Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

Dayton Ohio

THE TREE OF LIFE – The Most Talked About Indie of the Year at THE NEON!

By 1 Comment

Hello Everyone.

As planned, the fantastically charming POTICHE was only here for a week.  And just as we suspected, MIDNIGHT IN PARIS is still performing very well, and audiences are adoring it…so it will stick around for at least another week.

Today (6/24), we open the most talked about indie film of the year – Terrence Malick’s THE TREE OF LIFE.  Starring Brad Pitt, Sean Penn and Jessica Chastain, TREE OF LIFE was the winner of the Palme d’Or at this year’s Cannes Film Festival.  This film has been given a 100% review by The New York Times, The Chicago Sun-Times, NPR, USA Today, Variety, Time Out New York, The Village Voice, and many more.  Roger Ebert wrote, “The only other film I’ve seen with this boldness of vision is Kubrick’s 2001: A SPACE ODYSSEY, and it lacked Malick’s fierce evocation of human feeling.”

Synopsis for THE TREE OF LIFE:  “The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith. Through Malick’s signature imagery, we see how both brute nature and spiritual grace shape not only our lives as individuals and families, but all life.”  (Fox Searchlight Pictures)  Check out the beautifully designed official site.

[yframe url=’http://www.youtube.com/watch?v=WXRYA1dxP_0′]

Last week’s screening of WE WERE HERE was a marvelous, sold-out event – with a beautiful film and an insightful and brave panel discussion.  Many thanks to all my friends and community partners who helped to make the evening such a success.

We will have a new neighbor in the next few days – Sabai: Asian Cuisine & Sushi Bar. What we have been using for our parking lot for the past several years will soon become theirs.  Luckily, we will be able to utilize a new space that’s visible from our front windows.  Please start getting in the habit of parking in our new lot…though there aren’t parking lines yet, there will be soon.  We’ve painted a couple of the posts to make the lot quite easy to find.

Hope to see you this weekend.

Take care!

Jonathan

SHOWTIMES for June 24 – June 30:

MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min

Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:30, 9:40

Monday – Thursday: 3:30, 6:00, 8:30

THE TREE OF LIFE (R) 2 Hr 18 Min

Friday, Saturday, Sunday: 1:00, 4:15, 7:00, 9:45

Monday – Thursday:  2:30, 5:15, 8:00

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

July 1  DOUBLE HOUR

July 8  BUCK

July 15   PAGE ONE: INSIDE THE NEW YORK TIMES

July 15   BEGINNERS

Aug 5   SNOW FLOWER AND THE SECRET FAN

Aug 12   BEATS AND RHYMES: A TRIBE CALLED QUEST

Aug 26   ANOTHER EARTH

Aug 26   THE GUARD

Sept. 9   LIFE ABOVE ALL

Sept 23   HIGHER GROUND

A Lame Attempt at Car-Free Living

By Leave a Comment

The Great White Rattletrap

The aptly named Rattletrap has sat idle on McPherson Street for two weeks now as part of my car-less adventure as I hoofed it around downtown ― and I have to admit my life has been pretty much unchanged. Well, except for the fact that the act of walking has been a serious struggle.

See, I took a tumble ― ka-chump! ― square on my left knee at the time when I perhaps needed that knee the most.  Banged it up to the point where I really should have gone (on foot, of course) to the hospital for stitches. (My doctor later confirmed this to be true.)

What I actually did, however, was declare, as blood dripped down my calf and puddled in my shoe, that it simply was a scrape a little peroxide and a Band-Aid could cure. Shortly thereafter, I rode my bike three miles in sizzling heat, squated into a kayak and paddled across Eastwood Lake, and then biked the three miles home, my ad hoc gauze-and-medical tape bandage loosened in the fresh water and flapping in the wind as if I was an unraveling mummy. I was too excited about being back on my bike, which I had barely ridden since my now 19-year-old son was small enough to be in a seat on the back, feeling the wind brush my cheeks, delirious in the bluster of speeding by graduation cookouts and the Mad River.

Of course, this happened on Day Four. So I haven’t really walked many places. More like gimped, lumbering about town. Very. Slowly. Barely able to bend my left knee.

And that, my friends, is what caused me to cheat.

It was my honest intention to take the bus to get groceries for a dinnertime game of Mah Jongg I was hosting. I figured my first bus adventure might as well be XTREME: A trip to the grocery store. But on Sunday morning when a friend asked if I wanted to run errands, including a stop at Trader Joe’s, and offered to drive, I simply replied, my voice taut with pain, “Yes.”

And so it was: convenience trumped principle. Justification? It wasn’t my car. I wasn’t driving. I admit that wasn’t the only day friends picked up my gimpy self and gave me a ride. I never asked to be carted hither and yon, but it happened.

I also haven’t stepped foot in a bus. After reading Megan Cooper’s awesome series of articles chronicling her adventures riding the bus, it’s clear I need to be able to bring my bike along. (I mean, why not learn from someone else’s mishaps?) And this knee ain’t biking nowhere for a minute.

So my adventure will have to be continued at another time. Not to say I didn’t encounter some interesting things limping around the past couple of weeks: A drag queen on roller blades. Some dude rockin’ out with an ’80s-style boom box on his shoulder. Another dude riding a bicycle with a seat that appeared made from the seat of a rocking chair.

Walking forces you to be patient, slow your mind. Notice things. It leads to unexpected adventures.

At least I discovered a free boot camp at RiverScape I plan to attend -- once I'm able to walk.

For example, one evening (pre-fall), as I’m walking home from Drake’s Downtown Gym and jabbering on the phone with my BFF, I realize I’m walking right by her condo building.

“Girl, are you home?” I ask. “Scoot downstairs and join me for a soft-serve cone at RiverScape.” She does. We hang, chitter-chatter and get covered in melting ice cream. While there, we notice a big group of people doing jumping jacks under the pavilion. Come to discover it’s a free boot camp. (Mondays and Wednesdays at 6:30 p.m. and Saturdays at 9:30 a.m.)

I wanted to live the month of June as if I have no car ― which, considering the condition of The Rattletrap, could very well become the case. But in these two weeks it really hit me that if, like so many people, I did not own a car, the freedom of mobility to which I’ve become so accustomed would cease to exist.

Which brings me to this: In a country ― a society, a culture ― sprung from the idea that to be fully human is to be free, does that freedom include the ability to move about from place to place as and when one desires? Because if that’s part of the USA freedom equation, one thing now is clear to me: freedom of mobility = owning a car.

Or does it? Readers, share your thoughts while I sign off to bandage my knee …

Behind the Masks – The Lion King

By Leave a Comment

Disney’s The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Nick Cordileone & Ben Lipitz

Disney’s THE LION KING

The Victoria Theatre Association

I have a confession to make:  I, Shane Anderson, admittedly know very little about The Lion King.  In fact, I know very little about most of the Disney films and musical adaptations.  I’ve certainly seen some, but I have no children of my own, therefore I typically don’t choose to spend my entertainment budget on a movie ticket to a film marketed to kids.  I get it…I get it… I hear that they are terrific for anybody at any age, but I don’t have that added motivation of a really excited 5 year old persuading me to go catch the latest Disney princess or talking/singing animal movie.

Characters from Disney's Lion King, as interpreted by Noah, age 5

The Lion King mask illustration by Noah, age 5

So, since I am not the Disney aficionado that many Americans are, I had to do a little research about Disney’s THE LION KING, which just rolled into town and opened at the Schuster Center this evening.  So what else was I to do?  I called up my favorite nephew, 5 year old Noah.

First bit of information I needed, was what is the plot of this show? Noah replied with a knowing smile (did I sense the slightest amount of a smirk at his silly Uncle Shane?) that THE LION KING is all about this baby lion named Simba, who’s daddy Mufasa dies because of a bad lion named Scarrrr (grrrRR..!), then the Pumbaa and Timon (not sure which is which, but one is a warthog with big horns) come in and sing Hakuna Matata and then Simba gets big and the girl lion tells Simba to come back and be king.  Oh, and be careful of the 3 Hyenas, they laugh.

Ok, stay clear of the laughing Hyenas.  Of course I already knew a little bit about this classic musical adaptation, it is a legendary production that very successfully melded together a very cool artistic vision with the business sense of a major corporate producer.  I know that it was directed by the very talented Julie Taymor.  I realize that even though the musical premiered on Broadway nearly fourteen years ago,  it is still selling tickets both on the “Great White Way” and in multiple touring companies.  This collaboration between a truly gifted artist and a major corporate entity has been highly successful, with no signs of slowing down.  I knew all of that, but this is one highly acclaimed Broadway spectacle that I have yet to experience, and I am thrilled that the show will be spending four weeks right here in Dayton, Ohio!

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Ben Roseberry

I got the opportunity to spend some time chatting with three cast members of the show on the phone last week.  The cast was in Toronto, Canada, where they had an extended stay.  I spoke with vocal ensemble member and “Sarabi” understudy Electra Weston, Ben Roseberry who portrays “Ed” the laughing hyena, and the ever-popular Ben Lipitz who livens up the stage as “Pumbaa”  the optimistic warthog.

I asked the group of actors about touring with Disney Theatricals, working with Taymor and what the experience is like in a production that thrills audiences of all ages.

The first thing of note is the appreciation the actors express for the company itself.  “It is the best contract I’ve ever worked for,” Roseberry declares, “we are in each city for four weeks or more.” All three of the actors pointed out the fact that through Disney’s intention to keep the company in a city for an extended run of at least four weeks, allows the actors time to settle in and actually experience each city. Most other touring shows will have shorter runs, some as little as a day in each city, which leave the actors living out of their suitcase.  Roseberry, an aviation enthusiast, says that he is very excited to have time in Dayton to explore the Aviation Trail, Hall of Fame and Wright Brother sites.

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Electra Weston

A surprise to me was the fact that the touring company has the opportunity to make their own housing arrangements, some choosing extended stay hotels, others are able to find short-term furnished apartments.  Electra Wilson indicated that in her four years on the tour, she’d never stayed in a hotel.  She ships her bicycle and typically manages to find an apartment within biking distance to the venue.  This gives her the opportunity to become a member of the community, if only for a short time.

I was curious to know more about the experience of being onstage for these actors, what it was like to be on the other side of the curtain.  The technical aspects of performing the show utilizing these puppets and intricate scenic elements must certainly be an incredible thing to watch not only from the audience perspective, but also from backstage.

All three actors found their roles very taxing, but for very different reasons.  Weston says that her most difficult transition into the role was the English language. She had previously been a part of the German company of the show, so even though she is American, she found it difficult to sing her parts in English.  She had to relearn the show in her native tongue, and had a tough time doing so!

“I can’t say it’s a bigger thrill than what the audience is experiences, but it certainly is comparable.” says Ben Lipitz, ” Performing in The Lion King is a rare experience in theatre, it is a landmark event for the audience, as a performer I have to take the storytelling very seriously.  We have a responsibility to live up to the expectations [of the audience].  It is a privilege to tell this story”

“It took a good eight weeks of performing for the role to get in my body.” Roseberry said he was very nervous performing in his “Ed” the hyena puppet for the first several weeks he was on tour.  He pointed out that he had to learn to harness that nervous energy, translating it into a good energy.  Additionally he spent hours in front of a mirror learning how to operate the hyena puppet in as many expressive ways as possible, since the character does not speak, but simply communicates through laughter.  (btw…”Ed” is not “stupid”, but rather he is “verbally challenged”)

Ben Lipitz has been with the show for nine years, both on Broadway as well as the touring company.  He recounted that while his very first entrance on stage in this show was very exciting, that the thrill continues to this day.  Ben’s experience as an actor (on stage, film & television, including a role on The Sopranos) didn’t really prepare him for operating the puppet, especially Pumbaa which weighs in heaviest at 46 pounds.  Creating the physical articulation with the puppet is his biggest challenge, but also the biggest reward.

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Ben Lipitz

The beauty of Julie Taymor’s design is the duality of the character on stage.  You see the actor manipulating the puppet, but you also see the humanity within the animal character.  The actors praise the brilliance of Taymor’s vision and her famous “hands-on” approach to direction an upkeep of her vision.  They report that there is a touring director and staff that continually monitor the show, maintaining the quality of the performance.  This team works with the cast so that what we see in Dayton is precisely the same as the original intent of every step, word and note performed when Julie Taymor’s vision became reality in 1997.  Taymor will even  stop in to check on the show herself occasionally to be sure that her vision is never compromised (though this hasn’t happened recently due to her involvement in another theatrical project).

“I have been truly touched by how inspiring working with Julie is,” claims Lipitz, “[it is] her spirit and her energy.  She is a gifted, visionary artist.”

While THE LION KING is a very complex machine of a show, with many moving parts and people manipulating every aspect of it, it is also child’s play.  Experiencing this show on our side of the curtain will certainly be exciting, but imagine how thrilling it must be to make it all happen behind the scenes.  These actors spoke as if it was truly an honor to tell this story, and be a part of the magic daily.

Before I got off the phone with Pumbaa, I had one more question I was required to ask.  Noah wanted to know “what do you do with your horns?” Pumbaa claimed that his daily regimen included trying not to stay up too late, staying out of the sunlight and plenty of moisturizer.  Pretty good advice for all you warthogs reading this.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Disney's THE LION KING - Victoria Theatre Association, Dayton, OhioDisney’s THE LION KING

Wednesday, June 15 through Sunday, July 10, 2011

at The Schuster Center’s Mead Theatre – Performance Times Vary

Tickets range from $27 – $141

Tickets are ONLY available through Ticket Center Stage.

Visit the  Schuster Center box office in downtown Dayton or order by phone, at (937) 228-3630 or toll free (888) 228-3630. Ticket Center Stage hours are Monday-Friday, 10 a.m. – 6 p.m., Saturday, noon – 4 p.m., and two hours prior to each performance.

Tickets may also be purchased online at www.ticketcenterstage.com.

For more information about Victoria Theatre Association visit www.victoriatheatre.com.

Downtown Dayton Partnership and the Victoria Theatre Association have teamed up to provide roaring deals and promotions for the The Lion King patrons.  Read more about these exiting offers HERE.

The Lion King - ROARING DEALS - Dayton, Ohio

Click for details.

Sing it Strong, Sing it Loud

By Leave a Comment

Altar Boyz

ENCORE THEATER COMPANY

The quintessential Boy Bands: upbeat (and often emotional) music… slick choreography… the perfect individual and group images… slightly-too-perfect rhymes… the Soul Sensor DX-12? Well, maybe not for any other boy band, but for the Altar Boyz, it’s key! During the final concert of their “Raise the Praise” tour, the Boyz seek to reduce the number of burdened souls in the audience (indicated by the number on the Sensor) to zero.

“Jesus called me on my cell phone / No roaming charges were incurred / He told me that I should go out in the world / And spread His glorious word”

Altar Boyz, presented in real time as that concert, is a satirical, “foot-stomping, rafter-raising musical comedy,” and the fictitious Christian boy band includes five Ohio members: Matthew, Mark, Luke, Juan, and Abraham (who, actually, is Jewish). Some of the Boyz’ signature hits include “Rhythm in Me,” “The Calling,” and “I Believe.” Directed and choreographed by Lauren Morgan and musically directed by Mark Barnhill, this Dayton premiere kicks off Encore Theater Company’s summer season, and runs for one weekend only, June 16 – 18.

“We think that church is super fine / We are the Altar Boyz / We love the wafers and the wine / We are the Altar Boyz / And I think / You’ll find….. We’re gonna altar your mind!”

This show is unique in that each cast member must be a triple-strength performer, because everyone is acting, singing, and dancing for nearly the entire show! Therefore, learning the show has been hard work, but the actors I spoke with were excited about the challenges they’ve faced and the strides they’ve taken as performers. The cast includes students and/or Dayton residents Drew Bown, Andrew Koslow, Korey Harlow, Zack Steele, and Zach King, with a special appearance by local Muse Machine alumnus and Broadway performer Tyler Maynard as “the Voice of God.”

“When I hold your body next to mine / it feels so good / and feels so right / and it also makes my Levis feel real tight… / and I know that there is something about you, baby…/ Girl, you make me want to wait.”

Not only does the cast play a great team onstage, but everyone has an excellent collaboration as well. Each of the cast members are or have studied some type of theatre at the collegiate level, and most are new to Encore Theater Company’s mainstage; however, they’ve all contributed unique talents and abilities to make this show strong and fluid, to refine timing of the show’s extensive humor and rehearse even the most difficult 5-part harmonies. Koslow, who plays Mark, explained in an interview with onStageDayton,

Andrew Koslow, "Mark"

“The most rewarding thing for me about this show is how much we’ve truly banded together (pardon the pun) to make this show happen. We’ve run into a thousand road blocks, from losing cast members to sometimes only having two Boyz available for certain rehearsals due to commitments to other shows. Despite all that, we’ve put together an incredible and entertaining show… I truly couldn’t be prouder of our entire cast and production team.”

That commitment and collaboration have paid off: Zack Steele, who plays Juan, praises,

Zach Steele, "Juan"

“[Altar Boyz] will have [audience members] crying from laughing so hard. The script is bulletproof and the Boyz’ chemistry on stage will carry you on a journey all the way through curtain call. The singing is great and the satire is ever-present.”

Koslow added,

“I truly believe there is something for everyone in this show, and no one can prove me wrong unless they come and see for themselves.”

“You know The Bible tells you God’s the one that made you / So get out on the dance floor And shake what He gave you!”

So, whether you’re holding onto music of the early ‘90s or just love to make fun of boy bands, Altar Boyz is the perfect show for you. Don’t miss it!

Tickets & Performance Information

Altar Boyz – June 16 – 18, 8:00 pm

Encore Theater Company

Performances will be held at Sinclair Community College’s Blair Hall Theatre. Tickets are $15 and can be reserved through http://brushfire.e-vent.info/Events/Sinclair/Default.aspx, by contacting (937) 512-2808 (be sure to leave a message) or [email protected]

For more information, check out the Altar Boyz blog or Encore Theater Company.

~KN

Woody’s Latest – Midnight In Paris + Incendies!

By Leave a Comment

Hello Everyone.

If you haven’t had a chance to see WINTER IN WARTIME, BILL CUNNINGHAM NEW YORK, and/or THE BEAVER, you only have through Thursday (6/9) to see them at THE NEON.  On Friday, we will open the Oscar-nominated political thriller INCENDIES and Woody Allen’s latest film MIDNIGHT IN PARIS (check out the stellar cast in the description below).  Both of these new films come with a great response from critics and audiences alike!

I’m delighted to announce a couple big changes to our calendar.  1) POTICHE has been dated for a one-week engagement.  It will open on June 17.  This was one of my favorites in Toronto last year (I generally don’t respond to comedies the way I do to serious films).  It’s wonderfully charming, and Catherine Deneuve is superb!  2) Due to the success of THE TREE OF LIFE in larger markets, Fox Searchlight has bumped up our opening date.  THE TREE OF LIFE will now open on June 24!

Synopsis for INCENDIES:  “When notary Lebel sits down with Jeanne and Simon Marwan to read them their mother Nawal’s will, the twins are stunned to receive a pair of envelopes – one for the father they thought was dead and another for a brother they didn’t know existed. In this enigmatic inheritance, Jeanne sees the key to Nawal’s retreat into unexplained silence during the final weeks of her life. With Lebel’s help, the twins piece together the story of the woman who brought them into the world, discovering a tragic fate as well as the courage of an exceptional woman.” (Sony Pictures Classics)  Click This Link to visit the film’s official site (the trailer will have your heading to THE NEON this weekend).

[yframe url=’http://www.youtube.com/watch?v=YDf-XuYid1A’]

Synopsis for MIDNIGHT IN PARIS: “Owen Wilson, Marion Cotillard, Rachel McAdams, Kathy Bates, Michael Sheen, Adrien Brody and Carla Bruni star in Woody Allen’s romantic comedy about a family on a business trip in the City of Light. As a young couple engaged to be married experiences a profound transformation during their visit to Paris, an idealistic man with a romanticized view of the city finds that there’s plenty of truth to that old adage about the grass being greener on the other side.” (Jason Buchanon, All Movie Guide)  Click This Link to be directed to the official site for MIDNIGHT IN PARIS.

[yframe url=’http://www.youtube.com/watch?v=BYRWfS2s2v4′]

We’re all set for next week’s screening of WE WERE HERE.  “WE WERE HERE is the first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco.  It explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic.  Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself.  It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.”  WE WERE HERE will screen on June 16 at 7PM.  Tickets are $8 each and are currently available at THE NEON box office.  This screening is sponsored by The Greater Dayton LGBT Center.  Be sure to take a look at thetrailer, and get your tickets early.  After the film, we will have a discussion with representatives from AIDS Resource Center Ohio, Miami Valley Poz 4 Poz, an early HIV/AIDS community educator, and more.  Additionally, we will have the opportunity to see a series of incredible photographs in THE NEON’s lobby.  Here’s the story:Approximately half way through WE WERE HERE, there are several beautiful and chilling photos of a man with AIDS.  These photos were the final project of the late John Davis of Dayton.  His sister contacted me a couple weeks ago and offered us the opportunity to display the entire series.  THE NEON will hang all 17 photographs in our lobby before the screening.

[yframe url=’http://www.youtube.com/watch?v=oCxqJgpejbs’]

THE NEON has been rented out for a special screening of BICYCLE DREAMS. Advance tickets ($10 each + $1 handling fee) must be purchased on-line (visit Link). Remaining tickets will be sold at the door the night of the event for $15 each.  “BICYCLE DREAMS tells the true story of the Race Across America, a 3000-mile bicycle race that challenges riders to cross the country in just ten days. They must overcome searing desert hear, agonizing mountain climbs, and endless stretches of open road, all while battling extreme exhaustion and sleep deprivation. But when tragedy strikes the race, this simple test of human endurance is instantly transformed into something far more daunting. These voyageurs discover what is truly at stake as they pedal on, praying for the deliverance only the finish line can bring. By journey’s end, some are saved, others are lost, but all learn that the fuel that takes a soul toward its own true destiny is desire.” (taken from press notes)

Hope to see you soon,

Jonathan

SHOWTIMES for June 10 – June 16:

MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min

Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:30, 9:45

Monday – Thursday: 3:00, 5:10, 7:30, 9:45

INCENDIES (R) 2 Hr 10 Min

Friday, Saturday, Sunday: 1:00, 4:15, 7:00, 9:30

Monday – Wednesday: 2:45, 5:15, 8:00

Thursday:  2:45, 9:45

WE WERE HERE (NR) 1 Hr 30 Min  + Discussion

Thursday:  7:00

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

June 17  POTICHE

June 24  TREE OF LIFE

July 1  DOUBLE HOUR

July 8  BUCK

July 15   PAGE ONE: INSIDE THE NEW YORK TIMES

July 15   BEGINNERS

Aug 5   SNOW FLOWER AND THE SECRET FAN

Aug 26   ANOTHER EARTH

Bill Cunningham & Winter in Wartime – This Week at THE NEON!

By Leave a Comment

Hello Everyone.

Well…none of our films performed wonderfully last weekend (though THE BEAVER did well enough to stick around for a couple screenings a day for one more week).  I AM and POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD have left.

Today (6/3), we open two new films – BILL CUNNINGHAM NEW YORK and WINTER IN WARTIME.

If you’re a regular reader of The New York Times, I’m certain you’re already familiar with Bill Cunningham.  If not, I’m certain you’ll still be charmed by the story of this wonderful photographer.  Synopsis for BILL CUNNINGHAM NEW YORK: “‘We all get dressed for Bill,’ says Vogue editrix Anna Wintour. The “Bill” in question is 80+ New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high society charity soirees for the Times Style section in his columns “On the Street” and “Evening Hours.” Documenting uptown fixtures (Wintour, Tom Wolfe, Brooke Astor, David Rockefeller-who all appear in the film out of their love for Bill), downtown eccentrics and everyone in between, Cunningham’s enormous body of work is more reliable than any catwalk as an expression of time, place and individual flair. In turn, Bill Cunningham New York is a delicate, funny and often poignant portrait of a dedicated artist whose only wealth is his own humanity and unassuming grace.” (taken from Zeitgeist Films) Visit the OFFICIAL SITE.

[yframe url=’http://www.youtube.com/watch?v=NYqiLJBXbss’]

If you’ve been to THE NEON in the past few months, I’m certain you’ve seen the trailer for our next new film, the official selection from the Netherlands for this year’s “Best Foreign Film” Oscar.  Synopsis for WINTER IN WARTIME: “Near the end of World War II, 14-year-old Michiel becomes involved with the Resistance after coming to the aid of a wounded British soldier. With the conflict coming to an end, Michiel comes of age and learns of the stark difference between adventure fantasy and the ugly realities of war.” (taken from Sony Pictures Classics)  If you haven’t seen the trailer, be certain to take a look.  I don’t think this synopsis does the film justice.  Visit the OFFICIAL SITE.

[yframe url=’http://www.youtube.com/watch?v=YrtnYwQXr6Y’]

A panel is in place for our screening of a powerful and moving documentary called WE WERE HERE.  “WE WERE HERE is the first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco.  It explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic.  Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself.  It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.”  WE WERE HERE will screen on June 16 at 7PM.  Tickets are $8 each and are currently available at THE NEON box office.  This screening is sponsored by The Greater Dayton LGBT Center.  Be sure to take a look at the trailer, and get your tickets early.  After the film, we will have a discussion with representatives from AIDS Resource Center Ohio, Miami Valley Poz 4 Poz, an early HIV/AIDS community educator, and more.  Additionally, we will have the opportunity to see a series of incredible photographs in THE NEON’s lobby.  Here’s the story: Approximately half way through WE WERE HERE, there are several beautiful and chilling photos of a man with AIDS.  These photos were the final project of the late John Davis of Belmont, Ohio.  His sister contacted me a couple weeks ago and offered us the opportunity to display the entire series.  THE NEON will hang all 17 photographs in our lobby before the screening.

[yframe url=’http://www.youtube.com/watch?v=oCxqJgpejbs’]

One last reminder regarding our price increase…If you’ve been to THE NEON lately, you’ve more than likely seen our note at the front counter about pricing.  Here’s what it states: “Effective June 3, 2011.  At THE NEON, we strive to have the best films, the best customer service and the best prices.  While we don’t intend on changing these goals, we must unfortunately raise our admission prices.  On June 3, all General Admission, Matinee and Senior Citizen tickets will increase by 50 cents.  Our ticket prices have not increased since August of 2008…and our new ticket prices will still be at least $2 less expensive than all the first-run multiplexes in the region.  Thanks for your understanding.”  We hope this won’t deter you from coming to THE NEON…as we have dozens of great films coming our way in the weeks and months ahead.

Hope to see you soon,

Jonathan

SHOWTIMES for June 3 – June 9:

WINTER IN WARTIME (R) 1 Hr 43 Min

Friday – Thursday:  3:00, 7:15

THE BEAVER (PG-13) 1 Hr 31 Min

Friday, Saturday, Sunday: 1:00, 5:10, 9:30

Monday – Thursday:  5:10, 9:30

BILL CUNNINGHAM NEW YORK (NR) 1 Hr 24 Min

Friday, Saturday, Sunday: 1:10, 3:15, 5:15, 7:30, 9:30

Monday – Thursday: 3:15, 5:15, 7:30, 9:30

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

June 10 INCENDIES

June 10  MIDNIGHT IN PARIS

June 17  POTICHE

June 24 TREE OF LIFE

July 1 DOUBLE HOUR

July 8 BUCK

July 15 PAGE ONE

July 15  BEGINNERS

Aug 5   SNOW FLOWER AND THE SECRET FAN

Aug 26 ANOTHER EARTH

Hoofing It: One Girl’s Guide to Walking the Streets of Dayton

By 9 Comments

Things I remember seeing during my 20-minute commute: Tree limbs swirling in a rain-swollen Great Miami River. Aged buildings with elaborate cornices rubbing shoulders with their modern-day glass and steel counterparts. Phil staggering down the sidewalk asking for spare change to buy a muffin.

Things I remember hearing during my 20-minute commute: The splash and giggle of kids jumping into a puddle. A glee club of birds overhead. The distressed screech of an ambulance .

I live in a historic neighborhood downtown, and since I live, work, hang out and work out downtown, I can walk pretty much anywhere I need to go.

Key words: Pretty much.

Places I drive: Kroger. DeWeese Park. Village Thrift Store. Taqueria Mixteca. Cookouts at friends’ back yards. And, I admit it, sometimes places as close as Drake’s Downtown Gym and the Dublin Pub.

One of my favorite shots taken during a walk home, shot from the Main Street Bridge looking east toward the Dayton Art Institute and Masonic Temple.

I’m about to find out exactly what “pretty much” means as I join Megan Cooper in an experiment in using alternative transportation to get from here to there. We’re both ditching our gas-powered rides for at least one week starting June 1. Megan will be trekking across town primarily via bicycle and the bus. Be sure to read her columns leading up to and during this adventure, in which she gives a frank and funny account of going car-less.

I will continue to get around primarily on foot, but I’m also going to figure out how to ride the RTA and rediscover my inner cyclist. The last time I rode the bus, I ended up at Children’s Medical Center while trying to get to Five Oaks, which is closer to Grandview Hospital. The last time I rode my bike any significant distance, my now- 19-year-old son was in a kid seat on the back.

But, like Megan, I’m determined to give this a whirl. Unlike Megan, my research and preparation for this adventure is a total zilch. Well, I did grab a fresh journal in which to chronicle the sights and sounds of this voyage. When I finish writing this, I’m going to try to figure out how to work a pedometer a friend gave me two years ago. I made a solemn vow to look at RTA’s web site tomorrow night. And cross-my-heart-hope-to-die, I plan to check my bike’s tires really soon.

I’m rolling ad hoc because I figure I can hoof it most places. I mean, perhaps my favorite thing about living downtown is the ability to walk so many cool places. I like having to step around Canadian Geese and their goslings on the gravel pathway atop the levee. I feel lucky I can stop at the RiverScape Metro Park concession and grab a cone of soft serve to enjoy on my way home. I even like the pitter-patter on my umbrella on rainy days and getting away with wearing rubber boots to the office.

Daffodils in full bloom at RiverScape MetroPark, taken during a recent springtime walk home.

Really, though, I am in denial.

I may live in a handy little city where I can walk from one end to the other in less than 30 minutes, but getting around is about to get a lot more complicated without a car. While visiting my sister in Piqua on Memorial Day, I realized I’d have no way to get up there to play cowboy and Play-Doh with my nephews without a car. Mulching some new plants tonight, I realized I’d have to travel toughman style if I needed to grab another bag of this heavy, goopy stuff and lug it on a bus.

View during my 20-minute commute on a recent May morning.

I also realize I am lucky to have a car, even an 11-year-old contraption missing the passenger-side window and in bad need of a new catalytic converter I lovingly call The Rattletrap. I feel like Barbara Ehrenreich as she recounted her experiences working as a maid and other minimum-wage occupations in Nickel and Dimed, a book I found so horribly patronizing I couldn’t finish the first chapter. I hope to be able to give you, dear reader, an authentic and entertaining account of this adventure with respect to those who have no choice but public transportation to reach such destinations as their workplace, school and kids’ day care. I hope to be able to examine the impacts of our auto-adoring culture on our health and environment with a fresh perspective. I hope to better understand the myriad ways transportation affects our daily lives.

And I hope you will help us: Do you get where you need to go without a car? If so, tell us your stories and (please!) give us some tips. Do you rev an engine to make it where you need to be? If so, tell us how you think your life would change if driving were no longer an option. Please share in the comments below.

And we’re off: One foot in front of the other!

Local rocker returns to play First Friday show

By Leave a Comment

Although she has performed live shows in cities such as Los Angeles and Las Vegas, Alicia Grodecki says her favorite city to play is her hometown – Dayton.

Lucky for her, with two upcoming shows – First Friday @ 5 on June 3 and a slot at Canal Street Tavern June 18 – her band, Vanity Theft, will get to perform in the city she says is a great place for music.

This week, I talked to Grodecki about Vanity Theft’s new album, touring and the unbelievable experience she had in the recording studio.

“People call us a more badass version of The Killers, except girls,” she says of the band’s sound. “[When asked to describe it] I usually tell people to go listen to it.”

“Get What You Came For,” the latest from Vanity Theft, is a hybrid of dance and pop, with a little electronic feel and attitude. The songs cover a variety of topics ranging from relationships to growing up to just having a good time.

Earlier this year, the band piled in a van and played shows across the United States and Canada, promoting the new album.

“There are an infinite number of ‘best’ things about touring,” says Grodecki. “We see so many people and travel. The bottom line is we get to do what we love every night.”

She does admit being on the road has its downside. “It’s hard being away from home. You miss your family. Our longest van ride was 48 hours straight, but it’s always worth it when you get there.”

Vanity Theft will continue to tour during the summer, including a spot at the Summerfest music celebration in Milwaukee. Grodecki just found out the girls will be opening for Taking Back Sunday, one of their favorite bands.

“I freaked out,” she says. “It’s crazy.”

Playing alongside Taking Back Sunday is not Vanity Theft’s only brush with fame. Elton John was in the studio below them while they recorded their most recent album. The girls were not able to meet him because of his high level of security. But, Grodecki says, he cracked the door and they were permitted to sit outside the studio and listen to him sing.

Even after traveling the country, Grodecki says there is nothing like playing in Dayton. She notes the strong sense of community the city exudes. “It feels good to come home and show everybody what we’ve been doing.”

Dayton natives kick off First Friday concert series

By Leave a Comment

I hesitate to discuss the “edginess” of all-girl bands because I find myself stumbling along the fine line of making clichéd gender comments and completely disregarding the abnormality of an all-female group in the music industry.

After listening to Vanity Theft, however, I am convinced to make an exception. Want to hear it for yourself? Check out Vanity Theft when they return to Dayton to perform at the RiverScape MetroPark Pavilion as the first band in the First Friday @ 5 concert series.

According to their website, the Dayton natives spent five years booking their own tours and propelling themselves into the Midwestern music scene. Their loyal fan base reflects their hard work; in 2009, a grassroots effort won them the local-band slot in Cincinnati’s Warped Tour lineup.

Vanity Theft’s sound is a descendent of The Donnas’ legacy — assertive, sassy, girl rock. While the band was the only all-female outfit of the 227 selected to play in Cincinnati’s 2009 MidPoint Music Festival, they held their own and ended up filling the room. The girls haven’t relented yet — the New York Post described its live shows as being “eardrum-slobbering.” Yes, that’s a compliment.

While recording its October 2010 EP, “Anatomy,” the trio met former Disney child star Lalaine. (You might remember her from her the tween show “Lizzie McGuire.”) When the band needed a new bassist, members auditioned Lalaine and the four instantly clicked.

This February, Vanity Theft released their new album, “Get What You Came For.” The songs I sampled from the album (you can stream a few tracks here) definitely lived up to the band’s no-holds-barred reputation. With lyrics like, “Maybe I don’t want you for your mind; Can’t decide,” Vanity Theft makes it clear they are in control. And maybe, based upon its success already, that’s how it should be.

[yframe url=’http://www.youtube.com/watch?v=NOPQS_EbHqQ’]

The concerts are part of the First Friday events and will feature additional bands on August 5 and September 2. The concession will be open and beer will be sold from 5-7 p.m. The concerts will wrap up in plenty of time to head to the galleries and other arts venues taking part in the First Friday art hop. The First Friday @ 5 summer concert series is presented with additional support from Heidelberg Distributing, the Oregon District Business Association, Clear Channel Dayton Radio and Culture Works.

2 Hot, New Films Open Friday at THE NEON!

By Leave a Comment

Hello Everyone,

If you haven’t had a chance to see this year’s Academy Award winning film IN A BETTER WORLD, you only have until Thursday to catch it at THE NEON.  (And you really shouldn’t miss it!)  On Friday, we will open 2 new films – Jodi Foster’s third directorial effort – THE BEAVER and Morgan Spurlock’s latest documentary – POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD.

We will also hold I AM for a couple screenings per day for one more week.

Synopsis for THE BEAVER: “Plagued by his own demons, Walter Black was once a successful toy executive and family man who now suffers from depression. No matter what he tries, Walter can’t seem to get himself back on track… until a beaver hand puppet enters his life.”  (Summit Entertainment)

[yframe url=’http://www.youtube.com/watch?v=ttv-gvOzaPw’]

Synopsis for POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD: “We live in an age where it’s tough even to walk down the street without someone trying to sell you something. It’s at the point where practically the entire American experience is brought to us by some corporation. Utilizing cutting-edge tools of comic exploration and total self-exploitation, Spurlock dissects the world of advertising and marketing by using his personal integrity as currency to sell out to the highest bidder. Scathingly funny, subversive, and deceptively smart, “The Greatest Movie Ever Sold” shines the definitive light on our branded future as acclaimed filmmaker and master provocateur Morgan Spurlock (“Super Size Me”) attempts to create the “Iron Man of documentaries,” the first ever “docbuster”! He may very well have succeeded.”  (Sony Picture Classics)

[yframe url=’http://www.youtube.com/watch?v=T4Ng2P3zxfM’]

Please Take Note – The YMCA has canceled their special screening of THE OTHER SIDE– previously scheduled for May 26.

A panel is in place for our screening of a powerful and moving documentary called WE WERE HERE.  “WE WERE HERE is the first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco.  It explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic.  Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself.  It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.”  WE WERE HERE will screen on June 16 at 7PM.  Tickets are $8 each and are currently available at THE NEON box office.  This screening is sponsored by The Greater Dayton LGBT Center.   Be sure to take a look at the trailer, and get your tickets early.  After the film, we will have a discussion with representatives from AIDS Resource Center Ohio, Miami Valley Poz 4 Poz, an early HIV/AIDS community educator, and more.  Additionally, we will have the opportunity to see a series of incredible photographs in THE NEON’s lobby.  Here’s the story: Approximately half way through WE WERE HERE, there are several beautiful and chilling photos of a man with AIDS.  These photos were the final project of the late John Davis of Belmont, Ohio.  His sister contacted me a couple weeks ago and offered us the opportunity to display the entire series.  THE NEON will hang all 17 photographs in our lobby before the screening.

[yframe url=’http://www.youtube.com/watch?v=oCxqJgpejbs’]

If you’ve been to THE NEON lately, you’ve more than likely seen our note at the front counter about pricing.  Here’s what it states: “Effective June 3, 2011.  At THE NEON, we strive to have the best films, the best customer service and the best prices.  While we don’t intend on changing these goals, we must unfortunately raise our admission prices.  On June 3, all General Admission, Matinee and Senior Citizen tickets will increase by 50 cents.  Our ticket prices have not increased since August of 2008…and our new ticket prices will still be at least $2 less expensive than all the first-run multiplexes in the region.  Thanks for your understanding.”  We hope this won’t deter you from coming to THE NEON…as we have dozens of great films coming our way in the weeks and months ahead.

On Monday, May 30, we will open earlier than usual.  Because it’s Memorial Day, we will treat it like a weekend day. Perhaps we’ll see you then.

Take care,

Jonathan

SHOWTIMES for May 27 – June 2:

I AM (NR) 1 Hr 17 Min

Friday, Saturday, Sunday, Monday: 1:00, 5:15

Tuesday – Thursday:  5:15

THE BEAVER (PG-13) 1 Hr 31 Min

Friday, Saturday, Sunday, Monday: 1:10, 3:15, 5:20, 7:30, 9:45

Tuesday – Thursday:  3:15, 5:20, 7:30, 9:45

THE GREATEST MOVIE EVER SOLD (PG-13) 1 Hr 30 Min

Friday – Thursday: 3:10, 7:20, 9:30

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

June 3 BILL CUNNINGHAM NEW YORK

June 3   WINTER IN WARTIME

June 10  INCENDIES

June 17  DOUBLE HOUR

June 24   MIDNIGHT IN PARIS

July 1  TREE OF LIFE

July 8  BUCK

July 15   PAGE ONE

July 15   BEGINNERS

TBD POTICHE

Academy Award Winner & FilmDayton Festival!

By Leave a Comment

Hello Everyone!

This is going to be a fun weekend for film lovers in Dayton.  In addition to a one-week-only engagement of this year’s Academy Award winning film IN A BETTER WORLD, The FilmDayton Festival has something for everyone.  (Incidentally, I saw IN A BETTER WORLD in Toronto last year.  It’s absolutely wonderful…don’t miss it!)  I AM will stick around for another week.

Synopsis for IN A BETTER WORLD: “Anton is a doctor who commutes between his home in an idyllic town in Denmark, and his work at an African refugee camp. In these two very different worlds, he and his family are faced with conflicts that lead them to difficult choices between revenge and forgiveness. Anton and his wife Marianne, who have two young sons, are separated and struggling with the possibility of divorce. Their older, ten-year-old son Elias is being bullied at school, until he is defended by Christian, a new boy who has just moved from London with his father, Claus. Christian’s mother recently lost her battle with cancer, and Christian is greatly troubled by her death. Elias and Christian quickly form a strong bond, but when Christian involves Elias in a dangerous act of revenge with potentially tragic consequences, their friendship is tested and lives are put in danger. Ultimately, it is their parents who are left to help them come to terms with the complexity of human emotions, pain and empathy.”  (Sony Pictures Classics)

[yframe url=’http://www.youtube.com/watch?v=MPuqCFOgeFc’]

The FilmDayton Festival is here.  Their website is up and running with details about each film, each party, numerous special events and links for tickets.  Check out the website by clicking the image below.


Here are FilmDayton Festival screenings at THE NEON:

Friday, May 20 at 7:00 & 9:30 – WSU’s BIG LENS Film Festival

Saturday, May 21 at 10:30am – SCREENLESS SCREENING

Saturday, May 21 at 11:50am – FILMICALLY PERFECT

Saturday, May 21 at 1:00 – HOMERUN SHOWDOWN

Saturday, May 21 at 3:15 – BEAUTIFUL NOISE

Saturday, May 21 at 5:30 – INTO ETERNITY

Saturday, May 21 at 7:00 – NEW LEFT MEDIA Shorts

Saturday, May 21 at 8:15 – MARWENCOL

Saturday, May 21 at 10:30 – HUSK

Sunday, May 22 at 12:15 – SUNDOG & FILMDAYTON SHORTS

Sunday, May 22 at 2:40 – BILAL’S STAND

Sunday, May 22 at 4:45 – WHERE SOLDIERS COME FROM

Sunday, May 22 at 7:00 – ROCKIN’ THE WALL

This just in…The YMCA has cancelled the screening of THE OTHER SIDE on May 26.

A panel is in place for our screening of a powerful and moving documentary called WE WERE HERE.  “WE WERE HERE is the first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco.  It explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic.  Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself.  It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.”  WE WERE HERE will screen on June 16 at 7PM.  Tickets are $8 each and are currently available at THE NEON box office.  This screening is sponsored by The Greater Dayton LGBT Center.  Be sure to take a look at the trailer, and get your tickets early.  After the film, we will have a discussion with representatives from AIDS Resource Center Ohio, Miami Valley Poz 4 Poz, an early HIV/AIDS community educator, and more.  Additionally, we will have the opportunity to see a series of incredible photographs in THE NEON’s lobby.  I’ll give you more details about this special installation next week.

[yframe url=’http://www.youtube.com/watch?v=oCxqJgpejbs’]

If you’ve been to THE NEON lately, you’ve more than likely seen our note at the front counter about pricing.  Here’s what it states: “Effective June 3, 2011.  At THE NEON, we strive to have the best films, the best customer service and the best prices.  While we don’t intend on changing these goals, we must unfortunately raise our admission prices.  On June 3, all General Admission, Matinee and Senior Citizen tickets will increase by 50 cents.  Our ticket prices have not increased since August of 2008…and our new ticket prices will still be at least $2 less expensive than all the first-run multiplexes in the region.  Thanks for your understanding.”  We hope this won’t deter you from coming to THE NEON…as we have dozens of great films coming our way in the weeks and months ahead.

Thanks so much for your interest in THE NEON.

Take care,

Jonathan

SHOWTIMES for May 20 – May 26:

IN A BETTER WORLD (PG-13) 2 Hrs

Friday, Saturday, Sunday: 3:00, 7:15

Monday – Thursday: 3:00, 5:30, 8:00

I AM (NR) 1 Hr 17 Min

Friday, Saturday, Sunday: 1:15, 5:30, 9:40

Monday – Wednesday: 3:15, 5:15, 7:45

Thursday: 3:15, 5:15

FILMDAYTON

See Schedule Above

THE OTHER SIDE (NR) 40 Min + Q&A

Thursday: 7:30

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

May 27 THE GREATEST MOVIE EVER SOLD

May 27 THE BEAVER

June 3 BILL CUNNINGHAM NEW YORK

June 3   WINTER IN WARTIME

June 10  INCENDIES

June 17  DOUBLE HOUR

June 24   MIDNIGHT IN PARIS

July 1  TREE OF LIFE

July 8  BUCK

July 15   PAGE ONE

TBD   POTICHE

TBD  BEGINNERS

TBD MEEK’S CUTOFF

Tom Shadyac’s I AM Starts Today!

By Leave a Comment

Hello Everyone.
Opening this week is a film that was quietly released back in February.  No one asked me about it.  Then the press started to hit a few weeks ago – radio shows, afternoon talk shows (including Oprah)…and we started getting numerous calls and e-mails.  Tom Shadyac’s I AM is a documentary that we hope will live up to the requests.
In addition to opening I AM, we will hold onto OF GODS AND MEN and JANE EYRE for one more week.
Synopsis for I AM:  “I AM, a probing exploration of our world, what’s wrong with it, and what we can do to make it better, represents Tom Shadyac’s first foray into non-fiction following a career as one of Hollywood’s leading comedy practitioners, with such successful titles as ACE VENTURA, LIAR LIAR, and BRUCE ALMIGHTY to his credit. I AM recounts what happened to the filmmaker after a cycling accident left him incapacitated, possibly for good. Though he ultimately recovered, he emerged a changed man. Disillusioned with life on the A-list, he sold his house, moved to a mobile home community, and decided to start life anew.”  (Shady Acres Entertainment) Visit the OFFICIAL SITE
[yframe url=’http://www.youtube.com/watch?v=PeqB8JwpdE4&playnext=1&list=PL021CA823EA86DB07′]
Tickets are now available on at THE NEON box office for next week’s special screening of VEER.  “Start your Miami Valley Cycling Summit experience a day early with Bike Film Night at THE NEON on Thursday, May 19 at 7:30 – featuring the Dayton premier of VEER.  This critically acclaimed documentary tells the stories of people who have made a difference in the world of cycling, and how cycling has made a real difference in people’s lives.  Join us for this inspiring film and support one of the Miami Valley’s own cycling advocate organizations: Bike Miami Valley.  All proceeds from your $5 admission will benefit this growing cycling non-profit organization.” (taken from press release) Visit the SITE
The FilmDayton Festival is next weekend – May 20-22.  Their website is up and running with details about each film, each party, numerous special events and links for tickets.  Check out the OFFICIAL SITE.
On May 26 at 7:30, the YMCA will hold a special event at THE NEON.  “THE OTHER SIDE, a documentary by Baxter Stapleton, captures the story of two worlds colliding through mentoring.  Two successful business men living in the comfort of suburbia – surrounded with personal possessions and notoriety –  realized they were unfulfilled and wanted a greater purpose.  This desire to make a difference led them to reach out to the other side.  In doing so, they realized that both sides had lessons to teach. The film implores the audience to remember that in giving you receive.” (taken from press notes)   Tickets for this event are $8 and will be available at our box office starting this weekend.
Almost all details are in place for our screening of a powerful and moving documentary called WE WERE HERE.  That said,  new element was introduced to the event yesterday evening – when a local woman called me with a very interesting proposal…I’ll give you the full update next week.  “WE WERE HERE is the first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco.  It explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic.  Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself.  It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.”  WE WERE HERE will screen on June 16 at 7PM.  Tickets are $8 each and are currently available at THE NEON box office.  This screening is sponsored by The Greater Dayton LGBT Center.
Be sure to take a look at the trailer, and get your tickets early.
[yframe url=’http://www.youtube.com/watch?v=oCxqJgpejbs’]
If you’ve been to THE NEON lately, you’ve more than likely seen our note at the front counter about pricing.  Here’s what it states: “Effective June 3, 2011.  At THE NEON, we strive to have the best films, the best customer service and the best prices.  While we don’t intend on changing these goals, we must unfortunately raise our admission prices.  On June 3, all General Admission, Matinee and Senior Citizen tickets will increase by 50 cents.  Our ticket prices have not increased since August of 2008…and our new ticket prices will still be at least $2 less expensive than all the first-run multiplexes in the region.  Thanks for your understanding.”  We hope this won’t deter you from coming to THE NEON…as we have dozens of great films coming our way in the weeks and months ahead.
Thanks so much for your interest in THE NEON.
We hope to see you soon!
Take care,
Jonathan
SHOWTIMES for May 13 – May 19:

JANE EYRE (PG-13) 2 Hrs
Friday, Saturday, Sunday:  12:30, 5:15
Monday – Wednesday:  5:15
Thursday:   5:00
I AM (NR) 1 Hr 17 Min
Friday, Saturday, Sunday:  1:00, 3:15, 5:15, 7:30, 9:30
Monday – Thursday:  3:15, 5:15, 7:30
OF GODS AND MEN (R) 2 Hrs 2 Min
Friday, Saturday, Sunday: 2:50, 8:00
Monday – Wednesday: 2:50, 8:00
Thursday:   2:50
VEER (Miami Valley Cycling Summit event)
Thursday: 7:30
COMING SOON:
As always, all dates are tentative.  Some of these dates will change.
In some cases, titles may disappear.
May 20 IN A BETTER WORLD
May 27   THE GREATEST MOVIE EVER SOLD
May 27  THE BEAVER
June 3  BILL CUNNINGHAM NEW YORK
June 3   WINTER IN WARTIME
June 10 INCENDIES
June 17  DOUBLE HOUR
June 24   MIDNIGHT IN PARIS
July 1  TREE OF LIFE
July 8  BUCK
July 15   PAGE ONE
TBD   POTICHE
TBD  BEGINNERS
TBD MEEK’S CUTOFF

The Best of Times

By 3 Comments

La Cage aux Folles - Dayton Playhouse - May 13-29, 2011 - Photo by Bruce W. BrownLa Cage aux Folles

Dayton Playhouse

Win tickets to this delightful show! Read on…

La Cage aux Folles, a collaboration between two of the most recognizable voices in musical theatre (Jerry Herman- Hello Dolly, Mame & Harvey Fierstein- his vocal chords), premiered on Broadway in 1983.  That production garnered nine Tony Award nominations, winning six of those including Best Score, Best Book and the Best Musical.  Since that production, the show has continued to achieve recognition with Tony Award winning revivals in 2004 & 2010 (earning it the distinction as being the only musical to win the Best New Musical along with two trophies for Best Revival).  The terrific show is not often booked by local theatres, however.  I assume that the thought of producing this show (primarily the necessary lavish costumes and opulent sets) would be a hurdle most non-profit community groups would not want to take on.

La Cage aux Folles - Dayton Playhouse - May 13-29, 2011 - Photo by Bruce W. BrownDayton Playhouse has entrusted director Doug Lloyd with bringing the St. Tropez nightclub and it’s cast of female impersonators to life on their stage over the next three weekends.  With the success Lloyd has had on the Playhouse stage in recent years with very popular productions of Urinetown and Hair, I am sure that La Cage aux Folles will be a smash hit.

La Cage aux Folles, book by Harvey Fierstein and lyrics and music by Jerry Herman, is based on the 1973 French play of the same name by Jean Poiret.  La Cage focuses on a couple: Georges, the manager of a Saint-Tropez nightclub featuring drag entertainment, and Albin, his romantic partner and star attraction.  Comedic adventures ensue when Georges’s son, Jean-Michel, brings home his fiancée’s ultra-conservative parents to meet them.

La Cage aux Folles - Dayton Playhouse - May 13-29, 2011 - Photo by Bruce W. BrownThe cast of La Cage is anchored by stage veterans Michael Boyd and Richard Croskey.  Boyd, playing Georges, was in the 1989 Playhouse production of La Cage and has been acting and directing every since.  Croskey, last seen in the Playhouse production of Victor/Victoria, has been a professional dancer and choreographer for the last 30+ years.  The Cagelles, the “showgirls” of the La Cage aux Folles, include Playhouse executive director Wade Hamilton,  features playhouse regulars Tony Fende, Ian Manuel, Stacey Ward and Allie Eder and also include some new Playhouse faces Nick Brown, Ty Mentz and Sean Metcalf.  Playing Jean-Michele is the Playhouse’s golden voice Zach King.  The cast is rounded out with Jeff Campbell, Karen Righter, Sarah Parsons, Duante Beddingfield, Mike Frazier, Joe Meyer, Chris Hammond, Ginger Hubbs, Brandon Saldivar, Alexandra Grizinski and Tim Behnken.

“We’re very happy to have this enormous production headed up by Director Doug Lloyd.” says Dayton Playhouse Executive Director Wade Hamilton.  “His vast experience and reputation for producing hit musicals made me breath a little easier as we started this project.”

On the sliding scale of Playhouse musicals, this is a mammoth production.  The Playhouse has assembled an all-star group of designers to bring this show to life.  The set will be designed be Chris Harmon, lights by John Falkenbach and costumes by Kaitlyn Osborn and Karen and Stephanie Dickey.  Leading the 10 piece La Cage orchestra will be Playhouse board member Ron Kindell.  Choreography is from Miami Valley native Stacey Gear.

La Cage aux Folles - Dayton Playhouse - May 13-29, 2011 - Photo by Bruce W. Brown

onStageDayton had some questions for Doug Lloyd about the upcoming opening. Here’s what he had to say:

onStageDayton:   La Cage has recently had a successful return to both Broadway and the West End. What do you think is the appeal of the show?

La Cage aux Folles - Dayton Playhouse - May 13-29, 2011 - Photo by Bruce W. BrownDoug Lloyd:  Well first of all the show is just plain “fun” it has great comedy and wonderful music, but it also a great love Story. I like that fact that it shows what in this age we would call an “alternative” family, has as much love caring and nurturing as a traditional family.

oSD:  Jerry Herman’s score is legendary. Did you feel any allegiance to recreate and honor the show or did you take a fresh approach?

La Cage aux Folles - Dayton Playhouse - May 13-29, 2011 - Photo by Bruce W. BrownDL:  We stayed true to the script, & score. The score we are working from is from the original Broadway production, with the exception of “Anne On My Arm” where they sent the music to the “new” version from the recent revival production with Kelsey Grammer. We did try to make an extra effort to show the true love and connection between Georges, Albin & Jean-Michel as well as show how the employees of La Cage are almost their extended family

oSD:  How have local actors taken to these characters? How have they embraced them? What has been the biggest struggle?

La Cage aux Folles - Dayton Playhouse - May 13-29, 2011 - Photo by Bruce W. BrownDL:  The cast has taken to their characters quite well. We had an extensive character development session, and they all walked away from that with a true feeling for each of their characters. Again we were searching for a true family feel as well as a closeness in the entire community

oSD:  Many people are familiar with this story as it appeared in the film THE BIRDCAGE, what can audiences expect from the musical staging of the same tale?

La Cage aux Folles - Dayton Playhouse - May 13-29, 2011 - Photo by Bruce W. BrownDL:  Many people don’t even realize “Bird Cage” was taken from “La Cage” when I tell them we are doing it they say what’s that. While the story line is  the same, they took many liberties with the La Cage script when writing “Bird Cage”. There are several characters that appear in the movie that aren’t in the stage show, including the role of Sybil, John-Michel’s natural mother that was played by Christine Buransky. Sybil is referred to in La Cage but never appears. Both shows are funny but being a theatre person I’m partial to the La Cage script.

oSD:  You are one of the city’s most active directors. What’s your next project?

The Big Picture at Beavercreek Community Theatre, 2012DL: My next project will be back at my home theatre in Beavercreek and will be the world premiere of a new musical written by local author David Brush and the music was composed by local musician Jim Farely. The show is called “The Big Picture.”  Set in the summer of 1962, it is about college freshman Billy Carson who is spending his first summer home with his mom and best friend. With only a few items to provide clues, Billy sets out with a renewed interest in discovering the father he never knew – B-Movie script writer and war hero, Jack Carson. When old wounds are opened and new loves are discovered, Billy realizes that coming home is more difficult and ultimately more enlightening than he ever imagined and the sleepy town of Pine Springs, Illinois may never be the same.

-SA/DB/DP Press Release

Photos by Bruce W. Brown.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Dayton PlayhouseLA CAGE AUX FOLLES – May 13-29 – (8pm on Fridays & Saturdays / 2pm on Sundays)

Tickets Prices: $10 student / $14 senior / $15 adult

Location:  The Dayton Playhouse
1301 East Siebenthaler Ave
Dayton, OH  45414 (map)

Tickets are on sale now through DP’s Online Box Office, or via phone at (937) 424-8477 Monday-Friday 2:00pm-5:00pm. In Person: Friday 2:00pm-5:00pm

For more information about The Dayton Playhouse visit http://www.daytonplayhouse.org/

Win Free Tickets!

Dayton Playhouse & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to La Cage aux Folles!  We will be giving away up to FOUR pairs of tickets for the second weekend of the show…We’ll select 1 winner (of a set of tickets) for every 10 FB/Twitter Shares! All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page.
  • Fill out the contact form at the bottom of this post.
  • Leave a comment on this post, answering the following question…a revival of one of our more popular ticket contest questions…What’s your favorite Drag Queen Name? (i.e. “Julie Mandrews,” “Anita Cocktail,” etc.)
  • The deadline to enter is Midnight on SATURDAY, May 14th.
  • Winners will be selected randomly from all of the entries.

Error: Contact form not found.

Free Program Promotes Pedal Power Downtown

By 1 Comment

Volunteers ride the Yellow Bikes downtown.

Volunteers give some of the first yellow bikes off the assembly line a spin downtown during the May 6 First Friday.

Cycling culture in downtown Dayton is about to burn rubber with the roll out of the Yellow Bike program.

This free bike sharing program is the brainchild of Jeff Sorrell, vice president and executive director of the Life Enrichment Center, a faith-based nonprofit organization serving Dayton. The center’s new Yellow Bike program will provide brightly painted yellow bikes available free of charge for anyone to ride between downtown destinations. People simply grab a yellow bike, ride it to their destination and park it in a bike rack for the next person to use.

“The Yellow Bike program provides a free means of transportation and gives anyone access to bicycles to use at any time,” Sorrell said. “This program also promotes a healthy lifestyle and encourges people to get outside and be active.”

The Yellow Bike program will be officially launched during the Friday, May 13, Urban Nights, held from 5 to 10 p.m. throughout downtown. Riders can pick up one of 50 yellow bikes at Courthouse Square or whereever they see one parked throughout downtown. The Life Enrichment Center is seeking donations of helmets in all sizes, which can be dropped off at Courthouse Square during Urban Nights or at the center, 425 N. Findlay St.

The Yellow Bike program is part of a larger effort to enhance cycling culture in the City of Dayton, the only Ohio city to be selected as a Bicycle Friendly Community by the League of American Bicyclists in its spring 2010 rankings. Dayton was awarded a bronze-level status for its efforts to help make the city more bicycle and pedestrian friendly through such efforts as the addition of bike lanes to downtown streets and the opening of the bike hub at RiverScape MetroPark.

“Enhancing downtown Dayton as a bike-friendly city is about more than recreation ― it’s about regional economic development,” said Dr. Michael Ervin, co-chair of the Downtown Dayton Partnership and the Greater Downtown Dayton Plan. “That’s because cities where it’s easy to have the kind of active lifestyle that’s integral to cycling culture are more attractive to residents, visitors and businesses. Strategies that make it even more convenient to have an active lifestyle downtown, such as the Yellow Bike program, increase urban vibrancy, improve quality of life and, in the long term, attract new jobs and investment.”

Andy Williamson of Five Rivers Outdoors shows off the first yellow bike at the April 15 Young Creatives Summit.

Andy Williamson of Five Rivers Outdoors shows off the first yellow bike at the April 15 Young Creatives Summit.

The Yellow Bike program also is supported by the City of Dayton’s Bike/Walk Committee, which is overseeing the work of the City of Dayton 2025 Bicycle Action Plan. The City is seeking public input on the plan through this summer.

“A simple, accessible, inexpensive and environmentally friendly form of transportation, the bicycle continues to be a pivotal part of the City of Dayton’s vision for an active citizenry, vibrant economy and engaging street life,” said Dayton City Commissioner Nan Whaley. “Individuals and businesses are choosing to locate in areas where alternative transportation options are both abundant and convenient. The Yellow Bike program does much to help achieve this.”

The Yellow Bike program is one of several at the Life Enrichment Center’s new Bike Shoppe, renovated by volunteers and made possible by a grant from the UPS Foundation and private donations. The yellow bikes are refurbished by Life Enrichment Center clients, teaching them new skills while providing a service to the community.

To help keep the bikes in the downtown area, the Life Enrichment Center has worked with the Dayton Police Department, scrap yards and pawn shops. Anyone who finds a yellow bike that needs repaired or is outside the downtown area is asked to call the Bike Shoppe at 937-252-7780 so it can be picked up, returned to the center, repaired if necessary and put back into circulation. All the yellow bikes also will have stickers with the center’s phone number. Riders are reminded to always wear a helmet and obey traffic laws.

Urban Nights: Proving Downtown Dayton Is Alive and Kicking

By 1 Comment

It’s no marketing scheme: Urban Nights really is one of the best nights to be downtown.

Downtown Dayton’s biggest street party returns from 5 to 10 p.m. this Friday, May 13. More than 100 venues in downtown Dayton, the Oregon Arts District and Wright-Dunbar Business Village will host special events, offer discounts and open their doors for an insider’s look. A variety of performers will entertain crowds on stages throughout downtown, and roaming performers also will liven up the event.

Below are some highlights of the May 13 Urban Nights, but there’s more going on than can ever be featured in one article ― and nearly everything is free. Click here to download a map of participating venues and a complete performance schedule, including a listing of all participating locations’ events and specials, a schedule for all the stages, and parking deals. Follow Urban Nights on Facebook for regular updates and more information.

Urban Nights gives people a chance to get artsy. Second Street will become a huge canvas when students from Stivers School for the Arts’ painting department create a paint-by-numbers style template on the street. The public then will be able to help Stivers students complete the mural, located in front of the Schuster Performing Arts Center between Main and Ludlow streets. The Paint the Street mural is sponsored by KeyBank and will be created with environmentally friendly liquid chalk that washes away with rainfall.

Juggling duo The Dropbacks will toss and catch with the crowd during Urban Nights.

Juggling duo The Dropbacks will toss and catch with the crowd during Urban Nights.

Also on Second Street, visitors also can create a piece of whimsical public art using jelly beans and have their pictures taken in a free photo booth. At the popular Community Stage, located at the corner of Third and Jefferson streets, an eclectic mix of 10-minute performances will be held from 5 to 7 p.m., then anyone can take the mic for open karaoke from 7 to 10 p.m. The Dropbacks, a comedic juggling duo, will toss and catch with the crowd throughout Urban Nights locations. Other hands-on activities will be available at participating venues. For example, the Dayton Metro Library will offer arts-and-crafts activities for children and adults.

Art is the heart of Urban Nights, and all of downtown’s numerous galleries will host exhibit openings and an array of more unusual offerings, such as a 7 to 8:30 p.m. performance by the Dayton Mandolin Orchestra at the Dayton Visual Arts Center. Some Urban Nights newbies are the Dayton Art Institute, which will offer a mixed bag of activities ranging from guided tours of its current exhibition to eye makeovers; Real Art Design Group, featuring jousting with shopping carts as part of “Urban Knights at Urban Nights;” and Atta Girl Art and Gardens Complex, where artists will open their studios for the public to have a look-see. At K12 Gallery for Young People’s new TEJAS studio, art by Rebecca Sargent will be featured.

Vote for your fave Activated Spaces window display during Urban Nights.

Vote for your fave Activated Spaces window display during Urban Nights.

Art also happens in unusual places during Urban Nights. Activated Spaces has worked with local artists to display their work in previously vacant storefronts throughout downtown, and the public can vote for a People’s Choice award during Urban Nights. Practice Yoga will host live music by BJSR, the Dayton International Peace Museum will host an opening reception for an exhibit of Chinese brush painting, and artists will take over the Southern Belle’s second floor, where local crafters will sell their handmade wares. And the Blue Sky Project is hosting an exhibition of Mequitta Ahuja’s works on paper in the lobby of the KeyBank Tower and an exhibit of photography by Sa Schloff, as well as work by Blue Sky participants, in the former Roly Poly space on Courthouse Square. Several downtown housing options will be open for tours, and many of them will feature artists’ work, too.

Downtown retailers also get into the Urban Nights spirit. At Derailed: A Hair Salon, co-owner Austin Burkhart will try to break his record for giving free Mohawks, and Omega Music will host live music throughout the night. Pantorium Cleaners will host a party with special entertainment, and Valeria’s Beauty Center and Day Spa will offer special discounts to celebrate the launch of its new retail store, Bonito.

Scan this QR code with your smart phone to start the SCANvenger Hunt.

Scan this QR code with your smart phone to start the SCANvenger Hunt.

A fun way to get around Urban Nights is by playing Comtactics’ SCANvenger Hunt. Smart phone users are encouraged to visit participating businesses and search for two-dimensional QR codes. Players scan the codes, answer a trivia question about that business and are entered into drawings for giveaways.

A weekend-long event also will open during Urban Nights. The Dayton Circus Creative Collective will host its sixth annual multimedia arts event, Sideshow VI, at Garden Station, 509 E. Fourth St., and in the nearby Yellow Cab building, 700 E. Fourth St. This two-block arts experience will feature work by more than 32 artists and performances by 25 musical groups.

Urban Nights guests also will get a sneak peek of another weekend-long event, the FilmDayton Festival, held downtown May 20-22. Multidisciplinary artist and Springfield native Rod Hatfield has mixed a montage of silent films starring Lillian Gish, also a Springfield native. The Show will provide a live soundtrack to the projection on the east side of the Convention Center, which can be viewed from the Jefferson and Fifth street area.

In addition to the arts, cycling has become an important part of Urban Nights. The Life Enrichment Center will roll out its new Yellow Bike program, a free bike sharing program downtown, during Urban Nights. The center is providing brightly painted yellow bikes available free of charge for anyone to ride between downtown destinations. People simply grab a yellow bike, ride it to their

Urban Bikes @ Urban Nights meets at 5:30 p.m. in front of Fifth Third Field for a ride through the action.

Urban Bikes @ Urban Nights meets at 5:30 p.m. in front of Fifth Third Field for a ride through the action.

destination and park it in a bike rack for the next person to use. The center also is asking for donations of helmets in all sizes, which can be dropped off at Courthouse Square. In addition, Urban Bikes @ Urban Nights returns: Cyclists should bring their own bike and meet at Don Crawford Plaza in front of Fifth Third Field at 5:30 p.m. for this ride through the Urban Nights action.

The best way to see as much as possible during Urban Nights is to walk, and many of the destinations are just a short distance from each other. Greater Dayton RTA also will provide free event trolleys to help visitors get around.

Urban Nights takes place rain or shine. The event is presented by the Downtown Dayton Partnership, Culture Works, Montgomery County and the City of Dayton, with additional support from WDTN-TV2, DP&L, Greater Dayton RTA, Budweiser Select, the Downtown Priority Board, Sinclair Community College, Clear Channel and Mix 107.7-FM, KeyBank, and the Ohio Arts Council.

Call 937-224-1518 or visit www.downtowndayton.org for more information.

Cannes Winner OF GODS AND MEN Now Playing!

By Leave a Comment

Hello Everyone.

New to THE NEON this weekend is a film that has won awards around the world. It has received a grade of 100% from The New York Times, The Wall Street Journal, The Los Angeles Times and many more. Several of you have been asking about OF GODS AND MEN, and it’s finally coming to town. That said, it might not stick around too long…so please hurry down. In addition to the new film, we will hold JANE EYRE and WIN WIN for one more week.

Synopsis for OF GODS AND MEN: “Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996.” (taken from Sony Classics press notes)   Visit the OFFICIAL SITE.

[yframe url=’http://www.youtube.com/watch?v=YWEIxzlKCgA’]

“Start your Miami Valley Cycling Summit experience a day early with Bike Film Night at THE NEON on Thursday, May 19 at 7:30 – featuring the Dayton premier of VEER. This critically acclaimed documentary tells the stories of people who have made a difference in the world of cycling, and how cycling has made a real difference in people’s lives. Join us for this inspiring film and support one of the Miami Valley’s own cycling advocate organizations: Bike Miami Valley. All proceeds from your $5 admission will benefit this growing cycling non-profit organization.” (taken from press release) Tickets are now available on at THE NEON box office.

[yframe url=’http://www.youtube.com/watch?v=Jyv0JchtTpQ’]

The FilmDayton Festival is set for May 20-22. Their website is up and running with details about each film, each party, numerous special events and links for tickets. Check it out!

I’m currently working on putting together a panel discussion to follow a screening of a powerful and moving documentary called WE WERE HERE. “WE WERE HERE is the first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco. It explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic. Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself. It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.” WE WERE HERE will screen on June 16 at 7PM. Tickets are $8 each and are currently available at THE NEON box office. This screening is sponsored by The Greater Dayton LGBT Center.
Be sure to take a look at the trailer, and get your tickets early.

[yframe url=’http://www.youtube.com/watch?v=oCxqJgpejbs’]

We hope to see you soon!

Take care,
Jonathan

SHOWTIMES for May 6 – May 12:

JANE EYRE (PG-13) 2 Hrs
Friday, Saturday, Sunday: 12:20, 2:45, 7:15
Monday – Wednesday: 2:45, 7:30
Thursday: 2:45

WIN WIN (R) 1 Hr 46 Min
Friday, Saturday, Sunday: 5:10, 9:40
Monday – Thursday: 5:10

OF GODS AND MEN (R) 2 Hrs 2 Min
Friday, Saturday, Sunday: 1:00, 4:30, 7:15, 9:40
Monday – Thursday: 3:00, 5:30, 8:00

COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.
May 13 WINTER IN WARTIME
May 13 I AM
May 20 IN A BETTER WORLD
May 27 THE GREATEST MOVIE EVER SOLD
May 27 THE BEAVER
June 3 BILL CUNNINGHAM NEW YORK
June 10 INCENDIES
June 17 MIDNIGHT IN PARIS
July 1 TREE OF LIFE
July 15 PAGE ONE
TBD POTICHE
TBD CERTIFIED COPY
TBD BEGINNERS
TBD MEEK’S CUTOFF