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Arts & Entertainment

Pecha Kucha Dayton – Fall 2011 Edition

September 12, 2011 By Dayton Most Metro Leave a Comment

(from the organizers of Pecha Kucha)

Downtown Dayton will be humming with activity, Friday, September 16 the evening of PK Night Volume 8 ($5, 9:30PM at The Neon). Not only is it an Urban Nights,with special stagings, events and offerings at galleries, cafes and pubs, The American Institute of Architects’ Regional Convention is in town for the weekend. And the architects are taking over this volume and making it part of their convention agenda. But the public is invited as always!

Which means many of the PK presenters will be from out of town, and very well known and respected as innovative thinkers. Watch them compress a 90 minute lecture into 6 minutes and 40 seconds! That’s what PK is all about. Essence. As you can see from our list of speakers, we have thought-provoking presenters from the Gem City to keep thing lively as well.

Carson Shields, LEED AP, Cincinnati, SHP, “A New School for Beavercreek”
Anne Del Prince AIA, Louisville, Del Prince Designs, “Human Sensibilities and Architecture”
Paul Sirek AIA, Louisville, Tucker Booker Donhoff + Partners Architects, “Fear of Swimming with Sharks”
Lee Waldrep, Ph.D., University of Illinois, “Designing your Career”
Terry Welker AIA, Dayton, Welker Studio, “Notes on Big Butter Jesus – Part Deux”
London Coe, Dayton International Peace Center, “Peace!”
Jane Black, Executive Director, Dayton Visual Arts Center, “Hats: Headwarmers or Cultural Icons?”
Dan Maginn AIA, Kansas City, El Dorado Inc., “Capers!”

We’re wondering if the presentation “Capers” includes the kind you cut or those little spicy things you put in food. Which might go nicely with Terry’s thoughts on a butter sculpture of Jesus. Or maybe it’s about people who wear capes. You’ll have to find out for yourself.

The Neon is a great place for the presenters to show their stuff. Just get a ticket at the door, mingle in the lounge and buy a beer and snack at the refreshment stand. As always, you’ll be enlightened by new thoughts and experiencing a room full of great intellectual energy with a wonderful sense of fun.

Check out the global Pecha Kucha website for info on all of the PK Nights across the globe!

Filed Under: Arts & Entertainment

Downtown’s Biggest Street Party Is Getting Bigger

September 12, 2011 By DowntownPartnership 1 Comment

A child paints the street as part of an interactive component of Urban Nights.

If you are looking to take your weekend to new heights, look no further than downtown Dayton.

Urban Nights will be back with even more fun activities on Friday, Sept. 16, from 5 to 10 p.m. New this year is Over the Edge, a challenge that combines fundraising with adventure. Participants who raise at least $1,000 will be given the opportunity to rappel over the side of the 27-story KeyBank Tower. All proceeds will benefit Big Brothers Big Sisters of the Greater Miami Valley. Space is limited; for more information, call 220-6857.

Urban Nights has plenty of live entertainment. Check out the stage featuring Celtic and folk music, including performances by  Norman’s Conquest. Back by popular demand is the Community Stage. For the first part of the evening, local bands and performers will be allowed 10-minute slots on the stages. The second half will feature karaoke, when anyone can take a turn at the mic.

Urban Nights is filled with interactive activities. The public pianos that debuted

A street performer juggles fire.

during the fall 2010 Urban Nights are also back by popular demand. Hauer Music will provide four pianos to be placed on street corners throughout downtown, which pedestrians are invited to play. Other interactive activities will include an opportunity to help create a work of art with jelly beans, a chalk walk on the sidewalk, and a chance to learn how to break dance and juggle.

K12 Gallery for Young People, 510 E. Third St., will host Round 1 of Art-Off, a new fundraising event in which individuals battle to create the greatest art-making spectacle in an Iron Chef-like competition. Participants will receive materials (announced the night of the event) to create artwork within the theme “chaos vs. order.” Ten artists will compete during six 30-minute time slots from 6 to 9 p.m., and audience members will vote on each time slot’s winning artist based on the artists’ performances in crafting their pieces, as well as their finished products. To sign up to participate, contact Kelly Sexton at 461-5149 or k12.kelly.e@gmail.com.

Winning entries from the Downtown in Focus amateur and professional photography contest will be on display in the Kettering Tower lobby during Urban Nights. One amateur winner and one professional winner were selected in each of the following categories: My Downtown Favorite, Downtown at Night and Abstract Downtown. A panel of judges awarded a $250 cash prize to the Best in Show winner in each division. In addition, City of Dayton Mayor Gary Leitzell selected one photo that best represents the City’s “Dayton Originals” motto.

The weekend-long Taste of Miami Valley will kick off during Urban Nights at RiverScape MetroPark. Guests can sample food from more than 30 area restaurants. Admission is free, and most tastes are $3 each.

A street painter illustrates the vibrant downtown atmosphere.

A map of participating venues and a complete performance schedule, including a listing of all participating locations’ events and specials, is available online at www.downtowndayton.org. Follow Urban Nights on Facebook at www.facebook.com/UrbanNightsDayton for regular updates and more information.

The best way to see as much as possible during Urban Nights is to walk, and many of the destinations are just a short distance from each other. Greater Dayton RTA also will provide free event trolleys to help visitors get around. In addition, cyclists will gather at 5:15 p.m. at Don Crawford Plaza in front of Fifth Third Field for Urban Bikes @ Urban Nights, a community ride through the action hosted by Bike Miami Valley.

For more information, contact Krystal Luketic at 937-224-1518 ext. 227 or luketic@downtowndayton.org.

Urban Nights is presented by the Downtown Dayton Partnership, Culture Works, Montgomery County and the City of Dayton, with additional support from WDTN-TV2, DP&L, Greater Dayton RTA, Budweiser Select, the Downtown Priority Board, Clear Channel and Mix 107.7-FM, Wright Dunbar, Inc., Generation Dayton and the Ohio Arts Council.

Filed Under: Arts & Entertainment, Street-Level Art, The Featured Articles, Visual Arts Tagged With: art, Dayton Music, live music, Photography, Urban Nights

Toronto – THE FILM – Day #4, Part 1

September 12, 2011 By Jonathan McNeal 1 Comment

OK…

Once again, I find myself getting in much too late to type a full recap…so I’ll make it short and sweet…with more to come.

The Tilda Swinton Interview/Q&A was a divine experience.  The 75 minutes flew by – I could have stayed for hours!!!

BARRYMORE – a film with Christopher Plummer reprising his role as John Barrymore (from his one-man-show on Broadway) – was solid, but not cinematic enough to get a theatrical release.  I think it will make a better Masterpiece Theatre evening.

Next, I saw SHAME – the new Steve McQueen film starring Michael Fassbender.  A film about sexual addiction, this film is highly charged and quite wonderful.  Fassbender and McQueen were at the screening.  I was in the front row.  Below is a clip.

[yframe url=’http://www.youtube.com/watch?v=GIXj-pDHxyc’]

The last film I saw today was the new Pedro Almodovar film – THE SKIN I LIVE IN.  I won’t say too much…as I’m a little sad that I knew plot points before seeing the film.  The movie is 100x’s better than the trailer (which is below) – and I suggest not knowing a whole lot about the plot.  Just enjoy Pedro’s new highly stylized thriller that is both shocking and emotionally charged.  Both leads – Antonio Benderas & Elena Anaya – introduced the film.  Once again, I was in the front row!

[yframe url=’http://www.youtube.com/watch?v=EolQSTTTpI4′]

Additional sightings…IndieWire conducted interviews in the industry lounge today with Morgan Spurlock and Emily Blunt (along with the director from YOUR SISTER’S SISTER – also known for HUMPDAY).

More tomorrow!!

Jonathan

Filed Under: On Screen Dayton Tagged With: almodovar, antonio benderas, Dayton Ohio, michael fassbender, shame, The Neon, Toronto Film Fest

Toronto – THE FILMS – Day #3, Part 2

September 11, 2011 By Jonathan McNeal Leave a Comment

Hello Again,

With less than 4 hours of sleep, I managed to crawl out of bed this morning and get to my ticket line by 7:00.  I got the tickets I desired for Tuesday (which made me happy…and I’ll make you wait until Tuesday for you to see why).  I also managed to get the last available ticket (they made a few available this morning) to a Maverick session with Tilda Swinton – which I just attended.  I’ll write more about that later – it was divine.

Yesterday’s films were a mixed bag.

First off, I saw Andrea Arnold’s WUTHERING HEIGHTS.  Though still a period piece, this is unlike any version you’ve seen before.  With a contemporary shooting style and almost entirely without scoring, this film took a little while for me to become invested.  The dialog is quite altered (I don’t recall Bronte’s text having such vulgar language), but the story remains quite similar (though no ghosts per se)…and like FISH TANK, Arnold shot the film in 4×3 – which confines the characters more than a more panoramic aspect ratio.  The film is not something I’d want to seek out to own, but it’s worth a viewing for the sake of it’s “honest” rendering of the story…though I feel it plays a little long.  Below is a clip.

[yframe url=’http://www.youtube.com/watch?v=0eN8kzHJEH0′]

Next I saw the new film from Todd Solondz – DARK HORSE.  The story is about the ultimate man-child (played by Jordan Gelber) who still lives with his parents in a room filled with action figures and Absolut Vodka magazine ads lining the walls (in an early scene, we see him avoiding work by considering to pay $350 for a Thundercats action figure on e-bay).  Solondz revels in making movies about the socially awkward.  This is his most accessible film – and was quite funny for the first 45 minutes.  (Mia Farrow, who plays his mother, is quietly hysterical.)  Eventually, I thought the film got a bit stale – and the last 15 minutes was a bit of a puzzle (but perhaps my sleep deprivation was finally getting to me).  Below is a teaser – from a scene in which the lead character goes to visit the girl (played by Selma Blair) he recently met (and fell for) at a wedding.

[yframe url=’http://www.youtube.com/watch?v=zp9ueZ6rUA8′]

My next screening was THE DESCENDANTS.  This film is fantastic, and I already posted the trailer in yesterday’s post.  This film will be a hit – both at the box office and critically.  The film is about a man who is dealing with raising his daughters while his wife lays in a coma (which was a result of a speed-boat accident).  The film is as funny as it is touching, and the performances are fantastic across the board.  (Clooney, during the Q&A, was absolutely charming.)

And then there was the party – hosted by Fox Searchlight, Vanity Fair and Belvedere Vodka.  Lots of folks were there.  Clooney, Elizabeth Olsen (as well as numerous people from MARTHA MARCY MAY MARLENE), Juliette Lewis, Kirsten Dunst, Alexander Skarsgard, and several talk show corespondents.  I got to talk with several very interesting people in the film business – from producers, to a production designer, to people in marketing.  It was a great party!  The cocktails and food were delicious, and upon leaving, I once again ran into James Franco.  Always a great way to end the evening.

More soon!

Jonathan

P.S.  New Pedro Almodovar film tonight!!!

Filed Under: On Screen Dayton Tagged With: alexander payne, andrea arnold, Dayton Ohio, descendants, George Clooney, The Neon, todd solondz, Toronto Film Fest, withering heights

Toronto – THE FILMS – Day #3 Part 1

September 11, 2011 By Jonathan McNeal Leave a Comment

OK…I just got home from a party…it’s 2AM…I’ll give you more details tomorrow!

Just wanted to let you know a couple quick things.

Alexander Payne’s THE DESCENDANTS – of which I saw the “official world premiere” tonight – is absolutely wonderful.  I suspect that it will be nominated for “Best Picture.” (the picture in this post is not mine – I found by doing a google image search…it’s from the National Post’s website…that said, it’s from earlier today).

I saw three films today.  Andrea Arnold’s new adaptation of WUTHERING HEIGHTS (she’s responsible for one of my favorite films of recent years – FISH TANK), Todd Solondz’s new film DARK HORSE and Alexander Payne’s THE DESCENDANTS.

I’ll write more soon.

For now, enjoy the following trailer…

[yframe url=’http://www.youtube.com/watch?v=CWHNXJ1K4yA’]

Filed Under: On Screen Dayton Tagged With: Dayton Ohio, descendants, George Clooney, The Neon, Toronto Film Fest

Toronto – THE FILMS – Day #2

September 10, 2011 By Jonathan McNeal 1 Comment

Hello Again,

Today was full once again…and I’m going to try and keep this “brief.”  I saw 5 films – and overall, it was a better day than yesterday.

First off, I saw MARTHA MARCY MAY MARLENE – starring Elizabeth Olsen (sister to the Olsen twins) & John Hawkes (from WINTER’S BONE).  Many people will relate WINTER’S to MARTHA.  There’s a similar backwoods tone to the film…and it’s a very human thriller…but that’s it.  This film about a girl who has escaped a cult and has difficulty assimilating into traditional “American manners” is at first quietly unsettling and eventually becomes terrifying.  Olsen is fantastic, and I’ll be concerned anytime I hear pine cones on my roof.

[yframe url=’http://www.youtube.com/watch?v=0_k3wCsOgqk’]

Next I saw A DANGEROUS METHOD – the new film from David Cronenberg.  I liked the trailer.  On paper, the film seems ready-made for me – A period piece with high production values, actors I like, interesting subject matter (Jung & Freud), Christopher Hampton as screenwriter…but there was something about the film that didn’t make it work for me.  Knightley’s accent was a bit hard to take – but otherwise, her performance was fantastic.  I found Cassel a bit hard to take, but Fassbender was wonderful.  I just couldn’t find a way into the film – though some are already declaring it a masterpiece.

[yframe url=’http://www.youtube.com/watch?v=664eq7BXQcM’]

Next I saw THE KID WITH A BIKE – the new film from the Dardenne Brothers (directors of LORNA’S SILENCE).  The most naturalistic narrative I’ve seen so far…and it’s such a simple story that is heartbreaking without really playing moments for tears.  This movie is about a boy who is left alone at a group home.  He’s certain his father is at home – but it’s evident that his father has left and even sold the boy’s bike.  Enter a woman who takes an interest in the boy and agrees to let him stay with her on the weekends.  It’s simple.  It’s great.

[yframe url=’http://www.youtube.com/watch?v=Ce3t1YIYokY’]

And then there’s THE ARTIST.  I saw this at a public screening – the director and lead actor introduced the film…and it’s really, really terrific.  Beautifully shot.  Great performances.  And the story is a hybrid of A STAR IS BORN, SINGIN’ IN THE RAIN and SUNSET BOULEVARD…but silent!  I’ll let the trailer do the rest.

[yframe url=’http://www.youtube.com/watch?v=O8K9AZcSQJE’]

THE ARTIST got a late start…so I had to leave early.  I got up from my seat about 5 minutes before it was over and went to the back of the auditorium.  I asked the usher if the other screening (in a theatre upstairs) had started seating yet.  She said, “No,” so I asked if I could continue watching from the back.  Moments before it ended, I had to get out in order to make it to my screening on time.  The usher led me to a back door which wouldn’t interfere with the light of the theatre.  Upon opening the door, there she was…just six feet in front of me – being ushered to the elevator for my next screening.  Tilda Swinton!  One of my favorite actresses of ALL TIME.  Absolutely stunning!

I made it to my last screening with just a few minutes to spare, and I got a front row seat.  (I’ll upload my pictures sometimes soon.)  WE NEED TO TALK ABOUT KEVIN is based on a famous book about a mother reflecting on how she raised her son – and how it might have led to his violent behavior.  It’s edgy, it’s non-linear, and it is somewhat experimental.  Directed by Lynne Ramsay, this film is a rough ride.  Interestingly, I think the musing are akin to Lars von Trier…but with Ramsay, the product is organic.  It feels richer, more honest and less contrived.  Swinton is brilliant in this film (as is Ezra Miller), and I’m still thinking about it.  I’m so delighted that I got see Swinton in person…EDWARD II, ORLANDO, THE DEEP END, I AM LOVE…I could go on!

[yframe url=’http://www.youtube.com/watch?v=ZLRgAe2jLaw’]

Off to bed.

Until tomorrow,

Jonathan

Filed Under: On Screen Dayton Tagged With: Dayton Ohio, martha marcy may marlene, the artist, The Neon, tilda swinton, Toronto Film Fest, we need to talk about kevin

Shakespeare in South Park Presents: The Merry Wives of Windsor

September 9, 2011 By Dayton Most Metro 1 Comment

With the thermometer quickly dipping, and cool breezes winding their way throughout the Miami Valley, we come upon another autumn here in Dayton. And as the leaves start to change, the Shakespeare in South Park Company gears up for its fourth season of outdoor theater with a presentation of The Merry Wives of Windsor on September 16th through the 18th. This whimsical play is a return to comedy after last year’s excellent production of Romeo and Juliet flexed many of the player’s dramatic muscles. However it is unique in its own right among Shakespeare’s more lighthearted affairs, offering a far less formal structure than what most might expect out of an evening with the Bard of Avon.

A perhaps less known work, The Merry Wives of Windsor is a play written about the common people and for the common people. Of Shakespeare’s work, it is the only one that includes only middle and lower class individuals, with no king or queen, lord or lady taking up stage time, and the only play he ever wrote almost entirely in prose (or, in common language, as it were) instead of in poetic rhythms. Plus, as producer Galen Wilson is glib to point out, it’s a Shakespeare comedy that is actually funny. Though some may turn their noses up to this play as perhaps less sophisticated than Shakespeare’s more epic dramas, it has kept the masses rolling in the isles for well over 400 years, and promises to do so again this upcoming weekend in South Park.

Mrs. Ford (Jene Shaw) and Mrs. Page (Kivy Grande) realize Falstaff is trying to swindle them both

The Merry Wives of Windsor is a story about a fat, middle aged, lecherous, dishonest, and boisterous knight named Sir John Falstaff, (rumored to be one of Queen Elizabeth’s favorite characters) who comes to town hard pressed for money. He devises a plan to serenade two local wives and then leech off of their husband’s money by writing them each a lover letter and confessing his desire for them. Realizing the knight has sent them both identical letters, the wives decide they will teach him a lesson for thinking they would so easily fall for his ploy. Through a series of increasingly embarrassing and entertaining situations, Mrs. Page and Mrs. Ford exact their revenge on Falstaff for his lack of discretion, convincing him they are both madly in love with him before each situation inevitably goes “awry” for Falstaff, and he must flee, beaten, battered, and soaking wet.

Playing around the events of the gregarious knight, are two middle class families from Windsor; the Pages the Fords, and their friends. The Page’s daughter Anne is to be wed, but each parent has a different idea of who would best be her suitor. Her father prefers the bumbling but wealthy Abraham Slender, while her mother prefers the eccentric French physician Dr. Caius. However she loves neither of them, and searches for a way to be with the man that holds her heart. Mr. Ford is a jealous husband and suspects Falstaff of his intentions to woo his wife, and plots to catch him in the act. Sir Hugh, and old priest, is mistaken by Dr. Caius as a suitor for Anne, and he challenges the old man to a duel for it. Each situation comically plays itself off of one another, with suspicions, misunderstandings, double entendres, and a wide cast of different personalities until the very last scene.

The Merry Wives reminded director Susan Roberts of Lucy and Ethel

First year director Susan Robert has decided to set the play in the style of a 50s sitcom. Her inspiration came after she had read through the script a few times and suddenly realized how much Mrs. Page and Mrs. Ford reminded her of Lucy and Ethel from I Love Lucy. She said the more she read it, and the more she thought of the story, and forgot about Shakespeare; the more she realized that it was a farce, a sitcom, and the type of thing you would watch on Friday night. “I wanted to make it silly,” she said, “I decided that I wanted to direct this, not for those that love and are in the ‘know’ of Shakespeare, but for those that really don’t care about Shakespeare, and hated reading it in English class. There are so many places to see serious dramatic performances of Shakespeare, but I want this to be a play for all audiences to enjoy.”

Robert, who has a robust background in theater, has directed at local schools for the last 14 years; first at Dayton Christian Middle School and then Brookeville High School. This is her first foray into directing for a local amateur company, but being familiar with the South Park troupe, (She played Lady Capulet in last year’s Romeo and Juliet) she thought it a great opportunity. “Everyone was just so nice to work with,” she said. “When I was approached about directing this year, they hadn’t yet picked a show, and I really had never directed Shakespeare before. But if there was any place to direct it for the first time, I knew this would be the place to do it. I knew how easy going it was [from last year].”

Her vision for Merry Wives covers all facets of suburban America during the 50s, and doesn’t miss a beat using “modernized” settings, props, and aesthetic to pull the audience into post-war America. From white picket fences and pulp comic books, to dashing fedoras, greasers, and rumors of UFO sightings, the audience will find themselves immediately familiar with the Pages and the Fords and the whimsical situations they get into.

Dr. Caius (Matt Fuqua) finds a messanger boy hidden in his house

The cast, like most years before it, is made up of roughly half South Park residents and half local thespians from around the Dayton area. Galen says he has tried to encourage as many residents as possible to be a part of the performance and make it a neighborhood activity. “This is a truly unique experience,” he commented, “it is good to bring people to South Park each year to see a neighborhood involved in a truly artistic expression.” However he enjoys the opportunity to work with other experienced actors, and welcomes anyone who wants to give their time to participate. After all, if Susan Robert had not auditioned last year, she probably would not be directing this year. Several residents from South Park are staring this year, including Galen Wilson as Mr. Page, Matt Fuqua as Dr. Caius, Jarrett Dicky as host of the Garter Inn, and John Fredland as one of Falstaff’s lackys, along with many others. Amazing talent from around the area also include J Gary Thompson as Sir Hugh, Jene and Judy Shaw as Mrs. Ford and Mistress Quickly, and Brendan Higgins as Bardolph.

Mark Reuter as Falstaff (left) discussing his plans with underling Pistol played by John Fredland

Sir John Falstaff is being played by Mark Reuter, who has been acting since about the age of 10, when he would do passion plays for his church. Confessing himself to be painfully shy as a child, he recalls his first real venture into acting beyond the church was after his family moved to Washington Courthouse. “I still was not very comfortable, but the school was doing a musical and I decided to audition. Somehow I got the role of Captain Andy in Show Boat. It was kinda cool, I met a lot of people and they seemed to like what I did, and liked me for who I was.” This, at the age of 16, was when he first started to really open up, and continued several more performances throughout high school, all through college, and even during his time at West Point, and his military career. I asked him if he enjoyed playing Falstaff, and he laughed, “I love Falstaff,” he mused, “because he is so open about his dishonesty. It seems like a contradiction in terms, but he is just so open about the fact that he is a rogue and makes no bones about it. It’s fun to play a character that is… not necessarily good. He isn’t irredeemably evil, he does have a good side to him. He is a likable character, even if what he does is not very nice.”

For South Park, this not only is becoming a September experience, but a September tradition.  As a neighborhood looking forward, with many hopeful opportunities on the horizon, the one thing most all residents agree upon, is how amazing the community itself is. It is the strong social bonds, the neighbor watching out for you, the friendly conversations when walking your dog, a story and a pint of beer at the local tavern, and the dozen or so of annual events that keep everyone connected, as well as introduce others to what South Park has to offer.  Shakespeare in South Park has become not only a place for neighbors to bond and have fun, but also a way for them to give something cultural back to their neighborhood as well as to the Dayton community, by sharing a part of what they love about living there. Susan Robert admitted that while growing up she used to hate Shakespeare. It was not until she saw a performance by Ian McKellen (Gandalf, for those who may not know) in the 1980s that she grew fond of his plays. “It was good Shakespeare, and I understood what was going on for the first time, because he understood what was going on, and it was a huge change for me.” She smiled as she regaled about the performance, “That is the feeling I want to give to people who come see this show. I want them to have new perspective on Shakespeare, and leave, if only this one show, loving every minute of it.”

The Shakespeare in South Park Company will be performing September 16th through the 18th at the South Park Green at the corner of Hickory and James. Performances will start at 8:00pm, and admission is free. (but donations gladly welcomed.) Bring a blanket or lawn chair, and if weather is not permitting, performances will be held across the street at Hope Lutheran Church. For more information, visit www.historicsouthpark.org.

Filed Under: On Stage Dayton Previews Tagged With: Merry Wives of Windsor, Play, Shakespeare, South Park

Toronto – THE FILMS Day #1

September 9, 2011 By Jonathan McNeal Leave a Comment

Hello Everyone,

I’m gonna keep this ever-so-slightly short.  It’s already after midnight…and I made the most of today.  Get ready.  I saw 5 films!!

First off, I saw Lars von Trier’s MELANCHOLIA.  I’ll start by saying I love DANCER IN THE DARK and I’m quite fond of DOGVILLE.  That said, I’m not a fan of MELANCHOLIA!  There is some truly beautiful photography and there are a couple wonderful moments.  In addition, the themes are compelling…but von Trier’s “meditation” on the collision of worlds (both figuratively and literally) is a serious story with lots of dark, comedic moments…and the two parts of the film (part one focuses on the marriage night of Kirsten Dunst’s character…the second focuses on the fear that  Charlotte Gainsbourg’s character has about a planet crashing into earth) are actually quite disjointed. Ultimately, I felt quite aggravated by most of the time – and not in a good way.

Next I saw Nadine Labaki’s new film WHERE DO WE GO NOW (she made the film CARAMEL – which I love).  Though there are a couple moments that caused me to raise an eyebrow, I ultimately found this film quite wonderful.  The women are absolutely delightful.  The story is about a small village that has essentially been shut off from the rest of the world (except for a small path/bridge that is quite scary to cross).  The village, inhabited by Muslims & Christians, have learned to live in harmony.  When they find out that there is unrest in the surrounding world, they begin to fight again…and the women decide they’ll do whatever necessary to keep their men alive.

[yframe url=’http://www.youtube.com/watch?v=2NO_8Nyk-qQ’]

Next I saw THE IDES OF MARCH.  This will get a wide release in the coming weeks.  I mostly saw it because I had time, because it was shot in Cincinnati, and because I’ll be at a party with George Clooney on Saturday night (he directed it).  Except for the slight tabloid-feeling story, I actually think the film is quite solid.  The performances are good (I love Gossling) and the dialog is well-written.  For the first 30 minutes of the film, I was ready to vote for Clooney for president.  (there is also a Dayton connection)

[yframe url=’http://www.youtube.com/watch?v=McCt-_yYLpo’]

For the fourth film, I saw PINA.  I posted a trailer to this film last night.  PINA was today’s highlight.  The film, under the direction of Wim Wenders (responsible for PARIS, TEXAS and WINGS OF DESIRE) is complete magic.  I’ve been moved by dance before…but never like this!  (Here is yesterday’s POSTING if you want to check out that trailer.)  Wenders introduced the film, and he put the piece into perspective.  He and Pina had been talking about making this film for 20 years.  She died before it could happen, but people twisted Wenders’ arms and he decided to move forward.  This film acts at once as a eulogy…and also a way to keep Pina alive.

Lastly, I saw RESTLESS – the new film from Gus Van Sant – starring Mia Wasikowska (from THE KIDS ARE ALL RIGHT and JANE EYRE) and Henry Hopper (Dennis Hopper’s son).  The story is about a boy obsessed with funerals who meets a girl (full of life) with terminal Cancer.  Mia glows at every turn, and there are a couple very good moments…but ultimately, this film had me sighing numerous times.  It’s over-scored, it has a moment of archival footage that totally doesn’t work, and the characters seem to only exist in their quirkiness – there’s not a lot of depth.  That said, some people really seemed to enjoy the film (it was a sold-out auditorium that seats 1250).  Van Sant, Mia and the producer and screenwriter were there.

Other sightings today:  Roger Ebert, Atom Egoyan, and one of my favorite film writers/critics – Peter Knegt of indiewire.

Well…it’s 1:30 now.

5 Hours sleep….then off again tomorrow morning quite early.

Thanks for reading,

Jonathan

Filed Under: On Screen Dayton Tagged With: Dayton Ohio, George Clooney, Ides of March, nadine labaki, pina bausch, The Neon, Toronto Film Fest

In Toronto – Films Start Tomorrow!

September 7, 2011 By Jonathan McNeal 1 Comment

Hello!

I got to Toronto this afternoon (it’s 6:00 Wednesday evening as I write this), found my way to Banting House (the B&B where I’m staying), then scurried to the Hyatt Regency where I picked up my festival materials (my Industry pass allows me access to all Press/Industry screenings + 2 public screenings per day…though I can only get those public screening tickets 1 day in advance and based on availability).

I quickly opened my schedules and began marking and cross-referencing the films that I want to see.   Most films are offered at least once or twice to the Press/Industry folks and at least twice to the Public.  It then becomes a game – trying to determine which films I’d prefer to see in a setting with the public (which are generally screenings at which directors & stars appear…not to mention, the public seem to appreciate the work more than the often cynical P/I folks).  Making my schedule is a process that will be an on-going effort as I start to hear buzz about new and exciting films.  Every night, I will determine my best strategy for the next day…and more than likely, I’ll be out the door by 7am to try and get my most-desired tickets for the following day.  (OK – sorry – that was long-winded.)

All that said, I managed to get tickets to 2 public films for tomorrow.  I got a ticket to Wim Wenders’ PINA – a performance/documentary featuring choreography of the legendary Pina Bausch…and in 3D nonetheless (this is a film I’ve been terribly excited to see).  I also got a ticket  to Gus Van Sant’s new film RESTLESS (which is already scheduled to open at THE NEON this Fall).  In addition to these public screenings, I’ve got lots more to chose from tomorrow.  Von Trier’s MELANCHOLIA, a French film called BEAUTY, Tilda Swinton’s new film WE NEED TO TALK ABOUT KEVIN (though I think I’d prefer to see that at a public screening), WHERE DO WE GO NOW (the new film from Nadine Labaki), and THE IDES OF MARCH (George Clooney’s film – which I think he shot in Cincinnati).  Sooooo….too many films for one day – so I have to start making decisions tonight.

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[yframe url=’http://www.youtube.com/watch?v=0EnEBEZNkB4′]

Thanks for reading!  I’ll keep you posted.

Jonathan

Filed Under: On Screen Dayton Tagged With: Dayton Ohio, George Clooney, nadine labaki, pina, restless, The Neon, tilda swinton, Toronto Film Fest

TRIBE CALLED QUEST Documentary Opens + Toronto-Bound

September 6, 2011 By Jonathan McNeal Leave a Comment

Hello Everyone.

THE TRIP did moderate business over the weekend…just enough to stick around for another week.  That said, SARAH’S KEY is still performing quite well.  In addition to these two films, we will open something new for one week only…a music documentary by actor and filmmaker Michael Rapaport.

Synopsis for BEATS, RHYMES & LIFE – THE TRAVELS OF A TRIBE CALLED QUEST: “Michael Rapaport sets out on tour with A Tribe Called Quest in 2008, when they reunited to perform sold-out concerts across the country, almost ten years after the release of their last album, The Love Movement. As he travels with the band members, Rapaport captures the story of how tenuous their relationship has become; how their personal differences and unresolved conflicts continue to be a threat to their creative cohesion. When mounting tensions erupt backstage during a show in San Francisco, we get a behind-the-scenes look at their journey and contributions as a band and what currently is at stake for these long-time friends collaborators.” (Sony Picture Classics)  Click this LINK to visit the official site.

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On Friday, September 16 at 9:30pm, come to THE NEON for PK Night Dayton, Volume 8– sponsored by AIA Dayton, a chapter of The American Institute of Architects.  Pecha Kucha Night was devised in Tokyo in 2003 as an event where people meet, network, and share their creative endeavors with a lively audience.  PK Nights are now held in hundreds of cities, including Dayton. Presenters share 20 images but with only 20 seconds per image, the timed format keeps presentations lively and concise.  Volume 8 will feature architects from around the region along with Dayton’s own Jane Black, London Coe, and Terry Welker.  The cost for this event is $5, and tickets are already available at our box office.

The 6th Annual Downtown Dayton LGBT Film Festival is in the final prep stages, and festival passes are currently on sale at our box office (single tickets go on sale Sept. 8).  5 visiting artists are already booked to visit the festival (all 5 are being flown in from L.A.), and our opening night party is shaping up to be something special.

To visit the official website for the festival, visit www.daytonlgbt.com.  The image above is from a French movie called TOMBOY – the film has one of the best child performances you will ever see.  Here’s the trailer:

[yframe url=’http://www.youtube.com/watch?v=onYkjprd-t8′]

I leave for the Toronto International Film Festival Wednesday morning…and I can hardly wait!  If you’d like to read about the films I’m seeing, the stars I’ve sighted, and the parties I’m attending, please visit DaytonMostMetro’s site by visiting the link starting on Thursday:  http://www.daytonmostmetro.com/tag/toronto-film-fest Just a few of the films I’m terribly excited to see are SHAME (with Michael Fassbender), ALBERT NOBBS (with Glenn Close), Almodovar’s THE SKIN I LIVE IN, Cronenberg’s A DANGEROUS METHOD, a new silent film from France called THE ARTIST, and the new film from Nadine Labaki (director of CARAMEL).

Please keep the staff busy in my absence.

Take care,

Jonathan

SHOWTIMES for Sept. 9 – September 15:

SARAH’S KEY (PG-13) 1 Hr 51 Min

Friday, Saturday, Sunday: 12:20, 2:40, 5:00, 7:20, 9:40

Monday – Thursday:  3:00, 5:30, 8:00

BEATS, RHYMES & LIFE:

THE TRAVELS OF A TRIBE CALLED QUEST (R) 1 Hr 37 Min

Friday, Saturday, Sunday: 5:10, 9:50

Monday – Thursday: 8:15

THE TRIP (NR) 1 Hr 47 Min

Friday, Saturday, Sunday: 12:30, 2:50, 7:30

Monday – Thursday: 3:30, 6:00

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

Sept. 16  THE GUARD

Sept 23   HIGHER GROUND

Sept. 30   THE FUTURE

Oct. 7   RESTLESS

Oct. 7   SENNA

Nov. 4  TAKE SHELTER

Nov. 18  MARTHA MARCY MAY MARLENE

Nov. 25   THE SKIN I LIVE IN

TBD   THE WHISTLEBLOWER

TBD   LIFE ABOVE ALL

Filed Under: On Screen Dayton Tagged With: almodovar, beats rhymes and life, Dayton Ohio, martha marcy may marlene, On Screen Dayton, Sarah's Key, senna, The Neon, the trip, Toronto Film Fest, tribe called quest

On Stage Dayton Theatre Guide: 2011-12

September 5, 2011 By Dayton Most Metro Leave a Comment

Every new theater season in Dayton seems to be ripe with variety. It’s one of the great joys of the Dayton theatre scene that the ‘something for everyone’ cliche actually rings true. 2011-2012 is already proving to be among the most eclectic yet. This season promises……

  • parents behaving badly (God Of Carnage) AND children behaving badly (Spring Awakening)
  • romance of the sweet and fun kind (Hairspray) and of the creepy kind (The Phantom of the Opera)
  • true stories of tragedy (The Laramie Project) and of triumph (Jersey Boys)
  • journeys down familar roads (The Wizard of Oz) and unexpected ones (Caroline, Or Change)
  • wistful nostalgia (Lost in Yonkers) and celebratory joy (In The Heights)
  • even swashbuckling adventure (How I Became A Pirate) and cartwheels on Austrian mountainsides (The Sound of Music)

Below you’ll find On Stage Dayton’s picks for the most anticipated offerings for the 2011-2012 Dayton Theatre Season. It’s just a small sampling of a very full year of stage work. And with this official launch, you can count on OSD to be there all season long.

Russell’s Picks

HUMAN RACE THEATRE COMPANY Caroline or ChangeIf you like ‘The Help’ you’ll like…

Caroline, or Change

The Human Race Theatre Company offers the overdue local premiere of this dynamic 2004 Tony Award-nominated musical from librettist/Pulitzer Prize winner Tony Kushner (“Angels in America”) and composer Jeanine Tesori (“Thoroughly Modern Millie”). A potent study of race relations set in 1963 Louisiana, “Caroline, or Change” chronicles the testy yet engaging relationship between a headstrong African-American maid and her Jewish employers. Tesori’s sublime music encompasses klezmer, opera and Motown.

The Human Race Theatre Company

VICTORIA THEATRE ASSOCIATION, SCHUSTER CENTER Jersey BoysIf you like ‘Mamma Mia!’ or ‘The Sopranos’ you’ll like…

Jersey Boys

The local premiere of “Jersey Boys,” the sleek, sharp and surprisingly tender story of pop legends Frankie Valli and the Four Seasons, is the hallmark of the Victoria Theatre Association’s Good Samaritan and Miami Valley Hospitals Broadway Series. One of the most popular jukebox musicals of the last decade and the recipient of the 2006 Tony Award for Best Musical, “Jersey Boys” features such timeless numbers as “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man” and “Can’t Take My Eyes Off of You.”

Victoria Theatre Association

DAYTON THEATRE GUILD Dividing The EstateIf you like ‘Dallas’ you’ll like…

Dividing the Estate

Academy Award and Pulitzer Prize winner Horton Foote’s authentic, relevant 2009 Tony Award-nominated portrait of a Texas clan at odds will receive its local premiere courtesy of the Dayton Theatre Guild. Centered on a tough traditionalist matriarch and her squabbling children, “Dividing the Estate” uncovers the harsh realities that arise when economics and legacy threaten to tear a family apart.

Dayton Theatre Guild

CLARK STATE UNIVERSITY Dirty Rotten ScoundrelsIf you like ‘The Full Monty’ you’ll like…

Dirty Rotten Scoundrels

Clark State Community College provides the local collegiate premiere of librettist Jeffrey Lane and composer David Yazbek’s 2005 Tony Award-nominated musical based on the 1988 film of the same name. Yazbek, an outstanding songwriter, had great success with his critically acclaimed adaptation of “The Full Monty,” co-created by Terrence McNally, and the con artist-driven “Scoundrels” shares an appealingly naughty kinship. The “Scoundrels” national tour failed to connect four years ago at the Schuster Center, but perhaps Clark State will give the hilarious material the solid treatment it deserves.

Clark State

MUSE MACHINE Wizard of OZIf you like the Muse Machine you’ll like…

The Wizard of Oz

Dorothy’s ruby slippers will sparkle once more thanks to the Muse Machine, Dayton’s premier arts education organization celebrating its 30th year. The memories of Muse’s 1996 “Oz” production remain indelibly etched in my mind (the Broadway caliber performances of Tyler Maynard as the Scarecrow and Tory Ross as the Wicked Witch of the West were particularly extraordinary), but it will be refreshing to see a new generation tackle the iconic musical. Expect another Muse hit you will not want to miss.

Muse Machine

Continue to read David’s picks…

Pages: Page 1 Page 2 Page 3 Page 4 Page 5

Filed Under: On Stage Dayton, On Stage Dayton Previews, The Featured Articles Tagged With: arts, Beavercreek Community Theatre, Dayton, Dayton Ohio, Dayton Playhouse, dayton theatre guild, Downtown Dayton, Encore Theater Co., La Comedia, Playhouse South, Schuster Performing Arts Center, The Human Race Theatre Co., Theater, Things to Do, Town Hall Theatre, Victoria Theatre, Wright State

British Comedy THE TRIP – Opens Sept. 2 at THE NEON!

September 2, 2011 By Jonathan McNeal Leave a Comment

Hello Everyone.

A special thanks to all of you who came out for opening weekend for SARAH’S KEY…we had a terrific weekend.  I’ve heard back from many of you that word is spreading about getting to THE NEON to see the film.  I certainly appreciate this…as word-of-mouth is one of the most effective marketing tools for us.

SARAH’S KEY will hold over as well as ANOTHER EARTH (for one screening a day).  In addition, we will open the new British comedy THE TRIP.

Synopsis for THE TRIP:  “When Steve Coogan is asked by The Observer to tour the country’s finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob Brydon. As the brilliant comic duo, freestyling with flair, drive each other mad with constant competition and showdowns of competing impressions, the ultimate odd couple realize in the end a rich amount about not only good food, but the nature of fame, relationships and their own lives.” (IFC Films)  Click HERE to be directed to THE TRIP’s official website.

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The 6th Annual Downtown Dayton LGBT Film Festival is in the final prep stages.  Visiting artists are booking their flights, posters and postcards are showing up all around town, and community partners are helping to spread the word.  Check out this wonderful clip from CAROL CHANNING: LARGER THAN LIFE …it’s an interview in which she talks about Jacqueline Kennedy visiting backstage during HELLO DOLLY.  (This particular screening is sponsored by The Human Race Theatre Company)

[yframe url=’http://www.youtube.com/watch?v=Ex8gE6YC63Q’]

The official website is now up and running!  Check out www.daytonlgbt.com to read a synopsis about each film…you’ll also find embedded trailers and links to official websites.  One special treat…The Dayton Philharmonic Orchestra will give a pair of tickets away at each LGBT screening to see Lynda Carter when she’s in town!  Festival passes go on sale tomorrow at THE NEON’s box office.  $50 for all seven screenings + the Opening Night Party at Sidebar.  (Single tickets go on sale Sept. 8 for $8 each.)

Living City’s Fall Festival is officially booked.  This year?  Vampires!  From Bela Lugosi’sDRACULA (in 35mm) to Catherine Deneuve & David Bowie in THE HUNGER – the line-up is lots of fun.  More details soon…the series begins Oct. 17!

Don’t forget…Take your NEON ticket stub to our new neighbor Sa bai: Asian Cuisine & Sushi Bar – and receive 15% off your meal.

We’ve got some new great bookings below.  From Pedro Almodovar and Gus Van Sant to the much-requested SENNA.  Check out titles below.

I leave for the Toronto International Film Festival next Wednesday…and I can hardly wait!  Beginning next week, I will blog on a daily basis (right here on DaytonMostMetro.com) about the films I’m seeing, the parties I’ve attended, and the stars I’ve sighted.

See you soon,
Jonathan

SHOWTIMES for Sept. 2 – September 8:

SARAH’S KEY (PG-13) 1 Hr 51 Min

Friday, Saturday, Sunday: 12:20, 2:40, 5:00, 7:20, 9:40

Monday – Thursday:  3:00, 5:30, 8:00

ANOTHER EARTH (PG-13)  1 Hr  32 Min

Friday, Saturday, Sunday:  5:10

Monday – Thursday:  5:20

THE TRIP (NR) 1 Hr 47 Min

Friday, Saturday, Sunday: 12:30, 2:50, 7:30, 9:50

Monday – Thursday: 2:50, 7:50

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.
In some cases, titles may disappear.

Sept. 9   THE GUARD
Sept 9   THE WHISTLEBLOWER
Sept 16  BEATS, RHYMES & LIFE: A TRIBE CALLED QUEST
Sept 23   HIGHER GROUND
Sept. 30   THE FUTURE
Oct. 7   RESTLESS
Oct. 7   SENNA
Nov. 4  TAKE SHELTER
Nov. 18  MARTHA MARCY MAY MARLENE
Nov. 25   THE SKIN I LIVE IN
TBD   LIFE ABOVE ALL

Filed Under: On Screen Dayton Tagged With: another earth, carol channing, cheyenne jackson, Dayton Ohio, gay film fest, kristin scott thomas, lgbt film fest, matthew ludwinski, Sarah's Key, steve coogan, The Neon, the trip, tomboy, Toronto Film Fest, weekend

Geriatric Love for Sale

September 1, 2011 By Russell Florence, Jr. Leave a Comment

(l to r) Marcia Nowik, Ellen Finch, Jackie Engle, Marcella Balin and Patty Bell in The Oldest Profession

Five elderly prostitutes come to terms with their flings, finances and fate in Paula Vogel’s funny, racy, surprisingly touching 2004 comedy “The Oldest Profession,” excellently staged by the Dayton Theatre Guild under Greg Smith’s delicately smooth direction.

Vogel, who won the 1998 Pulitzer Prize for her masterfully dark family drama “How I Learned to Drive,” vividly creates a world of tough love and hard knocks for her seasoned ladies of the night, transplanted from the seedy glamour of New Orleans’ red-light district to the competitive hustle and bustle of New York City’s Upper West Side. The action – transpiring on a park bench in the early 1980s – certainly appeals during moments of risqué chitchat, particularly when the women reminisce about the good old days in Storyville with a candor that would make Blanche DuBois blush, but the journey is unquestionably rooted in survival. After all, the ladies have finally realized their reliable clientele are “a dying breed.” Prostitution, no matter your personal feelings, is a business, and Vogel effectively advances the motivations of her colorful characters by molding the play into an eye-opening reflection on aging and security. The economic-driven tale also contains a topical relevance that’s hard to ignore, especially talk of cost-effective strategies in the midst of a debt crisis. As a result of addressing the stakes involved rather than suffocating the audience with a barrage of raunchy jokes, “The Oldest Profession” rises above mere entertainment to a deeper, poignant plateau.

Marcella Balin, Patty Bell, Jackie Engle, Ellen Finch and Marcia Nowik, humorously and provocatively clothed with assistance from Barbara Jorgensen, establish an absolutely endearing sisterhood that speaks volumes. This marvelously naughty, witty troupe also produces huge laughs based on sheer attitude and comedic timing alone. Engle, in a welcomed return to the Guild, oozes Southern gentility as Mae, the stern, no-nonsense madam trying to keep her bickering gals in line even as her health deteriorates. Bell and Finch are respectively delightful as Lillian and Edna, a very amiable duo. Nowik, outstanding in the Guild’s production of “Independence” two seasons ago, is terrifically sharp as the outspoken Ursula, whose forward-thinking suggestions perturb Mae. Balin, in a pleasant theatrical debut, exudes a natural earnestness as the meek yet chatty Vera, a heartbreaking sight in the final minutes.

Musical numbers, playfully choreographed by John Ueber, are also present offering a glimpse of the women in pure seduction mode. Nowik, attacking the spotlight like an older and wiser Sally Bowles, particularly sells Ursula’s contribution with fierce authoritative flair.

The Oldest Profession continues through September 11 at the Dayton Theatre Guild, 430 Wayne Ave. Performances are Friday at 8 p.m., Saturday at 5 p.m. and Sunday at 3 p.m. Act One: 50 minutes; Act Two: 60 minutes. Tickets are $11-$18. The play contains strong language and adult themes. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

Filed Under: On Stage Dayton Reviews

Remembering Irish Dance Teacher Ann Richens

September 1, 2011 By Dayton Most Metro Leave a Comment

by Cityfolk Founder Phyllis Brzozowska

I was shocked and broken hearted receiving the news this week that Ann Richens had died. I can’t begin and actually don’t want to imagine the world without her.

One of my fondest memories of Ann Richens is seeing her dance with John Timm on the stage of the Victoria Theatre. It was during one of the Rhythm in Shoes concerts that Cityfolk produced in the early nineties. She danced with such joy, grace, precision and the embodied beauty of the Master dancer and teacher she was. It was a rare treat to see her on the big stage. Her role as teacher usually had her standing in the wings or coaching from the sidelines or judging at a competition.

I was still in high school when I first met Ann. My cousins, Mary and Bridget Palmer, took Irish dance lessons from her. I went to a number of feis (Irish dance competitions) to see Bridget and Mary compete and you couldn’t help but to get to know Ann. She knew everyone. She had an open and welcoming way, a pixie-impish beaming smile, an energy that seemed inexhaustible and an organizer’s skill that you couldn’t say no to.

In 1978, before Cityfolk was formed, I was doing a Celtic music radio show on WYSO-FM and a band I knew from Pittsburgh called “Devilish Merry” was coming through town. They were a great dance band that played ole’ timey music and Irish traditional music and I thought, “they could probably do a great ceili.” So, I called up Ann and suggested the idea. Ann was all for it. Ann and I together organized what I think was the first ceili with live music in Dayton at the Dayton Leiderkrantz Club on E. Fifth Street. We had a blast!

In the very beginning years of Cityfolk, (the early eighties) a lot of the Irish music we presented was in bars, Gilly’s and Canal Street Tavern, even the long defunct Sam’s. When we wanted to make the leap to go into a concert hall, I asked Ann and group of other local Irish and Scottish cultural supporters to act as “guarantors.” Ann led the way and was the first to step up to the plate with backing money which allowed us to take the concert into the auditorium at the Dayton Art Institute. Ann and all the guarantors got their money back and the Cityfolk Celtic Series was off and running. In just a few years, it moved into the Victoria Theatre with our very first presentation of the Chieftains and of course, Ann was in the audience along with many, many of her dance students and their families.

Ann’s dancers have graced the stages of Cityfolk concerts and the Festival more times than I can remember.

John Timm performs with
Cherish the Ladies at the
2005 Cityfolk Festival.
Photo by Andy Snow.

I actually took some Irish dance classes, myself, with Ann for a few years. I remember loving it. Ann was an extraordinary teacher. It was inevitable that the world champion John Timm would come from her school, along with numerous others after him qualifying and ranking as top Irish dancers in the world. She had the ability to perceive each person’s ability, communicate and demonstrate exactly what they needed to take them to the next level and to keep growing to higher and higher levels of excellence. Dedicated and hard working sound wimpy when used to describe the fierce focus she brought to her life’s passion.

I take some comfort in knowing that her incredible skills have been passed to the next generation of teachers. Still, the world has lost a most exquisite gem, a glorious emerald of an artist, cultural treasure and brilliant human being.

I only got to glimpse a small portion of Ann’s rich and full life but it seems to me, to paraphase Rumi, “the beauty she loved was what she did.” I know the gifts I received from knowing and working with Ann will always stay with me. And, I’m eternally grateful her support and the collaborations that lead to the formation and growth of my passion– Cityfolk. She was a partner at every major turn and Dave Barber tells me she was involved in projects that have yet to happen.

May the grace and beauty Ann cultivated and nourished continue to shine in the countless lives she touched and may that light surround and carry her as she “sevens and threes” now with God.

Filed Under: Arts & Entertainment, The Featured Articles Tagged With: Cityfolk, Dayton Music

Breaking News: 6 ft. White Rabbit on the loose in Beavercreek!

August 31, 2011 By Dayton Most Metro Leave a Comment

Beavercreek Community Theatre - HARVEY by Mary ChaseHarvey

BEAVERCREEK COMMUNITY THEATRE

Beavercreek Community Theatre continues the run of it’s opening production of the 2011-2012 season with Mary Chase’s “Harvey,” directed by Jim Lockwood of Huber Heights.

The big invisible rabbit, in the title role, and his eccentric friend, Elwood P. Dowd, played by John Bukowski of Washington Township, will “appear” on the BCT stage through this weekend with 8 p.m. Friday and Saturday performances and 3 p.m. Sunday matinees.

THINGS TO DO IN DAYTON. THEATRE: Beavercreek Community Theatre - HARVEY by Mary Chase - l-r, John Bukowski as Elwood P. Dowd rehearses a scene with Deborah Sasser as Mrs. Chauvene, Ellen Ballerene as Myrtle Mae and Terry Larson as Veta Louise.Dowd’s invisible friend, an over six foot white rabbit, is a social embarrassment to Dowd’s sister and niece, who live with him. They are portrayed by Terry Larson of Beavercreek and Ellen Ballerene of Yellow Springs, respectively.

His sister’s attempt to get Dowd committed to a mental institution leads to a comedy of errors, which in turn leads to a mending of some family wounds and some unexpected romance.

The cast also includes Deborah Sasser of Beavercreek, Rick Johnson of Centerville, Cathy Long of Oakwood, Nathan Hudson of Dayton, Carly Porter of Fairborn, Averio Perugini of Kettering, Donald McKenny of Tipp City and Bill Reagle of Enon.

The show’s producers are Anne Heitker and Linda McLarty, both of Beavercreek. Heitker is also the costumer and Hans Unser, of Beavercreek, is the stage manager. The set designer is Chris Harmon of Beavercreek and the lighting designer is John Falkenbach of Dayton. Tony Fende of Dayton is the sound designer.

THINGS TO DO IN DAYTON. THEATRE: Beavercreek Community Theatre - HARVEY by Mary Chase - John Bukowski, as Elwood P. Dowd, has a conversation with the mentalnstitution's Dr. Sanderson, played by Rick Johnson of Centerville, and Nurse Kelly, played by Carly Porter of Fairborn, in a scene from "Harvey."

-BCT Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@DaytonMostMetro.com.

Tickets & Performance Information:

Beavercreek Community Theatre LogoMary Chase’s HARVEY – through September 4th

8pm on Fridays & Saturdays / 3pm on Sundays

Tickets are $13 for adults and $11 for BCT members, students, and senior citizens.

A group discount of $1 per ticket is available to groups of 10 or more purchased at the same time for the same performance.

Tickets can be reserved by calling (937) 429-4737 and leaving a message or by e-mailing boxoffice@bctheatre.org. For more information, visit the theater’s Web site at www.bctheatre.org where tickets can also be purchased online with a credit card.

Credit cards are not accepted at the theatre.

Beavercreek Community Theatre is located within the Lofino Adult Enrichment and Cultural Arts Center at 3868 Dayton-Xenia Road in Beavercreek.

The Dayton Power & Light Foundation is BCT’s season sponsor.

BCT offers a Flex Pass, a season ticket for 3, 5 or all 7 shows. Three shows, of the patron’s choice, are $37 for adults and $30 for seniors and students; five shows are $59 and $44 respectively. For all seven shows, the season pass costs $78 for adults and $60 for seniors and students.

Win Free Tickets

DaytonMostMetro.com has three free pairs of tickets to lucky readers – just fill out the form below to enter (no purchase necessary, not that we sell anything here anyway).  Good luck!

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Filed Under: On Stage Dayton Previews Tagged With: arts, Beavercreek Community Theatre, Theater, Things to Do

“The Oldest Profession” has found it’s way to Wayne Ave.

August 31, 2011 By Dayton Most Metro 1 Comment

The Oldest Profession by Paula Vogel - Dayton Theatre Guild - through September 11

The Oldest Profession by Paula Vogel

The Oldest Profession

THE DAYTON THEATRE GUILD

NOTE:  Audition Info for “Lost In Yonkers” below!

The Dayton Theatre Guild run of The Oldest Profession by Paula Vogel, continues through Sunday, September 11, 2011, with Friday performances at 8:00 p.m., Saturday shows at 5:00 p.m. and Sunday matinees at 3:00 p.m.  It is directed by Greg Smith and produced by Barbara Jorgensen.

Once the toast of Storyville, the infamous red-light district of New Orleans, five very senior ladies of the night have transferred their talents to Reagan-era New York City.   They now find both their clients and their own appearance slipping away with time.  But every girl has a right to go out in her own style, doesn’t she?  Don’t miss the laugh-filled chronicle of five very special ladies – how they lived the life and how they say goodbye.  Warning: This production contains strong language and adult content.  (Raunchy, racy and fun!)

The Oldest Profession by Paula Vogel - Dayton Theatre Guild - through September 11

L to R: Marcia Nowik, Ellen Finch, (back) Jackie Engle, Marcella Balin, Patty Bell

The cast includes Jackie Engle from Dayton (Wallis, Pygmalion), Ellen Finch from Kettering (Kimberly Akimbo, Fuddy Meers, Hallelujah Girls), Marcia Nowik from Yellow Springs (Independence, God’s Favorite, and Octette Bridge Club at Beavercreek Community Theatre), Patty Bell from Dayton (Brooklyn Boy,) and Marcella Balin from Xenia, who makes her acting debut with The Oldest Profession.

-DTG Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@daytonmostmetro.com.

Tickets & Performance Information:

Dayton Theatre GuildPaula Vogel’s THE OLDEST PROFESSION – through September 11 (Fri/Sat/Sun)

(Times Vary:  Click HERE)

Tickets Prices: $10 student / $15 senior / $17 adult

Location:  Dayton Theatre Guild at The Caryl D. Philip’s TheatreScape – 430 Wayne Ave. Dayton, Ohio  45410 (MAP)

No one under the age of seven will be admitted.

Tickets are on sale now through DTG’s Online Box Office, or via phone at (937) 278-5993 (due to a volunteer staff, phones are not monitored continually).

For more information about Dayton Theatre Guild’s entire 2011-12 season, visit www.DaytonTheatreGuild.org

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

AUDITION INFORMATION: Lost In Yonkers by Neil Simon

September 6 & 7, 2011

The Dayton Theatre Guild will hold open auditions for Lost in Yonkers by Neil Simon on Tuesday and Wednesday, September 6 and 7, at 7:00 p.m.  It is directed by Fran Pesch and produced by Deirdre Bray Root.

The Lost in Yonkers production dates are October 21 through November 6, 2011.
Simon’s Pulitzer Prize and Tony Award-winning laugh-filled piece tells the tale of two young boys left by their widowed father in a strange world called Yonkers.  Their father must travel to pay back loan sharks, so the boys are entrusted to a tough-minded grandmother and a child-like aunt.  The aunt, now in love with a man who is just as unable to cope with the boys’ care as she is, tries to figure out the next step in this funny, touching and unforgettable drama.

The director is looking to cast seven actors of varying ages:

  • JAY KURNITZ – mid-teen or older, able to play 16
  • ARTY KURNITZ – mid-teen or older, able to play 13
  • EDDIE – 41, Jay and Arty’s father
  • BELLA – mid-30’s, Eddie’s sister
  • GRANDMA KURNITZ – 70+, Eddie’s mother
  • LOUIS – 36, Eddie’s brother
  • GERT – mid-late 30’s – Eddie’s sister

Lost in Yonkers is a dialect play.  Grandma Kurnitz speaks in combination Yiddish/NYC dialect.  All other roles speak in NYC/Yonkers dialect.  Actors will be asked to read from the script (with dialect.) Head shots & résumés are not required but are encouraged.  PLEASE NOTE:  If this is your first time auditioning for the director, be prepared to present a one-minute contemporary monologue.  Dialect not required for monologue.
The cast meeting and read-through will be Thursday, September 8th at 7 p.m.

Additional casting information may be found on the website at www.daytontheatreguild.org or by calling (937) 654-0400.

ABOUT THE DAYTON THEATRE GUILD:

The Dayton Theatre Guild opened with “Outward Bound” at the Dayton Art Institute in 1945.

The 1963-1964 season opened with “Night of the Iguana” at 2330 Salem Avenue, the Guild’s home for over 45 years, where “Outward Bound” was performed as a part of the final season at that location.
The 2009-2010 season opened with “Les Liaisons Dangereuses” at the Guild’s new home at the Caryl D. Philips TheatreScape at 430 Wayne Avenue in Dayton’s historic Oregon District in August 2009. Over 400 plays have been produced, utilizing all-volunteer casts, crews and administration. You may reach the Dayton Theatre Guild at 937.278.5993 or www.daytontheatreguild.org.

Filed Under: On Stage Dayton Previews Tagged With: arts, Dayton, Dayton Ohio, dayton theatre guild, downtown, Downtown Dayton, Theater, Things to Do

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