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Not Your Grandparents’ Norman Rockwell

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The Problem We All Live With

The Problem We All Live With

You only have a few days to get to The Dayton Art Institute or you’re going to miss something surprisingly evocative and just plain cool.

Until recently, my idea of Norman Rockwell was a memory of images painted on dishes displayed in my granny and grandpa’s dining room cabinet. Those images were cutsey, small-town Americana and very, very quaint.

My Norman Rockwell has changed an awful lot.

When I first visited the exhibit “American Chronicles: The Art of Norman Rockwell,” I was surprised to learn this iconic American artist was a progressive thinker. To be honest, I had no idea he created a body of work addressing such issues as desegregation, civil rights and poverty. I admit I was stunned when standing in front of The Problem We All Live With, a recreation of the walk 6-year-old Ruby Bridges took as a first-grade student and the first African American to attend a previously all-white school in New Orleans. This was not only because of the powerful imagery but because I had not expected to see this ― feel this ― in a Norman Rockwell exhibit. I had trouble breaking myself away from Murder in Mississippi, Rockwell’s depiction of the murders of three young civil rights workers in Philadelphia, Miss., during the civil rights era.  I was late for a meeting (OK, really late) but I really didn’t care. These paintings!

I had the same intense feeling ― you know, when you think a wooly worm is crawling along your spine ― when hearing that same Ruby Bridges Rockwell painted years ago tell a packed auditorium at The Art Institute about her experience and emotions that November day as she and her mother, riding in a car with federal marshals, made their way to her new school.  (Tangent: Check out Bridges’ book, Through My Eyes, if you get a chance.)

Ruby Bridges speaks to a packed house at The Dayton Art Institute and shares images from the day she made history by being the first African American to attend a previously all-white school. "Even back then, I knew that 'separate but equal' was not true," she said.

Ruby Bridges shares images from the day she made history as the first African American to attend a previously all-white school. "Even back then, I knew 'separate but equal' was not true," she said.

And there were more surprises. Bridges’ parents were not activists. They simply wanted a better life for their daughter, which is why they answered when the NAACP knocked on their door. Bridges used her imagination to decipher what was happening during those days when she unknowingly was making history. Since she had been one of only six African American children to pass a test engineered for them to fail, Bridges thought she was so smart she was going to college. Since her neighbors walked alongside the car that drove her to her first grade class, she thought she was in a Mardi Gras parade. Bridges said the worst thing about first grade was being lonely, as nearly all the white families had withdrawn their children from the school. She revealed the horror of walking by white protestors holding an infant’s coffin containing a black doll, constant threats that she would be poisoned, the schoolboy who told Bridges his mother insisted he not play with her and the weight she felt lifted off her shoulders upon hearing that comment because, finally, she knew what was going on. She knew it was about color, the color of her skin.

Continue…

Casting Call for Dayton Fashion Week to be held at De’Lish Cafe

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Kyle Haggerty

“I know talent when I see it. You either have it or you don’t. It’s that simple.” Those are the words of MTV’s Made coach, runway coach extraordinaire and Executive Producer of Dayton Fashion Week Kyle Haggerty—and on February 25, 2012 you will get your chance to prove if you have what it takes to rip the runway at the official Casting Call for DFW! It will take place at De’Lish Cafe –located at 139 N. Main Street in Downtown Dayton from 11:00 a.m. to 3:00 p.m. Models must arrive by 10:00 a.m. and have two recent photos; one full body shot and one head shot with your measurements and contact information on the back of each. Models with previous experience should bring your current portfolio.

Female models must be at least 5’8 without heels and wear a women’s size 0-4. Male models must be at least 5’10 and wear a suite size 40-44. Few exceptions will be made. Models must be at least 15 years of age–participants under the age of 18 must have a parent or legal guardian present–Mature models are welcomed. If you don’t fit into the height and size restrictions fret not because you still have two other opportunities to participate in DFW via the Dayton Fashion Week Magazine Cover Model Search and you can audition to be one of the local hosts to cover DFW for Inside Couture Television which airs in Miami Florida for NBC affiliate Channel 6. Information regarding these two casting calls will be announced at a later date.

If you’re wondering what to expect during this casting call, it’s simple–for starters, you will be auditioning in front of me, along with the CEO and Founder of Dayton Fashion Week Junda Morris-Kennedy, the Director of Makeup Angelica Ross, and there may be a surprise judge in the building (but you didn’t hear that from me). Be prepared to walk the runway and answer a few questions about yourself. Our job is to pick the best models and send their information to the designers who will make the final decision on who gets to walk for them.

As far as preparation for casting calls is concerned, I can honestly say that in my 20 years in the industry I’ve seen it all and I’ve made a lot of mistakes in preparing for them. However, I’ve learned from my mistakes and I’m going to share a few pointers with you so that you will arrive ready to shine!

(photo by Blush Boudoir)

Tip #1 Your Pictures

I CAN NOT EMPHASIS THIS ENOUGH–PROFESSIONAL PICTURES ARE NOT REQUIRED FOR THIS CASTING CALL–or any casting calls for that matter! Your pictures should be simple–ladies you should be wearing little to no makeup, your hair should be pulled back. Men you should be clean shaven.

Your head shot should be a close up photo of your face. Smiling is optional but if you choose not to smile in your photo please take the advice of Tyra and smile with your eyes–we don’t want to see any mug shots! This pic should also be taken with you looking straight into the camera.

The full body shot should include a head to toe view of you. Do not go out and buy a new outfit–your clothing should be simple no logos, bright colors, or wild and crazy prints; this applies to both male and female models. Your outfit should be fitted but flattering to your body type. Shoes are optional. You should be standing. Its ok to be a little creative for this shot; by this I mean you can have your hands to your side, one or both hands on your hips, you can tilt your head for a profile shot of your face, and etc…but no over the top posing. The same rules for your appearance in your photos should be applied during the casting call as well.

Tip #2 Be Prepared To Stand

Ladies please BRING a pair of 3” heels to walk in—emphasis on BRING! I can’t tell you how many times I’ve shown up to casting calls or Go-See’s wearing heels and ended up having to stand for hours. By the time it was my turn to be seen by the casting agent—I could barely walk and let me tell you– hobbling down the runway with a grimaced look on your face is not a good look on anyone and it’s not going to land you any jobs! So it’s ok to arrive in some flat comfortable shoes. If you’ve never worn heels before practice makes perfect–start practicing your catwalk in the shoes that you plan on wearing for the casting call now. Guys, you have no clue just how good you have it; the only thing that we ask of you is to not wear gym shoes when it’s your turn to walk!

Tip #3 Diva’s and Divo’s Need Not Apply

Attractive and talented models get turned down for jobs every day because they have poor attitudes or they’re not coachable. I’ve attended casting calls where the client or casting agent was right in the waiting room with the other models and never said a word to anyone about whom they were; they mingled, sat back and observed. Sadly, I’ve seen some models be really rude and unaware of whom they were speaking too–needless to say they weren’t cast. Please don’t be this person!

Tip #4 Be Yourself

We can tell the real from the fake–and we want to see your real personality. You might not be right for the runway but you never know what opportunities may come your way as a result of this casting call. Finally, don’t worry about the next person, February 25, 2012 is all about you and we can’t wait to meet you! If you have any questions, please email me at caressab@daytonfashionweek.com.

Mayor to Get Nails Painted – You Pick the Color!

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(Most content taken from the Activated Spaces Web site)

Visit Peace on Fifth - one of the Activated Spaces Pop-Up Shops

On Friday, December 2nd, Mayor Leitzell will help raise funds for Activated Spaces by getting his nails painted at Beaute Box, one of the Activated Spaces Pop-up shops. Donate online now! The more they raise prior to the event, the crazier the color, plus you’ll help Activated Spaces start new pop-up shops in 2012. Every $250 raised helps to establish a new pop-up shop in downtown Dayton!

– If we raise $250, color: Wildfire
– If we raise $500, color: Tutti Fruitti:
– If we raise $750+, color: Hotski to Tchotchski:

Any amount you donate to the cause can help: $5, $25 or $50. Your support of these pop-up stores will help to spur a more permanent retail environment in our downtown – the next step in downtown revitalization.

The “grand painting” will happen at 8pm on Friday, December 2nd at Beaute Box. Attend the Activated Spaces grand opening and join in the fun.

Instead of just using his celebrity to promote the event and the pop-up shops, it was important to Mayor Leitzell that it be a fundraiser. Beyond promoting the “new and unique” pop-up shops,  he is adding his name (and nails) so Activated Spaces can get the funding to continue to do the good work in the community. Leitzell says, “it’s all in good fun and and it’s raising money for a good cause.”

Tweetin’ at the Opera

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Friday Nite Tweet Seats – Tweet from your Seat!

New this season, The Dayton Opera is excited to extend an invitation to local young professionals and their guests to experience an opera-tunity to network and socialize before and after Dayton Opera performances. Friday Nite Tweet Seats — sponsored by DP&L –will allow you to let your Twitter followers know what’s going on at the opera in a reserved seating section. As an exclusive offer only to young professionals, enjoy a pre-performance gathering prior to the show, reserved seating for the performances and an after-party at the Dayton Racquet Club with the cast and crew … all for only $15.

Join the party for the Friday October 21 performances of La Bohème, the Friday, February 24 performance of Romeo and Juliet, and the Thursday May 17 and Friday May 18 performances of The Tragedy of Carmen and tweet and text your thoughts about the opera! Tickets are available online at www.daytonopera.org and, when ordering, enter the code TWEET. You can visit or call Ticket Center Stage in the Schuster Center at 228-3630 and ask for a Friday Nite Tweet Seat.

Please remember…Texting and tweeting during performances is permitted only in designated Friday Nite Tweet Seat areas. Phones must be muted and phone conversations are not permitted.

Patterson Square: The new kid on the block.

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On the corner of First and Patterson is Dayton’s latest condo development: Patterson Square. Not your father’s townhouse, Patterson Square combines the best of traditional and modern interior designs. As a Realtor, I like seeing new builds or renovations in downtown Dayton. There is a need for it. I understand we have a lot of single family homes looking for owners, but people like variety. And no I don’t work for Charles Simms Development, I’m a HouseNerd who gets her kicks talking about real estate. So let’s take a quick tour.

It’s a (sing it with me) brick, house, and it is kinda mighty mighty if you want to know the truth. The exterior is all brick and like most townhouses, the windows are big. When you only have two sides to work with, you try to grab as much natural light as you can. At the street level is an attached 1 car garage w/ storage at the back, and a gated entry with a bricked courtyard at the front. Sandwiched between the two, is what they are calling a live/work space. Most likely to be used as an office or den, it could double as a guest room, this room is approx 12’2″ x 11′ 8″ with windows that will look out on the courtyard. Those buildings that face south will get some nice natural light in this room. HVAC system is in the garage.

Next level is what Simms calls the “Living Level”, but the rest of us call it the second floor. It’s an open kitchen/ living space with large windows on one side, and patio doors that lead to an 8×6 deck on the other which overlooks the common area of the development. Owners should get some nice views from here. You’ll be able to sit out there and enjoy music festivals at Riverscape. This level has an open floor plan and exposed beam 9′ ceilings, it’s a nice loft-like feel here- very modern. The entire space is 36″ long so you could pack some people in there for entertaining, but separate areas- kitchen, dining, living are nicely designated so it lends itself to more intimate gatherings as well. The powder room on this floor.

The third level is private spaces- two bedrooms and a shared bath. The master bedroom is 13’6″ x 11′ and features trey ceilings- a nice touch. Two separate closets? Yes, please. The second bedroom has its own walk-in closet, and the laundry is on this level. The full bath can be accessed from either the master or the hall. The entire unit is pre-wired for audio on all three levels, and is 1331 sq ft, not too shabby for a townhouse in the downtown residential district.

There are some Green Building features here, of course. You can’t really build these days without incorporating some green features and this development is Energy Star qualified- generally 20-30% more efficient than standard homes.

Overall, it’s another option to the growing residential district in downtown Dayton. Patterson Square will serve a market that is looking for something new, something efficient, close to everything in downtown Dayton, but a more traditional style than the Litehouse Development. These townhouses start at $139,900, and as of the offers of this post 9-18-11, they are offering pre-construction incentives such as closing costs if financed with their preferred lender, 6 months of HOA fees paid, flooring upgrades on Living Level (that is some beautiful flooring, I will say). Note: Prices and incentives are subject to change, please consult your Realtor or Simms Development for details. Each home comes with an in-house 1 year warranty, and a personal walk-thru with Charles Simms the developer, himself.

The Simms website is here, Patterson Square is here, but since it’s a new build there are no photos yet, so go to the Twin Lakes West photos to see a very similar townhouse. The photos included in this post came from the model at Twin Lakes West and while there will be some minor changes to the floor plan to make it optimized for the downtown site, you can see what Patterson Square is going to look like. How do you find out more? Contact Sales Rep Stephanie Dietz at Simms, 937-436-2913; or contact your Realtor who can walk you through the process and act as your professional eyes and ears to any new home purchase.

UD Students Focus on the River as Art

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There’s a lot that I like about the Activated Spaces program happening downtown.

There’s the obvious – Art in empty storefronts makes downtown look more welcoming and friendly.

There’s the more artsy – It’s a chance to see the diverse skills and cool work from some of our talented local artists.

But there’s something more – Especially this round, which invited the artists to highlight favorite neighborhoods or community assets, I got to see Dayton through the eyes of the artists and I got 15 new perspectives on what’s important in our region. Here at DaytonMostMetro.com we talk a lot about all the good stuff happening in the community, so I wasn’t surprised to see people lovin’ on their neighborhoods and gardens and people and parks. But what drew my attention (for this article at least) is what did surprise me. And that’s Dayton getting some love from some UD students. Too often we talk about how UD is in a bubble, but this round of Activated Spaces features a great group of UD students who are engaged in our region through volunteerism, sustainability, and now – art.

So, since they’re giving Dayton some love, I say we send it right back and give some attention to what these UD students are doing for our community, for the river, and for Activated Spaces.

Artists Susan Byrnes and Dennie Eagleson worked with a group of students – “River Stewards” from the University of Dayton Rivers Institute – to photograph a variety of images during the Institute’s annual two-day trip through Dayton. These picture spotlight the river system that the group believes “helps us define our sense of place” in the community. Highlighting the area between Island Metropark and the Steward Street Bridge, with a focus on the bridges themselves, this installation offers a unique perspective of Dayton by presenting views of the bridges from the viewpoint of a kayak in the river and from along the bicycle path.

Eagleson is the Artist-in-Residence for the River Stewards; last year they created a sound installation and the students discussed what they saw and how they experienced the river. This year, Eagleson wanted to focus on something more tangible and structural as they experienced the river through a visual art project.

About 10 students shared six cameras on the trip; each student was assigned a specific bridge to feature, but additionally they had a great time snapping away and documenting the experience. The group used a plastic lens camera which allows for a narrow area of focus and it becomes fuzzy or darker as it moves to the edges. Each bridge is represented in a composite; some camera glare, the use of photos from both up close and far away, and the overlapping pictures as they’re framed hint at the experience of enjoying the bridges just as much as a visual representation of the structure.

Byrnes discussed the beauty of the bridges through the corridor and how the trip allowed the students to see them from a unique perspective. She says, “It was interesting for us to see the difference between the old and new bridges and understand the details that got translated from the old bridges.” Eagleson adds, “When you drive over a bridge, you don’t know what the true structure is. The bridges in Dayton are so beautiful, we really enjoyed seeing the shapes and how the bridges are made.”

You too can enjoy the structures and the experience of Dayton’s bridges – stop by the River Stewards’ display at the Main Street Garage. Officially launching on Urban Nights. And be sure to visit the many other displays that represent Dayton’s assets through the eyes of Dayton’s artists.

More info at Activated Spaces or on Facebook.

About the River Stewards
From the University of Dayton Web site: The Rivers Institute administered by the Fitz Center for Leadership in Community at the University of Dayton is an initiative to bring key partners in Dayton and surrounding communities together to promote our watershed while preserving and protecting its resources. Students, faculty and staff from the University are working with community members, stakeholders, and local organizations to build community around our rivers. The Rivers Institute’s work focuses on promoting learning and undergraduate research, bringing UD to the river, and bringing Dayton to the river.

About Susan Byrnes
Susan Byrnes is an artist, art administrator, and art educator. She holds a BFA in photography from Syracuse University, and an MFA in sculpture from Eastern Michigan University. She exhibits sculpture, installation, and performance work nationally. Susan also produces arts-based broadcasts for college radio, and produces sonic art and audio stories. Born in Rome, NY, she resides in Dayton, OH and serves as director of ArtStreet, a multi-arts learning facility at the University of Dayton.

About Dennie Eagleson
Dennie Eagleson is a documentary and fine art photographer and educator. She was an Associate Professor of Photography at Antioch College until it closed in 2008. Since then, she has taught photography and documentary studies at The Nonstop Liberal Arts Institute in Yellow Springs, and at the University of Dayton as an Artist in Residence in the fall of 2009. Her fine art work has focused on place and artifacts of people’s lives, using alternative imaging tools such as pinhole and plastic lens cameras. Eagleson’s documentary work has investigated alternative families, life and culture in Cuba and Nicaragua, local and sustainable agriculture, and art and music as a empowerment tool in community building. Eagleson recently developed skills in radio production as a Community Voices Trainee. Her piece on a writing program in the Springfield, Ohio Youth Detention center was aired as a part of Film Dayton’s Screenless Screening program.

On Stage Dayton Theatre Guide: 2011-12

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Every new theater season in Dayton seems to be ripe with variety. It’s one of the great joys of the Dayton theatre scene that the ‘something for everyone’ cliche actually rings true. 2011-2012 is already proving to be among the most eclectic yet. This season promises……

  • parents behaving badly (God Of Carnage) AND children behaving badly (Spring Awakening)
  • romance of the sweet and fun kind (Hairspray) and of the creepy kind (The Phantom of the Opera)
  • true stories of tragedy (The Laramie Project) and of triumph (Jersey Boys)
  • journeys down familar roads (The Wizard of Oz) and unexpected ones (Caroline, Or Change)
  • wistful nostalgia (Lost in Yonkers) and celebratory joy (In The Heights)
  • even swashbuckling adventure (How I Became A Pirate) and cartwheels on Austrian mountainsides (The Sound of Music)

Below you’ll find On Stage Dayton’s picks for the most anticipated offerings for the 2011-2012 Dayton Theatre Season. It’s just a small sampling of a very full year of stage work. And with this official launch, you can count on OSD to be there all season long.

Russell’s Picks

HUMAN RACE THEATRE COMPANY Caroline or ChangeIf you like ‘The Help’ you’ll like…

Caroline, or Change

The Human Race Theatre Company offers the overdue local premiere of this dynamic 2004 Tony Award-nominated musical from librettist/Pulitzer Prize winner Tony Kushner (“Angels in America”) and composer Jeanine Tesori (“Thoroughly Modern Millie”). A potent study of race relations set in 1963 Louisiana, “Caroline, or Change” chronicles the testy yet engaging relationship between a headstrong African-American maid and her Jewish employers. Tesori’s sublime music encompasses klezmer, opera and Motown.

The Human Race Theatre Company

VICTORIA THEATRE ASSOCIATION, SCHUSTER CENTER Jersey BoysIf you like ‘Mamma Mia!’ or ‘The Sopranos’ you’ll like…

Jersey Boys

The local premiere of “Jersey Boys,” the sleek, sharp and surprisingly tender story of pop legends Frankie Valli and the Four Seasons, is the hallmark of the Victoria Theatre Association’s Good Samaritan and Miami Valley Hospitals Broadway Series. One of the most popular jukebox musicals of the last decade and the recipient of the 2006 Tony Award for Best Musical, “Jersey Boys” features such timeless numbers as “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man” and “Can’t Take My Eyes Off of You.”

Victoria Theatre Association

DAYTON THEATRE GUILD Dividing The EstateIf you like ‘Dallas’ you’ll like…

Dividing the Estate

Academy Award and Pulitzer Prize winner Horton Foote’s authentic, relevant 2009 Tony Award-nominated portrait of a Texas clan at odds will receive its local premiere courtesy of the Dayton Theatre Guild. Centered on a tough traditionalist matriarch and her squabbling children, “Dividing the Estate” uncovers the harsh realities that arise when economics and legacy threaten to tear a family apart.

Dayton Theatre Guild

CLARK STATE UNIVERSITY Dirty Rotten ScoundrelsIf you like ‘The Full Monty’ you’ll like…

Dirty Rotten Scoundrels

Clark State Community College provides the local collegiate premiere of librettist Jeffrey Lane and composer David Yazbek’s 2005 Tony Award-nominated musical based on the 1988 film of the same name. Yazbek, an outstanding songwriter, had great success with his critically acclaimed adaptation of “The Full Monty,” co-created by Terrence McNally, and the con artist-driven “Scoundrels” shares an appealingly naughty kinship. The “Scoundrels” national tour failed to connect four years ago at the Schuster Center, but perhaps Clark State will give the hilarious material the solid treatment it deserves.

Clark State

MUSE MACHINE Wizard of OZIf you like the Muse Machine you’ll like…

The Wizard of Oz

Dorothy’s ruby slippers will sparkle once more thanks to the Muse Machine, Dayton’s premier arts education organization celebrating its 30th year. The memories of Muse’s 1996 “Oz” production remain indelibly etched in my mind (the Broadway caliber performances of Tyler Maynard as the Scarecrow and Tory Ross as the Wicked Witch of the West were particularly extraordinary), but it will be refreshing to see a new generation tackle the iconic musical. Expect another Muse hit you will not want to miss.

Muse Machine

Continue to read David’s picks…

“The Oldest Profession” has found it’s way to Wayne Ave.

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The Oldest Profession by Paula Vogel - Dayton Theatre Guild - through September 11

The Oldest Profession by Paula Vogel

The Oldest Profession

THE DAYTON THEATRE GUILD

NOTE:  Audition Info for “Lost In Yonkers” below!

The Dayton Theatre Guild run of The Oldest Profession by Paula Vogel, continues through Sunday, September 11, 2011, with Friday performances at 8:00 p.m., Saturday shows at 5:00 p.m. and Sunday matinees at 3:00 p.m.  It is directed by Greg Smith and produced by Barbara Jorgensen.

Once the toast of Storyville, the infamous red-light district of New Orleans, five very senior ladies of the night have transferred their talents to Reagan-era New York City.   They now find both their clients and their own appearance slipping away with time.  But every girl has a right to go out in her own style, doesn’t she?  Don’t miss the laugh-filled chronicle of five very special ladies – how they lived the life and how they say goodbye.  Warning: This production contains strong language and adult content.  (Raunchy, racy and fun!)

The Oldest Profession by Paula Vogel - Dayton Theatre Guild - through September 11

L to R: Marcia Nowik, Ellen Finch, (back) Jackie Engle, Marcella Balin, Patty Bell

The cast includes Jackie Engle from Dayton (Wallis, Pygmalion), Ellen Finch from Kettering (Kimberly Akimbo, Fuddy Meers, Hallelujah Girls), Marcia Nowik from Yellow Springs (Independence, God’s Favorite, and Octette Bridge Club at Beavercreek Community Theatre), Patty Bell from Dayton (Brooklyn Boy,) and Marcella Balin from Xenia, who makes her acting debut with The Oldest Profession.

-DTG Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@daytonmostmetro.com.

Tickets & Performance Information:

Dayton Theatre GuildPaula Vogel’s THE OLDEST PROFESSION – through September 11 (Fri/Sat/Sun)

(Times Vary:  Click HERE)

Tickets Prices: $10 student / $15 senior / $17 adult

Location:  Dayton Theatre Guild at The Caryl D. Philip’s TheatreScape – 430 Wayne Ave. Dayton, Ohio  45410 (MAP)

No one under the age of seven will be admitted.

Tickets are on sale now through DTG’s Online Box Office, or via phone at (937) 278-5993 (due to a volunteer staff, phones are not monitored continually).

For more information about Dayton Theatre Guild’s entire 2011-12 season, visit www.DaytonTheatreGuild.org

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

AUDITION INFORMATION: Lost In Yonkers by Neil Simon

September 6 & 7, 2011

The Dayton Theatre Guild will hold open auditions for Lost in Yonkers by Neil Simon on Tuesday and Wednesday, September 6 and 7, at 7:00 p.m.  It is directed by Fran Pesch and produced by Deirdre Bray Root.

The Lost in Yonkers production dates are October 21 through November 6, 2011.
Simon’s Pulitzer Prize and Tony Award-winning laugh-filled piece tells the tale of two young boys left by their widowed father in a strange world called Yonkers.  Their father must travel to pay back loan sharks, so the boys are entrusted to a tough-minded grandmother and a child-like aunt.  The aunt, now in love with a man who is just as unable to cope with the boys’ care as she is, tries to figure out the next step in this funny, touching and unforgettable drama.

The director is looking to cast seven actors of varying ages:

  • JAY KURNITZ – mid-teen or older, able to play 16
  • ARTY KURNITZ – mid-teen or older, able to play 13
  • EDDIE – 41, Jay and Arty’s father
  • BELLA – mid-30’s, Eddie’s sister
  • GRANDMA KURNITZ – 70+, Eddie’s mother
  • LOUIS – 36, Eddie’s brother
  • GERT – mid-late 30’s – Eddie’s sister

Lost in Yonkers is a dialect play.  Grandma Kurnitz speaks in combination Yiddish/NYC dialect.  All other roles speak in NYC/Yonkers dialect.  Actors will be asked to read from the script (with dialect.) Head shots & résumés are not required but are encouraged.  PLEASE NOTE:  If this is your first time auditioning for the director, be prepared to present a one-minute contemporary monologue.  Dialect not required for monologue.
The cast meeting and read-through will be Thursday, September 8th at 7 p.m.

Additional casting information may be found on the website at www.daytontheatreguild.org or by calling (937) 654-0400.

ABOUT THE DAYTON THEATRE GUILD:

The Dayton Theatre Guild opened with “Outward Bound” at the Dayton Art Institute in 1945.

The 1963-1964 season opened with “Night of the Iguana” at 2330 Salem Avenue, the Guild’s home for over 45 years, where “Outward Bound” was performed as a part of the final season at that location.
The 2009-2010 season opened with “Les Liaisons Dangereuses” at the Guild’s new home at the Caryl D. Philips TheatreScape at 430 Wayne Avenue in Dayton’s historic Oregon District in August 2009. Over 400 plays have been produced, utilizing all-volunteer casts, crews and administration. You may reach the Dayton Theatre Guild at 937.278.5993 or www.daytontheatreguild.org.

Seeing the City from New Eyes

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A native of Cincinnati, I didn’t really dip my toes into everything Dayton has to offer until my freshman year of college at the University of Dayton. While some of my classes exposed me to popular sites in the city, such as the Schuster Center, I took it upon myself to explore lesser-known pockets of downtown. After four years of living and working in Dayton, I am still finding interesting new places, but I am proud to say I definitely know more than I did when I was a freshman.

Making old new again

As a girl who perpetually has nothing to wear (yet a closet full of clothes), I’m always on the prowl for new additions to my wardrobe. In the past few years I have gained a huge appreciation for vintage clothing, although I am still learning how to filter through what’s gold and what’s just … old. The best place I’ve found to score some great finds? Feathers Vintage Clothing. Located in the Oregon Arts District, it’s the perfect place to browse before grabbing a stuffed burger at Blind Bob’s. Disclaimer: One glance at its front window, filled with the kinds of clothes you dream about stumbling across in such a store, and you will have no choice but to stop and see what’s inside.

Lights, Camera, Action

The best movie experiences are ones in which the whole audience connects over the film. While these occasions are rare, they make going to the movies special. At The Neon, one gets that sense of community during every film. Plus, the selection is awesome – way better than any other theater in the area. It offers everything from Oscar-nominated blockbusters to the lesser-known movies all the cool kids rave about. If you’re wary about seeing a movie that hasn’t been over-advertised, check out The Neon’s website. It provides great summaries, as well as a schedule for upcoming films.

Music to my ears

My inaugural trip to Omega Music was on a first date. After a delicious dinner at Thai 9, we went on a romantic walk down the brick-paved stretch of Fifth St. in the Oregon Arts District. While the night was awkward (Sorry I was more excited about buying that live concert CD than I was about being on that date with you), I still love going back and browsing the music selection. The staff also is really friendly, which I haven’t always encountered in music stores. I still think of that long-lost first date every time I walk into Omega, but at least there’s great music to make me forget it.

Get Lucky

As a lover of food (but by no means a connoisseur), my favorite places to eat are ones that have a unique, but not intimidating, menu. Enter Lucky’s Taproom. A descriptive beer menu for someone who knows nothing about beer (i.e., me) and a staff willing to make recommendations? Sign me up. The first time I went to Lucky’s I ordered the fish and got to choose the beer it was battered in. Awesome. Apparently quality is always Lucky’s standard, as the food is excellent every time I go.

Hit the pavement

A longtime runner before college, I saw my move to Dayton as a chance to get to know a new city – on foot. Confession: In high school I ran almost 10 miles daily with my cross-country team, but when left to my own devices, I am way too tempted to sit on the couch and watch reruns on E! instead of getting up and exercising. Having new, uncharted territory encouraged me to start running here, but it was the awesome routes that kept me going. I love cities, yet I love being in parks; lucky for me, downtown is a blend of both. Check out the Five Rivers MetroParks website for more information on all of the trails available.

This is by no means a complete list of things to do in downtown Dayton. Be sure to check out the Downtown Dayton Partnership’s website for more information and other suggestions of great places in the city to visit.

Muse Machine Celebrates 30th Year with West Side Story Concert

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Muse Machine in Concert - TONIGHT: The Songs of West Side Story & MoreTONIGHT:  The Songs of West Side Story & More

Muse Machine

On Wednesday and Thursday evening Muse Machine, the nationally recognized educational arts group, will kick-off its 30th year with music from one of the most popular musicals of all time:  West Side Story. The local organization has gathered together over 200 local students, alumni and guest artists to present TONIGHT:  The Songs of West Side Story & More at 8:00 p.m. on the stage at the Victoria Theatre.

“The whirlwind, high-energy numbers will thrill you; the soulful melodies will move you; you can’t help but feel the joy of the show!”

-Kylen Franz, concertmaster

Muse Machine in Concert - TONIGHT: The Songs of West Side Story & MoreThe local arts organization has a mission of changing the lives of kids through the arts.  They accomplish this through professional performances both in and out of schools, arts integration training for teachers and student performance opportunities.  Over the years, Muse Machine has developed two primary performance programs, including the popular productions of a musical (winter months) and a concert (summer).  These productions showcase the most talented student singers, dancers, and musicians in the Greater Dayton region, under the direction of professional directors, conductors, choreographers and designers .

“We all work so hard together to make this a great show and the energy & love in rehearsals is incredible.”

-Rachel Snyder, singer/dancer

Muse Machine in Concert - TONIGHT: The Songs of West Side Story & MoreAs their 2011 concert presentation, Muse Machine (along with support from MeadWestvaco) will present Tonight: The Songs of West Side Story & More on August 10 and 11 at the Victoria Theatre. Tonight features new concepts and arrangements of many favorite songs from the classic Leonard Bernstein score, including “Maria,” “America,” “Somewhere” and many others. The show will fill the stage with nearly 200 student performers, who will also share the spotlight with alumni from previous Muse Machine productions.

“I love to be on stage and hear the audience clapping.  It makes me feel good to know they are having a good time.  And, it’s fun!”

– Ben Harshbarger, young ensemble (4th grade)

Muse Machine in Concert - TONIGHT: The Songs of West Side Story & MoreA highlight of the concert will be a huge student orchestra performance of “Rhapsody in Blue” featuring internationally-renowned pianist Leon Bates. Acclaimed by critics and audiences alike, Bates performs with symphonies around the world and the chance to see him bring to life Gershwin’s masterpiece with an orchestra of talented, passionate young musicians should not be missed. The evening also features guest appearances by talented, local gospel singers from the GSJ Youth Choir as well as nationally-acclaimed Stivers Jazz Orchestra and other special guests, including many alumni of Muse Machine productions.

Muse Machine in Concert - TONIGHT: The Songs of West Side Story & More“West Side Story was the first Muse musical, so it’s a way to glance back while also looking forward by bringing new sounds and choreography to this great music. We’ll be joined by exciting guests and we’ll also explore a few ‘related surprises,’ throughout the evening.” -Douglas Merk, producer

[yframe url=’http://www.youtube.com/watch?v=yj0Mbq0Jcgo’]

What is the best part of being in a Muse Machine concert or show?

Muse Machine in Concert - TONIGHT: The Songs of West Side Story & More“The People. Everyone here loves what they’re doing, and that love of performing is evident in every single number…This is a show not to be missed.” -Andrew J. Koslow, singer/dancer

“The feeling of being so welcome and wanted…(and)  Rhapsody In Blue because I LOVE THAT PIECE OF MUSIC!!!” – Noah Berry, singer/dancer

“Meeting new friends and seeing old friends.” – Ben Harschbarger, young ensemble (4th grade)

Muse Machine in Concert - TONIGHT: The Songs of West Side Story & More“Getting to work with such great people on great material.” – Mimi Klipstine Dick, singer

“The close family connection of the entire cast/ensemble.  We all work so hard together to make this a great show and the energy & love in rehearsals is incredible.” – Rachel Snyder, singer/dancer

“Seeing or hearing the work come to fruition and eliciting the response from the audience.” – Kylen Franz, concertmaster

-SA/Muse Machine Press Release

– Muse Machine  Photos by David Sherman

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@gmail.com.

Tickets & Performance Information:

Muse MachineTONIGHT:  THE SONGS OF WEST SIDE STORY & MORE

at the VICTORIA THEATRE – 138 N. Main St.– map

Tickets for Tonight are available exclusively through Ticket Center Stage, 937/228-3630, online at www.ticketcenterstage.com or at the Ticket Center Stage box office in the Schuster Center in downtown Dayton.

About the Muse Machine:

The Muse Machine is a nationally recognized arts education organization, providing creative experiences and resources for young people of the Miami Valley. Since 1982, they’ve produced 27 annual musicals and 14 concerts for the community and engaged thousands of students through academic-relevant lessons, workshops and in-school projects. For more information, visit www.musemachine.com.

Aug. 5 First Friday has everything from skatedecks to a scavenger hunt

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Looking for a different way to explore downtown? The Aug. 5 First Friday is rolling in with a night of live music, art shows and entertainment.

Broaden Your Horizons

First Friday will be the continuation of the First Friday Passport Program. Pick up a First Friday Passport at RiverScape and other participating locations (click here for a list) to win prizes from AAA Miami Valley, which each month will award two prizes of one-year classic AAA memberships, with free renewals for existing members. Everyone who enters for the monthly prize now through Dec. 2 also will be entered into a drawing for a grand prize of a $1,000 travel gift certificate.

The passport must be stamped by at least four locations, and visitors can get all four stamps during one First Friday or complete it another month. Once completed, they simply fill out their contact information and drop their passports in any of the First Friday Passport boxes that will be at all participating locations.

Get a Clue

The Aug. 5 First Friday is also the premiere of the First Friday Scavenger Hunt, an event hosted by volunteers from the young professional organization updayton. Teams of friends and families are invited to enjoy an evening packed with clues that include stops at some of downtown’s swankiest restaurants, venues and art spaces. Follow the clues to the final destination ― the First Friday After Party, where complimentary beer, wine and light snacks await everyone who completes the hunt. Clue sheets also will be inside First Friday passports.

Skateboards, Sculptures and Still-Life

Another featured event is the “The Art of Skate,” an art exhibit featuring skate decks and paintings celebrating skating culture past and present. Held at the Yellow Cab Building, 700 E. Fourth St, more than a dozen artists contributed to the project, including Amy Kollar Anderson, Rev. Chad Wells, Mike Guidone and Jason Goad, along with two California artists. The exhibit will be open until midnight, and the skate decks will be raffled later in August.

New to the city’s arts scene, the Dayton Arts Project will present local artists’ work, followed by a performance of choreography, dance and media at Sinclair Community College’s Blair Hall Theatre. Featured artists include Damon Sink, who will create new live music in a collaboration with choreographer Rodney Veal; choreographer Ashley Sass, who will present her work, Momentum; Tom Watson III, presenting his Stem/ReAssemblage series; and Ben Quinn, who will display five new large works in a mixed-media exhibit.

Additional art shows include:

  • The Blue Sky Project’s final exhibit will be showcased at 8 N. Main St. In this eight-week summer artist-in-residence program, five professional artists from throughout the world have worked with area teens in a collaborative art-making process that resulted in the new works of contemporary art that will be on display.
  • The Cannery Art and Design Center, , 434 E. Third St., will host Doug Benedict’s “Found Object Steel Sculpture,” along with live jazz, wine and hors d’œuvres.
  • Color of Energy, 16 Brown St., will present an introduction to the Record Gallery, a new store featuring collectible music items, along with new works by Mike Elsass and Bob Rhodes.
  • Color 2 Gallery, 519 E. Fifth St., will host Mike Elsass’ reception for the graduates of Stivers.
  • Dayton Visual Arts Center, 118 N. Jefferson St., will host its 20th Annual Open Members’ Show in the gallery. A selection of artists from the Members’ Show will give brief gallery talks about their work.
  • Elaine Balsley Fine Art, 523 E. Fifth St., will feature artwork by Stivers School for the Arts graduates.
  • Gallery 510 Fine Art, 510 E. Fifth St., will feature new figurative wood carvings by Marvin Olinsky and new still-life paintings by Nancy Hatton.
  • K12 Gallery, 510 E. Third St., will feature the work of TEJAS summer art camp students, as well as work by local painters in an exhibition centered on landscapes and showing films created by students throughout this year in K12’s first Film Fest.

Hitting the Right Note

In the Garden Station, 509 E. Fourth St., the Dayton Creative Circus Collective will host Free Music First Friday featuring a rare Dayton appearance by The Hiders from Cincinnati. After its 2006 debut, the band was named by NPR’s World Café as an “artist to watch.” Tim Pritchard of the local band Floods will open at 8 p.m.

More live music will be featured throughout the Oregon District. Check out the Trolley Stop, the Oregon Express, the Tumbleweed Connection and the Dublin Pub for a variety of performances all night. Additionally, Practice Yoga will be hosting the WYSO-FM Rev. Cool Around the Fringe Dance Party, and several participating First Friday locations will be playing the long-running radio show.

Rock Out

Local musicians Blind Karma will play the First Friday @ 5 show at RiverScape MetroPark. The concession will be open and beer will be sold during the performance from 5-7 p.m. The concert will wrap up in plenty of time to head to the galleries and other arts venues taking part in the First Friday art hop.

…And There’s More!

Celebrating its grand opening will be Clash Consignment Co., 113 E. Third St., which features items for adult women and men, including an eclectic and funky mix of vintage to modern clothing, jewelry, shoes and other accessories. The store also carries original work by local artists, and will be hosting DJs during First Friday. New to First Friday is District Antiques, 122 Van Buren St., which specializes in antiques, collectibles, home furnishings and artwork. Patrons will receive 15 percent off new items and 10 percent off consignment items during First Friday. Martha Mellon Interior Design Studio also will offer free 30-minute in-store design consultations. Visitors are asked to bring their room measurements, photos, fabric samples, and toss pillows and other accessories to help with the design consultation. A variety of roaming performers will provide entertainment (weather permitting). This month, catch The Dropbacks juggling duo, the Circle Nerdz breakdance crew, solo saxophonist Tyrone Martin, and accordion and violin duet Nathan Rogers and Liz Landis.

From approximately 8 to 11 p.m., many of downtown’s buildings will be lit for amateur and professional photographers who would like to capture night shots of the city in preparation for this year’s Downtown in Focus photo contest, held in conjunction with the Sept. 16 Urban Nights. Visit DowntownDayton.org for contest details.

Visitors also can get outdoors during First Friday for Courteous Mass, which will meet at Don Crawford Plaza in front of Fifth Third Field at 5:15 p.m. for a bike ride through the event action. Gem City Circle Walks will host two historical walking tours led by longtime local history buffs Leon Bey, Nancy Roach and Curt Dalton. An Oregon Arts District walk will begin at 5 p.m. and the “Ghosts, Cemeteries and Murders Walk of Downtown Dayton” will begin at 7 p.m. Each walk is $10 and advance reservations are required by contacting Bey at 937-274-4749 or grantsguru501c3@yahoo.com.

In addition, all the restaurants, retail shops, bars and clubs, and other establishments throughout downtown will be open during First Friday. For regular updates about this event, follow First Friday on Facebook or text “FirstFridayDayton” to 90210.

First Friday is presented by the Downtown Dayton Partnership with support from AAA Miami Valley, the Oregon District Business Association, Clear Channel Dayton, Heidelberg Distributing Co., Five Rivers MetroParks, Culture Works and WYSO-FM 91.3.

The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more. Click here for a complete list of events taking place downtown.

Add address – also, check for addresses throughout. Since this doesn’t start with the list, as in the release and brochure, there may be other places the address needs to be included.

First Friday band likes pop, rock, ‘unexpected elements’

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When Greg Bell plays a show with his band, Blind Karma, he goes for impact.

“My first job is to do something that will astound my band mates to break that ice on stage,” he says. “Then we can address the audience as a unit.”

From Bell’s description of the band’s performances, it is clear it set out to entertain, no matter the cost.

“I don’t mind looking foolish if that opens the door to get the audience involved,” he says. “Generally, if I see someone shoe gazing, I will do something so ridiculous they can’t shoe-gaze anymore.”

Audiences can expect this outgoing presentation when Blind Karma performs at the Aug. 5 First Friday @ 5 summer concert at the RiverScape MetroPark pavilion .

Formed in 2008, Blind Karma is a trio of Daytonians who bring crowds to its feet with a variety of cover songs from as early as the 1960s. Bell says the band likes to play rock and pop music, but also tries to include unexpected elements in their concerts.

Although the band has original material, they are currently only playing covers. They pull their material from a variety of decades as to find something that appeals to everyone in the audience.

“I’m always hoping for that little extra something to remind the audience how special that song, that time period was,” Bell says.

Off the long list of songs on Blind Karma’s setlist, Bell declines to list a favorite to play live (“That’s like asking me to choose amongst my children!”) but admits “Time” by Pink Floyd is especially meaningful to him.

“It’s one of the most beautiful, moving songs,” he says. “I want to do it justice and play it with conviction. It has the potential to be an emotionally charged song.”

As far as venues go, Bell looks forward to playing in Dayton for a variety of reasons: playing downtown at RiverScape MetroPark, working with sound engineer Monika Shroyer and participating in a community event, such as First Friday.

Bell recognizes Dayton as a grounded place to perform — each venue has unique strong points and the and want to create the best experience possible for the audience.

“There is a direct connection here in town of people wanting to do the best we can with what they’ve got,” he says.

You can catch Blind Karma when they play the August 5 First Friday @ 5 concert from 5 to 7:30 p.m. at RiverScape MetroPark Pavilion, 111 E. Monument Ave. The concession will be open and beer will be sold from 5-7 p.m. The concerts will wrap up in plenty of time to head to the galleries and other arts venues taking part in the First Friday art hop.


Get Gigs

Songs of the Undead: Encore Premieres “In My Blood”

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IN MY BLOOD by Mark Weiser - Encore Theater Co. - July 14-16, 2011IN MY BLOOD

Encore Theater Company

Win Tickets to this new musical! Read on!

Vampires are everywhere. Not since Transylvania has a nation been so overrun with the undead. Is there an area of pop culture devoid of these little bloodsuckers? On television, I guess we have Joss Whedon to blame for his electrifying Buffy The Vampire Slayer all the way through more current hits like HBO’s True Blood and any of a number of copycat shows just like it. In cinema, there’s no other place to look but the Twilight series for the source of teen vampire mania. Walk into any Barnes & Noble and you’re likely to find title after title featuring some collection of sex-crazed vampires. Even in music, isn’t there a band called Vampire Weekend?

One thing’s for sure: this is not your father’s vampire craze. This new breed of vampire is less B-movie and more B-cup. (Immortality doesn’t seem so bad when everyone is ridiculously attractive, right?) Despite a marketing blitz like no other, the trend has been unable to sink its teeth into Broadway – try as it may! Elton John attempted (it’s the kindest word I can use here) a musical-adapted Anne Rice with Lestat and Jim Steinman penned the ill-fated Dance of The Vampires. Even Frank (Jekyll and Hyde) Wildhorn couldn’t capture musical thriller lightning in a bottle twice. His musical Dracula was an infamous bomb in New York. But there’s hope – this weekend in Dayton – that Encore Theater Company could break the curse when the regional premiere of Mark Weiser’s vampire rock musical In My Blood plays three performances at Sinclair Theatre’s Blair Hall.

IN MY BLOOD by Mark Weiser - Encore Theater Co. - July 14-16, 2011 - Photo by Ray ZuppThe show, written by New-York Based composer Mark Weiser has been called “The right combination of romance, conflict, humor and drama” (Theatremania). In the tradition of contemporary vampire stories, In My Blood deals primarily with Gray and Alex, two childhood friends, who reunite for one last night of partying. They learn of an annual, secret soiree, at a hidden location called SANCTUARY. There, they meet Unique and Sasha, two of the revelers. Over the course of the evening, the pairs fall in love. The two friends come to learn that this is the home of the world’s last surviving vampires, and are offered a chance to join them, and live forever. Ultimately, everyone must choose sides – for love, for life and for family. The casts features 10 local performers including ETC Company member JJ Parkey (featuring previously this season in the title role of Hedwig & The Angry Inch). In partnership with Sinclair Theatre, the show is directed by Kimberly Borst with musical direction by John Faas.

“In My Blood deals with real people with real issues of isolation and social shunning who ALSO just happen to be vampires.”

“What works in Mark’s script that hasn’t worked in previous vampire-themed musicals is intent,” says ETC Artistic Director David Brush, “The ‘vampire’ element here is a device and not the primary concern, so people connect to the characters on real levels.”  But don’t fear, there’s plenty of bloodshed for every taste level and a healthy dose of rock ‘n’ roll. ETC first came in contact with the show on their Litehouse New Musicals Reading series under the name The Cure. In My Blood continues ETC’s primary mission of developing new musicals right here in Dayton before heading off to New York. Weiser himself spent several days in Dayton last week working directly with the cast an creative team in an effort to work out some of the new material – it’s a part of the process ETC values enormously.

[yframe url=’http://www.youtube.com/watch?v=yDmfuWAxVyQ’]

In My Blood opens Thursday July 14 for three performances.

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@DaytonMostMetro.com.

Tickets & Performance Information

Encore Theater Company - New Musicals. Next Generation.In My Blood – July 14 – 16, 8:00 pm

Encore Theater Company

Performances will be held at Sinclair Community College’s Blair Hall Theatre.

Tickets are $15 and can be reserved through http://brushfire.e-vent.info/Events/Sinclair/Default.aspx, by contacting (937) 512-2808 (be sure to leave a message as regular box office hours are not kept during the summer)

For more information, check out the Encore Theater Company.

Win Free Tickets!

Encore Theater Company & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to In My Blood!  We will be giving away up to SIX pairs of tickets for the show! All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page (We’ll give away one pair of tickets for every FIVE FB/Twitter Shares).
  • Fill out the contact form at the bottom of this post.
  • …and the fun part: leave a comment below, answering the following question…IF YOU WERE TO BECOME A VAMPIRE…WHAT VAMPIRE-Y TRAIT WOULD YOU MOST BE EXCITED TO HAVE?
  • The deadline to enter is NOON on THURSDAY, JULY 14TH.
  • Winners will be selected randomly from all of the entries.
[contact-form 6 “Contest Entry”]

A Lame Attempt at Car-Free Living

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The Great White Rattletrap

The aptly named Rattletrap has sat idle on McPherson Street for two weeks now as part of my car-less adventure as I hoofed it around downtown ― and I have to admit my life has been pretty much unchanged. Well, except for the fact that the act of walking has been a serious struggle.

See, I took a tumble ― ka-chump! ― square on my left knee at the time when I perhaps needed that knee the most.  Banged it up to the point where I really should have gone (on foot, of course) to the hospital for stitches. (My doctor later confirmed this to be true.)

What I actually did, however, was declare, as blood dripped down my calf and puddled in my shoe, that it simply was a scrape a little peroxide and a Band-Aid could cure. Shortly thereafter, I rode my bike three miles in sizzling heat, squated into a kayak and paddled across Eastwood Lake, and then biked the three miles home, my ad hoc gauze-and-medical tape bandage loosened in the fresh water and flapping in the wind as if I was an unraveling mummy. I was too excited about being back on my bike, which I had barely ridden since my now 19-year-old son was small enough to be in a seat on the back, feeling the wind brush my cheeks, delirious in the bluster of speeding by graduation cookouts and the Mad River.

Of course, this happened on Day Four. So I haven’t really walked many places. More like gimped, lumbering about town. Very. Slowly. Barely able to bend my left knee.

And that, my friends, is what caused me to cheat.

It was my honest intention to take the bus to get groceries for a dinnertime game of Mah Jongg I was hosting. I figured my first bus adventure might as well be XTREME: A trip to the grocery store. But on Sunday morning when a friend asked if I wanted to run errands, including a stop at Trader Joe’s, and offered to drive, I simply replied, my voice taut with pain, “Yes.”

And so it was: convenience trumped principle. Justification? It wasn’t my car. I wasn’t driving. I admit that wasn’t the only day friends picked up my gimpy self and gave me a ride. I never asked to be carted hither and yon, but it happened.

I also haven’t stepped foot in a bus. After reading Megan Cooper’s awesome series of articles chronicling her adventures riding the bus, it’s clear I need to be able to bring my bike along. (I mean, why not learn from someone else’s mishaps?) And this knee ain’t biking nowhere for a minute.

So my adventure will have to be continued at another time. Not to say I didn’t encounter some interesting things limping around the past couple of weeks: A drag queen on roller blades. Some dude rockin’ out with an ’80s-style boom box on his shoulder. Another dude riding a bicycle with a seat that appeared made from the seat of a rocking chair.

Walking forces you to be patient, slow your mind. Notice things. It leads to unexpected adventures.

At least I discovered a free boot camp at RiverScape I plan to attend -- once I'm able to walk.

For example, one evening (pre-fall), as I’m walking home from Drake’s Downtown Gym and jabbering on the phone with my BFF, I realize I’m walking right by her condo building.

“Girl, are you home?” I ask. “Scoot downstairs and join me for a soft-serve cone at RiverScape.” She does. We hang, chitter-chatter and get covered in melting ice cream. While there, we notice a big group of people doing jumping jacks under the pavilion. Come to discover it’s a free boot camp. (Mondays and Wednesdays at 6:30 p.m. and Saturdays at 9:30 a.m.)

I wanted to live the month of June as if I have no car ― which, considering the condition of The Rattletrap, could very well become the case. But in these two weeks it really hit me that if, like so many people, I did not own a car, the freedom of mobility to which I’ve become so accustomed would cease to exist.

Which brings me to this: In a country ― a society, a culture ― sprung from the idea that to be fully human is to be free, does that freedom include the ability to move about from place to place as and when one desires? Because if that’s part of the USA freedom equation, one thing now is clear to me: freedom of mobility = owning a car.

Or does it? Readers, share your thoughts while I sign off to bandage my knee …

Behind the Masks – The Lion King

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Disney’s The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Nick Cordileone & Ben Lipitz

Disney’s THE LION KING

The Victoria Theatre Association

I have a confession to make:  I, Shane Anderson, admittedly know very little about The Lion King.  In fact, I know very little about most of the Disney films and musical adaptations.  I’ve certainly seen some, but I have no children of my own, therefore I typically don’t choose to spend my entertainment budget on a movie ticket to a film marketed to kids.  I get it…I get it… I hear that they are terrific for anybody at any age, but I don’t have that added motivation of a really excited 5 year old persuading me to go catch the latest Disney princess or talking/singing animal movie.

Characters from Disney's Lion King, as interpreted by Noah, age 5

The Lion King mask illustration by Noah, age 5

So, since I am not the Disney aficionado that many Americans are, I had to do a little research about Disney’s THE LION KING, which just rolled into town and opened at the Schuster Center this evening.  So what else was I to do?  I called up my favorite nephew, 5 year old Noah.

First bit of information I needed, was what is the plot of this show? Noah replied with a knowing smile (did I sense the slightest amount of a smirk at his silly Uncle Shane?) that THE LION KING is all about this baby lion named Simba, who’s daddy Mufasa dies because of a bad lion named Scarrrr (grrrRR..!), then the Pumbaa and Timon (not sure which is which, but one is a warthog with big horns) come in and sing Hakuna Matata and then Simba gets big and the girl lion tells Simba to come back and be king.  Oh, and be careful of the 3 Hyenas, they laugh.

Ok, stay clear of the laughing Hyenas.  Of course I already knew a little bit about this classic musical adaptation, it is a legendary production that very successfully melded together a very cool artistic vision with the business sense of a major corporate producer.  I know that it was directed by the very talented Julie Taymor.  I realize that even though the musical premiered on Broadway nearly fourteen years ago,  it is still selling tickets both on the “Great White Way” and in multiple touring companies.  This collaboration between a truly gifted artist and a major corporate entity has been highly successful, with no signs of slowing down.  I knew all of that, but this is one highly acclaimed Broadway spectacle that I have yet to experience, and I am thrilled that the show will be spending four weeks right here in Dayton, Ohio!

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Ben Roseberry

I got the opportunity to spend some time chatting with three cast members of the show on the phone last week.  The cast was in Toronto, Canada, where they had an extended stay.  I spoke with vocal ensemble member and “Sarabi” understudy Electra Weston, Ben Roseberry who portrays “Ed” the laughing hyena, and the ever-popular Ben Lipitz who livens up the stage as “Pumbaa”  the optimistic warthog.

I asked the group of actors about touring with Disney Theatricals, working with Taymor and what the experience is like in a production that thrills audiences of all ages.

The first thing of note is the appreciation the actors express for the company itself.  “It is the best contract I’ve ever worked for,” Roseberry declares, “we are in each city for four weeks or more.” All three of the actors pointed out the fact that through Disney’s intention to keep the company in a city for an extended run of at least four weeks, allows the actors time to settle in and actually experience each city. Most other touring shows will have shorter runs, some as little as a day in each city, which leave the actors living out of their suitcase.  Roseberry, an aviation enthusiast, says that he is very excited to have time in Dayton to explore the Aviation Trail, Hall of Fame and Wright Brother sites.

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Electra Weston

A surprise to me was the fact that the touring company has the opportunity to make their own housing arrangements, some choosing extended stay hotels, others are able to find short-term furnished apartments.  Electra Wilson indicated that in her four years on the tour, she’d never stayed in a hotel.  She ships her bicycle and typically manages to find an apartment within biking distance to the venue.  This gives her the opportunity to become a member of the community, if only for a short time.

I was curious to know more about the experience of being onstage for these actors, what it was like to be on the other side of the curtain.  The technical aspects of performing the show utilizing these puppets and intricate scenic elements must certainly be an incredible thing to watch not only from the audience perspective, but also from backstage.

All three actors found their roles very taxing, but for very different reasons.  Weston says that her most difficult transition into the role was the English language. She had previously been a part of the German company of the show, so even though she is American, she found it difficult to sing her parts in English.  She had to relearn the show in her native tongue, and had a tough time doing so!

“I can’t say it’s a bigger thrill than what the audience is experiences, but it certainly is comparable.” says Ben Lipitz, ” Performing in The Lion King is a rare experience in theatre, it is a landmark event for the audience, as a performer I have to take the storytelling very seriously.  We have a responsibility to live up to the expectations [of the audience].  It is a privilege to tell this story”

“It took a good eight weeks of performing for the role to get in my body.” Roseberry said he was very nervous performing in his “Ed” the hyena puppet for the first several weeks he was on tour.  He pointed out that he had to learn to harness that nervous energy, translating it into a good energy.  Additionally he spent hours in front of a mirror learning how to operate the hyena puppet in as many expressive ways as possible, since the character does not speak, but simply communicates through laughter.  (btw…”Ed” is not “stupid”, but rather he is “verbally challenged”)

Ben Lipitz has been with the show for nine years, both on Broadway as well as the touring company.  He recounted that while his very first entrance on stage in this show was very exciting, that the thrill continues to this day.  Ben’s experience as an actor (on stage, film & television, including a role on The Sopranos) didn’t really prepare him for operating the puppet, especially Pumbaa which weighs in heaviest at 46 pounds.  Creating the physical articulation with the puppet is his biggest challenge, but also the biggest reward.

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Ben Lipitz

The beauty of Julie Taymor’s design is the duality of the character on stage.  You see the actor manipulating the puppet, but you also see the humanity within the animal character.  The actors praise the brilliance of Taymor’s vision and her famous “hands-on” approach to direction an upkeep of her vision.  They report that there is a touring director and staff that continually monitor the show, maintaining the quality of the performance.  This team works with the cast so that what we see in Dayton is precisely the same as the original intent of every step, word and note performed when Julie Taymor’s vision became reality in 1997.  Taymor will even  stop in to check on the show herself occasionally to be sure that her vision is never compromised (though this hasn’t happened recently due to her involvement in another theatrical project).

“I have been truly touched by how inspiring working with Julie is,” claims Lipitz, “[it is] her spirit and her energy.  She is a gifted, visionary artist.”

While THE LION KING is a very complex machine of a show, with many moving parts and people manipulating every aspect of it, it is also child’s play.  Experiencing this show on our side of the curtain will certainly be exciting, but imagine how thrilling it must be to make it all happen behind the scenes.  These actors spoke as if it was truly an honor to tell this story, and be a part of the magic daily.

Before I got off the phone with Pumbaa, I had one more question I was required to ask.  Noah wanted to know “what do you do with your horns?” Pumbaa claimed that his daily regimen included trying not to stay up too late, staying out of the sunlight and plenty of moisturizer.  Pretty good advice for all you warthogs reading this.

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@gmail.com.

Tickets & Performance Information:

Disney's THE LION KING - Victoria Theatre Association, Dayton, OhioDisney’s THE LION KING

Wednesday, June 15 through Sunday, July 10, 2011

at The Schuster Center’s Mead Theatre – Performance Times Vary

Tickets range from $27 – $141

Tickets are ONLY available through Ticket Center Stage.

Visit the  Schuster Center box office in downtown Dayton or order by phone, at (937) 228-3630 or toll free (888) 228-3630. Ticket Center Stage hours are Monday-Friday, 10 a.m. – 6 p.m., Saturday, noon – 4 p.m., and two hours prior to each performance.

Tickets may also be purchased online at www.ticketcenterstage.com.

For more information about Victoria Theatre Association visit www.victoriatheatre.com.

Downtown Dayton Partnership and the Victoria Theatre Association have teamed up to provide roaring deals and promotions for the The Lion King patrons.  Read more about these exiting offers HERE.

The Lion King - ROARING DEALS - Dayton, Ohio

Click for details.

Sing it Strong, Sing it Loud

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Altar Boyz

ENCORE THEATER COMPANY

The quintessential Boy Bands: upbeat (and often emotional) music… slick choreography… the perfect individual and group images… slightly-too-perfect rhymes… the Soul Sensor DX-12? Well, maybe not for any other boy band, but for the Altar Boyz, it’s key! During the final concert of their “Raise the Praise” tour, the Boyz seek to reduce the number of burdened souls in the audience (indicated by the number on the Sensor) to zero.

“Jesus called me on my cell phone / No roaming charges were incurred / He told me that I should go out in the world / And spread His glorious word”

Altar Boyz, presented in real time as that concert, is a satirical, “foot-stomping, rafter-raising musical comedy,” and the fictitious Christian boy band includes five Ohio members: Matthew, Mark, Luke, Juan, and Abraham (who, actually, is Jewish). Some of the Boyz’ signature hits include “Rhythm in Me,” “The Calling,” and “I Believe.” Directed and choreographed by Lauren Morgan and musically directed by Mark Barnhill, this Dayton premiere kicks off Encore Theater Company’s summer season, and runs for one weekend only, June 16 – 18.

“We think that church is super fine / We are the Altar Boyz / We love the wafers and the wine / We are the Altar Boyz / And I think / You’ll find….. We’re gonna altar your mind!”

This show is unique in that each cast member must be a triple-strength performer, because everyone is acting, singing, and dancing for nearly the entire show! Therefore, learning the show has been hard work, but the actors I spoke with were excited about the challenges they’ve faced and the strides they’ve taken as performers. The cast includes students and/or Dayton residents Drew Bown, Andrew Koslow, Korey Harlow, Zack Steele, and Zach King, with a special appearance by local Muse Machine alumnus and Broadway performer Tyler Maynard as “the Voice of God.”

“When I hold your body next to mine / it feels so good / and feels so right / and it also makes my Levis feel real tight… / and I know that there is something about you, baby…/ Girl, you make me want to wait.”

Not only does the cast play a great team onstage, but everyone has an excellent collaboration as well. Each of the cast members are or have studied some type of theatre at the collegiate level, and most are new to Encore Theater Company’s mainstage; however, they’ve all contributed unique talents and abilities to make this show strong and fluid, to refine timing of the show’s extensive humor and rehearse even the most difficult 5-part harmonies. Koslow, who plays Mark, explained in an interview with onStageDayton,

Andrew Koslow, "Mark"

“The most rewarding thing for me about this show is how much we’ve truly banded together (pardon the pun) to make this show happen. We’ve run into a thousand road blocks, from losing cast members to sometimes only having two Boyz available for certain rehearsals due to commitments to other shows. Despite all that, we’ve put together an incredible and entertaining show… I truly couldn’t be prouder of our entire cast and production team.”

That commitment and collaboration have paid off: Zack Steele, who plays Juan, praises,

Zach Steele, "Juan"

“[Altar Boyz] will have [audience members] crying from laughing so hard. The script is bulletproof and the Boyz’ chemistry on stage will carry you on a journey all the way through curtain call. The singing is great and the satire is ever-present.”

Koslow added,

“I truly believe there is something for everyone in this show, and no one can prove me wrong unless they come and see for themselves.”

“You know The Bible tells you God’s the one that made you / So get out on the dance floor And shake what He gave you!”

So, whether you’re holding onto music of the early ‘90s or just love to make fun of boy bands, Altar Boyz is the perfect show for you. Don’t miss it!

Tickets & Performance Information

Altar Boyz – June 16 – 18, 8:00 pm

Encore Theater Company

Performances will be held at Sinclair Community College’s Blair Hall Theatre. Tickets are $15 and can be reserved through http://brushfire.e-vent.info/Events/Sinclair/Default.aspx, by contacting (937) 512-2808 (be sure to leave a message) or box.office@sinclair.edu

For more information, check out the Altar Boyz blog or Encore Theater Company.

~KN