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Jonathan McNeal

THE SESSIONS + A LATE QUARTET Opening at THE NEON

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Hello Everyone,

We’re opening 2 new films at this weekend, and we hope they’ll attract big crowds. This is a lucrative weekend/week at THE NEON. Thanksgiving business can often set the tone for the remaining weeks of the year…and we’re really hoping to end 2012 with a bang! Like many of the films we’ve played at this time, we think some Oscar nominations could arise from our selections. (Here are some films that we’ve played during Thanksgiving in past years: AMELIE, CAPOTE, THE QUEEN, BOY IN THE STRIPED PAJAMAS, 127 HOURS and THE DESCENDANTS.) If you need to see any of our current attractions, Thursday will be your last chance to see them at THE NEON (visit our website for current showtimes). On Friday, we will open THE SESSIONS and A LATE QUARTET.

Synopsis for THE SESSIONS: “The Sessions tells the story of a man confined to an iron lung who is determined at age 38 to lose his virginity. With the help of his therapists and the guidance of his priest, he sets out to make his dream a reality.” (from Fox Searchlight) Starring the amazing John Hawkes and a fearless Helen Hunt, this film is certain to get Oscar attention this year! Click this link to visit the official site. I LOVE THIS FILM!

Synopsis for A LATE QUARTET: “When the beloved cellist of a world-renowned string quartet receives a life changing diagnosis, the group’s future suddenly hangs in the balance: suppressed emotions, competing egos, and uncontrollable passions threaten to derail years of friendship and collaboration. As they are about to play their 25th anniversary concert, quite possibly their last, only their intimate bond and the power of music can preserve their legacy. Inspired by and structured around Beethoven’s Opus 131 String Quartet in C-sharp minor, A LATE QUARTET pays homage to chamber music and the cultural world of New York.” (taken from rottentomatoes.com) Starring Catherine Keener, Christopher Walken, Mark Ivanir, and Philip Seymour Hoffman Click this link to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=6T7vqxwuWEM’]

[yframe url=’http://www.youtube.com/watch?v=O1VCyikozys’]

On Sunday, November 18 at 3:00, The Dayton International Peace Museum, Wright State Peace Lecture Committee, Pi Beta Phi at the University of Dayton and The Dayton Council on World Affairs will present a special, free screening of IN THE LAND OF BLOOD AND HONEY.
“Dayton has made its place in history as the host city for the Dayton Peace Accords. A historic achievement in 1995, the Accords helped bring an end to the tragic civil war of the Former Yugoslavia. With the end in fighting, a horrific reality of ethnic cleaning and genocide was revealed, especially after the international community had pledged ‘No More’ after the end of the Holocaust in 1945. The Angelina Jolie-directed movie, IN THE LAND OF BLOOD AND HONEY portrays a bittersweet love story during the war. It brings to light the tragic reality of war and its impact on our humanity. In the aftermath of the conflict in the former Yugoslavia, a major trial at the International Criminal Court at The Hague took place that led to
international recognition of rape as a weapon of war. At this screening, we will be commemorating the historic Dayton Peace Accords and how Dayton was instrumental in the process. There will also be a Q&A panel after the movie to discuss ongoing violence issues against women that sadly continue domestically and internationally. Please join us for this important movie and stimulating discussion on how we can contribute to peace and humanity in our world today.” (taken from press notes) Visit the film’s official site.

The first three Saturdays at Noon in December will mark the return of the Family Holiday Film Series – sponsored by The Dayton Holiday Festival, DP&L, Channel 99.9 and THE NEON. Here is this year’s line-up:
DEC. 1 at Noon – PRANCER
DEC. 8 at Noon – IT’S A WONDERFUL LIFE
DEC. 15 at Noon – ARTHUR CHRISTMAS
These films are free for children 12 & under and only $2 for everyone else.

Next time you’re in our lobby, make sure to take your picture in our HITCHCOCK Screaming Booth. We’ll soon have a contest on facebook where you’ll be able to post your picture and vote on your favorite scream! (HITCHCOCK – about the making of PSYCHO – is slated to start in December…and it’s lots of fun.)

Thanks so much for your ongoing support!
We hope to see you soon,
Jonathan

SHOWTIMES for Fri. Nov. 16 – Thur, Nov. 22:

THE SESSIONS (R) 1 Hr 35 Min
Friday, Saturday, Sunday: 12:45, 3:00, 5:15, 7:30, 9:45
Monday – Thursday: 3:00, 5:15, 7:30, 9:45

A LATE QUARTET (R) 1 Hr 45 Min
Friday & Saturday: 12:20, 2:40, 5:00, 7:20, 9:40
Sunday: 12:20, 5:50, 8:00
Monday – Thursday: 2:40, 5:00, 7:20, 9:40

IN THE LAND OF BLOOD AND HONEY (R) 2 Hr 7 Min
Sunday: 3:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Nov. 30 ANNA KARENINA
Dec. TBD – HITCHCOCK
Dec. ? – SMASHED
Dec. ? – A ROYAL AFFAIR
Jan. 4 – HYDE PARK ON HUDSON
Jan ? – RUST AND BONE
Jan ? – ON THE ROAD
Feb ? – WEST OF MEMPHIS
Feb. ? – AMOUR
TBD – DIANA VREELAND: THE EYE HAS TO TRAVEL

True Nature | For A Good Time Call – at THE NEON

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Hello Everyone,

This should be a fun weekend. We have two new films – a big festival winner made right here in Dayton and a charmingly raunchy comedy from a director I love. TRUE NATURE, the supernatural thriller that has played in over 40 film festivals around the world, was made in Dayton by local filmmakers (keep reading for details about special Q&As). FOR A GOOD TIME, CALL was made by Jamie Travis – the maker of one of my favorite short films ever (THE SADDEST BOY IN THE WORLD).
We will hold SAMSARA and LIBERAL ARTS for one more week. On Nov. 15, we’ll clean house. On Nov. 16, we have 2 new films slated to open, and all other films will have to leave in order to make room. Hurry down if we have films you want to see!

Synopsis for TRUE NATURE: “The Pascal family has it all – wealth, power, privilege – but their picture perfect lives change forever when their college-athlete daughter Marianne disappears one night while running. She mysteriously returns a year later with no recollection of where she’s been. Haunted by violent visions, she begins to suspect that her family is hiding dark secrets and that the key to her disappearance may be linked to them. As the fragile web of lies unravels, she fears that her own life and sanity may be the price for discovering the truth.” (taken from press notes) Special Q&As with filmmakers Patrick Steele and Ann Rotolante will take place after the screening on Friday, Nov. 9 at 9:30 and on Saturday & Sunday, Nov. 10 & 11 following the 5:00 screenings. Visit the official site.

[yframe url=’http://www.youtube.com/watch?v=kWyMIfmBI6A’]

Synopsis for FOR A GOOD TIME, CALL…: “The reserved Lauren and the irrepressible Katie are polar opposites… and past enemies. But when both come up short on the funds needed to afford their dream New York City apartment a mutual friend re-introduces them and they reluctantly agree to room together. These apartment-mates have nothing in common – until Lauren discovers that Katie is working as a phone-sex operator, and recognizes a good business opportunity. But as their business partnership takes off, their newfound friendship finds unexpected challenges that may leave them both, as they say, hanging on the telephone.” (Focus Features) Visit the official site.

[yframe url=’http://www.youtube.com/watch?v=qigVz5l8v9Q’]

On Sunday, November 18 at 3:00, The Dayton International Peace Museum, Wright State Peace Lecture Committee, Pi Beta Phi at the University of Dayton and The Dayton Council on World Affairs will present a special, free screening of IN THE LAND OF BLOOD AND HONEY.
“Dayton has made its place in history as the host city for the Dayton Peace Accords. A historic achievement in 1995, the Accords helped bring an end to the tragic civil war of the Former Yugoslavia. With the end in fighting, a horrific reality of ethnic cleaning and genocide was revealed, especially after the international community had pledged ‘No More’ after the end of the Holocaust in 1945. The Angelina Jolie-directed movie, IN THE LAND OF BLOOD AND HONEY portrays a bittersweet love story during the war. It brings to light the tragic reality of war and its impact on our humanity. In the aftermath of the conflict in the former Yugoslavia, a major trial at the International Criminal Court at The Hague took place that led to
international recognition of rape as a weapon of war. At this screening, we will be commemorating the historic Dayton Peace Accords and how Dayton was instrumental in the process. There will also be a Q&A panel after the movie to discuss ongoing violence issues against women that sadly continue domestically and internationally. Please join us for this important movie and stimulating discussion on how we can contribute to peace and humanity in our world today.” (taken from press notes) Visit the film’s official site.

The first three Saturdays at Noon in December will mark the return of the Family Holiday Film Series. In next week’s newsletter, I’ll announce the films…which are free for children 12 & under and only $2 for everyone else.

Thanks so much for your ongoing support!
We hope to see you soon,
Jonathan

SHOWTIMES for Fri. Nov. 9 – Thur, Nov. 15:

TRUE NATURE (NR) 1 Hr 32 Min
Friday, Saturday, Sunday: 12:45, 5:00, 9:30
Monday – Thursday: 5:00, 9:30

FOR A GOOD TIME, CALL… (R) 1 Hr 25 Min
Friday, Saturday, Sunday: 1:00, 5:15, 7:30, 9:40
Monday – Thursday: 5:15, 7:30, 9:40

LIBERAL ARTS (PG-13) 1 Hr 37 Min
Friday – Thursday: 3:10

SAMSARA (PG-13) 1 Hr 42 Min
Friday – Wednesday: 2:50, 7:20
Thursday: 2:50

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Nov. 16 (2 weeks only) – A LATE QUARTET
Nov. 16 THE SESSIONS
Nov. 30 ANNA KARENINA
Dec. TBD – HITCHCOCK
Dec. ? – SMASHED
Dec. ? – A ROYAL AFFAIR
Jan. 4 – HYDE PARK ON HUDSON
Jan ? – RUST AND BONE
Jan ? – ON THE ROAD
Feb ? – WEST OF MEMPHIS
Feb. ? – AMOUR
TBD – DIANA VREELAND: THE EYE HAS TO TRAVEL

SAMSARA at THE NEON + Exciting Local News

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Hello Everyone,

We’ve got a new, stunningly gorgeous film opening on Friday (11/2). I refer to it as cinematic poetry. If you recall the hit BARAKA that played more than decade ago, this film – SAMSARA – was made by the same people. In addition to the new film, we’ll hold LIBERAL ARTS, KILLER JOE and one more week of SEARCHING FOR SUGAR MAN. Don’t forget that Omega Music, just a block from THE NEON, has the soundtrack on hand for SEARCHING FOR SUGAR MAN. If you’re interested in the music, we hope you’ll support another locally owned business (they even have the soundtrack available on vinyl)!

Be sure to read all the way to the end of this blog for fun, breaking news.

Synopsis for SAMSARA: “Expanding on the themes they developed in Baraka (1992) and CHronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of man’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation. Through powerful images, the film illuminates the links between humanity and the rest of nature, showing how our life cycle mirrors the rhythm of the planet.” (Oscilloscope Pictures) Click THIS LINK to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=P0xVp3N-M84′]

“Help support DATV and be inspired by short films that aim to make a difference in our lives. DATV presents the MEDIA THAT MATTERS SHORT FILM FESTIVAL on Thursday, November 8th at 7:30pm, at THE NEON in Downtown Dayton. The MEDIA THAT MATTERS SHORT FILM FESTIVAL is the premier national showcase for short films on the most important topics of the day. The films engagediverse audiences and inspires them to take action. The festival features 12 jury selected short films that tackle a broad range of social issues with humor, humanity and honesty in 12 minutes or less.” (provided by DATV) Tickets are $10 each, and we have a few available at our box office and on DATV’s site. For more details about the event and the films, visit the official site.

And here’s some exciting, breaking news! Many of you have read about, asked about, or maybe even had your hand in on the locally produced film TRUE NATURE. After a very successful film festival run (it played and won awards at numerous festivals around the world), TRUE NATURE will finally play at THE NEON. TRUE NATURE will play for one week starting on Friday, Nov. 9, and I’ll announce showtimes and filmmaker Q&As in next week’s blog. To learn more about the film, visit its OFFICIAL SITE.

[yframe url=’http://www.youtube.com/watch?v=kWyMIfmBI6A’]

In addition, we will also have a one-week run of FOR A GOOD TIME, CALL – the sweetly raunchy tale of two young women who start a phone sex business. This little film – which is as fun and charming as it is dirty – was made by Jamie Travis, director of some of my favorite short films of all time (THE SADDEST BOY IN THE WORLD being one of them). To find out more about this film, visit the FOCUS SITE.

[yframe url=’http://www.youtube.com/watch?v=YbWUQXq5yDM’]

And check out our “Coming Soon” list below. Dates are shifting and our line-up for the coming weeks is really coming along. I’m hoping you’re interested in several of our upcoming engagements.

Thanks so much for your ongoing support!
All the best,
Jonathan

SHOWTIMES for Fri. Nov. 2 – Thur, Nov. 8:

KILLER JOE (NC-17) 1 Hr 42 Min
Friday – Thursday: 5:00, 9:30

LIBERAL ARTS (PG-13) 1 Hr 37 Min
Friday, Saturday, Sunday: 12:45, 3:00, 7:20
Monday – Wednesday: 3:00, 7:20
Thursday: 3:00

SEARCHING FOR SUGAR MAN (PG-13) 1 Hr 26 Min
Friday – Wednesday: 5:15, 9:30
Thursday: 5:15

SAMSARA (PG-13) 1 Hr 42 Min
Friday, Saturday, Sunday: 12:30, 2:45, 7:15
Monday – Thursday: 2:45, 7:15

DATV presents MEDIA THAT MATTERS
Thursday: 7:30

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Nov. 9 (1 Week Only!) – FOR A GOOD TIME, CALL
Nov. 9 (1 Week Only!) – TRUE NATURE
Nov. 16 (2 weeks only) – A LATE QUARTET
Nov. 16 THE SESSIONS
Nov. 30 ANNA KARENINA
Dec. TBD – HITCHCOCK

KILLER JOE and LIBERAL ARTS at THE NEON!

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Hello Everyone,

We’ve got two new films opening this weekend. First off is a film with Ohio & Dayton connections. LIBERAL ARTS – directed by and starring Josh Radnor (an Ohio native) – was shot mostly at Kenyon College. In addition to Elizabeth Olsen, the film also stars Dayton’s own Allison Janney. Our second film is a darkly comic crime thriller directed by William Friedkin (director of THE EXORCIST and THE FRENCH CONNECTION) starring Matthew McConaughey – KILLER JOE. (KILLER JOE is rated NC-17 for graphic violence & sexuality…no one under 17 will be admitted.)

In addition to our two new films, we will hold SLEEPWALK WITH ME and SEARCHING FOR SUGAR MAN for limited screenings. Audiences are loving SEARCHING FOR SUGAR MAN. People who gave the film a chance (knowing nothing about the subject) are so glad they came! Many folks are coming out of the auditorium wondering if the music is available. It is! Omega Music, just a block from THE NEON, has the soundtrack on hand. If you’re interested in the music, we hope you’ll support another locally owned business (they even have the soundtrack available on vinyl)!

Synopsis for LIBERAL ARTS: “Newly single and uninspired by his job in college admissions, the introverted Jesse Fisher (Josh Radnor) lives with his head buried in a book. His deep nostalgia for his own alma mater in Ohio – the dining halls and dorm rooms, the parties and poetry seminars – makes him wonder if his best days are behind him. So when his favorite professor (Richard Jenkins) invites him back to campus to speak at his retirement dinner, Jesse jumps at the chance. Meeting Zibby (Elizabeth Olsen) – a precocious classical music-loving sophomore – awakens in Jesse long-dormant feelings of possibility and connection.” (IFC Films) Visit the official site.

[yframe url=’http://www.youtube.com/watch?v=vW4zsyuFhew’]

Synopsis for KILLER JOE: “When 22 year-old drug dealer Chris (Hirsch) has his stash of drugs stolen from him by his mother, he has to come up with six-thousand dollars quick, or he’s dead. Desperate, he goes to the trailer-park to see his father, Ansel (Hayden Church), and he lays out the plan. Chris’s mother, who everyone hates, has a life insurance policy that would clear up his debt and make them all rich. The problem is that Chris’ mother is very much alive. Enter Detective “Killer” Joe Cooper, a hired hit man with the manners of a Southern gentleman, who will do the job – for an upfront fee, that Chris and Ansel can’t pay. Just as Joe is about to leave, he spots Dottie (Temple), Chris’ innocent younger sister. Joe makes Chris an offer, he’ll keep Dottie as sexual collateral until the money is collected and his fee can be paid.” (Voltage Pictures) Visit the official site.

[yframe url=’http://www.youtube.com/watch?v=X9cnYXwGX4U’]

“Help support DATV and be inspired by short films that aim to make a difference in our lives. DATV presents the MEDIA THAT MATTERS SHORT FILM FESTIVAL on Thursday, November 8th at 7:30pm, at THE NEON in Downtown Dayton. The MEDIA THAT MATTERS SHORT FILM FESTIVAL is the premier national showcase for short films on the most important topics of the day. The films engagediverse audiences and inspires them to take action. The festival features 12 jury selected short films that tackle a broad range of social issues with humor, humanity and honesty in 12 minutes or less.” (provided by DATV) Tickets are $10 each, and we have a few available at our box office and on DATV’s site. For more details about the event and the films, visit the official site.

It’s unusual for me to talk about movies that aren’t playing at THE NEON…but I need to make an exception. SPARKLE, a new documentary made by NEON supporters and local filmmakers Julia Reichert and Steve Bognar, will premiere next week at Dayton Art Institute. “The evening will be quite unusual – a night of dance and cinema. SPARKLE is the story of legendary dancer Sheri ‘Sparkle’ Williams, who at age 50 (!) is still dancing with the world renowned Dayton Contemporary Dance Company. Our film is the story of how Sheri faces a devastating injury, which actually happened on stage. The evening will include the movie premiere, plus the world premiere of a new dance work choreographed specifically for Sheri Williams by Rodney A. Brown, a rising star in the world of contemporary dance choreography. The evening will also include a performance by the entire DCDC ensemble, AND several surprise guests. It promises to be a memorable night. Friday, Nov. 2 at 7 PM at the Dayton Art Institute’s newly renovated Renaissance Auditorium. Tickets are available at Ticket Center Stage, 937-228-3630, or at http://www.dcdc.org/ .” (taken from press notes)  You can also join the conversation on the official facebook page.

Thanks so much for your ongoing support!
All the best,
Jonathan

SHOWTIMES for Fri. Oct. 26 – Thu. Nov. 1:

KILLER JOE (NC-17) 1 Hr 42 Min
Friday – Thursday: 5:00, 9:30

LIBERAL ARTS (PG-13) 1 Hr 37 Min
Friday, Saturday, Sunday: 12:30, 2:45, 7:20
Monday – Thursday: 2:45, 7:20

SLEEPWALK WITH ME (NR) 1 Hrs 30 Min
Friday – Thursday: 5:15, 9:30

SEARCHING FOR SUGAR MAN (PG-13) 1 Hr 26 Min
Friday, Saturday, Sunday: 1:00, 3:00, 7:30
Monday – Thursday: 3:00, 7:30

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
Nov. 2 – SAMSARA
Nov. 9 – FOR A GOOD TIME, CALL
Nov. 16 (5 Days Only) – THE DETAILS
Nov. 16 (2 weeks only) – A LATE QUARTET
Nov. 21 – THE SESSIONS
Nov. 30 – ANNA KARENINA
Dec. TBD – HITCHCOCK

SEARCHING FOR SUGAR MAN & Digital News at THE NEON

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Hello Everyone,

All of us at THE NEON have been working long hours the past several days, and I hope you’re able to discern this newsletter – my eyelids are quite heavy as I type this note. As soon as the benefit was over on Sunday night, we began prepping our projection booth, auditoriums and lobby for some major changes and improvements. On Monday morning, the 35mm projection gear was removed, and new digital projectors (and servers and cases and lenses and cables and monitors and…) began to arrive that afternoon. While technicians have been preparing our new system, the staff has been busy painting, cleaning and painting some more. Our old carpet is being torn up right now, and the new carpet will be laid this afternoon.

Sunday’s benefit was a big success! Thanks so much to all of you who attended. We set our limit to 120 tickets…and we sold the 120th ticket just as the party was getting started. Additional thanks to everyone who made a donation to our cause! Our goal for fundraising was set at $25,000, and we’re currently at $22,160. That’s really wonderful!

On Friday, we will open with all new digital projection. While we will hold onto our last two titles – SLEEPWALK WITH ME and ARBITRAGE – we’ll also open a new documentary that has been a huge hit on the festival circuit. SEARCHING FOR SUGAR MAN is part mystery part historical document, and music lovers can’t get enough.

Synopsis for SEARCHING FOR SUGAR MAN: “Searching for Sugar Man tells the incredible true story of Rodriguez, the greatest ’70s rock icon who never was. Discovered in a Detroit bar in the late ’60s by two celebrated producers struck by his soulful melodies and prophetic lyrics, they recorded an album which they believed would secure his reputation as the greatest recording artist of his generation. In fact, the album bombed and the singer disappeared into obscurity amid rumors of a gruesome on-stage suicide. But a bootleg recording found its way into apartheid South Africa and, over the next two decades, he became a phenomenon. The film follows the story of two South African fans who set out to find out what really happened to their hero. Their investigation leads them to a story more extraordinary than any of the existing myths about the artist known as Rodriguez.” (Sony Pictures Classics) Click this link to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=tDw7OqVBT-w’]

“Help support DATV and be inspired by short films that aim to make a difference in our lives. DATV presents the MEDIA THAT MATTERS SHORT FILM FESTIVAL on Thursday, November 8th at 7:30pm, at THE NEON in Downtown Dayton. The MEDIA THAT MATTERS SHORT FILM FESTIVAL is the premier national showcase for short films on the most important topics of the day. The films engagediverse audiences and inspires them to take action. The festival features 12 jury selected short films that tackle a broad range of social issues with humor, humanity and honesty in 12 minutes or less.” (provided by DATV) Tickets are $10 each, and we have a few available at our box office and on DATV’s site. For more details about the event and the films, visit the official site.

Though we’ve got lots to still learn (training on the new projection equipment will begin this afternoon), this weekend marks the start of a new era for THE NEON – the culmination of months worth or research and preparation. We hope to see you soon.

Thanks so much for your ongoing support!
All the best,
Jonathan

SHOWTIMES for Fri. Oct. 19 – Sun. Oct. 25:

ARBITRAGE (R) 1 Hr 47 Min
Friday, Saturday, Sunday: 5:15, 9:30
Monday – Thursday: 5:15

SLEEPWALK WITH ME (NR) 1 Hrs 30 Min
Friday, Saturday, Sunday: 1:00, 3:10, 7:30
Monday – Thursday: 3:10, 7:30

SEARCHING FOR SUGAR MAN (PG-13) 1 Hr 26 Min
Friday, Saturday, Sunday: 1:00, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:30, 8:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
very soon – KILLER JOE
very soon – LIBERAL ARTS
Nov. ? SAMSARA
Nov. 16 (2 weeks only) – A LATE QUARTET
Nov. 21 – THE SESSIONS
Nov. 30 – ANNA KARENINA

SLEEPWALK WITH ME at THE NEON + Big Benefit News!

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Hello Everyone,

Huge changes are just around the corner for THE NEON. Before I get to the source of my anxiety, let’s talk movies. If you still want to see THE MASTER, Thursday will be your last chance to see it with us. On Friday, we will open a film that has had the most requests this year – SLEEPWALK WITH ME. ARBITRAGE had a solid opening weekend…so it will stick around.

Synopsis for SLEEPWALK WITH ME: From the producers of THIS AMERICAN LIFE, this is the film that Ira Glass has been talking about! “When an aspiring stand-up fails to express his true feelings about his girlfriend and his stalled career, his anxiety comes out in increasingly funny and dangerous sleepwalking incidents.” (IFC Films)

[yframe url=’http://www.youtube.com/watch?v=u9tRN7bok4o’]

This weekend is the last chance to see movies via 35mm film at THE NEON. On Sunday evening, we will close our doors for 4 days as we make the transition to digital projection (the new industry standard). Our “Things To Do” list is jam-packed. Over the past 11 years, we’ve opened our doors for business every single day…while we’re closed, we’re going to take advantage of the opportunity and do some major cleaning, lay some new carpet and add some fresh paint to floors and walls.

And speaking of this weekend, Sunday marks the day for our big Digital Conversion Benefit featuring AMELIE. (If you missed Sunday’s nice article from Dayton Daily News, you can check it out here.) The festivities will start at 4:00 with delicious appetizers provided by Meadowlark, Roost and Coco’s Bistro. Around 5:00, everyone will head to the large auditorium for our “Dayton Meets Hollywood” auction (more details below) We’ll plan to begin our 35mm presentation of AMELIE by 5:30. Tickets are still available! 100% of the proceeds will go toward helping us make the switch to digital. They can be purchased at our box office or by visiting this link.

To check out all the items in our auction, we’ve listed each item (along with a picture below).  Here’s the skinny:

If you’re unable to attend the benefit but would like to place a bid on one of the auction items, you can send me an email with your name, phone number, and your highest bid. I will need this e-mail by Saturday at noon. send to: [email protected] (If you’d like to see one of the items in person, you can schedule an appointment with me for this Saturday.)

We hope to see you this weekend.

Thanks so much for your ongoing support!

All the best,
Jonathan

SHOWTIMES for Fri. Oct. 12 – Sun. Oct. 14:
(We will be closed Mon, Oct 15 – Thu, Oct 18)

ARBITRAGE (R) 1 Hr 47 Min
Friday, Saturday: 12:30, 2:50, 5:10, 7:30, 9:45
Sunday: 12:30, 8:30

SLEEPWALK WITH ME (NR) 1 Hrs 30 Min
Friday, Saturday: 1:00, 3:10, 5:10, 7:20, 9:30
Sunday: 1:00, 8:30

COMING SOON:

As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
Oct. 19 SEARCHING FOR SUGAR MAN
Nov. ? SAMSARA
TBD LIBERAL ARTS
TBD THE SESSIONS
TBD KILLER JOE
TBD NEIL YOUNG JOURNEYS
TBD ANNA KARENINA
TBD HYDE PARK ON HUDSON

AUCTION ITEMS:

Screenplay from the Pilot episode of THE WEST WING – Signed by Martin Sheen & Allison Janney.  Includes signed Martin Sheen Photograph.  Starting Bid: $75

Screenplay for THE WEST WING, Season 1, Finale – Signed by Martin Sheen + Signed Photograph.  Starting Bid: $50

THE WEST WING Lot of Call Sheets and Script Changes with Signed Martin Sheen Photograph. Starting Bid: $50.

 

THE BIG LEBOWSKI Storyboard Print.  Hand-signed by The Coen Brothers’ storyboard artist and Oakwood resident J. Todd Anderson.  Includes $25 gift certificate from Patterson Chase – perfect to use toward framing your storyboard.  Starting Bid: $50.

3 DVDs from local filmmakers Julia Reichert, Steve Bognar & Jim Klein.  Emmy-Winning A LION IN THE HOUSE, Oscar-Nominated THE LAST TRUCK and recently inducted into The National Film Registry – GROWING UP FEMAL.  It’s incredible that all these award-winning films were born right here in the Miami Valley.  These films will be personalized by the filmmakers for your collection.  Starting Bid: $75.

THE RUBI GIRLS documentary on DVD & Poster (which will be kissed and signed by The Rubi Girls before THE NEON’s benefit).  This award-winning documentary has played at numerous film festivals around the world…but has not yet been released on DVD.  Starting Bid: $50.

 

2 Original Chairs from THE NEON.  These chairs, with their original upholstery, are 27 years old.  Though they have slight imperfections, they still are quite cozy and would make a perfect addition to you screening room.  (As a note of caution, these chairs require being bolted to the ground.)  Starting Bid: $50.

Naming Rights to our Small Auditorium.  Our small auditorium seats 74 people.  The name you chose (perhaps your name, your company name or the name of your favorite director) will be placed on a plaque above the door to the auditorium.  (The name is subject to approval from THE NEON’s Board…vulgarity or insensitive language will not be permitted.)  Starting Bid: $100.

ARBITRAGE Now Playing at THE NEON!

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Hello Everyone,

Special thanks to everyone who came out and supported THE DOWNTOWN DAYTON LGBT FILM FESTIVAL. With enthusiastic crowds, 3 visiting directors, and 4 sold-out shows, this turned out to be the most successful festival in THE NEON’s history. I’m pleased to announce that the votes for our audience awards were very tight…which means that audiences were really liking several selections. Our “Audience Award – Best Feature” went to LOVE FREE OR DIE, and our “Audience Award – Best Short” went to SABBATICAL. Many congrats to those filmmakers!

We’ve moved forward this weekend at THE NEON.  ROBOT AND FRANK just left, and today we opened the new thriller starring Richard Gere and Susan Sarandon – ARBITRAGE.  If you still need to see THE MASTER, you have one more week.

Synopsis for ARBITRAGE: “When we first meet New York hedge-fund magnate Robert Miller on the eve of his 60th birthday, he appears the very portrait of success in American business and family life. But behind the gilded walls of his mansion, Miller is in over his head, desperately trying to complete the sale of his trading empire to a major bank before the depths of his fraud are revealed. Struggling to conceal his duplicity from loyal wife Ellen and brilliant daughter and heir-apparent Brooke, Miller’s also balancing an affair with French art-dealer Julie Cote. Just as he’s about to unload his troubled empire, an unexpected bloody error forces him to juggle family, business, and crime with the aid of Jimmy Grant, a face from Miller’s past.” (Roadside Attractions) Click this LINK to visit the official site for ARBITRAGE.

[yframe url=’http://www.youtube.com/watch?v=UmJSV9ePx7c’]

We’re less than 2 weeks away from our big benefit…and I’ve got some new details for you (if you didn’t read the e-mail I sent out a few weeks ago, you can check it out here). Tickets can now be purchased at our box office and on-line via paypal. WDTN recently did a story about our conversion and benefit…if you didn’t catch it, you can see the video by visiting their site. I also stopped by LIVING DAYTON last week…to see that piece, visit their site. The items for our auction are rolling in. J Todd Anderson of Oakwood – well-known for being the storyboard artist to The Coen Brothers – has donated a hand-signed print of a storyboard from THE BIG LEBOWSKI. Martin Sheen has donated 2, autographed screenplays from THE WEST WING (we even sent the pilot to Allison Janney and had her sign it, too). Local filmmakers Julia Reichert, Steve Bognar and Jim Klein have added an exciting package of award-winning films – A LION IN THE HOUSE, THE LAST TRUCK and GROWING UP FEMALE. I’m supplying a copy of THE RUBI GIRLS documentary (which has yet to be released on DVD) as well as an autographed poster of the Girls. And lastly, THE NEON will auction off naming rights to the small auditorium. Stay tuned to next week’s newsletter for your chance to submit a bid if you’re unable to attend the benefit. Click the AMELIE picture below to visit the benefit website – where you can purchase tickets or make a donation to our campaign.

SLEEPWALK WITH ME – a film that many people have been asking about (due to Ira Glass urging his listeners) – is set to open October 12!

All the best.
I hope to see you soon,
Jonathan

SHOWTIMES for Fri. Oct. 5 – Thu. Oct. 11:

ARBITRAGE (R) 1 Hr 47 Min
Friday, Saturday, Sunday: 12:30, 2:50, 5:10, 7:30, 9:45
Monday: 2:50, 5:10, 7:30
Tuesday: 2:50, 5:10
Wednesday & Thursday: 2:50, 5:10, 7:30

THE MASTER (R) 2 Hrs 17 Min
Friday, Saturday, Sunday: 1:00, 4:00, 7:00, 9:45
Monday – Thursday: 2:30, 5:15, 8:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
Oct. 12 SLEEPWALK WITH ME
Oct. 19 SEARCHING FOR SUGAR MAN
Nov. ? SAMSARA
TBD LIBERAL ARTS
TBD THE SESSIONS
TBD KILLER JOE
TBD NEIL YOUNG JOURNEYS
TBD ANNA KARENINA
TBD HYDE PARK ON HUDSON

THE MASTER Opens Friday at THE NEON

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Hello Everyone,

The Toronto International Film Festival was great. I saw 29 films in 9 days (plus a few partials). If you’re interested to know about the movies I saw, click the picture below to be directed to my blog . In the coming days (once I’m caught up on NEON matters), I’ll post one last entry with my wrap-up. For now, I hope you enjoy this little collage of some of the people I saw during introductions and Q&As. These are all from pictures I took at the festival. Can you name everyone? (I’ll list all their names in next week’s newsletter.)

At THE NEON, we’re moving forward again this week. FAREWELL, MY QUEEN did not perform well enough to stick around for a second week. If you still need to see this film, you only have through Thursday to see it at THE NEON. On Friday, we will open one of the best reviewed films of the year – THE MASTER. This film broke records over the weekend in NYC and LA, and we’re hoping that fans of Paul Thomas Anderson (THERE WILL BE BLOOD, MAGNOLIA and BOOGIE NIGHTS) will be out en masse. ROBOT & FRANK will stick around for another week. (remaining showtimes for this week can be found at our site: neonmovies.com)

Synopsis for THE MASTER: “A Naval veteran arrives home from war unsettled and uncertain of his future – until he is tantalized by The Cause and its charismatic leader.” (taken from imdb.com) “In the years after WWII, an American intellectual creates a religion. When he meets a troubled drifter, he invites the man to help him spread the new faith. As their congregation increases, the drifter begins to question the religion he once accepted and the mentor who gave his life direction.” (taken from metacritic.com)

[yframe url=’http://www.youtube.com/watch?v=fJ1O1vb9AUU’]

Earlier today, we had another director confirm that he will attend this year’s Downtown Dayton LGBT Film Festival. That makes three directors attending our fest…and I think that’s pretty incredible. Jonathan Lisecki – director of GAYBY, Travis Mathews – director of I WANT YOUR LOVE, Glenn Kiser – director of SABBATICAL (part of the TOP DRAWER SHORTS program) will attend and answer your questions. Read all about the films on the official website. The 7th Annual Fest is set for Sept. 28-30. Watch the trailers and mark your calendars…it’s gonna be great! Special thanks to DAYTON MOST METRO, WYSO and DAYTON DAILY NEWS for already committing to provide stories about this year’s films. To hear an interview I recently did about the festival on WYSO, please click this link.

[yframe url=’http://www.youtube.com/watch?v=1NNr7NtVIFk’]

And on the horizon is our benefit to assist with our digital conversion – set for October 14 (if you didn’t read that e-mail, you can check it out here). Tickets can now be purchased at our box office and on-line via paypal. If you’re not able to attend our benefit, you can also make a donation on the benefit page. WDTN recently did a story about our conversion and benefit…if you didn’t catch it, you can see the video by visiting their site.

All the best.
I hope to see you soon,
Jonathan

SHOWTIMES for Fri. Sept. 21 – Thu. Sept. 27:

ROBOT & FRANK (PG-13) 1 Hr 29 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:10, 7:20

THE MASTER (R) 2 Hrs 17 Min
Friday, Saturday, Sunday: 1:00, 4:00, 7:00, 9:45
Monday – Thursday: 2:30, 5:15, 8:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
Sept. 28-30 DOWNTOWN DAYTON LGBT FILM FESTIVAL
Sept. 21 ARBITRAGE
Oct. 5 SLEEPWALK WITH ME
Oct. ? SEARCHING FOR SUGAR MAN
Nov. ? SAMSARA
TBD THE QUEEN OF VERSAILLES
TBD 2 DAYS IN NEW YORK

Toronto Film Fest – Day #9

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Hello Everyone,

I saw 2 final films today…which took my final count to 29 full screenings (there were 3 partial screenings, too).

First off, I saw a lovely new adaptation of GREAT EXPECTATIONS by Mike Newell (director of ENCHANTED APRIL, FOUR WEDDINGS AND A FUNERAL, and a whole lot more).  This adaptation, though clearly condensed in order to be told in 2 hours, is an old-school, literal adaptation with lovely photography, great costumes and a wonderful score.  The cast is wonderful – Ralph Fiennes as Magwitch, Helena Bonham Carter as Miss Havisham and Jeremy Irvine as “older” Pip (he was the star of WAR HORSE).   Interestingly, Young Pip is played by Jeremy Irvine’s younger brother Toby, and he’ll have quite a career should he decide to continue acting.  Sally Hawkins (who is always delightful to see) plays Mrs. Joe.  This adaptation will be well received by NEON regulars…though it has been picked up by a brand new distributor – so we hope we can establish a good relationship with them.

[yframe url=’http://www.youtube.com/watch?v=10W1rOJ6aME’]

For my last film of the festival, I saw Lee Daniels’  (director of PRECIOUS) latest film – THE PAPERBOY.  Though Nicole Kidman and Zac Efron give “nice” performances, the material is all over the map.  The film is seriously fractured with tone and themes shifting from scene to scene.  Some of the cutting seems strange and forced – leading me to believe that coverage wasn’t good or performances weren’t always up to par.  Eric Kohn of IndieWire wrote, “Lee Daniels’ THE PAPERBOY is a rare case of serious commitment to outright silliness…It’s possible to enjoy aspects of THE PAPERBOY if you assume a certain self-awareness behind the campier bits, but even then, the movie drowns in an overwhelming barrage of excess.”  Though Efron was present at the screening, Kidman was not.  Is she distancing herself from the picture?  We’ll never know.

[yframe url=’http://www.youtube.com/watch?v=m2GMwWaDSr0′]

In the coming days, I’ll write one last Toronto wrap-up…and I’ll include some personal photographs from the trip.  So check back again on Tuesday or Wednesday – once I’ve had a bit of time to catch up on sleep, wash my clothes, get back to work and process all 29 films I screened.

Thanks for reading!

Jonathan

Toronto Film Fest – Day #8

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Hello Everyone,

I only saw two film in their entirety today…I started a third, but I due to not connecting with the characters, I decided that a nap was in my best interest.

First off, I saw LOVE, MARILYN -a documentary about Marilyn Monroe – based on personal journals and personal letters that were recently discovered in storage (in addition to writings and interviews from friends and colleagues).  Big stars – like Glenn Close, Ellen Burstyn, Hope Davis, Viola Davis, Ben Foster and Lindsay Lohan – read the letters.  The movie reveals a tormented, insightful star who seemed to know exactly what was happening around her.  That said, the performances of the readings were distracting.  Instead of voice-over, the actors perform the pieces via green screen – and their images are transposed over backdrops, archival footage, etc.  I found it to be rather annoying.  However, the archival material and interviews seemed more organic and worth the ride.

PASSION, the latest film from Brian De Palma, is a laughable thriller based on the French film LOVE CRIME.  The movie stars Rachel McAdams and Noomi Rapace, and it starts out very confusing.  The two lead actresses look to be the same age – though one is the corporate boss and the other is an assistant.  The chemistry between these two is rather flat, and the tone changes to camp rather quickly.  The music cues and other cheap devices used to confuse the audience are abysmal.  The movie is about how Rapace’s character plots revenge on her boss after she stole one of her ideas in order to advance with the company.  In a word, this film is bad.

[yframe url=’http://www.youtube.com/watch?v=xaSVR4pCKT4′]

In the evening, I went to see Madonna’s latest show at the Air Canada Center.  It was a complete blast – and quite a brilliant display of cutting-edge stage craft and lighting.

2 more films tomorrow…and I’m looking forward to both!

Thanks for reading!

Jonathan

Toronto Film Fest – Day #7

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I’m Back!

Wow…though my eyes are starting to blur a bit and my feet are slightly dragging, I’m still makin’ it to all the screenings I’ve got on the docket.

First of the day was Terrence Malick’s TO THE WONDER.  You might remember that THE TREE OF LIFE earned the title of most walk-outs in NEON history…and I think this film might give TREE OF LIFE a run for its money.  This visually lovely and poetic film is quite experimental…and it not only feels like a follow-up to TOL, it feels repetitive.  With identical shots from TOL, some similar “plot” lines and similar tone, this film will have both fans and detractors.  I heard one woman late this afternoon say to her friend, “I saw TO THE WONDER this morning.  It’s the worst movie I’ve EVER seen.”  The film is a rumination on relationships.  It has some wonderful moments, but I ultimately found the film to be tedious.  If I had to watch Olga Kurylenko skip through one more wheat field or twirl around down one more grocery store aisle, I might have to end it all (see below).  Ben Affleck seemed to phone in his performance (or perhaps he just wasn’t given much to do), and Rachel McAdams is certainly not the lead of this film (regardless of the marketing you might see).

Next I saw STILL – a Canadian film directed by Michael McGowen…starring James Cromwell and Genevieve Bojuld (Bojuld made a surprise appearance during the introduction of the film – it was a delight to see her).  This film is about how an elderly man is building an accessible home on his land for himself and his wife…and how the authorities keep handing him building violations.  The reason the man is building the house is because of the deteriorating health of his wife.  The director talked about how he read about this story from the headlines…and how he worked directly with the family in order to bring the film to life.  It’s a lovely, quiet film with great performances, a great score, and a wonderful backdrop of the Canadian landscape.

PEACHES DOES HERSELF was next on the list.  This film is the a record of a performance done by the rock star/performance artist Peaches.  Originally from Toronto, Peaches has been a part of the Berlin art scene for years.  This transexually charged performance had its highs and lows with some moments that had me (as well as a few folks beside me) in fits of hysterical laughter (some of it was like a train wreck), but it wouldn’t work well at all in a traditional engagement.  That said, it might find an audience at midnight screenings – especially for fans of the Peaches catalog.

My last screening of the night was SUICIDE SHOP – a life-affirming, French, animated, musical film about suicide.  Huh?  It’s true.  This sweet and funny film was directed by Patrice LeConte (RIDICULE and GIRL ON A BRIDGE), and it’s about a shop that sells anything needed to end one’s life.  Due to the recession, sales are up, and the gloomy family are happy to help folks find their preferred method of exiting the world.  The arrival of a new son throws the shop into a tailspin.  Why?  Because he’s too darn jovial.  Though I saw the film in 3D, it’s absolutely not necessary.  Unfortunately, I thought the film lost a little steam in the second and third act (and it’s only 80 minutes).  In addition, I don’t know who the film is for.  It’s full of adult themes, but the narrative arc is rather slight.  That said, I’m still glad I saw it…some of it is wonderful.

[yframe url=’http://www.youtube.com/watch?v=75gJaI_7eMM’]

Tomorrow I’ll see 2 or 3 films…and then I’m going to a non-TIFF-related event.  I’ll see Madonna in concert, and I have a great seat.

More to come.

Thanks for reading!

Jonathan

FAREWELL MY QUEEN at THE NEON + TIFF News

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Hello Everyone,

The Toronto International Film Festival has been terrific. I’m heading into my seventh day of screenings, and I’ve already seen 21 films. Though a nightly allotment of 4 to 5 hours of sleep is starting to wear me down, I’m having a great time. I’ve met Francois Ozon and Sally Potter (2 directors I greatly admire), and I’ve attended screenings the were introduced by (and sometimes with Q&As by) Susanne Bier, Keira Knightley, Susan Sarandon, Ben Wishaw, Tom Hanks, Dustin Hoffman, Kristin Scott Thomas, and my absolute favorite star encounter – Maggie Smith. If you’re interested to know about the movies I’ve seen, check out my other blog postings on this site.  I’ll post some personal pictures upon my return to Dayton.

At THE NEON, we’re moving forward this week. If you still need to see THE INTOUCHABLES, Thursday will be your last chance. On Friday, we will open the period drama FAREWELL, MY QUEEN. ROBOT & FRANK had a very solid opening weekend (Thank you!) – it will stick around for another week. (remaining showtimes for this week can be found at our site: neonmovies.com)

Synopsis for FAREWELL, MY QUEEN: “Based on the best-selling novel by Chantal Thomas, the film stars Léa Seydoux as one of Marie’s ladies-in-waiting, seemingly innocent but quietly working her way into her mistress’s special favors, until history tosses her fate onto a decidedly different path. With the action moving effortlessly from the gilded drawing rooms of the nobles to the back quarters of those who serve them, this is a period film at once accurate and sumptuous in its visual details and modern in its emotions. Diane Kruger gives her best performance to date as the ill-fated Queen and Virginie Ledoyen is the Queen’s special friend Gabrielle de Polignac.” (taken from Cohen Media Group) Kenneth Turan of The Los Angeles Times wrote, “Matching the strength of these actresses and their personal drama is the film’s masterful sense of time and place – the way it makes us feel that this was how it was during four pivotal days in July 1789 as the wheels came off the French monarchy.” Mike LeSalle of The San Francisco Chronicle wrote, “Other films about Marie Antoinette have had their moments, but Benoît Jacquot’s Farewell, My Queen is the first to give a real sense of what it must have felt like to live inside that palace as the walls were caving in.” Visit the official website.

[yframe url=’http://www.youtube.com/watch?v=tOQfyExCVQk’]

Tickets are already available for this year’s Downtown Dayton LGBT Film Festival, and there are a few films you won’t want to miss – including the opening night film GAYBY (which includes admission to the opening night party at The Crowne Plaza). Jonathan Lisecki, director of GAYBY, will attend our festival. In addition, Travis Matthews, director of I WANT YOUR LOVE, will be able to do some research for his new project while he’s in the region! Read all about the films on the official website. The 7th Annual Fest is set for Sept. 28-30. Watch the trailers and mark your calendars…it’s gonna be great! Special thanks to DAYTON MOST METRO, WYSO and DAYTON DAILY NEWS for already committing to provide stories about this year’s films.

And on the horizon is our benefit to assist with our digital conversion – set for October 14 (if you didn’t read that e-mail, you can check it out here). Thanks so much for your kind words and encouragement! Tickets can now be purchased at our box office and on-line via paypal. If you’re not able to attend our benefit, you can also make a donation on the benefit page.

All the best.
I hope to see you soon,
Jonathan

SHOWTIMES for Fri. Sept. 14 – Thu. Sept. 20:

ROBOT & FRANK (PG-13) 1 Hr 29 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
Monday – Wednesday: 3:00, 5:10, 7:20
Thursday: 3:00, 5:10

FAREWELL, MY QUEEN (R) 1 Hr 52 Min
Friday, Saturday, Sunday: 12:40, 2:50, 5:00, 7:15, 9:30
Monday – Thursday: 2:50, 5:00, 7:15

COMING SOON:
As always, all dates are tentative.
Many of these dates will change.
In some rare cases, titles may disappear.
Sept. 21 THE MASTER
Sept. 21 ARBITRAGE
Sept. 28-30 DOWNTOWN DAYTON LGBT FILM FESTIVAL
Oct. 5 SLEEPWALK WITH ME
Oct. ? SEARCHING FOR SUGAR MAN
TBD THE QUEEN OF VERSAILLES
TBD 2 DAYS IN NEW YORK

Toronto Film Fest – Day #6

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Hello Again.

It’s day #6…the days are flying by.

I started off the morning with FRANCES HA – the new film from Noah Baumbach (director or THE SQUID AND THE WHALE, GREENBERG and MARGOT AT THE WEDDING).  Greta Gerwig stars as Frances – a kindred spirit, down-on-her luck, professional dancer in NYC.  The film is about her relationships and always-shifting residence.  We grit our teeth as we watch her make mistakes (turning down jobs because she’s too proud, her alcohol intake, how she deals with men, etc.) and we truly like spending time with her even though she can certainly banter on while getting intoxicated.  The writing and lead performance are what make this black/white film work, but I don’t think some of our regulars at THE NEON will connect with the material.  (That said, I liked it quite a bit…and the music cues are delightful.)

Next up was a film that I was very excited to see – HYDE PARK ON HUDSON – starring Bill Murray and Laura Linney.  This film appeared to be the next KING’S SPEECH (after seeing the marketing), but it’s not as magical as I had hoped.  Don’t get me wrong…it’s a wonderful little film – it’s just not the next big thing.  This is the movie about FDR and his extramarital relationship.  It’s also about the weekend when the King & Queen of England visited…and the bond between the USA and Great Britain was forever changed.  The photography is lovely, the performances are great…in addition to a couple other notes, I wish there was more of Eleanor.

[yframe url=’http://www.youtube.com/watch?v=rzl3CkzQ5UM’]

Lastly, I saw DEAD EUROPE – a film about a son who goes to spread his father’s ashes in Greece only to begin discovering dark family secrets.  Now residing in Australia, the young man’s travels take him all over Europe and get him into some disturbing situations.  The premise and first  1/2 of this film were quite promising.  Unfortunately, the 3rd act became a little bombastic, and I started to care less for the characters as I thought the plot became a little too over-the-top. That said, I think it’s important to expose deep-seeded racism and hatred…and this film is full of it.

[yframe url=’http://www.youtube.com/watch?v=XrNnofw8CQw’]

There was one other film I started today.  But after 15 minutes, I couldn’t stand it.  The description was misleading, and the material was not at all to my liking.  I had planned on 4 films – alas I only really saw three and had a nice dinner instead (eating right is something that generally doesn’t happen during this trip).

More tomorrow!  Thanks for reading,

Jonathan

 

 

Toronto Film Fest – Day #5

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Hello Everyone,

I have to make a confession.  Because we’re opening THE MASTER on Sept. 21, it has not been a priority for me to see during TIFF…especially because it’s always slated up against something else that I want to see.  That said, I did see the first 70 minutes today…and I found it quite engaging.  I’ll be anxious to see the rest!

The first film I saw today (in its entirety) was THANKS FOR SHARING – a dramedy about sex addiction.  Though there are lots of really funny moments, this film really does take the sex addiction part quite seriously.  Mark Ruffalo and Tim Robbins star along with relative newcomer Josh Gad …with supporting roles by Gwyneth Paltrow and Pink! (who is wonderful).  The film is directed by Stuart Blumberg.  Though this is his directorial debut, Blumberg has had his hand in filmmaking for a while.  (He wrote THE KIDS ARE ALL RIGHT a couple years ago.)  Though I thought this film was too long (I realize that I’m beginning to sound like Harvey Weinstein – who is famous for chopping filmmakers’ films), I do think it’s pretty good for the most part…and very audience friendly.

Next I saw the new film by Edward Burns – A FITZGERALD FAMILY CHRISTMAS.  This film started out on a really strong note.  It was an honest, insightfully funny film about a dysfunctional family during the holidays.  Sadly, the film went in a couple directions that were very problematic, and the movie ultimately didn’t work for me.  However, there are a couple characters that made the film worth watching…particularly Anita Gillette (known recently as Liz Lemon’s mother on 30 ROCK).

Lastly, I saw what might be at the top of the list so far for me.  Francois Ozon’s new film is spectacular.  IN THE HOUSE is the story of a schoolboy who has taken an interest in writing and his grammar teacher who is helping him hone his craft.  As the boy continues to write a story about his voyeuristic observations regarding a family in his neighborhood, the teacher becomes more invested in knowing what happens next…all the while teaching the boy what works and doesn’t work narratively.  It’s a twisted, inventive story…and it’s as funny as it is thrilling.  Both Francois Ozon and Kristin Scott Thomas were at the screening.  I loved it!

Sadly, there are no trailers for the films I screened today…so I’ll leave you with one for THE MASTER.

[yframe url=’http://www.youtube.com/watch?v=fJ1O1vb9AUU’]

Thanks for reading!!!

Jonathan

Toronto Film Fest – Day #4

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Hello!

I’m gonna try and make this short and sweet…as it’s already late and I need to wake by 6am again tomorrow.

It was quite a day.  4 films…all (mostly) good.

First off, I saw David O. Russell’s SILVER LININGS PLAYBOOK (Russell did I HEART HUCKABEES, FLIRTING WITH DISASTER and – starring Bradley Cooper, Jennifer Lawrence and Robert DeNiro.  This dysfunctional family comedy about mental illness was full of laughs – mostly due to honest observations.  I wish it had been a little shorter, but ultimately I think it will be  crowd-pleaser. (editorial note – I think that the pairing of obsessing over sports paired mental illness issues is an interesting marriage)

[yframe url=’http://www.youtube.com/watch?v=Lj5_FhLaaQQ’]

A ROYAL AFFAIR is a period drama about Queen Caroline of Denmark in the late 18th Century.  She married into the monarchy, and her husband was a childish, self-absorbed man.  Caroline had an affair with the royal physician, and they managed to make numerous changes to government.  The photography and set/costume design of this film are delicious, and the lead actress – Alicia Vikander – is absolutely stunning (she’s also in ANNA KARENINA).

[yframe url=’http://www.youtube.com/watch?v=RiHnVMHk6YU’]

This evening, I saw the film that will undoubtedly be dubbed “The Next Marigold Hotel.”  QUARTET – Dustin Hoffman’s directorial debut – stars Maggie Smith, Bill Connolly, Pauline Collins, and Tom Courtenay.  This little film is an absolute delight!  It’s about a retirement home for retired musicians…and in addition to the 4 lead actors, it stars numerous singers and musicians in their 70’s 80’s and 90’s (Hoffman wanted real musical artists to live in his scenes – not just actors playing musicians) .  Tonight was it’s world premiere, and I must confess something….  I’ve seen people go insane for movie stars over the years.  Johnny Depp.  Brad Pitt.  Angelina Jolie.  People scream, the jump up and down, and sometimes they even cry.  Tonight, when Maggie Smith was standing 10 feet away from me, tears streamed down my face.  From THE PRIME OF MISS JEAN BRODIE  to ROOM WITH A VIEW…from THE V.I.P.s to DOWNTON ABBEY, I have loved Dame Maggie for decades, and it was a complete thrill to see her in person!  The Q&A with the principal cast as well as Hoffman was a night to remember, and the film is going to be a hit with our audience.

Lastly, I saw LOVE IS ALL YOU NEED –  the latest film from Sussane Bier (director of BROTHERS, IN A BETTER WORLD and OPEN HEARTS).  (Interestingly, the original Danish title would be translated into THE BALD HAIRDRESSER.)  This film is much lighter than Bier’s recent work.  There are some serious subjects on the table – but there are also a lot of laughs.  Bier, along with lead actress Trine Dyrholm (also in A ROYAL AFFAIR) and Pierce Brosnan, introduced the film and did a Q&A.  Though I liked most of this film, I also thought it was a little too long given the subject/story.  That said, Dyrholm is a joy to watch.

Off to bed!  Thanks for reading!

Jonathan

Toronto Film Fest – Day #3

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Hello Again,

I started off this morning with Derek Cianfrance’s follow-up to BLUE VALENTINE.  This film is called A PLACE BEYOND THE PINES, and it’s well shot, edited, etc…but I really disliked it.  The film is about a motorcycle trick rider with a traveling carnival who finds out that he an old fling ended up pregnant during his last stop through town.  He decides to stick around when the fair leaves…and will do anything to make things “right.”  There are three chapters to this film – each with its own set of acts.  Ryan Gosling, Bradley Cooper, Eva Mendes, Dean DeHaan are the leads.  The story seemed overly contrived to me, and I thought the score had elements of western/thriller hybrid – which somehow appropriate didn’t seem right at the time (only after seeing the whole film did it make sense…but doesn’t work as far as I’m concerned).  I shook my head and snickered at several moments…that wasn’t the response the director was hoping for.

Next up, I saw a film from the Netherlands called THE DEFLOWERING OF EVA VON END.  When a handsome German exchange student arrives at the home of the von End family, their backwards, slightly wacky lives are turned upside down as almost everyone (except one jealous son) tries to win the attention of the new arrival.  This film started off quirky & hysterical…became a little twisted…and then took some completely zany turns.  Whereas I liked 80% of this movie, the ending dragged on and I wasn’t completely sold on the entire third act.  (That said, I did laugh quite a bit for the first hour.)

 

Lastly, I saw the world premiere of CLOUD ATLAS.  This epic film from the directors of THE MATRIX and Tom Tykwer  (PERFUME and RUN, LOLA RUN) covers numerous characters, numerous plotlines and numerous time periods.  Whereas I’m rarely a fan of science fiction (GATTACA is the only sci-fi film from the last 20 years that I consider a favorite), this film had me intrigued from the opening sequence.  Though it’s a big Hollywood film (Warner Brother is distributing), it’s thoughtful, complicated and quite topical.  It’s funny, it’s gory, it’s rough, it’s tender…and the crowd gave the film a standing ovation for more than 6 minutes.  So many were there – the directors, Susan Sarandon, Ben Whishaw, Jim Broadbent,  Halle Berry, Tom Hanks, and more!  Overall, I think this is an ambitious piece – and for the most part, sucessful.  Check out the long, special trailer below!

[yframe url=’http://www.youtube.com/watch?v=hWnAqFyaQ5s’]

After the film, I met up with an old friend who I haven’t seen since last year’s fest.  I figured out that we met exactly 10 years ago to this very weekend.  Bill and I met in line for Pedro Almodovar’s TALK TO HER – one of my favorite films of all time.  And we’ve stayed in touch for a decade.  That’s pretty special.

Time for bed.  More tomorrow.

Jonathan