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Dracula

Calling All Horror Movie Fans!

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HORRORAMA DAYTON is a horror movie marathon held annually as a fundraiser for a local charity, but it’s also much more!  HORRORAMA DAYTON is an all-nite Halloween party, so there’s a costume contest, plenty of trivia, and door prizes throughout the night! As many past attendees can tell you, HORRORAMA DAYTON is a unique experience. In addition to the films themselves they play tons of classic trailers, music videos, cartoons, and other shorts during the intermissions! Best of all is watching horror flicks with a crowd!

This year  HORRORAMA DAYTON has expanded to three shows over two days at Danbarry Huber Heights! On Friday the 12th at 7:00pm things kick off with a program we’re calling FRIDAY NIGHT FRIGHTS, featuring four fantastically frightful films and classic trailers!

On the morning of Saturday the 13th at 11:00pm they’ll hold their first ever MONSTER MATINEE, an all ages program featuring the Universal Monster classics DRACULA, FRANKENSTEIN, and THE WOLF MAN, plus classic trailers and cartoons! These two programs all lead up to the ANNUAL ALL-NITE HALLOWEEN PARTY starting at 6:00pm. In a addition to five terrifying tales of the macabre, there will also be contests, prizes, and plenty of fun to be had by all until the early hours of the morning!

This year proceeds from HORRORAMA DAYTON benefit Rescue Me Inc. and All Creatures Great and Small Emergency Pet Resource, two great organizations which are run through Sulphur Grove United Methodist Church in Huber Heights.

So pass the word and make plans for a scary good weekend! Tickets are available now at the Danbarry Huber Heights box office and online at horroramadayton.weebly.com! It’s going to be a scary good time!

‘Dracula’ and ‘Outgoing Tide’ Reviews – Sinclair Community College and Dayton Theatre Guild – Potent Productions

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Sinclair Community College’s impressively dark and disturbing production of Steven Dietz’s breezily faithful adaptation of Bram Stoker’s classic 1897 novel “Dracula” opens the organization’s 2016-2017 season on a high note.

Directed with striking fluidity and expert tone by Kimberly Borst, this “Dracula” is by no means a campy, overtly melodramatic horror show intended to make you giggle for two hours or confirm your decision to dress up as one of Stoker’s characters for Halloween. On the contrary, it’s an emotionally uneasy and outright eerie experience dramatically diving (and occasionally flying) straight to the core of examining the compelling consequences of incessant desire, unrelenting power, possessive affection, and cruel mind games within society. Thankfully, these gripping factors, revealing many unsettling truths, are executed with committed fervor from one of the most chameleonic ensembles Sinclair has assembled.

The wonderfully versatile Leo Santucci is an astutely brooding knockout navigating the titular vampire’s creepily cunning quests of love and supremacy with a sinister booming voice that’ll send shivers down your spine. He also ensures Dracula’s villainy is far from one-dimensional by layering his language-driven portrayal with melancholy, wistfulness and sly humor. Fine work extends to the dynamic Maximilian Santucci as the stalwart Van Helsing, a first-rate Jonathan Kelly as authoritative John Seward, a delightfully physical Tristan Rivera as insane Renfield (his transition at the outset is an early highlight), Gabriella Neuerer as sophisticated Mina, Sydney Baker as Mina’s spellbound best friend Lucy, Thomas Puckett as Mina’s amiable fiancé Jonathan Harker, Nick Baver and Andre Tomlinson as asylum attendants, and Chelsey Hall and Erin McGee as Dracula’s evil vixens.

Borst’s exemplary artistic team, attractively and atmospherically recreating 19th century London and Transylvania, includes set designer Chris Harmon, costumer Kathleen Hotmer, lighting designer Dan Brunk, projection designer Gina Neuerer, fight choreographer Gary Minyard, flying director William G. L. Courson, VertigoTM’s flying effects, prop designer Sarah Gomes, wig/makeup designer Brooke Watson, blood and special effects designer Kaoime E. Malloy, and sound designer Isaiah Parnell.

If you’re in the mood for thrills and chills, do not miss this terrific fright fest.

“Dracula” continues through Oct. 29 inside Blair Hall Theatre of Sinclair Community College, Building 2, 444 W. Third St., Dayton. Performances are Friday and Saturday at 8 p.m., Sunday at 2 p.m., and Thursday at 7 p.m. The Sunday and Thursday performances are American Sign Language interpreted. Tickets are $18 adults and $15 student and seniors. Thursday tickets specifically cost $10. For tickets or more information, call Sinclair Box Office at (937) 512-2808 or visit www.sinclair.edu/tickets

 


THE OUTGOING TIDE
The Dayton Theatre Guild provides a lovely local premiere of Bruce Graham’s thought-provoking 2011 drama “The Outgoing Tide.”

Set in autumn on Chesapeake Bay, evocatively brought to life by scenic designer Fred Blumenthal and sound designer J. Gary Thompson, this poignant and relatable work chronicles the difficult, life-altering choices Gunner and Peg Concannon must face centered on Gunner’s progressive Alzheimer’s. Gunner and Peg have been married for over 50 years, but the time has come for them to take a hard look at what the future must hold. Peg doesn’t mind moving to a senior facility so she can assist Gunner’s need for long-term care, but Gunner vehemently resists. He wants to end his life on his own terms and with dignity. As discussions grow heated and the pain of the past bubbles to the surface, especially as Gunner and Peg’s only son Jack attempts to serve as mediator while coping with his own emotionally fractured household, the play forces us to recognize the value of respecting one’s wishes no matter how distressing or sorrowful.

Under Kathy Mola’s delicate direction, Graham’s trio remarkably connects. Peter Wallace, a standout last season at the Guild in “Slowgirl,” walks the fine line between conveying Gunner’s troubling mental deterioration and amusingly tapping into his opinionated, cantankerous behavior. It’s a tricky game, but Wallace admirably steps up to the plate. As Peg, Barbara Jorgensen delivers another luminous display of outstanding character-specific complexity that will break your heart. Pay heed to her sharp, perceptive work at the top of Act 2, the finest scene in the play addressing Peg’s unwavering commitment to her family, opposite the excellently understated and sensitive Matthew Smith as the conflicted, damaged Jack.
Graham, a film and TV writer who began his playwriting career at the Philadelphia Festival Theatre for New Plays in 1984, notably won Chicago’s Jefferson Award for “The Outgoing Tide.” The Guild winningly charts the play’s emotional course built on the pain of letting go.

 

“The Outgoing Tide” continues through Oct. 23 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Performances are Saturday at 5 p.m. and Sunday at 3 p.m. Tickets are $19 for adults, $17 for seniors, and $12 for students. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

 

Dracula Rises Again

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sinclairdraculaSinclair Theatre presents a wickedly theatrical picture of Bram Stoker’s famous vampire, DRACULA, October 21-29, in Blair Hall Theatre, building 2, on Sinclair’s Downtown Dayton campus.

 

This version, written by Steven Dietz, is directed by Kimberly Borst who wanted to create a production that stayed true to the novel.  “The legend of Dracula has been so diluted and mocked throughout the last one hundred years, that there is very little fear left in the original story.  My goal was to evoke the same fear and horror that readers felt when the book was first published in 1897,” says Borst.

 

Performances are Fridays and Saturdays at 8 pm, one Sunday matinee at 2 pm on October 23, and a Throwback Thursday performance at 7 pm on Oct. 27th. Sunday and Thursday performances are American Sign Language interpreted.

 

Adult tickets cost $18 with student/senior tickets at $15. All Throwback Thursday tickets cost $10. Tickets are available online NOW at www.sinclair.edu/tickets. Like Sinclair Theatre on Facebook and watch for upcoming Wicked Wednesday promotions!

“Not for the sensitive or squeamish audience, this production contains a lot of gore, blood, and erotic scenes aimed to shock, while telling the story that Bram Stoker told in the pages of his novel,” Borst continued.

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A “blood and special effects” artist, Kaoime E. Malloy, has been added to the technical staff as well as a fight choreographer Gary Minyard and flying director William G.L. Courson (Sinclair alumnus).

 

Cast includes: Leo Santucci as Dracula, Maximillian Santucci as Van Helsing with Sydney Baker, Thomas Puckett, Jonathan Kelly, Tristan Rivera, Gabriella Neuerer, Nick Baver, André Tomlinson, Chelsey Hall and Erin McGee.

 

Award-winning designers include: Chris Harmon (scenic), Kathleen Hotmer (costumes), Dan Brunk (lighting) and Sarah Gomes (props). Student designers include Brooke Watson (wigs & makeup) and Isaiah Parnell (sound).

 

On Stage Dayton Review – “Dracula” by The Dayton Playhouse

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Alex Carmichal (l) and Jared Mola in Dracula (Contributed photo)

Chills, kills and thrills abound in the Dayton Playhouse’s impressively conceived production of “Dracula,” adapted by William McNulty and originally dramatized by John L. Balderston and Hamilton Deane from Bram Stoker’s classic novel.

Under the striking, cinematic direction of David Shough, “Dracula,” the classic psychological and physical battle between good and evil exposing intriguing aspects of lunacy, power, sexuality and religion, grips from the start and doesn’t let go. Vividly launched by Chris Newman’s stellar prologue illustrations, Shough’s breezily paced, eerily dark and delightfully amusing presentation– effectively heightened with flashy special effects and Puccini’s marvelously melodramatic “Turandot” as inspired underscore –uniformly attacks with purpose. This show could have imploded with actors wallowing in a spooky sea of overblown hysterics or cheesy horror shtick with the rudimentary goal to “be scary,” but Shough ensures his believably conflicted cast remains committed at every turn, giving McNulty’s fully fleshed adaptation, a clear, succinct and tight examination of Count Dracula’s sinister menace and uncontrollable influence pervading Victorian England, the thoroughly engrossing treatment it deserves.

As the titular vampire, the impeccably creepy Alex Carmichal, an actor with a history of villainous roles, delivers one of his best performances. Uniquely possessing a simultaneously charming and contemptible aura, Carmichal meticulously uncovers the multifaceted malevolence within Dracula’s quest for control. He’s certainly good for a laugh, as any Dracula must, but he can also be remarkably seductive, particularly in the terrifying Act 1 finale he shares opposite Sarah Parsons (solid as Lucy Westphal) in which a matter of life and death culminates in hauntingly alluring surrender.

[dropshadowbox align=”right” effect=”lifted-both” width=”250px” height=”” background_color=”#ffffff” border_width=”1″ border_color=”#dddddd” ]”Refreshingly raising the bar for community theater, ‘Dracula’ is a must-see”…[/dropshadowbox]Jared Mola, who delivered a breakthrough performance last season in the Dayton Theatre Guild’s production of “Wittenberg,” is similarly outstanding as delusional inmate Robert Renfield, who relishes his intermediary contributions as the good-natured duo of Thomas Seward (Matthew Lindsay, appropriately conservative) and Abram Van Helsing (Saul Caplan, very authoritative) seek his help in their quest to destroy Dracula, whose allegiance Renfield maintains. Mola’s comedic timing and lively physicality, executed while signaling warnings of impending doom, is a constant joy.

Additionally, Heather Martin wonderfully taps into her inner Carrie White as Margaret Sullivan, Seward’s assistant possessed by Dracula, and her tender bond with David Hallowren (highly enjoyable as the tough yet amiable inmate attendant Norbert Briggs) is palpable. Matthew Glenn as Jonathan Harker, Carolyn Hoogsteden (what a screamer!) as Mina Grant, Margaret Foley, Cari Meixner and Debra Strauss as Dracula’s sadistic brides, David Stephen Thomas as a Monster and Addison Page Wheeler as the Girl completes the cast, attractively costumed by Barbara Pontecorvo. Shough spearheads the production’s terrific atmospherics as set designer, co-lighting designer (with Anita Bachman) and co-sound designer (with Bob Kovach).

Refreshingly raising the bar for community theater, “Dracula” is a must-see.

“Dracula” continues through Oct. 21 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Act One: 75 minutes; Act Two: 50 minutes. Tickets are $15-$17. For tickets or more information, call (937) 424-8477 or visit www.daytonplayhouse.org

Dayton Playhouse Presents “Dracula”

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(left) Alex Carmichal, Dracula, and Jared Mola, Renfield, rehearsing for the Dayton Playhouse production of Dracula

The Dayton Playhouse will present Dracula, October 12-21.  This version of the well-known play was adapted by William McNulty, originally dramatized by John L. Balderston and Hamilton Deane from Bram Stoker’s novel.

The action of the play engulfs the audience as Professor Van Helsing and his brave comrades must hunt down and destroy the evil Count Dracula.  However, the Count is exceedingly resourceful, employing superhuman strength and psychic powers to confound his antagonists.  The action culminates in a shocking confrontation between the King of Vampires and those who would rid the world of him.

David Shough, director of this production, and Jennifer Lockwood, assistant director, have assembled a seasoned cast including: Alex Carmichal as Count Dracula, Jared Mola as Renfield, Sara Parsons as Lucy, and Saul Caplan as Van Helsing.   Rounding out the cast are Margaret Foley, Matthew Glenn, David Hallowren, Carolyn Anne Hoogsteden, Matthew Lindsay, Heather Martin, Cari Meixner, Debra Strauss, David Thomas and Addison Paige Wheeler, Shough has incorporated many audio visual effects to heighten the drama.  According to Shough, “This is an intense and faced-paced version of the Dracula legend.  It will be a complete theatrical experience of the typoe seldom seen on this stage.  Not for the faint of heart.”

Projections for the opening narrative of this production were designed by Miamisburg artist, Chris Newman.  Some of the original pen and ink drawings will be raffled off in the lobby during the run of the play.  Proceeds from the raffle will go to the Dayton Playhouse Celebrate 25 capital campaign.  Tickets for the raffle will be $2 each, or three for $5.

Performances of Dracula will be Friday through Sunday, October 12-21.  All performances are at 8:00 p.m. except Sundays, which are at 2:00 p.m.  (see full schedule here)  Tickets are $17 for adults, $15 for seniors and students.  Tickets can be purchased online at www.daytonplayhouse.org, or through the box office, 937-424-8477.  The box office is staffed Monday’s and Wednesday’s from 2-5 p.m., however messages may be left at any time.  The Dayton Playhouse is located at 1301 E. Siebenthaler Ave., Dayton, OH 45414.