around him.

[yframe url=’http://www.youtube.com/watch?v=UvAnqH0J7eE’]

FRANKENSTEIN DOUBLE FEATURE WEDNESDAY OCT 24TH @ 7PM

Just in time for Halloween, NCM Fathom Events, Turner Classic Movies and Universal Pictures will present a Halloween Double Feature in movie theaters nationwide in celebration of Universal’s 100th Anniversary. Don’t miss seeing Boris Karloff on the big screen as the original “Frankenstein” (1931) followed by Karloff and Elsa Lanchester in “Bride of Frankenstein” (1935). Frankenstein, about an obsessed scientist who creates a living being composed of disentombed body parts, is a horror classic.

[yframe url=’http://www.youtube.com/watch?v=AWnfH9jcZNY’]

 POLTERGEIST 30TH ANNIVERSARY WEDNESDAY OCT 24TH @ 2PM & 7PM – only $5 dollars!

 Another spooky movie will be showing as part of our Rave Retro Series, which brings back the classics on the big screen again! Poltergiest, which originally came out in 1982, features a family whose home becomes taken over by ghosts. At first the ghosts seem to be friendly and the family doesn’t mind, but things quickly go downhill as the ghosts begin to torment the family.

DID WE MENTION BOTH SHOWINGS ARE ONLY $5 AND IT’S BEEN RE-MASTERED IN HIGH DEFINITION?

 [yframe url=’http://www.youtube.com/watch?v=5ytjaMfoF2M’]

 RIFFTRAX LIVE! BIRDEMIC THURSDAY OCT 25 @ 8PM

From the stars of Mystery Science Theater 3000, Birdemic is the story of Rod, a young software salesman on the brink of launching a solar panel business in Silicon Valley. Things really seem to be going Rod’s way, especially when he reconnects with beautiful high school classmate Nathalie. But their perfect world is shattered when murderous birds begin attacking the region, birds who mostly hover and shriek but can also explode like bombs. Rod and Nathalie find themselves on a terror-filled ride.

[yframe url=’http://www.youtube.com/watch?v=yTd8a_SmcQu’]

PARANORMAL ACTIVITY 4- SPECIAL SHOWING THURSDAY OCTOBER 18TH @ 9PM, 930pm, 10pm

The Paranormal Activity movies have thrilled and startled audiences for years, and again plans to terrify movie-goers in the newest installment of the movies. The fourth movie, which takes place five years after the original, takes place when strange and scary things begin happening to a family after a woman and a mysterious child move in close to them. The movie will have a full opening on Friday, October 19th with show times at  12:30, 3:00, 5:30, 8:00, and 10:35pm and a special preview on Thursday October 18th @ 9:00pm, 930pm and 10pm..

[yframe url=’http://www.youtube.com/watch?v=g7Xn2JqH5ng’]

ALEX CROSS- SPECIAL SHOWING THURSDAY OCTOBER 18TH @ 9PM

For those people who aren’t looking to be scared, or for fans of James Patterson’s books, Alex Cross is the perfect movie. Based on a best-selling book series, Alex Cross is a detective who faces tragedy when he is told that one of his own family members has been murdered. Alex Cross then vows to get revenge on the killer. Featuring Tyler Perry and Matthew Fox, this mystery crime thriller takes audiences for a ride where they will discover things are not as they seem to be.

[yframe url=’http://www.youtube.com/watch?v=tV_et8mrADI’]

For showtime click here

ENTER TO WIN TWO MOVIE PASSES!

Fill out the form below and leave a FB comment telling us you want to WIN MOVIE PASSES from RAVE CINEMAS DAYTON SOUTH – we will randomly draw a winner and notify same. Contest closes 10/18/12. Passes awarded will be valid for 30 days from close date at Rave Cinemas Dayton South only and must be used by then or will be forfeited. Valid for any showing, except special events. Please bring ID to verify your name and just ask for a manager when attending informing them you won the Dayton Most Metro contest.

Congratulations to this week’s movie pass winner: Carla Johnson!

Led Zeppelin + Merchants of Bollywood + Atlas Shrugged Part 2 + Argo + TICKET CONTEST

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Hello Dayton! This week mainly focuses on new openings for the week. Lots of new movies as well of special events this week, be sure to check it out!

LED ZEPPELIN: CELEBRATION DAY- WEDNESDAY, OCTOBER 17TH @ 7PM & 10PM

On December 10, 2007, Led Zeppelin took the stage at London’s O2 Arena to headline a tribute concert for dear friend and Atlantic Records founder Ahmet Ertegun. What followed was a two-hour-plus tour de force of the band’s signature blues-infused rock ’n’ roll that instantly became part of the legend of Led Zeppelin. Founding members John Paul Jones, Jimmy Page and Robert Plant were joined by Jason Bonham, the son of their late drummer John Bonham, to perform 16 songs from their celebrated catalog including landmark tracks “Whole Lotta Love,” “Rock And Roll,” “Kashmir,” and “Stairway To Heaven.”

Although 20 million people applied for tickets, the band’s first headline show in 27 years was seen only by the 18,000 ticket holders who were fortunate enough to have secured seats through the worldwide lottery.

[yframe url=’http://www.youtube.com/watch?v=VbusDxLekPQ’]

MERCHANTS OF BOLLYWOOD THURSDAY, OCTOBER 18TH @ 9PM

Bollywood a special event comes to the big screen captured live on stage in Digital HD and Surround Sound at the Tivoli Theatre in Barcelona. This smash hit theatre production been seen by over two million people during the sell out International Tours in London, Berlin, Hamburg, Vienna, Amsterdam, Frankfurt, Munich, Zurich and Geneva.

A theatrical musical spectacular, now captured live on HD Digital, The Merchants of Bollywood charts the enchanting history of the world’s largest and most prolific film Industry, and a dynasty of stars that have lit its way over generations. A fictional story, yet based on real life, the Merchant Family.

Featuring a cast of 40 performers direct from the Film City Mumbai, the home of Bollywood Cinema, The Merchants of Bollywood will entertain with all of the extravagance, escapism, and romance that is Bollywood. Bangles and beads, swirling colours in costumes and sets and high energy music, will excite the senses.

The Merchants of Bollywood has captured the essence of India, its rich and diverse culture, and its people in the world of technicolour brilliance acclaimed by patrons and reviewers alike.

[yframe url=’http://www.youtube.com/watch?v=XqYH2yTMhYs’]

 

ATLAS SHRUGGED II- OPENING OCTOBER 12TH

With the global economy on the brink of collapse, Dagny Taggart discovers what might be the answer to a mounting energy crisis and races against the clock to prevent the motor of the World from being stopped for good.

[yframe url=’http://www.youtube.com/watch?v=3rKBubmlrjQ’]

ARGO- OPENING OCTOBER 12TH

As the Iranian revolution reaches a boiling point, a CIA ‘exfiltration’ specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador.

[yframe url=’http://www.youtube.com/watch?v=w918Eh3fij0′]

 

For showtimes click here

ENTER TO WIN TWO MOVIE PASSES!

Fill out the form below and leave a FB comment telling us that YOU want to win a pair of passes to Rave Cinemas Dayton South. We will randomly draw a winner and notify same. Contest closes 10/11/12. Passes awarded will be valid for 30 days from close date at Rave Cinemas Dayton South only and must be used by then or will be forfeited. Valid for any showing, except special events. Please bring ID to verify your name and just ask for a manager when attending informing them you won the Dayton Most Metro contest.

CONTEST CLOSED

Congratulations to our winner: Cheryl Miller

SLEEPWALK WITH ME at THE NEON + Big Benefit News!

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Hello Everyone,

Huge changes are just around the corner for THE NEON. Before I get to the source of my anxiety, let’s talk movies. If you still want to see THE MASTER, Thursday will be your last chance to see it with us. On Friday, we will open a film that has had the most requests this year – SLEEPWALK WITH ME. ARBITRAGE had a solid opening weekend…so it will stick around.

Synopsis for SLEEPWALK WITH ME: From the producers of THIS AMERICAN LIFE, this is the film that Ira Glass has been talking about! “When an aspiring stand-up fails to express his true feelings about his girlfriend and his stalled career, his anxiety comes out in increasingly funny and dangerous sleepwalking incidents.” (IFC Films)

[yframe url=’http://www.youtube.com/watch?v=u9tRN7bok4o’]

This weekend is the last chance to see movies via 35mm film at THE NEON. On Sunday evening, we will close our doors for 4 days as we make the transition to digital projection (the new industry standard). Our “Things To Do” list is jam-packed. Over the past 11 years, we’ve opened our doors for business every single day…while we’re closed, we’re going to take advantage of the opportunity and do some major cleaning, lay some new carpet and add some fresh paint to floors and walls.

And speaking of this weekend, Sunday marks the day for our big Digital Conversion Benefit featuring AMELIE. (If you missed Sunday’s nice article from Dayton Daily News, you can check it out here.) The festivities will start at 4:00 with delicious appetizers provided by Meadowlark, Roost and Coco’s Bistro. Around 5:00, everyone will head to the large auditorium for our “Dayton Meets Hollywood” auction (more details below) We’ll plan to begin our 35mm presentation of AMELIE by 5:30. Tickets are still available! 100% of the proceeds will go toward helping us make the switch to digital. They can be purchased at our box office or by visiting this link.

To check out all the items in our auction, we’ve listed each item (along with a picture below).  Here’s the skinny:

If you’re unable to attend the benefit but would like to place a bid on one of the auction items, you can send me an email with your name, phone number, and your highest bid. I will need this e-mail by Saturday at noon. send to: [email protected] (If you’d like to see one of the items in person, you can schedule an appointment with me for this Saturday.)

We hope to see you this weekend.

Thanks so much for your ongoing support!

All the best,
Jonathan

SHOWTIMES for Fri. Oct. 12 – Sun. Oct. 14:
(We will be closed Mon, Oct 15 – Thu, Oct 18)

ARBITRAGE (R) 1 Hr 47 Min
Friday, Saturday: 12:30, 2:50, 5:10, 7:30, 9:45
Sunday: 12:30, 8:30

SLEEPWALK WITH ME (NR) 1 Hrs 30 Min
Friday, Saturday: 1:00, 3:10, 5:10, 7:20, 9:30
Sunday: 1:00, 8:30

COMING SOON:

As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
Oct. 19 SEARCHING FOR SUGAR MAN
Nov. ? SAMSARA
TBD LIBERAL ARTS
TBD THE SESSIONS
TBD KILLER JOE
TBD NEIL YOUNG JOURNEYS
TBD ANNA KARENINA
TBD HYDE PARK ON HUDSON

AUCTION ITEMS:

Screenplay from the Pilot episode of THE WEST WING – Signed by Martin Sheen & Allison Janney.  Includes signed Martin Sheen Photograph.  Starting Bid: $75

Screenplay for THE WEST WING, Season 1, Finale – Signed by Martin Sheen + Signed Photograph.  Starting Bid: $50

THE WEST WING Lot of Call Sheets and Script Changes with Signed Martin Sheen Photograph. Starting Bid: $50.

 

THE BIG LEBOWSKI Storyboard Print.  Hand-signed by The Coen Brothers’ storyboard artist and Oakwood resident J. Todd Anderson.  Includes $25 gift certificate from Patterson Chase – perfect to use toward framing your storyboard.  Starting Bid: $50.

3 DVDs from local filmmakers Julia Reichert, Steve Bognar & Jim Klein.  Emmy-Winning A LION IN THE HOUSE, Oscar-Nominated THE LAST TRUCK and recently inducted into The National Film Registry – GROWING UP FEMAL.  It’s incredible that all these award-winning films were born right here in the Miami Valley.  These films will be personalized by the filmmakers for your collection.  Starting Bid: $75.

THE RUBI GIRLS documentary on DVD & Poster (which will be kissed and signed by The Rubi Girls before THE NEON’s benefit).  This award-winning documentary has played at numerous film festivals around the world…but has not yet been released on DVD.  Starting Bid: $50.

 

2 Original Chairs from THE NEON.  These chairs, with their original upholstery, are 27 years old.  Though they have slight imperfections, they still are quite cozy and would make a perfect addition to you screening room.  (As a note of caution, these chairs require being bolted to the ground.)  Starting Bid: $50.

Naming Rights to our Small Auditorium.  Our small auditorium seats 74 people.  The name you chose (perhaps your name, your company name or the name of your favorite director) will be placed on a plaque above the door to the auditorium.  (The name is subject to approval from THE NEON’s Board…vulgarity or insensitive language will not be permitted.)  Starting Bid: $100.

ARBITRAGE Now Playing at THE NEON!

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Hello Everyone,

Special thanks to everyone who came out and supported THE DOWNTOWN DAYTON LGBT FILM FESTIVAL. With enthusiastic crowds, 3 visiting directors, and 4 sold-out shows, this turned out to be the most successful festival in THE NEON’s history. I’m pleased to announce that the votes for our audience awards were very tight…which means that audiences were really liking several selections. Our “Audience Award – Best Feature” went to LOVE FREE OR DIE, and our “Audience Award – Best Short” went to SABBATICAL. Many congrats to those filmmakers!

We’ve moved forward this weekend at THE NEON.  ROBOT AND FRANK just left, and today we opened the new thriller starring Richard Gere and Susan Sarandon – ARBITRAGE.  If you still need to see THE MASTER, you have one more week.

Synopsis for ARBITRAGE: “When we first meet New York hedge-fund magnate Robert Miller on the eve of his 60th birthday, he appears the very portrait of success in American business and family life. But behind the gilded walls of his mansion, Miller is in over his head, desperately trying to complete the sale of his trading empire to a major bank before the depths of his fraud are revealed. Struggling to conceal his duplicity from loyal wife Ellen and brilliant daughter and heir-apparent Brooke, Miller’s also balancing an affair with French art-dealer Julie Cote. Just as he’s about to unload his troubled empire, an unexpected bloody error forces him to juggle family, business, and crime with the aid of Jimmy Grant, a face from Miller’s past.” (Roadside Attractions) Click this LINK to visit the official site for ARBITRAGE.

[yframe url=’http://www.youtube.com/watch?v=UmJSV9ePx7c’]

We’re less than 2 weeks away from our big benefit…and I’ve got some new details for you (if you didn’t read the e-mail I sent out a few weeks ago, you can check it out here). Tickets can now be purchased at our box office and on-line via paypal. WDTN recently did a story about our conversion and benefit…if you didn’t catch it, you can see the video by visiting their site. I also stopped by LIVING DAYTON last week…to see that piece, visit their site. The items for our auction are rolling in. J Todd Anderson of Oakwood – well-known for being the storyboard artist to The Coen Brothers – has donated a hand-signed print of a storyboard from THE BIG LEBOWSKI. Martin Sheen has donated 2, autographed screenplays from THE WEST WING (we even sent the pilot to Allison Janney and had her sign it, too). Local filmmakers Julia Reichert, Steve Bognar and Jim Klein have added an exciting package of award-winning films – A LION IN THE HOUSE, THE LAST TRUCK and GROWING UP FEMALE. I’m supplying a copy of THE RUBI GIRLS documentary (which has yet to be released on DVD) as well as an autographed poster of the Girls. And lastly, THE NEON will auction off naming rights to the small auditorium. Stay tuned to next week’s newsletter for your chance to submit a bid if you’re unable to attend the benefit. Click the AMELIE picture below to visit the benefit website – where you can purchase tickets or make a donation to our campaign.

SLEEPWALK WITH ME – a film that many people have been asking about (due to Ira Glass urging his listeners) – is set to open October 12!

All the best.
I hope to see you soon,
Jonathan

SHOWTIMES for Fri. Oct. 5 – Thu. Oct. 11:

ARBITRAGE (R) 1 Hr 47 Min
Friday, Saturday, Sunday: 12:30, 2:50, 5:10, 7:30, 9:45
Monday: 2:50, 5:10, 7:30
Tuesday: 2:50, 5:10
Wednesday & Thursday: 2:50, 5:10, 7:30

THE MASTER (R) 2 Hrs 17 Min
Friday, Saturday, Sunday: 1:00, 4:00, 7:00, 9:45
Monday – Thursday: 2:30, 5:15, 8:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
Oct. 12 SLEEPWALK WITH ME
Oct. 19 SEARCHING FOR SUGAR MAN
Nov. ? SAMSARA
TBD LIBERAL ARTS
TBD THE SESSIONS
TBD KILLER JOE
TBD NEIL YOUNG JOURNEYS
TBD ANNA KARENINA
TBD HYDE PARK ON HUDSON

Taken 2 | Frankenweenie | Pitch Perfect at Rave Cinema Dayton South

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Hello Dayton! This week mainly focuses on new openings for the week. Opening the week of 10/05 there are some great new movies!

TAKEN 2

Liam Neeson is back for more in this sequel to 2008’s Taken. His family targeted by a vengeful crime boss in Istanbul, retired CIA agent Bryan Mills (Liam Neeson) must fight an army of killers to ensure their safe return in this action sequel from director Olivier Megaton (Transporter 3) and producer/co-writer Luc Besson (who penned the screenplay alongside Taken scribe Robert Mark Kamen).

[yframe url=’http://www.youtube.com/watch?v=VpaT8NzkLgE&sns’]

FRANKENWEENIE

In this black-and-white short, director Tim Burton tells the story of Frankenstein’s monster in suburbia as a children’s fable about tolerance. Loving parents Ben (Daniel Stern) and Susan Frankenstein (Shelley Duvall) encourage their son Victor’s (Barret Oliver) home movies, starring their energetic bull terrier, Sparky. Following a terrible car accident, Sparky is dead and Victor is inconsolable. After an experiment with a frog in his science class, Victor gets the idea to make an electrical experiment of his own. After building a fantastic laboratory with only household items, he reanimates his beloved dog. Unfortunately, the family’s nosy neighbors become fearful of the monster, even though he has done no wrong. The climactic ending acts as an homage to James Whale’s original 1931 film and its sequel, The Bride of Frankenstein.

[yframe url=’http://www.youtube.com/watch?v=2cqI6hPra7c&sns’]

PITCH PERFECT

A feisty coed joins a collegiate a cappella group and upgrades their song selection for the 21st century during the run-up to a major competition in this melodic comedy from Tony-nominated Avenue Q director Jason Moore. Drifting past the various cliques after arriving at college, Beca (Anna Kendrick) pays more attention to the jams pumping in her headphones than the people she passes on her way to class. But all that changes the moment she stumbles into the one place where every misfit has a voice — the campus a cappella group. Although the competition amongst the singers proves surprisingly fierce, there’s just one aspect of the group Beca can’t wrap her head around: All of the songs they perform are at least a decade old. Convinced that they can do better by adding
some contemporary tunes into the mix, Beca whips up an exciting new set list that will set the group apart and leave their rivals in the dust. Brittany Snow, Anna Camp, and Rebel Wilson co-star.

[yframe url=’http://www.youtube.com/watch?v=siEHekc-1oE’]

DISCOUNT DAYS AT RAVE CINEMAS

Did you know Rave Cinemas offers a bunch of discount days for everyone? With today’s economy, everyone is looking to save wherever they can and Rave is providing ways for people to still catch the latest movie while keeping some cash in your wallet!

For the early risers, Rave Cinemas offers Early Bird specials. The shows before noon (on weekends and weekdays when available) are only $5 each ($8 3D)!

Not an early riser? Come to $5 Tuesday at Dayton South or Huber Heights or $5 Wednesday at the Greene. Any 2D movie all day long is only $5! For 3D it’s only $8. That’s a saving of over 50%! The Greene also has IMAX deals on Wednesday too!

If you have a student/military ID we offer you a lower pricing daily.

And finally…Senior Day! Any 2D movie is $5 for those patrons 55+ and $8 for any 3D movie on Wednesday at Dayton South only.

For showtimes click here

ENTER TO WIN TWO MOVIE PASSES!

Fill out the following form and then leave a comment below telling us that you want to win Rave Cinema Dayton South movie passes.  We will pick a random winner on Friday Oct. 5 after 3pm. Passes awarded will be valid for 30 days from close date at Rave Cinemas Dayton South only and must be used by then or will be forfeited. Valid for any showing, except special events. Please bring ID to verify your name and just ask for a manager when attending informing them you won the Dayton Most Metro contest.

Contest Closed – congratulations to our winner: Bethany Locklear!

REVIEW: Consumption Of The Heart/The Collective Volume IV Play Englewood Cinema

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Friday night September 28th local director Andrew Copp premiered the only Dayton theatrical showing of his new film Consumption Of The Heart. A 10 minute short that will be included in Jason Hoover’s upcoming collection of zombie themed films in The Collective Volume V premiering at the November Days of the Dead convention in Chicago. Filmed in two days Consumption is a living dead love story about a couple’s relationship on a downward spiral and how it’s changed when both undergo weird, mysterious physical changes which may or may not be caused by an outside epidemic.

Fans, viewers, local and regional filmmakers all watched taking part in a unique Q&A. Several pondered whether the broadcasted situation was the cause and if the resulting changes made a bad relationship better and drew the couple closer together in emotion and love till the bitter end or if it made a bad relationship worse with both deciding that even with the most dire of circumstances happening it was still better than going on as they were. Slyly, Mr. Copp wouldn’t reveal his true intent or message so we’ll just leave that to the viewer to decide.

Consumption takes a unique spin on the living dead genre and asks are they more dead or dying on the inside or out though the ‘consumption’ works on many levels. The music early in the film portrays the feelings of despair, physical neglect and being unwanted. Brandi Bishop does a great job of turning the situation to her advantage for better or worse taking charge and taking what she wants reawakening their passion and desire.  It could be considered the closest thing to a dark Harlequin novel that a blood splattered claustrophobic cannibalistic romance drama of the living dead can get. Mr. Copp seems to want certain questions to linger without answers and sometimes one’s own interpretation/enjoyment of the film ‘is’ the best answer.

Next up Jason Hoovers The Collective Volume IV: Emotions. This installment in the ongoing series features 10 short films 10 minutes long each showcasing a different emotion. Hoover never uses finished movies, he tells eager filmmakers what he wants and then they go out, produce and return with product. The collective covers a vast emotional gamut filmed in several cinematic styles each with its own creativity, story and delivery evoking a different response from the viewer.

3 O’Clock Productions shares the Regret of a genetic scientist who’s experiments take a violent and beastly turn for the worse in this unique crime/drama update of a classic horror tale. Liberty or Death Productions gets us all loose and filled with Lust when a female ghost hunter decades later visits the house of The Wedding Night Tragedy. She sets up equipment and starts to document and explore but slowly and surely becomes seduced by its spirited charms. Freakwolf Productions makes us Fear the dark and feel slightly awkward watching a not so subtle and creepy psychiatrist advice his patent on how to cure her fear. It’s all about taking baby steps my dear.

Dustin Mills Productions asks for Trust as the doomed main character scarfs down the most deadly Italian pie since Nightmare on Elm Street 4’s Soul Pizza. No worries though, ‘help’ is on the way. Over Analyzed Productions feels Envy with a blast of seedy street drama as Sara is jealous of her hot to trot working girl roommate Kate AKA Desire. After Kate goes out on call Sara takes a shot at customer service at the wrong time and ends up in the dubious clutches of the Crowe brothers but never fear Desire returns and an action tag team is born.

Winged Dolphin Productions tells the story of a sadists Schadenfreude. A somewhat bizarre take on Greek Mythology told with a deadly dose of dental dream analysis and sedative’s. Cinephreak Pictures is the Rage as we’re quickly reunited with the Hook Squad as Sara becomes Envy in this funny and action packed bullet flyin, jive talkin grindhouse thrilla.Seems Mama Crowe’s mighty peeved off about the demise of one of the brother’s so she sends out Brutus and his evil diabolical henchmen brethren to the warehouse to dispose of our heroic sassy gorgeous girl-power. It’s a beastly, juiced up, blood bath showdown for sure as Desire and Envy with new found help from a dice throwing killa pimp combat Mama’s sleazy spawn.  The chainsaw carrying, hockey mask wearing, HGH taking family’s pride and joy and the other hygiene challenged brother are ready to kill and mame. Not everybody’s comin home for dinner tonight.

Spiral Filmworks is in Denial as we learn about the most gruesome untold crime story of the early 90’s, the ‘true’ story of Martha ‘Grammy’ Louise Kemper the town church organist and nice old lady….. or so they thought. Told by narration we revisit the town,locations, sites and the house itself Six Degrees of Helter Skelter style while the gruesome, horrific, unspeakable discoveries and facts come to light about the truly sadistic, evil freak she was. Rivaling Gein, Dahmer and HH Holmes for over 6 decades Kemper amassed a staggering list of victims and a macabre museum of souvenirs. The film finishes with her trial, conviction and sentencing. Red Panic Button Films shows Hate a new face with a story of a destructive street punk loser that basically could care less about anything with a particular dislike for junkyard drivers side truck doors. He’s offered help and salvation mid way through but burns it in another act of rebellious pointless defiance. This one doesn’t have a pretty ending.

Last but certainly not least JABB Pictures causes us Grief by showing us the slow minute by minute, second by second basement torture of a guy who’s past has finally caught up with him and his poor completely innocent and unaware girlfriend. This short may be the biggest strain on the eyes making the viewer time conscious, appealing to fans of faux stuff films similar to August Underground. However this scene of circular torture may be the most impressive of the group considering the entire short is one continuous pan shot with no edits or re-takes. So all the yelling, screaming, dialogue and taunting had to continue for the full ten minutes and it was only shot once.

Hoover formed Jabb Pictures in 2008 teaching himself camera work, editing, producing and directing. His first film ‘Spike’ debuted in 2009 at HorrorHound weekend in Cincinnati and was chosen as an official selection at Fright Night Film Fest in Louisville Kentucky.  His second film ‘Polly’ debuted at HorrorHound March 2010. Receiving four out of five stars from several horror movie websites. With momentum on his side in March 2011 he started the Collective series hailed as the most unique short film collection of the independent scene. His first feature film is slated for an early 2013 release.

Lawrence of Arabia | Won’t Back Down | E.T. | Maloof Money Cup World Skateboarding Championship

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Hello Dayton! This week mainly focuses on new openings for the week. Opening the week of 09/28 there are some great new movies and special events.

LAWRENCE OF ARABIA (10/04)

Lawrence of Arabia has been digitally restored for its 50th anniversary and back for one day only. Originally released in 1962, directed by David Lean and starring Peter O’Toole, the film follows T. E. Lawrence during his experiences in Arabia in World War I. This highly literate historical epic covers the Allies’ mideastern campaign during World War I as seen through the eyes of the enigmatic Lawrence. After a prologue showing us Lawrence’s ultimate fate, we flash back to Cairo in 1917, when Lawrence gets transferred to Arabia and befriends Sherif Ali Ben El Kharish. He then gets caught up in helping the Arabs and leads his army northward and helps a British General destroy the power of the Ottoman Empire. The film received ten Academy Award nominations and seven Academy Awards! Showing on 10/4 at 1pm and 7pm.

[yframe url=’http://www.youtube.com/watch?v=a3tuBFHuYV4′]

 

WON’T BACK DOWN (09/28-10/4)

 

A new movie featuring “The Help’s” Viola Davis and “Crazy Heart’s” Maggie Gyllenhaal, where
two determined mothers­, one a teacher, look to transform their children’s failing inner city school. Facing a powerful and entrenched bureaucracy, they risk everything to make a difference in the education and future of their children.
This feature will open on September 28th.

 

[yframe url=’http://www.youtube.com/watch?v=IvYPxZpstkE’]

 

 

E.T. (10/03)

 

A meek and alienated little boy finds a stranded extraterrestrial. He has to find the courage to defy the authorities to help the alien return to its home planet. This lovable classic will be back on 10/03, showing at 2pm and 7pm.

 

[yframe url=’http://www.youtube.com/watch?v=lwnqB3wvc14′]

 

MALOOF CUP SKATEBOARDING WORLD CHAMPIONSHIP EVENT (10/2)

 

The world’s greatest skateboarding event comes to movie theaters nationwide for only one night. NCM Fathom Events and Maloof Skateboarding are excited to bring the Maloof Money Cup World Skateboarding Championship to the big screen on Tuesday, October 2nd at 7:30 PM. Captured and broadcast from South Africa the Maloof Money Cup World Skateboarding Championship is a unique on-screen adventure airing exclusively in-theaters and will feature jaw-dropping skateboarding, competition highlights, behind the scenes footage and more. Join us for this exciting ride as we get up close and personal with the competition and its athletes. Don’t miss the Maloof Money Cup World Skateboarding Championship in select movie theaters on Tuesday, October 2nd at 7:30 PM for this special one night event.

[yframe url=’http://www.youtube.com/watch?v=K1Nh0mNLzwo’]

 

 

 

Consumption of the Heart/Collective Vol 4: Emotion Premiere at Englewood Cinema

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On Friday September 28 Englewood Cinema will showcase eleven big independent film experiences. Englewood is known for its yearly show of support to local filmmakers including Horrorama and featuring films that could be considered ‘slightly’ off the mainstream radar and older vintage classics that otherwise would never see the big screen again.

First up is local independent visionary, artist and Horrorama host Andrew Copp’s short Consumption of the Heart which will appear in the upcoming Collective Volume 5 collection. Mr. Copp is known for his deep, dark and diabolical approach to the camera creating graphic, surrealistic, unforgettable images, scenery and themes turning the most perverse/twisted idea’s into macabre beauty. His 1998 visually disturbing and brutal gore-splashed tale of self torture and blood lust The Mutilation Man ranks as an exercise in stamina for the eyes. 2009’s Quiet Nights of Blood and Pain is a psychological drama dealing with the post emotional/mental effects of heavy combat and the violence of the mind. In 2010 he turned his interest from exploring inner torture to the outer epidermis in the Tattoo Documentary Ink & Flesh featuring Dayton artist Chad Wells. Mr. Copp’s boldest and most controversial vision to date is the upcoming nightmarish, surreal tale of obsessive vengeance for a lost love taking a man’s mind, heart and soul to the brink of utter madness in Church Of The Eyes. Friday nights excursion into the drifting apart emotions and anatomical decay/physical deterioration a couple willingly experiences to rekindle the lost flame is a ‘consuming’ if not physically grotesque show of their true love and devotion to each other. The film is unrated but contains adult themes and graphic content and will be the ONLY Dayton screening.

Next up is Indie filmmaker Jason Hoover and Jabb Pictures fourth volume is a series of ten 10 minute short films by different teams each about a different emotion. Volume three was exclusively directed by women relating to the theme ‘ten minutes to live’. Volume four carries with it a wide variety of celluloid inspiration and degeneration. Featured film Bryan Wolfords Myctophobia is about a woman’s crippling Fear of the dark while David Ross’  black and white Greek import Flash of The Wire explores SCHADENFREUDE, Pleasure in the suffering of others. Two entries by Jason Hoover, Frankie-a take on Grief and the urban mockumentary 101 Taylor Street discusses Denial. There’s a saying about not drinking the Koolaid, well Dustin Mills’ Epidemic about Trust warns us to stay away from the pizza too.  James Mannan covers Lust and ghost hunting in Death Do Us Part. Jim Dougherty’s films Regret about genetic lycanthropy in Contrition, series staple 14 year old Dakota Meyer shows Hate in Luke 1:17. The collection ends with a double dose of grind-house humor about the worlds oldest professional with Happy Hooker Bang Bang, David Paul Bonnell tells the sordid tale of the Envy a girl has for her ‘working’ roommate while its street walking counterpart Jakob Bilinski’s Bloody Hooker Bang Bang: A love Story is all the Rage.

Several of the evening’s filmmakers will be there to sign copies and talk to fans. Friday night September 28th 11:00 pm $5 at the door 320 West National Rd, Englewood Ohio 45322. For more info go to www.facebook.com/pages/Independent-Shadow-Cinema/214329891916690, coppfilms.weebly.com,366weirdmovies.com and jabbpictures.com.

THE MASTER Opens Friday at THE NEON

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Hello Everyone,

The Toronto International Film Festival was great. I saw 29 films in 9 days (plus a few partials). If you’re interested to know about the movies I saw, click the picture below to be directed to my blog . In the coming days (once I’m caught up on NEON matters), I’ll post one last entry with my wrap-up. For now, I hope you enjoy this little collage of some of the people I saw during introductions and Q&As. These are all from pictures I took at the festival. Can you name everyone? (I’ll list all their names in next week’s newsletter.)

At THE NEON, we’re moving forward again this week. FAREWELL, MY QUEEN did not perform well enough to stick around for a second week. If you still need to see this film, you only have through Thursday to see it at THE NEON. On Friday, we will open one of the best reviewed films of the year – THE MASTER. This film broke records over the weekend in NYC and LA, and we’re hoping that fans of Paul Thomas Anderson (THERE WILL BE BLOOD, MAGNOLIA and BOOGIE NIGHTS) will be out en masse. ROBOT & FRANK will stick around for another week. (remaining showtimes for this week can be found at our site: neonmovies.com)

Synopsis for THE MASTER: “A Naval veteran arrives home from war unsettled and uncertain of his future – until he is tantalized by The Cause and its charismatic leader.” (taken from imdb.com) “In the years after WWII, an American intellectual creates a religion. When he meets a troubled drifter, he invites the man to help him spread the new faith. As their congregation increases, the drifter begins to question the religion he once accepted and the mentor who gave his life direction.” (taken from metacritic.com)

[yframe url=’http://www.youtube.com/watch?v=fJ1O1vb9AUU’]

Earlier today, we had another director confirm that he will attend this year’s Downtown Dayton LGBT Film Festival. That makes three directors attending our fest…and I think that’s pretty incredible. Jonathan Lisecki – director of GAYBY, Travis Mathews – director of I WANT YOUR LOVE, Glenn Kiser – director of SABBATICAL (part of the TOP DRAWER SHORTS program) will attend and answer your questions. Read all about the films on the official website. The 7th Annual Fest is set for Sept. 28-30. Watch the trailers and mark your calendars…it’s gonna be great! Special thanks to DAYTON MOST METRO, WYSO and DAYTON DAILY NEWS for already committing to provide stories about this year’s films. To hear an interview I recently did about the festival on WYSO, please click this link.

[yframe url=’http://www.youtube.com/watch?v=1NNr7NtVIFk’]

And on the horizon is our benefit to assist with our digital conversion – set for October 14 (if you didn’t read that e-mail, you can check it out here). Tickets can now be purchased at our box office and on-line via paypal. If you’re not able to attend our benefit, you can also make a donation on the benefit page. WDTN recently did a story about our conversion and benefit…if you didn’t catch it, you can see the video by visiting their site.

All the best.
I hope to see you soon,
Jonathan

SHOWTIMES for Fri. Sept. 21 – Thu. Sept. 27:

ROBOT & FRANK (PG-13) 1 Hr 29 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:10, 7:20

THE MASTER (R) 2 Hrs 17 Min
Friday, Saturday, Sunday: 1:00, 4:00, 7:00, 9:45
Monday – Thursday: 2:30, 5:15, 8:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
Sept. 28-30 DOWNTOWN DAYTON LGBT FILM FESTIVAL
Sept. 21 ARBITRAGE
Oct. 5 SLEEPWALK WITH ME
Oct. ? SEARCHING FOR SUGAR MAN
Nov. ? SAMSARA
TBD THE QUEEN OF VERSAILLES
TBD 2 DAYS IN NEW YORK

Glenn Beck | Unconditional | Trouble With The Curve | The Master

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Hello Dayton!
This week mainly focuses on new openings for the week. Opening the week of 09/21 will be a faith based movie Unconditional, Clint Eastwood’s Trouble With The Curve, a repeat performance of Queen Live in Budapest, and Glenn Beck’s Unelectable.

 

GLENN BECK’S UNELECTABLE TOUR (09/20 & 09/25)

Glenn Beck has broken so many boundaries that he created a whole new realm of talk radio and caused a stir on cable television. This time Glenn Beck is featured in a comedy tour, where he will address everything from Democrats, Republicans, law makers and law breakers, no one is spared his wrath of humor! Election day is coming whether we like it or not, so you might as well laugh before you cry! Join Beck for an unforgettable night that will have you wishing he ran for office if for no other reason than to be the first politician that got laughed at on purpose! This will be playing at Dayton South and Huber Heights on Thursday 09/20 at 8pm with a repeat performance Tuesday  09/25 at 730pm.

 

[yframe url=’http://www.youtube.com/watch?v=nHyAZ9xrhm4′]

 

UNCONDITIONAL (09/21-09/27)

Samantha Crawford (Lynn Collins) is living the dream life: she is happily married, she lives on a ranch with her cherished horse, and the stories she both writes and illustrates are becoming published. When her husband Billy (Diego Klattenhoff) is killed in a senseless act of violence, Samantha not only loses her faith but also her will to live. Then a death-defying encounter with two children leads to a reunion with a childhood friend Joe (Michael Ealy). Sam then watches Joe taking care of the kids in his under-resourced neighborhood and begins to find her faith again. Inspired by true events. This film will open on 09/21 with weekend showtimes as follows: 11:40am, 2:15pm, 4:45pm, 7:15pm, and 10pm. For Monday-Thursday the showtimes will be 2:15pm, 4:45pm, 7:15pm, and 10pm.

 

[yframe url=’http://www.youtube.com/watch?v=JOW9w-j6_1Q’]

 

TROUBLE WITH THE CURVE (09/21-09/27)

Also opening this week is Clint Eastwood’s newest movie, Trouble with the Curve. And starring Amy Adams, Chelcie Ross, and Raymond Anthony Thomas, this feature is about an ailing baseball scout who decides to have his daughter come with him on his last trip to recruit new players. A movie that teaches the audience to handle “whatever life throws at you,” this feature will open in theaters on September 21st.

This is Clint’s first film as an actor with a director that’s not himself since 1993 In the Line of Fire.  I am looking forward to this film as Clint never disappoints in anything he does.  Who doesn’t love Clint Eastwood?  I would like to see him win an Oscar and maybe star in another Western before he goes to the Hollywood in the sky.

[yframe url=’http://www.youtube.com/watch?v=JHZd0FTX8lk’]

THE MASTER (09/21-09/27)

I am really looking forward to this film!  Paul Thomas Anderson is a great director in my view and add in a cast of Phillip Seymour Hoffman, Joaquin Phonenix and Amy Adams and this film is primed and ready to deliver a great telling of a story!  The film was released in five theaters this past weekend, four of which showed in it 70mm.  It was a huge success and had a very high per-screen average, setting new box office records.  No doubt because people did want to see it on 70mm which isn’t around much these days anymore and because of it’s awards it has taken.  The huge opening for “The Master” beats the per-screen-average record for a live-action feature debut set earlier this year by Wes Anderson’s “Moonrise Kingdom,” which made $522,996 when it opened on four screens in May for an average of $130,749.  Master did $729,745 for a per-screen of $145,949, breaking box office records.

Synopsis; A Naval veteran arrives home from war unsettled and uncertain of his future – until he is tantalized by The Cause and its charismatic leader.

[yframe url=’http://www.youtube.com/watch?v=fJ1O1vb9AUU’]

Click here for showtimes…

ENTER TO WIN TWO MOVIE PASSES!

Fill out the form below, then leave a FB comment telling us that YOU want to win a pair of movie passes from Rave Cinemas Dayton South. From the list of correct trivia responses with post, we will randomly draw a winner and notify same. Contest closes 09/19/12. Passes awarded will be valid for 30 days from close date at Rave Cinemas Dayton South only and must be used by then or will be forfeited. Valid for any showing, except special events. Please bring ID to verify your name and just ask for a manager when attending informing them you won the Dayton Most Metro contest.

This week – another easy trivia question: simply name your favorite Phillip Seymour Hoffman movie/role.

CONTEST CLOSED

Congrats to this week’s winner: Karri O’Reilly

Toronto Film Fest – Day #9

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Hello Everyone,

I saw 2 final films today…which took my final count to 29 full screenings (there were 3 partial screenings, too).

First off, I saw a lovely new adaptation of GREAT EXPECTATIONS by Mike Newell (director of ENCHANTED APRIL, FOUR WEDDINGS AND A FUNERAL, and a whole lot more).  This adaptation, though clearly condensed in order to be told in 2 hours, is an old-school, literal adaptation with lovely photography, great costumes and a wonderful score.  The cast is wonderful – Ralph Fiennes as Magwitch, Helena Bonham Carter as Miss Havisham and Jeremy Irvine as “older” Pip (he was the star of WAR HORSE).   Interestingly, Young Pip is played by Jeremy Irvine’s younger brother Toby, and he’ll have quite a career should he decide to continue acting.  Sally Hawkins (who is always delightful to see) plays Mrs. Joe.  This adaptation will be well received by NEON regulars…though it has been picked up by a brand new distributor – so we hope we can establish a good relationship with them.

[yframe url=’http://www.youtube.com/watch?v=10W1rOJ6aME’]

For my last film of the festival, I saw Lee Daniels’  (director of PRECIOUS) latest film – THE PAPERBOY.  Though Nicole Kidman and Zac Efron give “nice” performances, the material is all over the map.  The film is seriously fractured with tone and themes shifting from scene to scene.  Some of the cutting seems strange and forced – leading me to believe that coverage wasn’t good or performances weren’t always up to par.  Eric Kohn of IndieWire wrote, “Lee Daniels’ THE PAPERBOY is a rare case of serious commitment to outright silliness…It’s possible to enjoy aspects of THE PAPERBOY if you assume a certain self-awareness behind the campier bits, but even then, the movie drowns in an overwhelming barrage of excess.”  Though Efron was present at the screening, Kidman was not.  Is she distancing herself from the picture?  We’ll never know.

[yframe url=’http://www.youtube.com/watch?v=m2GMwWaDSr0′]

In the coming days, I’ll write one last Toronto wrap-up…and I’ll include some personal photographs from the trip.  So check back again on Tuesday or Wednesday – once I’ve had a bit of time to catch up on sleep, wash my clothes, get back to work and process all 29 films I screened.

Thanks for reading!

Jonathan

Toronto Film Fest – Day #8

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Hello Everyone,

I only saw two film in their entirety today…I started a third, but I due to not connecting with the characters, I decided that a nap was in my best interest.

First off, I saw LOVE, MARILYN -a documentary about Marilyn Monroe – based on personal journals and personal letters that were recently discovered in storage (in addition to writings and interviews from friends and colleagues).  Big stars – like Glenn Close, Ellen Burstyn, Hope Davis, Viola Davis, Ben Foster and Lindsay Lohan – read the letters.  The movie reveals a tormented, insightful star who seemed to know exactly what was happening around her.  That said, the performances of the readings were distracting.  Instead of voice-over, the actors perform the pieces via green screen – and their images are transposed over backdrops, archival footage, etc.  I found it to be rather annoying.  However, the archival material and interviews seemed more organic and worth the ride.

PASSION, the latest film from Brian De Palma, is a laughable thriller based on the French film LOVE CRIME.  The movie stars Rachel McAdams and Noomi Rapace, and it starts out very confusing.  The two lead actresses look to be the same age – though one is the corporate boss and the other is an assistant.  The chemistry between these two is rather flat, and the tone changes to camp rather quickly.  The music cues and other cheap devices used to confuse the audience are abysmal.  The movie is about how Rapace’s character plots revenge on her boss after she stole one of her ideas in order to advance with the company.  In a word, this film is bad.

[yframe url=’http://www.youtube.com/watch?v=xaSVR4pCKT4′]

In the evening, I went to see Madonna’s latest show at the Air Canada Center.  It was a complete blast – and quite a brilliant display of cutting-edge stage craft and lighting.

2 more films tomorrow…and I’m looking forward to both!

Thanks for reading!

Jonathan

Toronto Film Fest – Day #7

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I’m Back!

Wow…though my eyes are starting to blur a bit and my feet are slightly dragging, I’m still makin’ it to all the screenings I’ve got on the docket.

First of the day was Terrence Malick’s TO THE WONDER.  You might remember that THE TREE OF LIFE earned the title of most walk-outs in NEON history…and I think this film might give TREE OF LIFE a run for its money.  This visually lovely and poetic film is quite experimental…and it not only feels like a follow-up to TOL, it feels repetitive.  With identical shots from TOL, some similar “plot” lines and similar tone, this film will have both fans and detractors.  I heard one woman late this afternoon say to her friend, “I saw TO THE WONDER this morning.  It’s the worst movie I’ve EVER seen.”  The film is a rumination on relationships.  It has some wonderful moments, but I ultimately found the film to be tedious.  If I had to watch Olga Kurylenko skip through one more wheat field or twirl around down one more grocery store aisle, I might have to end it all (see below).  Ben Affleck seemed to phone in his performance (or perhaps he just wasn’t given much to do), and Rachel McAdams is certainly not the lead of this film (regardless of the marketing you might see).

Next I saw STILL – a Canadian film directed by Michael McGowen…starring James Cromwell and Genevieve Bojuld (Bojuld made a surprise appearance during the introduction of the film – it was a delight to see her).  This film is about how an elderly man is building an accessible home on his land for himself and his wife…and how the authorities keep handing him building violations.  The reason the man is building the house is because of the deteriorating health of his wife.  The director talked about how he read about this story from the headlines…and how he worked directly with the family in order to bring the film to life.  It’s a lovely, quiet film with great performances, a great score, and a wonderful backdrop of the Canadian landscape.

PEACHES DOES HERSELF was next on the list.  This film is the a record of a performance done by the rock star/performance artist Peaches.  Originally from Toronto, Peaches has been a part of the Berlin art scene for years.  This transexually charged performance had its highs and lows with some moments that had me (as well as a few folks beside me) in fits of hysterical laughter (some of it was like a train wreck), but it wouldn’t work well at all in a traditional engagement.  That said, it might find an audience at midnight screenings – especially for fans of the Peaches catalog.

My last screening of the night was SUICIDE SHOP – a life-affirming, French, animated, musical film about suicide.  Huh?  It’s true.  This sweet and funny film was directed by Patrice LeConte (RIDICULE and GIRL ON A BRIDGE), and it’s about a shop that sells anything needed to end one’s life.  Due to the recession, sales are up, and the gloomy family are happy to help folks find their preferred method of exiting the world.  The arrival of a new son throws the shop into a tailspin.  Why?  Because he’s too darn jovial.  Though I saw the film in 3D, it’s absolutely not necessary.  Unfortunately, I thought the film lost a little steam in the second and third act (and it’s only 80 minutes).  In addition, I don’t know who the film is for.  It’s full of adult themes, but the narrative arc is rather slight.  That said, I’m still glad I saw it…some of it is wonderful.

[yframe url=’http://www.youtube.com/watch?v=75gJaI_7eMM’]

Tomorrow I’ll see 2 or 3 films…and then I’m going to a non-TIFF-related event.  I’ll see Madonna in concert, and I have a great seat.

More to come.

Thanks for reading!

Jonathan