Theater

Name: The Beacon
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Location: Dayton Theatre Guild

Stage & Screen: WSU Grad to Present Concert at The Neon

February 6, 2011 By Shane Anderson Leave a Comment

HERE WITH ME:

CHRISTIAN DUHAMEL LIVE IN CONCERT

The Neon Movies & The Human Race Theatre Company

Regional Premiere!

I had a meeting down at the DMM clubhouse (office) yesterday. The conversation kept coming back to how frustrating it is to hear people say things like “there’s nothing to do in Dayton,” and “nothing happens here, I can’t wait to move to_______________.” PEOPLE! – THE MOST AMAZING THINGS HAPPEN RIGHT HERE! IN DAYTON! You’ve just got to pay attention!

Of course, if you are reading this article on DaytonMostMetro.com, I’m probably just preaching to choir. So, please, share it.

Our downtown gems of theater, THE NEON (movies) and THE HUMAN RACE THEATRE CO. (live) are teaming up to present a concert. ? A concert at a movie theater? You gotta hand it to both organizations, both are willing to take chances on something new, both embrace innovation. Tuesday night they will try something new, together….present a concert of music by an up & coming new musical theatre composer!

The setting is a terrific idea! I’m actually a little bit miffed that I didn’t think of it first for the organization I work with. The Neon has a terrific set-up for an event that will feature live song and stories. Grab a beer, glass of wine or even a cup of coffee to go along with those junior mints and settle in for an evening of new musical theatre songs by Christian Duhamel.

Duhamel is in town working on Shakespeare’s TWELFTH NIGHT at “the Race.” He portrays Feste, the clown (and musician) in the unique production which has been reset in Jazz-Age America. Besides acting, Christian is also a composer. He has composed for theater, including several original musicals and a songbook. Tuesday evening’s concert will feature Christian, and a few guests, singing songs (& telling stories) from his repertoire.

CHRISTIAN DUHAMEL was named one of Seattle BroadwayWorld.com’s Top 10 People to Watch in 2011. He is a Kennedy Center American College Theatre Festival Award-winning composer, lyricist, playwright, director and musical director and was the inaugural recipient of the Young Creator’s Award from Music Theatre Ventures. His musicals and songs have been performed on stages and at cabarets across the nation. In 2009 he published his first songbook, “Here With Me: A Collection of Songs by Christian Duhamel.” Mr. Duhamel earned his BFA in Acting-Musical Theatre from Ohio’s Wright State University. www.christianduhamel.org.

onStageDayton had a few questions for Christian about his career, his music & returning to Dayton:

onStageDayton: For our readers who don’t know you, how did you first end up in Dayton? Where are you based currently? How has it felt to return to Dayton as an actor & musician in The Human Race Theatre Company’s production of Shakespeare’s TWELFTH NIGHT?

WSU Theatre

Christian Duhamel: I first came to Dayton as a transfer into the acting-musical theatre program at Wright State. I grew up in a suburb of Seattle, Washington, and after graduating from WSU and working around the country for a bit, I moved back to Seattle and have lived there the last 4 and a half years, working as an actor, writer, composer, musical director, director, coach and educator.

The Loft Theatre

Returning to the Race has been a huge honor and joy. From previous involvement in Race productions and also from being an audience member, I know the Race puts on high-quality productions. When I received the offer to play this amazing role (Feste) at this amazing theatre and additionally, to compose music for two of Shakespeare’s lyrics, I knew could not pass up the opportunity.

OSD: Besides being an actor and musician, it seems that you are also a musical theatre composer. At what point did you decide to put pen to paper to write a musical? What was that first musical and have you written any since?

Christian Duhamel

CD: In high school I was highly involved in choir and drama, and here I got my first taste of creating new works: writing plays, arranging vocal jazz charts and writing choral and jazz music. When I began college, writing was placed on a back burner as I focused on my acting training. After I transferred to Wright State, I rediscovered my passion for writing, and wrote my first musical, REINVENTING ROMANCE, which was produced at Wright State, went to the regional level of the Kennedy Center American College Theatre Festival, and I went on to the national level with awards for playwriting, music, lyrics and direction. Since then I’ve written several new musical theatre pieces: THE WAR CYCLE, which looks at American involvement in the many wars of the 20th Century; ICARUS ASCENDING uses the mythological characters Icarus and Daedalus to examine the relationship between fathers and sons; RED, a contemporary retelling of Little Red Riding Hood; and A BEAUTIFUL END, which is the story of two real women who worked the western burlesque circuit in the late 1800’s. I have also self-published my own songbook called HERE WITH ME: A Collection of Songs by Christian Duhamel.

OSD: Do you collaborate with other writers in your musical theatre writing?

CD: I write cabaret material on my own and with another Wright State graduate, Kristina Wilson. I am currently working with several new collaborators on the development of several new musicals. Hopefully you’ll hear more about those pieces soon!

OSD: It seems that there is a bit of a resurgence of of musical theatre writing happening in America…a whole new generation of new musical theatre writers are creating very personal, emotional works (instead of the song & dance spectacles of the past). What do you think is the impetus of this new movement? What do you think the next few years holds for new musicals in the American theatre landscape?

CD: I think musical theatre, like all art forms, is following a natural ebb and flow: Mozart wanted to write operas about real, contemporary situations, and in Chekhov’s The Seagull, Trigorin craves “new forms.”

Concert Guest Aaron Vega with wife Claire Kennedy

If I had to take a stab, I’d attribute the current shift to a generation of minds who experienced 9-11, can learn from a seasoned Sondheim, and who are growing up dealing with the “relationship disconnection” caused by that wonderful invention: the internet.

In the next few years, as we see 65 million dollar spectacles taking stage, I imagine more writers will strive to bring the focus of the musical back to the emotional spectacle of a character’s internal life, and then we’ll shift the other way again.

OSD: What should audience members expect when they come to The Neon on Tuesday night? What should they NOT expect as well?

Darian Taschner

CD: Tuesday night will be a relaxed evening filled with music I’ve written, including a couple of songs with collaborator Kristina Wilson. The Neon has the perfect atmosphere (and open bar) for an evening of something a little different. I’ll be telling stories about the origins of the music and the impact particular pieces or being a writer has had on myself and my family.

Alexandra Sunderhaus

I’ll be joined by guest artists Aaron Vega (WSU grad, actor and director of Twelfth Night), and Alexandra Sunderhaus and Darian Taschner (the female leads from WSU’s Jekyll and Hyde). There won’t be any production numbers, just me behind a piano with some outstanding voices singing new music for the people who join us.

Tickets & Performance Information:

HERE WITH ME: The Music of Christian Duhamel

One Night Only. Tuesday, February 8th, 9:30 pm

THE NEON, 130 E. Fifth Street, Dayton, OH

(937) 222-8452

Tickets ($5) are available presale at The Neon.

Concessions will be available at the event, including beer, wine & coffee beverages.

-SA/Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

VIDEOS:

Invisible Woman by Christian Duhamel

Performed by Ashley Fitzsimmons
Produced by CONTEMPORARY CLASSICS
Presented by ACT’s Central Heating Lab

http://www.youtube.com/watch?v=1m69lGIoykA
Couldn’t You Stay By Michael Mahler
Performed by Christian Duhamel & Jenny Shotwell
Produced by Contemporary Classics

In the Company of Helen

February 6, 2011 By Dayton Most Metro Leave a Comment

FAT PIG

Dayton Theatre Guild

Neil LaBute’s dark comedy premieres at downtown theatre.

For his entire career, playwright/film director Neil LaBute has explored a wide variety of genres. Consider his film work like In The Company of Men, dark comedies Nurse Betty and Death at a Funeral, and even bona fide horror films The Wicker Man and Lakeview Terrace. LaBute has mastered the art of the dark comedy – exploring the darker side of the human psyche in ways that make us oddly uncomfortable and questioning our own darkness.

Neil LaBute, playwright

What I think strikes most people as fascinating is that LaBute’s language always feels ‘real’, colloquial and in turn, honest. One really feels as if they are listening to REAL people having REAL dialogue (sometimes TOO real). One of the best examples of LaBute’s influence on American theater and cinema opens February 11 at Dayton Theatre Guild.

Fat Pig tells the story of Tom – a well built attractive man who meets and falls in love with the quite plus-sized but ever-charming Helen. When people in Tom’s life begin to discuss why he is dating such a large woman, Tom must decide where HE stands. It is a fascinating exploration into society’s treatment of those we deem unfit, in this case, plus-sized. Neil’s language is smart and engaging and provides a great “what would you do?” discussion starter. If you want to see what the contemporary American theatre sounds and looks like, LaBute’s Fat Pig is great choice. Dayton Theatre Guild is to be applauded for producing this daring and important play and I, for one, was thrilled to see it on their season. It is also quite timely as a Broadway production of Fat Pig (directed by LaBute himself) is headed to Broadway this spring starring Dane Cook and Julia Stiles.

Here in Dayton, the Guild production features Amy Askins (Jeannie), Nicolas Bauer (Carter), Steve Strawser (Tom), and Wendi Williams (Helen). The production is under the direction of Dayton Theatre Hall Of Fame inductee Fran Pesch. There is honestly no better place for LaBute’s work than the Guild (with the exception of the Human Race). DTG has a track record of choosing daring titles by contemporary exciting playwrights and Fat Pig, to me, is a harbinger of good things to come. Later this year, the Guild will present the local premiere of the one-woman tour-de-force Golda’s Balcony (about Israeli Prime Minster Golda Meir) as well as Theresa Rebeck’s acclaimed Mauritius.

Neil LaBute's FAT PIG at Dayton Theatre Guild - February 11-17, 2011

The cast of Dayton Theatre Guild's FAT PIG. L to R: Nicolas Bauer, Steve Strawser, Wendi Williams, Amy Askins

-DB

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Neil LaBute’s FAT PIG – February 11-17 – Performance Times Vary (click for details)

Tickets Prices: $11 student / $16 senior / $18 adult

Location: Dayton Theatre Guild at The Caryl D. Philip’s TheatreScape – 430 Wayne Ave. Dayton, Ohio 45410 (MAP)

Contains adult situations and language.

Tickets are on sale now through DTG’s Online Box Office, or via phone at (937) 278-5993 (due to a volunteer staff, phones are not monitored continually).

For more information about Dayton Theatre Guild’s entire 2010-2011 season, visit www.DaytonTheatreGuild.org

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

‘9 to 5’ Thrives On Nostalgia

February 5, 2011 By Russell Florence, Jr. Leave a Comment

9 to 5: The Musical

presented by the Victoria Theatre Association

“9 to 5: The Musical,” Dolly Parton and Patricia Resnick’s shaky adaptation of the 1980 workplace revenge film of the same name, struggles to overcome its dated discrimination premise and an assortment of hit and miss tunes, but there are commendable elements nonetheless in its reconceived, well cast national tour, which began its regional premiere Tuesday, February 1 at the Schuster Center courtesy of the Victoria Theatre Association’s Miami Valley and Good Samaritan Hospitals Broadway Series.

A greater sense of nostalgia in the form of a terrific pop culture-inspired show curtain as well as Parton’s warm, folksy introduction and closing commentary (including a sing-a-long) effectively distinguishes the tour from its unnecessarily flashy, vocally erratic and unsurprisingly short-lived 2009 Broadway counterpart. There is also a sharper character-driven focus and tighter pace that director/choreographer Jeff Calhoun establishes that keeps the show entertaining and engaging even when three labored fantasy sequences and a swarm of bad jokes and crude lyrics become cringe-inducing.

The core trio of Mamie Parris as ditzy divorcee Judy Bernly, “American Idol” runner-up Diana DeGarmo as voluptuous Doralee Rhodes, and three-time Tony Award nominee Dee Hoty as no-nonsense Violet Newstead form a compatible bond. Each character exudes a genuine, down to earth sensibility so it’s easy to empathize with the torment they endure at the hand of their bigoted boss Franklin Hart, Jr. (Joseph Mahowald in a terribly one-dimensional role). The endearing Parris actually finds depth in what could easily be perceived as a thankless part. Her belting soprano absolutely sparkles in “Get Out and Stay Out,” which powerfully culminates in a “Wicked” style reminiscent of “Defying Gravity” or “No Good Deed.” The naturally perky DeGarmo remains a vocal knockout and couldn’t be more charming. Her poignant rendition of “Backwoods Barbie” is a meaningful highlight, but she’s also great leading the rousing ensemble number “Change It.” Hoty, a wonderful authoritarian, particularly makes the most of Act 2 opener “One of the Boys,” Parton’s meager attempt at writing a razzle-dazzle show tune.

Enjoyable featured turns are given by the very funny, spontaneous Kristine Zbornick as Hart’s infatuated secretary Roz Keith, Gregg Goodbrod as Joe, Wayne Schroeder as the Colonel Sanders-esque Tinsworthy, and scene-stealer Jane Blass as the boozy Margaret.

Although there’s no escaping the fact that the best number in the show was written over 30 years ago, “9 to 5” is better here than in New York with an intent to please Parton admirers as well as fans of the film and its era.

9 to 5: The Musical presented by The Victoria Theatre Association at the Schuster Center

(L to R) Diana DeGarmo, Dee Hoty and Mamie Parris in '9 to 5'

9 to 5: The Musical continues through Sunday, February 6 at the Schuster Center, Second and Main Streets. Remaining performances will be held today at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 70 minutes. Act Two: 45 minutes. Tickets are $36-$90. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com.

In addition, the show notably contains two Wright State University alums: swing K.J. Hippensteel and stage manager E. Cameron Holsinger.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

A Cup of Ambition…at the Schuster Center

January 28, 2011 By Shane Anderson 7 Comments

9 to 5 – the musical

Victoria Theatre Association

Win tickets to this show! Read on…

The year was 1980. Dolly Parton was making her big-screen debut and the whole world was a-flutter! Dolly on the BIG SCREEN! This 10 year old little kid couldn’t figure out why Grandpa had four copies of her latest album which featured the title song from the movie 9 TO 5. Thirty-one years later, I think I’ve got it figured out.

This was one funny movie! Bravo still has it listed as #47 on their list of the “100 Funniest Movies.” I was so jealous of my older cousins who saw it in the local movie-plex. I am pretty sure that I wasn’t allowed to see the movie when it first came out (I had to wait several years for VHS on the small screen), but I know that there was many a chuckle at family gatherings that Christmas over this flick. I think I know now why Grandpa kept four copies of the vinyl. You always wanna a few back-ups of something this, umm, monumental.

Leap forward almost thirty years.

Dolly Parton brushes the dust off of this classic, writes a few new songs, hires a kick-butt cast & breathes new life into the hilarious story–but this time in one of the biggest houses on the Great White Way, marking the Broadway debut of the seven-time Grammy Award winning singer, songwriter and musician.

2009 saw the premiere of 9 TO 5: THE MUSICAL, starring contemporary stage greats Stephanie J. Block, Megan Hilty, Mark Kudisch and Daytonian Allison Janney (who was just HEARD on stage in the recent Muse Machine production of Sondheim’s INTO THE WOODS as the voice of the giant). Unfortunately the show’s NYC run only survived through September 2009, but a year later the first national tour kicked off…and will be making a stop at The Schuster Center February 1-6.

“it shines! Dolly Parton’s songs are bouncy, big hearted, fresh & original. If you’re looking for a diversion, 9 to 5 will do the trick from 8 to 10:15!” ~ The Daily News

9 TO 5: THE MUSICAL is a hilarious story of friendship and revenge in the Rolodex era. This is the story of three unlikely friends who conspire to take control of their company and learn there’s nothing they can’t do — even in a man’s world.

Outrageous, thought-provoking and even a little romantic, the show is about teaming up and taking care of business… it’s about getting credit and getting even.

While the company has changed a bit, it still features a stellar cast of Dee Hoty (Violet), Diana DeGarmo (Doralee Rhodes) and Mamie Paris (Judy), along with Dolly Parton’s original hit title song in her new Tony Award® and Grammy-nominated score. 9 TO 5: THE MUSICAL was nominated for four 2009 Tony Awards® including Original Score and received a record breaking 15 Drama Desk nominations including Outstanding Musical.

“I couldn’t have asked for a better experience on my first Broadway show,” said Dolly Parton. ‘I’ve had the privilege of working with an amazing group of people who have become like family to me. I can’t wait for this show to hit the road so people across the country can see why I’m so proud of everyone involved.”

9 TO 5: THE MUSICAL’s book is by Patricia Resnick (co-writer of the original screenplay). The touring production will be directed and choreographed by Tony nominated, Jeff Calhoun.

“I met Dolly Parton as a chorus kid dancing in the film ‘The Best Little Whorehouse in Texas’ only a few years after ‘9 to 5’ was already a hit movie. It was a thrill to work with her then and an honor and privilege to be entrusted to direct and choreograph this exciting new tour of 9 to 5: The Musical” said Mr. Calhoun.

9 to 5 - the musical ~ February 1-6, 2011 at the Schuster Center ~ present by Victoria Theatre Association

Allison Janney in 9 to 5

The co–choreographer is Lisa Stevens, scenic design by Ken Foy, costume design by five time Tony Award® winner, William Ivey Long, lighting design by Tony Award® and Drama Desk Award winner, Ken Billington, music supervision by Stephen Oremus and casting by Telsey + Company.

-SA/VTA Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

9 to 5: The Musical (February 1-6 at The Schuster Center) Performance times are Tuesday through Friday evenings at 8 p.m., Saturday at 2 p.m. and 8 p.m., and Sunday at 2 p.m. and 7:30 p.m.

Tickets start at $36, with discounts available for senior citizens, students and groups.

Tickets are on sale now through Ticket Center Stage, and may be purchased at the Schuster Center box office in downtown Dayton or by phone, at (937) 228-3630 or toll free (888) 228-3630. Ticket Center Stage hours are Monday-Friday, 10 a.m. – 6 p.m., Saturday, noon – 4 p.m., and two hours prior to each performance. Tickets may also be purchased online at www.ticketcenterstage.com. Group discounts for 20 or more are available.

For more information about Victoria Theatre Association’s entire 20010-2011 season, visit www.victoriatheatre.com.

Win Free Tickets!

The Victoria Theatre Association & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to 9 TO 5: THE MUSICAL! We will be giving away up to TWO pairs of tickets for the Tuesday evening show! (February 1st) All you need to do is:

Share this article on Facebook or Twitter…just click the appropriate button at the top of this page.
Fill out the contact form at the bottom of this post.
Leave a comment, answering the following question…WITHOUT NAMING NAMES…Describe your DREAM retaliation against your LEAST FAVORITE BOSS ever????! (no blood or guts, please)
The deadline to enter is 8PM on SUNDAY, January 30th.
Winners will be selected randomly from all of the entries.

CONTEST CLOSED

s-y-n-e-r-g-y and spelling

January 26, 2011 By Dayton937 9 Comments

The 25th Annual Putnam County Spelling Bee

"Spelling Bee" cast. Photo credit: John Gebhardt

DAYTON PLAYHOUSE

Win Tickets to this show…Read on!

“Trespass. T – R – E – S…” Nine years old and fourth speller left, I paused. Were there one or two s’s in the middle? I guessed two, and with the disheartening ding of the buzzer, my chance at spelling stardom disappeared. Since then, I’ve never forgotten how to spell ‘trespass,’ or been in another bee. However, in Dayton Playhouse’s upcoming production of The 25^th Annual Putnam County Spelling Bee, we can all relive those childhood competitions… some of us, even onstage with the actors.

s-y-n-o-p-s-i-s

According to the show’s official website, this “hilarious tale of overachievers’ angst chronicles the experiences of six adolescent outsiders vying for the spelling championship of a lifetime.” Each student is eclectic and unique, from the youngest but politically aware Logainne SchwartzandGrubenniere (overseen by her overbearing, gay fathers), to the linguistic, obsessively confident, not-allowed-to-cry Marcy Park (Battle Hymn of the Tiger Mother, anyone?) to the pubescent (inopportunely so…) Chip Tolentino.

Bobby Mitchum as Chip Tolentino; photo credit John Gebhardt

p-r-e-c-o-c-i-o-u-s

The adults in charge are equally diverse and have barely managed to escape childhood themselves. The result is a quirky and hilarious story “filled with jubilant music, humor, and heart.”

Cast member Corinne Derusha, who plays host Rona Lisa Peretti, observed,

“Spelling Bee isn’t meant to be performed by kids [it’s aimed to be performed by adults portraying children] but with the range of ages and experiences [of our cast], it takes the audience away from that one aspect and focuses more on the characters we have created.”

d-i-d-a-c-t-i-c

This unique portrayal of children by adults is, according to director Natalie Houliston, “very revealing, [bringing] a new life and light to the struggle of the human condition.”

"Spelling Bee" cast; photo credit John Gebhardt

The characters are not the only spellers in this fictitious bee. Prior to the show, audience members can sign up with Vice Principle Panch and Rona to be considered for one of four audience speller roles. Don’t let this b-e-l-e-a-g-u-e-r you, though – these spellers don’t have to be amazing, merely willing to sit onstage and try their best!

p-a-r-t-i-c-i-p-a-n-t

The cast members have enjoyed working on this production. Derusha in particular loves the music: “[it] is brilliant. And singing it every day has been a treat. I’m going to be sad when it’s over.” Each of the cast members with which I spoke also praised the show’s direction as both professional and familial.

Charity Farrell, who plays Marcy, said,

“Natalie has been incredible to work with… she is completely open to any ideas we might have – in fact, every single suggestion that anyone has thrown out from the beginning has been answered with, ‘I’d be willing to see that!’”

Especially for a show about a student experience, that spirit of collaboration is perfect. But, this attitude has not come at the expense of quality and a clear vision, but rather alongside and promoting them.

Charity Farrell as Marcy Park; photo credit John Gebhardt

r-a-p-p-o-r-t

The cast shares this perspective : Errik Hood, vocal director and Vice-President Panch, said, “The entire cast showed up to the first rehearsal with great voices, but the truly special thing about each of them was their willingness and ability to try new ideas, experiment with new vocal colors and approaches, and to dramatically motivate each musical choice– making the singing an organic manifestation of the character instead of a superimposed or conflicting idea.”

That combination of synergy, creativity, and leadership, along with a s-t-e-l-l-a-r cast of s-p-e-l-l-e-r-s, makes Dayton Playhouse’s production of The 25^th Annual Spelling Bee a show Dayton audiences shouldn’t miss.

Performance Information

p-a-i-d-e-i-a (a compendium of general education)

Who: Complete cast – Corinne Derusha, Errik M. Hood, Lindsay Sherman, Charity Farrell, Bobby Mitchum, Matthew Smith, David Thomas, David Stone, and Hannah Berry. Directed by Natalie Houliston, with musical and vocal direction from Joe Whatley and Errik Hood, choreography by Erica Hamilton, lights by John Findley, sound by Tony Fende, costumes by Eric Winslow, and stage management by Cami Brewer.

When: January 28 through February 13; Fridays and Saturdays at 8:00 pm, Sundays at 2:00 pm.

Where: 1301 Siebenthaler Avenue, Dayton.

Warning: Parents strongly cautioned: “…Spelling Bee” contains strong language, adult jokes, and mature themes. Not recommended for children under 13.

To purchase tickets, visit http://www.daytonplayhouse.org or call the box office at (937) 424-8477.

Win Free Tickets!

The Dayton Playhouse & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to Spelling Bee! We will be giving away up to FOUR pairs of tickets for the show! All you need to do is:

Share this article on Facebook or Twitter…just click the appropriate button at the top of this page (We’ll give away one pair of tickets for every TEN FB/Twitter Shares).
Fill out the contact form at the bottom of this post.
Leave a comment, answering the following question…WHAT COMMONLY USED WORD ALWAYS TRIPS YOU UP WHEN YOU TYPE IT? You know…”D-E-S-S-E-R-T or D-E-S-E-R-T?”
The deadline to enter is NOON on FRIDAY, January 28th.
Winners will be selected randomly from all of the entries.

Contest Closed 1/28/2011 at Noon

Coming Up in Dayton Theatre – 01/13 – 01/26

January 13, 2011 By Dayton937 Leave a Comment

Muse Machine: Into the Woods / Photo Credit: Muse Machine

Thursday, January 13, 2011 – Wednesday, January 26, 2011

At tonight’s rehearsal for the show I’m stage managing, we ran Act I in its entirety for the first time. Sitting with my prompt book and taking notes, I couldn’t help but feel hopeful at the way this collection of scenes and songs we’ve been working on since November, in some small way at least, is becoming a show. It’s exciting, but also intimidating. Somehow it’s 2011 already, time to start meeting those resolutions and accomplishing things. The holidays are over and things we began last year, when 2011 seemed some part of the future, are now part of the present. Some days I feel like life is moving too quickly, and it’s all I can do just to keep up.

But, the shows in Dayton these next few weeks seem perfect for how I’ve been feeling already. From the comedy to the mystery, I think the theatres have hit the vast spread of emotions that come with the new year, and that’s true for other people and situations. So, you should join me in catching one of these shows over the next two weeks – or, if you’re in the mood for a little something more, audition for one of them yourself.

ANOTHER OPENIN’, ANOTHER SHOW

…Shows Opening Soon

I Hate Hamlet

PLAYHOUSE SOUTH

The Story: In this dramatic comedy, television actor Andrew Rally is struggling in his professional and private lives, attempting to play the role of Hamlet (which he hates) and deal with his girlfriend’s unrelenting chasteness. The dilemma deepens when the ghost of John Barrymore appears to try to convince Andrew to persevere in the role… while an old deal-making friend suddenly offers Andrew the chance at a new television deal.

Dates: January 21 – 23, 28 – 29, 2011

Tickets: 888-262-3792

More Information: Playhouse South

…Shows Closing Soon

Into the Woods

Students rehearse for Into the Woods (photo credit Muse Machine).

MUSE MACHINE

The Story: After a Witch curses a Baker and his wife with childlessness, the couple embarks on a quest for special objects from classic fairy tales to break the spell, stealing from and lying to Cinderella, Little Red, Rapunzel, and Jack (of beanstalk fame). But the characters didn’t count on the consequences of their actions or the disasters that would ensue…

Dates: January 13 – 16, 2011

Tickets:(937) 228-3630 or Ticket Center Stage: Muse Machine

More Information: Muse Machine: Into the Woods, DMM Feature, DMM Event

Ravenscroft

DAYTON THEATRE GUILD

The Story: In this comedy about deception and the nature of truth, when Inspector Ruffing is called to a remote English county manor house to investigate the death of Patrick Roarke, he becomes involved in the lives of five alluring and dangerous women who lead him through an evening of contradictory versions of Patrick’s demise, including ghosts, skeletons, and much more than he bargained for. (DTG)

Dates: January 7 – 23, 2011

Tickets: 937-278-5993 or DTG Box Office

More Information: Dayton Theatre Guild: Ravenscroft, DMM Review, DMM Event

PART OF IT ALL

…Auditions and Casting Calls

Titus Andronicus

SPRINGFIELD STAGEWORKS

William Shakespeare

Auditions: January 17 & 18, 2011, 7:00 pm

Performances: April 14 – 23, 2011

The Story: In this intense Shakespearean classic, Roman war general Titus Andronicus has just returned from battle to find all but four of his twenty sons dead; his ritual sacrifice of the sons of Tamora, Queen of the Goths, earns him her despise and promise of revenge. What follows is an insane struggle of power and betrayal in this gritty tragedy.

Directed by Larry Coressel

More Information: Springfield StageWorks: Auditions

Joseph & the Amazing Technicolor Dreamcoat

PLAYHOUSE SOUTH

Auditions: January 24 & 25, 2011; callbacks January 26

Performances: March 25 – April 9, 2011

The Story: This musical, the first collaboration between Andrew Lloyd Webber and Tim Rice, explores the Biblical saga of Joseph through an exciting variety of musical styles. The prophetic Joseph is sold into slavery by his jealous brothers and taken to Egypt, where he “endures a series of adventures in which his spirit and humanity are continually challenged” as he struggles to survive in a new land and move past his brothers’ betrayal.

Directed by Jennifer Skudlarek

More Information: Playhouse South

ONE SHORT DAY

…Special Events for the Theatrically Minded

3 Mo’ Divas

3 Mo' Divas (Photo Credit Douglas Brown, 2008)

VICTORIA THEATRE ASSOCIATION – SCHUSTER CENTER

The Basics: According to VTA, “Delivering ten musical styles spanning 200 years in one evening, these three ladies–all classically trained vocalists–will raise the roof with their class, sass and style! 3 Mo’ Divas is a one-night-only concert that delivers some stupendous genre-jumping feats, from opera to R&B, from Broadway to blues, from soul to gospel and more.”

Date: January 16, 2011

Tickets: Ticket Center Stage

More information: Victoria Theatre Association: 3 Mo’ Divas , 3 Mo’ Divas official website, DMM Event

I Wish. More Than Anything…

January 8, 2011 By Shane Anderson 20 Comments

Into The Woods

THE MUSE MACHINE

Win tickets to this show! Read on…

Once upon a time…

Suzy Bassani had a dream. That dream became a reality in the Muse Machine, a truly unique Dayton area arts organization for kids. A culminating yearly activity is a highly regarded theatrical production featuring nearly 100 talented students on stage, back stage and in the orchestra.

The 2011 selection is the popular Sondheim show Into The Woods. The Tony Award winning show, by Stephen Sondheim (music & lyrics) and James Lapine (book), premiered on Broadway in 1987. That original cast included Broadway legend Bernadette Peters and Joanna Gleason, as well as Dayton native Tom Aldredge.

Just like with the fairytale favorites whose stories intertwine as they venture Into The Woods, new directions are afoot for the Muse Machine as more than 100 area students prepare to present Sondheim’s smash-hit family musical next weekend.

Muse Machine mounts it’s first Sondheim production in a year that celebrates the composer and lyricist’s 80th birthday. The lavish musical, which thrusts characters into situations where their “happily ever after” may not come so easily. Finding familiar characters like Little Red Riding Hood and her wolf, Cinderella and her prince, Jack of beanstalk fame and others faced with new challenges makes the show both unexpectedly funny and surprisingly poignant.

The production will also experience the Muse touch through movement. “Early versions of Into The Woods used very little dance, but we’re going to change that,” said New Orleans choreographer Lula Elzy, who promised surprises in store with each of the show’s tolls of midnight. “It will feel like movement has always been a part of this show!”

Into The Woods also marks the addition of a new face to the Muse Machine creative team: Rufus Bonds, Jr., familiar to audiences as Collins from the Broadway cast of Rent and Mufasa from the national tour of The Lion King. Bonds comes from the west coast, joining returning NYC music director David Dusing to complete the directing team.

“What’s so beautiful about this experience is the opportunity to work with young adults who bring the perfect marriage of acting and voice to their roles,” said Bonds, who hopes audiences will be surprised by the depth of talent coming from the young performers on stage. “There’s nothing I’ve seen anywhere like this, on any level – students are far ahead of the game with the training they receive here at Muse.”

This is a theatrical opportunity that you don’t get in other cities. The Muse Machine has touched countless lives, including actors, dancers, writers and designers currently earning their living in the arts all over the country, including New York City. The organization’s track record indicates that within a few years, one of these young performers in Into The Woods will very likely be treading the boards of Broadway.

Happily ever after.

UPDATE 1/8/2011 (information from the Muse Machine Facebook Page):

Emmy Award winning actress Allison Janney (The West Wing, Juno, Lost, Hairspray, Finding Nemo, American Beauty and many other film, television and stage credits) joins the cast of Muse Machine’s INTO THE WOODS in an original performance as the voice of the giant!

-SA/Muse Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Into The Woods (January 13-16 – various times – at The Victoria Theatre)

Tickets: prices range from $31-$56

Call (937) 228-3630 or by visiting TicketCenterStage.com.

Visit www.MuseMachine.com for more information about The Muse Machine and their programs.

Win Free Tickets!

Muse Machine & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to Into The Woods! We will be giving away up to TEN pairs of tickets for next weekend’s performances! All you need to do is:

Share this article on Facebook or Twitter…just click the appropriate button at the top of this page.
Leave a comment, answering the following question…In just a couple of sentences, change the ending of your favorite classic fairytale.
The deadline to enter is 9AM on MONDAY, January 10th.
Winners will be selected randomly from all of the entries.

Film Review – The Fighter

December 25, 2010 By Dayton Most Metro 2 Comments

Although I’m a knowledgeable sports fan, I entered the Dayton Mall theatre knowing little to nothing about the life of working class boxer Micky Ward (Mark Wahlberg) and his half brother Dicky Eklund (Christian Bale). I assumed, though, that as a boxing movie, “The Fighter” was most likely about a lovable, down and out boxer who improbably seized a fluke opportunity to realize his dream of becoming world champ. The fact that this assumption turned out to be accurate did not make “The Fighter” any less enjoyable.

I’d imagine that this was a passable plot line in the eyes of Paramount execs despite the predictability and commonality of it (“Rocky,” “Cinderella Man,” “Million Dollar Baby”) because, you know, it actually happened and it’s a good story. What stands out about “The Fighter” in comparison to other boxing movies are the authenticity of the fight scenes and Micky’s comically destructive family, who, despite their good intentions, almost seem to be actively trying to keep him from any sort of success. At the forefront is Dicky, a former promising boxer turned crack addict who unsurprisingly can’t figure out how to balance crack addiction and helping Micky realize his own unfulfilled dreams. Christian Bale absolutely kills it as Dicky Eklund; shedding his celebrity in a scene-stealing supportive role.

Had I not seen Wahlberg explain the process of shooting the fight scenes while being interviewed on Conan, “We beat the crap out of each other,” I wouldn’t have known how they captured such realistic landed punches. I watched clips of a number of Micky Ward’s actual fights and was not surprised to see that the fight scenes from “The Fighter” looked like shot for shot remakes of the real thing. Wahlberg completely avoids the clumsy actor portraying a fluid athlete problem that is often a distraction in sports movies. DiCaprio in “Basketball Diaries” and Tom Berenger in “Major League” come to mind.

In most boxing movies I’ve seen, I find myself impatiently waiting for the next fight scene. In “The Fighter” the fight scenes are exciting, impeccably done and there are actually relatively few of them, but the excitement and anticipation of the fights does not overshadow the surrounding story. The absurdity of Micky’s family – from Dicky’s antics, to their overprotective, maniacally controlling mother (Melissa Leo),

to his seven sisters blindly serving the will of their mom – speak to the unlikeliness of Micky’s success in the ring and encourage the audience to be personally invested in the outcome of the fights.

As much as I enjoyed “The Fighter,” I was disappointed by the ending. The obligatory biographical movie ending – white text on black background explaining Micky’s life after movie – was fine with me, but seeing merely in text that he went on to have his most memorable, brutal fights against all time great Arturo Gatti left me thinking, “Really? What the hell? Show me THAT!” Fortunately, the fight scenes and the acting performances, especially Bale’s, more than make up for the feelings of unfulfillment the ending leaves with the audience and make “The Fighter” well worth a watch.

Coming Up in Dayton Theatre – 12/09 – 12/22

December 9, 2010 By Dayton937 Leave a Comment

THURSDAY, DECEMBER 9 – WEDNESDAY, DECEMBER 22, 2010

Photo Credit: Mike Long

Two main messages seem to bombard our culture during the holidays: we are either obsessed as consumers, always searching for that perfect gift or the better price or the best idea; or we focus on the “reason for the season” and look beyond giving to the joys of spending time with family and friends. Generally, we operate somewhere in the middle of those concepts, and try to do and have it all.

In the midst of all of that, it’s easy to forget about the arts, in favor of everything else on the month’s agenda. However, in the Dayton Theatre scene of these next few weeks are several great shows sure to provide holiday joy and entertainment. Seeing one of these productions doesn’t have to become one more facet of your to-do list, but can actually be a way to focus: what better way to do something unique and special as a family than to see a performance together, and how special that gift could be! And there will still be time to finish up the shopping and decorating.

Another Openin’, Another Show

…SHOWS NOT TO MISS

Christmas Belles

DAYTON PLAYHOUSE

The Story: With three squabbling sisters, an ailing Santa, vengeful sheep, and a reluctant Elvis impersonator, it’s not surprising this Texan church Christmas pageant is spinning wildly out of control! Add a potentially-derailing family secret and the plan to broadcast the pageant on cable access television to the mix, and you have a hilarious story sure to bring joy to your holiday!
Dates: December 17 – 19
Tickets: 937-424-8477
More Information: Dayton Playhouse: Christmas Belles

Photo Credit: Human Race Theatre

8-Track: The Sounds of the Seasons

HUMAN RACE THEATRE COMPANY

The Story: This new musical revue celebrates “the songs of the ‘70s in all their glory, or lack thereof! Expect plenty offlashy outfits and hairdos as four talented performers rediscover the heart and soul of the forgotten decade, with music made famous by artists from Donna Summer to the Eagles to Debby Boone” (HRTC).
Dates: December 2 – 22, 2010
Tickets: Ticket Center Stage
More Information: Human Race Theatre Company: 8-Track, DMM Event, onStageDayton feature article and review

A Christmas Carol

Photo Credit: Diana Blowers

BEAVERCREEK COMMUNITY YOUTH THEATRE

The Story: When a young boy struggles to understand why his grandfather would give money to the poor, the grandfather tells the story of Ebenezer Scrooge as he recalls it, and the story of Charles Dickens’ classic A Christmas Carol, where ghosts of past, present, and future persuade the stingy Scrooge to change his life, comes to life as a play-within-a-play in this heartwarming story.
Dates: December 3 – 12, 2010
Tickets: 927-439-4737
More Information: Beavercreek Community Theatre, DMM Event, and onStageDayton feature article

White Christmas

LA COMEDIA DINNER THEATRE

The Story: In the stage adaptation of the classic 1954 film, two WWII veterans, now successful song-and-dance performers, follow a duo of singing sisters en route to their Christmas show in Vermont, hoping for romance. But the 80 degree weather has everyone dreaming of a white Christmas!
Dates: through December 31, 2010
Tickets and More Information: La Comedia: White Christmas

Junie B. Jones: Jingle Bells, Batman Smells

Photo Credit: Mike Long

TOWN HALL THEATRE – LANDMARK CHILDREN’S THEATRE

The Story: The holidays are supposed to be a time of peace and goodwill… that is, until first grader Junie B. Jones draws her sworn enemy’s name for the secret Santa gift exchange at school. And if that’s not enough, their music teacher announces the two will perform together in the school’s holiday pageant!
Dates: December 3 – 19, 2010
Tickets and More Information: Town Hall Theatre, DMM Event, and onStageDayton feature article

The Wonder Bread Years

VICTORIA THEATRE ASSOCIATION

The Basics: In this comic salute to the Baby Boomer generation, critically acclaimed writer and performer Pat Hazell (“Seinfeld,” “The Tonight Show,” and NPR, among other credits) plays out the fun of Halloween night, Christmas morning, and other high watermarks of our collective American youth of the ‘60s and ‘70s. This hilarious production “gracefully walks the line between stand-up and theater,” and is part of the Miami Valley & Good Samaritan Hospitals Broadway Series.
Dates: December 7 – 19, 2010
Tickets: (937) 228-3630 or (888) 228-3630, Ticket Center Stage
More Information: Victoria Theatre Association: The Wonder Bread Years

Photo Credit: Dayton Ballet

The Nutcracker

DAYTON BALLET

The Story: Dayton Ballet brings the classic story of the Nutcracker to life, complete with mice, soldiers, and the Sugar Plum Fairy. Over 100 local youth participate in this magical performance that has become a much-loved holiday tradition.
Dates: December 10 – 19, 2010
Tickets: 937-228-3639, Ticket Center Stage
More Information: Dayton Ballet: The Nutcracker

~KN

SUBMIT PRESS RELEASES
Would you like to submit theater news for DaytonMostMetro.com’s onStageDayton features? Email Shane, Dave, Russell, & Katherine at [email protected]

Empty Seats: Is the ORIGINAL American Musical In trouble?

December 6, 2010 By Dayton Most Metro 1 Comment

SCOTTSBORO BOYS

Kander & Ebb’s Final Masterpiece

By most standards, Broadway is enjoying a banner year. Last year’s huge musical hits – Next to Normal, Memphis, Promises, Promises, Rock of Ages and Green Day’s American Idiot are still running to great houses. Many of these shows are heading out on the road if not already. Current news in New York has the $65 Million gamble – Spider-Man: Turn Off The Dark (directed by Julie “Lion King” Taymor with music by U2’s Bone and The Edge) generating huge buzz and new film-turned-musicals Catch Me If You Can, Sister Act, and Leap Of Faith all announcing spring openings. Even in the world of non-musical fare, the hits keep on coming – Free Man Of Color, Driving Miss Daisy, War Horse, Time Stands Still, Lombardi, and a star-studded The Merchant of Venice.

“Slowly but surely, Dayton seems ready to embrace NEW ORIGINAL work, but is it enough?”

Here in Dayton this season, we’ll see the arrival of Avenue Q (after a much lauded tour of Spring Awakening just passed through) as well as NEW emerging musicals and plays in development from Dayton Playhouse, The Human Race Theatre Company, Encore Theater Company and others. Slowly but surely, Dayton seems ready to embrace NEW ORIGINAL work, but is it enough?

Amid all of New York openings is a terrifying reality as well. Two of the most critically acclaimed and game-changing ORIGINAL musicals have opened and posted closing notices despite being considered by many as changing the course of American Theatre. The emo-punk musical history lesson – Bloody Bloody Andrew Jackson and The Scottsboro Boys – the final work from the legendary creative team of John Kander & Fred Ebb (Chicago, Cabaret, etc.)

Directed by 5-time Tony® Award winner Susan Stroman (The Producers), this daring and wildly entertaining musical explores a fascinating chapter in American history with arresting originality. The show is based on the notorious “Scottsboro” case in the 1930s, in which 9 African-American men were unjustly accused of a terrible crime. Their shocking and inspiring story – told though a mix of innovative staging and piercing new songs – demands to be shared. And yet, after December 12 – it will be gone.

Christopher Dimond – a New York-based musical theatre composer and good friend of Encore Theater Company – recently discussed his sadness – not only about the closing of this definitive show – but what it says about audiences willing to take risks on something ‘new’ instead of always falling back on the tried and true. We here at onStageDayton felt it was well worth re-printing here.

-David Brush

How I Failed the Scottsboro Boys

CHRISTOPHER DIMOND

Kooman & Dimond Blog

It’s easy to gripe about the state of Broadway these days. Trust me, I do it a lot. Original musicals are a rarity. Juke Box shows and movie adaptations dominate the Great White Way, cotton candy and bubble gum pop for the tourist crowd. Fluff trumps substance.

Who’s to blame for this? My personal favorite scapegoats are producers. “If only producers had some balls,” I whine after watching an MTV telecast of a musical about a girl who goes to law school to impress her boyfriend, “Then we’d actually see the high-quality, in-your-face, change-your-life kind of musicals that we should be seeing.”

“It’s an absolute crime, a soul-crushing travesty, that this show is closing, while elsewhere lighthearted Abba tunes will be sung in seeming perpetuity.”

So, who’s to blame when producers with balls take a risk on something daring, audacious, and effing beautiful and it still “fails” on Broadway?

The short answer: me.

The Scottsboro Boys is a triumph of modern musical theater. It’s brilliant, it’s bold, it’s provocative, it’s moving, it’s surprising, it’s a whole bunch of adjectives that collectively still do not do it justice. And most of all, it’s a story that needs to be told, told in an incredibly powerful manner. It’s the best musical I’ve seen in years. In no way, NO WAY, can this show be described as a failure.

The cast, Kander and Ebb’s score, David Thompson’s book, Susan Stroman’s direction/choreography, the design… it’s not perfect, but it’s about as close to perfect a production as you’ll find on Broadway today.

And yet, producers announced this week that the show will close December 12th, after 49 performances and 29 previews.

Does that make the production a “failure”? Does it mean that we need some alternate model for producing smaller, edgier musicals than the Broadway one? Those are conversations I’ll save for another time.

The simple fact of the matter is this: People are going to lose money producing a brilliant piece of theater. And, more devastatingly, A LOT of people are going to miss out on the chance to see The Scottsboro Boys. It’s an absolute crime, a soul-crushing travesty, that this show is closing, while elsewhere lighthearted Abba tunes will be sung in seeming perpetuity.

Yes, the show had a healthy run at the Vineyard, and no, the point of creating art should not be to turn a profit. You can even make the argument that it was a mistake to try to transfer such a risky show. But I’m not buying it. This show deserves to be seen, and it deserves to be seen by as many people as possible. Broadway gives it the best chance to do that.

I refuse to believe, POSITIVELY WILL NOT ACCEPT the idea that there are not enough people out there who want to be moved, to be challenged, to be changed by a musical in order to keep this show running.

It’s going to be easy to blame the marketing of the show, or the subject matter, claiming that it’s just too tough of a sell for Broadway. Bullshit. Here’s all the marketing a show like this should need: “It’s fucking amazing. Go see it. Now.”

Years down the road, pundits will shake their heads and say, “The show simply didn’t find its audience.” I’ll argue differently. The audience simply didn’t find its show.

If we are going to complain about the state of Broadway, then we, as an audience, AS A THEATER COMMUNITY, have a responsibility to actively seek out productions that are extraordinary, to support them by paying for tickets, and to promote the hell out of them through word of mouth, social media, blackmail, whatever’s necessary to advance the cause of innovative, exceptional theater.

I didn’t do that with The Scottsboro Boys. I waited until the closing notice had been posted to buy my ticket. I should have rushed out immediately. I should have been the first in line. I should have shouted from the rooftops.

I didn’t do that.

And, apparently, I wasn’t the only one.

-cd

From Christmas Past to Christmas Pageants… and FREE TICKETS!

December 3, 2010 By Dayton937 7 Comments

Childrens Theatres Explore the Holidays

Junie B Jones: Jingle Bells, Batman Smells (Photo Credit Mike Long)

So often, we associate “children’s theatre” with “running around in big furry costumes spouting cutesy dialogue” (witty description per playwright Allison Gregory), and “Christmas shows” with the same old retellings of the Nativity or Nutcracker (as Dave mentioned Tuesday). But, we’re often too busy to even think of those types of theatre, let alone putting them together, for the holidays seem to come earlier every year (did Black Friday begin on Thursday…?) – sometimes it seems like ‘tis the season for selfishness and stress! This season, two theatres are surpassing those stereotypes and producing quality holiday productions for audiences of all ages, providing the perfect way for families to spend time together, enjoy themselves, and move beyond the overwhelming focus on gifts and wanting more.

Beavercreek Community Theatre’s A Christmas Carol and Town Hall Theatre’s Junie B. Jones: Jingle Bells, Batman Smells both open this weekend. While extremely different shows, both feature youth performers and share conceptual similarities: they may seem like lighthearted Christmas fare, and audiences of all ages will definitely laugh and enjoy themselves, but also walk away with a little something else to consider.

A Christmas Carol (Photo credit: Diana Blowers)

Beavercreek Community Theatre’s Children’s Theatre presents Charles Dickens’ A Christmas Carol; the structure of this adaptation is unique because it features a “play-within-a-play,” exploring the famous allegory as a story passed down from grandfather to grandson when young Thomas struggles to understand the reason for giving hard-earned money away to the poor. As the traditional story goes and Thomas’ grandfather shares, visits to his past, present, and future teach Scrooge the loneliness of his selfish, stingy ways and inspire him to change his life.

Teresa Connair, who directs the 34-member cast of students ages 8 – 18, has worked with children’s theatre for over fifteen years and began the Children’s Theatre branch (a unique facet not shared by many of the

A Christmas Carol (Photo Credit: Diana Blowers)

other Dayton theatres) at BCT five years ago. Along with performing in shows, students can participate in educational initiatives and classes at BCT, and help choose children’s productions; approximately half of the cast members have participated in BCT’s Children’s Theatre in some way before.

For this show, Connair has worked with the cast not only on scenes, but also on qualities important in life. She commented,

“We try and teach professionality to these kids, and how to develop a character, build a character, be real onstage – not just say lines, and I think they do an excellent job. They constantly surprise me, and that’s not easy to do.”

That training evidently is successful, for Connair stressed the professional quality of this production. That professionalism and the fresh angle to a familiar story both ensure A Christmas Carol is unique, excellent, and worth fitting into a busy holiday schedule.

Junie B Jones: Jingle Bells, Batman Smells (Photo Credit: Mike Long)

Town Hall Theatre’s Landmark Children’s Theatre’s current production, Junie B. Jones: Jingle Bells, Batman Smells, also promises to entertain and impress. Some may remember THT’s well-loved and hilarious production last season of Junie B. Jones and a Little Monkey Business, exploring Junie B.’s kindergarten escapades; in Jingle Bells, Batman Smells, Junie B. is now in first grade and has grown up a little bit – this show features her parents less, and explores the relationships and events she deals with at school. Not only does Junie B. draw the name of May, her avid nemesis, for the school “Secret Santa” gift exchange, but both girls are required to perform together in the school’s holiday pageant.

Though many adults are unfamiliar with them, the Junie B. book series, by Barbara Park, is extremely popular with children; even if you have never heard of the books, however, the play and characters stand alone and will make sense. Junie B. reflects the lives and struggles of kids now, but adult audiences will also reminisce and remember the same things that the characters are encountering. Playwright Allison Gregory, who was commissioned by Childsplay, Inc., to adapt the books for the stage, explained that the magic of the story and characters is how perfectly Park expresses the way kids think, “yet within that impulsive, boundless world, she builds a highly structured, meaningful story.”

Junie B Jones: Jingle Bells, Batman Smells (Photo Credit: Mike Long)

Gregory’s adaptation and THT’s production align perfectly with this description, and the cast has had a lot of fun exploring it! Director Brittany Hayden-Hinkle, also THT’s Education Director, discussed how rewarding working with the kids has been:

“I really enjoy them as actors and just as people. Where else would you be discussing burp noises and what “squeeze a burp” should look like? The kids… bring an energy that is positively indescribable; they care so much about the shows they work on! And they never take themselves too seriously.”

Both A Christmas Carol and Junie B. Jones: Jingle Bells, Batman Smells will provide audience members with not only a great distraction from the consumerism and stress of the holidays, but a perfect way to go beyond our typical conceptions about the holidays and theatre to reflect on what’s truly important. Hayden-Hinkle expressed thoughts about Junie B. that reflects the depth of Christmas Carol as well:

“The show encourages kids to look past themselves during the holidays and reach out to those who need a little help. Sometimes the right thing is pretty hard to do but it’s always worth it in the end!”

So, this December, take your family or friends to see one of these two great children’s shows, and move beyond the typical conceptions, enjoying yourself and laughing in the process.

Tickets and Performance Information

A Christmas Carol: Beavercreek Community Theatre

December 3 – 12, 2010 – Fridays/Saturdays at 7:00 pm; Sundays at 3:00 pm
Call the Box Office at 937-429-4737 or visit Beavercreek Community Theatre!

Junie B. Jones: Jingle Bells, Batman Smells: Town Hall Theatre

December 3 – 19, 2010 – Fridays through Sundays (multiple performance times; check website!)
Call the box office at -937-433-8957 or visit Town Hall Theatre!

Or, check out the contest below…

Win Free Tickets!

Beavercreek Community Theatre, Town Hall Theatre, & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to each of these shows! We will be giving away up to five sets of four tickets total for the second or third weekends of these terrific shows! We have three sets for A Christmas Carol and two for Junie B. Jones. And since we’re giving away four tickets to each winner, your family can come together. All you need to do is:

Share this post on Facebook or Twitter…we’ll give away a set of tickets for every 10 ’shares’ on FB/Twitter, up to 5 groups of 4 tickets. Just click on the appropriate button below, it’s that easy!

Leave a comment, answering the following question… Both of these shows center around the holidays and a spirit of togetherness… what is your favorite or most unique holiday tradition?

The deadline to enter is MIDNIGHT on TUESDAY, December 16th; tickets will be made available for the second (or third, for Junie B. Jones) weekends of the show.

~KN

SUBMIT PRESS RELEASES

Would you like to submit theater news for DaytonMostMetro.com’s onStageDayton features? Email Shane, Dave & Katherine at [email protected]

Katherine Nelson is a senior theatre major at Cedarville University who focuses on performance, playwriting, and stage management. She’s the Literary Intern with locally basedEncore Theater Company, where contributors Shane Anderson and David Brush also work. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

So This is Christmas…

November 30, 2010 By Dayton Most Metro 1 Comment

8-Track:

The Sounds of the 70’s

THE HUMAN RACE THEATRE COMPANY

Grab Your Boogie Shoes!

The Human Race Presents

A Unique Holiday Offering

So this is Christmas and what have you done?

Another year older, a new one just begun.

A very merry Christmas and a happy new year,

Let’s hope it’s a good one without any fear.

Happy Xmas (War Is Over) – John Lennon & Yoko Ono – December 6, 1971

Holiday fare at the theatres can often get stale and repetitive. I love a good Dickens’ tale or Nutcracker ballet like anyone else but wouldn’t it be a great to start a NEW holiday tradition, Recently, we’ve seen local production of fresher holiday fare including classics like Miracle on 34th Street and White Christmas (currently playing at La Comedia) to edgier offerings like Eight Reindeer Monlogues. Nationally, TWO new holiday musicals are making the rounds – a new musical adaptation of the classic holiday film A Christmas Story and on Broadway – a musical staging of the more recent film, Elf.

8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.

This holiday season, amid all of the standards, The Human Race Theatre Company is inviting you back to the age of bellbottoms, flower power, and draft dodging. Fifty of the greatest hits of the 70’s wrapped into one rock ‘n’ roll evening doesn’t seem like typical holiday fare but The Human Race is betting on 8-Track: The Sounds of the 70’s.

From the creator of the 60’s musical revue Beehive comes this all new retrospective that the Minneapolis Star Tribune has called “an infectious, joyous celebration.” The show is cleverly split into 8 “tracks” or themes like War and Peace and Disco that give the show a thematic tie to the decade it represents. Be prepared to hear classic songs from Donna Summer, Helen Reddy, KC & The Sunshine Band, The Carpenters, The Bee Gees among others.

8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.

The other thing you can be sure of is that these songs will be expertly executed. Under the direction of Human Race Resident Artist Scott Stoney, the cast of five include TWO locals-made-good including EBONY BLAKE and JJ TIEYMEYER – both Wright State graduates and both now New York based. Neither are strangers to the Loft. Blake was seen in Jitney and the workshop presentation of Nefertiti (Ms. Blake was last seen here in Dayton on the national tour of The Color Purple that played the Schuster Center). Tiemeyer has been seen in A Christmas Carol and Man of La Mancha with The Human Race. The cast is rounded out by JENNIFER WREN (Brigadoon at the Schubert) and JONATHAN BURKE (National Tour of Cats).

So go ahead and indulge in your “ghost of Christmases past” and dancing mice but don’t miss the holiday Disco party at the Loft.

Photos by Scott J. Kimmins

Tickets & Performance Information:

8-Track: The Sounds of the 70’s – December 2 through 22 at The Loft Theatre, 126 N. Main St.

Various performances days and times, visit www.humanracetheatre.org or Ticket Center Stage for ticket information.

Tickets also available by calling (937) 228-3630 or toll-free (888) 228-3630

Group tickets for holiday outings (or otherwise) at (937) 461-3823 x 3113

-DB

8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Shane Anderson & David Brush work with locally based Encore Theater Company.Katherine Nelson, a senior theatre major at Cedarville University, serves as the Literary Intern for ETC. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

High Drama in the Court of A-Squeals

November 17, 2010 By Dayton Most Metro 1 Comment

The True Story of the 3 Little Pigs

Town Hall Theatre

Last month I received a notice in the mail. OH, NO! I had been assigned jury duty! I have never been required to serve before. Initially I thought that I did not want this responsibility, but then I kind of got excited about seeing our judicial system in action. Unfortunately my pool of jurors was dismissed without ever stepping into the courtroom, I was crestfallen…that is until this week! Starting on Friday, we all get a chance to participate in our great civic duty, but this time the courtroom is the Mathile Theatre at the Schuster Center.

Washington Township’s Town Hall Theatre will present their hilarious courtroom spoof The True Story of the 3 Little Pigs this weekend on Friday at 7pm and Saturday & Sunday at 3pm. The family show is recommended for audiences age 4 and up.

The show, a zany musical adaptation of the classic story, takes place in “Piggsylvania’s” highest court during the trial of Alexander T. Wolf. The proceedings, under the insightful guidance of Judge Prudence Pig, will determine whether Mr. Wolf is truly a “big, bad wolf,” or really just a misunderstood carnivore with a cold! In this drama, YOU get to be the jury and decide the fate of Alexander! With songs like It’s a Piggy World and Cheeseburgers Ain’t Cute, audiences won’t stop giggling until the verdict is in!

The show is adapted from the 1989 children’s book by Jon Scieszka and Lane Smith. It features book and lyrics by Robert Kauzlaric and music by Paul Gilvary and William Rush.

The production is presented by the Landmark Children’s Theatre Company, the THT’s premiere series featuring professional and volunteer adult actors performing with young people. The 20+ member cast includes C.J. Suchyta as Alexander T. Wolf, Tara Murphy as Judge Prudence Pig, and Centerville students Carley Marten & Grace James who will alternate in the role of Magill (the court reporter with a “snout for the truth”). The production is directed by Colin Thornton who previously staged another Scieszka adaptation (The Stinky Cheese Man and other Fairly Sutpid Tales).

Mr. Thornton states that he especially enjoys working with these titles because he likes the way the author takes classic fairy tales and twists them in unpredictable ways.

“Scieszka is a master at turning our expectations upside down and scrambling familiar children’s stories into something unique and strange,” Thornton explains. “The random humor and insightful lessons that can be learned from the quirkiness of his literature are what inspires me as a director.”

The show, which was previously presented at Town Hall Theatre’s own theatre is being taken “on the road” to the Schuster Center’s Mathile Theatre as part of a special projects grant the theatre received from the Montgomery County Arts and Cultural District. As part of this project, the theatre will present a free Friday morning performance of the show for Dayton Public Schools students, through a partnership with the Victoria Theatre Association.

Tickets & Performance Information:

The True Story of the 3 Little Pigs (Nov. 19 at 7 p.m. and Nov. 20 & 21 – 3 p.m. in the Mathile Theatre at The Schuster Center) Show runs 60 minutes, without intermission.

Tickets: Adults $15 / Students & Seniors $13 / Children 12 & Under $12
(Plus Service Fees. Prices Subject to Change.)

Call (937) 228-3630 or by visiting TicketCenterStage.com.

Visit http://www.townhalltheatre.org/ for more information about Town Hall Theatre and their programs.

-SA/THT Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Shane Anderson & David Brush work with locally based Encore Theater Company.Katherine Nelson, a senior theatre major at Cedarville University, serves as the Literary Intern for ETC. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

W;t – DEATH BE NOT PROUD…a chance to win free tickets

November 12, 2010 By Dayton Most Metro 6 Comments

W;t - showing at the Dayton Playhouse

W;t

DAYTON PLAYHOUSE

DEATH BE NOT PROUD: Margeret Edson’s Pulitzer-Prize winning play opens this weekend at Dayton Playhouse

Pulitzer-Prize Winning plays seem to be the fall trend in Dayton Theatre. Leading the way was the joint premiere of Tracy Lett’s August: Osage County from Wright State University and The Human Race Theatre Company. This week, Dayton Playhouse will present one of Pulitzer’s more powerful selections in recent years – Margaret Edson’s W;t.

The play is structured as the last hours of Dr Vivian Bearing, a university professor of English, who is dying of ovarian cancer. She recalls the initial diagnosis of Stage IV metastatic ovarian cancer from her oncologist, Dr. Harvey Kelekian. Dr Kelekian then proposes an experimental chemotherapeutic treatment. Although Vivian agrees to the treatment, the heart of the piece is Vivian’s searing intellect and introspective journey with disease.

What’s striking about the play is that it serves as both an homage to those we have all lost to cancer – ovarian or otherwise – and a heartfelt “hell-yeah!” to those currently in a fight for their lives. This is an extraordinary achievement for a typically intermission-free evening of theatre. Even more striking is that W;t is not a play about cancer, but rather a play about the value of the heart in times of vulnerability. Theatrically, it has often served as a tour-de-force for the actress embodying Vivian. She is well-educated, logical, an expert on the work of John Donne, and an accomplished academic, yet through the play we see even her arguably above-average intellect is no match for the illogical complexities of this crippling scourge.

Premiering in 1995, one might think advances in cancer research since would render Edson’s play obsolete or, at the very least dated. Refreshingly, Edson’s carefully selected prose still has a visceral resonance and perhaps even a fresh one in 2010.

Dayton Playhouse is in the middle of an ambitious season that began with a widely well-received regional premiere of Mel Brooks’ Tony-Winning musical The Producers directed by Chris Harmon. The remainder of the year includes William Finn’s contemporary hit The 25th Annual Putnam County Spelling Bee, Jerry Herman’s iconic and progressive La Cage Aux Folles, and Christopher Durang’s Beyond Therapy. W;t – although not a light evening of theatre – could prove to be a fine addition to this line-up AND a rarely produced play in the region, and with local actors Barbara Coriell and Chuck Larkowski leading the cast (as Vivian Bearing and Dr. Kelekian, respectively), the prospects are high indeed.

W;t is directed by Matthew Smith with assistance from Anita Bachmann (lights), Duante Beddingfield (sound), Michael Stockstill (costumes) and Jamie McQuinn (stage management). The cast includes Barbara Coriell, Jonathan Berry, Chuck Larkowski, Jeri Williams, Chris Hammond, Gloria Doty, Ellen Ballerene, Macus Simmons II and Carol Narigon.

Win tickets to W;t

Dayton Playhouse & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to W;t. We will be giving away up to four pairs of tickets for the second weekend of this terrific show! All you need to do is:

Share this post on Facebook or Twitter…we’ll give away a set of tickets for every 10 ’shares’ on FB/Twitter, up to 4 pairs of tickets. Just click on the appropriate button below, it’s that easy!

Leave a comment, answering the following question…The character of “Vivian” is a college professor…tell DMM about an educator in your past who made an impact on your life.

The deadline to enter is MIDNIGHT on TUESDAY, November 16th; tickets will be made available for the second weekend of the show.

For more Information & Tickets, visit:

Margeret Edson’s W;t (November 12-21, 8pm Fridays & Saturdays and 2pm Sundays at Dayton Playhouse, 1301 East Siebenthaler Ave
Dayton, OH 45414) Tickets: $10/$14/$15 Call (937) 424-8477 (M-F 2:00-5:00 pm) or by visiting their ONLINE BOX OFFICE.

Visit http://www.daytonplayhouse.org/ for more information about the organization.

-DB

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Shane Anderson & David Brush work with locally based Encore Theater Company. Katherine Nelson, a senior theatre major at Cedarville University, serves as the Literary Intern for ETC. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

Coming Up in Dayton Theatre 11/11-11/24

November 11, 2010 By Dayton937 Leave a Comment

THURSDAY, NOVEMBER 11, 2010 – WEDNESDAY, NOVEMBER 24, 2010

Dayton Playhouse: W;t (Photo Credit Art Fabian)

The last few weeks, I’ve been recovering from surgery, a process that has been unfortunately long, stressful, and exhausting. But in the midst of that, I had the opportunity to see the national tour of Spring Awakening at the Victoria Theatre last week, and for those two and a half hours, I forgot my pain and exhaustion as I watched and enjoyed an amazing piece of art. The experience reminded me of the incredible power of theatre, and how moving and cathartic seeing a show can be.

We all have plenty of stresses in our lives, and theatre can be a great way to cast those aside for a few hours as we lose ourselves in a show, many of which will still teach us something about life and ourselves in the process. Whether you want to do that by laughing (Anything Goes) or crying (Wit), there’s a show for you in Dayton these next two weeks. And, performing in a show can be just as cathartic, so be sure to check out the auditions below, too.

Another Openin’, Another Show

…SHOWS OPENING SOON

W;t

DAYTON PLAYHOUSE

The Story: English professor Dr. Vivian Bearing has just been diagnosed with Stage IV ovarian cancer; words and her wit are her only defense, since the hospital gown and Boston Red Sox cap cannot protect her from a body that has turned into an enemy and a cure that may be worse than the disease. Ultimately, “we uncover a new appreciation for the simple, the maudlin, and the kind, and see the triumph of the human spirit.”

Dates: November 12 – 21, 2010

Tickets: (937) 424-8477

More Information: Dayton Playhouse: W;t

The True Story of the 3 Little Pigs

TOWN HALL THEATRE – LANDMARK CHILDREN’S THEATRE

The Story: When Piggsylvania’s highest court puts him on trial, things don’t look so good for Alexander T. Wolf — everyone from judge Prudence Pig to the court reporter is rooting into the truth about his so-called terrible deeds! In this fresh musical adaptation of the familiar story, audience members (ages 4+) decide the way the story ends.

Dates: November 19 (7 pm), 20 – 21 (3 pm), in special performances at the Schuster Center’s Mathile Theatre

Tickets: Ticket Center Stage or call 937-228-3630

More Information: Town Hall Theatre, Victoria Theatre Association: Three Little Pigs

…SHOWS CLOSING SOON

Anything Goes

WRIGHT STATE UNIVERSITY

Anything Goes (Photo Credit WSU)

The Story: In this musical set aboard an ocean liner bound from New York to London, Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is unfortunately engaged to Lord Evelyn Oakleigh; former Evangelist turned nightclub singer Reno Sweeney falls in love with Lord Evelyn; gangster Moonface Martin attempts to escape the law, and Hope’s mother only desires to maintain her social standing.

Dates: October 28 – November 14

Tickets: 937 775-2500

More Information: Wright State University: Theatre season

Part of it All

…AUDITIONS AND CASTING CALLS

I Hate Hamlet

PLAYHOUSE SOUTH

Auditions: Nov 15 & 16, 2010, 7:00 pm

Performances: January 21-23 & 28-29, 2011.

Directed by Ray Gambrel

The Story: In this dramatic comedy, television actor Andrew Rally is struggling in his professional and private lives, attempting to play the role of Hamlet (which he hates) and deal with his girlfriend’s unrelenting chasteness. The dilemma deepens when the ghost of John Barrymore appears to try to convince Andrew to persevere in the role… while an old deal-making friend suddenly offers Andrew the chance at a new television deal.

More Information: Playhouse South: I Hate Hamlet, DMM Event

The Octette Bridge Club

The Spitfire Grill at BCT (Sept 2010)

BEAVERCREEK COMMUNITY THEATRE

Auditions: November 15 & 16, 2010, 7:00 pm

Performances: January 28 – February 6, 2011

Directed by Jim Lockwood

The Story: Eight sisters in a small Rhode Island town meet twice a month to play bridge and gossip; the ten year span of the show, exploring the eras of WWI and WWII, shows the changes in the sisters, their relationships, and the world.

More Information: Beavercreek Community Theatre: Auditions

One Short Day

…SPECIAL EVENTS FOR THE THEATRICALLY MINDED

An Evening with Sutton Foster

SPRINGFIELD ARTS COUNCIL

The Basics: Broadway sensation Sutton Foster, known for originating roles in four shows, performs selections from her debut solo album, “Wish,” in a night of laughter and music. Music Director Michael Rafter accompanies Sutton on the piano in this evening filled with some of Broadway’s best.

Date: November 13, 8:00 pm

Tickets: 937-328-3874

More Information: Springfield Arts Council, DMM Feature

Broadway Rocks

DAYTON PHILHARMONIC

The Basics: In this dynamic review, four top-notch Broadway vocalists join the Dayton Philharmonic in an evening of musical theatre classics from shows such as Wicked, Rent, Tommy, Phantom of the Opera, The Wiz, Mamma Mia, and more, backed by a full orchestra and chorus.

Date: November 12 & 13, 8:00 pm

Tickets and More Information: 888-228-3630, Dayton Philharmonic, DMM Feature

SUBMITTED PRESS RELEASE

Would you like to submit theater news for DaytonMostMetro.com’s onStageDayton features? Email Shane, Dave & Katherine at [email protected]

~KN

Katherine Nelson is a senior theatre major at Cedarville University who focuses on performance, playwriting, and stage management. She’s the Literary Intern with locally based Encore Theater Company, where contributors Shane Anderson and David Brush also work. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

Turning the Table on the Critic

November 9, 2010 By Dayton Most Metro 7 Comments

A Discussion with Russell Florence, Jr.

DaytonMostMetro.com/onStageDayton’s newest contributor!

We are pleased to announce our newest contributor to DaytonMostMetro.com, Russell Florence, Jr.! The addition of Russell to the onStageDayton team means that DMM will not only be the place to go for previews and announcements about Dayton area theatre activities and events, but also your destination for theatre reviews as well!.

We are certainly honored that Russell has chosen to work with us at onStageDayton. He is well known around the Miami Valley theatre scene, having written for such publications as Dayton Daily News, Impact Weekly and, most recently, Dayton City Paper. In an effort to introduce Russell Florence, Jr. to our DMM readers, we asked him to respond to a few questions.

Russell, Welcome to DaytonMostMetro.com! We are thrilled that you will be joining our group of onStageDayton contributors. We’d like to take a couple of moments to “turn the tables” on you…and ask YOU a few questions!

OSD: You have been a pretty recognizable personality around the local theatre scene for quite some time now. What was the first review you wrote in a major Dayton area media outlet? What memories do you have of that experience?

RF: My first review was in 2001 courtesy of Impact Weekly, formerly the Dayton Voice. I reviewed the national tour of Titanic at the Victoria Theatre. The production definitely struck a chord. I’ve always loved Maury Yeston’s grand, operatic score.

OSD: In your years reviewing productions in the area, what changes have you witnessed in the Dayton area theatre scene?

RF: Primarily, Dayton’s theater community has been more open and receptive to risk, which I find extremely refreshing. At one time, there were only a handful of theaters willing to break from mainstream tastes, but multiple troupes, from the suburbs to downtown, are embracing challenging, thought-provoking, and edgy material. Many organizations are currently planning their 2011-2012 seasons as well. I’m excited to discover what’s in store!

OSD: Every community would love to know that their local theatre climate is a microcosm of the national one…in what ways is this true (or untrue) of the Dayton community?

RF: The ongoing support and encouragement of new voices in musical theater has been particularly wonderful. From professional theaters to collegiate and community theaters, Dayton audiences are being treated to important works and witnessing the rise of many up and coming composers with clear potential. It’s great that there are so many theater organizations in the Gem City with close connections to some of the best and brightest talents working in the industry.

OSD: What are two currently running shows in New York (Broadway or Off-Broadway) that make you feel optimistic about the future of American theatre?

RF: John Kander and Fred Ebb’s The Scottsboro Boys and Tom Kitt and Brian Yorkey’s Tony and Pulitzer Prize-winning Next to Normal are two examples of compelling, conceptually dynamic musical theater that will hopefully inspire other artists to pursue the same.

OSD: You’ve had the opportunity to interview quite a few big names in theatre…who still makes you “starstruck”?

RF: I’m very fond of my 2002 interview with producer Cameron Mackintosh (who was in Dayton for the non-equity launch of Miss Saigon at the Victoria Theatre), but in terms of “starstruck,” I’ve crossed paths with and spoken briefly to Stephen Sondheim on two occasions and couldn’t move afterward!

OSD: Tell us, and our onStageDayton readers, a guilty pleasure that you just might be a little bit ashamed to admit…

RF: Waiting at the stage door to have my Playbill signed and chat with cast members after seeing a Broadway show remains tempting!

Make sure you visit DaytonMostMetro.com – onStageDayton regularly for the latest in theatre news! Russell will be contributing his first preview later this week, and reviews of local productions will begin soon! Additionally, David, Shane & Katherine will continue to highlight upcoming local performances and audition notices.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

SA/DB

Russell Florence, Jr. is a member of the American Theatre Critics Association and the Drama League. In addition to his role as arts and culture editor of Dayton City Paper and theater critic for Dayton City Paper and Impact Weekly, he served as a Dayton Daily News freelance writer and editorial page contributor. He has also written features for such theater publications as Spotlight Ohio and The Sondheim Review.

Shane Anderson & David Brush work with locally based Encore Theater Company.Katherine Nelson, a senior theatre major at Cedarville University, serves as the Literary Intern for ETC. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.