Dayton Contemporary Dance Company (DCDC) presents Black By Popular Demand—four powerhouse works that capture the heart of African American culture through movement. From the gospel celebration of In My Father’s House to the civil rights reflection of Martyr’s Road, from the ancestral rhythms of WAWA ABA to the intimate connections of Call(ing), this concert delivers the emotional range and artistic excellence audiences return for again and again.
Performance Details
Dates: SAT, FEB 28, 7:30 PM | SUN, MAR 1, 4:00 PM
Venue: Victoria Theatre, Downtown Dayton
Tickets: www.daytonlive.org/black-by-popular-demand | (937) 228-3630 | Dayton Live Box Office
Ticket levels:
- A Level: $96
- B Level: $84
- C Level: $59
- D Level: $44
- E Level: $30
- Discounts available for seniors, students, and educators upon request at the Dayton Live box office, by phone or online.
Group discounts are available to parties of 10 or more. Contact [email protected] to get more details.
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Black By Popular Demand celebrates Black life, love, and liberation through dance that reflects on history, speaks to the present, and carries forward a legacy born during the Civil Rights movement. Part of the Dancing in Our Light season, this concert invites audiences to witness artistry that resonates in the chest, connects generations, and reminds us why live performance changes everything. There’s something here for everyone—moments of joy, reflection, resilience, and triumph that leave the theatre buzzing.
- In My Father’s House by Chief Executive & Artistic Director Debbie Blunden-Diggs’ transforms the Victoria Theatre into a sanctuary with Kirk Franklin’s unforgettable gospel sound.
- Kevin Ward’s Martyr’s Road honors the unending march for justice through one family’s story.
- Stafford C. Berry Jr.’s WAWA ABA pulses with neo-traditional African dance and communal energy.
- Qarrianne Blayr’s Call(ing) reminds audiences to answer the call—from loved ones, from purpose, from community.
These are the works that make audiences lean forward in their seats, tap their feet to the beat, and feel their spirits stirred.
Ro Nita Hawes-Saunders, CEO of the internationally acclaimed Dayton Contemporary Dance Company (DCDC), announced her intention to terminate her tenure, effective December 31, 2022.
Ro Nita believes that DCDC is a community trust and cultural treasure, whose reason for being is to recreate and celebrate the African American heritage and experience.
The board of directors, will begin the daunting task of filling her position, in order for DCDC to continue its excellence that it represents in the arts world-wide.
In February, there are two opportunities to experience the
Performances will be held on February 26 at 7:30pm and February 27 at 4:00pm, LIVE at the Victoria Theater. For tickets call 937-228-3630 or 


Dayton’s own world renowned 
Dayton is birthplace of amazing artistic as well as engineering feats. That spirit of innovation blossomed during the late 1960s-1980s in a couple of unique ways: the invention of funk music and the birth of modern dance. In 1968,
The
The third work on the program is American Mo’, created by choreographer and DCDC Associate Artistic Director Crystal Michelle Perkins. The dance is a celebration of triumph over adversity. Dancers express freedom, courage and joy to Duke Ellington’s “Three Black Kings,” composed in honor of Dr. Martin Luther King, Jr. This work originally premiered on September 19 & 20, 2015 as part ofAmerican Mosaic, Celebrating the 50th Anniversary of the Miriam Rosenthal Foundation for the Arts and was performed with accompaniment by Dayton Philharmonic Orchestra at the Schuster Center. DCDC has performed the innovative piece in New York City, Kazakhstan, and the Bolshoi in Moscow.
With approval of its board of trustees, the University of Dayton will bestow an honorary doctorate degree on Ro Nita Hawes-Saunders, CEO of the world-renowned Dayton Contemporary Dance Company, at spring commencement exercises Sunday, May 12, in the University of Dayton Arena.
“DCDC brings dancers and choreographers to campus for performances, classes and artistic collaborations that add to the University’s arts and intercultural education programming,” Spina said of the partnership.










