Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

Arts & Entertainment

2 Hits and Events Galore at THE NEON!

By Leave a Comment

Hello Everyone.

It’s been a long, long time since we’ve had two hits with such longevity. We’re going to hold onto both BLACK SWAN and THE KING’S SPEECH for another week…and we’re currently planning to open MADE IN DAGENHAM on January 21. That said, the Golden Globes this Sunday may end up moving our entire schedule around for the coming weeks…and the upcoming Oscar nominations will also play a part. I’ll keep you posted.

BLACK SWAN Official Site. THE KING’S SPEECH Official Site.

In the next few weeks, we have numerous special events. In each case, THE NEON has been rented by a person or an organization. Ticket prices are then set by that lessee in accordance with their mission. Here are details that are ready for the press:

“Jasmine “Jazz” Taylor, a 2006 alumnus of Stivers School of the Arts and graduate of The Fashion Institute of Design and Merchandising (FIDM) in Los Angeles, will premiere the DVD of a fashion show fundraiser that helped further her educational development. The fashion show involved the community and showed the world that dreams can come true if you believe. The show focused on the “A Touch of Jazz” fashion line along with two new up and coming designers: Jamila Jones and Jamae Abney. In addition to the designers, local students were featured; doing anything from dancing, singing, and rapping, to modeling and playing instruments.
Unwrapping The Dream Fashion Show DVD Premiere Release is an opportunity for fashion show participates to fellowship with their peers, family, and friends while watching themselves on the big screen. It will be held Sunday January 16, 2011 at THE NEON – tickets are just $5.” (taken from press notes)

On Wednesday, January 19 at 7:00pm, cityfolk will present a free screening of BILL MONROE: FATHER OF BLUEGRASS MUSIC. “Steve Gebhardt’s film blends footage from rare 1990s performances by the founder of bluegrass music with a trove of interviews with Monroe, Emmy Lou Harris, Ricky Skaggs, Dolly Parton, Paul McCartney and many more. Gebhardt and scriptwriter and bluegrass expert Larry Nager will be on hand to discuss the making of the movie and Monroe’s vast legacy…General admission seating for this screening is available on a first-come, first-served basis.” (taken from press notes) Steve Gebhardt has directed and/or produced numerous music-based documentaries, including LADIES AND GENTLEMEN: THE ROLLING STONES, IMAGINE, and JOHN LENNON LIVE IN NEW YORK CITY.

“RIDE THE DIVIDE, which was named best adventure film at the 2010 Vail Film Festival, is an inspiring journey about the world’s toughest mountain bike race, which traverses over 2,700 miles along the Continental Divide in the Rocky Mountains. The film weaves the story of the three characters’ experiences with immense mountain beauty and small-town culture as they attempt to ride from Banff, Canada, to a small, dusty crossing on the Mexican border. The tests of endurance and the accomplished moments throughout Ride the Divide prompt us to reflect on our inner desires to live life to the fullest.” The film will play One Night Only – Wednesday, January 26 at 7:30.
Advanced tickets – ($10 each + $1 processing) are only available by visiting this link.  Tickets the day of the show will be available at the door for $15 each.

On Thursday, February 3 at 7:15, come to THE NEON for PK Night Dayton, Volume 6. PechaKucha Night was devised in Tokyo in 2003 as an event where people meet, network, and share their creative endeavors with a lively audience. PK Nights are now held in hundreds of cities, inspiring creative people worldwide. The name comes from the Japanese term for the sound of “chit chat”, and rests on a presentation format that is based on a simple idea: 20 images x 20 seconds. It’s a format that makes presentations concise, and keeps things moving at a rapid pace. PechaKucha Night Dayton is on its sixth volume, with presentations from Samantha Enslen, Reade Faulkner, Theresa Gasper, Sherif Hedayat, Sharon Howard, Brandy King, Jay King, and Chris Wire. Following the presenations, stick around for a screening of the thought-provoking and motivating documentary DIVE! Grocery stores around the country are filling their dumpsters with food. Not rotten, spoiled food, but billions of pounds of good, edible food. Follow filmmaker Jeremy Seifert and his circle of friends as they dumpster dive in the back alleys and gated garbage receptacles of L.A.’s supermarkets. In the process, they uncover thousands of dollars worth of good food and an ugly truth about waste in America: grocery stores know they are wasting and most refuse to do anything about it. The cost for this entire event is $5. Presentations start at 7:15 and DIVE! starts at 9:00.

The line-up of films in the coming weeks at THE NEON looks terrific, and there are several that I can’t wait to share with the community. We hope to see you soon.

Take care,
Jonathan

SHOWTIMES for January 14 – January 20:

BLACK SWAN (R) 1 Hr 48 Min
Friday, Saturday: 12:20, 2:40, 4:50, 7:20, 9:40
Sunday: 12:20, 2:40, 7:30, 9:40
Monday: 3:10, 5:40, 8:00
Tuesday – Thursday: 2:40, 4:50, 7:20

THE KING’S SPEECH (R) 1 Hr 51 Min
Friday, Saturday, Sunday: 12:10, 2:30, 5:00, 7:30, 9:50
Monday: 3:00, 5:30, 8:00
Tuesday: 2:30, 5:00, 7:30
Wednesday: 2:30, 4:50
Thursday: 2:30, 5:00, 7:30

UNWRAPPING THE DREAM – FASHION SHOW DVD RELEASE (NR)
Sunday: 5:30

BILL MONROE: FATHER OF BLUEGRASS MUSIC (NR)
Wednesday: 7:00

COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.

Jan. 21 MADE IN DAGENHAM
Jan. 28 I LOVE YOU PHILIP MORRIS
Feb. 4 THE ILLUSIONIST & ANOTHER YEAR
TBD: RABBIT HOLE, BIUTIFUL, SOMEWHERE
BLUE VALENTINE, TINY FURNITURE & BARNEY’S VERSION

Coming Up in Dayton Theatre – 01/13 – 01/26

By Leave a Comment

Muse Machine: Into the Woods

Muse Machine: Into the Woods / Photo Credit: Muse Machine

Thursday, January 13, 2011 – Wednesday, January 26, 2011

At tonight’s rehearsal for the show I’m stage managing, we ran Act I in its entirety for the first time. Sitting with my prompt book and taking notes, I couldn’t help but feel hopeful at the way this collection of scenes and songs we’ve been working on since November, in some small way at least, is becoming a show. It’s exciting, but also intimidating. Somehow it’s 2011 already, time to start meeting those resolutions and accomplishing things. The holidays are over and things we began last year, when 2011 seemed some part of the future, are now part of the present. Some days I feel like life is moving too quickly, and it’s all I can do just to keep up.

But, the shows in Dayton these next few weeks seem perfect for how I’ve been feeling already. From the comedy to the mystery, I think the theatres have hit the vast spread of emotions that come with the new year, and that’s true for other people and situations. So, you should join me in catching one of these shows over the next two weeks – or, if you’re in the mood for a little something more, audition for one of them yourself.

ANOTHER OPENIN’, ANOTHER SHOW

…Shows Opening Soon

I Hate Hamlet

PLAYHOUSE SOUTHPHS: I Hate Hamlet

The Story: In this dramatic comedy, television actor Andrew Rally is struggling in his professional and private lives, attempting to play the role of Hamlet (which he hates) and deal with his girlfriend’s unrelenting chasteness. The dilemma deepens when the ghost of John Barrymore appears to try to convince Andrew to persevere in the role… while an old deal-making friend suddenly offers Andrew the chance at a new television deal.

Dates: January 21 – 23, 28 – 29, 2011

Tickets: 888-262-3792

More Information: Playhouse South

…Shows Closing Soon

Into the Woods

Muse: Into the Woods

Students rehearse for Into the Woods (photo credit Muse Machine).

MUSE MACHINE

The Story: After a Witch curses a Baker and his wife with childlessness, the couple embarks on a quest for special objects from classic fairy tales to break the spell, stealing from and lying to Cinderella, Little Red, Rapunzel, and Jack (of beanstalk fame). But the characters didn’t count on the consequences of their actions or the disasters that would ensue…

Dates: January 13 – 16, 2011

Tickets:(937) 228-3630 or Ticket Center Stage: Muse Machine

More Information: Muse Machine: Into the Woods, DMM Feature, DMM Event

Ravenscroft

DAYTON THEATRE GUILD

The Story: In this comedy about deception and the nature of truth, DTG: Ravenscroftwhen Inspector Ruffing is called to a remote English county manor house to investigate the death of Patrick Roarke, he becomes involved in the lives of five alluring and dangerous women who lead him through an evening of contradictory versions of Patrick’s demise, including ghosts, skeletons, and much more than he bargained for. (DTG)

Dates: January 7 – 23, 2011

Tickets: 937-278-5993 or DTG Box Office

More Information: Dayton Theatre Guild: Ravenscroft, DMM Review, DMM Event

PART OF IT ALL

…Auditions and Casting Calls

Titus Andronicus

SPRINGFIELD STAGEWORKS

William Shakespeare

William Shakespeare

Auditions: January 17 & 18, 2011, 7:00 pm

Performances: April 14 – 23, 2011

The Story: In this intense Shakespearean classic, Roman war general Titus Andronicus has just returned from battle to find all but four of his twenty sons dead; his ritual sacrifice of the sons of Tamora, Queen of the Goths, earns him her despise and promise of revenge. What follows is an insane struggle of power and betrayal in this gritty tragedy.

Directed by Larry Coressel

More Information: Springfield StageWorks: Auditions

Joseph & the Amazing Technicolor Dreamcoat

PLAYHOUSE SOUTH

Auditions: January 24 & 25, 2011; callbacks January 26

Performances: March 25 – April 9, 2011

The Story: This musical, the first collaboration between Andrew Lloyd Webber and Tim Rice, explores the Biblical saga of Joseph through an exciting variety of musical styles. The prophetic Joseph is sold into slavery by his jealous brothers and taken to Egypt, where he “endures a series of adventures in which his spirit and humanity are continually challenged” as he struggles to survive in a new land and move past his brothers’ betrayal.

Directed by Jennifer Skudlarek

More Information: Playhouse South

ONE SHORT DAY

…Special Events for the Theatrically Minded

3 Mo’ Divas

3 Mo' Divas

3 Mo' Divas (Photo Credit Douglas Brown, 2008)

VICTORIA THEATRE ASSOCIATION – SCHUSTER CENTER

The Basics: According to VTA, “Delivering ten musical styles spanning 200 years in one evening, these three ladies–all classically trained vocalists–will raise the roof with their class, sass and style! 3 Mo’ Divas is a one-night-only concert that delivers some stupendous genre-jumping feats, from opera to R&B, from Broadway to blues, from soul to gospel and more.”

Date: January 16, 2011

Tickets: Ticket Center Stage

More information: Victoria Theatre Association: 3 Mo’ Divas , 3 Mo’ Divas official website, DMM Event

Mysterious ‘Ravenscroft’ at Dayton Theatre Guild

By 1 Comment

In Don Nigro’s pleasant yet prolonged British comedic mystery “Ravenscroft,” crisply directed by Debra Kent at the Dayton Theatre Guild and set on a snowy December night in 1905, Inspector Ruffing, a perceptive, no-nonsense sleuth, has difficulty dissecting the truth inside a remote manor containing five tight-lipped women. His intriguing investigation concerning the death of stableman Patrick Roarke takes a series of humorous turns because each woman, fully content with the secrets and lies they have concocted, is emotionally or sexually connected to the deceased lothario. The blame game among the potential murderesses eventually grows to fever pitch, which leaves Ruffing exasperated beyond belief with very little of his sanity intact.

Nigro’s script isn’t tight (Act 1 is sluggishly drawn out and the final 15 minutes feel strained), but is effectively inhabited by a very appealing cast with credible diction. Robb Willoughby is marvelously stern and perturbed as Ruffing. Rachel Wilson, one of the best chameleon actresses at the Guild, brings elegance, wit and intuitiveness to her role as Marcy Kleiner, an Austrian governess with a shady past. Wendi Michael, oozing haughty sophistication, equally shines as the widowed Mrs. Ravenscroft, who doesn’t hesitate to protect and ridicule her flighty, imaginative daughter Gillian (the perky Danielle DeLorme). As a pair of servants, Jenna Burnette (Dolly) and Jennifer Lockwood (Mrs. French) offer hearty laughs, especially in the more exciting Act 2. Lockwood is particularly responsible for molding the climax and delivers her suspenseful revelations with a tender sincerity that softens Mrs. French’s tough exterior.

Further, the production’s refined classiness extends to the attractive work of set designer Blake Senseman, costumer Carol Finley and hair and wig designer Greg Smith.

“Ravenscroft” admirably ushers in a new theatrical year while proving the search for truth, no matter how confusing, upsetting or frustrating, can be a real drag.

Ravenscroft continues through Sunday, January 23 at the Dayton Theatre Guild, 430 Wayne Ave. Performances are Friday at 8 p.m., Saturday at 5 p.m. and Sunday at 3 p.m. Act One: 70 minutes: Act Two: 55 minutes. Tickets are $10-$17. For tickets or more information, call (937) 278-5993 or visit online at www.daytontheatreguild.org

Arenacross Comes To Dayton – Win Free Tickets

By 8 Comments

High intensity, bar-to-bar dirt-bike racing at its finest is coming to Dayton as the 2011 AMA Arenacross Series brings some heat during the Winter season with its annual visit to the Ervin J. Nutter Center on Saturday, January 22. Tickets for Round 3 of the world’s most intimate form of racing are on sale now at TicketMaster.com and the Nutter Center box office.  (special DaytonMostMetro.com ticket promotion info at the end of this article)

Hundreds of the best Arenacross riders from around the globe will compete for their chance to be one of just 32 riders to make a pair of 16-rider main events in the AMA Arenacross and AMA Arenacross Lites classes. The national series travels throughout the country to several of the most renowned arenas in the United States, bringing in 150 truckloads of dirt to sculpt a man made dirt battleground. Technical obstacles, close competition and impressive airtime combine to create one of the most unique spectacles in the sporting world.

Anything can and does happen in Arenacross and the man left standing atop the podium at the end of the night with the coveted trophy will have earned his prize. The defending champion Babbitt’s Monster Energy/TiLube Kawasaki team and riders Chad Johnson, Tyler Bowers and Gray Davenport lead a highly-talented group of riders hungry to claim the prestigious national AMA Arenacross Series title.

Last season in Dayton, 2008 AMA Arenacross Series champion Chad Johnson captured his second win of the season for Babbitt’s Kawasaki. The win helped the two-time series champion stay within striking distance of his teammate and eventual champion Josh Demuth as the battle for the championship came down to the wire.

The AMA Arenacross Series is fun for the whole family! The always popular track walk and post-race autograph session gives an opportunity for fans of all ages to get up close and personal with the stars of Arenacross and get the a coveted autograph from some of the best riders in the world.

A limited number of Gold Circle seating is available. Kid’s seats are just $8 (excluding Gold Circle)! Adults admission starts at just $20! Tickets are available at the Nutter Center box office, all Ticketmaster outlets, and by phone at 1-800-745-3000.

Tickets for all rounds of the 2011 season can be purchased by clicking here.  And for a DaytonMostMetro.com $4 discount, enter the promo code MMETRO.  (Restrictions: Not valid on Gold Circle seats; limit 4 per transaction; valid on the Sat, JAN.22, 7:30pm performance only)

OR…

WIN FREE TICKETS HERE ON DAYTONMOSTMETRO.COM!

For a chance to win a pair of tickets to see the 2011 AMA Arenacross Series at the Nutter Center, simply click the Facebook Like button to share this article with your FB friends, fill out the form below and leave a comment.  We’ll announce 10 winners this coming weekend.

Note – we will not share this info nor make it public.  We need your address so we can mail you tickets if you win, and you wont’ receive anything else from us – because hey, postage is expensive these days and we’d rather you just join our FB page!

Error: Contact form not found.

Picture Perfect Success: Kristina McBride

By Leave a Comment

It shouldn’t be a surprise that Kristina McBride fell into the young adult genre with her first book, The Tension of Opposites. As a high school English teacher in Springboro for eight years, she spent plenty of time around teenagers.

“Plus I can vividly remember the swirl of emotions and conflicts I endured as a teenager. For me, teens come to life in a way that adults just do not. The characters that pop into my head and start talking simply happen to be teens. And then I’m just along for the ride,” said McBride.

And what ride it has been. McBride wrote three full manuscripts which were rejected over 200 times before she landed a literary agent. Even after catching the interest of her dream agent, she still faced almost a year’s worth of additional revisions on The Tension of Opposites. But after the initial struggle, McBride was rewarded with a two book deal after her manuscript went to auction.

“I wish I’d known when I was struggling that I would eventually accomplish my goal of being an agented, published author. But the perks have been amazing! Emails and fan mail feel like little, zero-calorie treats.”

The Tension of Opposites
The Tension of Opposites is a novel that examines the cost of friendship when tragedy strikes. When Tessa’s best friend, Noelle, is abducted, Tessa tries to cobble her life back together even as she hides behind her camera lens. When Noelle returns—different and mysterious—both Tessa and Noelle have to learn how to live again.

Strong visual images are the hallmark of the book which plays nicely to the newest trend in book marketing—book trailers. McBride connected with one of her former students, Rocky Smith, who had graduated from Wright State University as a talented filmmaker. They reconnected over Facebook and McBride asked if he’d be interested in helping with the book trailer.

“I initially visualized as a montage of pictures with some text included, all played to some super cool music. Rocky wouldn’t have it,” said McBride. “He insisted that we film a live trailer. I was a little nervous but the finished product has been very well received in the literary world. He told my story in a new way.”

Next on the horizon for McBride—besides promoting her current book—is a second book tentatively slated for a 2011 release.

“When we were in the process of selling The Tension of Opposites, I was lucky enough to experience an auction between three publishing houses. I actually sold two books to my publishing house. My second book, another YA, is a little on the edgy side which is challenging when you’re writing for the 14-and-up age range. You have to be careful not to push the limit.”

Art Is Life-Giving.

By Leave a Comment

DMM welcomes our newest columnist Marsha Pippenger who will blog about art in our region.

Some New Year’s Thoughts 2011

Art is life-giving.

It’s an intangible. How can you explain to someone who has never experienced the power of

Medusa-a-Tangled-Web by Marsha Pippenger

a piece of work, something that has sprung from the thought of one human being, brought into existence due to that person’s trials and errors, sweat, mental anguish, trying to get it right, to make physical that which he or she sees in the mind’s eye? Art adds life – to the walls of your home, your cubicle at work, your city parks, the very roadways you travel – breath and thought and feeling and connection, a communication offered from the artist to you.

It was a difficult year, 2010. Many of us felt the negatives of an economy sliding downhill, jobs moving in not equal to the companies moving out, the broad sweep of cuts to the arts because funds are stretched to the nth degree just to cover the most basic of services. Hard decisions have had to be made. We all want to live in a community with plenty of recreational opportunities and cultural offerings. Most of us realize that in our current world we must get creative to provide those amenities when our cities are pushing to fill empty buildings, entice new enterprise, appeal to and keep our young adult residents.

Daniel and the lions den mosaic by K12 Gallery students

This is why we need the life sustaining power of art more than ever, and it is also why it is time for those of us who live and breathe and work in the arts to do more – I know, I know, we all are always being asked to do more – but small things can truly add up to big accomplishments. There is strength in numbers, and while competition is healthy, there really is great power in collaboration.

Dayton is remarkable in its offerings in the arts; it has more than most cities its size (a provable statistic by the way). We have more talented professional artists than most, we have fine galleries that could use more traffic and support, and we have an art institute that rivals those of many larger metropolitan areas. Dayton has been blessed by the philanthropy of past citizens who loved this city and its people; we are still enjoying the fruits of that generosity today. Moreover, we are charged with living up to that legacy. We need to, now more than ever before.

NOW, what is that next step? Patronizing art spaces of course. Listed below (in random order so keep reading) are some fine commercial galleries, museums and art centers where you will find quality original art in a range of prices. It is by no means a definitive list; if you know of others, please add them!

Cannery Art and Design Center, 434 East Third St, Dayton, (937) 313-9883

Visceral Gallery, 65 W. Franklin St,Centerville, (937) 409-0069

Willis Bing Davis Art Studio, 1135 W 3rd St, Dayton, (937) 223-2290

Zig Zag Gallery, 101 E Alex Bell Rd, Dayton, (937) 434-3565

Town & Country Fine Arts Gallery, 300 E Stroop Rd, Dayton, (937) 293-5381

Dayton Visual Arts Center, 118 N Jefferson St, Dayton, (937) 224-3822

High Street Gallery, 48 High St, Dayton, (937) 228-4532

Gallery 510, 510 E 5th St, Dayton, (937) 222-5151

Hotel Gallery, 109 E Main St, Tipp City, (937) 667-3696

Village Artisans Gallery, 100 Corry St, Yellow Springs, (937) 767-1209

Gallery St John, 4400 Shakertown Rd, Dayton, (937) 320-5405

Alley Fine Art & Framing, 269 W Central Ave, Springboro, (937) 748-0822

Dayton Society Of Painters & Sculptors, 48 High St, Dayton, (937) 228-4532

K12 Gallery For Young People, 510 E 3rd St, Dayton, (937) 461-5149

Dayton Art Institute, 456 Belmonte Park N, Dayton, (937) 223-5277

Rosewood Art Centre, 3600 Shroyer Road, Kettering, (937) 296-2400

Springfield Art Museum, 107 Cliff Park Road, Springfield, (937) 324-3729

I Wish. More Than Anything…

By 20 Comments

The Muse Machine presents Into The Woods - January 13-16, 2011Into The Woods

THE MUSE MACHINE

Win tickets to this show!  Read on…

Once upon a time…

Suzy Bassani had a dream.  That dream became a reality in the Muse Machine, a truly unique Dayton area arts organization for kids.  A culminating yearly activity is a highly regarded theatrical production featuring nearly 100 talented students on stage, back stage and in the orchestra.

The 2011 selection is the popular Sondheim show Into The Woods. The Tony Award winning show, by Stephen Sondheim (music & lyrics) and James Lapine (book), premiered on Broadway in 1987.  That original cast included Broadway legend Bernadette Peters and Joanna Gleason, as well as Dayton native Tom Aldredge.

The Muse Machine presents Into The Woods - January 13-16, 2011Just like with the fairytale favorites whose stories intertwine as they venture Into The Woods, new directions are afoot for the Muse Machine as more than 100 area students prepare to present Sondheim’s smash-hit family musical next weekend.

Muse Machine mounts it’s first Sondheim production in a year that celebrates the composer and lyricist’s 80th birthday.  The lavish musical, which thrusts characters into situations where their “happily ever after” may not come so easily.  Finding familiar characters like Little Red Riding Hood and her wolf, Cinderella and her prince, Jack of beanstalk fame and others faced with new challenges makes the show both unexpectedly funny and surprisingly poignant.

The Muse Machine presents Into The Woods - January 13-16, 2011The production will also experience the Muse touch through movement.  “Early versions of Into The Woods used very little dance, but we’re going to change that,” said New Orleans choreographer Lula Elzy, who promised surprises in store with each of the show’s tolls of midnight.  “It will feel like movement has always been a part of this show!”

The Muse Machine presents Into The Woods - January 13-16, 2011Into The Woods also marks the addition of a new face to the Muse Machine creative team:  Rufus Bonds, Jr., familiar to audiences as Collins from the Broadway cast of Rent and Mufasa from the national tour of The Lion King. Bonds comes from the west coast, joining returning NYC music director David Dusing to complete the directing team.

The Muse Machine presents Into The Woods - January 13-16, 2011“What’s so beautiful about this experience is the opportunity to work with young adults who bring the perfect marriage of acting and voice to their roles,” said Bonds, who hopes audiences will be surprised by the depth of talent coming from the young performers on stage.  “There’s nothing I’ve seen anywhere like this, on any level – students are far ahead of the game with the training they receive here at Muse.”

This is a theatrical opportunity that you don’t get in other cities.  The Muse Machine has touched countless lives, including actors, dancers, writers and designers currently earning their living in the arts all over the country, including New York City.  The organization’s track record indicates that within a few years, one of these young performers in Into The Woods will very likely be treading the boards of Broadway.

Happily ever after.

UPDATE 1/8/2011 (information from the Muse Machine Facebook Page):

The Muse Machine presents Into The Woods - January 13-16, 2011Emmy Award winning actress Allison Janney (The West Wing, Juno, Lost, Hairspray, Finding Nemo, American Beauty and many other film, television and stage credits) joins the cast of Muse Machine’s INTO THE WOODS in an original performance as the voice of the giant!

-SA/Muse Press Release
We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

The Muse Machine presents Into The Woods - January 13-16, 2011Into The Woods (January 13-16 – various times – at The Victoria Theatre)

Tickets: prices range from $31-$56

Call (937) 228-3630  or by visiting TicketCenterStage.com.

Visit www.MuseMachine.com for more information about The Muse Machine and their programs.

Win Free Tickets!

Muse Machine & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to Into The Woods!  We will be giving away up to TEN pairs of tickets for next weekend’s performances! All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page.
  • Leave a comment, answering the following question…In just a couple of sentences, change the ending of your favorite classic fairytale.
  • The deadline to enter is 9AM on MONDAY, January 10th.
  • Winners will be selected randomly from all of the entries.

THE NEON is Flying High!

By Leave a Comment

Hello Everyone.

Since December 25, THE NEON has seen almost 4,000 customers (a 10-day total of 3898, to be exact)! That’s incredible. Once again, I thank you for your support!

We’re going to hold onto both BLACK SWAN and THE KING’S SPEECH for another week…and we’re currently planning to open MADE IN DAGENHAM on January 14.

Here are a few notes on upcoming special events:

“Jasmine “Jazz” Taylor, a 2006 alumnus of Stivers School of the Arts and graduate of The Fashion Institute of Design and Merchandising (FIDM) in Los Angeles, will premiere the DVD of a fashion show fundraiser that helped further her educational development. The fashion show involved the community and showed the world that dreams can come true if you believe. The show focused on the “A Touch of Jazz” fashion line along with two new up and coming designers: Jamila Jones and Jamae Abney. In addition to the designers, local students were featured; doing anything from dancing, singing, and rapping, to modeling and playing instruments.
Unwrapping The Dream Fashion Show DVD Premiere Release is an opportunity for fashion show participates to fellowship with their peers, family, and friends while watching themselves on the big screen. It will be held Sunday January 16, 2011 at THE NEON – tickets are just $5.” (taken from press notes)

On Wednesday, January 19 at 7:00pm, cityfolk will present a free screening of BILL MONROE: FATHER OF BLUEGRASS MUSIC. “Steve Gebhardt’s film blends footage from rare 1990s performances by the founder of bluegrass music with a trove of interviews with Monroe, Emmy Lou Harris, Ricky Skaggs, Dolly Parton, Paul McCartney and many more. Gebhardt and scriptwriter and bluegrass expert Larry Nager will be on hand to discuss the making of the movie and Monroe’s vast legacy…General admission seating for this screening is available on a first-come, first-served basis.” (taken from press notes) Steve Gebhardt has directed and/or produced numerous music-based documentaries, including LADIES AND GENTLEMEN: THE ROLLING STONES, IMAGINE, and JOHN LENNON LIVE IN NEW YORK CITY.

“RIDE THE DIVIDE, which was named best adventure film at the 2010 Vail Film Festival, is an inspiring journey about the world’s toughest mountain bike race, which traverses over 2,700 miles along the Continental Divide in the Rocky Mountains. The film weaves the story of the three characters’ experiences with immense mountain beauty and small-town culture as they attempt to ride from Banff, Canada, to a small, dusty crossing on the Mexican border. The tests of endurance and the accomplished moments throughout Ride the Divide prompt us to reflect on our inner desires to live life to the fullest.” The film will play One Night Only – Wednesday, January 26 at 7:30. The official site of the film can be found at www.ridethedividemovie.com.
TICKETS – $10 (+$1 processing) in advance by visiting this site:
http://www.imathlete.com/events/EventStore.aspx?fEID=7982
$15 at door on day of show!

The line-up of films in the coming weeks at THE NEON looks terrific. We hope to see you soon and often.
(And don’t miss THE KING’S SPEECH!!)

Take care,
Jonathan

SHOWTIMES for January 7 – January 13:

BLACK SWAN (R) 1 Hr 48 Min
Friday: 12:20, 2:40, 4:50, 7:20, 9:40
Saturday: 2:45, 4:50, 7:20, 9:40
Sunday: 12:20, 2:40, 4:50, 7:20, 9:40
Monday – Thursday: 2:40, 4:50, 7:20

THE KING’S SPEECH (R) 1 Hr 51 Min
Friday, Saturday, Sunday: 12:10, 2:30, 5:00, 7:30, 9:50
Monday – Thursday: 2:30, 5:00, 7:30

COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.

Jan. 14 MADE IN DAGENHAM
Feb. 4 THE ILLUSIONIST & ANOTHER YEAR
TBD: I LOVE YOU PHILLIP MORRIS, TINY FURNITURE, BIUTIFUL, CASINO JACK, BLUE VALENTINE, RABBIT HOLE & SOMEWHERE

Marsha Hanna Memorial Open House

By Leave a Comment

Human Race Theatre Company artistic director Marsha Hanna, a cornerstone of the Dayton arts community who lost her battle with esophageal cancer Monday, January 3 at the age of 59, will be remembered with a Memorial Open House Saturday, February 5 from 11 a.m. to 4 p.m. at the Loft Theatre, 126 N. Main St.

Hanna, a Tiffin, Ohio native and theater graduate of Bowling Green State University, had served as artistic director of the Human Race since 1990 and a resident director since its founding in 1986. She was a fan of such language-driven playwrights as Richard Greenberg, Cormac McCarthy and August Wilson, and produced more than 100 shows.

Hanna predominately helmed productions for the Human Race yet guest directed at Indianapolis’ Phoenix Theatre, La Comedia Dinner Theatre, Sinclair Community College, the University of Cincinnati, the University of Dayton and Wright State University to name just a few. Her numerous directing credits included “A Christmas Carol,” “Art,” “Brother Wolf,” “Copenhagen,” “Crimes of the Heart,” “Every Good Boy Deserves Favour,” “I Hate Hamlet,” “Quilters,” “Take Me Out,” “The Dazzle,” “The Elephant Man,” “The Sunset Limited” and “You Can’t Take It With You.”

Prior to joining the Human Race, Hanna served as a drama specialist with the City of Dayton, Division of Recreation, volunteered at the Dayton Playhouse, Dayton Theatre Guild and Fairborn Playhouse, and co-founded Illumination Theatre. In 2003, she was inducted into the Dayton Theatre Hall of Fame. Last year, she received the Ohio Governor’s Award for Arts Administration, an honor shared with Human Race executive director Kevin Moore. Additionally in 2010, she staged the regional premiere of David Hare’s thought-provoking drama “The Vertical Hour” and co-directed the return engagement of Ron Hutchinson’s “Gone With the Wind”-themed comedy “Moonlight and Magnolias” with Jake Lockwood. Fittingly, her final production was a triumph: the collaborative Human Race/Wright State regional premiere of Tracy Letts’ Tony and Pulitzer Prize-winning dramatic epic “August: Osage County” which she co-directed with Scott Stoney.

A Marsha Hanna Memorial Fund will be created in conjunction with the Human Race’s 25th anniversary 2011-2012 season. Details about donating to the fund and its purpose will be announced at a later date.

Baron VonPorkchop brings Terrifying Tales of the Macabre to DATV

By Leave a Comment

Art by Bruce O. Hughes

In the fine tradition of late night local horror hosts like Dr. Creep and A. Ghastlee Ghoul, a new show called Baron Von Porkchop’s Terrifying Tales of the Macabre is debuting on DATV Saturday, January 8th.  Hosted by Baron Von Porkchop, the show will feature a film introduced by the cast and accompanied by skits throughout the evening.

“We are so happy to bring the viewers a show that is very much in the classic style of a horror host program, filled with bad movies and funny segments. We are honored to follow in the big footsteps of Dr. Creep and A. Ghastlee Ghoul in the Dayton area,” says writer, producer, director Matt Brassfield.

Brassfield is a local filmmaker who has worked with both Dr. Creep and A. Ghastlee Ghoul and helps organize Horrorama.  Brassfield’s company, Bloodline Video recently co-produced a series of DVD reissues of Dr. Creep’s New Shock Theatre series.

The first episode of Baron VonPorkchop’s Terrifying Tales of the Macabre will air Saturday, January 8th at 12:00am on DATV Channel 5 and can be streamed live at www.datv.org.  The episode will air again on Monday, January 10th at 1am.  For more information, visit the show’s Facebook page.

Impressed

By 20 Comments

Press Coffee Bar To Hold Premier Art Opening

Black as the Devil, Hot as Hell,
Pure as an Angel, Sweet as Love.
~Charles Maurice de Talleyrand-Perigord

There are things that are serendipitous. There are things that smack of predestination. Then there are things that are just pretty damn creepy. I’m not sure which category this story falls under.

Artwork by Josh Flohre

Artwork by Josh Florhe

To introduce this story, I have to backtrack to October of last year when I received a call from my friend, Emanuel, telling me that I had to get down to the old home décor place at the corner of Wayne Ave. and E. Third St. and check out this gallery showing. I made it down there as soon as I could and…no Emanuel…but his phone call had led me to some of the most original artwork I had seen in quite some time. It was a mélange of media ranging from the contrasting screen print designs by Jannell Barker to the found art of Josh Florhe which held the moment of another age within its imagery.

I toured the gallery showing, tellingly titled Shut Up Art, and was amazed at the innate talent that the artists imbued. I began speaking with Janell about various topics, such as , how the exhibition came to be, bartending and even meandering over some of the technical aspects of silk-screening. Before leaving, I promised Janell that I would contact her (as well as some of the other featured artists) soon and we would get something down in print for the group. It was a promise that I fully intended to keep…right up until the moment that life got in my way.

It’s one of those things where unforeseen circumstances throw walls up in front of you and then, the momentum of the moment is lost until, one day, you are paging through one of your notebooks and you see a phone number and a pang of guilt forces you to close the book quickly.

Photo by Brooke Medlin

Fast forward to last week…Wednesday December 29th to be precise. I was to meet DMM’s Brooke Medlin at a new coffee house called Press Coffee Bar to cover an art exhibition that they were planning. As I ducked inside the building, escaping from the gloomy day above, I was taken in by the warmth of the newly laid wooden floor and the expansive invitation of the room itself. I saw Brooke and another woman crouched in the loft at the rear of the building, which looked out over the whole storefront. I said hello to the bearded gentleman behind the counter and waited for Brooke to come downstairs and fill me in on the details. As I waited, I took in the freshness of the interior. New floors. A newly constructed and conformingly curved coffee bar whose coiled shape and muted tone was a wild variation from the gleaming utilitarian sharpness of the state of the art cappuccino machine. A bearded man behind the counter (who has a name which happens to be Brett Barker) informed me that the machine was made in Florence, Italy and was temperature controlled by a PID computer module that collected data from various sensors and made self correcting adjustments and that it had been used as a demo model at a Seattle coffee festival before arriving in Dayton.

Hearing Brooke and the other woman descending the stairs, I turned around to see…Janell Barker. Dammit, dammit, dammit! I could just hear the snarky remarks that may have been running through her head, remarks that she never said (but justifiably could have!) such as, ‘Do you think you could get this article done in time?’ or saying something to Brooke like, ‘This is the best you could do?’ or even, ‘You’re never going to amount to anything, so you might as well get used to digging ditches!’…sorry, that last one was me channeling my sophomore guidance counselor.

Photo by Brooke Medlin

Apparently harboring no ill will, Janell began preparing a freshly ground cup of coffee for me, which made me groan inwardly, knowing that in moments, I would have to admit that I couldn’t stand the taste of coffee. Telling someone something that will disappoint them after you have already disappointed them is hard. Telling someone something that will disappoint them after you have already disappointed them as they approach you with a scalding hot cup of coffee is just plain scary. I began to quickly understand Al Green’s aversion to grits.

After I made my embarrassing admission, Brett began talking about the types of coffee they would be using, the type of rotating and artisan roasters they would be utilizing and then onto one of Press’ previous events, which was a coffee tasting experience that they call ‘Coffee Cupping.’ These things I will save for a future article, such as the circular pouring of water through a Hario V60 single cup coffee filter to make a perfect cup of java or how one should, “slurp” vigorously when tasting a new coffee to completely saturate the tongue all at once. These things will come later. The thing to concentrate on now is their Premier Opening Art Show.

As Brett and Janell detailed the type of art and the artists that would be showcased, I looked around the vaulted room, taking in the rough edges of the remodeling that had yet to be polished, looking upwards at the newly painted, bare walls, knowing that soon, a clamorous collection of artwork would peer down at the patrons of this little coffee shop, inspiring them with a thirst larger than the one to be quenched by any fancy French pressed brew. The artwork is what motivates us, that brings us together, that allows us to appreciate and accept without the burden of being deigned acceptable by others. The artwork is there as a vehicle for our muse to move us forward. The coffee is there to make us savor the moment.

This is a coffee shop that aspires to be more than just a retail establishment. They want to be part of the community and this art show is the first step in that direction. The Premier Opening Art Show will be held on Friday, January 7th from 4pm until 12pm at Press, located at 257 Wayne Ave. The show will feature artwork by Rueben Briggs, Eric Patton, Josh Florhe, Kasey Henneman, Jason Watkins, Jeff Richards, Mike Guidone, Jason Goad and Zach Armstrong. Regular store hours will be Monday through Friday from 7am until 8pm and Saturday and Sunday from 9am until 8pm.

Holiday Success at THE NEON! Thank You!!

By Leave a Comment

Hello Everyone.

I returned to Dayton on December 24 (after visiting with my folks for a couple days) to find that we had lost exclusivity with our engagement of THE KING’S SPEECH…and I’ll admit I was disappointed and a bit heartbroken. But I shouldn’t have been.
More Daytonians supported THE KING’S SPEECH at THE NEON than at any of the multiplexes…and I thank you for your support! We have had a couple sell-outs and numerous large audiences since the film opened on December 25, and people are absolutely loving the film.
If you haven’t seen it yet, we hope to see you soon!
If you’ve already seen the film, please keep spreading the word…and tell people that THE NEON has the best prices in town.
Visit the official website for the film by clicking this LINK.

BLACK SWAN has flooded the marketplace over the past several days, and our extraordinary ticket sales have started to fall…so we may open MADE IN DAGENHAM a bit earlier than planned (Jan. 7 instead of Jan. 14)…but all that depends on business during the upcoming weekend. I’ll keep you posted.

Here are a couple notes on upcoming special events:

“Jasmine “Jazz” Taylor, a 2006 alumnus of Stivers School of the Arts and graduate of The Fashion Institute of Design and Merchandising (FIDM) in Los Angeles, will premiere the DVD of a fashion show fundraiser that helped further her educational development. The fashion show involved the community and showed the world that dreams can come true if you believe. The show focused on the “A Touch of Jazz” fashion line along with two new up and coming designers: Jamila Jones and Jamae Abney. In addition to the designers, local students were featured; doing anything from dancing, singing, and rapping, to modeling and playing instruments.
Unwrapping The Dream Fashion Show DVD Premiere Release is an opportunity for fashion show participates to fellowship with their peers, family, and friends while watching themselves on the big screen. It will be held Sunday January 16, 2011 at THE NEON – tickets are just $5.” (taken from press notes)

“RIDE THE DIVIDE, which was named best adventure film at the 2010 Vail Film Festival, is an inspiring journey about the world’s toughest mountain bike race, which traverses over 2,700 miles along the Continental Divide in the Rocky Mountains. The film weaves the story of the three characters’ experiences with immense mountain beauty and small-town culture as they attempt to ride from Banff, Canada, to a small, dusty crossing on the Mexican border. The tests of endurance and the accomplished moments throughout Ride the Divide prompt us to reflect on our inner desires to live life to the fullest.” The film will play One Night Only – Wednesday, January 26 at 7:30. Advanced tickets are only available by visiting this LINK. The official site of the film can be found at www.ridethedivide.com.

Have a Safe & Happy New Year!
(And don’t miss THE KING’S SPEECH!!)

Take care,
Jonathan

SHOWTIMES for December 31 – January 6:

BLACK SWAN (R) 1 Hr Min
Friday, Saturday, Sunday: 12:20, 2:40, 4:50, 7:20, 9:40
Monday – Thursday: 2:40, 4:50, 7:20

THE KING’S SPEECH (R) 1 Hr 51 Min
Friday, Saturday, Sunday: 12:10, 2:30, 5:00, 7:30, 9:50
Monday – Thursday: 2:30, 5:00, 7:30

COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.

Jan. 7 MADE IN DAGENHAM
Feb. 4 THE ILLUSIONIST & ANOTHER YEAR
TBD: I LOVE YOU PHILLIP MORRIS, TINY FURNITURE, BIUTIFUL,
BLUE VALENTINE, RABBIT HOLE & SOMEWHERE

Top 10 Theater in 2010: Dayton and NYC

By 2 Comments

The cast of The Light in the Piazza

THE GEM CITY

1. “The Light in the Piazza”

This captivating, underrated romantic musical set in 1950s Italy based on Elizabeth Spencer’s novella and featuring a challenging yet ravishing Tony Award-winning score by Adam Guettel (Richard Rodgers’ grandson) took Wright State University’s musical theater program to astonishing heights. WSU’s truly outstanding, gorgeously designed Ohio collegiate premiere of “Piazza,” which I saw three times, contained a knockout cast, a splendid orchestra, and conceptually refreshing contributions from director Joe Deer. If you missed Blaine Boyd’s incredibly passionate, vocally sublime portrayal of Fabrizio Naccarelli, he’s starring in WSU’s “Jekyll & Hyde” next month. Get your tickets now.

August: Osage County

2. “August: Osage County”

Tracy Letts’ Tony and Pulitzer Prize-winning epic received a fantastic collaborative presentation from the Human Race Theatre Company and Wright State University. The professional and student actors seamlessly joined forces at WSU under the direction of Marsha Hanna and Scott Stoney to inject striking depth and newfound comic relief into Letts’ acclaimed saga of a dysfunctional Oklahoma clan coping with the loss of its patriarch. The volatile, multifaceted performances of Susanne Marley (Violet Weston) and Kristie Berger (Barbara Fordham) were unquestionably superlative.

The Producers

3. “The Producers”

The Dayton Playhouse’s utterly hilarious, magically cohesive production of “The Producers” was a surefire hit at intermission. Director Chris Harmon’s wacky cast, headlined by Saul Caplan and David Sherman, delivered one of the best first acts I have seen at the Playhouse. Among the musical pleasures was the hysterical “Keep It Gay” consisting of Charles Larkowski (Roger DeBris), Jonathan Berry (Carmen Ghia), Nick Moberg (Bryan), Bob Martin (Kevin), Cameron Elliott (Scott), Jeremy King (Sabu) and Betsy Feeser (Shirley). Mel Brooks and Susan Stroman would have been proud.

Dog Sees God: Confessions of a Teenage Blockhead by Sinclair Community College Theatre

Dog Sees God: Confessions of a Teenage Blockhead

4. “Dog Sees God: Confessions of a Teenage Blockhead”

Bert V. Royal’s R-rated parody of the “Peanuts” comic strip was a perfect fit for Sinclair Community College. This humorous yet gripping teen tale, expertly directed by Brian McKnight, featured a winning ensemble accented by the feisty mean girl rapport between Lauren Bernstein (Tricia) and Michelle Faulkner (Marcy).

5. “Seussical”

Director Kay Frances Wean’s energetic, colorful and infectiously joyful staging of Lynn Ahrens and Stephen Flaherty’s tuneful salute to Dr. Seuss will always be a hallmark of the Epiphany Players Drama Ministry at Centerville’s Epiphany Lutheran Church.

'Spring Awakening'

6. “Spring Awakening”

At one time, it seemed inconceivable that Duncan Sheik and Steven Sater’s raw, risqué musical adaptation of Frank Wedekind’s controversial 1891 play would ever be seen on a professional stage in Dayton, Ohio. Thankfully, this Tony-winning gem received a two-night local premiere at the Victoria Theatre. Talk about a step in the right direction.

Urinetown: The Musical

7. “Urinetown: The Musical”

Another well produced comedic achievement for the Dayton Playhouse as directed by Doug Lloyd. I particularly enjoyed “Follow Your Heart,” a highlight of Greg Kotis and Mark Hollmann’s Tony-winning material tenderly rendered with humor and sincerity by James Roselli (Bobby Strong) and Kelsey Hopkins (Hope Cladwell).

A Case For Libel

8. “A Case of Libel”

Henry Denker’s compelling courtroom drama was a first-rate acting showcase at the Dayton Theatre Guild. Under the firm direction of Debra Kent, the climatic face-off between Saul Caplan (Robert Sloane) and David Shough (Boyd Bendix), resulting in Shough’s superb meltdown, was dynamite.

Singin' In The Rain

9. “Singin’ in the Rain”

Guided by a revamped artistic team, the Muse Machine supplied one of its most delightful student productions. Kudos to choreographer Lula Elzy for inserting a large ensemble of tap dancing diction coaches into “Moses Supposes.”

The Syringa Tree

10. “The Syringa Tree”

The SEED Theatre Project, housed at the beautifully spacious Salvation Army Ray & Joan Kroc Corps Community Center, offered a riveting local premiere of Pamela Gien’s one-woman, apartheid-themed drama performed by Robin Smith under the direction of Adam J. Leigh. Smith’s dynamic mastery of character and dialect was remarkable.

Honorable Mention: “Kimberly Akimbo,” Dayton Theatre Guild; “Much Ado About Nothing,” Cedarville University; “Once On This Island,” Sinclair Community College; “Ordinary Days,” Human Race Theatre Company; “The Phantom of the Opera,” Victoria Theatre Association; “Rent,” Encore Theater Company; “The Spitfire Grill,” Beavercreek Community Theatre; “The 39 Steps,” Human Race Theatre Company; “[title of show],” Encore Theater Company; “Wicked,” Victoria Theatre Association

THE BIG APPLE

Scottsboro Boys

Scottsboro Boys

1. “The Scottsboro Boys”

The finest and boldest original musical of the year fittingly marked the final collaboration of John Kander and Fred Ebb (“Cabaret,” “Chicago”). “Scottsboro” drew protest and praise before closing prematurely, but, thankfully, this mesmerizing marvel might have a future on the big screen under the direction of Oscar nominee Lee Daniels (“Precious”).

Angels In America

2. “Angels in America”

Signature Theatre Company’s brilliant off-Broadway revival of Tony Kushner’s thought-provoking masterpiece featured the marvelous NYC acting debut of Zachary Quinto (“Heroes,” “Star Trek”) as Louis Ironson.

3. “La Cage aux Folles”

A blissful, character-driven revival blessed by the terrific teamwork of Kelsey Grammer and sensational Tony winner Douglas Hodge. It’s worth noting that Doug Lloyd will direct “La Cage,” one of Jerry Herman’s best scores, at the Dayton Playhouse this spring.

Fences

4. “Fences”

The amazing, Tony-winning powerhouse duo of Denzel Washington and Viola Davis were a match made in August Wilson heaven.

5. “The Merchant of Venice”

Al Pacino’s commanding and perceptive portrayal of stringent moneylender Shylock gave chilling profundity to one of Shakespeare’s most unnerving plays.

6. “A View From The Bridge”

Scarlett Johansson won the Tony for her surprisingly strong Broadway debut in this stellar Arthur Miller revival, but it was Liev Schreiber who intensely owned every scene as an emotionally conflicted Brooklyn longshoreman.

American Idiot

7.  “American Idiot”

Green Day’s gripping depiction of angst-ridden disillusionment and soul-searching was a completely visceral and unexpectedly moving experience on stage.

8. “Red”

John Logan’s fascinating, Tony-winning exploration of abstract expressionist Mark Rothko was superbly led by Alfred Molina.

9. “Sondheim on Sondheim”

James Lapine’s eye-opening multimedia musical tribute to the legendary composer fluidly incorporated insightful commentary from the master himself recorded at his home.

Driving Miss Daisy

10. “Driving Miss Daisy”

Alfred Uhry’s beloved Pulitzer Prize winner remains thin and hurried, but has been wonderfully revived nonetheless thanks to the exemplary pairing of James Earl Jones and Vanessa Redgrave. Anyone heading to NYC in the coming months should avoid the imminent flop “Spider-Man Turn Off The Dark” (a boring, musically inept disaster!) and witness the delectable chemistry between two acting titans still at the top of their game.

Honorable Mention: “A Little Night Music” (opened in 2009, but freshly overhauled last summer starring Bernadette Peters and Elaine Stritch); “Anyone Can Whistle” (City Center Encores!); “Bloody Bloody Andrew Jackson”; “Come Fly Away”; “Lend Me A Tenor”; “Million Dollar Quartet”; “Next Fall”; “Spirit Control”; “The Temperamentals”; “Time Stands Still”

Film Review – The Fighter

By 2 Comments

Although I’m a knowledgeable sports fan, I entered the Dayton Mall theatre knowing little to nothing about the life of working class boxer Micky Ward (Mark Wahlberg) and his half brother Dicky Eklund (Christian Bale). I assumed, though, that as a boxing movie, “The Fighter” was most likely about a lovable, down and out boxer who improbably seized a fluke opportunity to realize his dream of becoming world champ. The fact that this assumption turned out to be accurate did not make “The Fighter” any less enjoyable.

I’d imagine that this was a passable plot line in the eyes of Paramount execs despite the predictability and commonality of it (“Rocky,” “Cinderella Man,” “Million Dollar Baby”) because, you know, it actually happened and it’s a good story. What stands out about “The Fighter” in comparison to other boxing movies are the authenticity of the fight scenes and Micky’s comically destructive family, who, despite their good intentions, almost seem to be actively trying to keep him from any sort of success. At the forefront is Dicky, a former promising boxer turned crack addict who unsurprisingly can’t figure out how to balance crack addiction and helping Micky realize his own unfulfilled dreams. Christian Bale absolutely kills it as Dicky Eklund; shedding his celebrity in a scene-stealing supportive role.

Had I not seen Wahlberg explain the process of shooting the fight scenes while being interviewed on Conan, “We beat the crap out of each other,” I wouldn’t have known how they captured such realistic landed punches. I watched clips of a number of Micky Ward’s actual fights and was not surprised to see that the fight scenes from “The Fighter” looked like shot for shot remakes of the real thing. Wahlberg completely avoids the clumsy actor portraying a fluid athlete problem that is often a distraction in sports movies. DiCaprio in “Basketball Diaries” and Tom Berenger in “Major League” come to mind.

In most boxing movies I’ve seen, I find myself impatiently waiting for the next fight scene. In “The Fighter” the fight scenes are exciting, impeccably done and there are actually relatively few of them, but the excitement and anticipation of the fights does not overshadow the surrounding story. The absurdity of Micky’s family – from Dicky’s antics, to their overprotective, maniacally controlling mother (Melissa Leo),

to his seven sisters blindly serving the will of their mom – speak to the unlikeliness of Micky’s success in the ring and encourage the audience to be personally invested in the outcome of the fights.

As much as I enjoyed “The Fighter,” I was disappointed by the ending. The obligatory biographical movie ending – white text on black background explaining Micky’s life after movie – was fine with me, but seeing merely in text that he went on to have his most memorable, brutal fights against all time great Arturo Gatti left me thinking, “Really? What the hell? Show me THAT!” Fortunately, the fight scenes and the acting performances, especially Bale’s, more than make up for the feelings of unfulfillment the ending leaves with the audience and make “The Fighter” well worth a watch.

Film Review – The King’s Speech

By Leave a Comment

"The King's Speech" - Grade: A

Colin Firth didn’t receive the Academy Award for his superb portrayal of a suicidal gay professor in Tom Ford’s visually sublime character study “A Single Man,” but he stands a great chance to finally capture the gold for his equally substantive work as Britain’s stammering King George VI in the striking, crowd-pleasing dramatic comedy “The King’s Speech.”

With calculated subtlety and endearing sensibility, Firth dynamically gives his all as the frustrated George, nicknamed Bertie in close circles, who reluctantly became monarch after his lovestruck older brother King Edward VIII (a dashing, magnetic Guy Pearce) abdicated the throne in 1936. In order to properly lead the nation and overcome his debilitating stutter, a hindrance since he was 4 years old, Bertie, still coping with familial baggage from his childhood, turns to amiable yet stern Australian speech therapist and thespian Lionel Logue (a truly splendid Geoffrey Rush in one of his most engaging and expressive performances). Lionel’s unconventional teaching methods and strict demands (the private sessions particularly occur at his quaint office rather than Buckingham Palace) provides an entertaining tug-of-war with Bertie resulting in an unexpected friendship that evolves to nearly tear-jerking proportions at the film’s emotional climax: the titular address Bertie delivers to his countrymen as World War II looms.

Firth and Rush are simply outstanding, delivering multifaceted portrayals that take David Seidler’s formulaic yet engrossing screenplay to deep realms of poignancy. Whenever they share the screen and their infectious chemistry leaps forth, electricity is in the air. Guided with sophistication and warmth by director Tom Hooper (who helmed HBO’s Emmy-winning miniseries “John Adams”), Firth’s sharp complexity and believably fearful reticence effortlessly balances Rush’s calm authority and genuine sincerity, an appealing attribute wonderfully revealed in scenes featuring the Logue household.

“The King’s Speech” succeeds as a feel-good showcase of triumph in the face of adversity.

In addition to Pearce, terrific supporting turns are provided by an exceptionally understated Helena Bonham Carter as Bertie’s loving, supportive wife Elizabeth, who brought Bertie and Lionel together, Michael Gambon as Bertie’s imposing father King George V, Timothy Spall as Winston Churchill, Jennifer Ehle as Lionel’s dutiful wife Myrtle, Claire Boom as Queen Mary, the adorable Freya Wilson as Princess Elizabeth, and Derek Jacobi (used far better here than in Clint Eastwood’s recent flop “Hereafter”) as the stringent Archbishop of Canterbury.

A definite contender for a slew of Oscar nominations next month including Best Picture and beautifully accented by composer Alexandre Desplat’s lilting score, “The King’s Speech” succeeds as a feel-good showcase of triumph in the face of adversity. It is simply one of the best films of 2010.

“The King’s Speech” begins its Dayton engagement Saturday, December 25 at the Neon Movies, Rave Cinema at The Greene, and Regal Cinema.  Preview and trailer can be seen here.

Coming Up in Dayton Theatre – 12/23 – 01/05

By Leave a Comment

THURSDAY, DECEMBER 23, 2010 – WEDNESDAY, JANUARY 5, 2011

La Comedia: White Christmas

La Comedia: White Christmas / Photo Credit: La Comedia Dinner Theatre

Somehow, Christmas is only two days from today. Wow. It’s hard to decide what my favorite parts of the holidays would be, but if I had to choose, I think I might say:

1. Christmas Cookies – and, especially, buckeyes! We have an amazing buckeye recipe that is neither too peanut buttery and sticky nor too dry, and whenever we make any, they disappear almost instantly.

2. Family and Friends – yes, I have the same family and friends the other 364 days of the year, too. But, I love that the holidays provide a great opportunity to have people over and spend time with those I love. It’s easy to miss people not there more than usual on the holidays, especially the people I wish could be there to celebrate with us. but that only seems to make the time I can spend with people even more precious.

3. Holiday music and movies – I mean, it wouldn’t be a holiday without something artistic, right? My sister and I watch a musical version of “A Christmas Carol” every year, and a few days ago, I curled up with coffee and a blanket to watch “White Christmas.” I’m rarely in the mood for Christmas until I’ve watched at least one great holiday movie.

It seems like those highlights are at the top lists of many others, too. Speaking of all of those things (food, fellowship, and… films!), it’s not too late to catch this production that’s closing soon…

White Christmas

LA COMEDIA DINNER THEATRE

The Story: In the stage adaptation of the classic 1954 film, two WWII veterans, now successful song-and-dance performers, follow a duo of singing sisters en route to their Christmas show in Vermont, hoping for romance. But the 80 degree weather has everyone dreaming of a white Christmas! Enjoy great dinner and the show.

Dates: through December 31, 2010

Tickets and More Information: La Comedia: White Christmas , DMM event

Instead of just watching a holiday movie this year, go with your family to see a show – you could even consider starting a new tradition of doing so. I hope you all enjoy the next couple of weeks, and take the opportunity to let those around you know you love them. The 2011 year already promises to be a busy one in Dayton area theatre, so make sure to keep following onStageDayton at DaytonMostMetro.com for all your theatre news and reviews.

Happy holidays!

~KN

SUBMITTED PRESS RELEASES

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].