In the mood to embrace the fantastical?
Step right up as the Victoria Theatre Association concludes its 2016-2017 Premier Health Broadway Series with a crowd-pleasing Midwest premiere of “Circus 1903” at the Schuster Center.
Circus 1903
A nostalgic ode to P.T. Barnum’s legacy and influence, “Circus 1903,” which premiered in Australia last year and had its American debut in Los Angeles in February, is not a play or musical. Arriving in town mere days after the 71st annual Tony Awards, the show may feel jarringly out of place to theatergoers accustomed to traditional Broadway Series programming. Nonetheless, it is a very entertaining and flashy theatrical depiction of a traveling circus, showcasing marvelous international talent fully prepared to amaze and astound with vibrant, death-defying displays under the direction of Neil Dorward (“The Illusionists”).
Act One standouts include dynamically jaw-dropping contortionist Senayet Assefa Amara (The Elastic Dislocationist) and lovely aerialist Elena Gatilova (Lucky Moon).
In the far stronger and better paced Act Two, exuberant speed juggler Francois Borie (The Great Gaston), skillful acrobats Anny Laplante and Andrei Kalesnikau (Les Incredibles), and handsome foot jugglers Alejandro and Ricardo Rossi (Fratelli Rossi) notably provide breathtaking, encore-worthy routines of astounding athleticism and showmanship.
The entire proceeding is admirably guided by the grandfatherly charm, narrative magnetism and quick wit of David Williamson as Ringmaster Willy Whipsnade. Williamson’s pleasant banter with impressionable youngsters bolsters the show’s heartwarming nature.
A show within a show
By and large, a lack of story structure is an issue and the show-within-a-show concept would be better served in a one-act format. Even so, the superb talent, mostly derived of generations of circus families from Mexico to Russia, and unique puppetry, under the direction of Mervyn Millar, are worth the price of admission. In fact, the show’s two puppet elephants are the brainchild of London-based Significant Object, the creative puppeteers behind acclaimed drama “War Horse.” Todd Edward Ivins’ eye-catching set, Angela Aaron’s attractively colorful turn of the century costumes, Paul Smith’s dazzlingly evocative lighting, and composer Evan Jolly’s dramatic score are added benefits fueling the captivating look and feel of a bygone era.
It can be argued “Circus 1903” is a programming option more inclined to suit a Las Vegas hotel than a Broadway touring house, but it’s certainly a worthwhile, family-friendly, thrill-inducing spectacle.
“Circus 1903: The Golden Age of Circus” continues through June 18 at the Schuster Center, Second and Main Streets, Dayton. Performances are Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 and 7:30 pm. Act One: 50 minutes; Act Two: 45 minutes. Tickets are $30-$97. For tickets or more information, call Ticket Center Stage (937) 228-3630 or visit ticketcenterstage.com.
Circus 1903 flies into the Schuster Center!
with distinction in the Revolutionary War. In 1808, John ran a tavern on the east side of Main Street near Monument and First streets. It was a log building, one and one half stories high with a log barn and feed yard located near the back alley. The large living room of the house became the popular place for many of the socializing events of that day. The bell in the belfry rang twice for meals as was the custom at taverns in those days. When the town meeting was called to discuss building a free-bridge across the Mad River, the meeting was held at Col. Grimes tavern on January 27, 1816. At that time, the town’s people were crossing the river by ferry boats. The building of the bridge was a major advancement in early Dayton history. Col. John Grimes died on June 13, 1836 at the age of 81. Col. Grimes was originally buried in the old 5th St. burial grounds and later was re-interred at Woodland Cemetery on June 12, 1855. His final resting place is in Section 77 Lot 135.
This industrious son of Col. John Grimes, Alexander Grimes, served in the War of 1812. Alexander was a Dayton merchant who worked in close association with Steel and Peirce under the name of Grimes & Company. In 1828, Alexander was one of Dayton’s fire wardens and formed the fire-guards to provide protection and security around fire areas. Mr. Grimes was elected to the State Legislature in 1827 and 1830 and was cashier from 1831 to 1843 of Dayton’s first bank. He also served as the Auditor of Montgomery Country. Mr. Grimes was married twice. His second wife was the sister of Charles Russell Greene, Marie Antoinette Greene. Alexander Grimes died January 12, 1860 at the age of 69. He is located in Section 77 Lot 136.
P.F.C. Charles Greene Grimes – Ohio Militia Civil War
John Doren was born in Athens, Tennessee in 1834. Early on he displayed marked journalistic ability, and at nineteen years of age, under Gov. Samuel Medary’s leadership, became managing editor of the Ohio Statesman. In 1857, he was made official reporter of the Ohio House of Representatives, and in 1861 received the appointment as private secretary to Secretary of the Treasury, Salmon P. Chase, in Washington, D. C., in the cabinet of Abraham Lincoln. He graduated from the Cincinnati Law School in 1865, and that same year he succeeded G. M. D. Bloss as editor of the Cincinnati Inquirer, a position which he retained until shortly before he became a resident in Dayton in 1870. He then became Editor and Owner of the Dayton Daily Democrat, the predecessor of the Daily News.
What do you love most about Dayton?
The beehive was often used by the Freemasons and the Independent Order of Odd Fellows. It symbolizes human industry, faith, education and domestic virtues.
In 2016, a group of high school students participated in a Work, Earn and Learn program at Woodland. Eight girls worked 16 hours per week for 10 weeks and did the care and upkeep of several gardens, established a new garden in a highly visible area of the cemetery with a focus on design and plant selection, learned the workings of the cemetery from the front office to grounds maintenance, received several tours learning the history of Woodland, its establishment and the people resting peacefully within and also worked on the restoration of several monuments, including the “Beckel Beehive.”
This window depicts the words written in the Negro dialect associated with the antebellum South by Dayton poet and author, Paul Laurence Dunbar, in the poem A Death Song published in 1913. You can also find the poem on the bronze plaque at his grave site in Section 101.
This week is the Grand Opening of Style Encore
Early Christians used the anchor as a disguised cross and as a marker to guide the way to secret meeting places. It is a Christian symbol of hope, it is found as funeral symbolism in the art of the catacombs. It is also an occupational symbol in sea-faring areas or the attribute of St. Nicholas, patron saint of the seaman, it symbolized hope and steadfastness. An anchor with a broken chain stands for the cessation of life. Anchors are also a Masonic symbol and often found on Mason’s graves as they were a symbol for well-grounded hope.
Libby Ballengee, President of the Dayton Ballet Barre and a local music promoter through her own music production company, 
Thomas Staniland was admitted as a partner in Dayton Marble and Granite Works in 1865. The business was established in 1860 by H. Houghtelin. When Thomas became a partner, the company changed its name to Houghtelin & Staniland and continued under the direction of Mr. Houghtelin until his death in 1873. In 1875, Ira Crawford bought half the interest in the company and the name changed to Staniland & Crawford. The business did monumental work in all kinds of marble and granite and handled all sorts of marble, both foreign and domestic. Their granite work was all done at the quarries, except for the lettering. Mr. Staniland designed all the work and always personally supervised all of it. In December 1881, Mr. Crawford retired and Thomas continued the business on his own.
The Mead monument was once the tallest obelisk at Woodland Cemetery. Today, just a few short feet away from the Mead family lot stands the tallest obelisk, that of John Alexander Collins. During a search through the Wright State University Archives, a series of photographs were found of storm damage at Woodland involving the Mead monument. On the back of each photo was written “Storm Damage July 1944.” I did some checking with the local National Weather Service office in Wilmington and found out that there was a heat wave and drought in the summer of 1944. On July 11th the temperature was 100 degrees; on July 12th the temperature dropped to 83 degrees. The local office did not have written records dating back that far other than a few statistics but stated that with a dramatic drop in temperature, it was possible that a storm had blown through.
Maryland Avenue revealed a Wednesday, July 12, 1944 page 1 short article titled, “Lively Shower Brings Relief from Heat.” The first paragraph states, “Residents of Dayton and vicinity Wednesday were given at least a temporary respite from the prevailing high temperatures with the first break coming shortly before 10 am Wednesday when the city was visited by a shower which peppered down right lively for about 10 minutes. It is estimated that about one-hundredth inch of rain fell.”
Most Dayton and Miami Valley residents know that the wind can pick up in an instant in the area and knock a few trees down. Perhaps the answer to what happened was truly blowing in the wind.
Angels are often referred to as Agents of God. They direct you towards Heaven. They are the guardians of the dead and they symbolize spirituality.
Dayton is in the midst of a craft beer explosion. There are daily notifications that new breweries are opening or that current breweries are planning to expand. In Montgomery county alone, there are well over a dozen breweries. From 
