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Songs of the Undead: Encore Premieres “In My Blood”

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IN MY BLOOD by Mark Weiser - Encore Theater Co. - July 14-16, 2011IN MY BLOOD

Encore Theater Company

Win Tickets to this new musical! Read on!

Vampires are everywhere. Not since Transylvania has a nation been so overrun with the undead. Is there an area of pop culture devoid of these little bloodsuckers? On television, I guess we have Joss Whedon to blame for his electrifying Buffy The Vampire Slayer all the way through more current hits like HBO’s True Blood and any of a number of copycat shows just like it. In cinema, there’s no other place to look but the Twilight series for the source of teen vampire mania. Walk into any Barnes & Noble and you’re likely to find title after title featuring some collection of sex-crazed vampires. Even in music, isn’t there a band called Vampire Weekend?

One thing’s for sure: this is not your father’s vampire craze. This new breed of vampire is less B-movie and more B-cup. (Immortality doesn’t seem so bad when everyone is ridiculously attractive, right?) Despite a marketing blitz like no other, the trend has been unable to sink its teeth into Broadway – try as it may! Elton John attempted (it’s the kindest word I can use here) a musical-adapted Anne Rice with Lestat and Jim Steinman penned the ill-fated Dance of The Vampires. Even Frank (Jekyll and Hyde) Wildhorn couldn’t capture musical thriller lightning in a bottle twice. His musical Dracula was an infamous bomb in New York. But there’s hope – this weekend in Dayton – that Encore Theater Company could break the curse when the regional premiere of Mark Weiser’s vampire rock musical In My Blood plays three performances at Sinclair Theatre’s Blair Hall.

IN MY BLOOD by Mark Weiser - Encore Theater Co. - July 14-16, 2011 - Photo by Ray ZuppThe show, written by New-York Based composer Mark Weiser has been called “The right combination of romance, conflict, humor and drama” (Theatremania). In the tradition of contemporary vampire stories, In My Blood deals primarily with Gray and Alex, two childhood friends, who reunite for one last night of partying. They learn of an annual, secret soiree, at a hidden location called SANCTUARY. There, they meet Unique and Sasha, two of the revelers. Over the course of the evening, the pairs fall in love. The two friends come to learn that this is the home of the world’s last surviving vampires, and are offered a chance to join them, and live forever. Ultimately, everyone must choose sides – for love, for life and for family. The casts features 10 local performers including ETC Company member JJ Parkey (featuring previously this season in the title role of Hedwig & The Angry Inch). In partnership with Sinclair Theatre, the show is directed by Kimberly Borst with musical direction by John Faas.

“In My Blood deals with real people with real issues of isolation and social shunning who ALSO just happen to be vampires.”

“What works in Mark’s script that hasn’t worked in previous vampire-themed musicals is intent,” says ETC Artistic Director David Brush, “The ‘vampire’ element here is a device and not the primary concern, so people connect to the characters on real levels.”  But don’t fear, there’s plenty of bloodshed for every taste level and a healthy dose of rock ‘n’ roll. ETC first came in contact with the show on their Litehouse New Musicals Reading series under the name The Cure. In My Blood continues ETC’s primary mission of developing new musicals right here in Dayton before heading off to New York. Weiser himself spent several days in Dayton last week working directly with the cast an creative team in an effort to work out some of the new material – it’s a part of the process ETC values enormously.

[yframe url=’http://www.youtube.com/watch?v=yDmfuWAxVyQ’]

In My Blood opens Thursday July 14 for three performances.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information

Encore Theater Company - New Musicals. Next Generation.In My Blood – July 14 – 16, 8:00 pm

Encore Theater Company

Performances will be held at Sinclair Community College’s Blair Hall Theatre.

Tickets are $15 and can be reserved through http://brushfire.e-vent.info/Events/Sinclair/Default.aspx, by contacting (937) 512-2808 (be sure to leave a message as regular box office hours are not kept during the summer)

For more information, check out the Encore Theater Company.

Win Free Tickets!

Encore Theater Company & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to In My Blood!  We will be giving away up to SIX pairs of tickets for the show! All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page (We’ll give away one pair of tickets for every FIVE FB/Twitter Shares).
  • Fill out the contact form at the bottom of this post.
  • …and the fun part: leave a comment below, answering the following question…IF YOU WERE TO BECOME A VAMPIRE…WHAT VAMPIRE-Y TRAIT WOULD YOU MOST BE EXCITED TO HAVE?
  • The deadline to enter is NOON on THURSDAY, JULY 14TH.
  • Winners will be selected randomly from all of the entries.
[contact-form 6 “Contest Entry”]

Music. Dance. Hiking Boots?

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"Translations: an exploration in birdsong, sound and movement" BLUE SKY PROJECTTranslations:

an exploration in birdsong, sound and movement

Blue Sky Project

When first perusing this press release, I was not really certain into which section of DaytonMostMetro.com to place this article.  When I first spoke with fellow onStageDayton contributor Rodney Veal about this, my assumption was that this project he was so excited about would be featured in the “oSD” section.  Maybe, however, it belongs in the “Dayton Music” section as the project prominently features a very accomplished violinist, Shaw Pong Lui from Boston, participating through a residency here in the Gem City with the Blue Sky Project.

BIRDSONGAs I uncovered more details about the project it seemed that maybe it should be in the “Arts & Entertainment” section since it seems to equally features the creative choreography of Rodney Veal, alongside Liu’s musicality.  The further I read, the more difficult this classification task became.  Here is a collaboration between a dancer, a musician AND nature.  The performance takes place along the trails of Aullwood Garden MetroPark with the dancers and musicians mimicking the sounds and sights of the trails.  Perhaps we need to put this in “Active Living.” The audience has to build up a bit of a sweat during this particular concert, as they will have to traverse the trails.  They even warn you to wear hiking shoes!

iBird Explorer AppThen you throw in the iPod aspect.  Holy Cow!  Do we even have a “Technology & Arts” section?  Audience members can participate in the performance through the use of a special birdsong app! ? !  This is pretty cool.

Alright.  Looking at this, pondering the various aspects…the birds, the trees, the dance, the music…I am making an executive decision here: “Life.”

(fully expecting our illustrious publisher to override this decision and choose the perfect classification for this article)

Official Blue Sky Project Press Release:

Dayton, Ohio — Musicians, dancers and birders will come together for an unusual open-air art event in one of the Miami Valley’s most distinctive woodland parks.

The Blue Sky ProjectThe Blue Sky Project, in collaboration with the University of Dayton and Five Rivers MetroParks, will present “Translations: an exploration in birdsong, sound and movement” 6 p.m. Saturday, July 9, and 3 p.m. Sunday, July 10, at the Aullwood Garden MetroPark, 955 Aullwood Road, Englewood, Ohio. It’s free and open to the public.

Violinist Shaw Pong Liu and choreographer Rodney Veal created the work, which invites audience members to walk along trails throughout the garden, encountering violinists mimicking birdsongs, dancers improvising on the shapes of trees and birders with iPods contributing the real songs of birds.

“The point of the piece is to get people to slow down and pay attention to the environment,” Liu said. “We lead such busy lives, it is rare to take time to attune to the environment, and truly listen. Through this creative exploration of a hidden gem in the Dayton community, we hope to inspire others to listen and see their environments more deeply.”

Liu said the piece is very much in the spirit of the garden’s founder, the late Marie Aull, who opened and donated the garden to the public, and placed inspirational quotes throughout, encouraging visitors to enjoy nature and meditate on its beauty.

Participants include professional musicians from the area, dancers from the Dayton Contemporary Dance Company and the Dayton Ballet, and birders familiar with the region’s birds.

Liu said the some paths go over rugged terrain and recommended appropriate footwear. iPhone users may also participate by downloading iBird Explorer Lite, a free app, before the performance.

Liu’s role as community artist/investigator for Blue Sky is new for the organization, a juried international summer artist residency now in its seventh year and its third based in Dayton, that brings internationally recognized artists to the area to work with young people on public, contemporary art.

The new position was prompted by Liu’s work in 2010 with Blue Sky and the community connections she made, according to Peter Benkendorf, founder and co-creator.

“Collaboration and community are central to both Blue Sky Project and the University of Dayton. It’s exciting to see Blue Sky expand through an artist who is taking the Blue Sky model beyond collaboration of program participants, and out to the larger community,” said Benkendorf.

It’s a good fit for the University, according to Paul Benson, dean of the College of Arts and Sciences, because it combines the University’s commitment to community and its interest in infusing the creative process into education.

Blue Sky also makes good use of ArtStreet, an innovative living and arts community on campus, where the artists both live and make art in the facility’s studios, Benson said.

“We are pleased to support Blue Sky as well the new community artist/investigator position as part of our ongoing commitment to expand the arts on campus and in the community,” he said.

“Translations” is the second major collaboration for Liu and Veal. Their 2010 production “Of a River” transformed the Schuster Center Wintergarden with dancers, musicians and 600 yards of silk.

Shaw Pong LiuLiu is a Boston-based, classically trained violinist who performs internationally and creates innovative shows involving improvised music, narration and audience interaction. Her ongoing project, “A Bird a Day,” explores birds, sunrises and music at www.abirdaday.org.

Rodney VealDayton native Rodney Veal is a choreographer and interdisciplinary artist whose work has been featured at the Ohio Dance Festival, among others. Veal teaches at Stivers School for the Arts in Dayton and Sinclair Community College. A solo show of his work, “Reveal: Five Zones on Beauty,” opens July 23 at the Springfield Museum of Art.”

For information on Blue Sky and the “Transitions” performance, including an alternative venue in case of rain, visit http://www.blueskydayton.org

.

Cardinal (actual):

Cardinal (violin):

SANCTUARY composed by Shaw Pong Liu (4/28/2011)

[yframe url=’http://www.youtube.com/watch?v=jih2Z6-OXKQ&feature=channel_video_title’]

Music Video Monday: June 20, 2011

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Griffin House is a Springfield native whose 2004 release, Lost and Found put him in the national spotlight when it was featured on CBS Sunday Morning.  House is returning to the Miami Valley this weekend for a show at Canal Street Tavern on Saturday, June 25th.  Tickets are $10 at the door, and the show starts around 9:30pm.

Here’s a video House’s 2007 Flying Upside Down album.

[yframe url=’http://www.youtube.com/watch?v=9oG1IfQx9Oc’]

Fair Shakes and Parlour Tricks Afoot at South Park Tavern

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The Fair Shakes

Saturday night South Park Tavern will be rocking with two great local bands, each with a stellar lineup.  The Fair Shakes are fronted by Nick Kizirnis and features John Dubuc, Deni Wilson and Jim Macpherson.  Their sound channels the fun, classic garage rock sounds of bands like The Replacements and the Ramones.  Get a taste of what you’ll see on Saturday night from the band’s YouTube offerings.

If the Fair Shakes don’t get you on your feet, C. Wright’s Parlour Tricks will.  The band features Marc Betts, Brian Hoeflich, Tim Flanagan, and occasionally Josh Gonazalez,  Steve ‘Henhouse’ Hensley, Joe Prescott.  Their guitar-driven instrumentals combine good old fashioned rock and roll with a bit of boogie and lots of showmanship that will make you want to move.

[yframe url=’http://www.youtube.com/watch?v=JlFOEUla25c’]

Saturday’s show begins around 9pm and costs $5.  Like most every show at South Park Tavern, it’s all ages.

Behind the Masks – The Lion King

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Disney’s The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Nick Cordileone & Ben Lipitz

Disney’s THE LION KING

The Victoria Theatre Association

I have a confession to make:  I, Shane Anderson, admittedly know very little about The Lion King.  In fact, I know very little about most of the Disney films and musical adaptations.  I’ve certainly seen some, but I have no children of my own, therefore I typically don’t choose to spend my entertainment budget on a movie ticket to a film marketed to kids.  I get it…I get it… I hear that they are terrific for anybody at any age, but I don’t have that added motivation of a really excited 5 year old persuading me to go catch the latest Disney princess or talking/singing animal movie.

Characters from Disney's Lion King, as interpreted by Noah, age 5

The Lion King mask illustration by Noah, age 5

So, since I am not the Disney aficionado that many Americans are, I had to do a little research about Disney’s THE LION KING, which just rolled into town and opened at the Schuster Center this evening.  So what else was I to do?  I called up my favorite nephew, 5 year old Noah.

First bit of information I needed, was what is the plot of this show? Noah replied with a knowing smile (did I sense the slightest amount of a smirk at his silly Uncle Shane?) that THE LION KING is all about this baby lion named Simba, who’s daddy Mufasa dies because of a bad lion named Scarrrr (grrrRR..!), then the Pumbaa and Timon (not sure which is which, but one is a warthog with big horns) come in and sing Hakuna Matata and then Simba gets big and the girl lion tells Simba to come back and be king.  Oh, and be careful of the 3 Hyenas, they laugh.

Ok, stay clear of the laughing Hyenas.  Of course I already knew a little bit about this classic musical adaptation, it is a legendary production that very successfully melded together a very cool artistic vision with the business sense of a major corporate producer.  I know that it was directed by the very talented Julie Taymor.  I realize that even though the musical premiered on Broadway nearly fourteen years ago,  it is still selling tickets both on the “Great White Way” and in multiple touring companies.  This collaboration between a truly gifted artist and a major corporate entity has been highly successful, with no signs of slowing down.  I knew all of that, but this is one highly acclaimed Broadway spectacle that I have yet to experience, and I am thrilled that the show will be spending four weeks right here in Dayton, Ohio!

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Ben Roseberry

I got the opportunity to spend some time chatting with three cast members of the show on the phone last week.  The cast was in Toronto, Canada, where they had an extended stay.  I spoke with vocal ensemble member and “Sarabi” understudy Electra Weston, Ben Roseberry who portrays “Ed” the laughing hyena, and the ever-popular Ben Lipitz who livens up the stage as “Pumbaa”  the optimistic warthog.

I asked the group of actors about touring with Disney Theatricals, working with Taymor and what the experience is like in a production that thrills audiences of all ages.

The first thing of note is the appreciation the actors express for the company itself.  “It is the best contract I’ve ever worked for,” Roseberry declares, “we are in each city for four weeks or more.” All three of the actors pointed out the fact that through Disney’s intention to keep the company in a city for an extended run of at least four weeks, allows the actors time to settle in and actually experience each city. Most other touring shows will have shorter runs, some as little as a day in each city, which leave the actors living out of their suitcase.  Roseberry, an aviation enthusiast, says that he is very excited to have time in Dayton to explore the Aviation Trail, Hall of Fame and Wright Brother sites.

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Electra Weston

A surprise to me was the fact that the touring company has the opportunity to make their own housing arrangements, some choosing extended stay hotels, others are able to find short-term furnished apartments.  Electra Wilson indicated that in her four years on the tour, she’d never stayed in a hotel.  She ships her bicycle and typically manages to find an apartment within biking distance to the venue.  This gives her the opportunity to become a member of the community, if only for a short time.

I was curious to know more about the experience of being onstage for these actors, what it was like to be on the other side of the curtain.  The technical aspects of performing the show utilizing these puppets and intricate scenic elements must certainly be an incredible thing to watch not only from the audience perspective, but also from backstage.

All three actors found their roles very taxing, but for very different reasons.  Weston says that her most difficult transition into the role was the English language. She had previously been a part of the German company of the show, so even though she is American, she found it difficult to sing her parts in English.  She had to relearn the show in her native tongue, and had a tough time doing so!

“I can’t say it’s a bigger thrill than what the audience is experiences, but it certainly is comparable.” says Ben Lipitz, ” Performing in The Lion King is a rare experience in theatre, it is a landmark event for the audience, as a performer I have to take the storytelling very seriously.  We have a responsibility to live up to the expectations [of the audience].  It is a privilege to tell this story”

“It took a good eight weeks of performing for the role to get in my body.” Roseberry said he was very nervous performing in his “Ed” the hyena puppet for the first several weeks he was on tour.  He pointed out that he had to learn to harness that nervous energy, translating it into a good energy.  Additionally he spent hours in front of a mirror learning how to operate the hyena puppet in as many expressive ways as possible, since the character does not speak, but simply communicates through laughter.  (btw…”Ed” is not “stupid”, but rather he is “verbally challenged”)

Ben Lipitz has been with the show for nine years, both on Broadway as well as the touring company.  He recounted that while his very first entrance on stage in this show was very exciting, that the thrill continues to this day.  Ben’s experience as an actor (on stage, film & television, including a role on The Sopranos) didn’t really prepare him for operating the puppet, especially Pumbaa which weighs in heaviest at 46 pounds.  Creating the physical articulation with the puppet is his biggest challenge, but also the biggest reward.

Disney's The Lion King ~ presented by The Victoria Theatre Association, Dayton, OH ~ June 14 - July 10, 2011

Ben Lipitz

The beauty of Julie Taymor’s design is the duality of the character on stage.  You see the actor manipulating the puppet, but you also see the humanity within the animal character.  The actors praise the brilliance of Taymor’s vision and her famous “hands-on” approach to direction an upkeep of her vision.  They report that there is a touring director and staff that continually monitor the show, maintaining the quality of the performance.  This team works with the cast so that what we see in Dayton is precisely the same as the original intent of every step, word and note performed when Julie Taymor’s vision became reality in 1997.  Taymor will even  stop in to check on the show herself occasionally to be sure that her vision is never compromised (though this hasn’t happened recently due to her involvement in another theatrical project).

“I have been truly touched by how inspiring working with Julie is,” claims Lipitz, “[it is] her spirit and her energy.  She is a gifted, visionary artist.”

While THE LION KING is a very complex machine of a show, with many moving parts and people manipulating every aspect of it, it is also child’s play.  Experiencing this show on our side of the curtain will certainly be exciting, but imagine how thrilling it must be to make it all happen behind the scenes.  These actors spoke as if it was truly an honor to tell this story, and be a part of the magic daily.

Before I got off the phone with Pumbaa, I had one more question I was required to ask.  Noah wanted to know “what do you do with your horns?” Pumbaa claimed that his daily regimen included trying not to stay up too late, staying out of the sunlight and plenty of moisturizer.  Pretty good advice for all you warthogs reading this.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Disney's THE LION KING - Victoria Theatre Association, Dayton, OhioDisney’s THE LION KING

Wednesday, June 15 through Sunday, July 10, 2011

at The Schuster Center’s Mead Theatre – Performance Times Vary

Tickets range from $27 – $141

Tickets are ONLY available through Ticket Center Stage.

Visit the  Schuster Center box office in downtown Dayton or order by phone, at (937) 228-3630 or toll free (888) 228-3630. Ticket Center Stage hours are Monday-Friday, 10 a.m. – 6 p.m., Saturday, noon – 4 p.m., and two hours prior to each performance.

Tickets may also be purchased online at www.ticketcenterstage.com.

For more information about Victoria Theatre Association visit www.victoriatheatre.com.

Downtown Dayton Partnership and the Victoria Theatre Association have teamed up to provide roaring deals and promotions for the The Lion King patrons.  Read more about these exiting offers HERE.

The Lion King - ROARING DEALS - Dayton, Ohio

Click for details.

Sing it Strong, Sing it Loud

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Altar Boyz

ENCORE THEATER COMPANY

The quintessential Boy Bands: upbeat (and often emotional) music… slick choreography… the perfect individual and group images… slightly-too-perfect rhymes… the Soul Sensor DX-12? Well, maybe not for any other boy band, but for the Altar Boyz, it’s key! During the final concert of their “Raise the Praise” tour, the Boyz seek to reduce the number of burdened souls in the audience (indicated by the number on the Sensor) to zero.

“Jesus called me on my cell phone / No roaming charges were incurred / He told me that I should go out in the world / And spread His glorious word”

Altar Boyz, presented in real time as that concert, is a satirical, “foot-stomping, rafter-raising musical comedy,” and the fictitious Christian boy band includes five Ohio members: Matthew, Mark, Luke, Juan, and Abraham (who, actually, is Jewish). Some of the Boyz’ signature hits include “Rhythm in Me,” “The Calling,” and “I Believe.” Directed and choreographed by Lauren Morgan and musically directed by Mark Barnhill, this Dayton premiere kicks off Encore Theater Company’s summer season, and runs for one weekend only, June 16 – 18.

“We think that church is super fine / We are the Altar Boyz / We love the wafers and the wine / We are the Altar Boyz / And I think / You’ll find….. We’re gonna altar your mind!”

This show is unique in that each cast member must be a triple-strength performer, because everyone is acting, singing, and dancing for nearly the entire show! Therefore, learning the show has been hard work, but the actors I spoke with were excited about the challenges they’ve faced and the strides they’ve taken as performers. The cast includes students and/or Dayton residents Drew Bown, Andrew Koslow, Korey Harlow, Zack Steele, and Zach King, with a special appearance by local Muse Machine alumnus and Broadway performer Tyler Maynard as “the Voice of God.”

“When I hold your body next to mine / it feels so good / and feels so right / and it also makes my Levis feel real tight… / and I know that there is something about you, baby…/ Girl, you make me want to wait.”

Not only does the cast play a great team onstage, but everyone has an excellent collaboration as well. Each of the cast members are or have studied some type of theatre at the collegiate level, and most are new to Encore Theater Company’s mainstage; however, they’ve all contributed unique talents and abilities to make this show strong and fluid, to refine timing of the show’s extensive humor and rehearse even the most difficult 5-part harmonies. Koslow, who plays Mark, explained in an interview with onStageDayton,

Andrew Koslow, "Mark"

“The most rewarding thing for me about this show is how much we’ve truly banded together (pardon the pun) to make this show happen. We’ve run into a thousand road blocks, from losing cast members to sometimes only having two Boyz available for certain rehearsals due to commitments to other shows. Despite all that, we’ve put together an incredible and entertaining show… I truly couldn’t be prouder of our entire cast and production team.”

That commitment and collaboration have paid off: Zack Steele, who plays Juan, praises,

Zach Steele, "Juan"

“[Altar Boyz] will have [audience members] crying from laughing so hard. The script is bulletproof and the Boyz’ chemistry on stage will carry you on a journey all the way through curtain call. The singing is great and the satire is ever-present.”

Koslow added,

“I truly believe there is something for everyone in this show, and no one can prove me wrong unless they come and see for themselves.”

“You know The Bible tells you God’s the one that made you / So get out on the dance floor And shake what He gave you!”

So, whether you’re holding onto music of the early ‘90s or just love to make fun of boy bands, Altar Boyz is the perfect show for you. Don’t miss it!

Tickets & Performance Information

Altar Boyz – June 16 – 18, 8:00 pm

Encore Theater Company

Performances will be held at Sinclair Community College’s Blair Hall Theatre. Tickets are $15 and can be reserved through http://brushfire.e-vent.info/Events/Sinclair/Default.aspx, by contacting (937) 512-2808 (be sure to leave a message) or [email protected]

For more information, check out the Altar Boyz blog or Encore Theater Company.

~KN

Coming Up in Dayton Theatre: 06/09 – 06/22

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THURSDAY, JUNE 9 – WEDNESDAY, JUNE 22, 2011

Evil Dead: CATCO

Evil Dead: the Musical at CATCO (Photo Credit Dave Alkire and CATCO-Phoenix)

The unexpected happens a lot in theatre. Everything rarely goes exactly as planned; that is the nature of live theatre, and we have to learn to deal quickly to make things work. And yesterday, the show I’m ASMing (Evil Dead: the Musical at CATCO; it’s a professional show and well worth the drive out to Columbus, so come see it!) was no exception. Halfway through the show, the hinge on the trap door broke when one character stomped to close it; so my crew and I scrambled around backstage alerting actors and shuffling duties so that a crew person could be underneath the door as needed. We averted any potential injuries or changes to the blocking, finished the show well and fully, and fixed the door immediately after.

At first, the thought of problems is irritating. Why can’t things just work all the time? Why can’t we be in control of everything during a show? As Assistant Stage Manager, if something backstage goes wrong, it’s my fault. I really like when the show and the effects run smoothly.

However, thinking about it, I realize a certain exhilaration, too. Having something go wrong, but being able to work together to get past it and make the show work, is a mark of good collaboration and communication within a show. If our cast and crew weren’t working well together, we couldn’t fix problems like the cellar door on the spot. Those elements are part of the very essence of theatre, whether garage, community, or Equity, and seeing them lived out successfully reminds me why I love theatre, and why Dayton theatre is so great. These next couple of weeks, we have venue and artistic collaborations on shows, as well as the individual process of each performance. Support those this weekend, and go see one of these great productions.

Another Openin’, Another Show

…SHOWS OPENING SOON

The Mystery of Edwin DroodEdwin Drood: BCT

BEAVERCREEK COMMUNITY THEATRE

The Story: John Jasper, a Jekyll-and-Hyde choirmaster, desperately loves his music student, Miss Rosa Bud, who is engaged to Jasper’s nephew, Edwin Drood. However, when Edwin Drood disappears mysteriously one stormy Christmas Eve, suspicions abound. In this adaptation of Dickens’ last and unfinished manuscript and a show-within-a-show, audiences choose the ending!
Dates: June 10 – 19, 2011
Tickets & More Information: BC Theatre: Edwin Drood

…SHOWS CLOSING SOON

right next to me

HUMAN RACE THEATRE COMPANY

The Story: A war widow, attempting to cope with her Marine husband’s death in Iraq, goes with her brother-in-law on a quest to scatter her husband’s ashes where he required, remembering and seeing flashbacks along the way in an emotionally moving and uplifting journey. This show premiered in an earlier and very different version as part of the Human Race Musical Theatre Workshops in 2009.
The Dates: May 21 – June 12, 2011
Tickets & More Information: Human Race Theatre Company

…ONE WEEKEND ONLY

Southern Comforts

YOUNG AT HEART PLAYERS and DAYTON THEATRE GUILD

The Story: Some people thrive and grow enervated with change; others, run from any potential unsettlement. In a Victorian era New Jersey, a taciturn Yankee widower and a vivacious Tennessee grandmother find a second chance at love, but the relationship is filled with surprise and unpredictable tribulation. A collaboration between two theatres, “this off-Broadway success is an affecting, late-in-life journey of compromise and rejuvenation, of personal risk and the rewards of change” (DTG).
Dates: June 10 – 12, 2011
Tickets and More Information: Dayton Theatre Guild, DMM Event

Altar Boyz

ENCORE THEATER COMPANY

Altar Boyz

The Story: In this foot-stomping, rafter-raising, musical comedy, a fictitious Christian boy band performs on the last night of their national “Raise the Praise” tour. The Boyz are five all-singing, all-dancing heartthrobs from Ohio: Matthew, Mark, Luke, Juan and Abraham. Performed in Sinclair CC’s Blair Hall Theatre, this show is perfect for those who love (and to love to make fun of) boy bands!
Dates: June 16 – 18, 2011
Tickets and More Information: Encore Theater Company

Part of it All

…AUDITIONS AND CASTING CALLS

Into the Woods: PHS

Into the Woods

PLAYHOUSE SOUTH

Auditions: June 13 & 14
Performances: August 12 – 21, 2011
The Story: After a Witch curses a Baker and his wife with childlessness, the couple embarks on a quest for special objects from classic fairy tales to break the spell, stealing from and lying to Cinderella, Little Red, Rapunzel, and Jack (of beanstalk fame). But the characters didn’t count on the consequences of their actions or the disasters that would ensue…
More Information: Playhouse South: Into the Woods

Harvey

BEAVERCREEK COMMUNITY THEATRE

Auditions: June 13 & 14, 2011
Performances: August 26 – September 4, 2011
The Story: Elwood P. Dowd begins introducing his imaginary friend, Harvey (a six and a half foot rabbit) at a society party; his sister, Veta, can’t tolerate the embarrassment and has him committed to a sanitarium. However, problems arrive when Veta explains that years of living with Elwood have made her see Harvey, too! The doctors commit Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion.
More Information: BC Theatre: Auditions

~KN

Whodunit? The Mystery of Edwin Drood

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The Mystery of Edwin Drood - Beavercreek Community Theatre - June 10-19, 2011The Mystery of Edwin Drood

Beavercreek Community Theatre

Win Tickets! Read on!

One hundred forty one years ago today (08 June 1870) Charles Dickens suffered a stroke.  The next day:  dead.  His last novel:  unfinished.

Flash forward those 141 years (+a couple days):  the audiences at Beavercreek Community Theatre will get an opportunity to determine how the plot of  Dickens’ incomplete The Mystery of Edwin Drood concludes.

The Mystery of Edwin Drood - Beavercreek Community Theatre - June 10-19, 2011The novel was adapted into a Tony Award winning musical comedy in the mid-eighties by Rupert Holmes.  The playwright put a unique twist on the show, by writing multiple endings that requires the audience to make choices about various characters and actions, choosing a murderer, a detective and other various participants and events that lead up to the ending.  This sounds like an entertaining whodunit musical for the audience, but on the other side of the curtain…it sounds like a lot of work! Multiple endings to learn, different songs to perfect, and multiple sets of blocking and choreography to refine all must lead to hours upon hours of rehearsal devoted just the last few minutes of the production.

The show is described as a hilariously loony Victorian musical troupe takes over the stage for its production of a flamboyant rendition of an unfinished Dickens mystery.

It’s the story of John Jasper, a Jekyll-and-Hyde choirmaster portrayed by Jonathan Berry of Centerville. He is madly in love with his music student, the fair Miss Rosa Bud, played by Bethany Reid Locklear of Englewood. She, in turn, is engaged to Jasper’s nephew, young Edwin Drood, portrayed by Amy Leigh of Kettering.

onStageDayton contacted director and scenic designer Chris Harmon with a few questions about the show:

onStageDayton:  The Mystery of Edwing Drood is not a title commonly found on season schedules in the area, what drew you to the script?

Chris Harmon, director

Chris Harmon, director

Chris Harmon:  I saw The Mystery of Edwin Drood performed at the Victoria by the Human Race around 1995, I went out and bought the original Broadway cast cd and have listened to it ever since.  Last year I became a member of the play selection committee at BCT and it happened to be on the list and I was immediately interested in directing it.

oSD:  The show has a few unique aspects, such as the audience participation and the “show-within-a-show” concept. What kind of complications did these create for rehearsals?

CH:  The audience gets to choose the detective, murderer and lovers in the show. There are so many possible combinations which make the show’s ending fresh and new every night. I am lucky to have amazing actors who took the initiative to learn their possible parts so well. The endings can’t help but to be under-rehearsed, since it would be impossible to run them all every night. It saddens me that only having 6 performances, some of the possible murderer’s will not even get a chance.

oSD:  You have developed a terrific reputation as a director and scenic designer in the Miami Valley…what was your approach in your designs for this show? How did you come up with the concept & how do you go about making your design come to life?

The Victoria Theatre stage, Dayton, OHCH:  Drood is set just before the turn of the century in “The Music Hall Royale”.  My inspiration for the set was actually the first place i saw the show, The Victoria Theatre. Drood is a show within a show, so the Grand Drape is used for the scene changes, so I created a music hall thrust to have enough playing space for the actors in front of the curtain. I am a very visual person and when reading a script or listening to the music, I get a picture in mind instantly, the hard part is figuring out how to execute the designs within budget and time frame.

oSD:  What is your next project?

CH:  My next project is directing Camp Rock at Town Hall Theatre (where i am the resident scenic artist).  In community theatre I am directing Evil Dead and Chicago at BCT next season and could not be more excited about it.  I am thrilled to be working with Annette Looper as choreographer for both of these.

The cast of unique and zany characters also includes Bryan Wilcox of Riverside, Jeremy D. King of West Carrollton, Jim Lockwood of Huber Heights, Lindsay Sherman of Bellbrook, Matt Owens of Beavercreek, Tara Nichole Murphy of Miamisburg, Pam McGinnis of Oakwood, Charles Larkowski and Megan Vander Kolk of Fairborn and Dayton residents, Dean Swann, Jenna Burnette, Jennifer Wilson, Michael J. Stockstill, Nicole Dine, Thomas Cole Schreier and Shawn Hooks.

Besides Chris Harmon, the production staff includes Annette Looper of Centerville as choreographer, Dr. James Tipps of Beavercreek as music director, and Kristie Lickliter of Fairborn filling the role of stage manager.

John Falkenbach of Dayton is the lighting  designer,  Brad Mattingly of Franklin is the orchestra director, Hans Unser of Beavercreek is the stage assistant and assistant set builder and Diana Blowers of Beavercreek is the producer.

-SA/BCT Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Beavercreek Community Theatre LogoTHE MYSTERY OF EDWIN DROOD – June 10 – 19

8pm on Fridays & Saturdays / 3pm on Sundays

Tickets are $12 for adults and $11 for members, students and senior citizens.

A group discount of $1 per ticket is available to groups of 10 or more, when purchased at the same time for the same performance.

Tickets can be reserved by calling (937) 429-4737 and leaving a message or by e-mailing [email protected]. For more information, visit the theater’s Web site at www.bctheatre.org where tickets can also be purchased online.

Beavercreek Community Theatre is located within the Lofino Adult Enrichment and Cultural Arts Center at 3868 Dayton-Xenia Road in Beavercreek.

The show, which will be presented at 8 p.m. on Fridays and Saturdays and 3 p.m. on Sundays from June 10 through June 19, is actually a show within the show.

Win Free Tickets!

Beavercreek Community Theatre & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to The Mystery of Edwin Drood! We will be giving away up to SIX pairs of tickets…We’ll select 1 winner (of a set of tickets) for every 5 FB/Twitter Shares! All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page.
  • Fill out the contact form at the bottom of this post.
  • The deadline to enter is Noon on SATURDAY, June 11th.
  • Winners will be selected randomly from all of the entries.

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Local rocker returns to play First Friday show

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Although she has performed live shows in cities such as Los Angeles and Las Vegas, Alicia Grodecki says her favorite city to play is her hometown – Dayton.

Lucky for her, with two upcoming shows – First Friday @ 5 on June 3 and a slot at Canal Street Tavern June 18 – her band, Vanity Theft, will get to perform in the city she says is a great place for music.

This week, I talked to Grodecki about Vanity Theft’s new album, touring and the unbelievable experience she had in the recording studio.

“People call us a more badass version of The Killers, except girls,” she says of the band’s sound. “[When asked to describe it] I usually tell people to go listen to it.”

“Get What You Came For,” the latest from Vanity Theft, is a hybrid of dance and pop, with a little electronic feel and attitude. The songs cover a variety of topics ranging from relationships to growing up to just having a good time.

Earlier this year, the band piled in a van and played shows across the United States and Canada, promoting the new album.

“There are an infinite number of ‘best’ things about touring,” says Grodecki. “We see so many people and travel. The bottom line is we get to do what we love every night.”

She does admit being on the road has its downside. “It’s hard being away from home. You miss your family. Our longest van ride was 48 hours straight, but it’s always worth it when you get there.”

Vanity Theft will continue to tour during the summer, including a spot at the Summerfest music celebration in Milwaukee. Grodecki just found out the girls will be opening for Taking Back Sunday, one of their favorite bands.

“I freaked out,” she says. “It’s crazy.”

Playing alongside Taking Back Sunday is not Vanity Theft’s only brush with fame. Elton John was in the studio below them while they recorded their most recent album. The girls were not able to meet him because of his high level of security. But, Grodecki says, he cracked the door and they were permitted to sit outside the studio and listen to him sing.

Even after traveling the country, Grodecki says there is nothing like playing in Dayton. She notes the strong sense of community the city exudes. “It feels good to come home and show everybody what we’ve been doing.”

Coming Up in Dayton Theatre: 05/26 – 06/08

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Thursday, May 26 – Wednesday, June 8, 2011

DTG: Mauritius

Dayton Theatre Guild: Mauritius

Yesterday, when friends asked about having a picnic on Monday, I returned the question with a confused stare until they prompted me that it was Memorial Day. Wow! The holiday seems like it has completely snuck up on me. And with it has come some break in the rain (just some) and the beginning of summer.
Even in the midst of cookouts and vacations, there’s still the opportunity to see shows in the Dayton area this summer and these next few weeks. This can be a great time to celebrate school letting out and the warmer weather, and what better way than by doing something creative? A few shows are closing this weekend, so make sure to catch them before they do!

Another Openin’, Another Show

…SHOWS OPENING SOON

right next to me

HUMAN RACE THEATRE COMPANY

The Story: A war widow, attempting to cope with her Marine husband’s death in Iraq, goes with her brother-in-law on a quest to scatter her husband’s ashes where he required, remembering and seeing flashbacks along the way in an emotionally moving and uplifting journey. This show premiered in an earlier and very different version as part of the Human Race Musical Theatre Workshops in 2009.
The Dates: May 21 – June 12, 2011
Tickets & More Information: Human Race Theatre Company

…SHOWS CLOSING SOON

La Cage aux Folles

DAYTON PLAYHOUSE

The Story: George (a glitzy nightclub owner) and his partner Albin (also the glamorous changeuse Zaza)’s son is getting married… and in this musical, he brings his fiancee’s conservative parents home to meet the flashy pair. “The bonds of family are put to the test as the feather boas fly [in this] tuneful and touching tale of one family’s struggle to stay together… stay fabulous… and above all else, stay true to themselves!”

Date: May 13 – 29, 2011

Tickets and More Information: Dayton Playhouse, DMM Review, DMM Preview

Mauritius

DAYTON THEATRE GUILD

The Story: Only together after the death of their mother, two estranged half-sisters discover a book of rare-and potentially extremely valuable – stamps. One sister embraces the stamp collecting, the other resists – but both are targets of three seedy, high-stakes collectors who are willing to do anything to claim a particularly rare find as their own.

Dates: May 13 – 29, 2011

Tickets & More Information: Dayton Theatre Guild, DMM Preview

One Short Day

…SPECIAL EVENTS FOR THE THEATRICALLY MINDED


First Annual Talent Show

PLAYHOUSE SOUTH

The Basics: The talent pool in this area is great and diverse… and Playhouse South has selected 21 people of various ages, from singers and dancers to comics and beat-boxers, to show off their skills and compete for a $250 Grand Prize. Part of the contest is the audience’s ranking, so get ready to cheer for your favorite act!
The Date: Friday, May 27, 8:00 pm
More Information: Playhouse South

~KN

Dayton natives kick off First Friday concert series

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I hesitate to discuss the “edginess” of all-girl bands because I find myself stumbling along the fine line of making clichéd gender comments and completely disregarding the abnormality of an all-female group in the music industry.

After listening to Vanity Theft, however, I am convinced to make an exception. Want to hear it for yourself? Check out Vanity Theft when they return to Dayton to perform at the RiverScape MetroPark Pavilion as the first band in the First Friday @ 5 concert series.

According to their website, the Dayton natives spent five years booking their own tours and propelling themselves into the Midwestern music scene. Their loyal fan base reflects their hard work; in 2009, a grassroots effort won them the local-band slot in Cincinnati’s Warped Tour lineup.

Vanity Theft’s sound is a descendent of The Donnas’ legacy — assertive, sassy, girl rock. While the band was the only all-female outfit of the 227 selected to play in Cincinnati’s 2009 MidPoint Music Festival, they held their own and ended up filling the room. The girls haven’t relented yet — the New York Post described its live shows as being “eardrum-slobbering.” Yes, that’s a compliment.

While recording its October 2010 EP, “Anatomy,” the trio met former Disney child star Lalaine. (You might remember her from her the tween show “Lizzie McGuire.”) When the band needed a new bassist, members auditioned Lalaine and the four instantly clicked.

This February, Vanity Theft released their new album, “Get What You Came For.” The songs I sampled from the album (you can stream a few tracks here) definitely lived up to the band’s no-holds-barred reputation. With lyrics like, “Maybe I don’t want you for your mind; Can’t decide,” Vanity Theft makes it clear they are in control. And maybe, based upon its success already, that’s how it should be.

[yframe url=’http://www.youtube.com/watch?v=NOPQS_EbHqQ’]

The concerts are part of the First Friday events and will feature additional bands on August 5 and September 2. The concession will be open and beer will be sold from 5-7 p.m. The concerts will wrap up in plenty of time to head to the galleries and other arts venues taking part in the First Friday art hop. The First Friday @ 5 summer concert series is presented with additional support from Heidelberg Distributing, the Oregon District Business Association, Clear Channel Dayton Radio and Culture Works.

…Go In Peace – Bernstein’s Mass Graces the Schuster Stage

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Leonard Bernstein's MASS: a Theatre Piece for Singers, Players, and Dancers - Dayton Philharmonic Orchestra & Wright State University Music, Theatre & Dance Departments, 2011Leonard Bernstein’s MASS:  A Theatre Piece for Singers, Players, and Dancers

Dayton Philharmonic Orchestra

Wright State University Departments of Music, Theatre, and Dance

A famous reclusive American novelist once mused that “art and controversy seem to be joined at birth”.  Indeed every generation has its authors, songwriters, painters, sculptors, dancers, and creators exploring the darker side of human nature and in so doing, challenging the moral center of American life.  Whether its a ‘Catcher In The Rye’ – style uproar or a team of protestors on a mission to take down a certain boy wizard, controversy has been at the center of some of the greatest artistic achievements of our time.  Why? Well, often its because the best art challenges us to look at ourselves differently and with a critical eye – and let’s face it, Americans don’t like that! This weekend, a once deeply controversial work opens in Dayton in a new, glorious production sure to inspire a new following of fans (and protestors) alike.

Jacqueline Kennedy Onassis and Leonard Bernstein entering the Kennedy Center Opera House for a performance of Mass in 1972 (photo from the Library of Congress)

Jacqueline Kennedy Onassis & Leonard Bernstein at Kennedy Center, Sept. 8, 1971

Forty years ago, Jacqueline Kennedy Onassis selected the famed Leonard Bernstein to compose a monumental work to memorialize her late husband and 35th President of the United States,  John F. Kennedy.   The piece was to premiere on September 8, 1971 at the official opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C.  The piece  follows the structure of a Roman Catholic Mass, but includes elements of many styles typical of the contemporary American musical landscape of the period:  Blues, Rock, Showtunes and Opera.  While the liturgical text of Mass is in Latin, Bernstein and collaborators Stephen Schwartz (Wicked, Children of Eden) and Paul Simon (as in Simon & Garfunkel) contributed additional English texts.

The piece examines faith, specifically crisis in faith.  Considering the political landscape, Vietnam war, and the assassinations of the 1960’s, including that of JFK, the concept of addressing a personal crisis of faith through art was not necessarily anomalous, yet Bernstein’s Mass was not without controversy.  With it’s  anti-war themes,  it is no wonder this piece was received with both joyful acclaim and turbulent disdain in the fall of 1971.

This collaborative production between the Dayton Philharmonic Orchestra and Wright State’s Music, Theatre and Dance departments is likely to be awe-inspiring.  The piece itself is complex.  It is symphonic & theatrical.  The musical elements will surely be accompanied by the most amazing visual imagery possible- breathtaking choreography, costuming and scenery.  The creative forces behind this production will surely give you something thrilling to discuss over coffee after the performance, and in the days to follow.

Bernstein's Mass - Dayton Philharmonic Orchestra & Wright State Music, Theatre & Dance - May 13-14, 2011

Bernstein's Mass - in rehearsal on the Schuster Center's Mead Theatre Stage

Official Dayton Philharmonic Orchestra Press Release: Dayton Philharmonic Logo

The Dayton Philharmonic Orchestra’s 2010-2011 Miami Valley & Good Samaritan Hospitals Classical Series will conclude in spectacular fashion with performances of Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers on Friday and Saturday, May 13 & 14, 2011, both performances at 8 p.m. at the Schuster Center.

Bernstein's MASS - Dayton Philharmonic Orchestra and Wright State University Music, Theatre & Dance - May 13-14, 2011

This production will fuse the talents of the Dayton Philharmonic Orchestra with faculty and students from Wright State University in an unprecedented way.  Neal Gittleman, Music Director of the DPO, will conduct.  Greg Hellems of the WSU Department of Theatre is stage director and Gina Walther, of WSU’s Dance Department, is choreographer.  Staging has been designed by WSU’s Pam Knauert Lavarnway and choral forces are being prepared by WSU’s Hank Dahlman.  The production is under the overall artistic supervision of WSU’s W. Stuart McDowell, chair of the WSU Department of Theatre, Dance, and Motion Pictures.

All instrumental musicians – on stage and in the pit, and including rock and blues bands as well as traditional orchestral configurations – will come from the ranks of the DPO, while all actors, singers, and dancers – more than 100 in total – will be WSU students.  The production will also include the Kettering Children’s Choir under the direction of Natalie DeHorn and noted tenor John Wesley Wright in the crucial role of The Celebrant.

The John F. Kennedy Center for the Performing Arts - Washington, D.C.Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers was commissioned by former First Lady Jacqueline Kennedy for the opening of the national arts center named in honor of her late husband, the John F. Kennedy Center for the Performing Arts in Washington, DC.  The work premiered as part of the Kennedy Center’s opening festivities on September 8, 1971.

Bernstein’s MASS is based on the Tridentine Mass of the Roman Catholic Church, but is not at all a traditional concert setting.  Although there are liturgical passages that are sung in Latin, MASS also includes additional texts in English written by Bernstein, Broadway composer Stephen Schwartz (of Wicked fame), and pop/folk singer Paul Simon. Leonard Bernstein

According to the composer’s daughter, Nina Bernstein: “The piece follows the liturgy exactly, but it is juxtaposed against frequent interruptions and commentaries by the Celebrant and the congregation, much like a running debate. There is stylistic juxtaposition as well, with the Latin text heard electronically through speakers or sung by the chorus, and the interruptions sung in various popular styles including blues and rock-and-roll. On the narrative level, the piece relates the drama of a Celebrant whose faith is simple and pure at first, but gradually becomes unsustainable under the weight of human misery, corruption, and the trappings of his own power.”

“MASS is an enormous piece. It calls for a large pit orchestra, two choruses plus a children’s choir, a Broadway-sized cast (with ballet company), and a rock band. It may seem ironic that such multitudes are marshaled for a work that celebrates a man’s “Simple Song”: his love and faith in God. But in the end, that simplicity is shown to be all the more powerful because of it.”

Bernstein's MASS - Dayton Philharmonic Orchestra and Wright State University Music, Theatre & Dance - May 13-14, 2011

Bernstein's Mass - in rehearsal at Wright State University

Two years after its premiere, MASS was first performed in Europe (Vienna) by the Yale Symphony Orchestra. In the orchestra pit was young violinist and Yale student, Neal Gittleman.

This groundbreaking collaboration between the Dayton Philharmonic Orchestra and Wright State University promises to be the regional performance event of the season, if not the decade.

-SA/DB/DPO Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Dayton Philharmonic LogoLeonard Bernstein’s MASS – May 13-14 – (8pm)

Location:  The Mead Theatre inside The Schuster Center

WSU TheatreTickets Prices: Range from $9 to $59

Tickets are on sale now through TicketCenterStage.com, or via phone at (888) 228-3630

For more information visit www.DaytonPhilharmonic.com

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Free Program Promotes Pedal Power Downtown

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Volunteers ride the Yellow Bikes downtown.

Volunteers give some of the first yellow bikes off the assembly line a spin downtown during the May 6 First Friday.

Cycling culture in downtown Dayton is about to burn rubber with the roll out of the Yellow Bike program.

This free bike sharing program is the brainchild of Jeff Sorrell, vice president and executive director of the Life Enrichment Center, a faith-based nonprofit organization serving Dayton. The center’s new Yellow Bike program will provide brightly painted yellow bikes available free of charge for anyone to ride between downtown destinations. People simply grab a yellow bike, ride it to their destination and park it in a bike rack for the next person to use.

“The Yellow Bike program provides a free means of transportation and gives anyone access to bicycles to use at any time,” Sorrell said. “This program also promotes a healthy lifestyle and encourges people to get outside and be active.”

The Yellow Bike program will be officially launched during the Friday, May 13, Urban Nights, held from 5 to 10 p.m. throughout downtown. Riders can pick up one of 50 yellow bikes at Courthouse Square or whereever they see one parked throughout downtown. The Life Enrichment Center is seeking donations of helmets in all sizes, which can be dropped off at Courthouse Square during Urban Nights or at the center, 425 N. Findlay St.

The Yellow Bike program is part of a larger effort to enhance cycling culture in the City of Dayton, the only Ohio city to be selected as a Bicycle Friendly Community by the League of American Bicyclists in its spring 2010 rankings. Dayton was awarded a bronze-level status for its efforts to help make the city more bicycle and pedestrian friendly through such efforts as the addition of bike lanes to downtown streets and the opening of the bike hub at RiverScape MetroPark.

“Enhancing downtown Dayton as a bike-friendly city is about more than recreation ― it’s about regional economic development,” said Dr. Michael Ervin, co-chair of the Downtown Dayton Partnership and the Greater Downtown Dayton Plan. “That’s because cities where it’s easy to have the kind of active lifestyle that’s integral to cycling culture are more attractive to residents, visitors and businesses. Strategies that make it even more convenient to have an active lifestyle downtown, such as the Yellow Bike program, increase urban vibrancy, improve quality of life and, in the long term, attract new jobs and investment.”

Andy Williamson of Five Rivers Outdoors shows off the first yellow bike at the April 15 Young Creatives Summit.

Andy Williamson of Five Rivers Outdoors shows off the first yellow bike at the April 15 Young Creatives Summit.

The Yellow Bike program also is supported by the City of Dayton’s Bike/Walk Committee, which is overseeing the work of the City of Dayton 2025 Bicycle Action Plan. The City is seeking public input on the plan through this summer.

“A simple, accessible, inexpensive and environmentally friendly form of transportation, the bicycle continues to be a pivotal part of the City of Dayton’s vision for an active citizenry, vibrant economy and engaging street life,” said Dayton City Commissioner Nan Whaley. “Individuals and businesses are choosing to locate in areas where alternative transportation options are both abundant and convenient. The Yellow Bike program does much to help achieve this.”

The Yellow Bike program is one of several at the Life Enrichment Center’s new Bike Shoppe, renovated by volunteers and made possible by a grant from the UPS Foundation and private donations. The yellow bikes are refurbished by Life Enrichment Center clients, teaching them new skills while providing a service to the community.

To help keep the bikes in the downtown area, the Life Enrichment Center has worked with the Dayton Police Department, scrap yards and pawn shops. Anyone who finds a yellow bike that needs repaired or is outside the downtown area is asked to call the Bike Shoppe at 937-252-7780 so it can be picked up, returned to the center, repaired if necessary and put back into circulation. All the yellow bikes also will have stickers with the center’s phone number. Riders are reminded to always wear a helmet and obey traffic laws.

Urban Nights: Proving Downtown Dayton Is Alive and Kicking

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It’s no marketing scheme: Urban Nights really is one of the best nights to be downtown.

Downtown Dayton’s biggest street party returns from 5 to 10 p.m. this Friday, May 13. More than 100 venues in downtown Dayton, the Oregon Arts District and Wright-Dunbar Business Village will host special events, offer discounts and open their doors for an insider’s look. A variety of performers will entertain crowds on stages throughout downtown, and roaming performers also will liven up the event.

Below are some highlights of the May 13 Urban Nights, but there’s more going on than can ever be featured in one article ― and nearly everything is free. Click here to download a map of participating venues and a complete performance schedule, including a listing of all participating locations’ events and specials, a schedule for all the stages, and parking deals. Follow Urban Nights on Facebook for regular updates and more information.

Urban Nights gives people a chance to get artsy. Second Street will become a huge canvas when students from Stivers School for the Arts’ painting department create a paint-by-numbers style template on the street. The public then will be able to help Stivers students complete the mural, located in front of the Schuster Performing Arts Center between Main and Ludlow streets. The Paint the Street mural is sponsored by KeyBank and will be created with environmentally friendly liquid chalk that washes away with rainfall.

Juggling duo The Dropbacks will toss and catch with the crowd during Urban Nights.

Juggling duo The Dropbacks will toss and catch with the crowd during Urban Nights.

Also on Second Street, visitors also can create a piece of whimsical public art using jelly beans and have their pictures taken in a free photo booth. At the popular Community Stage, located at the corner of Third and Jefferson streets, an eclectic mix of 10-minute performances will be held from 5 to 7 p.m., then anyone can take the mic for open karaoke from 7 to 10 p.m. The Dropbacks, a comedic juggling duo, will toss and catch with the crowd throughout Urban Nights locations. Other hands-on activities will be available at participating venues. For example, the Dayton Metro Library will offer arts-and-crafts activities for children and adults.

Art is the heart of Urban Nights, and all of downtown’s numerous galleries will host exhibit openings and an array of more unusual offerings, such as a 7 to 8:30 p.m. performance by the Dayton Mandolin Orchestra at the Dayton Visual Arts Center. Some Urban Nights newbies are the Dayton Art Institute, which will offer a mixed bag of activities ranging from guided tours of its current exhibition to eye makeovers; Real Art Design Group, featuring jousting with shopping carts as part of “Urban Knights at Urban Nights;” and Atta Girl Art and Gardens Complex, where artists will open their studios for the public to have a look-see. At K12 Gallery for Young People’s new TEJAS studio, art by Rebecca Sargent will be featured.

Vote for your fave Activated Spaces window display during Urban Nights.

Vote for your fave Activated Spaces window display during Urban Nights.

Art also happens in unusual places during Urban Nights. Activated Spaces has worked with local artists to display their work in previously vacant storefronts throughout downtown, and the public can vote for a People’s Choice award during Urban Nights. Practice Yoga will host live music by BJSR, the Dayton International Peace Museum will host an opening reception for an exhibit of Chinese brush painting, and artists will take over the Southern Belle’s second floor, where local crafters will sell their handmade wares. And the Blue Sky Project is hosting an exhibition of Mequitta Ahuja’s works on paper in the lobby of the KeyBank Tower and an exhibit of photography by Sa Schloff, as well as work by Blue Sky participants, in the former Roly Poly space on Courthouse Square. Several downtown housing options will be open for tours, and many of them will feature artists’ work, too.

Downtown retailers also get into the Urban Nights spirit. At Derailed: A Hair Salon, co-owner Austin Burkhart will try to break his record for giving free Mohawks, and Omega Music will host live music throughout the night. Pantorium Cleaners will host a party with special entertainment, and Valeria’s Beauty Center and Day Spa will offer special discounts to celebrate the launch of its new retail store, Bonito.

Scan this QR code with your smart phone to start the SCANvenger Hunt.

Scan this QR code with your smart phone to start the SCANvenger Hunt.

A fun way to get around Urban Nights is by playing Comtactics’ SCANvenger Hunt. Smart phone users are encouraged to visit participating businesses and search for two-dimensional QR codes. Players scan the codes, answer a trivia question about that business and are entered into drawings for giveaways.

A weekend-long event also will open during Urban Nights. The Dayton Circus Creative Collective will host its sixth annual multimedia arts event, Sideshow VI, at Garden Station, 509 E. Fourth St., and in the nearby Yellow Cab building, 700 E. Fourth St. This two-block arts experience will feature work by more than 32 artists and performances by 25 musical groups.

Urban Nights guests also will get a sneak peek of another weekend-long event, the FilmDayton Festival, held downtown May 20-22. Multidisciplinary artist and Springfield native Rod Hatfield has mixed a montage of silent films starring Lillian Gish, also a Springfield native. The Show will provide a live soundtrack to the projection on the east side of the Convention Center, which can be viewed from the Jefferson and Fifth street area.

In addition to the arts, cycling has become an important part of Urban Nights. The Life Enrichment Center will roll out its new Yellow Bike program, a free bike sharing program downtown, during Urban Nights. The center is providing brightly painted yellow bikes available free of charge for anyone to ride between downtown destinations. People simply grab a yellow bike, ride it to their

Urban Bikes @ Urban Nights meets at 5:30 p.m. in front of Fifth Third Field for a ride through the action.

Urban Bikes @ Urban Nights meets at 5:30 p.m. in front of Fifth Third Field for a ride through the action.

destination and park it in a bike rack for the next person to use. The center also is asking for donations of helmets in all sizes, which can be dropped off at Courthouse Square. In addition, Urban Bikes @ Urban Nights returns: Cyclists should bring their own bike and meet at Don Crawford Plaza in front of Fifth Third Field at 5:30 p.m. for this ride through the Urban Nights action.

The best way to see as much as possible during Urban Nights is to walk, and many of the destinations are just a short distance from each other. Greater Dayton RTA also will provide free event trolleys to help visitors get around.

Urban Nights takes place rain or shine. The event is presented by the Downtown Dayton Partnership, Culture Works, Montgomery County and the City of Dayton, with additional support from WDTN-TV2, DP&L, Greater Dayton RTA, Budweiser Select, the Downtown Priority Board, Sinclair Community College, Clear Channel and Mix 107.7-FM, KeyBank, and the Ohio Arts Council.

Call 937-224-1518 or visit www.downtowndayton.org for more information.

Come and Meet Those Dancing Feet

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42nd Street - Wright State University Theatre - May 15-29, 201142nd Street

Wright State University Theatre

There are few MORE iconic moments from the Broadway canon than watching the entire company of 42ND STREET make its way down a giant staircase in perfect choreographic synergy. It’s perfect golden age Broadway wow-factor – not bad for a show that opened in 1980 (nearly 30 years after  the Golden Age). But it wasn’t just it’s nostalgic structure that launched 42nd STREET into early legend-status.

The score – a healthy mix of tunes from the film soundtrack on which the musical is based – was blended seamlessly with a collection of appropriate songs from the Al Dubin-Harry Warren catalogue. And it’s one hit after another – “You’re Getting To Be A Habit With Me”, “We’re In The Money”, “Lullabye of Broadway”, “About A Quarter To Nine”, “Shuffle Off To Buffalo”. In that respect, 42ND STREET was a jukebox musical before there were jukebox musicals. But unlike many contemporary examples, 42ND STREET did it right – at its core is one hell of a classic story. Consider this: Girl from small town America moves to big dangerous city to fulfill her Broadway dreams. Tough auditions, a love interest, twist of fate that launches girl from the chorus to the leading role, and POW – all the makings of a show to inspire the coldest of critics.

42nd Street - Wright State University Theatre - May 15-29, 2011

42nd STREET Closes Wright State’s Stellar Season

As if that isn’t enough, the current local offering of the show is in the capable hands of director Joe Deer and the Wright State University Department of Theatre. With the current crop of remarkable students at WSU and Mr. Deer at the helm, there is every indication that once again, this will be an event not to be missed. Don’t let happen with 42ND STREET what happened with JEKYLL & HYDE earlier in the year. The buzz was so high, there was not a ticket to be had. Order now.

OSD recently spoke with 42ND STREET cast member TOMMI HARSCH about the upcoming opening. Here’s what she had to say:

onStageDayton: 42ND STREET is notoriously taxing on a dancer. How are dance rehearsals going and are you exhausted every hour of the day these days?

Tommi Harsch

Tommi Harsch

Tommi Harsch: To say the least, my stamina has been in such a building up process thanks to this show… the dance rehearsals have been crazy. Our choreographer- Rick Conant- who was featured in the original 42nd Street cast and who has done several tours as well as choreographed several productions of 42nd Street, has definitely kicked the entire cast’s butts as a whole. We’ve been working so hard! Personally, I’ve been in a constant state of soreness the past 6 weeks because of all the dancing. There were nights I worried my feet were actually going to fall off after we stopped dancing. However, as insane as it’s been, it’s absolutely worth it…it all looks fantastic!

OSD: Joe Deer continues to be one of the finest musical theatre directors in the region (Thoroughly Modern Millie and WSU’s stunning The Light in the Piazza). What’s been you experience working with Joe?

TH: Having Joe as our director for this show has been such a great experience. This is the first WSU Festival production I’ve been cast in, so I would definitely say that for a first show, it’s been an awesome one! He has made sure to instill in us a very solid work ethic and willingness to come focused to rehearsal. The professional attitude he has expected of all of us has absolutely made for such a smooth rehearsal process. Also, having Rick as the co-director has been magnificent! They make a great team.

OSD: There are scenes in 42ND STREET that are pretty iconic. Can audiences expect a wow-factor moment in WSU’s production as well?

TH:  I’m sorry to say that we don’t have any sweet stairs, however, the ballet is certainly going to “wow” audiences! It’s an epic moment in the show, and is sure to impress every seat in the house. I’m guaranteeing it!

OSD: The show originally opened in 1980. I was 5. You weren’t born (sigh). What about this show resonates with a contemporary audience?

42nd Street - Wright State University Theatre - May 15-29, 2011TH: The entire show is based on the idea of working hard to succeed in this field of performance, which is something that we’re all striving for in real life as well. Although the plot is set in 1933, the content is something that every one of us can relate to. We’re all working our butts off to make our way into this business, just like each of the characters in 42nd Street. The losses and the victories that the cast of “Pretty Lady” experiences are heartwrenching and wonderful, because each person watching can easily put themselves in the shoes of everyone on stage. It really hits home for all of us in the cast, and we hope the audience feels the same way while immersed in the story we are going to be telling for the next 3 weeks!


-DB

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

WSU Theatre42ND STREET – May 15-29 – (Times Vary)

Location:  Wright State University’s Festival Playhouse in the Robert & Elaine Stein Auditorium – 3640 Colonel Glenn Highway, Dayton, OH  45435

Tickets are on sale now through WSU’s Box Office via phone at (937) 775-2500 (Monday through Friday Noon – 5:00 pm).

Coming Up in Dayton Theatre – 04/21 – 05/04

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THURSDAY, APRIL 21 – WEDNESDAY, MAY 4

When I was growing up, my grandparents had dinner for our extended family at their home every Easter Sunday, but the highlight of the day was always the Cousins’ Easter Egg hunt. My uncles hid something like five hundred eggs outside, and the race was on to find the most or to find one of the special prize eggs. Now, despite flashes of chilly weather and our constant busyness with school, work, and/or life, somehow Easter is already this weekend.

Easter always seems like a quick holiday, marked by time at the in-laws’ or parents’, consisting of dinner, church, and/or an egg hunt, and lasting for approximately one day. However, a great way to extend that a little is to see a show at some point during the weekend, to make the holiday longer than just dinner. This weekend, both a family show and a mature drama are presented, so whether you’re in the mood to laugh or feel deeply, or just do something besides the typical holiday offerings, check out the productions below!

Another Openin’, Another Show

…SHOWS CLOSING SOON

Permanent Collection

HUMAN RACE THEATRE COMPANY

The Story: Loosely based on a true story, in this play, eccentric collector Alfred Morris pretty much guarantees the collisions when his will stipulates both that his museum go to an historically black college and that the displays be kept precisely as they are – leading to an inevitable battle over African artworks that have been kept in basement storage.(HRTC)
Dates: April 14 – May 1, 2011
Tickets and More Information: Human Race Theatre Company

Phantom Tollbooth

ZOOT THEATRE ASSOCIATION

The Story: In this adaptation of the youth classic performed at the VTA Schuster Center’s Mathile Theatre, after the very bored Milo receives a make-believe tollbooth, he is transported to the Lands Beyond, a fantastic and imaginitive world. He meets Tock the watchdog, the floating Alex Bings (whose legs have not yet grown down to earth), Dynne (a monster made of smoke), and many others, ultimately learning the boundlessness of imagination.
Dates: April 21 – 30, 2011
Tickets & More Information: Victoria Theatre Association , Zoot Theatre Company

…ONE WEEKEND ONLY

Blackbird

DAYTON THEATRE GUILD

The Story: Fifteen years after their affair, two ex lovers meet, and are overwhelmed by guilt, rage, and raw emotions bpertaining to their relationship of years past, when she was twelve and he was forty. After prison and hardship, Ray has finally forged a new life for himself; Una, however, still remembers and definitely wants answers. This award-winning drama “ruthlessly explores the complicated history and bond between a man and a woman as they struggle through a deep exploration into what happened and why it happened, and what it all means now.”
Dates: April 22 – 24, 2011
Tickets & More Information: DMM Preview Article , Dayton Theatre Guild

One Short Day

…SPECIAL EVENTS FOR THE THEATRICALLY MINDED

Big Fat Concert Series, Vol. II: I Feel So Much Spring

ENCORE THEATER COMPANY

The Basics: After a standing-room-only fall concert, ETC is back with a second series and two performances, held this time at the Color of Energy Art Gallery in the heart of the Oregon District. Featuring songs from some of the most innovative new writers, including Derek Gregor and Sam Carner, Jeff Thomson & Jordan Mann (Jonathan Larson
Award-winners), Kyle Jarrow, Benj Pasek & Justin Paul as well as locally-based musical theatre writers, this concert features the best of rising musical theatre.
Dates: April 29 & 30, 2011; 8 pm (venue open at 7:30 pm for cocktails)
Tickets: $5 at the door
More Information: Encore Theater Company

~KN

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].