It’s wonderful to know top-drawer musical comedy is alive and well at the Schuster Center thanks to the outstanding local premiere of “The Addams Family,” the absolutely hilarious 2010 musical inspired by the legendary creations of cartoonist Charles Addams in “The New Yorker” and presented on the Victoria Theatre Association’s Premier Health Broadway Series.
Completely retooled with new songs and tighter character development since its messy 2009 pre-Broadway Chicago tryout (which I loathed) and subsequently shaky Broadway mounting, “The Addams Family” finally gels as its wonderfully witty absurdity, surprisingly touching tenderness and enchanting whimsy clearly, cleanly coalesces. Walking the fine line of glorifying and poking fun at death without being in poor taste, librettists Marshall Brickman and Rick Elice (“Jersey Boys”) have streamlined the material to focus on the coming-of-age subtext stemming from the quickie engagement between morbid Wednesday Addams (a marvelously intense Jennifer Fogarty) and her new boyfriend Lucas Beineke (an appealing Bryan Welnicki). Brickman and Elice oddly glosses over the fact that Wednesday and Lucas seem too young for marriage, but the utter shock of the engagement serves its pivotal purpose nonetheless, especially when Wednesday begs her easygoing dad Gomez (terrific comedian Jesse Sharp) not to tell her assertive, perceptive mom Morticia (the cool, statuesque KeLeen Snowgren) about her big news. As Gomez and Morticia cope with Wednesday’s budding relationship and the arrival of Lucas’ straight-laced parents from Ohio, the notion of what one considers “normal” takes on deep, relatable significance. After all, despite serious eccentricities or overt dysfunction in any family, love can prevail if accepting and appreciating someone’s differences is a priority. And in this breezy tale, tunefully broadened by composer Andrew Lippa’s nifty Tony-nominated score recalling Mel Brooks’ clever ditties for “The Producers” and “Young Frankenstein,” the transformative power of acceptance proves monumental.
Wright State University alum E. Cameron Holsinger skillfully recreates Jerry Zaks’ sharp, fast-moving direction, coaxing excellent portrayals across the board. Sharp, who deserves his own sitcom, maintains a very charming, eager-to-please disposition throughout while believably conflicted and moved as Wednesday’s engagement consumes Gomez’s thoughts. He also has a delightful chemistry with Snowgren, who never allows Morticia’s iciness to supersede her underlying warmth. Fogarty, an impressive vocal knockout who nearly stops the show with a dynamic rendition of “Pulled,” is equally well suited with Welnicki, who particularly joins her for the catchy “Crazier Than You,” a strong pop number that humorously raises the stakes of Wednesday and Lucas’ affection even though their dating history could certainly benefit from more backstory. Shaun Rice endearingly guides the proceedings as the peculiarly moon-adoring Uncle Fester. Jeremy Todd Shinder’s portrayal of devious Pugsley Addams strikes a chord during “What If,” a cute song about Pugsley and Wednesday’s unique bond. Scene-stealer Amanda Bruton is a downright hoot as the daffy, vulgar Grandma. Dan Olson, who is given a prime moment to shine during the finale, scores many laughs as imposing butler Lurch. The appropriately uptight Mark Poppleton and genially offbeat Blair Anderson are great as Mal and Alice Beineke. Ensemble members James Michael Avance, Chloe O. Davis, Jake Delaney, Lexie Dorsett, Aaron Fried, Elizabeth Hake, Katie Mebane, Julia Lancione, Galloway Stevens, and Julio Cataono Yee unobtrusively weave in and out of the action as the Addams ancestors.
Additionally, Jonathan Ritter recreates Sergio Trujillo’s original choreography with finesse, specifically the amusingly energetic opening number “When You’re an Addams” and Sharp and Snowgren’s sultry “Tango de Amor.” James Kronzer’s set design modifications of Julian Crouch and Phelim McDermott’s original creations retain a stately allure. Crouch and McDermott’s costumes are also attractive. Natasha Katz’s lighting design is strikingly moody. Basil Twist and Gregory Meeh respectively supply eye-catching puppetry and special effects.
Trust me when I say “The Addams Family” would still be playing on Broadway if this splendid cast and revised script were involved. Peering into the dark side has never been more delectably entertaining.
“The Addams Family” continues through March 10 at the Schuster Center, Second and Main Streets, Dayton. Performances are Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 65 minutes; Act Two: 50 minutes. Tickets are $15-$96. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com
They say you can never go home again, but that’s not always true. From March 5 – 10, people in the Dayton area can return to one of everyone’s favorite childhood haunts, Addams Manor, as the hit Broadway musical The Addams Family takes up residence at the Schuster Center. And whether you grew up with their New Yorker cartoons, the original 1960s sitcom, the ‘90s films, or any of the various animated and live-action spinoffs over the decades, you know that once you’ve met these characters, they’re always a part of you.


Luminous soprano and Broadway sensation Audra McDonald, one of the finest actresses/vocalists of her generation, will be in concert Friday, March 1 in celebration of the Schuster Center’s 10th anniversary. McDonald, 42, has received five Tony Awards for her outstanding work in “Carousel,” “Master Class,” “Ragtime,” “A Raisin in the Sun” and “Porgy and Bess.” She has also been nominated for her splendid performances in “Marie Christine” and “110 in the Shade,” and memorably appeared in Lincoln Center Theater’s production of “Henry IV” and the Public Theater’s “Twelfth Night.” In addition to portraying Dr. Naomi Bennett on ABC’s “Private Practice” for four seasons, she has been featured in television adaptations of “A Raisin in the Sun,” “Annie” and “Wit,” receiving an Emmy nomination for the latter. She also won two Grammy Awards for “Rise and Fall of the City of Mahagonny.”
Q: Would you consider starring in another Michael John LaChuisa (“Marie Christine”) musical?
This Valentine’s Day, the Dayton Philharmonic will offer a very special treat when it presents one of cinema’s greatest love stories,
“Neal and the Dayton Philharmonic have done this before,” said Chuck Duritsch, Communications and Media Manager for the Dayton Performing Arts Alliance. “They’ve done City Lights, The Wizard of Oz, The Bride of Frankenstein back in 2011… I believe one of the reasons they picked Casablanca is because it just celebrated its 70th anniversary, and it comes in the top ten on many ‘best movies ever’ lists, so obviously it’s very popular.”
Whether you are keeping up romantic traditions with your long-time love, or starting flirty new traditions with the one you like, Dayton is full of delicious events. Cupid is now jealous and possibly out of work. Below, you’ll find a little something for everyone bitten by the love bug (and even a few for the staunch, anti-heart day aficionados).
An Affair To Remember
Valentine’s Evening Under the Stars
Latin Lovers Cooking Class
Miami Valley Music Men Singing Valentines!
Hotel Date Night Package
Valentine’s Celebration Dinner
Art For The Heart
Crafty Valentine
Valentine’s Masquerade Ball
Victorian Afternoon Tea – Valentine’s Tea
Valentine Dinner
Chocolate Affair
8th Annual Valentines Dance benefiting A Special Wish Foundation
The Vagina Monologues
Valentine’s Brunch
Valentine’s Concert
Valentine’s Day Celebration
50 Shades of Sweet
When Anthony Bourdain brings his Guts & Glory tour to the Schuster Center on Sunday, it will be his first visit to Dayton. It’s also his first solo tour, and Bourdain describes it as ” a rant, a talk, even some kind of imitation of stand-up,” with video clips and a lot of Q-and-A. He said he’s been secretly doing 5 -10 minutes sets, practicing in comedy clubs around New York City. “The audiences are incredibly honest,” he says, “and what better way to you find out right away in a brutally painful fashion whether something is amusing or not.”



























