Arts & Entertainment

Locally Produced Reality Show, “The Valley”, To Premiere Sept 14th

September 11, 2014 By Dayton Most Metro

Dayton’s CW (WBDT-TV) has announced that The Valley, Dayton’s first locally produced reality show, will premiere on Sunday, September 14^th at 8:00 pm on Dayton’s CW. The Valley centers around six high school graduates as they prepare for the next big step in their lives. The cast, which includes Alexys Bardonaro and Christopher Harrison from Centerville, Ally Lewber from Springboro, Donald Boone from Huber Heights, Nathan Baker from DeGraff and Stephanie Patino-Garfias from Dayton, embark on a series of adventures throughout the greater Dayton region and explore important topics, such as drinking and driving, self-exploration, peer pressure, etc.

“The Valley isn’t your typical reality show. This is reality with a purpose,” said Joe Abouzeid, President and General Manager. “The show is enlightening and entertaining for viewers of all ages. It really captures what teenagers are going through during this important right of passage in their lives. There has been a lot of buzz around the show and we are all excited about its debut in September.”

“These young adults are not scripted characters produced for an adolescent melodrama, but they are actually real people with real experiences,” said Steve Bailey, Executive Producer of The Valley. “Each cast member has something unique to prove and we are pleased to share their exciting journey with our viewers.”

The Valley was produced by WDTN-TV and will wrapped up production in August. To learn more about the cast, see behind the scenes video of production, and to watch a launch promo for the show visit www.daytonscw.com. The Valley will air each Sunday evening at 8:00pm with 8 episodes in season one. Full episodes will also be available at www.daytonscw.com.

‘Miracle on South Division Street’ Review – Human Race Theatre Company – Kitchen Table Revelations

September 11, 2014 By Russell Florence, Jr.

The charming Nowak family of Buffalo, New York receives a rude awakening in Tom Dudzick’s lighthearted and lightweight 2013 comedy “Miracle on South Division Street,” currently receiving a breezy regional premiere at the Loft Theatre courtesy of the Human Race Theatre Company.
Strongly Catholic and affectionately Polish, the Nowaks have been tending to their late patriarch’s shrine to the Virgin Mary for decades. Built in 1943, the 17-foot-tall shrine (which Buffalo native Dudzick based on a local legend) was established after Grandpa Nowak had a vision of the Virgin Mary in his barbershop, which now serves as a soup kitchen. The shrine has been an inspirational source of faith, hope and goodwill for the downtrodden city with the likelihood of a miracle not out of the question. However, the Nowaks are completely and humorously thrown for a loop due to a pivotal deathbed confession. As they attempt to make sense of what appeared on the surface to be utterly preposterous, the close-knit family grows to understand the importance of change, growth and tolerance, which all families must face during times of overwhelming joy or nerve-rattling dysfunction.

(Left to right): Lauren Ashley Carter, Kyle Nunn, Wendy Barrie-Wilson and Jennifer Joplin in the Human Race Theatre Company’s production of “Miracle on South Division Street.” (Photo by Scott J. Kimmins)

Director Richard E. Hess, a Buffalo native, coaxes warm authenticity, sprightly energy and a loving rapport from his delightfully compatible four-member cast who are absolutely comfortable within the confines of Eric Moore’s attractively homey kitchen set. As devoted mom Clara, tough yet compassionate, Wendy Barrie-Wilson (marvelous as Sister Aloysius in the Human Race’s 2009 local premiere of “Doubt,” directed by Hess) is a great source of genuine motherly concern, but also supplies funny doses of utter dismay as Clara’s world, particularly the traditions she holds close to her heart, collapses. As eldest daughter Beverly, an underwritten component with a penchant for bowling, Jennifer Joplin (equally radiant in “Doubt” as Sister James) is fittingly agitated and shocked as the big news resonates. As amiable son Jimmy, Kyle Nunn, very appealing and down-to-earth, provides fine comic relief as the only Nowak who couldn’t be more thrilled about the revelation at hand since it ensures a brighter future far more than he imagined. As youngest daughter Ruth, an aspiring actress whose actions propel the play, Lauren Ashley Carter is believably apprehensive yet totally engaging as Ruth brings her family together to announce the various aspects of the secret. Carter also shares a terrifically layered moment with Barrie-Wilson toward the conclusion which refreshingly takes the sitcom-esque proceedings to a deeper emotional plateau.
This “Miracle” takes a while to reveal itself as the amusing diversion it is, but it will make you appreciate the universal commonality of family all the same.

“Miracle on South Division Street” continues through Sept. 21 in the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesday-Saturday at 8 p.m., Tuesday at 7 p.m.; Sunday at 2 p.m. The play is performed in 80 minutes without intermission. Tickets are $27-$45, but discounts are also available. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org.

TIFF 2014 – Day #7

September 11, 2014 By Jonathan McNeal

Wednesday, September 10.2014

Hi Again!

I only saw three films today, but I also attended a pretty great, intimate party.

First off, I saw OUT OF NATURE – a Norwegian film about a man who decides to spend the weekend hiking in the mountains…away from his job, his wife, his son. In film school, you’re taught to – “Show. Don’t Tell.” This simply means that an audience should be able to figure out what someone is thinking by their strong performance…not by what a narrator or bad dialog is telling us. This film is a rule-breaker – but it’s also the point. As the protagonist is getting ready for his trip and as he’s hiking up the mountain, we get his interior dialog and realize exactly what he’s thinking, what he’s feeling. In earlier scenes, we understand that he has issues connecting with people, and through the voice-overs, we understand that his thoughts are mostly of sex and breaking free from the routine of his current life. Ultimately, I liked this film…but it’s a tough sell. Including everything from a naked jogging scene to masturbation and urination, we truly live with this character over the course of the weekend. It’s an inner journey we take with this character, and though you may not be on the same page with his thoughts, you can certainly empathize with the idea of an interior monologue.

Because this trailer contains graphic content, you’ll have to follow the link to find it on youtube.

MAPS TO THE STARS was next up. It’s the new, darkly satirical film about “Hollywood-types” from David Cronenberg (that said, it could be about any “types” where greed and narcissism play a role in success). Julianne Moore won “Best Actress” this year at Cannes for this film (but I think her performance in STILL ALICE is even stronger). If you’re familiar with Cronenberg’s work, you know you’re in for a non-traditional ride in MAPS TO THE STARS. It’s unsettling, it has awkward moments when laughter seems imminent but also wildly inappropriate, and the stellar cast is committed to the long, crazy ride. Not a favorite…but not bad.

ELEPHANT SONG was the big treat today. I went to see this film because I wanted to see Xavier Dolan in a film that he didn’t direct…and one in which he’s speaking English. Though this film certainly shows its roots of being based on a play, I didn’t mind. The performances (Dolan, Catherine Keener, Bruce Greenwood), the set design, the screenplay – they are all terrific.This is the story of a young man in a mental institution who may know the whereabouts of a doctor who has recently disappeared. Taking place mostly in the doctor’s office, the film has a claustrophobic feel…and Dolan at times channels a young Jack Nicholson. I went on a lark to this screening, and I’m so glad I did. I hope this film find distribution!

https://www.youtube.com/watch?v=IMjQ9i6J5B0

At the end of the evening, I was invited by a friend to attend a party being thrown for Ethan Hawke’s new documentary called SEYMOUR: AN INTRODUCTION. It was a small party at the Trump Hotel, and it was lovely. I ran into a couple folks from indiewire as well as got to hang out with a festival programmer I met several years ago. Hawke was in attendance, but I never felt like interrupting him. On my way out, someone whispered, “Did you see who just walked by you?” “I didn’t,” I responded. “That’s Mike Tyson.”

More tomorrow – including one of the most talked about/buzzed about films of the festival season – THE IMITATION GAME.

Thanks for reading,

Jonathan

TIFF 2014 – Day #6

September 10, 2014 By Jonathan McNeal

Tuesday, September 9, 2014

Hello. Thanks for coming back!

STILL ALICE was my first film today. Based on a famous novel, this is the story of a linguistics professor who is dealing with early onset Alzheimer’s. We learn in the film that diagnosis can come late in highly educated people – as they learn to have tricks to help retain their memory. Julianne Moore plays the lead in this film, and she’s terrific. This is a sad story due to the fact that we’re watching the terrible effects of a hideous disease…but Moore brings such humanity to the role that you can’t let go.

There’s no trailer for this film yet, but you can hear Julianne talk about the film below.

With a screenplay by Nick Hornby (who attended the screening), WILD is based on the true story of Cheryl Strayed’s hike up the Pacific Crest Trail. Played by Reese Witherspoon (Oscar buzz is well underway), the story starts at the middle of her hike and circles back to the beginning…but the beginning of the hike isn’t the beginning of the story. Through a series of flashbacks, we fully begin to understand why she’s taking this grueling journey. For the first 15 minutes of this film, I was skeptical…but then it reeled me in. The real Cheryl Strayed attended this screening, and had a lot of eloquent things to say about her journey – both physical and emotional.

PHOENIX was next. This is the story of Nelly, a concentration camp survivor who has reconstructive facial surgery upon coming back into society. After she recovers, she begins the search in post-war Berlin for her husband – who may have betrayed her to the Nazis. Upon finding him, he doesn’t recognize her, and they begin a tension-filled game that is bound to reveal the truth. The concept of this film is a little hard to believe initially. Really? He didn’t recognize her? But if you let that go, everything else is spectacular. The production design, the tension and the performances.

Sorry…no subtitles trailer yet.

My last film of the day was TWO DAYS, ONE NIGHT – the new film from the Dardenne Brothers. This gem stars Marion Cotillard as Sanda – a mother and wife who has just found out that her job is in jeopardy. Other employees have been given the decision to chose between getting bonuses or retaining Sandra’s position at the factory. Majority rules…and the vote will be taken Monday morning. Over the course of the weekend, she attempts to visit the other employees and plead her case – even though doing so seems degrading and hurtful to an already fragile state-of-mind. In true Dardenne fashion, the film is truly a piece of realism with keen insights to what makes us work.

More tomorrow! Thanks for checking in!

Jonathan

TIFF 2014 – Day #5

September 9, 2014 By Jonathan McNeal

Monday, September 8, 2014!

Hello!

It was another late night…and another early morning…but the first film I saw after waiting in line for Wednesday’s public tickets was the new comedy from Noah Baumbach – WHILE WE’RE YOUNG. I loved it! Unfortunately, most of the films I saw today do not have trailers yet, so still photos will have to do.

Full of keen observations on generational differences between 40-somethings and 20-somethings, WHILE WE’RE YOUNG is one of the funniest, most charming comedies I have seen in years! In its third act, the film goes into some deeper territory, but it was all material that I found directly relatable…and I loved it. The film stars Ben Stiller, Naomi Watts, Adam Driver, Amanda Seyfried, and Charles Grodin. It hasn’t been picked up yet American distribution, but I’m certain it will!

OCTOBER GALE is a new thriller starring one of my favorite actresses – Patricia Clarkson (directed by Ruba Nadda, who directed Clarkson in CAIRO TIME). It’s the story of a woman, while still getting over the death of her husband, visits her Autumn, remote island cottage. While there, a mysterious man with a gunshot wound washes onto her shore, and it’s quickly made clear that someone will soon arrive to finish the job. I liked the tone and pacing of this film quite a bit…until a single moment when I thought the script took a ridiculous turn. Clarkson saves this film to some degree…but saving it completely would have required a rewrite.

I have bad news for the folks who are terribly anxious for THE LAST FIVE YEARS. This is a film version of the off-Broadway musical by Jason Robert Brown. Though the adaptation is quite faithful, it’s also quite uncinematic. The lead performances by Anna Kendrick and Jeremy Jordan are beautifully sung and full of charisma, but the film failed to get off the ground for me until there was a fun, playful song about working summer stock in Ohio (it was the first time that the camera work came alive and played with location, etc.). All this said, the people who are terribly anxious about it will love it regardless – as the director barely played with any of the material (it’s as straight-forward as possible – aka hardly exciting on screen at all).

PASOLINI is a film about the famous director’s last days starring Willem Dafoe, directed by Abel Ferrara. Dafoe is incredible in this film, and the material with Pasolini commenting on his feelings about humanity and our drive for materialism were quite compelling (so much so that I want a copy of the screenplay). That said, I found the film to be a little jumbled (and even slightly confusing sometimes…as Ferrara made a decision not to give us subtitles during some rather difficult moments). We get to look at the film Pasolini wanted to make next and hear about the novel he never published – all before his murder by a hustler. It’s a tough film, but I think people who give it a chance may be inspired to learn more about this iconic filmmaker.

https://www.youtube.com/watch?v=iOVDmHmisQw

Thanks for checking in. I’m looking forward to the new Dardenne Brothers film tomorrow – TWO DAYS, ONE NIGHT.

More tomorrow!

Jonathan

TIFF 2014 – Day #4

September 8, 2014 By Jonathan McNeal

Sunday, September 7, 2014

Hello Again.

Last night was a late night again…so this morning started with a drag…but I don’t regret staying out until 2:00. I had dinner with an old friend (I met Bill in line for Almodovar’s TALK TO HER back in 2002) and then met a couple other friends for cocktails. It was a great night.

This morning started in line like all the other mornings. I managed to get the tickets I want for Tuesday public screenings (including WILD – the buzz for Reese Witherspoon is quite big), and I was then off to my first P&I screening.

TOUR DE FORCE was first. It’s a German film about a group of friends getting together for their annual bike ride. This year, the protagonist has chose Belgium as the destination – much to his friends’ consternation. Within the first act, it is revealed that he has chosen Belgium because physician assisted suicide is an option there. He has ALS, and his body is reacting worse and worse each day. The chemistry of the friends is quite good, and I liked a lot of the film, but I think it lost its way a couple times. Ultimately, I think there’s a really strong 80 minute film here. Unfortunately, the 95 minute version isn’t the best.

FACE OF AN ANGEL was my next selection. It’s the new Michael Winterbottom film that uses the murder of an American student traveling in Italy (the Meredith Kercher case is clearly the inspiration) as the jumping point for the film. This movie is about a filmmaker who has been offered the chance to write a screenplay and direct the film version of the murder and court proceedings. As he gets deeper into understanding the dynamics, he decides he’d rather create a film that speaks to the murder but isn’t actually traditional telling of the story. Daniel Bruhl, who I first fell in love with in GOODBYE, LENIN, plays the director, and Kate Beckinsale plays the journalist who has written extensively about the case. Sadly, I think the film becomes a self-reflexive jumble – with dream sequences and drug-induced hallucinations that create a frenzy of a film that ultimately doesn’t work. Though I like that the film makes us question the idea of “truth,” I wasn’t up for all the antics of this story.

https://www.youtube.com/watch?v=4zbWCcSBva4

I was quite excited to see MISS JULIE – the new Liv Ullmann adaptation of the classic play by Strindberg, starring Jessica Chastain and Collin Farrell. This is the story of a daughter of a count who is enamored by a well-spoken valet. What initially seems like flirting becomes a cat and mouse game for control of affections and desire – and certainly an examination of class. The production elements are divine, and Chastain’s performance is absolutely incredible, but I ultimately felt that the adaptation was rather arduous. There’s something to be said for honoring the text of a classic play, but I think this film needs tightening.

And then I saw the world premiere of THE THEORY OF EVERYTHING – the story of Stephen Hawking, his relationship with his wife and his battle with ALS. I love this film! The photography is lovely, the evolving period aspects are perfect, and the performances are out of this world. I didn’t sense a false note in any moment, and I think numerous awards will follow. Eddie Redmayne was in attendance and spoke quite eloquently of the process of creating his body movements – which involved doctors and a choreographer. In addition to all the folks from the film (many of whom participated in the Q&A), there were several stars in attendance for the screening – including Andrew Garfield, Jon Stewart and Julie Taymor. THE NEON has tentatively put this film on the schedule right around Thanksgiving! (Look at this photo comparison…I’ve only just seen it, and it makes the film all the more impressive.)

Thanks again for checking in!

Jonathan

TIFF 2014 – Day #3

September 7, 2014 By Jonathan McNeal

Saturday, Sept. 6, 2014

Hello Again,

THE RIOT CLUB was my first P&I screening of the day. It’s the new film from Lone Scherfig – director of AN EDUCATION (the “Best Picture” Oscar nominee that made Carey Mulligan a full-fledged star). This is a film about a “posh” club of young men at Oxford. They’re a terribly attractive, elite group (the limit for the club is 10) who are and smart, charismatic, “well-bred,” and quite self righteous. The movie is about their search for 2 new members and their annual dinner that allows them to indulge in debauchery. There’s underlying tension during the whole film that truly becomes terrifying in the third act. Overall, the film is a well done look at class and abuse of privilege.

THE NEW GIRLFRIEND is the new film from one of my favorite filmmakers, Francois Ozon (UNDER THE SAND, 8 WOMEN, SWIMMING POOL, TIME TO LEAVE, IN THE HOUSE). Ozon, like Woody Allen, has a new film almost every year. Some are brilliant (see all of the films listed above) and some are not (though even ANGEL, RICKY and HIDEAWAY have their merits). THE NEW GIRLFRIEND is about a woman who has become depressed after the death of her best friend. After working through some pain, she summons the courage to visit her friend’s husband only to discover some secrets that will change her life (I don’t want to give away too much.) This story is based on a novel by Ruth Rendell, and her work has been adapted by other favorite filmmakers like Pedro Almodovar and Claude Chabrol. Sadly, this film has some major tone issues…but I was intrigued enough to stick around and see what happened.

Sadly, there’s no trailer with subtitles yet, but here’s the French trailer:

PRIDE was my only public screening for the day, and it has already been booked for THE NEON this Fall. With a stellar cast of British NEON regulars (not to mention thematic elements that interest me), it was a film I had to put on my list. Just look at this cast: Bill Nighy (BEST EXOTIC MARIGOLD HOTEL, NOTES ON A SCANDAL), Imelda Staunton (VERA DRAKE, ANOTHER YEAR), Paddy Considine (IN AMERICA). The movie, based on a true story, is about a coal miners’ strike in the UK in 1984 – and how a group of gay and lesbian people began collecting money for the cause. From watching the trailer, I thought I’d be in for a fun, charming ride…but the trailer doesn’t do the film justice. Instead I got a moving, inspiring, uplifting and heartbreaking film. There weren’t many dry eyes in the house. I think this film could go on to win the audience award – as 1000+ people in today’s audience were on their feet cheering for quite a while. When the curator introduced not only the cast but some of the real life people on whom the film is based, the crowd went wild. A truly, truly wonderful film! (Below is a little pic I snapped of the Q&A.)

Thanks for checking in,

Jonathan

TIFF 2014 – Day #2

September 6, 2014 By Jonathan McNeal

Friday, September 5, 2014

Hello Again,

After getting the tickets I desired for Sunday (which include THE THEORY OF EVERYTHING and MISS JULIE – 2 films I can’t wait to see), I scurried to a screening that I ended up leaving after 20 minutes. I had been up in the air about seeing it, but when it wasn’t working for me, I decided to scurry across the hall and see GEMMA BOVERY – and I’m glad I did.

GEMMA BOVERY is a modern take on the Flaubert novel MADAME BOVARY (which is next on my list) – but actually based upon a graphic novel by Posy Simmonds (known for her FAR FROM THE MADDING CROWD update TAMARA DREWE). The film was directed by Anne Fontaine (COCO BEFORE CHANEL), and the male protagonist (NEON regulars will recognize Fabrice Luchini from POTICHE and IN THE HOUSE) is a baker who narrates the film and is quite familiar with the Flaubert novel…in fact he interferes and attempts to change the course of actions for the title character Gemma Bovery (which is close to Emma Bovary). This might all sound a little confusing, but it’s actually quite fun (despite its melancholy shadow). Luchini is hysterical, and Gemma Arterton (who plays Gemma Bovery) is sexy and delightful. (I could see Sony Classics, Cohen Media or Music Box films picking up this film for distribution.)

Sadly, I can’t find a trailer with subtitles…below is all I could find.

Next I saw the latest adaptation of MADAME BOVARY. Like ANNA KARENINA and JANE EYRE, MADAME BOVARY has been translated to film numerous times. This version stars Mia Wasikowska in the title role, and thoughthe production values are sturdy, I ultimately think it fell a bit flat. That said, I may be hyper-critical…as I do think there’s an audience that will embrace this adaptation. For me, Emma never really came to life. We see her rack up debt, we see her bored in her marriage, we see her flinging herself into affairs, but she never had that spark that really made me care. I was intrigued enough to stay through the end, but I wasn’t moved to tears. (Though I’m not trying to draw comparisons, I prefer Huppert & Chabrol.)

Sadly, there is no trailer for yet for this film…but here’s a production still.

GUIDANCE is the feature directorial debut of Pat Mills (he also stars in it). In 2009, The Dayton LGBT Film Festival played one of Pat’s hysterical short films – PAT’S FIRST KISS, and I got to meet him here at TIFF a couple weeks before our festival. I’ve kept up with him over the years, and I was happy I could snag a ticket to the world premiere of his first feature. This film is about an out-of-work, alcohol-dependent, delusional actor who lies on his application and applies for a job as a high school counselor (he figures he can play the part). The material is wildly inappropriate (the counselor does vodka shots with students to loosen them up), but there are moments of genuine honesty and tenderness. This combination creates a rather interesting comedy with some wonderful one-liners. I’m quite proud of Mills for seeing this project through and for his upcoming distribution deal (it has yet to be announced, but it’s gonna happen).

Now I’m off to bed. I’ll wake again in less than 6 hours to do it all over again.

More soon.

Thanks for reading,

Jonathan

TIFF 2014 – Day #1

September 5, 2014 By Jonathan McNeal

Hello Everyone,

I got back on track rather quickly this morning. After a couple hours of waiting in lines, I still managed to get the tickets I wanted for the next couple days. (Each day, my pass allows me to get 2 tickets for public screenings that occur 2 days later (i.e. on Friday morning, I’ll get 2 tickets for public screenings on Sunday). My pass also allows me to see an unlimited number of screenings that are designated for press & industry.)) After I got my tickets, I went to see a press/industry screening of MOMMY – the Cannes-Award-Winning film from Xavier Dolan.

MOMMY is a film about a volatile teenage boy who has come back home to live with his mother after a stint in a group home. The film’s protagonist – Steve – is a good-looking, foul-mouthed powder keg, and the film is at times truly terrifying. Dolan’s love of creating music montages (almost music videos within the narrative) is back in full-force with this film. The film has some very powerful moments and the performances are mostly quite strong – in particular, Dolan favorite Anne Dorval, who plays Steve’s mother. (Dorval was also in the Dolan films I KILLED MY MOTHER, HEARTBEATS, and LAURENCE ANYWAYS.) Though I feel the film could still use some trimming (much like I did with LAURENCE ANWAYS), I ultimately think it’s a solid film with some dark Oedipal themes. The small aspect ratio is also exciting (its such a narrow frame that there’s barely ever room for more than one person in a shot – much like “Mommy’s” life).

After MOMMY, I ran into some folks I know…different people who play a variety of roles in the industry – PR, distribution, press. It’s fun to just randomly stumble into folks from across the country all in the same place. I grabbed a bite with a friend from NYC and then I headed to my next P&I screening.

’71 – a period military thriller set in Belfast during a rather scary time – is a tense film with strong performances and great editing. Though I rarely like films with lots of gun play, I was quickly enamored by the main character. It’s the story of a British soldier, who during a scuffle with vocal and eventually violent townspeople, is separated from his unit in IRA-controlled territory. Once his unit discovers that he’s missing, the film becomes a manhunt – both from his fellow soldiers who want to bring him back and from the IRA who want him dead.

For my last screening of the day, I went to the Opening Night Film – THE JUDGE. This is a film that will open wide (aka – at multiplexes everywhere…not THE NEON). This was my first time attending Opening Night festivities (Glenn Kiser, a director who visited The Dayton LGBT Film Festival with his short film SABBATICAL, invited me to be his guest). Director David Dobkin and stars Robert Duvall, Robert Downey Jr., Vera Farmiga, Vincent D’Onofrio and others introduced the film. It’s the story of a sleek, big city lawyer who returns home to the midWest for the funeral of his mother. Long-estranged from his father, the trip isn’t meant to last long. But the revelation that his father has been involved in an accident which resulted in the death of a former defendant has him sticking around to defend his father in court. For the first 20-30 minutes, I thought I was in for a truly terrible ride…but eventually the film found its sometimes-stable footing and managed to have a few honest, wonderful moments (Duvall was the reason for any of these scenes). Ultimately, the film is too, too long and full of contrived moments – with lots of terribly underused great actors.

After the film, Glenn and I attended the Opening Night Party. Hundreds of beautiful, well-dressed people filled the TIFF Bell Lightbox – with music booming, dancers on scaffolding and appetizers and cocktails swirling around the various rooms and levels. It was fun to people watch for a while, but eventually we left to grab dinner…and I got back to my apartment by 1:30am. At 6:10am, my alarm will go off and I’ll be running out the door by 6:30.

More tomorrow!

Thanks for reading,

Jonathan

Win Tickets For Human Race’s “Miracle on South Division Street”

September 5, 2014 By Dayton Most Metro

Fans of The Human Race’s 2008 production of Tom Dudzick’s national hit Over the Tavern will rejoice at the regional premiere of the playwright’s “rollicking” Miracle on South Division Street, directed by Human Race Resident Artist Richard E. Hess (Race, Red, Doubt). 60 years ago, Grandpa Nowak had a vision of the Virgin Mary in his Buffalo, New York barbershop and had an unusual statue of her made to commemorate the miracle. For decades, his family has faithfully tended to his quirky shrine—a source of hope and inspiration in an otherwise run-down part of town. That is until a deathbed confession knocks them for a loop in this hilarious hit comedy that proves when it comes to local legends, there’s more than meets the eye. Opening night for Miracle on South Division Street is Friday, September 5.

Dudzick calls the play a work of “pure fiction, based on a ‘true’ local legend” as he created the Nowak family to explain the unknown origins of an actual 20-foot-tall brick shrine to the Blessed Virgin Mary in Buffalo built many decades ago by a now-deceased local barber. And while the neighborhood around the shrine has fallen into disrepair, a promise from City Hall has spared the shrine from destruction as it is maintained by local residents.

CAST AND CREATIVE TEAM

Director Hess, a native of Buffalo raised in a large Catholic family, firmly identifies with the blue-collar Nowaks and their devotion to their faith and history. For his four-member Nowak family, he has cast Wendy Barrie-Wilson (All My Sons and Our Town on Broadway) as mother “Clara,” Human Race Resident Artist Jennifer Joplin (Other Desert Cities, God of Carnage) as older daughter “Beverly,” Kyle Nunn (King Lear and The Three Musketeers at Hudson Valley Shakespeare) as son “Jimmy” and Lauren Ashley Carter (Lewis Black’s One Slight Hitch, film Jug Face) as younger daughter “Ruth.” Barrie-Wilson joins Joplin on The Loft Stage for a second time, having costarred in Hess’s 2009 production of Doubt, a Parable. Miracle on South Division Street marks the first appearance with The Human Race for Nunn and Carter, both graduates of University of Cincinnati College-Conservatory of Music, where Hess was their professor.

The scenic designer is Human Race Head Carpenter and Charge Artist Eric Moore (Footloose and The Music Man at the Springfield Summer Arts Festival), making his Loft Stage design debut, the costume designer is Kathie Brookfield (Suessical, Jr. and Annie, Jr. at The Children’s Theatre of Cincinnati) also with her first design for The Human Race, Resident Artist John Rensel (Play It by Heart, Fiddler on the Roof) is the lighting designer and Brian Retterer (Play It by Heart, It’s a Wonderful Life: A Live Radio Play) is the sound designer. Kay Carver is the production stage manager. Human Race Executive Producer Tara Lail is the show’s producer.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

Performance and special event information

For all performances September 4 – 21, single ticket prices are $45 – $35 for adults, $41 – $32 for seniors and $22.50 – $17.50 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, September 7 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for Miracle on South Division Streetare 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 pm and at 2:00 pm on Sunday matinees. “Lite Fare at the Loft” with food and drink provided by Citilites begins in The Loft Theatre lobby at 5:30 p.m. on Tuesday, September 9. The “While We’re on the Subject” post-show talkback is on Sunday, September 14, immediately following the 2:00 p.m. performance. Tickets and performance information on Miracle on South Division Street are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

We’ve got 2 pairs of tickets for some lucky DMM readers. Just “Like’ this post, fill out the entry form below and leave a comment about why you should win tickets to see this show below.

Congrats to ticket winners Harvey & Michael- check your email for info on how to claim your show tickets!

LAND HO! Starts Friday at THE NEON!

September 4, 2014 By Jonathan McNeal

Hello Everyone,

Wow! We had a terrific weekend…much better than anticipated. Many thanks to all of you who came out to support our films. CALVARY performed better in Dayton than in many other cities, and we’re delighted and grateful. BOYHOOD has already screened for the last time, but MAGIC IN THE MOONLIGHT and CALVARY will stick around. In addition, we will open a film that many of you have been asking about – LAND HO! If you’ve been to THE NEON recently, you’ve more than likely seen the trailer. Remaining showtimes for this week can be found on our website at www.neonmovies.com.

Synopsis for LAND HO!: “A pair of 60-something ex-brothers-in-law sets off on a road trip through Iceland, hoping to reclaim their youth. Their picaresque adventures, from trendy Reykjavík to rugged outback, are a throwback to classic bawdy road comedies as well as a candid exploration of aging, loneliness, and friendship.” (taken from Sony Classics) Click on this LINK to visit the film’s official website.

KRW Cycles in Clayton hopes you’ll help tip the scales and bring PENTON to THE NEON. “The John Penton Story is an American story about family, competition, ingenuity and business that will tug at hearts of everyone who sees it. John Penton is motorcycle icon and pioneer who’s life on a farm in Ohio led to a long list of motorcycling accomplishments and global notoriety. What began with a humble motorcycle shop, turned into international off-road racing career leading him to the discovery of the need for a smaller machine which he was soon selling in the US. With his innovative Penton motorcycles he introduced riding to a new generation of riders around the world.” (taken from press notes) Click this LINK to the official site and reserve your ticket. If enough people don’t reserve a ticket by Sept. 5, the screening will not happen and your credit card will not be charged.

Start Freedom Dayton is hoping you’ll help tip the scales to bring #StandWithMe to Dayton on Thursday, Sept. 25. This film will only screen if 68 tickets are sold by Friday, Sept. 12. Click this LINK to watch a trailer and reserve your ticket now (if not enough tickets are reserved, your card will never be charged). “Only a 9-year-old would dream that a lemonade stand could free 500 enslaved children. What followed became so much bigger. After seeing a photo of two enslaved boys in Nepal, Vivienne Harr is moved to help in the only way she knows how: by setting up her lemonade stand. With the goal of freeing 500 children from a life of slavery, she sets up her stand every day, rain or shine. As Vivienne’s vision begins to show promise for something greater, her community stands with her – and she develops her own Social Purpose Company. In telling Vivienne’s story, #standwithme examines the realities of modern-day slavery, the role we play in it as consumers, and the importance of knowing the story behind what we buy.” (taken from tugg press notes)

Have you seen the trailer or read about the incredibly moving documentary ALIVE INSIDE? (If not, check out the official site.) We will have a traditional engagement of the film beginning sometime in late September or October, but a special preview screening is being planned for Wednesday, September 24 at 7:30. Special details are still in the works, but I wanted to let you know right away. Regular ticket prices will apply, and tickets are now available at THE NEON’s box office.

I just made it to Toronto for the Toronto International Film Festival. I’ll see numerous films over the course of 9 days, and in order to keep track of what I’m seeing, I’ll keep a daily blog. Starting this morning, you can click this LINK daily to read about my adventures.

Thanks for your continued support!

Jonathan

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SHOWTIMES for Friday, Sept. 5 – Thursday, Sept. 11:

MAGIC IN THE MOONLIGHT (PG-13) 1 Hr 37 Min
Friday, Saturday: 12:50, 5:10, 9:30
Sunday:12:50, 5:10
Monday – Thursday: 5:20

LAND HO! (R) 1 Hr 35 Min
Friday, Saturday, Sunday: 3:00, 7:20
Monday – Thursday: 3:10, 7:30

CALVARY (R) 1 Hr 40 Min
Friday, Saturday: 12:45, 3:00, 5:15, 7:30, 9:45
Sunday: 12:45, 3:00, 5:15, 7:30
Monday – Thursday: 3:15, 5:30, 8:00

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

Sept. 12 – THE DROP
Sept. 12 – TRIP TO ITALY
Sept. 26 – SKELETON TWINS
Sept. 26 – ALIVE INSIDE
Oct. 3 – LOVE IS STRANGE
Oct. 10-12 – DAYTON LGBT FILM FEST
Oct. 24 – PRIDE
Nov. 28 – THE THEORY OF EVERYTHING

TIFF (The Toronto International Film Festival) Starts Today!

September 4, 2014 By Jonathan McNeal

Hello Everyone.

Jonathan from THE NEON here. After a rather hideous day of travel (including an unexpected, long stop in Chicago due to passport issues (my own fault)), I finally made it to Toronto. As of right now, I’m about a 1/2 day behind. It’s 7:30am, and I’m usually in line for tickets. That said, I don’t yet have my credentials (which is why I wanted to arrive yesterday afternoon)…so I have to wait for a different office to open at 9am (I’m first in line – as I’m determined to get back on track as soon as possible).

Having only briefly looked at the catalog on-line, I still don’t have a complete sense of what I want to see (I need both an actual catalog in my hands as well as to hear the buzz about what’s hot to truly know what’s happening). I have a list of about 15 films that I “Must” see…but what will fill the other 15-20 spots has yet to be determined. My list includes THE THEORY OF EVERYTHING about Stephen Hawking, Ozon’s new film NEW GIRLFRIEND, Xavier Dolan’s film MOMMY, the new film from the Dardenne Brothers – TWO DAYS, ONE NIGHT, and the adaptation of the play MISS JULIE. Here are a couple trailers to hold you over:

Tomorrow morning, you’ll be able to check in and read about what I get to see today. One thing is for sure, I have a ticket to the opening night film tonight. A previous guest of The Dayton LGBT Film Festival – Glenn Kiser – invited me to be his guest this evening. I’m excited to finally attend an Opening Night film…as well as to see Glenn again.

More soon,

Jonathan

You’re Invited to DVAC’s Sunflower Paint-Out

September 2, 2014 By Dayton Most Metro

Paint the sunflowers at Whitehall Farm;
all skill levels and ages welcome!
Saturday, September 13, 8 a.m.-4 p.m.
(rain date: September 14)

Presented by Tecumseh Land Trust & DVAC

‘Nice People Dancing to Good Country Music’ Review – Dayton Theatre Guild – Lone Star Connections

August 30, 2014 By Russell Florence, Jr.

Colorful characters attempting connection fuels Lee Blessing’s folksy1983 comedy “Nice People Dancing to Good Country Music,” the name of the Houston bar at the center of this simplistic summertime diversion at the Dayton Theatre Guild.

Tough, hot-tempered ex-biker Jim Stools (David Hallowren) owns the bar in question which has undergone a renovation at the hands of his girlfriend Eve Wilfong (Angela Riley). Looking to appeal to the heart as well as the wallet, Eve brings a renewed sense of identity to the establishment, a more welcoming sense of purpose because she feels “there is a power in a message.” While monitoring the bar’s clientele, Eve does her best to offer words of wisdom to her worrisome, peculiar niece Catherine Empanger (Sara Naderer), a novice nun prone to profane outbursts beyond her control. While Eve and Catherine strengthen their bond, dim-witted ditch-digger Roy Manual (Jared Mola) persistently woos Catherine.

(l to r) David Hallowren, Noah Walters and Jared Mola in the Dayton Theatre Guild’s production of “Nice People Dancing to Good Country Music”
(Contributed photo by Craig Roberts)

Small talk about life and love is huge in this lesser glimpse into Blessing’s character-conscious universe, which can be a source of enlightening, thought-provoking dramas (“A Walk in the Woods,” “Going to St. Ives”) or poignant family fare (“Independence,” “Eleemosynary”). The goal of “Nice People” is to merely entertain, which it does, although I wonder what this play could have been if given room to grow more cohesive beyond Blessing’s odd decision to separate genders for the majority of the action, particularly devoting the entire first act to Jim and Roy’s momentum-stalling ruminations on trucks, women and academia.

Thankfully, director Ralph Dennler’s excellently authentic cast smoothly grasps the eccentricities and nuances within this relatable tale. Hallowren, gruff yet astute in one of his strongest leading performances, epitomizes the frustration of a man who allowed a woman to change his existence for the better even though he may not appreciate it every single second of every day. The terrifically earthy Riley, injecting her dialogue with a gentle, Southern wistfulness recalling Horton Foote or Tennessee Williams, captivates as Eve honestly discusses her past heartache and ultimate liberation in an attempt to make Catherine view the world differently. In her Guild debut, the delightful Naderer brings a proper amount of reticence and perplexity to her portrayal of a tightly-wound woman yearning for more. As Roy, the splendid Mola, one of the best chameleons in the Miami Valley, avoids becoming a tiresome, backwards caricature by completely immersing himself into his gawky role physically and mentally. With charming moxie and geeky bravado, Mola keeps Roy’s quest for love incredibly endearing. As Jason, Eve’s mischievous son and Jim’s menace, Noah Walters, in his Guild debut, does an amiable job in an underwritten capacity. Additionally, Blake Senseman’s commendable scenic design is greatly accented by a weathered pickup truck center stage that seemingly becomes Hallowren’s annoying sidekick.

“Nice People” lacks impactful vim and verve, but fine acting and an engaging atmosphere keeps this breezy production fittingly lighthearted.

“Nice People Dancing to Good Country Music” continues through Sept. 7 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Act One: 35 minutes; Act Two: 60 minutes. Performances are Fridays at 8 p.m., Saturdays at 5 p.m., and Sundays at 3 p.m. Tickets are $19 for adults, $17 for seniors, and $12 for students. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

25 Things Not to Miss at the 25th Annual Ohio Renaissance Festival

August 29, 2014 By Dayton Most Metro

The Ohio Renaissance Festival welcomes you to their village with over 150 costumed characters! Rub elbows with Royalty as you cheer your favorite knight to victory in the thrilling Full-armored Tournament Joust. Enjoy a festive day in the village surrounded by dueling swordsmen, rowdy pirates, nobles, peasants, and daring jugglers.

The sprawling landscape is dotted with hundreds of unique shops in the Medieval Marketplace featuring many one-of-a-kind, hand-crafted items. See time-honored crafts of glassblowing, stone carving, blacksmithing, leather tooling, boot making, and more demonstrated.

The air is filled with the scents and smells of the foods of the Renaissance period. Feast like Royalty on juicy, giant roasted turkey legs, fresh baked bread bowls overflowing with soups and stews, fish ‘n chips, steak-on-a-stake, succulent roasted corn on the cob and a wide variety of the finest ales and wines. There’s something for everyone’s taste buds!

Visitors of all ages will be amused by the games of skill and human-powered rides. Try your hand at archery and see if you’re a modern-day Robin Hood, or climb the castle tower and rescue the lovely damsel in distress.

25 Things Not to Miss

Jousting – The original “heavy metal” done thrice daily.
Queen Elizabeth – Meet Her Majesty as she wanders through the village.
Pirate Ship – See the impressive ship during the Pirate Comedy Stunt Show twice daily.
Villagers – Willy Nilly wouldn’t exist without the interesting characters that call it home. Meet them in the lanes as you trek around the village.
Music – Enjoy the sounds of village musicians scattered throughout the realm.
Bread Bowls – Delicious soups and stews served in bowls of bread.
Turkey Legs – Succulent roasted turkey legs weighing in at 2 pounds each!
Steak-on-a-Stake – Juicy, seasoned cut of steak cooked to perfection and served on a stick for easy eating on the go.
Rides – Children of all ages will enjoy the thrilling human-powered rides.
Games – Test your skill at the many games in the Gaming Area.
The Swordsmen – Enjoy this duo’s quick wit and even quicker swordplay while teaching you how to become a “Master of the Manly Arts”.
The Mudde Show – Don’t miss literary classics performed in the Olympic-sized Muditorium, where comedy meets Earth!
Kamikaze Fireflies – Enjoy a constant series of jaw-dropping tricks, audience interaction, and hilarity.
Shopping – Browse over 140 shops with unique, handmade wares with flare! Clothing, jewelry, home décor, candles, artwork, shoes/boots, leather products, and so much more.
Collectable Mugs – Every year is different! What will it look like this year?
Closing Gate Ceremony – At the end of each day the villagers come together to give you a serenade, thanking you for visiting the shire and well wishes for your journey home.
Family Fun – There is something for all ages at the Ohio Renaissance Festival!
Highland Games – Traditional Highland games are held during Highland Weekend that you can participate in!
Amazing Maze – See if you can find your way through the maze but don’t be lead astray!
Tower of London Dungeon of Doom – Tour the historical displays of punishment from the 16^th Century.
Queen’s Bloomers – Treat someone special to the gift of a beautiful, fresh rose from a rose walker in the lanes or the booth.
Pub Sing – Stop by the end of the day “Huzzah!” at the Aleing Knight Pub. You never know what might happen!
War Horse Rides – Don’t miss your chance to ride a knight’s horse around the lyst.
Parade – Every day at noon the villagers and merchants come together to parade around the realm in honor of Her Majesty visiting their village.
Knighting Ceremony – Become a Knight or Dame, Prince or Princess, as Her Majesty bequeaths title on all in attendance.

Load up the car and bring the whole neighborhood! Adults are two for the price of one AND all kids 12 and under get in free this opening weekend. Request “two for one” at the Box Office to receive Royal savings Saturday, Sunday, and Labor Day!

General Admission Tickets

Adult (ages 13+) – $18.95, a $3 savings off of the gate price!

Child (ages 5-12) – $8.95, a $1 savings off of the gate price!

Season Pass – Available through August 30, 2014 – Enjoy admission every festival day for only $125!

The Ohio Renaissance Festival is easily accessible located just minutes off of I-71 or I-75 on State Route 73 in Harveysburg, Ohio.

Disney’s Resourceful Young Hero & Wise-Cracking Genie Come To Miamisburg

August 26, 2014 By Dayton Most Metro

Childrens’ Performing Arts of Miamisburg is proud to present Disney’s Aladdin, Jr. Sept 12-21 at the Memorial Auditorium on South Sixth Street at Park in Miamisburg. This current favorite Broadway hit is popular with kids of all ages! Music written by Alan Menken and Lyrics by Tim Rice and Howard Ashman. Additional lyrics and book adapted by Jim Luigs.

With one rub of the magic lamp, you will be transported into a world of color and energy. Hitch a ride on the magic carpet and travel to Agrabah – the City of Enchantment – where every beggar has a story, every camel has a tail and every citizen can sing and dance. When a street urchin falls for the Sultan’s daughter, it’s love at first sight! But the power-hungry Jafar has other plans for these two and he will stop at nothing to become Ruler himself! Enter a cunning and ingenious genie and let the fun begin!

Aladdin Jr performances are Fridays, Sept 12 and Sept 19 at 7:00 pm., Saturdays, Sept 13 and 20 at 2:00 pm and 7:00 pm and Sundays, Sept 14 and 21 at 3:00 pm. Tickets are available from the CPAM website or at the door (subject to availability) Ticket prices are $13 for adults (19-59) and $11 for seniors, students and military. Discount pricing for groups of 10 or more. All performances are at the MEMORIAL AUDITORIUM South Sixth Street at Park in Miamisburg. For more information, call 937 867 0353.

Children’s Performing Arts of Miamisburg (CPAM) is a non-profit children’s theater dedicated to promote, to all area youth, the appreciation of the performing arts through education, practice and performance. Our goal is to enrich the lives of those participants by strengthening the performing arts community.