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The BARD is on the loose!

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A Midsummer Nights Dream - Free Shakespeare! - Summer 2011 - Photo by Alisha McDarris

Photo by Alisha McDarris=

A Midsummer Nights Dream

Free Shakespeare!

In many communities around the world, a treasured summer activity is outdoor performances and festivals devoted to classic Shakespeare plays (Shakespeare Fellowship List).  Two of the most well-known in Ohio are  Cincinnati Shakespeare Co. which tours two shows in fourteen different parks and Actor’s Theatre which is celebrating it’s 30th season presenting shows in Schiller Park in Columbus’ German Village.  Suddenly in the past few years there is much interest in this terrific tradition right here in the Miami Valley, ranging from a small neighborhood troupe near downtown (Historic South Park – currently rehearsing for their 4th presentation) and the touring company known as Free Shakespeare! the brainchild of director Chris Shea.

A Midsummer Nights Dream - Free Shakespeare! - Summer 2011 - Photo by Alisha McDarris

“The experience with GreenStage was incredible. To have a free arts program not only survive, but flourish, for over twenty years, well, it gave me faith that the arts are alive and well. I want to bring that same energy here to Dayton. There really is nothing like a picnic and a play, and the price is right, too” -Chris Shea

Shea, a graduate of Kettering-Fairmont High School, spent time studying acting in the Pacific Northwest.  Inspired by the GreenStage Theatre Company’s offering of free outdoor Shakespeare, he decided to bring the concept to the Miami Valley in 2010 in the form of Free Shakespeare!  The troupe is described as a traveling community of artists with the goal of creating an event where people can rediscover the power and beauty of language and art.  Shea wanted to take the performances to multiple venues throughout the region over a series of summer weekends – and free to audiences.

Shea launched his vision for a theatre company in 2010 with Hamlet, which was received enthusiastically during it’s tour of four venues in Dayton and Yellow Springs.  2011 brings a new production, this time the ever-popular A Midsummer Night’s Dream. After opening last weekend at Antioch Amphitheatre in Yellow Springs, Shea and his team of 14 actors will continue to bring the bard’s best-loved comedy to Dayton stages over the next several weekends.  They can be seen at the Wegerzyn Gardens MetroPark (July 29-31), Newcom Founders Park in the Oregon District (August 5-7), The University of Dayton’s ArtStreet (August 12-14).   All performances are outdoors and weather permitting and begin at 7PM.  Admission is free with donations accepted after the performance to pay the actors.

 

A Midsummer Nights Dream - Free Shakespeare! - Summer 2011 - Photo by Alisha McDarris

Photo by Alisha McDarris

The cast of A Midsummer Nights Dream includes Allison Husko (Titania), Chris Shea (Oberon), Will Hutcheson (Demetrius), Travis Cook (Lysander), Amy Brooks (Hermia), Megan Cooler (Helena), Kes-lina Luoma (Puck), Jason Antonick (Theseus), Lauren S. Deaton (Hippolyta), Zach Schute (Nick Bottom), Juliet Howard-Welch (Peter Quince & Peaselblossom), David Harewood (Francis Flute & Cobweb), Philip Titlebaum (Snug & Mustardseed), and, after a 48 year absence from the stage, Bill Styles as Egeus.

The group has recently partnered with Involvement Advocacy, an umbrella organization which fosters community initiatives. Involvement Advocacy’s partnerships include, among others, the Blue Sky Project and the Dayton Arts Project. Involvement Advocacy will act as Free Shakespeare’s! fiscal agent, allowing supporters of Free Shakespeare! to make tax deductible donations to the theatre company.

http://www.involvementadvocacy.org/On the partnership, Free Shakespeare! founder Chris Shea had this to say, “We are very grateful to Peter Benkendorf and the folks at Involvement Advocacy for their tremendous support of our organization. This partnership is the perfect bridge for us as we make arrangements to form our own non profit corporation.”

A Midsummer Nights Dream - Free Shakespeare! - Summer 2011 - Photo by Alisha McDarris

Photo by Alisha McDarris

“Our purposes shall be proud, our garments poor; For ’tis the mind that makes the body rich” The Taming of the Shrew, Act IV, sc. iii

-SA, Free Shakespeare! Press Release & website.

-Photos by Alisha McDarris (copyright 2010) – submitted by Free Shakespeare!

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

 

Tickets & Performance Information:

Free Shakespeare! A Midsummer Nights Dream

Weekends through August 14, 2011

Tickets Prices: FREE (donations accepted after the show to pay actors)

Locations:  Wegerzyn Gardens MetroPark (July 29-31), Newcom Founders Park in the Oregon District (August 5-7), The University of Dayton’s ArtStreet (August 12-14)

For more information about Free Shakespeare!  visit http://freeshakespeare.com/

Back to the FutureFest

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Dayton Playhouse - FutureFest 2010 - Dancing Backwards by John Fiorillo

Dancing Backwards by John Fiorillo - FutureFest 2010

FutureFest 2011

Dayton Playhouse

This weekend, the Dayton Playhouse will present its 21st annual FutureFest of new plays, one of the most highly anticipated and widely regarded events in the local arts community.

This uniquely structured, nationally recognized festival, co-founded by Dayton Theatre Hall of Fame members Dodie Lockwood and John Riley, openly nurtures the artistic growth of emerging playwrights from across the country and internationally. Within three days, six original, previously unproduced works are showcased fully staged or as staged readings followed by adjudications from theater professionals. Patrons are also encouraged to offer opinions, fueling the weekend’s considerably engaging atmosphere.

Dayton Playhouse - FutureFest 2010 - How It Works by Carey Pepper

How It Works by Carey Pepper

The adjudicators will consist of longtime New York-based judges David Finkle, Helen Sneed and Eleanore Speert along with Robert Koon, resident playwright/dramaturg of the Chicago Dramatists and a 2002 FutureFest finalist for “Vintage Red and the Dust of the Road,” and D. Lynn Meyers, producing artistic director of Ensemble Theatre of Cincinnati. Each play will be judged on criteria including dramatic concept/theme, plot/story development, dialogue/language and character development.

Dayton Playhouse - FutureFest 2010 - Refuge by Marc Comblatt

Refuge by Marc Comblatt

Since its inception, FutureFest has been an advantageous launching pad for playwrights hoping to raise their profile. The most successful example in recent years is unquestionably attributed to Brooklyn playwright Beau Willimon, a former political staffer who took the 2005 FutureFest by storm with “Farragut North,” a marvelous political drama. “Farragut North” arrived off-Broadway at New York’s Atlantic Theater Company in 2008 and was recently adapted (and re-titled) for the big screen by Willimon, Grant Heslov and Oscar winner George Clooney as “The Ides of March.” Shot on location in the Cincinnati area and prominently previewed in the July 26 edition of USA Today, “The Ides of March,” which will premiere at the Toronto International Film Festival in September, is officially scheduled for an October 7 release. The film has already received buzz as a major contender for the Golden Globes and Academy Awards. Molly Smith Metzler, also of Brooklyn, is equally noteworthy. Metzler’s terrific relationship-driven comedy drama “Carve” was a highlight of the 2009 FutureFest and her latest work, “Close Up Space,” will be presented off-Broadway at New York’s Manhattan Theatre Club this fall starring Emmy and Tony winner David Hyde Pierce.

This year’s promising contenders were chosen from over 240 submissions. Each finalist recently reflected on their work with onStageDayton in advance of the festival.

2011 FutureFest Performance Schedule

Friday, July 29

8 p.m.

“Drawing Room,” an introspective look at a Supreme Court sketch artist.

Playwright: Mark Eisman of New York City

Cast: Mark Jeffers, Annie Pesch and Rachel Wilson

Director: Matthew Smith

Production format: Fully staged

Since cameras invaded our courtrooms some 20 years ago, I have missed the artists’ renderings which often accompanied the most notorious (and yes, most dramatic) legal spectaculars. The brilliantly colored chalks and pencils have been replaced by the dullness of reality TV. The sketch artists have been forced to scramble and compete against each other, as only the federal courts (with its terrorist defendants) and the Supreme Court (with its familiar cast of characters) remain camera free. When their art is threatened, the characters in ‘Drawing Room’ must confront the realities of their own lives. Life in the theater has never been easy for playwrights.  Over the same 20 years, it’s become increasingly difficult due primarily to economic ‘realities.’

~Mark Eisman

Saturday, July 30

10 a.m.

“Roosevelt’s Ghost,” a drama centered on the special assistant to President Franklin D. Roosevelt convicted of perjury and accused of being a member of the Community Party.

Playwright: Dayton native and Woodland Hills, California resident Michael Feely, who won the 2009 FutureFest for “Night and Fog” and was a 2006 finalist for “Bookends.”

Cast: Debra Kent, Charles Larkowski, Jennifer Lockwood, Dave Nickel, David Shough, Michael Stockstill and Debra Strauss

Director: Saul Caplan

Production format: Staged reading

‘Roosevelt’s Ghost’ is (very) loosely based on the Alger Hiss case. It concerns a man, Charles Castle Hunt, who stood at the pinnacle of power until he was accused of treason and espionage for the Soviet Union and convicted of perjury in 1951. It is now 1968 and he’s come home both to vindicate himself by publishing his memoirs and to reconnect with the family he abandoned after his fall. The play is about many things. It is, on one level, about the events of the ’50’s and ’60’s, similar to the other two plays that have appeared in FutureFest, that I believe draw a bright red line through Vietnam to our current involvement in Iraq and Afghanistan. On another level, however, it’s a far more personal play, about family, about what fathers owe their sons and, equally important, what sons owe their fathers. It’s about husbands and wives, what they give each other and what they take from each other. And, lastly, it’s about love, how it sustains us, can let us down and, ultimately, can lift us up.

~Michael Feely

3 p.m.

“The Haven,” a contemporary comic drama concerning a broken marriage and the possibilities of connection.

Playwright: Richard Etchison of Los Angeles, California

Cast: Megan Cooper, Danny Lipps, Deirdre Root and Richard Young

Director: Fran Pesch

Production format: Staged reading

Initially, I set out to write a play about one relationship ending and one relationship at the very beginning. A simple exploration of the nature of marriage and love and youth. The ending came to me midway through the writing process. I also wanted to write a realistic play for once. Previously, my plays have some mind-bending, sometimes surreal elements.  In most ways, I succeeded. To me, the theme of this play is that human beings approach both marriage and life with the same attitude: We know it’s going to have its trying moments, moments that take every bit of courage and resolve we have to get through them.  Yes, we (as a people) voluntarily embark on it anyway. When you are young, marriage seems a simple matter. So does life.  But once deep inside of marriage, we learn otherwise. Same as life in general.

~Richard Etchison

8 p.m.

“Allegro Con Brio,” a farce about a musical couple plotting revenge.

Playwright: Dayton resident Nelson Sheeley of Sinclair Community College

Cast: Michael Boyd, Matt Curry and Cheryl Mellen

Director: Nick Moberg

Production format: Fully staged

I got the idea for the play when I turned on the radio and heard one of the Mendelssohn Piano Concertos played faster than anyone should be able to play it.  I wondered what the conversation backstage after the concert between the conductor and the pianist would be. Also, once I got into it, the theme of the piece seemed to shift a bit to include the music critic…how people behave who have unquestioned authority and power in their fields. I love farce and there’s a dearth of good contemporary farce in the American theatre. Farce seems to be the poor stepchild of comedy. My first play ‘…And Call Me In The Morning’ got a begrudgingly good review from The New York Times. Jacques LeSourde liked it and in the review sounded a little embarrassed that he did! So here I am leading a crusade to get those slapstick lovers out of their comedy closet and have a good laugh.

~Nelson Sheeley

Sunday, July 31

10 a.m.

“Jinxed,” a 1930s aviatrix-themed account of Amelia Earhart and Jackie Cochran.

Playwright: Stacey Luftig of New York City

Cast: Franklin Johnson, Cynthia Karns, Wendi Michael, Kate Smith, Mike Rousculp, Mike Taint and Matt Turner

Director: Richard Brock

Production format: Staged reading

Amelia Earhart is an American icon. But only history buffs and aviation fans remember Jackie Cochran, whose rags-to-riches story and groundbreaking achievements in aviation rival those of any pilot, including Amelia. Brash Jackie and sophisticated Amelia were close friends for the last two years of Amelia’s life. Their lives had many parallels: among them, husbands who were tremendously supportive of their careers, a practicing knowledge of ESP and a preoccupation with luck. Their focus on luck is not surprising. The dangers faced by pilots in the 1930s, especially those who sought to set records and win races, were enormous. Forced landings and even crashes were commonplace, airplane parts would malfunction, engines would blow up. Like baseball players, aviators often placed faith in talismans and other superstitions. It is hard to say how much of any aviator’s career at that time depended on skill, and how much on luck. Based on this uncertain balance, a key question arose for the main characters of my play: How far do you go to allow a pilot you love to follow her dreams – knowing that to do so could result in her death?

~Stacey Luftig

3 p.m.

“A Woman on the Cusp,” a drama concerning mental illness and sibling treachery.

Playwright: Two-time FutureFest finalist Carl L. Williams of Houston, Texas (“Under a Cowboy Moon,” 2003; “Coming Back to Jersey,” 2008)

Cast: Cher Collins, Lynn Kesson, Scott Knisley and K.L. Storer

Director: Ray Gambrel

Production format: Fully staged

‘A Woman on the Cusp’ started out as a 20-minute one-act for a festival in Houston. I quickly realized the length wasn’t nearly sufficient to explore all the facets of character in this story, as well as the underlying issues of emotional trauma, mental instability, deceit and treachery. A buried subtext concerns how people can do the wrong thing for a right reason or the right thing for a wrong reason. For the full-length play I was better able to develop a backstory for the major character, providing a fuller explanation for her current situation. I could also explore the relationships between and among the characters to a greater degree and with a more gradual revelation of their secrets.  In addition, I changed certain elements of the basic plot as I transitioned the piece to a more complete story. I can’t say that I set out to make any particular point with this play or convey any central message. Mainly I just wanted to engage the audience with these characters and their conflicts. The FutureFest production offers the opportunity of judging to what degree I succeeded.

~Carl L. Williams

The 21st annual Dayton Playhouse FutureFest will be held Friday, July 29-Sunday, July 31 at the Playhouse, 1301 E. Siebenthaler Ave. Weekend passes for all six shows are $90. Single tickets are $17. For tickets or more information, call the Playhouse at (937) 424-8477 or visit www.daytonplayhouse.com.

-RF

-Photos by Art Fabian (copyright 2010) – submitted by Dayton Playhouse

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Dayton Playhouse21st Annual Dayton Playhouse FutureFest

July 29-31, 2011

Tickets Prices: $17 for single show tickets / $90 for weekend pass (includes all shows)

Location:  The Dayton Playhouse
1301 East Siebenthaler Ave
Dayton, OH  45414 (map)

Tickets are on sale now through DP’s Online Box Office, or via phone at (937) 424-8477

For more information about The Dayton Playhouse visit http://www.daytonplayhouse.org/

Photo Highlights of 2010 FutureFest

[yframe url=’http://www.youtube.com/watch?v=zkr156COQwE’]

[yframe url=’http://www.youtube.com/watch?v=w6prD48dheE’]

Tomatoes, knitting, scrapbooks all welcome at the county fair

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As you may have imagined, the Montgomery County Fair is an important event to a farm family like mine. And while it isn’t practical to invite all our friends from DaytonMostMetro.com to visit us on the farm or accompany us to the Ohio State Fair, we CAN encourage you to visit us at the Montgomery County Fair—happening Aug. 31 – Sept. 5 in downtown Dayton.

And guess what! You don’t have to be a farmer to participate in the fair and even earn some blue ribbons.

The Montgomery County Fair is currently accepting entries for everything from cakes and pies to giant pumpkins; antique collections to photography; crocheting to quilts. Entries are a bargain at $1 each (although, if you get ambitious like me, the one-dollar entries start to add up) and pay out premiums for first through fourth place (this varies by category).

So even if you don’t have three barrows (boy pigs), two gilts (girl pigs) and two dairy heifers (girl cows) to enter, you can still take on the Michael family with a scarecrow, decorated cupcakes or photos.

Visit the Montgomery County Fair website to download the fair book PDF. Mail-in entries are due by August 15. Walk-in entries are accepted August 11, 12, 15, & 16, 9 am – 5 pm. NOTE: you don’t actually take your goods to the fairgrounds until fair time—see the book for details.

If you are a regular fair-goer or have never checked it out, try making an entry this year. The fair is an important part of downtown Dayton and nothing beats the thrill of seeing your chocolate cake take the top prize (trust me, I’ve done it!).

‘Let’s Do The Time Warp Again’: ‘Rocky Horror’ to be Revived at Wiley’s

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Daytonians will get the chance this weekend to put on fishnet stockings, scream unabashedly at a projector screen and pelt strangers with handfuls of rice.

"The Rocky Horror Picture Show"

July 29, 2011 Show Poster

The local variety show group Dirty Little Secrets wants attendees to take a walk on the wild side at its special screening of “The Rocky Horror Picture Show” from midnight to 3 a.m. Friday, July 29, at Wiley’s Comedy Niteclub, 101 Pine St.

The event is a rare opportunity for audience members to view the R-rated feature length film, while also enjoying a full service bar offering movie inspired drink specials, according to J.T. Ryder, who is responsible for the booking and promotion of the event.

“As with the creation and concept of Dirty Little Secrets itself, the screening of ‘The Rocky Horror Picture Show’ started with that small, still voice in my head,” he said. “ … This voice always begins our conversations with, ‘Wouldn’t it be cool if … ?’”

The public screening comes a decade after The Neon stopped showing the film in spring 2001, when the theater underwent a renovation, according to Ryder.

“The clean up and raucous nature of the movie and the attendees definitely go a long way in explaining why most theater owners are loathe to run the movie on a regular basis,” he said.

“The Rocky Horror Picture Show,” first released on film in 1975, parodies science fiction and horror flicks of the 1940s to 1970s, and is noted as one of the most well known movies of all time, attracting the attention of an international audience. A criminologist narrates the story of a newly engaged couple who stumbles upon a strange mix of people at an annual Transylvanian convention and soon becomes immersed in the world of Dr. Frank-N-Furter, a transvestite who created a creature he calls Rocky Horror. The film is full of musical performances — including the Transylvanians’ famous dance to “The Time Warp.”

Sean Sandefer, one of the two directors of The Dayton Affair, the Dayton area’s “Rocky Horror” shadow cast, said some of his cast members will take part in the film screening at Wiley’s, acting out certain scenes on stage in costume. The group’s technical crew also will lead the audience in participation callbacks.

According to Sandefer, the show appeals to a wide range of people, which has been key to sustaining its popularity for more than 30 years.

“‘The Rocky Horror Picture Show’ is a timeless classic with a little bit of something for everyone,” he said. “It’s also a unique experience, where the audience is encouraged to participate by yelling during the movie and throwing things. If you’ve never seen the movie before, this would be a great first experience.”

One of the reasons the film has experienced ongoing popularity is in its ability to build a strong community of fans, according to Ryder.

“There is a commonality between the people who identify with this movie in much the same way as motorcyclists or tattoo aficionados identify with each other,” he said. “A lot of people think that it is the sexual ambiguity of the movie that draws people, but I think that only plays a small portion of it. There is an underground, cult-like presence that draws people whose everyday life could be very mundane, but this experience gives them a chance to delve into their wild side a bit.”

The tight-knit community is exactly why April Pope and her boyfriend Ronald Lynch remain die hard “Rocky Horror” followers. Pope and Lynch met at a showing in 1998, and have been together ever since.

Pope has attended more than 300 performances by The Dayton Affair, and said she used to never miss a show.

“I think ‘Rocky’ continues to thrive because it’s a place where you can go and fit in,” she said. “I come from Preble County, and when I was younger, unless you were into derby cars and tractor pulls, there isn’t a lot for you here. I know a lot of Preble County ‘misfits’ have ended up at ‘Rocky.’ We fit in there. It’s one of the first places I felt comfortable and no one judged me.”

Ryder said he expects a packed house of fans Friday. Attendees must be at least 18 years old, and are welcome to come dressed as one of the characters in the movie, or as “any other combination of outrageousness that is legal to be seen wearing in public,” he said. Those who attend are allowed to bring any of the standard “Rocky Horror” items with them, including hot dogs, newspapers, toilet paper, squirt guns and toast.

Tickets for the event can be bought at the door for $5. Individuals are encouraged to make reservations ahead of time, especially if they are attending with a group, by going to the Facebook event page titled “Dirty Little Secret Sweet Transvestite Screening” or by calling (937) 224-JOKE (5653).

According to Ryder, audience members should come expecting, in the words of Frank-N-Furter, “erotic nightmares beyond any measure, and sensual daydreams to treasure forever,” in a show that changes with every viewing.

“The only mission that Dirty Little Secrets is on, that I can discern, is to create a sense of community, as well as presenting the most unique entertainment available,” Ryder said. “In that fashion, the screening of this movie is right on target.”

Read Ryder’s DaytonMostMetro.com piece titled “Maybe You Understand Me Now” for his take on the philosophy behind the show.

[yframe url=’http://www.youtube.com/watch?v=SDq48kIn85U’]

Singing Joyfully in Turbulent Times

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Michele Borns and the cast of The Sound of Music

Terrific vocals, effectively ominous Nazi overtones and a delightful lead performance are great assets to Epiphany Lutheran Church’s sufficient 20th anniversary production of Rodgers and Hammerstein’s “The Sound of Music.”

Lovely soprano Michele Borns – simply excellent in Epiphany’s productions of “Jane Eyre” and “The Music Man” – was born to play Maria, the bubbly, devout postulant-turned-concerned governess. Borns delivers all of her musical numbers with winsome appeal and supplies a convincing evolution from spunky innocence to confident maturity. She doesn’t receive much support from an awkward Wayne Ulman as Captain Georg Von Trapp, but her vital scenes opposite Von Trapp’s seven children (enjoyably and compatibly portrayed by Erin Ulman, Timothy Seiler, Abby Kress, Nick Kress, Megan Ulman, Emily Kennebeck and Abbey Fry) are authentic, warm and humorous, especially “Do Re Mi,” “My Favorite Things” and Annette Looper’s colorfully choreographed “The Lonely Goatherd.”

Renee Franck-Reed, another standout soprano, is also strong as the kind, practical Mother Abbess. Franck-Reed’s firm rendition of “Climb Ev’ry Mountain” certainly brings Act 1 to an emotionally fulfilling finish. Ian Benjamin (Rolf) joins Ulman for a very charming “Sixteen Going on Seventeen.” Megan Rehberg (Baroness Schraeder) is properly sophisticated and attractively costumed by Maria Klueber and Lori Watamaniuk. Ralph Bordner (Max Detweiler), Sandy Schwartzwalder (Frau Schmidt), Chace Beard (Franz), Michael Shannon (Herr Zeller), Martha Armstrong-Benjamin (Sister Berthe), Becki Foster (Sister Margaretta) and Allison Tura (Sister Sophia) and the beautifully harmonious Nun Choir are also noteworthy.

Director Brett Greenwood astutely heightens the inherently sappy yet solid material with chilling archival footage of Hitler’s dark reign. Musical director John Benjamin leads a steady orchestra. Bruce Brown creates another crafty, eye-catching set design.

The Sound of Music continues through Sunday, July 24 at Epiphany Lutheran Church, 6430 Far Hills Ave., Centerville. Act One: 1 hour and 45 minutes; Act Two: 55 minutes. The production is double-cast. The cast reviewed will perform Friday, July 22 and Saturday July 23 at 8 p.m. The second cast, starring Kandis Wean as Maria, will perform Saturday, July 23 and Sunday, July 24 at 2:30 p.m. Tickets are $15 for adults and $10 for children 12 and under in addition to seniors 60 and older. For tickets or more information, call Jane Lane at (937) 433-1449 ext. 105 or send her an e-mail at [email protected]. A portion of the proceeds will support the Leukemia & Lymphona Society in honor of the late Kay Frances Wean, longtime director of the Epiphany Players Drama Ministry.

Don’t Miss BEGINNERS! Prize Details Inside!!

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Hello Everyone.

If you still need to see THE TREE OF LIFE, Thursday (7/21) will be its last day at THE NEON (all showtimes are available at HERE).  On Friday, we will open the new film from Mike Mills – BEGINNERS – starring Ewan McGregor and Christopher Plummer (Plummer’s performance is an Oscar shoe-in for “Best Supporting Actor”).

Synopsis for BEGINNERS: “From writer/director Mike Mills comes a comedy/drama about how deeply funny and transformative life can be, even at its most serious moments.  BEGINNERS imaginatively explores the hilarity, confusion, and surprises of love through the evolving consciousness of Oliver (Golden Globe Award nominee Ewan McGregor). Oliver meets the irreverent and unpredictable Anna (Melanie Laurent of Inglourious Basterds) only months after his father Hal (Academy Award nominee Christopher Plummer) has passed away. This new love floods Oliver with memories of his father who – following 44 years of marriage – came out of the closet at age 75 to live a full, energized, and wonderfully tumultuous gay life. The upheavals of Hal’s new honesty, by turns funny and moving, brought father and son closer than they’d ever been able to be. Now Oliver endeavors to love Anna with all the bravery, humor, and hope that his father taught him.” (taken from filmjabber.com)

Click HERE to visit the official site.  Below is a wonderful “Making Of” featurette.

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Before the 7:20 screenings of BEGINNERS on both Friday and Saturday night, I will be giving out a handful of T-Shirts and soundtracks.  So brush up on your NEON trivia – I hope to see you here!

On Saturday night, our large auditorium has been rented for a special event.   2 MUCH FLAVOR is a rollerblading documentary (a follow-up to SAVOR THE FLAVOR from 2008) by local videomakers Ryan Benner and Andrew Thompson.  A trailer is available HERE.  The movie will play on Saturday night, July 23 at 10pm.  Tickets will be $5 each.

Many of you have been asking and calling about BUCK.  We appreciate your patience as our schedule continues to re-arrange.  We will eventually play it!

Our new parking lot has new lines and is ready for parking!  You can access this lot (which has 2 different sections) from St. Clair.  One section exits onto 5th Street…the other exits back onto St. Clair.  All the spots are visible from our front window, and new light bulbs have been installed to make certain it is well lit.  As always, this lot if free to NEON customers.  If it is full, we can validate your ticket for the parking garage any time after 6:00 on weekdays or all weekend long.  If you have questions, please don’t hesitate to call or write.

Hope to see you soon.

Take care!

Jonathan

SHOWTIMES for July 22 – July 28:

MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min

Friday: 12:50, 3:00, 5:10, 7:30, 9:40

Saturday: 12:50, 3:00, 5:10, 7:30

Sunday: 12:50, 3:00, 5:10, 7:30, 9:40

Monday – Thursday: 3:30, 6:00, 8:30

BEGINNERS (R) 1 Hr 45 Min

Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:20, 9:45

Monday – Thursday:  3:00, 5:30, 8:00

2 MUCH FLAVOR (NR)

Saturday: 10pm

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

July 29 PAGE ONE: INSIDE THE NEW YORK TIMES

July 29 DOUBLE HOUR

Aug 5 BUCK

Aug 5 SNOW FLOWER AND THE SECRET FAN

Aug 12 BEATS AND RHYMES: A TRIBE CALLED QUEST

Aug 26 ANOTHER EARTH

Aug 26 THE GUARD

Sept. 9 LIFE ABOVE ALL

Sept 9 WHISTLEBLOWER

Sept 23 HIGHER GROUND

TBD THE FUTURE

One More Week at THE NEON!

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Hello Everyone.

I’m keepin’ it short and sweet this week.

I’m sorry to report (but happy to report) that we can’t open BEGINNERS on Friday.  Why?  Because our two current films are still performing amazingly!  We will hold MIDNIGHT IN PARIS and THE TREE OF LIFE for another week…and we plan to at least open BEGINNERS on July 22.   If possible, we’ll also openBUCK on July 22.  We appreciate your patronage and your patience as we continue to do gangbuster business.  And I promise…BEGINNERS is worth the wait.

Visit the official website for each of our current films:

MIDNIGHT IN PARIS THE TREE OF LIFE

Our new parking lot has new lines and is ready!  You can access this lot (which has 2 different sections) from St. Clair.  One section exits onto 5th Street…the other exits back onto St. Clair.  All the spots are visible from our front window, and new light bulbs have been installed to make certain it is well lit.  As always, this lot if free to NEON customers.  If it is full, we can validate your ticket for the parking garage any time after 6:00 on weekdays or all weekend long.  If you have questions, please don’t hesitate to call or write.

Hope to see you soon.

Take care!

Jonathan

SHOWTIMES for July 15 – July 21:

MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min

Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:30, 9:40

Monday – Thursday: 3:30, 6:00, 8:30

THE TREE OF LIFE (R) 2 Hr 18 Min

Friday, Saturday, Sunday: 1:00, 4:15, 7:00, 9:45

Monday – Thursday:  2:30, 5:15, 8:00

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

July 22   BEGINNERS

July 22   BUCK

July 29   PAGE ONE: INSIDE THE NEW YORK TIMES

Aug 5   SNOW FLOWER AND THE SECRET FAN

Aug 12   BEATS AND RHYMES: A TRIBE CALLED QUEST

Aug 26   ANOTHER EARTH

Aug 26   THE GUARD

Sept. 9   LIFE ABOVE ALL

Sept 23   HIGHER GROUND

TBD   DOUBLE HOUR

TBD   THE FUTURE

The Yellow Springs Experience

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Summer is amazing, all of a sudden there is just so much to do. And I want to do it all! (Well not really, all. Would you believe 1/2?) But here comes another great summer weekend that I have been looking forward to for months! I want to play at the Cirque, pop my gob of gum onto the Traveling Gum Wall, dance with my sweetie under the stars, and, and, well you get the idea.

The Yellow Springs Experience is this weekend, July 15th-17th. There are special events for kids, events for families and lots of fun activities you can enjoy by yourself or with a friend. It starts on Friday night with The Dayton Street Cirque Carnival, the best street party ever.

The Cirque Carnival will be at the convergence of Dayton & Corry Streets from 6-10 pm.

Soul Fire Tribe, fire dancing at the Cirque.

On the Main Stage

• 6-7pm Sportfishing USA

• 7pm Egyptian Breeze

• 7:30-8:45pm YSKP Cotton Club Review

• 8:45pm Yoga Springs Studio

• 9-10pm The Undercovered

At the Acoustic Stage

• 6-6:30pm Coat Hanger Halos

• 6:30 Brendan Sheehan Solo Act

• 7-8pm Acoustic Reveille

• 8-8:30 John and Maria Booth (Spoken Word)

• 8:30-9:30pm Johnny, Stills, Stash, and Youngin

In the Ring of Amazement

• 6:30-7pm- the Jill Becker Group with Dance Improv
.

• 7-7:30pm -The Daredevil Circus Act 1 (aerial performance)

• 7:30 pm-Juggling .

• 8-8:30pm – Laylia – Tribal Belly Dance

• 8:30pm- Flash Mob Dancers

• 9-9:30pm -The Daredevil Circus Act 2

• 10pm Soul Fire Tribe

And there’s a Kids Parade (at 6:30pm, all kids invited!)- The Traveling Gum Wall, (a perfectly disgusting, interactive, public-art experience) –Artisan Booths –Massage and Tarot Readings, you can get Feathers Extensions for your hair and Spray On Tatoos and of course Food! Come in costume if you want. There will be lots of great people watching.

Whew, that’s just the beginning of this wacky weekend!

On Saturday, there are 4 great workshops! You can learn how to make “Sterling Silver Rings” (you make 3 rings to take home.) Or during “Japanese Paper Lanterns” a 2 day workshop, on Saturday you create your own handmade paper, then on Sunday you get to make the Lanterns. Saturday afternoon you can find out about “Ayurvedic Healing” or have a blast learning to “Belly Dance”. Registration is required for the workshops. To register- get artists’ contact info at yellow-springs-experience.org

Also on Saturday, from 3-6 p.m. at the Village Artisans, artist and children’s book author Kathy Moulton will be holding a book signing, talk and reception for the original art from her 4 new books. Kathy’s popular art is made up of a wonderful world of gentle humor. Ask her about her adventures in self-publishing and making art on her computer. Any child that comes to visit will receive free coloring pages (samples from her new books.)

Have a “Quick Sketch” done be Artist Clarice Moore. She’ll be set up at the Art Park, 100 Corry Street, all day Saturday. Or pop into EdenWorld and have a Wellness or Spa Session or have your tarot cards read..

If you love to hike in the woods, Saturday morning includes a docent-led “Birding Hike” through Glen Helen, Yellow Springs much beloved 1000 acre woods.

In the evening it’s mucho Music, mucho Dancing Events and Theater with the YS Kids Playhouse performing “The Cotton Club.”

(I covered that part in my last blog entry. There is so much going on during an Experience weekend that it’s too much for one post! If you would like to read about the Saturday night music and dance events read “Gotta Dance? Do It in Yellow Springs.”

O.K. on to Sunday. Come back and take a peaceful docent led “Wildflower Hike” in the afternoon. Or give yourself a treat and relax with an Edenworld massage. From 2-3 in the afternoon, at the Glen building you can hear a talk about the “Myths and Truths About Coyotes” and Sunday night, you can take in a performance of the Cotton Club.”

Well that’s the scoop, for details go to yellow-springs-experience.com

See you in the Springs!

Songs of the Undead: Encore Premieres “In My Blood”

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IN MY BLOOD by Mark Weiser - Encore Theater Co. - July 14-16, 2011IN MY BLOOD

Encore Theater Company

Win Tickets to this new musical! Read on!

Vampires are everywhere. Not since Transylvania has a nation been so overrun with the undead. Is there an area of pop culture devoid of these little bloodsuckers? On television, I guess we have Joss Whedon to blame for his electrifying Buffy The Vampire Slayer all the way through more current hits like HBO’s True Blood and any of a number of copycat shows just like it. In cinema, there’s no other place to look but the Twilight series for the source of teen vampire mania. Walk into any Barnes & Noble and you’re likely to find title after title featuring some collection of sex-crazed vampires. Even in music, isn’t there a band called Vampire Weekend?

One thing’s for sure: this is not your father’s vampire craze. This new breed of vampire is less B-movie and more B-cup. (Immortality doesn’t seem so bad when everyone is ridiculously attractive, right?) Despite a marketing blitz like no other, the trend has been unable to sink its teeth into Broadway – try as it may! Elton John attempted (it’s the kindest word I can use here) a musical-adapted Anne Rice with Lestat and Jim Steinman penned the ill-fated Dance of The Vampires. Even Frank (Jekyll and Hyde) Wildhorn couldn’t capture musical thriller lightning in a bottle twice. His musical Dracula was an infamous bomb in New York. But there’s hope – this weekend in Dayton – that Encore Theater Company could break the curse when the regional premiere of Mark Weiser’s vampire rock musical In My Blood plays three performances at Sinclair Theatre’s Blair Hall.

IN MY BLOOD by Mark Weiser - Encore Theater Co. - July 14-16, 2011 - Photo by Ray ZuppThe show, written by New-York Based composer Mark Weiser has been called “The right combination of romance, conflict, humor and drama” (Theatremania). In the tradition of contemporary vampire stories, In My Blood deals primarily with Gray and Alex, two childhood friends, who reunite for one last night of partying. They learn of an annual, secret soiree, at a hidden location called SANCTUARY. There, they meet Unique and Sasha, two of the revelers. Over the course of the evening, the pairs fall in love. The two friends come to learn that this is the home of the world’s last surviving vampires, and are offered a chance to join them, and live forever. Ultimately, everyone must choose sides – for love, for life and for family. The casts features 10 local performers including ETC Company member JJ Parkey (featuring previously this season in the title role of Hedwig & The Angry Inch). In partnership with Sinclair Theatre, the show is directed by Kimberly Borst with musical direction by John Faas.

“In My Blood deals with real people with real issues of isolation and social shunning who ALSO just happen to be vampires.”

“What works in Mark’s script that hasn’t worked in previous vampire-themed musicals is intent,” says ETC Artistic Director David Brush, “The ‘vampire’ element here is a device and not the primary concern, so people connect to the characters on real levels.”  But don’t fear, there’s plenty of bloodshed for every taste level and a healthy dose of rock ‘n’ roll. ETC first came in contact with the show on their Litehouse New Musicals Reading series under the name The Cure. In My Blood continues ETC’s primary mission of developing new musicals right here in Dayton before heading off to New York. Weiser himself spent several days in Dayton last week working directly with the cast an creative team in an effort to work out some of the new material – it’s a part of the process ETC values enormously.

[yframe url=’http://www.youtube.com/watch?v=yDmfuWAxVyQ’]

In My Blood opens Thursday July 14 for three performances.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information

Encore Theater Company - New Musicals. Next Generation.In My Blood – July 14 – 16, 8:00 pm

Encore Theater Company

Performances will be held at Sinclair Community College’s Blair Hall Theatre.

Tickets are $15 and can be reserved through http://brushfire.e-vent.info/Events/Sinclair/Default.aspx, by contacting (937) 512-2808 (be sure to leave a message as regular box office hours are not kept during the summer)

For more information, check out the Encore Theater Company.

Win Free Tickets!

Encore Theater Company & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to In My Blood!  We will be giving away up to SIX pairs of tickets for the show! All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page (We’ll give away one pair of tickets for every FIVE FB/Twitter Shares).
  • Fill out the contact form at the bottom of this post.
  • …and the fun part: leave a comment below, answering the following question…IF YOU WERE TO BECOME A VAMPIRE…WHAT VAMPIRE-Y TRAIT WOULD YOU MOST BE EXCITED TO HAVE?
  • The deadline to enter is NOON on THURSDAY, JULY 14TH.
  • Winners will be selected randomly from all of the entries.
[contact-form 6 “Contest Entry”]

Gotta Dance? Do it in Yellow Springs!

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Do you find yourself grinning and “Woo Hooing” when someone says let’s go dancing?  Have I got a night made for you!   On Saturday July 16th Yellow Springs will be packed with opportunities to dance.

Dance Event #1

At 6:30p.m. and 8 p.m.  The Show—a Springfield-Yellow Springs based rock trio will be performing original, high-energy music that spans genres from garage and surf, to punk and funk! This musical event accompanies a 6-9 p.m. art exhibit called Synesthesia , featuring concert posters by Ryan Henry & guests. Henry’s designs are influenced from the Art Noveau and Psychedelic poster genres. It takes place at the YSAC Gallery Space and in the beautiful Garden in the back at 309 Xenia Ave.  It’s a free event!

For more information on The Show, go to www.myspace.com/theshowwillgrow

Dance Event #2

7-10pm Dance Piazza @ the Art Park—100 Corry Street is another free event! [yframe url=”]

DJ JuJu’s Dance Piazza is an outdoor international dance party. From 7-8 p.m. on July 16th, Jill Christie of the Dayton Ballroom Dance Club will be demonstrating Swing Dance and encouraging anyone who wants to dance, to try it out.

Then from 8-10pm DJ Juju will spin Latin dance and other world music including Afro-beat, Bhangra, Middle Eastern, club, old-school and R & B.

Judith “Juju” Wolert-Maldonado is a photojournalist, documentary filmmaker and DJ living and working in between Yellow Springs, Ohio, New York City and Buenos Aires, Argentina.

Judith says” When in the Buenos Aires province, I frequently attend a weekly outdoor festival, the “Feria de Mataderos.” Each Sunday, thousands of Argentines gather in the closed-off streets to dance the day and night away to the live, diverse sounds of Argentine folk music. If there is an empty ground space at this festival, it quickly fills up with dancers or musicians, just regular folks who enjoy the camaraderie and freedom of dancing and playing out in the open, because they can.  During the Argentine dictatorship of the 1970s and early ’80s, violent curfews and censorships eliminated any sort of festival or public arts events. “

Dance Piazza is also taking place on the following dates with dance instructors featuring different kinds of dance for each event.

JULY 2 – Bhangra (Punjabi Folk Dance) with Karanvir Singh

AUGUST 6 – Mexican Folk Dance with Nuestro Orgullo youth dance troupe

AUGUST 20 – Flamenco Dance & Guitar with Mariya Tarakanova & Brent Del Bianco of Flamencotalk

SEPTEMBER 3 – West African Drum & Dance with BabaaRitah Clark

SEPTEMBER 17 – Appalachian Clogging & Old Time Music with Rick Good (formerly of Rhythm in Shoes) & Friends

The Dance Piazza will be cancelled in case of severe thunderstorms but will carry on under shelter in light rain! *

[yframe url=’http://www.youtube.com/watch?v=rEBFtOE4CTM’]

More info: (937) 430-2505 or [email protected]

Dance Event #3

Then there is Ballroom Dancing Under the Stars

9:00 p.m.- 11p.m.  At the Antioch Amphitheater.  Directions to The Amphitheater can be found by visiting www.yskp.org or calling 767-7800.

Ticket are $5.00

Ballroom Dancing Under the Stars will feature live music, lots of prizes, great dancing and a cash bar. After the performance of the Cotton Club (YS Kids Playhouse is performing the Cotton Club, an original Jazz Musical at the Amphitheater at 7:30 p.m.) as the applause dies down, and the stars come out, the sets will be spirited away, a cash bar will magically appear (it’s all magic in the theater) and the band will begin to play.  It’s time for Dancing under the Stars!  (If you like to dress up wear a Jazz Era costume. there will be prizes for costumes too.)

So that’s the line up for Saturday evening on July 16th but I can’t resist telling you about one more opportunity to dance that is going on earlier in the day.

It’s a Belly Dancing  Workshop with one of my favorite dancers.

Saturday July 16th from 2:30-3:30 Janna Mueller will be teaching Intro to Belly Dancing . Her prices are great!  For individual’s it’s only $15, for a Mother/daughter $25 for two, or if you bring a friend (two people sign up together) it’s $25 for two.

Janna is the director of the Egyptian Breeze Belly Dance troupe.  If you have ever gone to the Yellow Springs Street Fair, you’ve seen them.  Janna teaches belly dance to women and girls of all ages, shapes and sizes.  I’ve had friends take her workshops and they say it’s a lot of fun, there’s loads of laughing and letting loose.  You get to learn the basic moves of belly dance, try on belly dance hip scarves and get dancing! To register contact Janet at: 532-3950 or E-Mail- [email protected] You can visit Janet’s web site at- Egyptianbreeze.com

All these dance events are part of the Yellow Springs Summer Experience-July 15-17.  To find out about other fun events (and there are a lot of them!) going on during the Summer Experience go to: yellow-springs-experience.org

Activated Spaces is back.

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My last adventure got me out of the car and exploring the region via bus, bike and good ol’ fashioned walking. And you know what I saw? Well, in addition to the random shopping cart and dude who was arguing about drugs – I saw great local art! And not by seeking out a gallery (although I recommend that, too) – but by just walking around.

The Activated Spaces team (powered by the Greater Downtown Dayton Plan) worked with local property owners and invited artists to share their work with the community while focusing on our region’s assets. It was a great success and resulted in 17 vibrant art displays filling downtown windows and the selection of Amanda Sue Allen as the People’s Choice award (work currently on display at the Cannery Art and Design Center). Everything from photography to quilt-work and paintings to cloth and pottery to cellophane was represented (and much, much more!) It was a great, diverse and eclectic celebration of Dayton’s professional and amateur artists.

Serida checks to make sure the QR code is working on the Dayton Creative Syndicate's installation featuring the Culture Works festival.

So – they’re doing it again! They have put the call out to local artists to submit work for a second round of storefront window art displays to be unveiled at the September Urban Nights. The fall 2011 installation theme, “Spotlight Dayton,” challenges artists to focus on our many downtown neighborhoods and highlight favorite places. They hope to include aspects of all areas of downtown–neighborhoods, parks, organizations and various community assets may be featured. It may be a challenge to remain strictly faithful to the theme, but the emailed prospectus states that they welcome artists’ interpretations of the theme however loose or literal it may be; if the artwork is not an exact demonstration of the theme, the artist statement may tie the work to the theme.

Details of the project and submission guidelines are available online. Submissions are due by Friday, August 12, at 5PM.

Check out the Activated Spaces web site for more information.

Stayin’ Put for 1 More Week at THE NEON!

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Hello Everyone.

We had another great weekend at THE NEON…in fact, MIDNIGHT IN PARIS saw a small increase over the past few days.  Both THE TREE OF LIFE and MIDNIGHT IN PARIS will stick around for another week…and we plan to at least open BEGINNERS on July 15.

Visit each film’s website by clicking on the links below:

MIDNIGHT IN PARIS

THE TREE OF LIFE

Our new parking lot has new lines and is ready!  You can access this lot (which has 2 different sections) from St. Clair.  One section exits onto 5th Street…the other exits back onto St. Clair.  All the spots are visible from our front window, and new light bulbs have been installed to make certain it is well lit.  As always, this lot if free to NEON customers.  If it is full, we can validate your ticket for the parking garage any time after 6:00 on weekdays or all weekend long.  If you have questions, please don’t hesitate to call or write.

Take a look at the trailer for BEGINNERS – opening on July 15.  You don’t want to miss this film!!

[yframe url=’http://www.youtube.com/watch?v=rXUFUp6vsxg’]

Hope to see you soon.

Take care!

Jonathan

SHOWTIMES for July 8 – July 14:

MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min

Friday: 12:50, 3:00, 5:10, 7:30, 9:40

Saturday: 12:50, 5:10, 7:30, 9:40

Sunday: 12:50, 3:00, 5:10, 7:30, 9:40

Monday – Thursday: 3:30, 6:00, 8:30

THE TREE OF LIFE (R) 2 Hr 18 Min

Friday, Saturday, Sunday: 1:00, 4:15, 7:00, 9:45

Monday – Thursday:  2:30, 5:15, 8:00

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

July 15   BEGINNERS

July 15   BUCK

July 22   PAGE ONE: INSIDE THE NEW YORK TIMES

Aug 5   SNOW FLOWER AND THE SECRET FAN

Aug 12   BEATS AND RHYMES: A TRIBE CALLED QUEST

Aug 26   ANOTHER EARTH

Aug 26   THE GUARD

Sept. 9   LIFE ABOVE ALL

Sept 23   HIGHER GROUND

TBD   DOUBLE HOUR

TBD   THE FUTURE

Jazz & Peace Festival in Centerville

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Nighthawk

Jazz Advocate in partnership with the Centerville Arts Commission and WDPS 89.5FM radio is please to invite you to our 5th annual Jazz & Peace Festival. The event will be co-hosted by Clay “The Cooker” Collins of WDPS-FM and Charles “Butch” Stone of Jazz Central. A true family event designed to bring people and communities together to hear America’s Music.

The BRD (Bird) House Jammers will open followed by the Latin jazz group Chango, then life time jazz achievement winner Rick Evans, who will be followed by a true international jazz vocalist Mandy Gaines, with the United States Air Force Nighthawk jazz combo closing. The Dayton International Peace Mobile and Missing Peace Arts Space will be joining us again this year with many activities for the kids.

Chango

This event is made possible through a grant from Montgomery County and support from the Kroger Company – the concert is free, so bring your lawn chairs & blankets and enjoy the music at beautiful Stubbs Park Amphitheater from 1 to 7 pm on July 9, 2011. Details, directions and map of the Jazz and Peace Festival are available here.

[yframe url=’http://www.youtube.com/watch?v=GmT9Q9Ug8ZM’]

Saluting Dayton’s 2010-11 Theater Season

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(L to R) Kristie Berger, Madeline Casto and Susanne Marley in August: Osage County (Photo by Scott J. Kimmins)

Splendid collaborations, promising new works, compelling dramas and knockout regional and local premieres impressively accented Dayton’s strong, refreshingly progressive 2010-11 theater season.

I attended nearly 70 shows over the past 12 months, and unsurprisingly, the triumphs outweighed the troubled. Among the highlights: Cedarville University’s attractive and delightful “Hello, Dolly!”; the Dayton Theatre Guild’s comical yet poignant look at “The Boys Next Door”; the Dayton Playhouse’s 20th anniversary FutureFest and hilariously first-rate delivery of “The Producers”; Encore Theater Company’s wonderfully authentic “[title of show]” and “Hedwig and the Angry Inch”; Epiphany Lutheran Church’s marvelously magical “Seussical”; the disbanded SEED Theatre Project’s little-seen yet powerful “The Syringa Tree”; Sinclair Community College’s whimsical “Once On This Island”; the Victoria Theatre Association’s long-awaited arrival of Disney’s “The Lion King” and overdue embrace of the terrifically naughty “Spring Awakening” and “Avenue Q”; the Human Race Theatre Company and Wright State University’s dynamically dysfunctional “August: Osage County”; and the Dayton Philharmonic and Wright State’s stunning presentation of Leonard Bernstein’s rarely attempted “MASS.” Based on the artistic strengths of the Human Race/WSU and DPO/WSU collaborations, I certainly hope the organizations consider joining forces to stage Stephen Sondheim’s “Follies” in 2012-13.

Additionally, the deaths of Marsha Hanna of the Human Race Theatre, Nelson D’Aloia of the Victoria Theatre Association and Kay Wean of Epiphany Lutheran Church are equally noteworthy. After all, their amazing legacies will undoubtedly endure for years to come.

On Saturday, August 13 at Sinclair Community College’s Ponitz Center, Dayton’s theater community will gather for the eighth annual DayTony Awards, held in conjunction with the 10th annual Dayton Theatre Hall of Fame inductions celebrating theater patrons Don and Lois Bigler, Dayton Theatre Guild member Carol Finley and director Doug Lloyd primarily of Beavercreek Community Theatre. The DayTonys specifically honor outstanding designers, performers and productions across the area voted on by participating theaters. In the meanwhile, here are my choices for the season’s best.

BEST PROFESSIONAL PRODUCTION OF A PLAY

August: Osage County“August: Osage County,” Human Race Theatre/Wright State University

Honorable Mentions:

“Permanent Collection,” Human Race Theatre

“The 39 Steps,” Human Race Theatre

“Twelfth Night,” Human Race Theatre

“The Wonder Bread Years,” Victoria Theatre Association

BEST PROFESSIONAL PRODUCTION OF A MUSICAL

"The Lion King"

Disney’s “The Lion King,” Victoria Theatre Association

Honorable Mentions:

“Avenue Q,” Victoria Theatre Association

“The Drowsy Chaperone,” Human Race Theatre/Victoria Theatre Association

“right next to me,” Human Race Theatre

“Spring Awakening,” Victoria Theatre Association

BEST COMMUNITY THEATER PRODUCTION OF A PLAY

"The Boys Next Door"

“The Boys Next Door,” Dayton Theatre Guild

Honorable Mentions:

“Fat Pig,” Dayton Theatre Guild

“Mauritius,” Dayton Theatre Guild

“The Sugar Witch,” Dayton Theatre Guild

“The Syringa Tree,” SEED Theatre Project

BEST COMMUNITY THEATER PRODUCTION OF A MUSICAL

"The Producers"

“The Producers,” Dayton Playhouse

Honorable Mentions:

“Hedwig and the Angry Inch,” Encore Theater Company

“The Mystery of Edwin Drood,” Beavercreek Community Theatre

“The Spitfire Grill,” Beavercreek Community Theatre

“[title of show],” Encore Theater Company

BEST COLLEGIATE PRODUCTION OF A PLAY

"August: Osage County"

“August: Osage County,” Human Race Theatre/Wright State University

Honorable Mentions:

“Art,” Miami University

“The Importance of Being Earnest,” Cedarville University

“Picnic,” Wright State University

“See How They Run,” Cedarville University

BEST COLLEGIATE PRODUCTION OF A MUSICAL

"42nd Street"

“42nd Street,” Wright State University

Honorable Mentions:

“Anything Goes,” Wright State University

“Hello, Dolly!,” Cedarville University

“Jekyll & Hyde,” Wright State University

“Once On This Island,” Sinclair Community College

BEST NEW WORK

"right next to me"

“right next to me,” Human Race Theatre

Honorable Mentions:

“Hot Mess in Manhattan,” Encore Theater Company

“How It Works,” Dayton Playhouse FutureFest

“Next Thing You Know,” Encore Theater Company

“Refuge,” Dayton Playhouse FutureFest

BEST SPECIAL THEATRICAL EVENT

Leonard Bernstein's MASS: a Theatre Piece for Singers, Players, and Dancers - Dayton Philharmonic Orchestra & Wright State University Music, Theatre & Dance Departments, 2011

Leonard Bernstein's MASS

“MASS: A Theatre Piece for Singers, Players and Dancers,” Dayton Philharmonic Orchestra/Wright State University

Honorable Mentions:

“Forbidden Broadway Dances With the Stars!,” Victoria Theatre Association

“Into the Woods,” Muse Machine

“Seth’s Big Fat Broadway,” Springfield Arts Council

“Seussical,” Epiphany Lutheran Church

BEST LEADING ACTOR IN A PLAY

Alan Bomar Jones as Sterling North, “Permanent Collection”

Alan Bomar Jones - “Permanent Collection”

Honorable Mentions:

Geoff Burkman as Jim, “Refuge”

Richard Marlatt as Richard Hannay, “The 39 Steps”

Scott McGowan as Paul Barrow, “Permanent Collection”

Greg Smith as Fleeta Mae Bryte, “Precious Heart” (Dayton Theatre Guild)

BEST LEADING ACTRESS IN A PLAY

Susanne Marley as Violet Weston, “August: Osage County”

Susanne Marley

Honorable Mentions:

Kristie Berger as Barbara Fordham, “August: Osage County”

Amy Brooks as Jackie, “Mauritius”

Claire Kennedy as Viola, “Twelfth Night”

Robin Smith as Elizabeth Grace and others, “The Syringa Tree”

BEST LEADING ACTOR IN A MUSICAL

Blaine Boyd as Henry Jekyll and Edward Hyde, “Jekyll & Hyde”

Blaine Boyd - “Jekyll & Hyde”

Honorable Mentions:

Saul Caplan as Max Bialystock, “The Producers”

Wally Dunn as Man In Chair, “The Drowsy Chaperone”

JJ Parkey as Hedwig, “Hedwig and the Angry Inch”

David Sherman as Leo Bloom, “The Producers”

BEST LEADING ACTRESS IN A MUSICAL

Mary Kate O’Neill as The Baker’s Wife, “Into the Woods”

Honorable Mentions:

Cait Doyle as The Mess, “Hot Mess in Manhattan”

Jessica Diane Hickling as Dolly Levi, “Hello, Dolly!”

Alyssa Hostetler as Peggy Sawyer, “42nd Street”

Pam McGinnis as Hannah Ferguson, “The Spitfire Grill”

BEST SUPPORTING ACTOR IN A PLAY

Franklin Johnson as Lucien P. Smith, “The Boys Next Door”

Honorable Mentions:

Bruce Cromer as Clown #1, “The 39 Steps”

Jake Lockwood as Clown #2, “The 39 Steps”

Dave Nickel as Granddaddy Meeks, “The Sugar Witch”

Scott Stoney as Beverly Weston, “August: Osage County”

BEST SUPPORTING ACTRESS IN A PLAY

Madeline Casto as Mattie Fae Aiken, “August: Osage County”

Honorable Mentions:

Stephanie Anderson as Lady Bracknell, “The Importance of Being Earnest”

Sarah Caplan as Sisser Bean, “The Sugar Witch”

Keely Heyl as Miss Skillon, “See How They Run”

Melissa Joyner as Kanika Weaver, “Permanent Collection”

BEST SUPPORTING ACTOR IN A MUSICAL

Charles Larkowski as Roger De Bris, “The Producers”

Honorable Mentions:

Jonathan Berry as Carmen Ghia, “The Producers”

Gabriel Pyle as Cornelius Hackl, “Hello, Dolly!”

Kevin Rankin as Franz Liebkind, “The Producers”

Dean Swann as Mr. William Cartwright and Mayor Thomas Sapsea, “The Mystery of Edwin Drood”

BEST SUPPORTING ACTRESS IN A MUSICAL

Danika Haffenden as Ulla, “The Producers”

Honorable Mentions:

Abigail Nessen Bengson as Yitzhak, “Hedwig and the Angry Inch”

Christina Bianco as Kristin Chenoweth, Sarah Brightman, Bernadette Peters and others, “Forbidden Broadway Dances With the Stars”

Nora Coyle as Heidi, “[title of show]”

Angele’ Price as Susan, “[title of show]”

BREAKTHROUGH MALE PERFORMANCE

Jason David Collins as Charlie Aiken, “August: Osage County”

Honorable Mentions:

Riley Able as Hal Carter, “Picnic”

Nicolas Bauer as Carter, “Fat Pig”

Josiah Hutchings as Barnaby Tucker, “Hello, Dolly!”

Davis Sullivan as Jack, “Into the Woods”

BREAKTHROUGH FEMALE PERFORMANCE

Carly Snyder as Little Red Ridinghood, “Into the Woods”

Honorable Mentions:

Amy Askins as Jeannie, “Fat Pig”

Hannah Berry as Olive Ostrovsky, “The 25th Annual Putnam County Spelling Bee” (Dayton Playhouse)

Chelsea Cavender as Jean Fordham, “August: Osage County”

Bethany Locklear as Rosa Bud, “The Mystery of Edwin Drood”

BEST DIRECTION OF A PLAY

Marsha Hanna and Scott Stoney, “August: Osage County” Honorable Mentions:

Joe Deer, “The 39 Steps”

Adam J. Leigh, “The Syringa Tree”

Natasha Randall, “The Boys Next Door”

Aaron Vega, “Twelfth Night”

BEST DIRECTION OF A MUSICAL

Kay Francis Wean, “Seussical”

Honorable Mentions:

David Brush, “Once On This Island”

Robert and Ruth Clements, “Hello, Dolly!”

Chris Harmon, “The Producers”

W. Stuart McDowell, “Jekyll & Hyde”

BEST CHOREOGRAPHY

Rick Conant, “42nd Street”

Honorable Mentions:

Greg Hellems and Amber Preston, “Anything Goes”

Katy Russell and Alexandra Turner, “Hello, Dolly!”

Rodney Veal, “Once On This Island”

Megan Wean, “Seussical”

BEST SCENIC DESIGN OF A PLAY

Blake Senseman, “The Sugar Witch”

Honorable Mentions:

Dick Block, “Twelfth Night”

Tamara L. Honesty, “Permanent Collection”

Donald N.C. Jones, “The Importance of Being Earnest”

Pam Knauert Lavarnway, “August: Osage County”

BEST SCENIC DESIGN OF A MUSICAL

Paul Wonsek, “Into the Woods”

Honorable Mentions:

Bruce Brown, “Seussical”

Robert Clements, “Hello, Dolly!”

Tamara L. Honesty, “42nd Street”

Terry Stump, “Once On This Island”

BEST COSTUME DESIGN OF A PLAY

Lowell A. Mathwich, “Twelfth Night”

Honorable Mentions:

D. Bartlett Blair, “Picnic”

David M. Covach, “August: Osage County”

Donald N.C. Jones, “The Importance of Being Earnest”

Janet Powell, “The 39 Steps”

BEST COSTUME DESIGN OF A MUSICAL

Ruth Clements, “Hello, Dolly!”

Honorable Mentions:

D. Bartlett Blair, “42nd Street”

Josh Hollister, “The Producers”

Kathleen Hotmer, “Once On This Island”

Maria Kleuber and Lori Watamaniuk, “Seussical”

BEST LIGHTING DESIGN OF A PLAY

Nicholas Crumbley, “The Syringa Tree”

Honorable Mentions:

Robert Clements and Carolyn Ruck, “The Importance of Being Earnest”

Nicholas Crumbley, “Picnic”

John Rensel, “August: Osage County”

John Rensel, “Twelfth Night”

BEST LIGHTING DESIGN OF A MUSICAL

Gina Neuerer, “Once On This Island”

Honorable Mentions:

Tim Guth, “Seussical”

Becky Haines, “Evita” (Wilmington College-Community Summer Theatre)

John Rensel, “Into the Woods”

Carolyn Ruck, “Hello, Dolly!”

BEST SOUND DESIGN OF A PLAY

Nathan D. Dean, “The Syringa Tree”

Honorable Mentions:

Rich Dionne, “Twelfth Night”

James Dunlap, “August: Osage County”

Jason Nickoson, “Picnic”

K.L. Storer, “The Sugar Witch”

BEST SOUND DESIGN OF A MUSICAL

David Sherman, “Into the Woods”

Honorable Mentions:

Nathan D. Dean, “Once On This Island”

James Dunlap, “Jekyll & Hyde”

Dick Lane, “Seussical”

Brian Ronan, “Spring Awakening”

BEST PROPERTIES

Adrienne Niess and Ann Meyer, “Seussical”

Honorable Mentions:

John Lavarnway and Heather Powell, “August: Osage County”

Wendi Michael and others, “Precious Heart”

Blake Senseman and others, “The Boys Next Door”

Terry Stump, “Once On This Island”

BEST VIDEO/PROJECTION DESIGN

J. Wynn Alexander, “Evita” (Wilmington College-Community Summer Theatre)

Honorable Mentions:

David A. Centers, “right next to me”

Jackson Gallagher, “Next Thing You Know”

Benjamin Pearcy, “9 to 5: The Musical”

Rodney Veal, “Altar Boyz” (Encore Theater Company)

BEST ORCHESTRA

“42nd Street,” Musical Director: Rick Church

Honorable Mentions:

“Into the Woods,” Musical Director: David Dusing

“The Lion King,” Musical Director: Rick Snyder

“The Producers,” Musical Director: Ron Kindell

“Seussical,” Musical Director: John Benjamin

SPECIAL ACKNOWLEDGMENTS

Kevin Adams’ Tony Award-winning lighting design for “Spring Awakening”

Gregg Barnes’ Tony Award-winning costumes for “The Drowsy Chaperone”

Gregg Coffin’s orchestrations for “right next to me”

The collaborative artistic team of “MASS: A Theatre Piece for Singers, Players and Dancers”: Producers W. Stuart McDowell and Paul Helfrich; music director/conductor Neal Gittleman; stage director Greg Hellems; choreographer Gina Gardner-Walther; designer Pamela Knauert Lavarnway; choir director Hank Dahlman; children’s choir director Natalie DeHorn; assistant choir directors James Tipps and Drew Collins; lighting designer Matthew Benjamin; sound designer Keith Thomas; and costumer Joy Galbraith

Kevin Crewell’s recreation of Casey Nicholaw’s Tony Award-nominated choreography for “The Drowsy Chaperone”

Christian Duhamel’s original music for “Twelfth Night” and regional premiere of “Here With Me” (Human Race Theatre/Neon Movies)

The “Hedwig and the Angry Inch” band led by musical director John Faas

Joann M. Hunter’s recreation of Bill T. Jones’ Tony Award-winning choreography for “Spring Awakening”

Allison Janney as The Giant, “Into the Woods”

Melonie June Johns’ light and sound effects for “Seussical”

Rick Lyons’ puppet conception and design for “Avenue Q”

Matthew Michael Moore’s fight choreography for “See How They Run”

Music director Vince Peterson and cellist Dan Delaney’s accompaniment for “Hot Mess in Manhattan”

Lucy Skilbeck’s recreation of Michael Mayer’s Tony Award-winning direction for “Spring Awakening”

Music director Julie Spangler’s accompaniment for the Stephen Schwartz Musical Theatre Scholarship Competition (Human Race Theatre)

Music director Catherine Stornetta’s accompaniment for “Forbidden Broadway Dances With the Stars”

The principal cast and collaborative artistic team of “Porgy and Bess” (Dayton Opera): Thomas Ray Beard, Jr. as Porgy, Kearstin Piper Brown as Bess, Philip Boykin as Crown, Adrienne Danrich as Serena, NaGuanda Nobles as Clara, Roderick George as Sportin’ Life, Judith Skinner as Maria and Eric McKeever as Jake; music director/conductor Neal Gittleman; director Gary Briggle; choreographer Debbie Blunden-Diggs and the dancers of Dayton Contemporary Dance Company; and the singers of the Dayton Opera Chorus, Central State University and Wilberforce University

The Street Chorus of “MASS: A Theatre Piece for Singers, Players and Dancers”

Julie Taymor’s Tony winning direction and costume design, Julie Taymor and Michael Curry’s mask and puppet design, Garth Fagan’s Tony winning choreography, Donald Holder’s Tony winning lighting design and Richard Hudson’s Tony winning scenic design for “The Lion King”

The uncredited costumes for “Into the Woods”

Erin Winslow’s costumes for the role of Angela Arden-Sussman in “Die, Mommie, Die!” (Dayton Playhouse)

John Wesley Wright as the Celebrant, “MASS: A Theatre Piece for Singers, Players and Dancers”

The 2011 DayTonys/Dayton Theatre Hall of Fame gala, a black-tie optional event, will be held Saturday, August 13 at the Ponitz Center, Building 12, of Sinclair Community College, 444 W. Third St. The festivities begin at 6 p.m. and feature cocktails, dinner, dessert, dancing, a cash bar and free parking. The “early bird” cost is $35 per person prior to Monday, August 1. After August 1, the cost is $50 per person. Reservations must be received by Monday, August 8. Reservations can be made by calling Fran Pesch at (937) 654-0400. Make check payable to: Dayton Theatre Hall of Fame/DayTonys, P.O. Box 2706, Dayton, OH 45401-2706.

Let the Spectacle Astound You

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Brenda Mhlongo in The Lion King

Fourteen years since opening on Broadway, where it continues to reign as the dominant musical theater standard-bearer for kids and adults alike, Disney’s “The Lion King” finally arrives in Dayton to unsurprisingly close the 2010-11 season on a marvelous high note overflowing with visually stunning pizzazz and uniformly excellent performances.

“The Lion King,” based on the 1994 animated film of the same name and presented by the Victoria Theatre Association’s Miami Valley and Good Samaritan Hospitals Broadway Series, is the technically brilliant brainchild of director Julie Taymor and a recipient of six 1998 Tony Awards including Best Musical. The production simply astounds at the outset due to the incomparable pageantry of “Circle of Life,” one of the finest opening numbers ever created. Within five applause-inducing minutes of spine-tingling splendor, a whimsical actor-puppet assemblage of birds, elephants, gazelles, giraffes, rhinoceroses, zebras and more gather together on stage and off. Although this ingeniously conceived prologue feels slightly rushed here and could benefit from more processional surprises in the aisles, a concern I’ve had with previous “Lion King” tours over the years, it is a crowd-pleasing hallmark worth the price of admission.

Elsewhere, Taymor’s finesse as an avant garde visionary stunningly elevates the action from her incorporation of shadow puppets to moments of high drama (the wildebeest stampede) and emotional poignancy (the sight of lionesses in mourning). Still, her artistic wizardry, particularly her fascinating mask/puppet designs co-created with Michael Curry that never hide the actors, doesn’t overshadow the material, a significant attribute oddly ignored during her muddled creation of “Spider-Man: Turn Off the Dark.” After all, this engaging yet character-overloaded tale of a young lion’s struggle with doubt, insecurity and fear following the premeditated murder of his father certainly resonates on its own without flashy conceptual interference as formulated by librettists Roger Allers and Irene Mecchi, who remain faithful to the charm and heartbreak of the original screenplay co-written by Mecchi, Jonathan Roberts and Linda Woolverton. An assortment of strikingly authentic and atmospheric African-infused tunes from Lebo M., Mark Mancina, Jay Rifkin, Taymor and Oscar winner Hans Zimmer also seamlessly accent Elton John and Tim Rice’s original songs, which include the Oscar winning “Can You Feel the Love Tonight.” Curiously, “The Morning Report,” a breezy ditty by John and Rice written for the stage version, has been cut from Act 1 but is not a detrimental loss.

Jelani Remy brings terrific soul-searching introspectiveness to his portrayal of Simba, who mistakenly flees Pride Rock in shame and ultimately confronts his past along the way. Remy’s achingly tender rendition of “Endless Night” is a truly compelling Act 2 highpoint. Dionne Randolph is fittingly regal yet compassionate as Mufasa, Simba’s imposing father. J. Anthony Crane embodies Simba’s treacherous uncle Scar with cool understatement and appealing sarcastic malevolence. Brenda Mhlongo, a joyful and playful Rafiki, particularly ushers in a dynamically uplifting version of “He Lives in You” opposite Remy late in Act 2. The delightful Tony Freeman, an expert puppeteer, exudes tightly wound sophistication as the fussy yet devoted Zazu. As Timon and Pumbaa, Nick Cordileone and Ben Lipitz respectively fulfill their comic relief duties with carefree zest. Andrew Arrington (Banzai), Monica L. Patton (Shenzi) and Ben Roseberry (Ed) are a compatible trio of silly hyenas. Syndee Winters, a fiercely determined Nala, supplies a lovely rendition of “Shadowlands.” Dusan Brown, Jerome Stephens, Jr., Monique Lee and Madai Monica Williams respectively alternate the roles of Young Simba and Young Nala. Tryphena Wade as Sarabi and Sharron Williams as the Cheetah are also noteworthy.

In addition to Taymor’s dazzling costumes, a particular explosion of color in the eye-catching “One by One,” Richard Hudson and Donald Holder are respectively responsible for an utterly remarkable set and lighting design. Garth Fagan’s spirited choreography is energetically executed with precision and passion. Music director Rick Snyder leads a solid orchestra featuring percussionists Stefan Monssen and Reuven Weizberg.

Whether you’re interested in seeing “The Lion King” for the first or fifth time, it remains an awesome spectacle not to be missed.

Disney’s The Lion King, which opened Thursday, June 16, continues through Sunday, July 10 at the Schuster Center, Second and Main Streets. Performances are Wednesday-Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 1 and 6:30 p.m. Act One: 68 minutes; Act Two: 60 minutes. Tickets are $32-$141. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

In addition, the Downtown Dayton Partnership and Victoria Theatre Association have partnered with local businesses to offer special discounts for Lion King ticket holders. For a complete list of promotions, along with parking information and more, visit www.downtowndayton.org

THE TREE OF LIFE – The Most Talked About Indie of the Year at THE NEON!

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Hello Everyone.

As planned, the fantastically charming POTICHE was only here for a week.  And just as we suspected, MIDNIGHT IN PARIS is still performing very well, and audiences are adoring it…so it will stick around for at least another week.

Today (6/24), we open the most talked about indie film of the year – Terrence Malick’s THE TREE OF LIFE.  Starring Brad Pitt, Sean Penn and Jessica Chastain, TREE OF LIFE was the winner of the Palme d’Or at this year’s Cannes Film Festival.  This film has been given a 100% review by The New York Times, The Chicago Sun-Times, NPR, USA Today, Variety, Time Out New York, The Village Voice, and many more.  Roger Ebert wrote, “The only other film I’ve seen with this boldness of vision is Kubrick’s 2001: A SPACE ODYSSEY, and it lacked Malick’s fierce evocation of human feeling.”

Synopsis for THE TREE OF LIFE:  “The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith. Through Malick’s signature imagery, we see how both brute nature and spiritual grace shape not only our lives as individuals and families, but all life.”  (Fox Searchlight Pictures)  Check out the beautifully designed official site.

[yframe url=’http://www.youtube.com/watch?v=WXRYA1dxP_0′]

Last week’s screening of WE WERE HERE was a marvelous, sold-out event – with a beautiful film and an insightful and brave panel discussion.  Many thanks to all my friends and community partners who helped to make the evening such a success.

We will have a new neighbor in the next few days – Sabai: Asian Cuisine & Sushi Bar. What we have been using for our parking lot for the past several years will soon become theirs.  Luckily, we will be able to utilize a new space that’s visible from our front windows.  Please start getting in the habit of parking in our new lot…though there aren’t parking lines yet, there will be soon.  We’ve painted a couple of the posts to make the lot quite easy to find.

Hope to see you this weekend.

Take care!

Jonathan

SHOWTIMES for June 24 – June 30:

MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min

Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:30, 9:40

Monday – Thursday: 3:30, 6:00, 8:30

THE TREE OF LIFE (R) 2 Hr 18 Min

Friday, Saturday, Sunday: 1:00, 4:15, 7:00, 9:45

Monday – Thursday:  2:30, 5:15, 8:00

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

July 1  DOUBLE HOUR

July 8  BUCK

July 15   PAGE ONE: INSIDE THE NEW YORK TIMES

July 15   BEGINNERS

Aug 5   SNOW FLOWER AND THE SECRET FAN

Aug 12   BEATS AND RHYMES: A TRIBE CALLED QUEST

Aug 26   ANOTHER EARTH

Aug 26   THE GUARD

Sept. 9   LIFE ABOVE ALL

Sept 23   HIGHER GROUND