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Jonathan McNeal

ENOUGH SAID, 2 French Imports & More at THE NEON

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enough-said-posterHello Everyone,

We’re cleaning house this weekend. If you still need to see BLUE JASMINE, AUSTENLAND, SALINGER or THE HUNT, you only have until Thursday to see them at THE NEON. For remaining showtimes for this week, visit our official site at www.neonmovies.com.

On Friday, we will open 3 new films. First of all, we’ll open one of the best reviewed comedies of the year – a film I really like – ENOUGH SAID. Directed by Nicole Holofcener, this film is smart, funny & touching, and it has two incredible central performances by Julia Louis-Dreyfus and James Gandolfini. In addition, Francophiles will rejoice for our one-week engagement of 2 French films – POPULAIRE and HAUTE CUISINE (and foodies will certainly want to see the latter).

Synopsis for ENOUGH SAID: “A divorced and single parent, Eva (Julia Louis Dreyfus) spends her days enjoying work as a masseuse but dreading her daughter’s impending departure for college. She meets Albert (James Gandolfini) – a sweet, funny and like-minded man also facing an empty nest. As their romance quickly blossoms, Eva befriends Marianne (Catherine Keener), her new massage client. Marianne is a beautiful poet who seems “almost perfect” except for one prominent quality: she rags on her ex-husband way too much. Suddenly, Eva finds herself doubting her own relationship with Albert as she learns the truth about Marianne’s Ex. ENOUGH SAID is a sharp, insightful comedy that humorously explores the mess that often comes with getting involved again.” (taken from Fox Searchlight) Click HERE to visit the film’s official site.

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Synopsis for POPULAIRE: “Spring, 1958: 21-year-old Rose Pamphyle lives with her grouchy widower father who runs the village store. Engaged to the son of the local mechanic, she seems destined for the quiet, drudgery-filled life of a housewife. But that’s not the life Rose longs for. When she travels to Lisieux in Normandy, where charismatic insurance agency boss Louis Echard is advertising for a secretary, the ensuing interview is a disaster. But Rose reveals a special gift – she can type at extraordinary speed. Unwittingly, the young woman awakens the dormant sports fan in Louis. If she wants the job she’ll have to compete in a speed typing competition…He’ll turn her into the fastest girl in the world!” (taken from The Weinstein Company) Click HERE to visit the film’s official site.

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Synopsis for HAUTE CUISINE: “Hortense Laborie (Catherine Frot), a renowned chef from Perigord, is astonished when the President of the Republic (Jean d’Ormesson) appoints her his personal cook, responsible for creating all his meals at the Elysee Palace. Despite jealous resentment from the other kitchen staff, Hortense quickly establishes herself, thanks to her indomitable spirit. The authenticity of her cooking soon seduces the President, but the corridors of power are littered with traps.” (taken from The Weinstein Company) Click HERE to visit the film’s official site.

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THE DAYTON LGBT FILM FESTIVAL is just 10 days away! The dates are set for October 11-13, and the line-up is fantastic. The official site is up and running, and you can visit our Facebook Page for last-minute postings. We hope you’ll look at our site and find something you’d like to see…if you’re into thought-provoking documentaries or period films or satirical comedies, we’ve got it covered. As I’m writing this newsletter, there are less than 10 passes left (we made 60)…but there are plenty of single tickets to individual shows. Tickets can be purchased via the official site (with surcharges) or at THE NEON (for face value)!

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THE WATCHER’S REVELATION will screen October 24 at 7:30 and 9:45. “Is a race of benign extraterrestrials secretly influencing the world’s governments? Are these creatures really ancient aliens sent to protect humanity from self-destruction, or are they evil beings set on deception as the world approaches its final days?…This faith-based, science fiction film was made by lifepointe church in Dayton, OH, featuring a cast and crew of local talent who worked for an occasional pizza and the love of film. Tickets are $5 and extremely limited. They are available for purchase at lifepointe church and will be available at The Neon box office starting October 7.” (taken from Lifepointe Church press notes)

We’ve got so much going on in the next few weeks…and we’re heading into Oscar season. I’m so delighted to announce that 12 YEARS A SLAVE has just been added to our line-up. It’s certain to be nominated for “Best Picture” this year, and it is exceptional!

Thanks for your continued support!
We hope to see you soon,
Jonathan

SHOWTIMES for Fri, Oct. 4 – Thurs, Oct. 10:

ENOUGH SAID (PG-13) 1 hr 33 min
Friday, Saturday, Sunday: 1:00, 3:10, 5:15, 7:30, 9:40
Monday – Thursday: 3:15, 5:30, 7:45

POPULAIRE (R) 1 hr 51 min
Friday, Saturday, Sunday: 12:30, 5:00, 9:30
Monday – Thursday: 5:15

HAUTE CUISINE (PG-13) 1 hr 35 min
Friday, Saturday, Sunday: 2:45, 7:20
Monday – Thursday: 3:00, 7:40

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Oct. 11 – THE PATIENCE STONE
Oct. 18 – INEQUALITY FOR ALL
Octo. 25 – ALL IS LOST
Oct. 25 – WADJDA
Nov. 8 – 12 YEARS A SLAVE
Nov. 22 – DALLAS BUYERS CLUB
Nov. 22- KILL YOUR DARLINGS
TBD – CUTIE AND THE BOXER

Populaire-Quad

SALINGER and THE HUNT Open Friday at THE NEON!

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Salinger_Poster_embed_article-1Hello Everyone,

We’re moving right along, and I think it’s fair to say that we’ve got something for everyone this weekend. In addition to holding AUSTENLAND and BLUE JASMINE for one more week, we will open the documentary SALINGER and the highly acclaimed film from Denmark –THE HUNT. For remaining showtimes for this week, visit our official site at www.neonmovies.com.

Synopsis for SALINGER: “SALINGER features interviews with 150 subjects including Salinger’s friends, colleagues and members of his inner circle who have never spoken on the record before as well as film footage, photographs and other material that has never been seen. Additionally, Philip Seymour Hoffman, Edward Norton, John Cusack, Danny DeVito, John Guare, Martin Sheen, David Milch, Robert Towne, Tom Wolfe, E.L. Doctorow, Gore Vidal and Pulitzer Prize winners A. Scott Berg and Elizabeth Frank talk about Salinger’s influence on their lives, their work and the broader culture. The film is the first work to get beyond the Catcher in the Rye author’s meticulously built up wall: his childhood, painstaking work methods, marriages, private world and the secrets he left behind after his death in 2010.” (taken from The Weinstein Company) Click HERE to visit the film’s official site.

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Synopsis for THE HUNT: “Mads Mikkelsen (NBC’s Hannibal, A ROYAL AFFAIR) won the Best Actor Award at the 2012 Cannes Film Festival for his penetrating portrayal of Lucas, a former school teacher who has been forced to start over having overcome a tough divorce and the loss of his job. Just as things are starting to go his way, his life is shattered when an untruthful remark throws his small community into a collective state of hysteria. As the lie spreads, Lucas is forced to fight a lonely fight for his life and dignity.” (taken from Magnolia Pictures) Click HERE to visit the film’s official site.

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THE DAYTON LGBT FILM FESTIVAL is heading into its 8th year, and we’ve just secured flights for 2 visiting filmmakers (with hopefully more to come). The dates are set for October 11-13, and the line-up is fantastic. The committee has been working on this year’s festival since April, and we’re proud of the response – festival passes are already flying. The official site is up and running, and you can visit our Facebook Page for last-minute and fun postings. We hope you’ll look at our site and find something you’d like to see…if you’re into thought-provoking documentaries or period films or satirical comedies, we’ve got it covered. Single tickets go on sale this Wednesday, Sept. 25…it’s certain to be an amazing festival!

I’m sure many of you have seen the trailer for one of the best reviewed comedies of the year – Nicole Holofcener’s ENOUGH SAID, starring Julia Louis-Dreyfus and James Gandolfini. I’m delighted to announce that it has moved up…it is now set to open next Friday (Oct. 4).

Thanks for your continued support!
We hope to see you soon,

Jonathan

SHOWTIMES for Fri, Sept. 27 – Thurs, Oct. 3:

BLUE JASMINE (PG-13) 1 Hr 38 Min
Friday, Saturday, Sunday: 2:50, 9:45
Monday – Thursday: 5:30

THE HUNT (R) 1 Hr 55 Min
Friday, Saturday, Sunday: 12:30, 5:00, 7:20
Monday – Thursday: 3:10, 7:50

AUSTENLAND (PG-13) 1 Hr 37 Min
Friday, Saturday, Sunday: 12:45, 5:10
Monday – Thursday: 5:20

SALINGER (PG-13) 2 Hrs
Friday, Saturday, Sunday: 2:50, 7:15, 9:45
Monday – Thursday: 3:00, 7:45

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Oct. 4 – ENOUGH SAID
Oct. 11 – THE PATIENCE STONE
Oct. 18 – INEQUALITY FOR ALL
Oct. 25 – WADJDA
Nov. 22- KILL YOUR DARLINGS
Nov. 22 –DALLAS BUYERS CLUB
TBD – CUTIE AND THE BOXER

AUSTENLAND Opens at THE NEON + New Event News!

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austenland_xlgHello Everyone,

I’m back from Toronto, and I had a wonderful time. The film culture in Toronto – especially with the addition of the TIFF Bell Lightbox and their year-round programming – is phenomenal. In all, I saw 32 films at this year’s festival (out of 300+ options), and I met some great people. Now it’s back to focusing on Dayton’s film culture! There are some fun announcements below.

This Friday, we will open a new romantic comedy based on the popular novel – AUSTENLAND. On our other screen, we will hold BLUE JASMINE and BLACKFISH for one more week…in addition to an encore screening of The Big Lens Film Festival. For remaining showtimes for this week, visit our official site at www.neonmovies.com.

Synopsis for AUSTENLAND: “Jane Hayes is obsessed with all things Jane Austen. But when she decides to spend her life savings on a trip to a resort catering to Austen-crazed women, Jane’s fantasies of meeting the perfect gentleman suddenly become more complicated than she ever could have imagined.” (taken from Sony Pictures Classics) Click HERE to visit the film’s official site.

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Due to the previous SOLD-OUT screenings, WSU’s Annual Big Lens Film Festival is returning to THE NEON for one more night. “The 21st Annual Big Lens Film Festival will play Tuesday, Sept. 24 at 7:30 at the THE NEON…Every year, Big Lens screens a selection of the very best short films to come from the Wright State University Motion Picture program, and this year is no different! Ranging from documentary to narrative, these six films cover a wide variety of subjects and emotions. Tickets, just $7 each, are now available at THE NEON. Some films may contain adult content.” (taken from Big Lens press release)

And speaking of film festivals, THE DAYTON LGBT FILM FESTIVAL is heading into its 8th year. The dates are set for October 11-13, and the line-up is fantastic. The committee has been working on this year’s festival since April, and we’re currently in the process of securing guest artists (and getting the website 100% ready). The official site should be ready by the end of the week, but you can visit our Facebook Page to get a glimpse of what’s happening. At the very least, be sure to check out the trailer for REACHING FOR THE MOON – it’s certainly NEON-hit material.

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Thanks for your continued support!
Jonathan

SHOWTIMES for Fri, Sept. 20 – Thurs, Sept. 26:

BLUE JASMINE (PG-13) 1 Hr 38 Min
Friday, Saturday, Sunday: 1:00, 5:10, 7:20
Monday: 3:10, 7:40
Tuesday: 3:10
Wednesday & Thursday: 3:10, 7:40

BLACKFISH (PG-13) 1 Hr 23 Min
Friday, Saturday, Sunday: 3:10, 9:30
Monday – Thursday: 5:30

AUSTENLAND (PG-13) 1 Hr 37 Min
Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:15, 9:30
Monday – Thursday: 3:00, 5:15, 7:30

THE BIG LENS FILM FESTIVAL (NR)
Tuesday: 7:30

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Sept. 27 – SALINGER
TBD – THE HUNT
Oct. 4 – ENOUGH SAID
Oct. 11 – THE PATIENCE STONE
Oct. 18 – INEQUALITY FOR ALL
Oct. 25 – WADJDA
Nov. 22- KILL YOUR DARLINGS
Nov. 22 –DALLAS BUYERS CLUB
TBD – CUTIE AND THE BOXER

Toronto – Day #9+ – 2013

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Dear Readers,

I’m back in Dayton.  Yesterday evening and this morning were a whirlwind, so I didn’t have time to type this review until just now…sitting in the comfort of my living room.  Yesterday morning was taken leisurely, and I eventually saw 2 films in the afternoon and evening…then I went out for some cocktails.  Upon waking up this morning, I decided to fit in one more film before scurrying to the airport at Noon.  Thus this update includes films I screened on Friday and this morning.

EASTERN BOYS is a film about a French man who hires a male prostitute only to have his entire life uprooted by an entire gang of Eastern European hustlers.  It’s a scary film with long takes that forces us to deal with the situations, and it eventually makes way for a sort of love story that changes course.  There are moments in this film when my heart was beating so fast that I found myself holding my breath.   The film is sexually frank, and the lead hustler is both sexy and terrifying.  Though there are moments when we don’t understand a character’s motivations (like not immediately calling the police…though I’m guessing shame played a role), I ultimately really liked this film.

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ROCK THE CASBAH is a beautifully directed film about the gathering of a family for an important funeral.  Set in Morocco, this film is both funning and touching…and it’s full of amazing performances by a couple women I love – Hiam Abass and Nadine Labaki.  The film is narrated by the ghost of the recently deceased, played by Omar Sharif, and the film tackles some important issues – one being the role of women in Moroccan society.  Directed by Laila Marrakchi, this is a really solid crowd-pleaser by a woman who is shaking things up. (Abass, Marrakchi, and actress Morjana Alaoui came out for a Q&A after the screening.)

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A PROMISE was my last film of the festival.  Unfortunately not the best.  From veteran director Patrice Leconte, directing for the first time in English, this film is based on the novel JOURNEY INTO THE PAST by Stefan Zweig.  The story follows a love triangle about an ailing steel factory owner (Alan Rickman), his young wife (the lovely Rebecca Hall), and the factory owner’s assistant (the adorable, but new to me, Richard Madden – I’ve never seen GAME OF THRONES).  The costumes and sets are lovely, but the story is relatively bland with some clunky dialog and there’s some questionable camerawork (some camera moves actually made me angry).  There’s an audience for this film…but it just didn’t cut it for me.

une promesse

So here I am.  Back at home and just beginning to think of all the films I saw.  32 in fact!!  It seems like weeks ago that I was heading into CLOSED CURTAIN.  In 9 days, I’ve been to far off lands, outer space, and familiar territory.  I’ve seen a couple masterpieces, and I walked out on a couple stinkers.  TIFF is always a highlight of my year, and I appreciate your interest in reading my thoughts.

All the best.

I hope to see you soon at THE NEON!

Jonathan

Toronto – Day #8 – 2013

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My time in Toronto is wrapping up.  I’ll screen a couple films today and perhaps 1 film early tomorrow before I head to the airport.  It’s been a blast so far, but I am starting to drag.

The first film I saw yesterday was IGNACI M. – a Spanish documentary about an artist.  Brought up in a home with a mother and father who were also artists, this is an exploration of his relationships with his parents, children, and others in the community.  Ignaci is a colorful, gay, HIV+ man who takes 29 pills every day (the opening of the film has him explaining each pill – which is funny and heartbreaking all at once) and is willing to speak frankly with anyone.  Though I found this piece interesting, some of the interviews go on way too long.  I felt as though the editor was stretching this film to make it a feature – whereas it would make a much stronger 30-40 minute portrait. (The cheesy photoshoot moments didn’t help matters.)

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THE RAILWAY MAN, based on a memoir by Eric Lomax, is the story of a man who is dealing with the demons of having been tortured while a prisoner of the Japanese troops in Thailand.  Starring Colin Firth and Nicole Kidman (among many other great performances in the flashback scenes), this film has lush visuals and strong performances.  Lomax, in real life, died just last year…and the director of the film told the audience “Lomax loved that Colin Firth was playing him…his wife Patti was at the festival earlier in the week…she loved being here with her best friend Nicole.”  This film is well done, and it will appeal to people who love historical, war dramas – like THE EMPEROR from earlier this year.

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SALVATION ARMY is a quiet, directorial debut for Abdellah Taia – based on his own semi-autobiographical novel.  This is the story of a young Moroccan boy who is discovering his sexuality and social codes in Casablanca.  Told in two parts, we see his upbringing and familial relations…then we see him off to study in Geneva – where more political and social obstacles lay in wait.  With very little dialog and told in a very matter-of-fact style, this film is certainly not for everyone…but I liked it quite a bit.  (Below is just a clip – a trailer doesn’t exist yet.)

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And off I go to start my day.

Thanks for reading!

Toronto – Day #7 – 2013

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I saw 4 films yesterday…among them was one big, special effects movie.  I rarely go for the huge, Hollywood titles while in Toronto, but I decided that because Alfonso Cuaron directed GRAVITY, I’d give it a go…but let’s start at the beginning of the day.

First off, I saw MARY QUEEN OF SCOTS – a Swiss film (in English and French) based on the book MARY STUART.  Though I certainly appreciated elements of this film, there were also numerous elements that made me cringe.  The score was often overbearing, and a few devices (the narration at the beginning and end, the over-use of puppets) fell flat.  The costumes and sets were marvelous, but overall, it didn’t work for me.

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WE ARE THE BEST! is the new film by Lukas Moodysson.  Set in 1982 Stockholm, the movie is about 3 13-year old girls who start a punk band.  It’s a sweet portrait of rebellion and bonding, and the performances and situations are really wonderful.  That said, it’s not a film I’d revisit…there’s just something missing.  It’s good…just not great.

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GERONTOPHILIA is a film by Canadian filmmaker Bruce LaBruce.  This is a movie about a young man who realizes he is infatuated and turned on by senior-aged men…so he gets a job at a nursing home where he forms a special relationship with one of the residents.  Whereas I think this film might have some interesting things to say about age and aging, I felt that the shifts in tone (some of it feels like a farce, other parts seem very serious) made me less interested.  Though some parts were genuinely funny…and some parts were genuinely touching…ultimately I’m not a fan.  (Below is just a clip from the film…no trailer yet.)

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Lastly, I saw GRAVITY in IMAX 3-D.  Starring Sandra Bullock and George Clooney, I think this is biggest small film ever to come out of Hollywood.  Set in space, there are only 3 on-screen characters (and 1 dies almost immediately – so it’s mostly Bullock and Clooney).  After an accident (debris from a Russian satellite), an astronaut and a medical engineer are forced to figure out a way to survive .  This film is simple and scary.  And though there are a couple moments of on-the-nose monologue material (which kinda ruined the moment for me), I ultimately really enjoyed it.

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Thanks for reading!

Toronto – Day #6 – 2013

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Today is my last day of needing to wait in line for early-morning tickets…thus my last day of waking up at 6:00am.  How refreshing!

In addition to seeing 3 films yesterday, I got to hang out with a dear friend, Bill Taylor, who I met in line at a screening of TALK TO HER (one of my favorite Almodovar films) back in 2002 (my first year at TIFF).  Bill just completed his first feature film (which I will soon get a chance to see), and we have played 2 of his short films at the Dayton LGBT Film Festival over the years.  It was great to catch up.

VIOLETTE was the first film of the day, and it made me want to go out and pick up a bundle of books.  This is a film about Violette Leduc and how she became a well-known author.  A large portion of the film focuses on her relationship with Simone de Beauvoir, and several other renowned French authors work their way into the narrative.  The film is gorgeously directed by Martin Provost – director of SERAPHINE (if you haven’t seen this film, I highly recommend it – available via netflix, etc.), and it’s a wonderful story of self-discovery through writing.

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IDA, perhaps the most visually stunning film I’ve seen this year, is a lovely, quiet film (shot in black & white in a 1:37 aspect ratio (which means it appears more like a square than a rectangle)).  A young Catholic girl – about to take her vows as a nun – goes into the city to meet her aunt for the first time.  During the trip, she discovers her true roots and the life she had before being brought to the convent.  I loved this film.

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TOM AT THE FARM is the new film by Xavier Dolan.  Based on a play, this is the first time Dolan has directed material that was in-part written by someone else…and it works.  I felt that Dolan’s last film suffered from its length – this one feels just right.  Tom visits the family of his recently deceased lover, and the mother didn’t know of her son’s homosexuality.  Very different in tone from Dolan’s first three films, this is a psychological thriller that becomes rather creepy.  Though I questioned a couple script choices, I ultimately really liked this film.  (The clip below doesn’t do the film justice…but at least you’ll get a small glance.)

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Thanks for reading!  Off to more screenings!

Toronto – Day #5 – 2013

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Hello!

Yesterday ended up being not as productive as I had planned. I only saw 3 films in their entirety…and the festival is officially starting to wear me out.  The early morning line-up is dwindling.  Some industry folks have already left town, and some of this drop-off is due merely to communal exhaustion.

First off, I saw a film called BELLE – a Fox Searchlight film (which means we’ll more than likely play it…but it won’t come out until next Spring)  set in 18-century Britain about a mixed-race woman who is accepted by her affluent father and is brought up in high class society.  Though not given all the same treatment due to her skin color and the fact that she is “illegitimate,” she is given a good education and is rather free-spirited.  After asking lots of questions and meeting an idealistic son of the town vicar, she becomes instrumental in ending slavery in England.  This film is beautifully shot and will be a crowd-pleaser – on par with films like YOUNG VICTORIA and THE DUCHESS.

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THE INVISIBLE WOMAN is based on the true story of Charles Dickens and his secret relationship with a younger woman.  Directed by and starring Ralph Fiennes, this is a lovely, intelligent film about a strong-willed woman facing her past.  The lead character is played with a rich, layered performance by Felicity Jones (she had a small part in the under-appreciated HYSTERIA), and Sony Classics is positioning this film for a limited Christmas release – which makes it clear that they will push for some Oscar attention.  The art direction, the costumes, and the performances are all lovely, and though the pacing is slow, lovers of mid-career Merchant Ivory films (like THE BOSTONIANS and MAURICE) will be delighted.  Fiennes and Jones were present for a Q&A after the screening.

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UNDER THE SKIN is the new, highly anticipated film by Jonathan Glazer – director of SEXY BEAST and BIRTH.  (It’s been a decade since his last film.)  Each of his films is distinctly different, and UNDER THE SKIN is partially experimental in form.  The movie is about a young woman who stalks the streets of Scotland – looking for single, unattached men.  The film is sexually charged and absolutely captivating.  There’s very little dialog in this film, but the images and score create poetry.  A lot more could be added in describing the plot to this film, but as the catalog states, “it’s best to allow UNDER THE SKIN to reveal itself.”  Lead actress Scarlett Johansson and director Jonathan Glazer were in attendance for an insightful Q&A.  I can’t remember the last time I saw such an abstract film with over 1500 people…it was a nice feeling…but it won’t be appreciated by the masses.  (That said, there will certainly be a cult-like following for this film.)  Watch the teaser to get a small sense of tone for this film.

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More soon!

Thanks for reading!

Toronto – Day #4 – 2013

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Hello!

Yesterday was another epic day.  After seeing 5 films, I still managed to meet up with a couple friends for drinks…a nap is certainly in store at some point today.  One person I met up with is a Dayton native (a former Neon regular and Stivers grad) – Rachel Allen.  She now lives in Brooklyn and works for a PR firm in NYC…and she’s in Toronto working with a handful of films at the festival.  It was great to see her, and I was delighted to hear of her recent successes.

The first film I saw in the morning was THE F WORD – a romantic comedy starring Daniel Radcliffe and Zoe Kazan.  This charming film is full of fast, witty dialog (and sadly way too many poop-obsessed jokes), and it doesn’t try to be anything beyond a sweet film targeted at young adults.  The story centers on 2 young people who meet at a party.  The young girl, delightfully played by Kazan, is an animator who is in a relationship.  The young guy, played by Radcliffe (he has 3 films at TIFF this year), is still getting over a broken heart (the opening scene has him finally deleting a year-old voicemail from his ex-girlfriend).  The 2, upon meeting, have great chemistry…but they determine that they can only be friends.  Thogh predictable and at times a bit too screwball for my taste, this film ultimately works.

THE F WORD

DALLAS BUYERS CLUB was the 2nd film of the festival that I really loved.  Based on a true story, this is a film about a man in the 1980’s who is diagnosed with HIV.  Frustrated by the lack of FDA-approved drugs, he sets out to smuggle non-approved treatments into the US.  Matthew McConaughey plays the main character, and his performance is mind-blowing.  That said, Jarred Leto – who plays a trans character – is also out of this world.  With lots of interesting choices (great sound design and an urgency that makes the film not seem like a period piece), this will go down as one of the best films of the year…stay tuned for lots of award season recognition.

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Next up was a romantic, modern musical by John Carney (director of ONCE) – CAN A SONG SAVE YOUR LIFE?  Starring Keira Knightley and Mark Ruffalo, this film is full of great music and good performances.  It’s the story of two broken people who begin working together to produce an album of fresh, new music.  I’ve heard many people raving about this film.  Though I liked it, I didn’t think it was amazing.  There are some magical moments, but I didn’t buy into the film entirely.  (There’s a scene where Ruffalo imagines orchestrations over Knightley’s simple, guitar-accompanied performance…and I found it terribly cheesy.)  There will certainly be an audience for this film, but I don’t think the results are as successful as ONCE.

Keira+Knightley+Mark+Ruffalo+Can+Song+Save+tluM0jf258Yl

PHILOMENA, the new Judi Dench film by Stephen Frears, is absolutely wonderful. This is the story of a relationship between a journalist and an aging woman.  Philomena gave birth to a boy in a convent when she was 14, and the nuns found a home for him when he was an toddler.  After years of feeling guilty for her sins of the flesh (the nuns were successful at shaming her for decades), a journalist takes interest in Philomena’s attempt to locate her son.  The story is ultimately a mystery, but it’s so much more.  The script is absolutely terrific, and the performances are rich and layered.  This film is 100% NEON material!  Without harping, the film has very interesting things to say at the Catholic Church, contemporary journalism and the Republican Party.

LE WEEK-END – a new film about a retirement-aged, British couple during a weekend is Paris – is clearly inspired by (and even references) films of the French New Wave.  Though there are several great scenes in this film, and the performances of Jim Broadbent and Lindsay Duncan are terrific, I had a hard time connecting.  Duncan’s hot/cold character changes moods on a dime, and I ultimately found her so frustrating that I found it difficult to care about anybody.  Though I was ultimately moved by the film, I didn’t love it overall.  Directed by Roger Michell (NOTTING HILL, THE MOTHER, VENUS, HYDE PARK ON HUDSON), I don’t see a lot of commercial success with this title.

I’m about to head into a screening of BELLE…then 3 other films today.

Thanks for reading!  More tomorrow!

Toronto – Day #3 – 2013

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Hello!

Well…I’m really exhausted this morning…but it’s my own fault.  I was simply having too much fun last night, and I didn’t get to bed until about 2:00.  I then got up at 6:00am and darted out the door to land in this line by 6:50.  The Fox Searchlight Party was last night, and it was a winner. The cocktails were good, the food was exceptional (though I couldn’t bring myself to sample everything), and the mingling was perfect.  The party was celebrating 4 films that the distributor will release this year – BELLE, DOM HEMINGWAY, ENOUGH SAID, and 12 YEARS A SLAVE.  I met and chatted with several folks, and the party was full of industry folks including numerous stars (like Michael Fassbender, Alfre Woodard, Chiwetel Ejiofor, Paul Giamatti, Tom Felton, Sarah Paulson and more).

And now the films from yesterday.  I saw three.

First off was HATESHIP LOVESHIP – a film by Liza Johnson starring Kristen Wiig and Guy Pearce.  This film has a Dayton connection…the production design (done very well!) was by Hannah Beachler – graduate of WSU’s Motion Picture Program.  The story is about a socially awkward woman – Johanna –  who is hired to take care of a teenage girl with a mother who has died and somewhat absent father (the girl lives with her grandfather – played by Nick Nolte).  Upon receiving a note from the girl’s father, Johanna responds with a letter that is ultimately hijacked by the girl and her friend.  They devise a scheme where they respond to Johanna via e-mail and make her think that the father has developed a crush and is ultimately falling in love.  It’s a cruel, teenage prank, and Johanna goes headfirst into the “relationship.” Though not without some wonderful moments, I didn’t love this film.  I felt that it had some tone issues and had a few moments that I just didn’t buy.  It’s nice to see Wiig do some serious material, but it was a bit of a challenge to hear her deliver some monotone, unaffected delivery and not be swept back to former SNL characters.

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12 YEARS A SLAVE – I finally saw a really amazing film…one that will clearly be nominated for Best Picture along with numerous acting nominations.  This new film by Steve McQueen (director of HUNGER and SHAME) is a masterpiece – based on the memoir by Solomon Northup.  Northup was a free African American who was kidnapped in 1841 and sold into slavery.  The film is harrowing and beautifully done, and the performances are rich and complex.  After the screening, a Q&A with McQueen and several actors provided some eloquent insight into the production.  Upon talking about the films of McQueen, Michael Fassbender said something that sums up the challenging material that McQueen often addresses, “As an audience member, you have to contribute.  It’s not a passive experience.”  Those are the films I love.  I don’t want to be spoon fed, and McQueen always presents material that requires some work and introspection.  One issue that I don’t think too many people want to talk  about is the use of the Bible in the film.  Slave owners often refer to it – justifying their rights by the Biblical text.  This is not unlike people who continue to use the Bible to promote their hate-filled agendas today.  Without making it a focus, I think McQueen wants us to consider how we approach this book.

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THERESE was the last film I saw yesterday.  Based on the novel THERESE RAQUIN by Emile Zola, this film stars Elizabeth Olsen, Tom Felton, and Jessica Lang – who were all present for a Q&A following the film – along with director Charlie Stratton.  This period story (which ultimately became the basis for THE POSTMAN ALWAYS RINGS TWICE), is about a sexually repressed young woman who must marry a sickly cousin.  Upon meeting an old family friend, she has a sexual awakening and yearns to be set free from the confines of her current surroundings.  This film is a bit clunky, but the production values are lovely and the performances are solid.  The director mentioned one thing that attracted him to the story – it’s rare to go into a film where you change who you’re rooting for several times.  I think that’s rather interesting…and I need to think about it.

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A few of you asked which film I walked out of yesterday.  You’ll have to ask me in person…as I don’t reveal the titles of films that I don’t watch in their entirety.

More soon!  Thanks for reading!

Toronto – Day #2 – 2013

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Hello Everyone.

On my second day, I set out to see 4 films…but I really only saw 3.  I sat down for my first film, and I simply couldn’t take it.  After 5 minutes, I thought I might leave.  After 10 minutes, I couldn’t stand it…but I thought I needed to give it more time.  After 30 minutes, I simply couldn’t tolerate seeing one of my favorite actresses in such a terrible film.  So I left.

A couple hours later, I made my way to LABOR DAY – the new film by Jason Reitman starring Kate Winslet and Josh Brolin.  This is the story of a mother and son who live alone in  a small town in the late 1980’s.  Winslet’s character is extremely lonely and depressed, and her son (a nice performance by Gattlin Griffith) tries to keep her afloat.  An escaped convict works his way into their home, and rather unlikely relationships ensue – new lover for mom and a father figure for her son.  The movie is shot beautifully, and the performances are really wonderful – Winslet’s melancholy is palpable.  I really loved a lot about this film, but it sadly has a few big annoyances…a couple bad situations and a couple moments of laugh-out-loud bad screenwriting.  A slight recut could fix a lot…but I don’t think that will happen before its release.

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Next up was the world premiere of the first animated feature by Chomet (director of THE TRIPLETS OF BELLVILLE) – ATTILA MARCEL.  As a big fan of PARIS JE T’AIME, I was already familiar with the fact that he can direct live material with great success – he did the short about the little boy with mime parents.  This film is highly stylized with lots of charm and a lot of great music.  It’s the story of a mute piano player who is raised by his overbearing aunts.  After meeting an herbalist who lives on a secret floor in his building, he begins to explore hidden memories of his deceased parents.  Though a bit clunky (a couple devises just don’t work) and a bit long, it’s got enough magic to keep you invested…and you’ll root for the protagonist all the way through. (Sorry…there’s no trailer with subtitles.)

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My last film of the day was BAD HAIR from Venezuela.  This is the story of a curly-haired boy who lives in the projects with his mother and her newborn.  It’s a gritty existence – surrounded by gunfire, violence and rough terrain.  More than anything in the world, the little boy wants straight hair so he can be “like a singer.”  The mother fears that her son is gay, and her lack of education and fear for his well-being makes her take strides to eventually “heal” her son.  This is a grim film – but not without moments of sheer joy.  The performances are incredible from everyone, and the material is transportive.  Though I wish the film had been 10-15 minutes shorter (not a whole lot happens…it would be stronger if it was tighter), I think it’s my favorite film of the festival so far (it brings to mind two other films – the great performances of childhood in TOMBOY and the gritty style of FISH TANK).

[yframe url=’http://www.youtube.com/watch?v=uW0o1jz5d9Y’]

After screening 3 films, I met up with Glenn Kiser – director of SABBATICAL (which won the Audience Award at last year’s Dayton LGBT Film Festival).  We had a great time catching up, and he mentioned that Dayton was one of his favorite festival experiences during his travels with SABBATICAL.  I don’t think he was just feeing me a line – he mentioned the great sense of community, the friends he made, and his overall experience.  I think we can be proud of that!

I’m currently in line for tickets…then off to 3 films today and a big party tonight.  More soon. Thanks for reading!

Jonathan

Toronto – Day #1 (5 Films)

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Hello!

Today was one of those packed days…and I’m thinking I might finish typing this while in line tomorrow morning (so I can get at least 5 hours of sleep).

I saw 5 films on Day #1.

First off was an Iranian film called CLOSED CURTAIN by Jafar Panahi & Kambuzia Partovi.  This is a film about a man who goes into hiding with his dog – residing in a “friend’s house” where he blacks out all the windows and fears any sounds of people outside.  A strange woman finds her way into the house, and tensions mount.  About half way into the film, the story reveals itself.  Not everything is as it seems…for this is a story being written/imagined by a director.  This is a film about inspiration and character development…and how one creates under certain constraits.  Not knowing Panahi’s story (of being under house arrest in Iran) could make this film a little more difficult to initially understand…though I eventually found the cinematic riddles/metaphors to be a little obtuse and tedious.  (There’s a side story about how dogs are not allowed to be seen in public…and the dog in this movie steals every scene.)

[yframe url=’http://www.youtube.com/watch?v=lBLiT13SBl8′]

(CONTINUED at 7:00am Friday morning)

Francois Ozon’s latest film – YOUNG AND BEAUTIFUL – is a sexually charged film about a girl losing her virginity over the summer…and how she eventually is drawn into the power-play of sexuality.  At 17, while still in high school and living at home, she begins leading a double life of a prostitute.  She uses on-line pornography as tutorials, and she steals her mother’s clothes to look more sophisticated.  Told over the course of 4 seasons, this film has a couple clunky moments and on-the-nose song choices (and a little too overscored – though I do love the score).  It even visually references BELLE DE JOUR – which is clearly loved by Ozon.  Overall, I rather liked the sexual politics of the film…and I loved the ending.  (Last year, I saw Ozon’s last film  – IN THE HOUSE…it ended up being one of my favorites.)

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ABUSE OF WEAKNESS is Catherine Breillat’s latest film – based loosely on her personal story of dealing with the aftermath of a stroke and being swindled by a man who she came to admire (who was supposed to star in her next film).  This film stars Isabelle Huppert, and she is out of this world!  The control of her body and speech are unbelievable!  Though a bit too long and sometimes a bit frustrating (though I’m guessing that might be the point…as dealing with an illness and its physical challenges can be much the same).  The psychology of what makes people do things that seem out of character is a driving force of this film, and it’s worth seeing just for Huppert’s incredible performance.

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KILL YOUR DARLINGS stars Daniel Radcliffe as Allen Ginsberg – which should seal the deal to mainstream America that Radcliffe can do a lot more than play a boy wizard (many already knew this given EQUUS and other examples).  Though produced by Killer Films (known for a variety of indie gems over the years – BOYS DON’T CRY, FAR FROM HEAVEN, and many many more), this film seemed more “Hollywood” than anything I saw on Day #1.  This is due mostly to its simplistic script.  The visual style is rather nice, and most of the performances are really quite good, but it seemed a little too easy and I found myself rolling my eyes a lot – especially in the first 20 minutes (and the use of some contemporary music killed a few moments instead of making them relatable).  Overall, I came away liking several things about the film – but it’s far from being a masterpiece.  (Part biopic, part thriller!…you didn’t see that coming, did you?  Without the opening scene set in prison, you wouldn’t really guess the film was heading that direction.)

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ONLY LOVERS LEFT ALIVE was my final film of the day.  Jim Jarmusch’s vampire movie isn’t what many might suspect.  It’s not at all a horror film!  This is a love story about 2 sophisticated  people who have lived for hundreds of years.  Told in a bit of a hallucinogenic haze, this film is actually full of humorous moments and thoughtful insights to today’s world.  (Tom Hiddleston’s character – who plays opposite Tilda Swinton – is contemplating suicide…due mostly to being so disenchanted with the monstrous actions of today’s human beings – who he refers to as “zombies”).  Told in a languid, poetic fashion, this is a character driven film with lots of long, slowly moving scenes with beautiful music and photography.  Some might find the film boring (especially if they’re looking for a traditional genre film), but I thought it was rather lovely.  Tilda was NOT there!  Though disappointing, it was nice to see and hear Jarmusch and Hiddleston discuss the film (I didn’t previously know who Hiddleston was…but fans were shrieking with delight when he emerged from his car).  Mia Wasikowska was also in attendance.  She had little to say.

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3 Films today.  Maybe 4!

More later!  Thanks for reading!

Toronto International Film Fest – I Made It To Town!

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Hello Friends of THE NEON!

I made it to Toronto.  With very little sleep, I ran right to registration and picked up my pass and catalog…which I looked at very quickly and made my first picks.  The Toronto International Film Festival (which I’ll refer to now as TIFF) officially begins tomorrow night.  That said, industry screenings begin tomorrow morning.  Each day, my pass allows me to see 2 public screenings and numerous industry screenings.  (The public screenings are more fun…they’re filled with film lovers…and the filmmakers and stars often attend those screenings.)  Only a handful of tickets for those public screenings are put aside for people who have passes like mine…and we can only collect them 48 hours in advance.  This means that I’ll be up every morning at 6:00 so I can leave my apartment and get in line by 7:00.  At 8:00, I’ll hopefully be one of the first people in line so I can get the tickets I want….then I’m off to screenings for the rest of the day.

Each day, I’ll see 3, 4 or sometimes even 5 films (that’s a rarity, though…my eyes can only handle so much).

I just returned from grabbing a beer and plotting my next few days.  I picked up some local publications and started to assess the buzz about any films that I might need to see, and my initial plan of attack is in place.  With over 300 films to chose from, the scheduling can become madness…and I love it.

Thanks for checking in with my blog.  One film I’ll be seeing tomorrow (Thursday night) is Jim Jarmusch’s new vampire film (not a genre I really like…but my favorite actress is the star – TILDA SWINTON).  Tune in again (and each day thereafter) to read about each of the films I’m seeing (and each of the stars I see flitting around).

More soon,

Jonathan

Only-Lovers-Left-Alive-still

 

 

 

SPECTACULAR NOW and BLUE JASMINE Continue at THE NEON!

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Blue-Jasmine-9-Cate-Blanchett-and-Sally-HawkinsHello Everyone,

Wow! Another great weekend! It’s rare for us to label a film a “NEON Hit” in less than 2 weeks, but BLUE JASMINE hit that mark over the weekend (in just under 10 days). In addition, audiences are loving THE SPECTACULAR NOW. These are the 2 hottest indie films in release, and we truly appreciate your support! It goes without saying that we will hold both great films. If you want to know more about either movie, click each title above to visit that film’s official site.

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[yframe url=’http://www.youtube.com/watch?v=tWLtj4LY5CA’]

“James Booker, the ‘Piano Prince of New Orleans,’ is resurrected in Lily Keber’s superb new documentary film – BAYOU MAJARAJA: THE TRAGIC GENIUS OF JAMES BOOKER. The documentary features concert footage, eyewitness accounts of the outrageous Booker in action and reflections from fellow New Orleans musicians Harry Connick Jr., Allen Toussaint, Dr. John, Aaron Neville and others. 2013’s most talked-about music documentary, the movie captures the essence of this underappreciated virtuoso. Meet Lily Keber at THE NEON when she introduces her film and leads a Q&A session following the screening.” (taken from VSOP Press Notes) This film will play one time only – Wednesday, September 18 at 7:30. Tickets are already on sale at THE NEON’s box office.

On Wednesday morning (Sept. 4), I’m heading to The Toronto International Film Festival. Though I haven’t had too much time to look at the line-up, I’m nonetheless excited to go. If all goes as planned, I’ll see at least 30 films in 9 days. If you’d like to read about my screenings (and maybe a bit about the parties and frivolities), I’ll keep a daily blog that can be found at: http://daytonmostmetro.com/tag/toronto (If you click the link now, you’ll see all my stories from last year…I’ll post my first Toronto 2013 story on Wednesday night.)

Many thanks for your continued support!
Jonathan

SHOWTIMES for Fri, Sept. 6 – Thurs, Sept. 12:

BLUE JASMINE (PG-13) 1 Hr 38 Min
Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:15, 9:30
Monday – Thursday: 3:10, 5:20, 7:30

THE SPECTACULAR NOW (R) 1 Hr 35 Min
Friday, Saturday, Sunday: 12:40, 3:00, 5:15, 7:30, 9:40
Monday – Thursday: 3:00, 5:15, 7:40

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.

Sept. 13 – BLACKFISH
Sept. 13 – SALINGER
TBD – THE HUNT
TBD – THE PATIENCE STONE
TBD – AUSTENLAND
TBD – WADJDA
Oct. 18 – ENOUGH SAID
Oct. 18 – INEQUALITY FOR ALL
TBD – CUTIE AND THE BOXER

THE SPECTACULAR NOW Opens & BLUE JASMINE Continues at THE NEON!

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The_Spectacular_Now_4Hello Everyone,

Wow! What an incredible weekend! FilmDayton had some nice crowds over the weekend (their line-up was awesome), and BLUE JASMINE became one of our biggest openings of the year! Many thanks to all of you who came out. We were busy, and it felt great!

If you still need to see THE WAY WAY BACK, you only have a couple more days. In addition, I hope many of you will come down for our special 4-day engagement of IN THE HOUSE – one of my absolute favorite films of the year (only a few people turned out on Monday). Thursday will be the last day for both films, and you can see their schedules on our official site – www.neonmovies.com. While BLUE JASMINE will certainly stick around, we have another hot, new film opening this weekend – THE SPECTACULAR NOW. This film has garnered high praise from The Wall Street Journal, Los Angeles Times, Entertainment Weekly, USA Today, Variety, Chicago Sun-Times and many more. We hope you’ll support it!

Synopsis for THE SPECTACULAR NOW: “This is the tale of Sutter Keely, a high school senior and effortless charmer, and of how he unexpectedly falls in love with “the good girl” Aimee Finecky. What starts as an unlikely romance, becomes a sharp-eyed, straight-up snapshot of the heady confusion and haunting passion of youth – one that doesn’t look for tidy truths.” (taken from A24) This film stars Shailene Woodley – she played a daughter to George Clooney’s character in THE DESCENDANTS. She’s really wonderful. Click this LINK to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=wceaLzbtuDY’]

“James Booker, the ‘Piano Prince of New Orleans,’ is resurrected in Lily Keber’s superb new documentary film – BAYOU MAHARAJA: THE TRAGIC GENIUS OF JAMES BOOKER. The documentary features concert footage, eyewitness accounts of the outrageous Booker in action and reflections from fellow New Orleans musicians Harry Connick Jr., Allen Toussaint, Dr. John, Aaron Neville and others. 2013’s most talked-about music documentary, the movie captures the essence of this underappreciated virtuoso. Meet Lily Keber at THE NEON when she introduces her film and leads a Q&A session following the screening.” (taken from VSOP Press Notes) This film will play one time only – Wednesday, September 18 at 7:30. Tickets are already on sale at THE NEON’s box office.

[yframe url=’http://www.youtube.com/watch?v=tV8zi0uwChk’]

I’m sad to announce that THE NEON has lost a good friend. Harish Trivedi of The India Foundation passed away earlier this month. He was such a lover of film, and he provided the community with a wealth of knowledge and passion for Indian cinema. He was a great collaborator, and his spirit and drive were infectious. He will be greatly missed.

Unfortunately, Saturday’s screening of SALMA has been cancelled. We hope it will be rescheduled for a future event, but no further details are available at this time.

Thanks for your continued support!

We hope to see you soon!
Jonathan

SHOWTIMES for Fri, Aug. 30 – Thurs, Sept. 5:

BLUE JASMINE (PG-13) 1 Hr 38 Min
Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:15, 9:30
Monday: 12:30, 2:45, 5:00, 7:15
Tuesday – Thursday: 3:10, 5:20, 7:30

THE SPECTACULAR NOW (R) 1 Hr 35 Min
Friday, Saturday, Sunday: 12:40, 3:00, 5:15, 7:30, 9:40
Monday: 12:40, 3:00, 5:15, 7:40
Tuesday – Thursday: 3:00, 5:15, 7:40

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
TBD – BLACKFISH
TBD – THE HUNT
Sept. 13 – SALINGER
TBD – THE PATIENCE STONE
TBD – AUSTENLAND
TBD – WADJDA
Oct. 18 – ENOUGH SAID
Oct. 18 – INEQUALITY FOR ALL
TBD – CUTIE AND THE BOXER

BLUE JASMINE, IN THE HOUSE, FilmDAYTON & More Great News at THE NEON!

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pic_giant_081613_SM_Blue-Jasmine-Woody-Allen_Returns_0Hello Everyone,

We’ve got so much happening over the next week…I’m absolutely certain that there is something for everyone at THE NEON! In addition to FilmDayton‘s great line-up (including gems like IN A WORLD, SHORT TERM 12 and REMOTE AREA MEDICAL), we will open one of the most talked about indies of the year – Woody Allen’s BLUE JASMINE (featuring one of the most outstanding performances of Cate Blanchett’s incredible career). And it doesn’t stop there. Next Monday through Thursday, we will bring one of my favorite films of the year – Francois Ozon’s IN THE HOUSE – for a 4-day run!

Next Friday, August 30, we will open a coming of age story that critics and audiences alike are loving – THE SPECTACULAR NOW.

Synopsis for BLUE JASMINE: “After everything in her life falls to pieces, including her marriage to wealthy businessman Hal, elegant New York socialite Jasmine moves into her sister Ginger’s modest apartment in San Francisco to try to pull herself back together again.” (taken from Sony Classics) Click THIS LINK to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=FER3C394aI8′]

Synopsis for IN THE HOUSE: “Sixteen-year-old Claude insinuates himself into the house of fellow high school student, writing about his family in essays that perversely blur the lines between reality and fiction for his jaded literature teacher. Intrigued by this gifted and unusual student, Germain rediscovers his taste for teaching, but the boy’s intrusion sparks a series of uncontrollable events.” This was one of my Top 3 Films at last year’s Toronto Film Festival…it stars Fabrice Luchini and Kristin Scott Thomas. Be sure to check out the trailer below.

house

[yframe url=’http://www.youtube.com/watch?v=eegoZpxQCzc’]

The FilmDayton Festival is ready to go! Film screenings will take place at THE NEON, but the festival is about a whole lot more. Check out their complete line-up on their official site.
Films/Events at THE NEON are:
Friday, Aug. 23 at 7:00 – IN A WORLD
Friday, Aug. 23 at 9:00 – FLICK MY CLIP COMEDY SHORTS
Friday, Aug. 23 at 11:00 – FRIDAY NIGHT FRIGHT
Saturday, Aug 24 at 11:00am – WYSO SCREENLESS SCREENING
Saturday, Aug 24 at 1:00 – JACK, JULES, ESTHER AND ME
Saturday, Aug 24 at 3:30 – SHORTS BLOCK #1
Saturday, Aug 24 at 6:00 – SUNDOG FESTIVAL (FREE!)
Saturday, Aug 24 at 8:30 – SHORT TERM 12
Sunday, Aug. 25 at 1:00 – SHORTS BLOCK #2
Sunday, Aug 25 at 3:30 – REMOTE AREA MEDICAL
Sunday, Aug 25 at 6:00 – BIG WORDS
Sunday, Aug 25 at 8:00 – FilmDayton AWARDS

As an FYI, Tickets to both screenings of WSU’s BIG LENS FILM FESTIVAL are completely sold out!

In next week’s week’s newsletter, I’ll have more details about VSOP’s special screening of BAYOU MAHARAJA: THE TRAGIC GENIUS OF JAMES BOOKER – slated for Wed, Sept. 18 at 7:30.

We’ve got so much going on!
We hope to see you soon!
All the best,
Jonathan

SHOWTIMES for Fri, Aug. 23 – Thurs, Aug. 29:

BLUE JASMINE (PG-13) 1 Hr 38 Min
Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:15, 9:30
Monday – Thursday: 3:10, 5:20, 7:30

IN THE HOUSE (R) 1 Hr 45 Min
Monday – Thursday: 3:00, 7:45

THE WAY WAY BACK (PG-13) 1 Hr 43 Min
Friday, Saturday, Sunday: NO SCREENINGS
Monday – Thursday: 5:30

THE FILMDAYTON FESTIVAL
Friday: 7:00, 9:00, 11:00
Saturday: 11:00am, 1:00, 3:30, 6:00, 8:30
Sunday: 1:00, 3:30, 6:00, 8:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Aug. 30 – THE SPECTACULAR NOW
TBD – THE HUNT
Sept. 13 – SALINGER
Sept. ? – BLACKFISH
TBD – THE PATIENCE STONE
TBD – AUSTENLAND
TBD – WADJDA
Oct. 18 – ENOUGH SAID
Oct. 18 – INEQUALITY FOR ALL
TBD – CUTIE AND THE BOXER