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Toronto – Day #2 – 2013

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Hello Everyone.

On my second day, I set out to see 4 films…but I really only saw 3.  I sat down for my first film, and I simply couldn’t take it.  After 5 minutes, I thought I might leave.  After 10 minutes, I couldn’t stand it…but I thought I needed to give it more time.  After 30 minutes, I simply couldn’t tolerate seeing one of my favorite actresses in such a terrible film.  So I left.

A couple hours later, I made my way to LABOR DAY – the new film by Jason Reitman starring Kate Winslet and Josh Brolin.  This is the story of a mother and son who live alone in  a small town in the late 1980’s.  Winslet’s character is extremely lonely and depressed, and her son (a nice performance by Gattlin Griffith) tries to keep her afloat.  An escaped convict works his way into their home, and rather unlikely relationships ensue – new lover for mom and a father figure for her son.  The movie is shot beautifully, and the performances are really wonderful – Winslet’s melancholy is palpable.  I really loved a lot about this film, but it sadly has a few big annoyances…a couple bad situations and a couple moments of laugh-out-loud bad screenwriting.  A slight recut could fix a lot…but I don’t think that will happen before its release.

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Next up was the world premiere of the first animated feature by Chomet (director of THE TRIPLETS OF BELLVILLE) – ATTILA MARCEL.  As a big fan of PARIS JE T’AIME, I was already familiar with the fact that he can direct live material with great success – he did the short about the little boy with mime parents.  This film is highly stylized with lots of charm and a lot of great music.  It’s the story of a mute piano player who is raised by his overbearing aunts.  After meeting an herbalist who lives on a secret floor in his building, he begins to explore hidden memories of his deceased parents.  Though a bit clunky (a couple devises just don’t work) and a bit long, it’s got enough magic to keep you invested…and you’ll root for the protagonist all the way through. (Sorry…there’s no trailer with subtitles.)

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My last film of the day was BAD HAIR from Venezuela.  This is the story of a curly-haired boy who lives in the projects with his mother and her newborn.  It’s a gritty existence – surrounded by gunfire, violence and rough terrain.  More than anything in the world, the little boy wants straight hair so he can be “like a singer.”  The mother fears that her son is gay, and her lack of education and fear for his well-being makes her take strides to eventually “heal” her son.  This is a grim film – but not without moments of sheer joy.  The performances are incredible from everyone, and the material is transportive.  Though I wish the film had been 10-15 minutes shorter (not a whole lot happens…it would be stronger if it was tighter), I think it’s my favorite film of the festival so far (it brings to mind two other films – the great performances of childhood in TOMBOY and the gritty style of FISH TANK).

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After screening 3 films, I met up with Glenn Kiser – director of SABBATICAL (which won the Audience Award at last year’s Dayton LGBT Film Festival).  We had a great time catching up, and he mentioned that Dayton was one of his favorite festival experiences during his travels with SABBATICAL.  I don’t think he was just feeing me a line – he mentioned the great sense of community, the friends he made, and his overall experience.  I think we can be proud of that!

I’m currently in line for tickets…then off to 3 films today and a big party tonight.  More soon. Thanks for reading!

Jonathan

Toronto – Day #1 (5 Films)

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Hello!

Today was one of those packed days…and I’m thinking I might finish typing this while in line tomorrow morning (so I can get at least 5 hours of sleep).

I saw 5 films on Day #1.

First off was an Iranian film called CLOSED CURTAIN by Jafar Panahi & Kambuzia Partovi.  This is a film about a man who goes into hiding with his dog – residing in a “friend’s house” where he blacks out all the windows and fears any sounds of people outside.  A strange woman finds her way into the house, and tensions mount.  About half way into the film, the story reveals itself.  Not everything is as it seems…for this is a story being written/imagined by a director.  This is a film about inspiration and character development…and how one creates under certain constraits.  Not knowing Panahi’s story (of being under house arrest in Iran) could make this film a little more difficult to initially understand…though I eventually found the cinematic riddles/metaphors to be a little obtuse and tedious.  (There’s a side story about how dogs are not allowed to be seen in public…and the dog in this movie steals every scene.)

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(CONTINUED at 7:00am Friday morning)

Francois Ozon’s latest film – YOUNG AND BEAUTIFUL – is a sexually charged film about a girl losing her virginity over the summer…and how she eventually is drawn into the power-play of sexuality.  At 17, while still in high school and living at home, she begins leading a double life of a prostitute.  She uses on-line pornography as tutorials, and she steals her mother’s clothes to look more sophisticated.  Told over the course of 4 seasons, this film has a couple clunky moments and on-the-nose song choices (and a little too overscored – though I do love the score).  It even visually references BELLE DE JOUR – which is clearly loved by Ozon.  Overall, I rather liked the sexual politics of the film…and I loved the ending.  (Last year, I saw Ozon’s last film  – IN THE HOUSE…it ended up being one of my favorites.)

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ABUSE OF WEAKNESS is Catherine Breillat’s latest film – based loosely on her personal story of dealing with the aftermath of a stroke and being swindled by a man who she came to admire (who was supposed to star in her next film).  This film stars Isabelle Huppert, and she is out of this world!  The control of her body and speech are unbelievable!  Though a bit too long and sometimes a bit frustrating (though I’m guessing that might be the point…as dealing with an illness and its physical challenges can be much the same).  The psychology of what makes people do things that seem out of character is a driving force of this film, and it’s worth seeing just for Huppert’s incredible performance.

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KILL YOUR DARLINGS stars Daniel Radcliffe as Allen Ginsberg – which should seal the deal to mainstream America that Radcliffe can do a lot more than play a boy wizard (many already knew this given EQUUS and other examples).  Though produced by Killer Films (known for a variety of indie gems over the years – BOYS DON’T CRY, FAR FROM HEAVEN, and many many more), this film seemed more “Hollywood” than anything I saw on Day #1.  This is due mostly to its simplistic script.  The visual style is rather nice, and most of the performances are really quite good, but it seemed a little too easy and I found myself rolling my eyes a lot – especially in the first 20 minutes (and the use of some contemporary music killed a few moments instead of making them relatable).  Overall, I came away liking several things about the film – but it’s far from being a masterpiece.  (Part biopic, part thriller!…you didn’t see that coming, did you?  Without the opening scene set in prison, you wouldn’t really guess the film was heading that direction.)

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ONLY LOVERS LEFT ALIVE was my final film of the day.  Jim Jarmusch’s vampire movie isn’t what many might suspect.  It’s not at all a horror film!  This is a love story about 2 sophisticated  people who have lived for hundreds of years.  Told in a bit of a hallucinogenic haze, this film is actually full of humorous moments and thoughtful insights to today’s world.  (Tom Hiddleston’s character – who plays opposite Tilda Swinton – is contemplating suicide…due mostly to being so disenchanted with the monstrous actions of today’s human beings – who he refers to as “zombies”).  Told in a languid, poetic fashion, this is a character driven film with lots of long, slowly moving scenes with beautiful music and photography.  Some might find the film boring (especially if they’re looking for a traditional genre film), but I thought it was rather lovely.  Tilda was NOT there!  Though disappointing, it was nice to see and hear Jarmusch and Hiddleston discuss the film (I didn’t previously know who Hiddleston was…but fans were shrieking with delight when he emerged from his car).  Mia Wasikowska was also in attendance.  She had little to say.

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3 Films today.  Maybe 4!

More later!  Thanks for reading!

Toronto International Film Fest – I Made It To Town!

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Hello Friends of THE NEON!

I made it to Toronto.  With very little sleep, I ran right to registration and picked up my pass and catalog…which I looked at very quickly and made my first picks.  The Toronto International Film Festival (which I’ll refer to now as TIFF) officially begins tomorrow night.  That said, industry screenings begin tomorrow morning.  Each day, my pass allows me to see 2 public screenings and numerous industry screenings.  (The public screenings are more fun…they’re filled with film lovers…and the filmmakers and stars often attend those screenings.)  Only a handful of tickets for those public screenings are put aside for people who have passes like mine…and we can only collect them 48 hours in advance.  This means that I’ll be up every morning at 6:00 so I can leave my apartment and get in line by 7:00.  At 8:00, I’ll hopefully be one of the first people in line so I can get the tickets I want….then I’m off to screenings for the rest of the day.

Each day, I’ll see 3, 4 or sometimes even 5 films (that’s a rarity, though…my eyes can only handle so much).

I just returned from grabbing a beer and plotting my next few days.  I picked up some local publications and started to assess the buzz about any films that I might need to see, and my initial plan of attack is in place.  With over 300 films to chose from, the scheduling can become madness…and I love it.

Thanks for checking in with my blog.  One film I’ll be seeing tomorrow (Thursday night) is Jim Jarmusch’s new vampire film (not a genre I really like…but my favorite actress is the star – TILDA SWINTON).  Tune in again (and each day thereafter) to read about each of the films I’m seeing (and each of the stars I see flitting around).

More soon,

Jonathan

Only-Lovers-Left-Alive-still

 

 

 

Toronto Film Fest – Day #9

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Hello Everyone,

I saw 2 final films today…which took my final count to 29 full screenings (there were 3 partial screenings, too).

First off, I saw a lovely new adaptation of GREAT EXPECTATIONS by Mike Newell (director of ENCHANTED APRIL, FOUR WEDDINGS AND A FUNERAL, and a whole lot more).  This adaptation, though clearly condensed in order to be told in 2 hours, is an old-school, literal adaptation with lovely photography, great costumes and a wonderful score.  The cast is wonderful – Ralph Fiennes as Magwitch, Helena Bonham Carter as Miss Havisham and Jeremy Irvine as “older” Pip (he was the star of WAR HORSE).   Interestingly, Young Pip is played by Jeremy Irvine’s younger brother Toby, and he’ll have quite a career should he decide to continue acting.  Sally Hawkins (who is always delightful to see) plays Mrs. Joe.  This adaptation will be well received by NEON regulars…though it has been picked up by a brand new distributor – so we hope we can establish a good relationship with them.

[yframe url=’http://www.youtube.com/watch?v=10W1rOJ6aME’]

For my last film of the festival, I saw Lee Daniels’  (director of PRECIOUS) latest film – THE PAPERBOY.  Though Nicole Kidman and Zac Efron give “nice” performances, the material is all over the map.  The film is seriously fractured with tone and themes shifting from scene to scene.  Some of the cutting seems strange and forced – leading me to believe that coverage wasn’t good or performances weren’t always up to par.  Eric Kohn of IndieWire wrote, “Lee Daniels’ THE PAPERBOY is a rare case of serious commitment to outright silliness…It’s possible to enjoy aspects of THE PAPERBOY if you assume a certain self-awareness behind the campier bits, but even then, the movie drowns in an overwhelming barrage of excess.”  Though Efron was present at the screening, Kidman was not.  Is she distancing herself from the picture?  We’ll never know.

[yframe url=’http://www.youtube.com/watch?v=m2GMwWaDSr0′]

In the coming days, I’ll write one last Toronto wrap-up…and I’ll include some personal photographs from the trip.  So check back again on Tuesday or Wednesday – once I’ve had a bit of time to catch up on sleep, wash my clothes, get back to work and process all 29 films I screened.

Thanks for reading!

Jonathan

Toronto Film Fest – Day #8

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Hello Everyone,

I only saw two film in their entirety today…I started a third, but I due to not connecting with the characters, I decided that a nap was in my best interest.

First off, I saw LOVE, MARILYN -a documentary about Marilyn Monroe – based on personal journals and personal letters that were recently discovered in storage (in addition to writings and interviews from friends and colleagues).  Big stars – like Glenn Close, Ellen Burstyn, Hope Davis, Viola Davis, Ben Foster and Lindsay Lohan – read the letters.  The movie reveals a tormented, insightful star who seemed to know exactly what was happening around her.  That said, the performances of the readings were distracting.  Instead of voice-over, the actors perform the pieces via green screen – and their images are transposed over backdrops, archival footage, etc.  I found it to be rather annoying.  However, the archival material and interviews seemed more organic and worth the ride.

PASSION, the latest film from Brian De Palma, is a laughable thriller based on the French film LOVE CRIME.  The movie stars Rachel McAdams and Noomi Rapace, and it starts out very confusing.  The two lead actresses look to be the same age – though one is the corporate boss and the other is an assistant.  The chemistry between these two is rather flat, and the tone changes to camp rather quickly.  The music cues and other cheap devices used to confuse the audience are abysmal.  The movie is about how Rapace’s character plots revenge on her boss after she stole one of her ideas in order to advance with the company.  In a word, this film is bad.

[yframe url=’http://www.youtube.com/watch?v=xaSVR4pCKT4′]

In the evening, I went to see Madonna’s latest show at the Air Canada Center.  It was a complete blast – and quite a brilliant display of cutting-edge stage craft and lighting.

2 more films tomorrow…and I’m looking forward to both!

Thanks for reading!

Jonathan

Toronto Film Fest – Day #7

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I’m Back!

Wow…though my eyes are starting to blur a bit and my feet are slightly dragging, I’m still makin’ it to all the screenings I’ve got on the docket.

First of the day was Terrence Malick’s TO THE WONDER.  You might remember that THE TREE OF LIFE earned the title of most walk-outs in NEON history…and I think this film might give TREE OF LIFE a run for its money.  This visually lovely and poetic film is quite experimental…and it not only feels like a follow-up to TOL, it feels repetitive.  With identical shots from TOL, some similar “plot” lines and similar tone, this film will have both fans and detractors.  I heard one woman late this afternoon say to her friend, “I saw TO THE WONDER this morning.  It’s the worst movie I’ve EVER seen.”  The film is a rumination on relationships.  It has some wonderful moments, but I ultimately found the film to be tedious.  If I had to watch Olga Kurylenko skip through one more wheat field or twirl around down one more grocery store aisle, I might have to end it all (see below).  Ben Affleck seemed to phone in his performance (or perhaps he just wasn’t given much to do), and Rachel McAdams is certainly not the lead of this film (regardless of the marketing you might see).

Next I saw STILL – a Canadian film directed by Michael McGowen…starring James Cromwell and Genevieve Bojuld (Bojuld made a surprise appearance during the introduction of the film – it was a delight to see her).  This film is about how an elderly man is building an accessible home on his land for himself and his wife…and how the authorities keep handing him building violations.  The reason the man is building the house is because of the deteriorating health of his wife.  The director talked about how he read about this story from the headlines…and how he worked directly with the family in order to bring the film to life.  It’s a lovely, quiet film with great performances, a great score, and a wonderful backdrop of the Canadian landscape.

PEACHES DOES HERSELF was next on the list.  This film is the a record of a performance done by the rock star/performance artist Peaches.  Originally from Toronto, Peaches has been a part of the Berlin art scene for years.  This transexually charged performance had its highs and lows with some moments that had me (as well as a few folks beside me) in fits of hysterical laughter (some of it was like a train wreck), but it wouldn’t work well at all in a traditional engagement.  That said, it might find an audience at midnight screenings – especially for fans of the Peaches catalog.

My last screening of the night was SUICIDE SHOP – a life-affirming, French, animated, musical film about suicide.  Huh?  It’s true.  This sweet and funny film was directed by Patrice LeConte (RIDICULE and GIRL ON A BRIDGE), and it’s about a shop that sells anything needed to end one’s life.  Due to the recession, sales are up, and the gloomy family are happy to help folks find their preferred method of exiting the world.  The arrival of a new son throws the shop into a tailspin.  Why?  Because he’s too darn jovial.  Though I saw the film in 3D, it’s absolutely not necessary.  Unfortunately, I thought the film lost a little steam in the second and third act (and it’s only 80 minutes).  In addition, I don’t know who the film is for.  It’s full of adult themes, but the narrative arc is rather slight.  That said, I’m still glad I saw it…some of it is wonderful.

[yframe url=’http://www.youtube.com/watch?v=75gJaI_7eMM’]

Tomorrow I’ll see 2 or 3 films…and then I’m going to a non-TIFF-related event.  I’ll see Madonna in concert, and I have a great seat.

More to come.

Thanks for reading!

Jonathan

FAREWELL MY QUEEN at THE NEON + TIFF News

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Hello Everyone,

The Toronto International Film Festival has been terrific. I’m heading into my seventh day of screenings, and I’ve already seen 21 films. Though a nightly allotment of 4 to 5 hours of sleep is starting to wear me down, I’m having a great time. I’ve met Francois Ozon and Sally Potter (2 directors I greatly admire), and I’ve attended screenings the were introduced by (and sometimes with Q&As by) Susanne Bier, Keira Knightley, Susan Sarandon, Ben Wishaw, Tom Hanks, Dustin Hoffman, Kristin Scott Thomas, and my absolute favorite star encounter – Maggie Smith. If you’re interested to know about the movies I’ve seen, check out my other blog postings on this site.  I’ll post some personal pictures upon my return to Dayton.

At THE NEON, we’re moving forward this week. If you still need to see THE INTOUCHABLES, Thursday will be your last chance. On Friday, we will open the period drama FAREWELL, MY QUEEN. ROBOT & FRANK had a very solid opening weekend (Thank you!) – it will stick around for another week. (remaining showtimes for this week can be found at our site: neonmovies.com)

Synopsis for FAREWELL, MY QUEEN: “Based on the best-selling novel by Chantal Thomas, the film stars Léa Seydoux as one of Marie’s ladies-in-waiting, seemingly innocent but quietly working her way into her mistress’s special favors, until history tosses her fate onto a decidedly different path. With the action moving effortlessly from the gilded drawing rooms of the nobles to the back quarters of those who serve them, this is a period film at once accurate and sumptuous in its visual details and modern in its emotions. Diane Kruger gives her best performance to date as the ill-fated Queen and Virginie Ledoyen is the Queen’s special friend Gabrielle de Polignac.” (taken from Cohen Media Group) Kenneth Turan of The Los Angeles Times wrote, “Matching the strength of these actresses and their personal drama is the film’s masterful sense of time and place – the way it makes us feel that this was how it was during four pivotal days in July 1789 as the wheels came off the French monarchy.” Mike LeSalle of The San Francisco Chronicle wrote, “Other films about Marie Antoinette have had their moments, but Benoît Jacquot’s Farewell, My Queen is the first to give a real sense of what it must have felt like to live inside that palace as the walls were caving in.” Visit the official website.

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Tickets are already available for this year’s Downtown Dayton LGBT Film Festival, and there are a few films you won’t want to miss – including the opening night film GAYBY (which includes admission to the opening night party at The Crowne Plaza). Jonathan Lisecki, director of GAYBY, will attend our festival. In addition, Travis Matthews, director of I WANT YOUR LOVE, will be able to do some research for his new project while he’s in the region! Read all about the films on the official website. The 7th Annual Fest is set for Sept. 28-30. Watch the trailers and mark your calendars…it’s gonna be great! Special thanks to DAYTON MOST METRO, WYSO and DAYTON DAILY NEWS for already committing to provide stories about this year’s films.

And on the horizon is our benefit to assist with our digital conversion – set for October 14 (if you didn’t read that e-mail, you can check it out here). Thanks so much for your kind words and encouragement! Tickets can now be purchased at our box office and on-line via paypal. If you’re not able to attend our benefit, you can also make a donation on the benefit page.

All the best.
I hope to see you soon,
Jonathan

SHOWTIMES for Fri. Sept. 14 – Thu. Sept. 20:

ROBOT & FRANK (PG-13) 1 Hr 29 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
Monday – Wednesday: 3:00, 5:10, 7:20
Thursday: 3:00, 5:10

FAREWELL, MY QUEEN (R) 1 Hr 52 Min
Friday, Saturday, Sunday: 12:40, 2:50, 5:00, 7:15, 9:30
Monday – Thursday: 2:50, 5:00, 7:15

COMING SOON:
As always, all dates are tentative.
Many of these dates will change.
In some rare cases, titles may disappear.
Sept. 21 THE MASTER
Sept. 21 ARBITRAGE
Sept. 28-30 DOWNTOWN DAYTON LGBT FILM FESTIVAL
Oct. 5 SLEEPWALK WITH ME
Oct. ? SEARCHING FOR SUGAR MAN
TBD THE QUEEN OF VERSAILLES
TBD 2 DAYS IN NEW YORK

Toronto Film Fest – Day #6

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Hello Again.

It’s day #6…the days are flying by.

I started off the morning with FRANCES HA – the new film from Noah Baumbach (director or THE SQUID AND THE WHALE, GREENBERG and MARGOT AT THE WEDDING).  Greta Gerwig stars as Frances – a kindred spirit, down-on-her luck, professional dancer in NYC.  The film is about her relationships and always-shifting residence.  We grit our teeth as we watch her make mistakes (turning down jobs because she’s too proud, her alcohol intake, how she deals with men, etc.) and we truly like spending time with her even though she can certainly banter on while getting intoxicated.  The writing and lead performance are what make this black/white film work, but I don’t think some of our regulars at THE NEON will connect with the material.  (That said, I liked it quite a bit…and the music cues are delightful.)

Next up was a film that I was very excited to see – HYDE PARK ON HUDSON – starring Bill Murray and Laura Linney.  This film appeared to be the next KING’S SPEECH (after seeing the marketing), but it’s not as magical as I had hoped.  Don’t get me wrong…it’s a wonderful little film – it’s just not the next big thing.  This is the movie about FDR and his extramarital relationship.  It’s also about the weekend when the King & Queen of England visited…and the bond between the USA and Great Britain was forever changed.  The photography is lovely, the performances are great…in addition to a couple other notes, I wish there was more of Eleanor.

[yframe url=’http://www.youtube.com/watch?v=rzl3CkzQ5UM’]

Lastly, I saw DEAD EUROPE – a film about a son who goes to spread his father’s ashes in Greece only to begin discovering dark family secrets.  Now residing in Australia, the young man’s travels take him all over Europe and get him into some disturbing situations.  The premise and first  1/2 of this film were quite promising.  Unfortunately, the 3rd act became a little bombastic, and I started to care less for the characters as I thought the plot became a little too over-the-top. That said, I think it’s important to expose deep-seeded racism and hatred…and this film is full of it.

[yframe url=’http://www.youtube.com/watch?v=XrNnofw8CQw’]

There was one other film I started today.  But after 15 minutes, I couldn’t stand it.  The description was misleading, and the material was not at all to my liking.  I had planned on 4 films – alas I only really saw three and had a nice dinner instead (eating right is something that generally doesn’t happen during this trip).

More tomorrow!  Thanks for reading,

Jonathan

 

 

Toronto Film Fest – Day #5

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Hello Everyone,

I have to make a confession.  Because we’re opening THE MASTER on Sept. 21, it has not been a priority for me to see during TIFF…especially because it’s always slated up against something else that I want to see.  That said, I did see the first 70 minutes today…and I found it quite engaging.  I’ll be anxious to see the rest!

The first film I saw today (in its entirety) was THANKS FOR SHARING – a dramedy about sex addiction.  Though there are lots of really funny moments, this film really does take the sex addiction part quite seriously.  Mark Ruffalo and Tim Robbins star along with relative newcomer Josh Gad …with supporting roles by Gwyneth Paltrow and Pink! (who is wonderful).  The film is directed by Stuart Blumberg.  Though this is his directorial debut, Blumberg has had his hand in filmmaking for a while.  (He wrote THE KIDS ARE ALL RIGHT a couple years ago.)  Though I thought this film was too long (I realize that I’m beginning to sound like Harvey Weinstein – who is famous for chopping filmmakers’ films), I do think it’s pretty good for the most part…and very audience friendly.

Next I saw the new film by Edward Burns – A FITZGERALD FAMILY CHRISTMAS.  This film started out on a really strong note.  It was an honest, insightfully funny film about a dysfunctional family during the holidays.  Sadly, the film went in a couple directions that were very problematic, and the movie ultimately didn’t work for me.  However, there are a couple characters that made the film worth watching…particularly Anita Gillette (known recently as Liz Lemon’s mother on 30 ROCK).

Lastly, I saw what might be at the top of the list so far for me.  Francois Ozon’s new film is spectacular.  IN THE HOUSE is the story of a schoolboy who has taken an interest in writing and his grammar teacher who is helping him hone his craft.  As the boy continues to write a story about his voyeuristic observations regarding a family in his neighborhood, the teacher becomes more invested in knowing what happens next…all the while teaching the boy what works and doesn’t work narratively.  It’s a twisted, inventive story…and it’s as funny as it is thrilling.  Both Francois Ozon and Kristin Scott Thomas were at the screening.  I loved it!

Sadly, there are no trailers for the films I screened today…so I’ll leave you with one for THE MASTER.

[yframe url=’http://www.youtube.com/watch?v=fJ1O1vb9AUU’]

Thanks for reading!!!

Jonathan

Toronto Film Fest – Day #4

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Hello!

I’m gonna try and make this short and sweet…as it’s already late and I need to wake by 6am again tomorrow.

It was quite a day.  4 films…all (mostly) good.

First off, I saw David O. Russell’s SILVER LININGS PLAYBOOK (Russell did I HEART HUCKABEES, FLIRTING WITH DISASTER and – starring Bradley Cooper, Jennifer Lawrence and Robert DeNiro.  This dysfunctional family comedy about mental illness was full of laughs – mostly due to honest observations.  I wish it had been a little shorter, but ultimately I think it will be  crowd-pleaser. (editorial note – I think that the pairing of obsessing over sports paired mental illness issues is an interesting marriage)

[yframe url=’http://www.youtube.com/watch?v=Lj5_FhLaaQQ’]

A ROYAL AFFAIR is a period drama about Queen Caroline of Denmark in the late 18th Century.  She married into the monarchy, and her husband was a childish, self-absorbed man.  Caroline had an affair with the royal physician, and they managed to make numerous changes to government.  The photography and set/costume design of this film are delicious, and the lead actress – Alicia Vikander – is absolutely stunning (she’s also in ANNA KARENINA).

[yframe url=’http://www.youtube.com/watch?v=RiHnVMHk6YU’]

This evening, I saw the film that will undoubtedly be dubbed “The Next Marigold Hotel.”  QUARTET – Dustin Hoffman’s directorial debut – stars Maggie Smith, Bill Connolly, Pauline Collins, and Tom Courtenay.  This little film is an absolute delight!  It’s about a retirement home for retired musicians…and in addition to the 4 lead actors, it stars numerous singers and musicians in their 70’s 80’s and 90’s (Hoffman wanted real musical artists to live in his scenes – not just actors playing musicians) .  Tonight was it’s world premiere, and I must confess something….  I’ve seen people go insane for movie stars over the years.  Johnny Depp.  Brad Pitt.  Angelina Jolie.  People scream, the jump up and down, and sometimes they even cry.  Tonight, when Maggie Smith was standing 10 feet away from me, tears streamed down my face.  From THE PRIME OF MISS JEAN BRODIE  to ROOM WITH A VIEW…from THE V.I.P.s to DOWNTON ABBEY, I have loved Dame Maggie for decades, and it was a complete thrill to see her in person!  The Q&A with the principal cast as well as Hoffman was a night to remember, and the film is going to be a hit with our audience.

Lastly, I saw LOVE IS ALL YOU NEED –  the latest film from Sussane Bier (director of BROTHERS, IN A BETTER WORLD and OPEN HEARTS).  (Interestingly, the original Danish title would be translated into THE BALD HAIRDRESSER.)  This film is much lighter than Bier’s recent work.  There are some serious subjects on the table – but there are also a lot of laughs.  Bier, along with lead actress Trine Dyrholm (also in A ROYAL AFFAIR) and Pierce Brosnan, introduced the film and did a Q&A.  Though I liked most of this film, I also thought it was a little too long given the subject/story.  That said, Dyrholm is a joy to watch.

Off to bed!  Thanks for reading!

Jonathan

Toronto Film Fest – Day #3

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Hello Again,

I started off this morning with Derek Cianfrance’s follow-up to BLUE VALENTINE.  This film is called A PLACE BEYOND THE PINES, and it’s well shot, edited, etc…but I really disliked it.  The film is about a motorcycle trick rider with a traveling carnival who finds out that he an old fling ended up pregnant during his last stop through town.  He decides to stick around when the fair leaves…and will do anything to make things “right.”  There are three chapters to this film – each with its own set of acts.  Ryan Gosling, Bradley Cooper, Eva Mendes, Dean DeHaan are the leads.  The story seemed overly contrived to me, and I thought the score had elements of western/thriller hybrid – which somehow appropriate didn’t seem right at the time (only after seeing the whole film did it make sense…but doesn’t work as far as I’m concerned).  I shook my head and snickered at several moments…that wasn’t the response the director was hoping for.

Next up, I saw a film from the Netherlands called THE DEFLOWERING OF EVA VON END.  When a handsome German exchange student arrives at the home of the von End family, their backwards, slightly wacky lives are turned upside down as almost everyone (except one jealous son) tries to win the attention of the new arrival.  This film started off quirky & hysterical…became a little twisted…and then took some completely zany turns.  Whereas I liked 80% of this movie, the ending dragged on and I wasn’t completely sold on the entire third act.  (That said, I did laugh quite a bit for the first hour.)

 

Lastly, I saw the world premiere of CLOUD ATLAS.  This epic film from the directors of THE MATRIX and Tom Tykwer  (PERFUME and RUN, LOLA RUN) covers numerous characters, numerous plotlines and numerous time periods.  Whereas I’m rarely a fan of science fiction (GATTACA is the only sci-fi film from the last 20 years that I consider a favorite), this film had me intrigued from the opening sequence.  Though it’s a big Hollywood film (Warner Brother is distributing), it’s thoughtful, complicated and quite topical.  It’s funny, it’s gory, it’s rough, it’s tender…and the crowd gave the film a standing ovation for more than 6 minutes.  So many were there – the directors, Susan Sarandon, Ben Whishaw, Jim Broadbent,  Halle Berry, Tom Hanks, and more!  Overall, I think this is an ambitious piece – and for the most part, sucessful.  Check out the long, special trailer below!

[yframe url=’http://www.youtube.com/watch?v=hWnAqFyaQ5s’]

After the film, I met up with an old friend who I haven’t seen since last year’s fest.  I figured out that we met exactly 10 years ago to this very weekend.  Bill and I met in line for Pedro Almodovar’s TALK TO HER – one of my favorite films of all time.  And we’ve stayed in touch for a decade.  That’s pretty special.

Time for bed.  More tomorrow.

Jonathan

Toronto Film Fest – Day #2

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Hello Everyone,

Another full day.

After my ticket line-up this morning, I went to see the Claude Miller’s final film starring Audrey Tautou – THERESE DESQUEYROUX.  It’s a quiet costume drama with rising currents of tension throughout.  I’m a big fan of Merchant Ivory films like HOWARDS END, MAURICE and REMAINS OF THE DAY – and though this film doesn’t deal as much with class as those films, and the score is very understated (by comparison to Richard Robbins’ Merchant Ivory scores) – I think the approach to design, period accuracy and dedication is similar.  This is the story of a woman who unhappily marries because she thinks it’s what was meant to do…even though she thinks emancipated thoughts.  Though many might find the pace too slow, I really fell inside the frame and thought it was a wonderful story of struggle for freedom – with no 100% likable character within reach.  Below is a clip…as there is no trailer yet.

[yframe url=’http://www.youtube.com/watch?v=8c0gUNddZD0′]

Next I saw THE PERKS OF BEING A WALLFLOWER – a wonderful little film that proves that Emma Watson will easily make the transition from the child star of the HARRY POTTER franchise to serious actress.  This high school story might seem like traditional, angsty material, but it’s handled very well, and the script is great.  Ezra Miller (from WE NEED TO TALK ABOUT KEVIN) has a wonderful supporting role, and lead – Logan Lerman – is really someone to watch…subtle & focused.  I’m not sure how Summit (the distributor) will handle this film – while at first glance it appears to be modern John Hughes…but I actually think it’s more thoughtful, honest & serious.

[yframe url=’http://www.youtube.com/watch?v=aog8680PVmU’]

And then came ANNA KARENINA – the new film by Joe Wright (ATONEMENT), starring Keira Knightley and Jude Law with a screenplay by Tom Stoppard.  I was excited about this film.  Though it eventually paid off, it took me 15-20 minutes to “get used” to/become invested in this highly stylized adaptation.  80% of the film takes place in a theatre — on a stage, in the wings, in the lobby, in the rafters, etc. (the other material is shot outdoors).  It’s a rather experimental film.  I call it equal parts Derek Jarman’s EDWARD II and Baz Luhrman’s MOULIN ROUGE.  It has exquisite costuming, set design, score, and screenplay…and the actors are doing some great work.  That said, even with this cast, it’s not a film meant for the multiplexes…we’ll see how Focus handles it this fall.  Joe Wright, Keira Knightley, Jude Law, Aaron Taylor-Johnson, and Olivia Williams were there.  When Knightley was asked if playing the part of Anna was intimidating (since it’s been played by some great actresses in the past), she responded, “I think every role is intimidating.  But Elizabeth Bennet was more so. Women want to be Elizabeth Bennet…people don’t tend to want to be Anna Karenina.”  Just watching this clip below makes me want to see the film again from the beginning.  There are some key issues that take place in the beginning…and I need to see it with fresh eyes.

[yframe url=’http://www.youtube.com/watch?v=IhGxs7cipDo’]

The most thoughtful Q&A of the day came after the screening of Sally Potter’s GINGER & ROSA.  I think this is Potter’s most “traditional” film in regards to storytelling style.  It’s set in the 60’s, and it’s the story of 2 best friends who are growing up in the age of the nuclear threat and the Cuban Missile Crisis.  It’s a coming-of-age story, and Elle Fanning does some incredible work.  This was the first time many people involved with the film had seen it.  Potter, Fanning, Christina Hendricks, Alice Englert, and Alesandro Nivola were all there…and it is a beautifully told story.  (I’m hoping that the Q&A surfaces on youtube sometime soon…Potter, Fanning and Nivola all had wonderful things to say.)

[yframe url=’http://www.youtube.com/watch?v=XD_pJgNRj9s’]

It was a great day…and now it’s time for bed.

Thanks for reading!!

Jonathan

 

Toronto Film Fest – Day #1

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Hello Everyone,

It has been a busy day full of screenings and fun run-ins.  I’ve seen 4 films, chatted with a few people who I met at this year’s ArtHouse Convergence in Utah, spotted a couple of my favorite critics, and secured more tickets for the next couple days.

I woke this morning at 6:00am and hopped on the subway by 6:45 in order to secure myself a place in line for tickets.  I got my first picks and then headed into a screening of a South Korean film called IN ANOTHER COUNTRY with the always fantastic Isabelle Huppert.  The story is about a girl who is writing a screenplay about a vacation town and a series of visitors – all played by Huppert.  Though there are moments of charm and an understanding of what it’s like to be foreign (communication gaps, inability to read certain characters of handwriting, etc.), this movie didn’t work entirely for me.  Some of the camera work turned me off, and the repetition of thematic material (though I understand that was the point) between each tourist was a little exhausting.

[yframe url=’http://www.youtube.com/watch?v=eYwxpcuyuG0′]

Next I saw LAURENCE ANYWAY – the new film from Xavier Dolan (director of I KILLED MY MOTHER and HEARTBEATS).  This is the story of the relationship between a man and woman…and what happens to their relationship once the man announces that he will have a sex change.  There’s an interesting movie inside this movie…but at 2 hours and 40 minutes, it’s way too long and a bit of a tonal mess…with long stretches of realism, several moments of editing like an 80’s music video (ala HEARTBEATS) and a handful of visual metaphors that are lovely – but didn’t sync with the film (like W.E. last year, I’d like the opportunity to re-edit this film).  All that said, the last 10 minutes are magical (I’m glad I stuck around).  Though Melvil Poupaud (from TIME TO LEAVE) does nice work as the transgender male to female character, Suzanne Clement who does the best work in this film (she was the mother in I KILLED MY MOTHER, she was also in a great Canadian film called IT WASN’T ME, I SWEAR).  Though not a huge fan of this film, I’ll be anxious to see what Dolan does next.  I loved his first 2 films, and he’s only in his early 20’s.

[yframe url=’http://www.youtube.com/watch?v=rwDzRzqFaIE’]

Then I saw AMOUR – the latest and most accessible film from Michael Haneke (THE WHITE RIBBON, FUNNY GAMES, BENNY’S VIDEO, THE PIANO TEACHER, and more).  This Cannes winner is terribly heartbreaking and the most realistic, lovely, devastating, sweet, and honest depiction of an older couple I have ever seen.  In this case, they’re dealing with a recently onset illness…and the wife’s desire to never be taken to the hospital again.  (Isabelle Huppert has a small role…so she’s in the lead for most films I’ve seen with the same actress at TIFF.)  This film is being released by Sony Classics, so I’m sure THE NEON will bring it to town.

[yframe url=’http://www.youtube.com/watch?v=ekjfj8sLFqs’]

Lastly, I saw RUST AND BONE – the film I mentioned in yesterday’s update.  I was not a big fan of A PROPHET – the director’s last film.  And though I don’t completely embrace this film (physical, bloody violence almost always turns me off), I do see the brilliant artistry at work.  It’s really nice to see that a director that is so full of a need to portray hideous violence is also able to show us warmth and gentleness.  This film is about a father who is down on his luck and the orca trainer he meets at a club one night (brilliantly played by Marion Cotillard).  Within the first act, there’s an accident at Marineland, and Cotillard’s character loses both her legs.  This film is brutal…but it’s filled with honesty and wonderful moments.  The photography is fantastic and the sound design is out of this world.  Because Sony Classics has picked it up, I’m guessing it will come our way at THE NEON…and I’m guessing you’ll hear more about it come award season.  Cotillard, Mattias Schoenaerts (the lead male) and director Jacques Audiard were all at the screening.  Check out the newer trailer for this film at imdb.com

Thanks for reading.  I’m off to bed.

More tomorrow,

Jonathan

Toronto Film Fest – PreFest

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Hello Everyone.

After numerous delays (due to heavy fog in Dayton and Detroit), I’m back on schedule.

I took a taxi from the airport to the Hyatt Regency on King Street West just in time to get my accreditation before they closed for the evening.  I  was also able to get a couple tickets for public screenings tomorrow and Friday.  In addition to numerous press and industry screenings, I’ll see RUST AND BONE on Thursday (starring Marion Cotillard, directed by Jacques Audiard (A PROPHET)) and ANNA KARENINA on Friday  (starring Keira Knightley and Jude Law, directed by Joe Wright (ATONEMENT)).

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I’ll average 3+ films a day over the next 8.5 days, and I’ve got a list of films I can’t wait to see…but I’m also anxious to see films that aren’t being talked about yet.

Check back for daily updates.  I’m off to read my catalog and started picking out more titles…then to bed before midnight (which won’t happen again during this trip).

All the best,

Jonathan

ROBOT AND FRANK Opens Friday at THE NEON

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Hello Everyone,

Once again, we’re moving forward this weekend…but not quite as we had planned. Though we outperformed all the multiplexes with CELESTE AND JESSE FOREVER (Thank you, NEON regulars!!), it opened far wider than we had ever anticipated (a total of 4 screens in town). Because of that, combined with the fact that THE INTOUCHABLES had a fantastic weekend, we have decided

“Celeste and Jesse” Starts Today at The Neon!

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Hello Everyone,

We’re moving along this weekend. Today we open a smart, new comedy starring Andy Samberg and Rashida Jones – CELESTE AND JESSE FOREVER (the film was written by Jones, too).
THE INTOUCHABLES will hold for one more week.

Synopsis for CELESTE AND JESSE FOREVER: “Celeste is convinced that divorcing Jesse is the right thing to do — she is on her way up, he is on his way nowhere, and if they do it now instead of later, they can remain supportive friends. Jesse passively accepts this transition into friendship, even though he is still in love with her. As the reality of their separation sets in, Celeste slowly and painfully realizes she has been cavalier about their relationship, and her decision, which once seemed mature and progressive, now seems impulsive and selfish. But her timing with Jesse is less than fortuitous. While navigating the turbulent changes in their lives and in their hearts, these two learn that in order to truly love someone, you may have to let them go.” (Sony Pictures Classics)  Visit the official website.

[yframe url=’http://www.youtube.com/watch?v=BjxbVmxgY-Q’]

The Downtown Dayton LGBT Film Festival has just confirmed that 2 directors will attend this year’s festival. Jonathan Lisecki, director of the opening night film GAYBY plans to attend. In addition, Travis Matthews, director of I WANT YOUR LOVE, will book his flight tomorrow. Read all about the films on the official website! The 7th Annual Fest is set for Sept. 28-30. Watch the trailers and mark your calendars…it’s gonna be great! Special thanks to DAYTON MOST METRO, WYSO and DAYTON DAILY NEWS for already committing to provide stories about this year’s films.  (Due to explicit content, viewers must be 18 and older for I WANT YOUR LOVE.)

[yframe url=’http://www.youtube.com/watch?v=JFo63Xhas1k’]

Folks have already been responding to the news of our benefit – set for October 14 (if you didn’t read that newsletter, you can check it out here). Thanks so much for your kind words and encouragement! Tickets can now be purchased at our box office and on-line via paypal. If you’re not able to attend our benefit, you can also make a donation on the benefit page.

Next week, I’ll be off to The Toronto International Film Festival. In my next newsletter, I’ll provide you with a link where you can keep up with my daily screenings. I’ve barely had time to look at the line-up, but I’m already excited about a few films.

FilmDayton had a great festival over the weekend. Thanks to everyone who came out and supported their screenings…and their mission.

We hope to see you soon,
Jonathan

SHOWTIMES for Fri. Aug. 31 – Thu. Sept. 6:

CELESTE AND JESSE FOREVER (R) 1 Hr 32 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:10, 7:20, 9:30

THE INTOUCHABLES (R) 1 Hr 52 Min
Friday, Saturday, Sunday: 12:20, 2:45, 5:10, 7:30, 9:45
Monday – Thursday: 3:00, 5:30, 8:00

COMING SOON:
As always, all dates are tentative.
Many of these dates will change.
In some rare cases, titles may disappear.
Sept. 7 ROBOT AND FRANK
Sept. 14 FAREWELL, MY QUEEN
Sept. 21 THE MASTER
Sept. 21 ARBITRAGE
Sept. 28-30 DOWNTOWN DAYTON LGBT FILM FESTIVAL
Oct. 5 SEARCHING FOR SUGAR MAN
Oct. ? SLEEPWALK WITH ME
TBD THE QUEEN OF VERSAILLES
TBD 2 DAYS IN NEW YORK
TBD SLEEPWALK WITH ME