For those of us who went through mythology classes, we know the story. We know the beginning, the middle, and yes, the END! THAT ENDING! Like most of the Dayton audience, I felt the need to change it up…to make it different….to stop the inevitable….but ‘It’s a sad song, and we’re gonna sing it anyway!’ From the jump, ‘Hadestown‘ dives right into the story. Our focus falls to Orpheus (J Antonio Rodriguez…with a falsetto like no other) and his love for Eurydice (Amaya Braganza, with her smooth, solid voice). The tale is rough and wrought with issues…hunger, poverty and longing. It grinds…until the frenetic Persephone makes her entrance. The character, one for the mythological ages, is played with an almost gymnastic quality by Lana Gordon. (She will wow you in the second act!) If you recall, Persephone lives half of the year with her hubs Hades (Matthew Patrick Quinn…who adds an emotional quality to his character, which I’ve not seen in previous performances). Their troubled relationship ebbs and flows throughout, delivered with voice and VOICES!
The story moves on the ‘track’, taking us from Eurydice‘s strife of freezing and needing sustenance; through Orpheus‘ idealism and hope to bring Spring along; Persephone‘s time ‘down below’ casting the world into cold and dark; and Hades strict control of his underworld, where lyrics on building walls, and silencing uprisings seem timely, today!
As the train continues forward…barreling into hell, we wish we could stop things…the decisions Eurydice‘s makes for her future; the anger Hades feels for the world he cannot control; the choice of Orpheus to take the ‘test!’ (DON’T DO IT!!). And throughout, there is this emotional current pulling at our heartstrings as we go. (There were tears from many in the audience as fate deals us that ‘blow.’) All the while, we relate. We relate to the themes whispering in our ears….doubt, worry, survival. Those voices brought to life through strong vocals from the Fates ( Marla Louissaint, Hannah Schreer & Lizzie Markson.)
Throughout our show, the onstage musicians take us on a musical ride that truly is dynamic. They are, each and every one, masters of their craft. You almost want a concert featuring…well…just them! And along with them is Hermes (played by the endearing Will Mann). He connects so well, reminding us that this not gonna be easy!
No doubt, the story could drag, but the visuals (the lighting, the special effects), the set (with its nod to New Orleans) and the sounds (especially during the beloved ‘Why we Build The Wall’) keep us enthralled and engaged. It is hard to let your attention wander.
Look, this isn’t your run of the mill Broadway show. It’s obscure, and handles political issues seamlessly. It has songs that are beyond our everyday Broadway experience (‘Doubt Comes In‘, ‘Our Lady of the Underground‘, ‘Hey, Little Songbird‘) It tackles a classic tale with hope for a resolution, and then takes us where we knew were going all along. It’s eerie and odd, beautiful yet broken.
There’s a reason ‘Hadestown‘ can at times be polarizing. Strong feelings on both sides of the aisle. In the words of a friend in attendance ‘I hate unhappy endings.’ To that I say, ‘It’s a sad song, and we’re gonna sing it anyway!’
For further information on times and tickets, click below!
https://www.daytonlive.org/events/hadestown/?gad_source=1&gclid=Cj0KCQjwncWvBhD_ARIsAEb2HW8ljCZApo1EYrwidJ44OSIL-nmV5nvo_HqgQhqj3WBzQlcyRhcqsN8aAmS4EALw_wcB
Join the theatrical quest of deep seas and high comedy! The adventurous Louis de Rougemont invites you to hear his amazing story of bravery, survival and celebrity that left 19th-century England spellbound. Dare to be whisked away in a story of the high seas and all corners of the globe, populated by flying wombats, giant sea turtles and a monstrous man-eating octopus. Shipwrecked examines how far we’re willing to blur the line between fact and fiction to leave our mark on the world.
Recurring themes include Ukrainian folk songs, depictions of birds to represent her love of nature and Adam and Eve (along with leaves and eggs) to symbolize men and women. The works tell stories, often through surreal, densely filled ornamentation.
