Arts & Entertainment

Boston Stoker Presents A Film About Coffee

July 17, 2014 By Dayton Most Metro

Saluting Dayton’s 2013-14 Theater Season

July 13, 2014 By Russell Florence, Jr.

Looking back on Dayton’s commendable 2013-14 theater season, appealing stories reflecting cries of revolution, love and forgiveness, identity and family, and relationships beyond repair gave audiences thought-provoking, richly rewarding memories.
Wright State University certainly triumphed with an exceptional Les Misérables which catapulted its musical theater component to astonishing degrees from performance to design. The beautiful complexity of The Magic Fire, the wonderful earthiness of Oklahoma!, and the dynamic electricity within The Wild Party also gave the organization cause to celebrate. Collegiate stages elsewhere saw fine work at Sinclair Community College (fittingly bookended by the riotous Monty Python’s Spamalot and A Flea in Her Ear) and in the University of Dayton’s A Funny Thing Happened on the Way to the Forum featuring the final set design of scenic/lighting designer Darrell Anderson who retired after 40 years of service.
In addition, the Dayton Theatre Guild notably delivered a terrific, well-balanced season heightened by its outstanding, superbly designed local premiere of Time Stands Still, an engrossing drama about a New York couple at odds. The Guild also provided praiseworthy accounts of hypocrisy (An Inspector Calls) and desperation (The Dead Guy). The Dayton Playhouse built momentum last summer with an impressive, historic tie for top honors at FutureFest: A Position of Relative Importance and The King’s Face. Additional Playhouse highlights included The Whales of August (helmed by FutureFest co-founder John Riley), Working, and a very entertaining Hairspray. Brookville Community Theatre’s The Importance of Being Earnest and Lebanon Theatre Company’s Into the Woods flew under the radar but delighted all the same. Leading the pack of special theatrical events, Epiphany Lutheran Church offered an absolutely luminous, smile-inducing Joseph and the Amazing Technicolor Dreamcoat.
Professional companies reaped its share of successes as well. The Victoria Theatre Association’s Premier Health Broadway Series particularly supplied the wondrously inventive local premiere of the Tony Award-winning War Horse and a joyously heartfelt, smartly reconceived national tour of Disney’s Beauty and the Beast. The Human Race Theatre Company brought a refreshingly intimate vision to Fiddler on the Roof and boldly resurrected Torch Song Trilogy with power and passion to enlighten a new generation. The emerging Dare to Defy Productions auspiciously joined the professional ranks with a very winning I Love You, You’re Perfect, Now Change. Zoot Theatre Company took an enjoyable leap into the musical theater realm with The Rocky Horror (Puppet) Show while showcasing its pedigree with an insightful, imaginative Animal Farm.
Assessing the 60 shows I saw this season, I congratulate the following winners (in bold) and nominees.
BEST PROFESSIONAL PRODUCTION OF A PLAY
Animal Farm, Zoot Theatre Company
Other Desert Cities, Human Race Theatre Company
Torch Song Trilogy, Human Race Theatre Company
War Horse, Victoria Theatre Association

BEST LOCALLY-PRODUCED PROFESSIONAL MUSICAL
Fiddler on the Roof, Human Race Theatre Company
I Love You, You’re Perfect, Now Change, Dare to Defy Productions
Play it By Heart, Human Race Theatre Company
The Rocky Horror (Puppet) Show, Zoot Theatre Company

BEST PROFESSIONAL TOURING MUSICAL
Bring it On: The Musical, Victoria Theatre Association
Disney’s Beauty and the Beast, Victoria Theatre Association
Memphis, Victoria Theatre Association
Million Dollar Quartet, Victoria Theatre Association
Sister Act, Victoria Theatre Association

BEST COMMUNITY THEATER PRODUCTION OF A PLAY
An Inspector Calls, Dayton Theatre Guild
The Dead Guy, Dayton Theatre Guild
The Importance of Being Earnest, Brookville Community Theatre
Time Stands Still, Dayton Theatre Guild
The Whales of August, Dayton Playhouse

BEST COMMUNITY THEATER PRODUCTION OF A MUSICAL
The Gifts of the Magi, Dayton Theatre Guild
Hairspray, Dayton Playhouse
Into the Woods, Lebanon Theatre Company
Working, Dayton Playhouse

BEST COLLEGIATE PRODUCTION OF A PLAY
A Flea in Her Ear, Sinclair Community College
A Shayna Maidel, Sinclair Community College
Harvey, Wright State University
The Magic Fire, Wright State University

BEST COLLEGIATE PRODUCTION OF A MUSICAL
A Funny Thing Happened on the Way to the Forum, University of Dayton
Les Misérables, Wright State University
Monty Python’s Spamalot, Sinclair Community College
Oklahoma!, Wright State University
The Wild Party, Wright State University

BEST NEW WORK
Hal Borden’s A Position of Relative Importance, Dayton Playhouse FutureFest
Marya Spring Cordes and Sean Michael Flowers’ Guarding Gold Street, Human Race Theatre Company
Steven Young’s The King’s Face, Dayton Playhouse FutureFest
Michael Kooman and Christopher Dimond’s The Noteworthy Life of Howard Barnes, Human Race Theatre Company
Tom Coash’s Veils, Dayton Playhouse FutureFest

BEST SPECIAL THEATRICAL EVENT
The Best of Broadway, Dayton Philharmonic Orchestra and Human Race Theatre Company
Black Violin, Victoria Theatre Association
Joseph and the Amazing Technicolor Dreamcoat, Epiphany Lutheran Church
Ragtime, Vandalia Youth Theatre Company
The Signature: A Poetic Medley Show Season 7 Opener, Oral Funk Poetry Productions and Human Race Theatre Company

BEST LEADING ACTOR IN A PLAY
Cameron Blankenship as Elwood P. Dowd, Harvey
Alex Carmichal as James Goodwin, Time Stands Still
Christopher Hahn as Eldon Phelps, The Dead Guy
Josh Katawick as Prince Harry of Monmouth, The King’s Face
Charles Larkowski as Arthur Birling, An Inspector Calls
Jamison Stern as Arnold Beckoff, Torch Song Trilogy

BEST LEADING ACTRESS IN A PLAY
Cassandra Engber as Sarah Goodwin, Time Stands Still
Marcia C. Nowik as Sarah Webber, The Whales of August
Jennifer Joplin as Brooke Wyeth, Other Desert Cities
Taylor Montgomery as Veta Louise Simmons, Harvey
Annie Pesch as Samar, Veils
Kate Young as Polly Wyeth, Other Desert Cities

BEST LEADING ACTOR IN A MUSICAL
Mark Beyer as Burrs, The Wild Party
JJ Parkey as Dr. Frank N. Furter, The Rocky Horror (Puppet) Show
Darick Pead as the Beast, Disney’s Beauty and the Beast
Drew Pulver as Tevye, Fiddler on the Roof
Andrew Quiett as Jean Valjean, Les Misérables
Brian Sharp as Edna Turnblad, Hairspray

BEST LEADING ACTRESS IN A MUSICAL
Rachel Coloff as Golde, Fiddler on the Roof
Paige Dobkins as Queenie, The Wild Party
Hilary Maiberger as Belle, Disney’s Beauty and the Beast
Sharva Maynard as Naomi Jasper, Play it By Heart
Lee Merrill as June, Guarding Gold Street
Jasmin Richardson as Felicia Farrell, Memphis

BEST SUPPORTING ACTOR IN A PLAY
Eric Arntz as Squealer, Animal Farm
Tommy DiMassimo as Gianni “Juan” Guarneri, The Magic Fire
John Hacker as Alan, Torch Song Trilogy
Charles Larkowski as Johnathon Bradmore, The King’s Face
Tray Shelton as Don Carlos Homenides de Histangua, A Flea in Her Ear
John Spitler as Charles, 45 Seconds From Broadway (Dayton Theatre Guild)

BEST SUPPORTING ACTRESS IN A PLAY
Amy Askins as Gina Yaweth, The Dead Guy
Patty Bell as Raylean, 45 Seconds From Broadway (Dayton Theatre Guild)
Annie Branning as Sybil Birling, An Inspector Calls
Debra A. Kent as Arlene, 45 Seconds From Broadway (Dayton Theatre Guild)
Patricia Linhart as Lady Blues/Mrs. Beckoff, Torch Song Trilogy
Debra Strauss as Cindy, 45 Seconds From Broadway (Dayton Theatre Guild)

BEST SUPPORTING ACTOR IN A MUSICAL
Mark Beyer as Enjolras, Les Misérables
Drew Helton as Motel, Fiddler on the Roof
Bobby Mitchum as Willy Porter, The Gifts of the Magi
William “Kip” Moore as Ironworker, Publicist, Retiree and Father/Son, Working
Andrew Quiett as Jud Fry, Oklahoma!
Zack Steele as Marius, Les Misérables

BEST SUPPORTING ACTRESS IN A MUSICAL
Kay Bosse as Nan, Guarding Gold Street
Natalie Houliston as Eddie and Dr. Scott, The Rocky Horror (Puppet) Show
Caitlyn Larsen as Yente/Grandma Tzeitel, Fiddler on the Roof
Kelli Locker as Velma Von Tussle, Hairspray
Liz Romey as Eponine, Les Misérables
Amy Wheeler as Fantine, Les Misérables

BREAKTHROUGH MALE PERFORMANCE
Ian Benjamin as Thenardier, Les Misérables
A.J. Breslin as Duvid Pechenik, A Shayna Maidel
Andrew Briner as John Worthing, The Importance of Being Earnest
Chris Carter as Milky White, Into the Woods
Law Dunford as Inspector Javert, Les Misérables
Leonardo Santucci as Eric Birling, An Inspector Calls

BREAKTHROUGH FEMALE PERFORMANCE
Alyssa Brembeck as Maddalena Guarneri, The Magic Fire
Tori Kocher as Penny Pingleton, Hairspray
Caitlyn Maurmeier as Sheila Birling, An Inspector Calls
Cassie Mikat as Madame Thenardier, Les Misérables
Kelsey Pohl as Kate, The Wild Party
Katrina Pontius as Cecily Cardew, The Importance of Being Earnest

Scott Stoney

BEST DIRECTION OF A PLAY
Geoff Burkman, The King’s Face
Debra A. Kent, Time Stands Still
Lee Merrill, The Magic Fire
Margarett Perry, Other Desert Cities
Scott Stoney, Torch Song Trilogy

BEST DIRECTION OF A MUSICAL
Jamie Cordes, The Wild Party
Gina Kleesattel, Monty Python’s Spamalot
W. Stuart McDowell, Les Misérables
Kevin Moore, Fiddler on the Roof
Megan Wean Sears, Joseph and the Amazing Technicolor Dreamcoat

Teressa Wylie McWilliams

BEST CHOREOGRAPHY
Andy Blankenbuehler, Bring it On: The Musical
Teressa Wylie McWilliams, Oklahoma!
Jermaine R. Rembert, Memphis
Megan Wean Sears, Joseph and the Amazing Technicolor Dreamcoat
Dionysia Williams, The Wild Party

BEST SCENIC DESIGN OF A PLAY
Michael Amico, Harvey
Fred Blumenthal, 45 Seconds From Broadway (Dayton Theatre Guild)
Tamara L. Honesty, Other Desert Cities
Chris Newman, An Inspector Calls
Blake Senseman, Time Stands Still

BEST SCENIC DESIGN OF A MUSICAL
Darrell Anderson, A Funny Thing Happened on the Way to the Forum
Dick Block, Fiddler on the Roof
Pam Knauert Lavarnway, Les Misérables
Chris Newman, Hairspray
Terry Stump, Monty Python’s Spamalot

Carol Finley

BEST COSTUME DESIGN OF A PLAY
D. Bartlett Blair, Harvey
David J. Castellano, The Magic Fire
Carol Finley, An Inspector Calls
Kathleen Hotmer, A Flea in Her Ear
Janet G. Powell, Other Desert Cities

BEST COSTUME DESIGN OF A MUSICAL
D. Bartlett Blair, Les Misérables
Steve Burton and Tim Grewe, Hairspray
Kathleen Hotmer, Monty Python’s Spamalot
Maria Klueber and Lori Watamaniuk, Joseph and the Amazing Technicolor Dreamcoat
Lisa Loen, Oklahoma!

BEST LIGHTING DESIGN OF A PLAY
Daniel Brunk, A Shayna Maidel
David Corson, Time Stands Still
John Falkenbach, The King’s Face
Samantha Jelinek, The Magic Fire
Erin Jones, Harvey

BEST LIGHTING DESIGN OF A MUSICAL
Matthew P. Benjamin and Erin Jones, Les Misérables
Joe Beumer, Monty Python’s Spamalot
Timothy A. Guth, Joseph and the Amazing Technicolor Dreamcoat
Kody Lupori, The Wild Party
John Rensel, Fiddler on the Roof

K.L Storer

BEST SOUND DESIGN OF A PLAY
Nathan D. Dean, Animal Farm
Richard M. Dionne, Torch Song Trilogy
James Dunlap, The Magic Fire
Fran Pesch, Veils
K.L Storer, Time Stands Still

BEST SOUND DESIGN OF A MUSICAL
Nathan D. Dean, Fiddler on the Roof
James Dunlap, Les Misérables
James Dunlap, Oklahoma!
Kai Harada, Million Dollar Quartet
Cody Spencer, Bring it On: The Musical

BEST ORCHESTRA
Hairspray (Musical Director: Judy Mansky)
Monty Python’s Spamalot (Musical Director: Daniel Greene; Conductor: Dr. Kenneth Kohlenberg)
Les Misérables (Musical Director: Scot Woolley)
Oklahoma! (Wright State) (Musical Director: Scot Woolley)
The Wild Party (Musical Director: Sherri Sutter; Conductor: Ian Benjamin)

BEST PROPERTIES
Jason Hamen and Adrienne Niess, Joseph and the Amazing Technicolor Dreamcoat
John Lavarnway, Les Misérables
John Lavarnway, The Magic Fire
Tina McPhearson and Chris Newman, Hairspray
Blake Senseman and Deirdre Bray Root, Time Stands Still

SPECIAL ACKNOWLEDGMENTS
• Jacklyn Alexa’s prosthetics/makeup, Jim Foreman and Amanda Gray’s properties, Charles Larkowski’s music selections, Fran Pesch’s set design, Deirdre Root’s costumes, and Blake Senseman’s props and extractor fabrication for The King’s Face
• George Abud, Jay Brunner, Brent Eresman, and Joel Greenberg as the kletzmer band of Fiddler on the Roof
• Michael and Sandy Bashaw’s music accompaniment for Fellow Passengers (Dayton Playhouse)
• Julia Brown’s piano accompaniment and Josh Vantilburgh’s violin accompaniment for I Love You, You’re Perfect, Now Change
• Bruce Brown’s scenic design for Joseph and the Amazing Technicolor Dreamcoat
• Tiffany Cichanowicz as Dream Laurey in the Dream Ballet of Oklahoma! choreographed by Barbara Pontecorvo (Dayton Playhouse)
• Deb Colvin-Tener, Jamie Cordes, Marya Spring Cordes, Scott Hunt, Patricia Linhart, Claire Northcut, Katie Pees, Jay Pierce, Scott Stoney, and Michelle Zimmerman in The Best of Broadway
• Megan Cooper, Franklin Johnson and Charles Larkowski as Ebenezer Scrooge and others in Fellow Passengers (Dayton Playhouse)
• John Countryman as Jerry Lee Lewis, Tyler K. Hunter as Elvis Presley, Scott Moreau as Johnny Cash, and H. Bradley Waters as Carl Perkins in Million Dollar Quartet
• D. Tristan Cupp and Leesa Haapapuro’s puppet design for Animal Farm
• Jackie Darnell, Zach King, Bobby Mitchum and Mackensie Vonderbrink in I Love You, You’re Perfect, Now Change
• Fred Garbo, Joe Deer, Lula Elzy, Douglas Merk, and Timothy Olt fashioning “The Circus McGurkus” for Seussical (Muse Machine)
• Director Steven Haines and Bryan Wallingford as the Baker for Into the Woods
• David Hallowren as Jud Fry, Karen Righter as Aunt Eller and Jeff Sams as Curly in Oklahoma! (Dayton Playhouse)
• David Hallowren as Ebenezer Scrooge, Leonardo Santucci as the Ghost of Christmas Present, and Maximillian Santucci as Jacob Marley in A Christmas Carol: A Radio Play (Undercroft Players)
• Mathys Herbert as Otto Berg in The Magic Fire
• Tony Ray Hicks’ costumes for Fiddler on the Roof
• Joshua Hughes’ rendition of “Those Canaan Days” in Joseph and the Amazing Technicolor Dreamcoat
• Director Lisa Howard-Welch and Patti King as Lady Bracknell for The Importance of Being Earnest
• Jux-ta-posed, Sinclair’s presentation of new works, featuring Nelson Sheeley’s The Art of Dying and John Ray’s Gilligan, the Titanic, and Other Small Tragedies
• Annettte Looper’s choreography for Hairspray
• The Muse Machine’s All You Need is Love: The Music of the Beatles and Friends summer concert featuring Amber Knicole’s renditions of “Eleanor Rigby” and “Hey Jude”
• Chris Newman’s scenic design for Fellow Passengers and Oklahoma! (Dayton Playhouse)
• John Riley’s scenic design for The Whales of August
• Director Bijan Sheibani, Handspring Puppet Company’s puppetry, Tony-winning sound designer Christopher Shutt, and Karen Spahn’s adaptation of Paule Constable’s Tony-winning lighting design for War Horse
• Linda Sellers’ costumes for The Gifts of the Magi
• K.L. Storer’s music selections for Time Stands Still
• Deborah Thomas’ dialect coaching and Lydia Watson’s scenic design for The Magic Fire
• Rodney Veal’s choreography for Monty Python’s Spamalot
• Luke Williams’ piano accompaniment for The Gifts of the Magi and Into the Woods
• Ayn Kaetchen Wood’s costumes for The Rocky Horror (Puppet) Show
• Ray Zupp’s set design for I Love You, You’re Perfect, Now Change

Star-Studded THIRD PERSON Opens Friday at THE NEON

July 8, 2014 By Jonathan McNeal

Hello Everyone,

We had a lot of fun this weekend with A HARD DAY’S NIGHT. Audiences applauded after each screening, and some folks even admitted to having cried tears of joy during their revisit with The Beatles. If you’d still like to see it, Thursday will be your last chance at THE NEON. Thursday will also be the last day for the ground-breaking film OBVIOUS CHILD. On Friday, we will open the new film from Paul Haggis – THIRD PERSON. SNOWPIERCER (which had a terrific opening weekend) and CHEF will stick around for another week. (For this week’s remaining showtimes, visit our website at www.neonmovies.com)

Synopsis for THIRD PERSON: “THIRD PERSON tells three stories of love, passion, trust and betrayal, in a multi-strand story line reminiscent of Paul Haggis’s earlier Oscar-winning film CRASH. The tales play out in New York, Paris and Rome: three couples who appear to have nothing related but share deep commonalities: lovers and estranged spouses, children lost and found.” Starring Liam Neeson, Mila Kunis, Adrien Brody, Olivia Wilde, James Franco and many other well-known actors.

There’s been a locally-initiated tugg request for the film NO ORDINARY HERO: THE SUPERDEAFY MOVIE on July 23 at 7:30, and the event will only proceed if 62 tickets are purchased by July 14. (If the threshold isn’t met, your card will not be charged.) “When a deaf actor who plays a superhero on television looks beyond his cape to influence a deaf boy to redefine what ‘being normal’ means, he also finds inspiration to transform himself.” Visit the official LINK to watch the trailer and to reserver your ticket.

On Tuesday, July 29 at 7:30, The Evangelical Immigration Table will host a one-time screening of the documentary THE STRANGER. “This film was produced to motivate evangelical Christians to take a stand for immigration reform. The film tells the story of three families caught in our broken immigration system. The film is a stark reminder that immigration isn’t just a political issue, and it certainly isn’t a liberal or conservative issue. It is an American issue, and it is a spiritual issue. Tickets are $5 (available starting July 11 at THE NEON’s Box Office) and all proceeds will go to local refugees served by New Path Outreach, a ministry of Ginghamsburg Church. Watch the film. Then call your Congressman.” (taken from press notes) A panel discussion will be held after the screening.

On Thursday, July 31 at 7:30, 4 Paws For Ability would like to screen the documentary LEGENDS OF THE KNIGHT. This is a tugg screening…which means that 62 people need to reserve tickets by July 20 for the engagement to move forward. “LEGENDS OF THE KNIGHT weaves together the uplifting true stories of individuals who have overcome devastating obstacles, unselfishly given to the community, and embraced their inner superhero because of their love of Batman.” Follow this LINK to find out more about the film, watch a trailer and reserve your ticket.

Thanks so much for your continued support!

We hope to see you soon!

Jonathan

SHOWTIMES for Friday, July 11- Thursday, July 17:

THIRD PERSON (R) 2 Hr 17 Min
Friday, Saturday: 1:00, 4:00, 7:00, 9:45
Sunday: 1:00, 4:00, 7:00
Monday: 2:20, 5:10, 7:50
Tuesday: 2:20, 7:50
Wednesday, Thursday: 2:20, 5:10, 7:50

CHEF (R) 1 Hr 55 Min
Friday, Saturday, Sunday: 12:20, 5:30
Monday – Thursday: 5:30

SNOWPIERCER (R) 2 Hr 6 Min
Friday, Saturday, Sunday: 2:50, 8:00
Monday: 2:50, 8:00
Tuesday: 2:50
Wednesday, Thursday: 2:50, 8:00

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

TBD – IDA
TBD – WORDS AND PICTURES
July 18 – LIFE ITSELF
Aug 8 – BOYHOOD
Aug 15 – MAGIC IN THE MOONLIGHT
Aug 29 – LAND HO

The Beatles & SNOWPIERCER This Weekend at THE NEON

July 2, 2014 By Jonathan McNeal

Hello Everyone,

You only have until Thursday (July 3) to see JODOROWSKY’S DUNE…Thursday will be its last day at THE NEON. On Friday, we will open 2 films. One is the remastered and restored Beatles’ classic – A HARD DAY’S NIGHT – celebrating its 50th Anniversary. The other is a genre that doesn’t get much play around THE NEON…it’s a sci-fi action film by beloved and master filmmaker Bong Joon-ho. It’s called SNOWPIERCER, and the cast is amazing – Tilda Swinton, Ed Harris, Jamie Bell, John Hurt, Octavia Spencer, Chris Evans and more! OBVIOUS CHILD and CHEF will continue their runs for another week. (For this week’s remaining showtimes, visit our website at www.neonmovies.com)

Synopsis for SNOWPIERCER: This film has been receiving incredible reviews, and it has a lot to say about our society. “In this sci-fi epic from director Bong Joon Ho (THE HOST, MOTHER), a failed global-warming experiment kills off most life on the planet. The final survivors board the SNOWPIERCER, a train that travels around the globe via a perpetual-motion engine. When cryptic messages incite the passengers to revolt, the train thrusts full-throttle towards disaster.” (A24) Claudia Puig of USA TODAY wrote “A rare hybrid that perfectly blends the dazzle of a futuristic action thriller with the intellectual substance of an art film.” Scott Foundas of VARIETY wrote that the film has a “respect for the audience’s intelligence rarely encountered in high-concept genre cinema.” Peter Travers of ROLLING STONE wrote, “SNOWPIERCER is everything TRANSFORMERS wishes it could be: A slambam sci-fi thriller with a brain, a heart and an artful sense of purpose.” Click THIS LINK to visit the film’s official site.

Synopsis for A HARD DAY’S NIGHT: ONE WEEK ONLY! RESTORED & REMASTERED!! “Meet the Beatles! Just one month after they exploded onto the U.S. scene with their Ed Sullivan appearance, John, Paul, George, and Ringo began working on a project that would bring their revolutionary talent to the big screen. A Hard Day’s Night, in which the bandmates play wily, exuberant versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever. Directed with raucous, anything-goes verve by Richard Lester and featuring a slew of iconic pop anthems, including the title track, “Can’t Buy Me Love,” “I Should Have Known Better,” and “If I Fell,” A Hard Day’s Night, which reconceived the movie musical and exerted an incalculable influence on the music video, is one of the most deliriously entertaining movies of all time.” (Janus) Click THIS LINK to visit the film’s official facebook page.

https://www.youtube.com/watch?v=wiW003U4iA8

Would you like to win tickets to A HARD DAY’S NIGHT? Listen to WSWO – Oldies 97.3 for chances to win tickets. WSWO is working on getting guest musicians to perform Beatles classics on our patio on Saturday afternoon starting at 4:00. For more information, follow this LINK to their facebook page.

Next time you’re in the neighborhood, even if you’re not up for a movie, be sure to check out our patio. We’ve really spruced things up with new furniture, new umbrellas and beautiful plants. Our beer selection is pretty awesome (not to mention our iced coffee and other cold drinks), so think about our patio as a great place to unwind down the road.

We hope to see you soon!
Jonathan

SHOWTIMES for Friday, July 4 – Thursday, July 10:

OBVIOUS CHILD (R) 1 Hr 24 Min
Friday, Saturday: 3:15, 9:45
Sunday – Thursday: 3:15

CHEF (R) 1 Hr 55 Min
Friday, Saturday, Sunday: 12:50, 7:20
Monday – Thursday: 7:20

A HARD DAY’S NIGHT (NR) 1 Hr 27 Min
Friday – Thursday: 5:15

SNOWPIERCER (R) 2 Hr 6 Min
Friday, Saturday: 1:30, 4:15, 7:00, 9:45
Sunday: 1:30, 4:15, 7:00
Monday – Thursday: 2:50, 5:20, 8:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
TBD – IDA
TBD – WORDS AND PICTURES
July 11 – THIRD PERSON
July 18 – LIFE ITSELF
Aug 8 – BOYHOOD
Aug 15 – MAGIC IN THE MOONLIGHT
Aug 29 – LAND HO

OBVIOUS CHILD & JODOROWSKY’S DUNE at THE NEON!

June 25, 2014 By Jonathan McNeal

Hello Everyone,

If you still need to see BELLE, FED UP or SUPERMENSCH, you only have until Thursday to catch them at THE NEON. In addition to holding CHEF, we will open 2 new films. One is a brand new, critically acclaimed, cutting edge comedy with a lot of heart – OBVIOUS CHILD. The other is a documentary that several of you have been asking about – JODOROWSKY’S DUNE – currently at 99% FRESH on rottentomatoes.com. (For this week’s remaining showtimes, visit our website at www.neonmovies.com)

Synopsis for OBVIOUS CHILD: “For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time…Never failing to find the comedy and humanity in each awkward situation she encounters, Donna finds out along the way what it means to be as brave in life as she is on stage. Anchored by a breakout performance from Jenny Slate, OBVIOUS CHILD is a winning discovery, packed tight with raw, energetic comedy and moments of poignant human honesty. Writer/Director Gillian Robespierre handles the topic of Donna’s unwanted pregnancy with a refreshing matter-of-factness rarely seen onscreen. And with Donna, Slate and Robespierre have crafted a character for the ages – a female audiences will recognize, cheer for, and love.” (A24) Click on this LINK to visit the film’s official site.

Synopsis for JODOROWSKY’S DUNE: ONE WEEK ONLY! Currently at 99% FRESH on Rottentomatoes.com! “In 1975, Chilean director Alejandro Jodorowsky, whose films EL TOPO and THE HOLY MOUNTAIN launched and ultimately defined the midnight movie phenomenon, began work on his most ambitious project yet. Starring his own 12 year old son Brontis alongside Orson Welles, Mick Jagger, David Carradine and Salvador Dali, featuring music by Pink Floyd and art by some of the most provocative talents of the era, including HR Giger and Jean ‘Moebius’ Giraud, Jodorowsky’s adaptation of Frank Herbert’s classic sci-fi novel DUNE was poised to change cinema forever.” (Sony Classics) Click on this LINK to visit the film’s official facebook page.

Ryan Benner will premiere the 4th installment in the SAVOR THE FLAVOR series (locally produced roller-blading videos) on Saturday, June 28 at 10pm. Ticket, $5 each, are available now at THE NEON’s box office. “Featuring blading from: Aaron Pyle, Tri Tri-Rudolf, Reed Huston, Andrew Thompson, Dan Mikesell,Alex Papalios & Ryan Benner.” In addition, Benner will also screen Hawke Trackler’s CRUISIN’ 4 A BRUISIN’ – featuring Kyle Wood, Ben Poling, Stefan Brandow, Jimmy Spetz, Matt Lyon, Jesse Soda, Hawke Trackler, Greg Preston, Cody Reffner & Bradley Wilson.” (taken from Benner’s Press Notes)

We have several other special events in the works, so I should have plenty of new details in next week’s newsletter.

Thanks for your continued interest and enthusiastic support.
We hope to see you soon!

Jonathan

SHOWTIMES for Friday, June 27 – Thursday, July 3:

OBVIOUS CHILD (R) 1 Hr 24 Min
Friday, Saturday, Sunday: 1:00, 3:10, 5:20, 7:30, 9:40
Monday – Thursday: 3:10, 5:20, 7:30

CHEF (R) 1 Hr 55 Min
Friday, Saturday, Sunday: 12:20, 2:50, 7:20
Monday – Thursday: 2:50, 7:20

JODOROWSKY’S DUNE (PG-13) 1 Hr 30 Min
Friday: 5:15, 9:45
Saturday: 5:15
Sunday: 5:15, 9:45
Monday – Thursday: 5:15

SAVOR THE FLAVOR 4 (Not Appropriate for Young Audiences) approx. 30 Min.
Saturday: 10:00

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

July 4 – A HARD DAY’S NIGHT
July 11 – THIRD PERSON
TBD – IDA
TBD – WORDS AND PICTURES
Aug 8 – BOYHOOD
Aug 15 – MAGIC IN THE MOONLIGHT
Aug 29 – LAND HO

‘Play it By Heart’ Review – Human Race Theatre Company – Sing Out, Jeannine!

June 21, 2014 By Russell Florence, Jr. Leave a Comment

Trisha Rapier as country music legend Jeannine Jasper along with J.J. Tiemeyer, Cooper Taggard and Christine Brunner as backup vocalists in “Play it By Heart” (Photo by Scott J. Kimmins)

Three generations of strong Southern women feud and reconcile against the backdrop of changing dynamics within the country music industry in “Play it By Heart,” a promising new musical still navigating its path as evidenced in its Human Race Theatre Company regional premiere at the Loft Theatre.
In this sweet but predictable tale, the legendary Jeannine Jasper (Trisha Rapier), a Grammy and Country Music Association winner with a spot in the Grand Ole Opry on the horizon, yearns for retirement to the chagrin of her overbearing, ruthless stage mom Naomi (Sharva Maynard). As mother and daughter wrangle, Jeannine’s irritated, spoiled younger sister Jamie Lynn (Kathryn Boswell) enters the equation with furious bitterness toward Jeannine. Even so, testy situations for the Jaspers stretch beyond the country charts when Billy Tucker (Paul Blankenship), Jeannine’s former flame, suddenly arrives after 20 years to rekindle their chemistry and plan for the future. Billy’s presence quickly releases painful memories which force Jeannine and Naomi to face the music they’ve desperately tried to silence.
Librettist Brian Yorkey (a Tony and Pulitzer Prize winner for “Next to Normal”) conceives an effective dysfunctional family foundation and has a keen perspective for the marketing-driven essence of current country music (especially Jamie Lynn’s ascension as the latest country-pop sensation), but he peculiarly inserts familiar contrivances. In fact, a major plot twist didn’t produce any noticeable gasps from the audience at the performance attended perhaps because it was already a memorable jaw-dropper in the hands of Lisa Kudrow last season on ABC’s “Scandal.” It also isn’t clear what happened to the show’s villain in Act 2 following a dramatic incident involving Jeannine’s father Buck (Scott Stoney), and there should be less focus on Billy in Act 1 which can be replaced by more meaningful moments for the Jasper women to explore their complex emotions. Granted, one of the best musical numbers from the tuneful composing team of David Spangler, Jerry Taylor and R.T. Robinson is the feisty “Sorry!” featuring the ladies in a heated squabble at the kitchen table, but more attention should be paid. Considering the material already contains mild shades of “Gypsy,” I’d specifically like to see Naomi completely release the obvious demons within her inner Momma Rose by singing a substantial, no-holds-barred 11 o’clock number on par with “Rose’s Turn.” And, yes, this can be done with the elimination of Act 2’s unnecessary, testosterone-driven “Good Ol’ Boys.”
Nevertheless, director Kevin Moore skillfully establishes an authentic tone and brisk pacing in addition to assembling an appealing cast. Rapier, a pleasant vocalist seen last season in the Human Race’s production of “Next to Normal,” is an engaging center bringing credence to Jeannine’s frustration with familial concerns and past mistakes. The outstanding, tough-as-nails Maynard intimidates to the hilt as Naomi tries to keep her family together while elements of her world, particularly her financial security, threaten to dissipate. The radiant Boswell is effortlessly vivacious but grows fittingly intuitive as Jamie Lynn comprehends the weight of her existence. Stoney, fortunate to sing the beautiful title number, supplies gentle authority and tenderness. The charming George Psomas adds flavorful comic relief as Naji Habib, a fish-out-of-water music executive from Dubai overseeing Jeannine and Jamie Lynn’s recording ventures. Blankenship could loosen up a bit but his shy demeanor nicely contrasts the extroverted Jaspers. J.J. Tiemeyer schemes and deceives with sharp intensity as Robbie Wilkins, Jeannine’s tour manager. Tim Lile is wonderfully good-natured as Lyle Mount, Jeannine’s former manager. Christine Brunner and Cooper Taggard complete the cast very well in various roles. Brunner is a hoot as perky reporter Debbie Dean who has a funny breakdown late in Act 2. Taggard enjoyably partners with Boswell for “Do I?,” the catchy Act 2 opener choreographed by Megan Wean Sears with playful sexiness.
In addition to Sears, Moore’s first-rate creative team includes scenic designer Adam Koch (adeptly conveying numerous locales from an auditorium and hospital room to a bar and tour bus interior), costumer Christie Peitzmeier (particularly providing lovely gowns for the ladies and appropriate Western gear for the men), lighting designer John Rensel, sound designer Brian Retterer, and music director Nils-Petter Ankarblom who leads an excellently well-balanced onstage band that never feels intrusive.
At a time when country music is evolving beyond its roots and traditional demographics (Florida Georgia Line’s collaborative “Cruise” with Nelly marked a huge cultural shift), “Play it By Heart” runs the risk of feeling out of step in terms of reaching a broader, diverse audience. Still, this project warmly embraces the power of forgiveness and the importance of family, feel-good components likely to secure interest elsewhere following rewrites.

“Play it By Heart” continues through July 6 at the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are (Through June 29): Wednesday-Saturday evenings at 8 p.m., Tuesday evenings at 7 p.m.; Sunday matinees at 2 p.m.; and (July 1-6): Tuesday-Thursday and Saturday evenings at 7 p.m.; Saturday and Sunday matinees at 2 p.m. Act One: 75 minutes; Act Two: 70 minutes. Tickets are $41-$48 (prices vary depending on performance date and discounts are also available). For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit ticketcenterstage.com or humanracetheatre.org.

Hot Summer, Cool Films at The Victoria- Passbook Giveaway

June 20, 2014 By Dayton Most Metro 12 Comments

Victoria Theatre Association’s annual Cool Films Series is just around the corner bringing back Reel Late at the Vic late night movies and a brand new daytime Family Films lineup! Beginning July 4, VTA will break out the FREE popcorn and FREE soda and FREE nostalgia with the 2014 Cool Films Series at the historic Victoria Theatre. “We’re always striving for a balance between golden age of Hollywood titles (1935-1955) and newer titles that deserve a big screen revival or just would be fun for new audiences,” says VTA president & CEO Ken Neufeld. “Finding good quality 35mm prints of films for the Victoria’s 35mm projector can be challenging, but it does give you that authentic pre-digital film experience that is so unique. This year we were able to secure every film in 35mm, which is quite a feat. And, we are introducing a new family weekday matinee with some wonderful, nostalgic family films. Summer at the Victoria Theatre has never been more fun!”

What’s the best part about the 2014 Cool Films Series (besides FREE popcorn and soda)? Tickets are just $6 each ($3 for the Family Matinees) or $35 for a 10-ticket passbook- a great entertainment bargain during a year when a night at the movie theater can cost up to $20 per person! Passes can be used in any combination or across all 16 films!

NEW FAMILY WEEKDAY MATINEE!

Families, youth groups and day campers will enjoy 4 fun films in July! These films are all rated G and shown each Thursday in July at 10 am. Tickets are a steal at $3 with a special treat after the show. Kona Ice will be outside the Victoria Theatre with flavored shaved ice ($3 -$5 apiece).

July 10 – MUPPET TREASURE ISLAND - Yo ho ho, and a bottle of FUN! The Muppets’ twist on the classic tale about a young orphan who meets up with an infamous pirate, Long John Silver. Rated G.

July 17 – WILLY WONKA & THE CHOCOLATE FACTORY - The beloved fantasy about a poor boy that wins the opportunity to tour the most eccentric and wonderful candy factory on earth in its first film adaptation. Rated G.

July 24 – THE APPLE DUMPLING GANG RIDES AGAIN - Here’s to the comedic genius of Tim Conway and Don Knotts - it never goes out of style! Everything goes awry when these two wannabe outlaws tangle with legendary lawman Wooly Bill Hitchcock. This Disney sequel is considered better than the original-and overflows with hilarious gags. Rated G.

July 31 – BEDKNOBS AND BROOMSTICKS - This charming Disney classic is packed full of magic and music-and the incomparable Ms. Lansbury at her best! In England during WWII, three kids spend the summer with an apprentice witch and take a magical adventure on a flying bed. Rated G.

REEL LATE AT THE VIC

Remember coming to the late show back in the day at the Victory (now Victoria)? Well, whether that’s part of your youth or not, join us for three 10:30 p.m. showings of some great late-night film fare.

July 19 – THE TOXIC AVENGER - It’s the 30^th anniversary of this comedy horror film about a town called Tromaville that has a monstrous new hero. The Toxic Avenger is born when mop boy Melvin Junko falls into a vat of toxic waste. Now evildoers will have a lot to lose. Rated R.

Aug 9 – THE BIG LEBOWSKI - “The Dude abides.” Considered one of the Coen Brothers best, this has become a clever cult classic. A film about a guy named “Dude” Lebowski, who is mistaken to be a millionaire named Lebowski, who seeks restitution for his ruined rug and enlists his bowling buddies to help get it. Rated R.

Aug 23 – PSYCHO - A classic Hitchcock horror film about a Phoenix secretary who steals $40,000 from her employer’s client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother. Not Rated

2014 COOL FILM SERIES

REBEL WITHOUT A CAUSE - July 4 – 6

Color, 111 Minutes, 1955 - Directed by Nicholas Ray C Starring James Dean, Natalie Wood, Sal Mineo

Probably James Dean’s most iconic role. This film is nearing its 60^th anniversary but we couldn’t wait to bring it to Victoria’s big screen. A classic drama about a rebellious young man with a troubled pastCand feckless parentsCwho comes to a new town to start fresh, quickly falling inCand outCwith a tough crowd. Rated PG-13.

PILLOW TALK - July 11-13

Color, 98 Minutes, 1959 C Directed by Michael Gordon C Starring Rock Hudson, Doris Day, Tony Randall

Many consider this the greatest film of Day’s career and Hudson shines in his dual role. Celebrate the 55^thanniversary of this stylish romantic comedy about a man and woman who share a telephone “party line” and the romantic role-playing that ensues. Not Rated.

M*A*S*H* - July 18-20

Color, 116 Minutes, 1970 - Directed by Robert Altman - Starring Donald Sutherland, Elliot Gould, Tom Skerritt

Considered one of the top 10 comedy films of all time by the American Film Institute, this iconic0and sardonic-look at life in a Korean War field hospital changed the way war movies are made and enjoyed! Ironically, there is no actual army action, just the human casualties-and the human antics the staff engages in to try to stay sane. Rated R.

THE GOONIES - July 25-27

Color, 114 Minutes, 1985 - Directed by Richard Donner C Starring Sean Astin, Corey Feldman, Ke Huy Quan

Spielberg and Donner, the makers of Indiana Jones, Gremlins and Superman, combined forces to create a family adventure that became an iconic movie for a generation-and it’s still great family entertainment today. A big developer wants to foreclose on a neighborhood to build a huge golf course. But a band of misfit kids is determined to stop them! They set out to discover a pirate treasure that could save the day. Rated PG.

IT HAPPENED ONE NIGHT - August 1-3

Black and White, 105 Minutes, 1934 - Directed by Frank Capra C Starring Clark Gable, Claudette Colbert

It’s the 80^th anniversary of this Capra classic, which claimed four Oscars® at the 1934 Academy Awards (Best Picture, Best Actor, Best Actress, Best Director). The story is about a spoiled heiress, running away from her family and her fiancé, who is helped by a reporter looking for a great story. Credited as the first “Screwball Comedy,” this delightful romantic comedy features Clark and Colbert at their finest with incredible comedic chemistry. Not Rated.

STAR TREK II: THE WRATH OF KAHN - August 8-10

Color, 113 Minutes, 1982 - Directed by Nicholas Meyer - Starring William Shatner, Leonard Nimoy, Ricardo Montalban

Still considered the fan favorite and BEST Star Trek film of all time! It’s the 23rd century and James T. Kirk’s old foe Khan escapes exile and steals the Genesis Device, a planet-transforming tool that handily doubles as a superweapon. We won’t share any spoilers just in case you haven’t seen this sci-fi action adventure classic! Come in your Star Trekregalia and “boldly go where no one has gone before!” Rated PG.

DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB C August 15-17

Black and White, 94 Minutes, 1964 - Directed by Stanley Kubrick - Starring Peter Sellers, George C. Scott

Can it be 50 years already since the release of this brilliant Kubrick classic, the ultimate black comedy? This satirical masterpiece is about a psychotic strategic air command officer who takes it upon himself to unleash a nuclear attack on the Soviet Union, which in turn will set in motion the Doomsday Machine that will blow up the planet. With three show-stopping performances from Sellers and an unexpectedly hilarious turn by Scott, DR. STRANGELOVE is filled with cartoonish, over-the-top characters that, despite the lunacy, still ring true today. Rated PG.

GROUNDHOG DAY - August 22-24

Color, 101 Minutes, 1993 - Screenplay & Direction by Harold Ramis - Starring Bill Murray, Andie MacDowell, Chris Elliott

Our tribute to the comedic genius of Harold Ramis is also one of Bill Murray’s most beloved performances. This perennial and thoughtful comedy is about a bad-attitude weatherman who finds himself living the same day over and over again-until he gets it right. What on the surface is a light-hearted ‘90s comedy shows some amazing depth as we consider what changes and what stays the same. Ramis once said “when you hit it right, those things last.” That certainly rings true with this often underrated gem. Rated PG.

SILK STOCKINGS - August 29-31

Color, 117 Minutes, 1957 -Directed by Rouben Mamoulian - Starring Fred Astaire, Cyd Charisse

Known for her cool sex appeal, Cyd Charisse is one of the premier dancing stars of the ‘40s and’ 50s…but she starts this musical version of Ninotchka as an even cooler Soviet spy who gradually warms up to Astaire’s elegant wooing and French champagne. Their chemistry sizzles, turning into an explosion of talent, sophistication and glamour in Astaire’s last great musical role. Not Rated.

Passbooks are on sale now through Ticket Center Stage. They may be purchased at the Schuster Center Box Office in downtown Dayton, by phone at (937) 228-3630 or toll free (888) 228-3630, or online at www.ticketcenterstage.com, click on Victoria Theatre Association, then Cool Films Series. Individual tickets are available day-of-show at the Victoria Theatre Box Office, beginning one hour prior to showtime. Films are shown at 7 p.m. on Fridays and Saturdays, and 3 p.m. on Sundays in the air-conditioned comfort of the Victoria Theatre. Recreating the feel of the old-time movie palaces, guests may enjoy free popcorn and soda in the lobby beginning one hour prior to showtime, a Mighty Wurlitzer organ concert beginning 30 minutes prior to showtime, and a classic cartoon just before the movie.

DMM Contest

We’ve got 4 passbooks to give away for summer fun. To enter our drawing, just like this post, fill out the entry form below and tell us why you should win in the comment section below. We’ll announce our winners Sun night.

Great response to this contest! Congrats to our winners: Sara Baker from Monroe, Dan Forshaw of Englewood, Bryan Johnson from Kettering and , Heather Kardeen of Dayton! Have a great time at the movies!

‘Million Dollar Quartet’ Review – Victoria Theatre Association – That Old Time Rock & Roll

June 19, 2014 By Russell Florence, Jr. Leave a Comment

There’s a whole lotta shakin’ goin’ on at the Schuster Center as the outstanding national tour of “Million Dollar Quartet,” nominated for the 2010 Tony Award for Best Musical and based on a true event, lets loose with feel-good exuberance courtesy of the Victoria Theatre Association’s Premier Health Broadway Series.

(l to r) John Countryman, Kelly Lamont, H. Bradley Waters, Corey Kaiser, Scott Moreau, and Tyler K. Hunter (seated) in “Million Dollar Quartet” (Contributed photo)

A jukebox musical written by Colin Escott and Floyd Mutrux unabashedly concerned with tone and era instead of plot or storyline, “Million Dollar Quartet” captures a glimpse of rock and roll history in 100 breezy minutes under Eric Schaeffer’s crisp direction. On Dec. 4, 1956 in Memphis, Tennessee, Sun Records owner Sam Phillips concocted a jam session featuring four titans he discovered: Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley. This immensely talented and unique quartet, whose genuine love of music permeated within their souls, come together at the dawn of their careers, which gives the material an immediately endearing edge beyond the cavalcade of hits. Humorous clashes (primarily instigated by the outspoken Lewis) and interesting tidbits (televangelist Jimmy Swaggart is Lewis’ cousin; Perkins resented Presley for snatching “Blue Suede Shoes,” a hit he wrote and recorded first) keep the action engaging when the fantastic music subsides, but a deeper investigation into the lives and personalities of each artist, including Phillips, would have added considerable substance. Granted, Cash and Perkins provide a relatively juicy slice of drama when revealing their decision to move on from Sun Records, but stakes should have been raised elsewhere. Also, the presence of a random girlfriend for Presley, intended to boost the show’s sex appeal, is particularly superfluous and underwritten.

Nonetheless, this rip-roaring experience thrives on its thoroughly energetic and entertaining foursome who impressively play their own instruments while marvelously embodying the titular legends. Phenomenal pianist John Countryman is a funny firecracker as Lewis, a fiery Southerner longing to write his first hit. Countryman brings incredible passion to “Real Wild Child” and “Great Balls of Fire.” The suave Tyler K. Hunter effortlessly channels the hip-swiveling Presley in “That’s All Right” and “Hound Dog,” but wonderful sensitivity also abounds as he terrifically leads “Memories Are Made of This” and “Peace in the Valley.” As the plain-spoken Perkins, H. Bradley Waters provides satisfying versions of “Who Do You Love?” and “See You Later Alligator.” Scott Moreau is also perfectly cast as the understated Cash, pleasing audiences with toe-tapping renditions of “Folsom Prison Blues,” “Sixteen Tons” and “I Walk the Line.” Vince Nappo brings folksy joy to his portrayal of Phillips, the show’s narrator. As Presley’s current flame Dyanne, Kelly Lamont, who originated the role, seductively captivates in “Fever.” Bass player Corey Kaiser and drummer Patrick Morrow provide first-rate accompaniment.

“Million Dollar Quartet” only scratches the surface of Cash, Lewis, Perkins, Phillips and Presley’s greatness, but it’s an undeniable crowd pleaser just as winning on tour as it was on Broadway.

“Million Dollar Quartet” continues through June 22 at the Schuster Center, Second and Main Streets, Dayton. Performances are today and Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. The production is performed in 100 minutes without intermission. Tickets are $40-$96. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com.

FED UP and SUPERMENSCH Open Friday at THE NEON!

June 18, 2014 By Jonathan McNeal Leave a Comment

Hello Everyone,

Once again, we’re holding onto BELLE and CHEF this week, but we’re also going to start two new documentaries. FED UP is one that several of you have been asking about…and it’s currently only slated to play for one week (one screening per day). Hurry down if you need to see it! In addition, we will play a documentary that many of you have seen advertised before our current two hits – SUPERMENSCH: THE LEGEND OF SHEP GORDON, directed by Mike Myers (you may have seen Shep Gordon on CBS Sunday Morning a couple weeks ago or even on David Letterman last night).

Synopsis for FED UP: “Far more of us get sick from what we eat than anyone has ever realized. This potent expose uncovers the food industry’s dirty secrets. This exploration reveals how, in the wake of media attention, public fascination with appearance and government policies pushing for change, generations of Americans will live shorter lives.” “For the past 30 years, everything we thought we knew about food and exercise is dead wrong. FED UP is the film the food industry doesn’t want you to see. From Katie Couric, Laurie David (Oscar winning producer of AN INCONVENIENT TRUTH) and director Stephanie Soechtig, FED UP will change the way you eat forever.” (taken from RADiUS-TWC) Click on this LINK to visit the film’s official site.

Synopsis for SUPERMENSCH: THE LEGEND OF SHEP GORDON: “Shep Gordon is the consummate Hollywood insider. Though he isn’t a household name, Gordon has become a beacon in the industry, beloved by the countless stars he has encountered throughout his storied career. Shep is known for managing the careers of Alice Cooper as well as stints with Blondie, Luther Vandross and Raquel Welch, among others – a career that began with a chance encounter in 1968 with Janis Joplin and Jimi Hendrix. He even found time to invent the “Celebrity Chef.” Though the chef as star is part of the culture now, it took Shep’s imagination, and his moral outrage at how the chefs were being treated, to monetize the culinary arts into the multi-billion dollar industry it is today. Personal friends with the Dalai Lama through his philanthropic endeavors with the Tibet Fund and the guardian of four children, Gordon’s unlikely story will be told by those who know him best, his pals, including Alice Cooper, Michael Douglas, Sylvester Stallone, Anne Murray, Willie Nelson, Emeril Lagasse and more.” (RADiUS-TWC) Click on this LINK to visit the film’s official facebook page.

Don’t forget about Start Freedom Dayton’s screening of TRICKED on Thursday evening at 7:30. More details can be found on our website – www.neomovies.com.

The Montgomery County Food Policy Coalition is hosting a screening of FOOD PATRIOTS this Saturday, June 21 at 3:00. “Touched by their teenage son’s battle with a foodborne superbug, filmmakers Jeff & Jennifer Spitz document their family’s struggle to raise backyard chickens, grow food, and transform into Food Patriots. FOOD PATRIOTS features people from all walks of life who are trying to change the way Americans eat and buy food, and educate the next generation of consumers.” Admission is free and open to the public – to save a spot, please RSVP to Emily Bradford at (937)225-6470 or [email protected]

On Wednesday, June 25 at 7:30, THE NEON is happy to host a one-night screening of the new documentary TO BE TAKEI. This is part of Dayton PRIDE’s month-long LGBT Pride celebration. “Over seven decades, actor and activist George Takei boldly journeyed from a WWII internment camp, to the helm of the starship Enterprise, to the daily news feeds of five million Facebook fans. Join George and his husband Brad on this star’s playful and profound trek for life, liberty, and love. Best known for playing Sulu on the original Star Trek TV series and six movies that followed, George Takei is unlikely social media royalty. Unofficially dubbed the King of Facebook, he counts over 5 million fans in his online empire – including Trekkies, Howard Stern listeners, and the LGBTQ community – who devour his quirky mix of kitten jokes, Star Trek references, heartfelt messages, and sci-fi/fantasy memes…” (taken from press notes) Tickets, just $8 each, are now available at our box office.

On Thursday, June 26 at 7:30, we will host a preview screening of the new short film FOR FRANCIS. “When Matt Flynn (David Beck) discovers that his son Francis’s second grade teacher Ms. Walker (Kathy Patterson) gave his son a dress to wear, Matt becomes enraged and confronts the school. This very special preview screening on June 26th is in large part for donors in the Dayton area who contributed to the FOR FRANCIS fundraising campaign last fall. The film has already captured the attention of many prominent figures in the entertainment industry, including Emmy Award Winner Tim Gunn, who is one of the film’s Executive Producers. The character of ‘Ms. Walker’ in FOR FRANCIS is inspired by David Beck’s junior high English teacher, Denise Walker, of St. Charles School, in Kettering, Ohio. Although a work of fiction, the story of FOR FRANCIS is inspired by the real life Mrs. Walker’s positive influence on David’s life. Please RSVP to [email protected] for free tickets. Donations are welcome, and walk-ins will be accepted for $7. The donations will be used to help cover the cost of theater rentals and festival submissions.” (taken from Press Notes)

Things aren’t looking good for the potential screening of STAND CLEAR OF THE CLOSING DOORS – tentatively set for Sunday, June 29 at 5:15…only 5 tickets have been reserved. If 50 tickets aren’t reserved by this Friday, the screening will not move forward. If you want to see this film screen at THE NEON, click this official LINK to reserve your ticket…and please help spread the word. “STAND CLEAR OF THE CLOSING DOORS tells the story of Ricky, a 13-year old boy with Asperger’s Syndrome who gets lost one day in the New York City subway system. While his mother frantically searches for him above ground, the sensory-sensitive Ricky is exposed to the cacophony, eccentricity, and menace found in New York’s underground (including some scenes shot during Hurricane Sandy, which came to figure into the film’s story), resulting in a truly authentic view into both the wonders and the horrors of what lies below.”

I’m so glad to announce that we have added IDA to our “Coming Soon” list. This little gem of a film was one of the best films I saw at last year’s Toronto International Film Festival – right up there with 12 YEARS A SLAVE and PHILOMENA. Next time you’re in, I’ll hope to have trailers running.

Thanks for your continued interest and enthusiastic support.

We hope to see you soon!

Jonathan

SHOWTIMES for Friday, June 20 – Thursday, June 26:

BELLE (PG) 1 Hr Min
Friday, Saturday, Sunday: 12:20, 5:00
Monday – Thursday: 2:50

CHEF (R) 1 Hr Min
Friday, Saturday: 2:40, 7:20, 9:45
Sunday: 2:40, 7:20
Monday & Tuesday: 5:10, 7:30
Wednesday: 5:10
Thursday: 5:10, 8:30

SUPERMENSCH (R) 1 Hr 25 Min
Friday: 1:00, 3:00, 7:15, 9:15
Saturday: 1:00, 7:15, 9:15
Sunday: 1:00, 3:00, 7:15
Monday – Thursday: 3:00, 7:30

FED UP (PG) 1 Hr 32 Min
Friday – Thursday: 5:15

FOOD PATRIOTS (NR) 1 Hr 14 Min
Saturday: 3:00

TO BE TAKEI (NR) 1 Hr 34 Min
Wednesday: 7:30

FOR FRANCIS (NR) approx. 30 Min.
Thursday: 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
June 27 – OBVIOUS CHILD
June 27 – JODOROWKY’S DUNE
July 4 – A HARD DAY’S NIGHT
TBD – IDA
TBD – WORDS AND PICTURES
July 25 – THIRD PERSON
Aug 8 – BOYHOOD
Aug 15 – MAGIC IN THE MOONLIGHT
Aug 29 – LAND HO

Master of the personal, embarrassing tale- Mike Birbiglia Brings Tour To Dayton

June 18, 2014 By Dayton Most Metro Leave a Comment

Award-winning comedian, author, and filmmaker MIKE BIRBIGLIA returns to the stage with more painfully awkward stories in a show about jokes, and how they can get you in trouble. Join Birbiglia as he he gets arrested in New Jersey, screamed at by a famous director, heckled by Statler and Waldorf, and attacked by zombie rodents. Ira Glass of public radio’s “This American Life” writes“Birbiglia’s stories are even funnier live than they are on the radio.” Time Magazine calls Birbiglia “master of the personal, embarrassing tale.” The New York Times describes him as a “supremely enjoyable monologist.”Recommended for ages 21 and up.

Over the past 12 years comedian MIKE BIRBIGLIA has developed a one-of-a-kind storytelling style in the world of standup comedy. His recent off-Broadway hit, My Girlfriend‘s Boyfriend, won the Lucille Lortel Award for Outstanding Solo Show and was named a Critics Pick by The New York Times, New York Magazine, and Time Out New York. Following a successful New York run, Mike brought the show to more than 70 cities worldwide, including the Sydney Opera House, London’s Soho Theatre, and Carnegie Hall. The show was filmed in Seattle and debuted on Netflix; it was recently released on CD/DVD and on iTunes.

Mike has also made more than 40 network television appearances on shows including “Letterman,””Kimmel,””Conan,””Craig Ferguson,” and “Jimmy Fallon.”He is a regular contributor to the Peabody Award winning radio show “This American Life.” Birbiglia has released four albums, and both The Onion andUSA Today named My Secret Public Journal Live one of “The Best Comedy Albums of the Decade.”

In 2012, Mike directed and starred in the feature film adaptation of his one-man show Sleepwalk With Me. The film won an audience award at the Sundance Film Festival, was released in theaters nationwide by IFC Films and was one of the top three most critically acclaimed comedies of the year on Rotten Tomatoes, with top critics rating it 87 percent.

Currently Mike is touring the country with his all-new show, THANK GOD FOR JOKES, and is planning his follow-up feature film.

Mike Birbiglia will perform one-night only at the Victoria Theatre on Friday, September 12, at 7:30 PM. Tickets are priced $49 and $39 and can be purchased at Ticket Center Stage, located in the Wintergarden of the Benjamin and Marian Schuster Performing Arts Center, by calling (937) 228-3630, toll-free (888) 228-3630 or online atwww.ticketcenterstage.com.

Buy your tickets now before they go on sale to the public on June 20! Use code JOKES at www.TicketCenterStage.com/presale by 11:59 p.m. June 19, 2014.*

*Offer expires at 11:59 p.m. on Thursday, June 19, 2014. When buying online or by phone, a $5 service fee is added to each ticket. Subject to availability. Some additional restrictions and additional fees may apply.

From Elvis Tribute Shows To Touring Elvis

June 17, 2014 By Dayton Most Metro Leave a Comment

It sounds like the beginning of a joke, or some impossible showbiz fairy tale: “Johnny Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins walk into a recording studio…”

And yet, on December 4, 1956, at Sun Records in Memphis, it happened, and they jammed on record together for the first and only time. Perkins, riding the success of “Blue Suede Shoes,” was in with his band to cut some new material. Cash, a fellow Sun artist and a fan of Perkins, dropped by to listen. Sun’s owner, Sam Philips (“The Father of Rock and Roll”), added Lewis to Perkins’ session in search of a more rockabilly sound. Presley, with a girlfriend in tow, stopped by to say hello. And then, magic happened.

Before they were famous, it wasn’t unusual for several of these guys to play together at rent parties, in after-hours joints—but this was the only time any such summit was preserved for history.

Million Dollar Quartet, the 2010 Broadway musical that dramatizes this meeting, will rock the Benjamin and Marian Schuster Performing Arts Center starting tonight and running June 17 – 22 as part of Victoria Theatre Association’s Premier Health Broadway Series. A litany of classic hits including “Hound Dog,” “I Walk the Line,” “Great Balls of Fire,” “Folsom Prison Blues,” “Fever,” and many more are performed with electric gusto by an unbelievably talented cast of actor/musicians playing their own instruments.

The tour cast includes H. Bradley Waters as Carl Perkins, John Countryman as Jerry Lee Lewis (a role that won Levi Kreis a Tony Award), Scott Moreau as Johnny Cash, and Tyler K. Hunter as Elvis Presley.

Hunter, a country singer who began doing Elvis tribute shows in his youth, has been part of the M$Q tour for a year and a half.

“I’ve never done any acting before,” he said, “or anything like that. I do country music, but they called and asked if I wanted to audition, so I took a bus to New York.”

“It’s a blast,” he said of the show’s process. “When we come into rehearsals, our musical director—Eric Schaeffer, a very talented, smart guy who works the ‘theatre’ side of things—tells us to pick up our instruments and start jamming, like a regular band. Then we throw in the dialogue, and there it is. We’re a band. These guys become like your family, like best friends. It’s a really tight bond.”

When the show premiered on Broadway in 2010, New York Magazine called it “a dazzling raucous spectacle that sounds like a million bucks,” but Hunter downplays that, painting a down-home portrait of four scrappy young fellas as regular joes on the cusp of igniting the world.

“You get an idea of who these guys are and where they come from, ‘50s Memphis. These are buddies just coming in and hanging—real guys, you know? No different from you or me or anybody else.”

He uses that approach to inform his portrayal of Elvis, going for an evocation as opposed to an impersonation. Hunter, who does not resemble Elvis offstage, pulls a transformation onstage and presents a stunning take that evokes The King’s presence.

“A wig, some makeup…I dunno,” he said casually. “There are a few guys out there whoreally look like Elvis, but no one’s going to sound exactly like him. I try to do just enough so if you’re sitting back in your seat and catch a glimpse of me, there’s a split second where you think, ‘Wow, that’s Elvis.’ That’s all it takes, that split second. Then they’re on board with you even if you go somewhere they don’t completely expect.”

“You know, we think about Elvis, probably one of the most famous people since Jesus Christ, and we forget that he was a real person. These were all real people. They had their feelings hurt, they laughed, they did all the same things as us—they just had really cool jobs. When I’m up there, I try to capture that aspect. At this point, he’s 21 years old. He’s a kid. You remember how you were at 21? That’s what I try to capture.”

In Million Dollar Quartet, Hunter-as-Elvis performs songs like “Long Tall Sally” and “Peace in the Valley,” but Hunter dreams of singing his own material someday.

“I’ll always be an Elvis fan, but I would love to do my own thing. I’ve been writing songs for a little while now, and country music is what I grew up on. It comes naturally when I sing. I’m from Nebraska and kind of a redneck, and it’s just who I am. We’ve got some good people coming together to hopefully make a great album of original country music.”

But for now, he knows, The King still reigns.

“I definitely am very grateful and fortunate with the job I have, and the fantastic people I work with. We’re playing live music, which is a blast, and we get to pick up our instruments and play every single day. I really enjoy it, especially the finale. That’s when we get to rock out, just let it all hang out for ten or so minutes.”

Talented musicians jamming together—that’s what Million Dollar Quartet is all about.

“It’s got that raw, bluesy feeling that comes with rockabilly. You get that experience of being a fly on the wall and seeing this really cool moment. It’s not your typical Broadway show. We’re recreating a one-time thing with real people who were just buddies hanging out.”

Performances run from Tuesday, June 17 to Sunday, June 22. Group sales are underway for groups of 20 or more. Groups may call Betty Gould at 937/228-7591 ext. 3074. Tickets start at $25 and are on sale now at Ticket Center Stage, located in the Wintergarden of the Schuster Center, by phone 937-228-3630, toll-free at 888-228-3630 or online at www.ticketcenterstage.com. For information on the production, visitwww.MillionDollarQuartetLive.com

Million Dollar Quartet Opens June 17th Ticket Contest

June 13, 2014 By Dayton Most Metro 5 Comments

The national tour of the Broadway musical MILLION DOLLAR QUARTET,inspired by the electrifying true story, will make its DAYTON premiere June 17-22 at The Benjamin and Marian Schuster Performing Arts Center as part of Victoria Theatre Association’s Premier Health Broadway Series. Tickets are on sale now at Ticket Center Stage, by calling 937-228-3630, 888-228-3630 or online atwww.ticketcenterstage.com.

The international Tony® Award-Winning musical, MILLION DOLLAR QUARTET is set on December 4, 1956, when an auspicious twist of fate brought Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley together. Sam Phillips, the “Father of Rock ‘n’ Roll” who was responsible for launching the careers of each icon, gathered the four legendary musicians at the Sun Records storefront studio in Memphis for the first and only time. The resulting evening became known as one of the greatest rock ‘n’ roll jam sessions in history.

MILLION DOLLAR QUARTET brings that legendary night to life with an irresistible tale of broken promises, secrets, betrayal and celebrations featuring timeless hits including “Blue Suede Shoes,” “That’s All Right,” “Sixteen Tons,” “Great Balls of Fire,” “I Walk the Line,” “Whole Lotta Shakin’ Goin’ On,” “See Ya Later, Alligator,” “Fever,” “Folsom Prison Blues,” “Hound Dog” and more.

Portraying these icons are, H. Bradley Waters as Carl Perkins, John Countryman as Jerry Lee Lewis, Tyler K. Hunter as Elvis Presley and Scott Moreau as Johnny Cash. Vince Nappo plays the “Father of Rock ‘n’ Roll,” Sam Phillips. The cast also features Kelly Lamont as Dyanne, and musicians Patrick Morrow (Fluke, drums) and Corey Kaiser (Jay Perkins, bass). Rounding out the company are: Andrew Frace, Robby Kipferl,Stephanie Lynne Mason, Sean McGibbon, David Sonneborn, and H. Bradley Waters.

The show is directed by Eric Schaeffer and features a book by Colin Escott and Floyd Mutrux. The design team includes: Derek McLane (scenic design), Howell Binkley (lighting design), Jane Greenwood (costume design),Kai Harada (sound design) and Chuck Mead (musical arrangements and supervision).

When the Broadway production opened in April 2010, critics and audiences leapt to their feet in unanimous praise. The New York Times called the show, “a buoyant new musical that whips the crowd into a frenzy,” New York Magazine labeled it, “a dazzling raucous spectacle that sounds like a million bucks,” and NY1 called it, “90 minutes of platinum grade entertainment.” The musical continued its successful New York engagement at New World Stages through June 2012.

The longest-running musical production in Chicago’s history, MILLION DOLLAR QUARTET opened in 2008and continues to perform to packed houses at the Apollo Theatre. The West End production played at the Noël Coward Theatre in London in 2011, and a Las Vegas production began performances at Harrah’s Showroom in Las Vegas in February 2013.

MILLION DOLLAR QUARTET won a Tony Award^® for Best Performance by a Featured Actor in a Musical and received a Tony Award^® nomination for Best Musical and Best Book of a Musical (Colin Escott & Floyd Mutrux). The show received an Outer Critics Circle Award for Outstanding Featured Actor in a Musical, a Drama Desk nomination for Outstanding Musical Revue and three Drama League nominations including Distinguished Production of a Musical and Distinguished Performance.

DMM Ticket Contest:

We’re sending one lucky winner and their guest to opening night on Tues, June 17th. Like this post, and fill out the form below to be entered in our random drawing. We’ll announce our winner Sunday. [form 55 “DMM Contest Entry – Generic”]

ONLY LOVERS LEFT ALIVE and FOR NO GOOD REASON To Augment Successful BELLE and CHEF at THE NEON!

June 11, 2014 By Jonathan McNeal Leave a Comment

Hello Everyone,

Even though we’re managing to hold BELLE and CHEF for another week, we’re adding 2 new films to the mix. The documentary about Ralph Steadman – FOR NO GOOD REASON – will have just three screenings over the weekend, and Jim Jarmusch’s new vampire film (with the always-thrilling Tilda Swinton) – ONLY LOVERS LEFT ALIVE – will start limited screenings on Friday.

Synopsis for ONLY LOVERS LEFT ALIVE: “Jim Jarmusch’s ONLY LOVERS LEFT ALIVE tells the tale of two fragile and sensitive vampires, Adam (Tom Hiddleston) and Eve (Tilda Swinton), who have been lovers for centuries. Both are cultured intellectuals with an all-embracing passion for music, literature and science, who have evolved to a level where they no longer kill for sustenance, but still retain their innate wildness. Adam, a reclusive underground musician hiding out in the ruins of contemporary Detroit, despairs about human civilization’s decline, and worries about future survival. Eve, who is perhaps 3000 years old to Adam’s 500, takes a longer view of history and is more optimistic. She leaves her home in the ancient city of Tangier to come to his side.” (taken from Sony Pictures Classics) Click this LINK to visit the film’s official site.

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Synopsis for FOR NO GOOD REASON: “Experience 15 years in the life of acclaimed illustrator Ralph Steadman, whose surreal, often confrontational artwork is frequently associated with Gonzo journalist Hunter S. Thompson thanks to such books as Fear and Loathing in Las Vegas and The Curse of Lono. A look back at Steadman’s remarkable career offers a glimpse into his vivid imagination as interviews with Johnny Depp, Terry Gilliam, Richard E. Grant, Tim Robbins and others offer insight into the man behind the legend. Meanwhile, Steadman watches as his drawings are brought to life through the magic of animation for the very first time.” (Jason Buchanan, Rovi) Click this LINK to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=QABS2MG8UOA’]

“Start Freedom Dayton, a film series started by Peace on Fifth to raise awareness about human trafficking, returns next Thursday, June 19th at 7:30 pm with the newest movie about human trafficking – TRICKED. The sex trafficking industry rakes in $3 billion dollars a year and with little awareness for the general population. TRICKED, released in December 2013, is set on the streets of the US as a clear witness to the domestic sex trafficking ‘game.’ This is a very powerful movie. Age appropriate for 12+, however children should have some level of awareness and emotional maturity. For more information call Peace on Fifth at 937.367.7215 or email [email protected]. To learn more about TRICKED and to see a trailer, visit the official site. All advanced tickets are available exclusively at Peace on Fifth (234 S Dutoit St., St. Anne’s Hill) for an $8 suggested donation.” (taken from Peace on Fifth press release)

The Montgomery County Food Policy Coalition is hosting a screening of FOOD PATRIOTS on Saturday, June 21 at 3:00. “Touched by their teenage son’s battle with a foodborne superbug, filmmakers Jeff & Jennifer Spitz document their family’s struggle to raise backyard chickens, grow food, and transform into Food Patriots. FOOD PATRIOTS features people from all walks of life who are trying to change the way Americans eat and buy food, and educate the next generation of consumers.” Admission is free and open to the public – to save a spot, please RSVP to Emily Bradford at (937)225-6470 or [email protected]

A special, one-time screening of STAND CLEAR OF THE CLOSING DOORS has been requested for Sunday, June 29 at 5:15…but it will only move forward if at least 50 tickets are reserved by Friday, June 20. Click this official LINK to reserve your ticket. “STAND CLEAR OF THE CLOSING DOORS tells the story of Ricky, a 13-year old boy with Asperger’s Syndrome who gets lost one day in the New York City subway system. While his mother frantically searches for him above ground, the sensory-sensitive Ricky is exposed to the cacophony, eccentricity, and menace found in New York’s underground (including some scenes shot during Hurricane Sandy, which came to figure into the film’s story), resulting in a truly authentic view into both the wonders and the horrors of what lies below.”

Thanks for your continued interest and enthusiastic support.

We hope to see you soon!

Jonathan

SHOWTIMES for Friday, June 13 – Thursday, June 19:

BELLE (PG) 1 Hr Min
Friday, Saturday, Sunday: 12:20, 2:40, 5:00, 7:20
Monday – Thursday: 3:00, 5:20

CHEF (R) 1 Hr Min
Friday, Saturday, Sunday: 2:30, 5:00, 7:30, 9:50
Monday – Thursday: 2:45, 5:10, 7:40

ONLY LOVERS LEFT ALIVE (R) 2 Hrs 3 Min
Friday, Saturday, Sunday: 9:40
Monday – Wednesday: 7:45

FOR NO GOOD REASON (R) 1 Hr 29 Min
Friday, Saturday, Sunday: 12:30

TRICKED (NR) 1 Hr 15 Min + Discussion
Thursday: 7:30

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

June 20 – FED UP
June 20 – SUPERMENSCH: LEGEND OF SHEP GORDON
June 27 – OBVIOUS CHILD
June 27 – JODOROWSKY’S DUNE
July 4 – A HARD DAY’S NIGHT
July 25 – THIRD PERSON
Aug. 8 – BOYHOOD
Aug. 15 – MAGIC IN THE MOONLIGHT
Aug. 29 – LAND HO

The Human Race Goes Country with PLAY IT BY HEART Ticket Contest

June 6, 2014 By Dayton Most Metro 6 Comments

The Human Race Theatre Company wraps up its 27th season with a long-awaited four-week run of the country musical Play It by Heart. This fully produced regional premiere is the culmination of a four-year collaboration with The Human Race that began with a residency for the writers in 2009 and a reading in the theatre’s summer 2010 Musical Theatre Workshops program. An early version of the musical premiere at Village Theatre in Washington state in 2005.

Composer/lyricist David Spangler brought the script to the attention of Producing Artistic Director Kevin Moore. “After their production at Village, the writers all went off to work on other projects,” says Moore. “Brian had this little show brewing called Next to Normal. In 2006, we workshopped the musical Nefertiti that David had written with Rick Gore. He and I stayed in touch, and in 2009 he told me about Play It by Heart, and that the writers all wanted to get back to it. I read it, listened to the songs and was hooked.”

The 2010 workshop proved to be a hit. “Our audiences loved it,” exclaims Moore. “Over and over I heard, ‘I’m usually not a country music fan, but I really liked this music and this show.’ It’s a universal story that speaks volumes about family and forgiveness—something that resonates with everyone.” He also praises the score for its potential for mass appeal. “It’s filled with so many ‘radio-worthy’ songs. I wouldn’t be surprised if we hear some of them on the airwaves soon.”

ABOUT PLAY IT BY HEART

It’s the passing of the torch in a country music dynasty as superstar Jeannine Jasper’s long career draws to a close. The changing world of the music industry is about to thrust her little sister, Jamie Lynn, into the spotlight. When an old flame comes calling, Jeannine envisions a quiet life offstage, but Jamie Lynn’s wild ways may cut short her time on top. Stage mother Naomi tries to keep control of her daughters until a scandalous secret comes to light and threatens to tear them apart. A musical about heartbreak and healing, this regional premiere comes alive with an exciting original score filled with new songs from the Nashville Sound to New Country by David Spangler, Jerry Taylor and R.T. Robinson and a book by Pulitzer Prize and Tony Award^® winner Brian Yorkey (If/Then, Next to Normal, upcoming The Last Ship).

Tickets for the preview performance of Play It by Heart on June 12 are $25 – $40. For all performances June 13 – July 6, tickets are $25 – $50, depending on availability, seating location and the day of the week desired. Student tickets are half price with valid ID. Group discounts are available for parties of 10 or more. All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Tickets and performance information on Play It by Heart are available at www.humanracetheatre.org or at Ticket Center Stage.

DMM Ticket Contest:

We’ve got 2 pairs of tickets to give away for Play It By Heart to our MostMetro.com readers. Just like and share this post and fill out the form below to be entered in our drawing. Of course a comment below of why you should win always goes a long way to sway the judges! 🙂

Ticket contest is now closed. Congratulations to our winners Kate Good & Rob Strobel!

‘The Dead Guy’ Review – Dayton Theatre Guild – Reality Bites

June 5, 2014 By Russell Florence, Jr. Leave a Comment

Chris Hahn and Amy Askins in the Dayton Theatre Guild production of “The Dead Guy” (Contributed photo by Peter Wine)

Would you kill yourself on live TV in a manner determined by viewers for the luxury of spending $1 million
in a week?

Eldon Phelps ponders this intriguing notion hastily in the local premiere of Eric Coble’s fascinating 2005 dark comedy “The Dead Guy,” currently receiving a thoroughly engaging and thought-provoking presentation at the Dayton Theatre Guild deftly directed by Saul Caplan.
At a nondescript bar in the nondescript town of Leadville, unemployed and aloof Eldon (a first-rate, credibly impulsive Christopher Hahn) is persuaded to become the Dead Guy, the focal point of a new reality TV show of the same name created by ruthless producer Gina Yaweth (a splendidly shrewd, fixated Amy Askins). Eldon is the perfect bait because his hopeless indifference about life leads him to believe money and suicide would make him someone to remember in the eyes of his family and community. His logic is terribly flawed, but the decision he faces marvelously addresses the greater concern of desperation within the human condition. What exactly is the price of fleeting fame in today’s society? Have we become numb to entertainment that morphs from frivolous to grotesque? Through Eldon and Gina’s eye-opening perspectives, Coble allows us to fully examine the unsavory yet profitable depths of our media-craved culture and the get-rich-quick schemes that infiltrate the most vulnerable for the titillation of millions.
The very physical Hahn, making his Guild debut following memorable turns at Sinclair Community College, is totally relatable and fittingly rough around the edges. As Eldon’s outlook and bank account evolves, a mild, transformative “Pygmalion”-esque quality encircles him which Hahn embraces with spunk, charm and maturity. He also finds terrific support in Askins, who winningly conveys Gina’s insatiable quest for ratings which leads her on a very unattractive path. Askins is so convincing and captivating in her juicy role you’ll wonder if she has attended her share of reality TV casting calls in our region.
Caplan’s amiable, compatible cast also includes an enjoyably understated K.L. Storer as Gina’s trusty videographer Dougie, Aaron Brewer as Eldon’s modest brother Virgil, a comical Teresa Connair as Eldon’s outspoken mom Roberta, an engaging Angela Timpone as Eldon’s ex-girlfriend Christy, Wayne Wolfe as an assertive Security Guard, the overdue return of Timothy Walling-Moore (excellent in the Guild’s 2010 local premiere of “Kimberly Akimbo”) as Leon, Carly Risenhoover-Peterson as Sheila, and Jenna Burnette as Nancy. Technical issues hindered the performance attended (the action relies heavily on multimedia and props), but the material’s essence wasn’t diminished thanks to the astute cast.

In a savvy move, Gina gives fans of “The Dead Guy” an option for a write-in vote regarding Eldon’s demise. For a split second, I actually thought the vote would be in favor of sparing his life. After all, thanks to Hahn’s fine portrayal, there always seemed to be a glimmer of hope amid the darkness. Well, maybe next season.

“The Dead Guy” continues through June 15 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Act One: 50 minutes; Act Two: 55 minutes. Performances are Fridays at 8 p.m., Saturdays at 5 p.m., and Sundays at 3 p.m. Tickets are $18 for adults, $16 for seniors, and $11 for students. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

Temple Israel Plans Celebration Of Jewish Music, Art, Food, Ritual

June 4, 2014 By Dayton Most Metro Leave a Comment

Popular Jewish foods, live music, children’s activities, exploration of Jewish life, and a lively open-air market will all be part of Temple’s Israel’s fourth annual Jewish Cultural Festival on Sunday, June 8 from noon until 6:30 p.m. The festival — free and open to the public — will take place on the grounds of Temple Israel, 130 Riverside Drive, just across the river from Fifth-Third Field near downtown Dayton.
“Thousands have turned out in past years to enjoy the tastes, sights and sounds of Judaism,” said festival chair Sara Faust, “and we’re thrilled to welcome the community to our building and grounds for an engaging day of exploration and entertainment.” Temple Israel is the largest and oldest Jewish congregation in the Miami Valley.

A Jewish culinary journey of the world.
Popular Miami Valley restaurants C’est Tout, El Meson, Pasha Grill, and Smokin’ Bar-B-Que will prepare traditional Jewish foods of France, Latin America, the Middle East, and the southern U.S. regions. Visitors can mix and match dishes to sample flavors from around the globe, all for sale from the different restaurants. Homemade baked goods including challah, Passover wine cookies, and honey cake are also available to purchase.

Cincinnati Klezmer Project

Non-stop entertainment starring Jewish music of all kinds.
The Cincinnati Klezmer Project returns with the lively sounds of Eastern European Jewish folk music. Tim Pritchard and the Boxcar Suite will rock the festival with a selection of music by contemporary Jewish artists and songwriters. Other local music favorites will grace the stage with folk and Broadway tunes. Always a favorite, The Shimmy Cats will dance in the Israeli folk style.

Jewish craft beers to quench the thirst and lift the spirit.
What could be better…for the adults…than a cold beer on a hot afternoon? Try some of the best Jewish or kosher beer from domestic and foreign brewers. Kids and non-beer drinkers will enjoy several flavors of Dr. Brown’s Sodas, a long-time staple of delicatessens.

Children’s games, activities to entertain and educate.
Learning about Judaism will be fun and engaging for the youngest festival goers. Children may create candlesticks for Shabbat, sample some delicious challah bread, color Hebrew letters and symbols, sing and dance, and play other games.

A diverse educational program.
A series of interactive presentations in Temple’s sanctuary will highlight history of storytelling, Righteous Gentiles in the Holocaust, answers about Jewish life, and the importance of interfaith dialogues. The international traveling exhibit, Lawyers Without Rights, which details the story of persecution of Jewish lawyers in Nazi Germany, is open to the public. Visit the festival’s Mitzvah Alley to learn about easy ways to incorporate “green” projects and programs into your life to help improve our community and lessen our impact on the environment.

A lively open-air market.
Tents and booths evoking the feel of Israeli markets will offer a mix of Judaica, crafts and artwork by Jewish and non-Jewish artisans.

Temple Israel is grateful to the community partners who support the Jewish Cultural Festival, including the Levin FamilyFoundation. In addition to groups and organizations listed above who are participating, Temple thanks all of our presenting partners and sponsors.

For more information about the Jewish Cultural Festival, visit www.tidayton.org, email [email protected] or call 937-496-0050. Temple Israel, founded in 1850, offers religious, cultural, educational, social and social action programs that build on the legacy of those who have come before with innovations guaranteed to create a fulfilling and vibrant future for the congregation.