Things to Do

Name: The Beacon
Start: 2026-06-07T15:00:00-04:00
End: 2026-06-07T17:00:00-04:00
Location: Dayton Theatre Guild

Dayton natives kick off First Friday concert series

May 25, 2011 By DowntownPartnership Leave a Comment

I hesitate to discuss the “edginess” of all-girl bands because I find myself stumbling along the fine line of making clichéd gender comments and completely disregarding the abnormality of an all-female group in the music industry.

After listening to Vanity Theft, however, I am convinced to make an exception. Want to hear it for yourself? Check out Vanity Theft when they return to Dayton to perform at the RiverScape MetroPark Pavilion as the first band in the First Friday @ 5 concert series.

According to their website, the Dayton natives spent five years booking their own tours and propelling themselves into the Midwestern music scene. Their loyal fan base reflects their hard work; in 2009, a grassroots effort won them the local-band slot in Cincinnati’s Warped Tour lineup.

Vanity Theft’s sound is a descendent of The Donnas’ legacy — assertive, sassy, girl rock. While the band was the only all-female outfit of the 227 selected to play in Cincinnati’s 2009 MidPoint Music Festival, they held their own and ended up filling the room. The girls haven’t relented yet — the New York Post described its live shows as being “eardrum-slobbering.” Yes, that’s a compliment.

While recording its October 2010 EP, “Anatomy,” the trio met former Disney child star Lalaine. (You might remember her from her the tween show “Lizzie McGuire.”) When the band needed a new bassist, members auditioned Lalaine and the four instantly clicked.

This February, Vanity Theft released their new album, “Get What You Came For.” The songs I sampled from the album (you can stream a few tracks here) definitely lived up to the band’s no-holds-barred reputation. With lyrics like, “Maybe I don’t want you for your mind; Can’t decide,” Vanity Theft makes it clear they are in control. And maybe, based upon its success already, that’s how it should be.

[yframe url=’http://www.youtube.com/watch?v=NOPQS_EbHqQ’]

The concerts are part of the First Friday events and will feature additional bands on August 5 and September 2. The concession will be open and beer will be sold from 5-7 p.m. The concerts will wrap up in plenty of time to head to the galleries and other arts venues taking part in the First Friday art hop. The First Friday @ 5 summer concert series is presented with additional support from Heidelberg Distributing, the Oregon District Business Association, Clear Channel Dayton Radio and Culture Works.

…Go In Peace – Bernstein’s Mass Graces the Schuster Stage

May 12, 2011 By Dayton Most Metro Leave a Comment

Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers

Dayton Philharmonic Orchestra

Wright State University Departments of Music, Theatre, and Dance

A famous reclusive American novelist once mused that “art and controversy seem to be joined at birth”. Indeed every generation has its authors, songwriters, painters, sculptors, dancers, and creators exploring the darker side of human nature and in so doing, challenging the moral center of American life. Whether its a ‘Catcher In The Rye’ – style uproar or a team of protestors on a mission to take down a certain boy wizard, controversy has been at the center of some of the greatest artistic achievements of our time. Why? Well, often its because the best art challenges us to look at ourselves differently and with a critical eye – and let’s face it, Americans don’t like that! This weekend, a once deeply controversial work opens in Dayton in a new, glorious production sure to inspire a new following of fans (and protestors) alike.

Jacqueline Kennedy Onassis and Leonard Bernstein entering the Kennedy Center Opera House for a performance of Mass in 1972 (photo from the Library of Congress)

Jacqueline Kennedy Onassis & Leonard Bernstein at Kennedy Center, Sept. 8, 1971

Forty years ago, Jacqueline Kennedy Onassis selected the famed Leonard Bernstein to compose a monumental work to memorialize her late husband and 35th President of the United States, John F. Kennedy. The piece was to premiere on September 8, 1971 at the official opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. The piece follows the structure of a Roman Catholic Mass, but includes elements of many styles typical of the contemporary American musical landscape of the period: Blues, Rock, Showtunes and Opera. While the liturgical text of Mass is in Latin, Bernstein and collaborators Stephen Schwartz (Wicked, Children of Eden) and Paul Simon (as in Simon & Garfunkel) contributed additional English texts.

The piece examines faith, specifically crisis in faith. Considering the political landscape, Vietnam war, and the assassinations of the 1960’s, including that of JFK, the concept of addressing a personal crisis of faith through art was not necessarily anomalous, yet Bernstein’s Mass was not without controversy. With it’s anti-war themes, it is no wonder this piece was received with both joyful acclaim and turbulent disdain in the fall of 1971.

This collaborative production between the Dayton Philharmonic Orchestra and Wright State’s Music, Theatre and Dance departments is likely to be awe-inspiring. The piece itself is complex. It is symphonic & theatrical. The musical elements will surely be accompanied by the most amazing visual imagery possible- breathtaking choreography, costuming and scenery. The creative forces behind this production will surely give you something thrilling to discuss over coffee after the performance, and in the days to follow.

Bernstein's Mass - Dayton Philharmonic Orchestra & Wright State Music, Theatre & Dance - May 13-14, 2011

Bernstein's Mass - in rehearsal on the Schuster Center's Mead Theatre Stage

Official Dayton Philharmonic Orchestra Press Release:

The Dayton Philharmonic Orchestra’s 2010-2011 Miami Valley & Good Samaritan Hospitals Classical Series will conclude in spectacular fashion with performances of Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers on Friday and Saturday, May 13 & 14, 2011, both performances at 8 p.m. at the Schuster Center.

This production will fuse the talents of the Dayton Philharmonic Orchestra with faculty and students from Wright State University in an unprecedented way. Neal Gittleman, Music Director of the DPO, will conduct. Greg Hellems of the WSU Department of Theatre is stage director and Gina Walther, of WSU’s Dance Department, is choreographer. Staging has been designed by WSU’s Pam Knauert Lavarnway and choral forces are being prepared by WSU’s Hank Dahlman. The production is under the overall artistic supervision of WSU’s W. Stuart McDowell, chair of the WSU Department of Theatre, Dance, and Motion Pictures.

All instrumental musicians – on stage and in the pit, and including rock and blues bands as well as traditional orchestral configurations – will come from the ranks of the DPO, while all actors, singers, and dancers – more than 100 in total – will be WSU students. The production will also include the Kettering Children’s Choir under the direction of Natalie DeHorn and noted tenor John Wesley Wright in the crucial role of The Celebrant.

Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers was commissioned by former First Lady Jacqueline Kennedy for the opening of the national arts center named in honor of her late husband, the John F. Kennedy Center for the Performing Arts in Washington, DC. The work premiered as part of the Kennedy Center’s opening festivities on September 8, 1971.

Bernstein’s MASS is based on the Tridentine Mass of the Roman Catholic Church, but is not at all a traditional concert setting. Although there are liturgical passages that are sung in Latin, MASS also includes additional texts in English written by Bernstein, Broadway composer Stephen Schwartz (of Wicked fame), and pop/folk singer Paul Simon.

According to the composer’s daughter, Nina Bernstein: “The piece follows the liturgy exactly, but it is juxtaposed against frequent interruptions and commentaries by the Celebrant and the congregation, much like a running debate. There is stylistic juxtaposition as well, with the Latin text heard electronically through speakers or sung by the chorus, and the interruptions sung in various popular styles including blues and rock-and-roll. On the narrative level, the piece relates the drama of a Celebrant whose faith is simple and pure at first, but gradually becomes unsustainable under the weight of human misery, corruption, and the trappings of his own power.”

“MASS is an enormous piece. It calls for a large pit orchestra, two choruses plus a children’s choir, a Broadway-sized cast (with ballet company), and a rock band. It may seem ironic that such multitudes are marshaled for a work that celebrates a man’s “Simple Song”: his love and faith in God. But in the end, that simplicity is shown to be all the more powerful because of it.”

Bernstein's MASS - Dayton Philharmonic Orchestra and Wright State University Music, Theatre & Dance - May 13-14, 2011

Bernstein's Mass - in rehearsal at Wright State University

Two years after its premiere, MASS was first performed in Europe (Vienna) by the Yale Symphony Orchestra. In the orchestra pit was young violinist and Yale student, Neal Gittleman.

This groundbreaking collaboration between the Dayton Philharmonic Orchestra and Wright State University promises to be the regional performance event of the season, if not the decade.

-SA/DB/DPO Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Leonard Bernstein’s MASS – May 13-14 – (8pm)

Location: The Mead Theatre inside The Schuster Center

Tickets Prices: Range from $9 to $59

Tickets are on sale now through TicketCenterStage.com, or via phone at (888) 228-3630

For more information visit www.DaytonPhilharmonic.com

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Free Program Promotes Pedal Power Downtown

May 12, 2011 By Dayton937 1 Comment

Volunteers ride the Yellow Bikes downtown.

Volunteers give some of the first yellow bikes off the assembly line a spin downtown during the May 6 First Friday.

Cycling culture in downtown Dayton is about to burn rubber with the roll out of the Yellow Bike program.

This free bike sharing program is the brainchild of Jeff Sorrell, vice president and executive director of the Life Enrichment Center, a faith-based nonprofit organization serving Dayton. The center’s new Yellow Bike program will provide brightly painted yellow bikes available free of charge for anyone to ride between downtown destinations. People simply grab a yellow bike, ride it to their destination and park it in a bike rack for the next person to use.

“The Yellow Bike program provides a free means of transportation and gives anyone access to bicycles to use at any time,” Sorrell said. “This program also promotes a healthy lifestyle and encourges people to get outside and be active.”

The Yellow Bike program will be officially launched during the Friday, May 13, Urban Nights, held from 5 to 10 p.m. throughout downtown. Riders can pick up one of 50 yellow bikes at Courthouse Square or whereever they see one parked throughout downtown. The Life Enrichment Center is seeking donations of helmets in all sizes, which can be dropped off at Courthouse Square during Urban Nights or at the center, 425 N. Findlay St.

The Yellow Bike program is part of a larger effort to enhance cycling culture in the City of Dayton, the only Ohio city to be selected as a Bicycle Friendly Community by the League of American Bicyclists in its spring 2010 rankings. Dayton was awarded a bronze-level status for its efforts to help make the city more bicycle and pedestrian friendly through such efforts as the addition of bike lanes to downtown streets and the opening of the bike hub at RiverScape MetroPark.

“Enhancing downtown Dayton as a bike-friendly city is about more than recreation ― it’s about regional economic development,” said Dr. Michael Ervin, co-chair of the Downtown Dayton Partnership and the Greater Downtown Dayton Plan. “That’s because cities where it’s easy to have the kind of active lifestyle that’s integral to cycling culture are more attractive to residents, visitors and businesses. Strategies that make it even more convenient to have an active lifestyle downtown, such as the Yellow Bike program, increase urban vibrancy, improve quality of life and, in the long term, attract new jobs and investment.”

Andy Williamson of Five Rivers Outdoors shows off the first yellow bike at the April 15 Young Creatives Summit.

The Yellow Bike program also is supported by the City of Dayton’s Bike/Walk Committee, which is overseeing the work of the City of Dayton 2025 Bicycle Action Plan. The City is seeking public input on the plan through this summer.

“A simple, accessible, inexpensive and environmentally friendly form of transportation, the bicycle continues to be a pivotal part of the City of Dayton’s vision for an active citizenry, vibrant economy and engaging street life,” said Dayton City Commissioner Nan Whaley. “Individuals and businesses are choosing to locate in areas where alternative transportation options are both abundant and convenient. The Yellow Bike program does much to help achieve this.”

The Yellow Bike program is one of several at the Life Enrichment Center’s new Bike Shoppe, renovated by volunteers and made possible by a grant from the UPS Foundation and private donations. The yellow bikes are refurbished by Life Enrichment Center clients, teaching them new skills while providing a service to the community.

To help keep the bikes in the downtown area, the Life Enrichment Center has worked with the Dayton Police Department, scrap yards and pawn shops. Anyone who finds a yellow bike that needs repaired or is outside the downtown area is asked to call the Bike Shoppe at 937-252-7780 so it can be picked up, returned to the center, repaired if necessary and put back into circulation. All the yellow bikes also will have stickers with the center’s phone number. Riders are reminded to always wear a helmet and obey traffic laws.

Urban Nights: Proving Downtown Dayton Is Alive and Kicking

May 11, 2011 By Dayton937 1 Comment

It’s no marketing scheme: Urban Nights really is one of the best nights to be downtown.

Downtown Dayton’s biggest street party returns from 5 to 10 p.m. this Friday, May 13. More than 100 venues in downtown Dayton, the Oregon Arts District and Wright-Dunbar Business Village will host special events, offer discounts and open their doors for an insider’s look. A variety of performers will entertain crowds on stages throughout downtown, and roaming performers also will liven up the event.

Below are some highlights of the May 13 Urban Nights, but there’s more going on than can ever be featured in one article ― and nearly everything is free. Click here to download a map of participating venues and a complete performance schedule, including a listing of all participating locations’ events and specials, a schedule for all the stages, and parking deals. Follow Urban Nights on Facebook for regular updates and more information.

Urban Nights gives people a chance to get artsy. Second Street will become a huge canvas when students from Stivers School for the Arts’ painting department create a paint-by-numbers style template on the street. The public then will be able to help Stivers students complete the mural, located in front of the Schuster Performing Arts Center between Main and Ludlow streets. The Paint the Street mural is sponsored by KeyBank and will be created with environmentally friendly liquid chalk that washes away with rainfall.

Juggling duo The Dropbacks will toss and catch with the crowd during Urban Nights.

Also on Second Street, visitors also can create a piece of whimsical public art using jelly beans and have their pictures taken in a free photo booth. At the popular Community Stage, located at the corner of Third and Jefferson streets, an eclectic mix of 10-minute performances will be held from 5 to 7 p.m., then anyone can take the mic for open karaoke from 7 to 10 p.m. The Dropbacks, a comedic juggling duo, will toss and catch with the crowd throughout Urban Nights locations. Other hands-on activities will be available at participating venues. For example, the Dayton Metro Library will offer arts-and-crafts activities for children and adults.

Art is the heart of Urban Nights, and all of downtown’s numerous galleries will host exhibit openings and an array of more unusual offerings, such as a 7 to 8:30 p.m. performance by the Dayton Mandolin Orchestra at the Dayton Visual Arts Center. Some Urban Nights newbies are the Dayton Art Institute, which will offer a mixed bag of activities ranging from guided tours of its current exhibition to eye makeovers; Real Art Design Group, featuring jousting with shopping carts as part of “Urban Knights at Urban Nights;” and Atta Girl Art and Gardens Complex, where artists will open their studios for the public to have a look-see. At K12 Gallery for Young People’s new TEJAS studio, art by Rebecca Sargent will be featured.

Vote for your fave Activated Spaces window display during Urban Nights.

Art also happens in unusual places during Urban Nights. Activated Spaces has worked with local artists to display their work in previously vacant storefronts throughout downtown, and the public can vote for a People’s Choice award during Urban Nights. Practice Yoga will host live music by BJSR, the Dayton International Peace Museum will host an opening reception for an exhibit of Chinese brush painting, and artists will take over the Southern Belle’s second floor, where local crafters will sell their handmade wares. And the Blue Sky Project is hosting an exhibition of Mequitta Ahuja’s works on paper in the lobby of the KeyBank Tower and an exhibit of photography by Sa Schloff, as well as work by Blue Sky participants, in the former Roly Poly space on Courthouse Square. Several downtown housing options will be open for tours, and many of them will feature artists’ work, too.

Downtown retailers also get into the Urban Nights spirit. At Derailed: A Hair Salon, co-owner Austin Burkhart will try to break his record for giving free Mohawks, and Omega Music will host live music throughout the night. Pantorium Cleaners will host a party with special entertainment, and Valeria’s Beauty Center and Day Spa will offer special discounts to celebrate the launch of its new retail store, Bonito.

Scan this QR code with your smart phone to start the SCANvenger Hunt.

A fun way to get around Urban Nights is by playing Comtactics’ SCANvenger Hunt. Smart phone users are encouraged to visit participating businesses and search for two-dimensional QR codes. Players scan the codes, answer a trivia question about that business and are entered into drawings for giveaways.

A weekend-long event also will open during Urban Nights. The Dayton Circus Creative Collective will host its sixth annual multimedia arts event, Sideshow VI, at Garden Station, 509 E. Fourth St., and in the nearby Yellow Cab building, 700 E. Fourth St. This two-block arts experience will feature work by more than 32 artists and performances by 25 musical groups.

Urban Nights guests also will get a sneak peek of another weekend-long event, the FilmDayton Festival, held downtown May 20-22. Multidisciplinary artist and Springfield native Rod Hatfield has mixed a montage of silent films starring Lillian Gish, also a Springfield native. The Show will provide a live soundtrack to the projection on the east side of the Convention Center, which can be viewed from the Jefferson and Fifth street area.

In addition to the arts, cycling has become an important part of Urban Nights. The Life Enrichment Center will roll out its new Yellow Bike program, a free bike sharing program downtown, during Urban Nights. The center is providing brightly painted yellow bikes available free of charge for anyone to ride between downtown destinations. People simply grab a yellow bike, ride it to their

Urban Bikes @ Urban Nights meets at 5:30 p.m. in front of Fifth Third Field for a ride through the action.

destination and park it in a bike rack for the next person to use. The center also is asking for donations of helmets in all sizes, which can be dropped off at Courthouse Square. In addition, Urban Bikes @ Urban Nights returns: Cyclists should bring their own bike and meet at Don Crawford Plaza in front of Fifth Third Field at 5:30 p.m. for this ride through the Urban Nights action.

The best way to see as much as possible during Urban Nights is to walk, and many of the destinations are just a short distance from each other. Greater Dayton RTA also will provide free event trolleys to help visitors get around.

Urban Nights takes place rain or shine. The event is presented by the Downtown Dayton Partnership, Culture Works, Montgomery County and the City of Dayton, with additional support from WDTN-TV2, DP&L, Greater Dayton RTA, Budweiser Select, the Downtown Priority Board, Sinclair Community College, Clear Channel and Mix 107.7-FM, KeyBank, and the Ohio Arts Council.

Call 937-224-1518 or visit www.downtowndayton.org for more information.

Come and Meet Those Dancing Feet

May 11, 2011 By Dayton Most Metro 1 Comment

42nd Street

Wright State University Theatre

There are few MORE iconic moments from the Broadway canon than watching the entire company of 42ND STREET make its way down a giant staircase in perfect choreographic synergy. It’s perfect golden age Broadway wow-factor – not bad for a show that opened in 1980 (nearly 30 years after the Golden Age). But it wasn’t just it’s nostalgic structure that launched 42nd STREET into early legend-status.

The score – a healthy mix of tunes from the film soundtrack on which the musical is based – was blended seamlessly with a collection of appropriate songs from the Al Dubin-Harry Warren catalogue. And it’s one hit after another – “You’re Getting To Be A Habit With Me”, “We’re In The Money”, “Lullabye of Broadway”, “About A Quarter To Nine”, “Shuffle Off To Buffalo”. In that respect, 42ND STREET was a jukebox musical before there were jukebox musicals. But unlike many contemporary examples, 42ND STREET did it right – at its core is one hell of a classic story. Consider this: Girl from small town America moves to big dangerous city to fulfill her Broadway dreams. Tough auditions, a love interest, twist of fate that launches girl from the chorus to the leading role, and POW – all the makings of a show to inspire the coldest of critics.

42nd Street - Wright State University Theatre - May 15-29, 2011

42nd STREET Closes Wright State’s Stellar Season

As if that isn’t enough, the current local offering of the show is in the capable hands of director Joe Deer and the Wright State University Department of Theatre. With the current crop of remarkable students at WSU and Mr. Deer at the helm, there is every indication that once again, this will be an event not to be missed. Don’t let happen with 42ND STREET what happened with JEKYLL & HYDE earlier in the year. The buzz was so high, there was not a ticket to be had. Order now.

OSD recently spoke with 42ND STREET cast member TOMMI HARSCH about the upcoming opening. Here’s what she had to say:

onStageDayton: 42ND STREET is notoriously taxing on a dancer. How are dance rehearsals going and are you exhausted every hour of the day these days?

Tommi Harsch

Tommi Harsch: To say the least, my stamina has been in such a building up process thanks to this show… the dance rehearsals have been crazy. Our choreographer- Rick Conant- who was featured in the original 42nd Street cast and who has done several tours as well as choreographed several productions of 42nd Street, has definitely kicked the entire cast’s butts as a whole. We’ve been working so hard! Personally, I’ve been in a constant state of soreness the past 6 weeks because of all the dancing. There were nights I worried my feet were actually going to fall off after we stopped dancing. However, as insane as it’s been, it’s absolutely worth it…it all looks fantastic!

OSD: Joe Deer continues to be one of the finest musical theatre directors in the region (Thoroughly Modern Millie and WSU’s stunning The Light in the Piazza). What’s been you experience working with Joe?

TH: Having Joe as our director for this show has been such a great experience. This is the first WSU Festival production I’ve been cast in, so I would definitely say that for a first show, it’s been an awesome one! He has made sure to instill in us a very solid work ethic and willingness to come focused to rehearsal. The professional attitude he has expected of all of us has absolutely made for such a smooth rehearsal process. Also, having Rick as the co-director has been magnificent! They make a great team.

OSD: There are scenes in 42ND STREET that are pretty iconic. Can audiences expect a wow-factor moment in WSU’s production as well?

TH: I’m sorry to say that we don’t have any sweet stairs, however, the ballet is certainly going to “wow” audiences! It’s an epic moment in the show, and is sure to impress every seat in the house. I’m guaranteeing it!

OSD: The show originally opened in 1980. I was 5. You weren’t born (sigh). What about this show resonates with a contemporary audience?

TH: The entire show is based on the idea of working hard to succeed in this field of performance, which is something that we’re all striving for in real life as well. Although the plot is set in 1933, the content is something that every one of us can relate to. We’re all working our butts off to make our way into this business, just like each of the characters in 42nd Street. The losses and the victories that the cast of “Pretty Lady” experiences are heartwrenching and wonderful, because each person watching can easily put themselves in the shoes of everyone on stage. It really hits home for all of us in the cast, and we hope the audience feels the same way while immersed in the story we are going to be telling for the next 3 weeks!

-DB

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

42ND STREET – May 15-29 – (Times Vary)

Location: Wright State University’s Festival Playhouse in the Robert & Elaine Stein Auditorium – 3640 Colonel Glenn Highway, Dayton, OH 45435

Tickets are on sale now through WSU’s Box Office via phone at (937) 775-2500 (Monday through Friday Noon – 5:00 pm).

Coming Up in Dayton Theatre – 04/21 – 05/04

April 22, 2011 By Dayton937 Leave a Comment

THURSDAY, APRIL 21 – WEDNESDAY, MAY 4

When I was growing up, my grandparents had dinner for our extended family at their home every Easter Sunday, but the highlight of the day was always the Cousins’ Easter Egg hunt. My uncles hid something like five hundred eggs outside, and the race was on to find the most or to find one of the special prize eggs. Now, despite flashes of chilly weather and our constant busyness with school, work, and/or life, somehow Easter is already this weekend.

Easter always seems like a quick holiday, marked by time at the in-laws’ or parents’, consisting of dinner, church, and/or an egg hunt, and lasting for approximately one day. However, a great way to extend that a little is to see a show at some point during the weekend, to make the holiday longer than just dinner. This weekend, both a family show and a mature drama are presented, so whether you’re in the mood to laugh or feel deeply, or just do something besides the typical holiday offerings, check out the productions below!

Another Openin’, Another Show

…SHOWS CLOSING SOON

Permanent Collection

HUMAN RACE THEATRE COMPANY

The Story: Loosely based on a true story, in this play, eccentric collector Alfred Morris pretty much guarantees the collisions when his will stipulates both that his museum go to an historically black college and that the displays be kept precisely as they are – leading to an inevitable battle over African artworks that have been kept in basement storage.(HRTC)
Dates: April 14 – May 1, 2011
Tickets and More Information: Human Race Theatre Company

Phantom Tollbooth

ZOOT THEATRE ASSOCIATION

The Story: In this adaptation of the youth classic performed at the VTA Schuster Center’s Mathile Theatre, after the very bored Milo receives a make-believe tollbooth, he is transported to the Lands Beyond, a fantastic and imaginitive world. He meets Tock the watchdog, the floating Alex Bings (whose legs have not yet grown down to earth), Dynne (a monster made of smoke), and many others, ultimately learning the boundlessness of imagination.
Dates: April 21 – 30, 2011
Tickets & More Information: Victoria Theatre Association , Zoot Theatre Company

…ONE WEEKEND ONLY

Blackbird

DAYTON THEATRE GUILD

The Story: Fifteen years after their affair, two ex lovers meet, and are overwhelmed by guilt, rage, and raw emotions bpertaining to their relationship of years past, when she was twelve and he was forty. After prison and hardship, Ray has finally forged a new life for himself; Una, however, still remembers and definitely wants answers. This award-winning drama “ruthlessly explores the complicated history and bond between a man and a woman as they struggle through a deep exploration into what happened and why it happened, and what it all means now.”
Dates: April 22 – 24, 2011
Tickets & More Information: DMM Preview Article , Dayton Theatre Guild

One Short Day

…SPECIAL EVENTS FOR THE THEATRICALLY MINDED

Big Fat Concert Series, Vol. II: I Feel So Much Spring

ENCORE THEATER COMPANY

The Basics: After a standing-room-only fall concert, ETC is back with a second series and two performances, held this time at the Color of Energy Art Gallery in the heart of the Oregon District. Featuring songs from some of the most innovative new writers, including Derek Gregor and Sam Carner, Jeff Thomson & Jordan Mann (Jonathan Larson
Award-winners), Kyle Jarrow, Benj Pasek & Justin Paul as well as locally-based musical theatre writers, this concert features the best of rising musical theatre.
Dates: April 29 & 30, 2011; 8 pm (venue open at 7:30 pm for cocktails)
Tickets: $5 at the door
More Information: Encore Theater Company

~KN

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Blackbird

April 20, 2011 By Shane Anderson Leave a Comment

Blackbird

Dayton Theatre Guild

The Dayton Theatre Guild is set to present Blackbird by Scottish playwright David Harrower as a season extra offering, opening Friday evening. The only opportunity to catch this intense psychological drama will be this weekend, April 22 – 24 at the Caryl D. Philips TheatreScape, 430 Wayne Avenue, in Dayton’s historic Oregon Arts District.

David Harrower

The bold award-winning play promises to be a thought-provoking, though potentially uncomfortable, evening for theatregoers. The play was commissioned by the Edinburgh International Festival, where it received its world premiere in 2005. In the years to follow, Blackbird was honored with a “Best New Play” award from both The Critics’ Award for Theatre in Scotland and The Lawrence Olivier Award.

Dramatists Play Service synopsizes the play as follows:

Two people who once had a passionate affair meet again fifteen years later. Ray is confronted with his past when Una arrives unannounced at his office. Guilt, rage and raw emotions run high as they recollect their relationship when she was twelve and he was forty. Without any moral judgments, the play never shies away from the brutal shattering truth of the abandoned and unconventional love. Ray, fifty-six, after years in prison and subsequent hardships, has a new identity and has made a new life for himself, thinking that he could no longer be found. Una, twenty-seven, has thought of nothing else, and on finding a photo of him, sets out to find Ray. She is looking for answers not vengeance. Nevertheless, the consequences are shattering.

While the sexual themes of the show, particularly the ages of the two involved, may be difficult for many to handle for a holiday weekend’s entertainment, the play’s history, reviews and the fervor with which the cast worked to bring it to a Dayton stage indicate that the provocative 70-minute drama is well worth an evening of your time.

“The gifted David Harrower’s intense BLACKBIRD promises to be the most powerful drama of the season…masterly, mesmerizing…extraordinary…a miracle.” ~NY Times

“…an intense psychodrama that won’t let your mind wander even though there are times this story makes you wish you could switch channels.” ~Curtain Up

The play, which unfolds in real-time, ruthlessly examines the complicated history and bond between a man and a woman as they struggle through a deep exploration into what happened and why it happened, and what it all means now.

Heather Atkinson (L) and K.L. Storer (R) in Blackbird

The cast includes Heather Atkinson, last seen at the Guild in The Cashier and K.L. Storer, who appeared in last season’s A Case of Libel. The play is directed by Natasha Randall.

This play contains harshly explicit sexual language, mature themes and subject matter.

-SA/DTG Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

David Harrower’s BLACKBIRD – April 22-24 – (8pm on Friday & Saturday / 3pm on Sunday)

Tickets Prices: $10 student / $15 senior / $17 adult

Location: Dayton Theatre Guild at The Caryl D. Philip’s TheatreScape – 430 Wayne Ave. Dayton, Ohio 45410 (MAP)

Contains adult situations and language.

Tickets are on sale now through DTG’s Online Box Office, or via phone at (937) 278-5993 (due to a volunteer staff, phones are not monitored continually).

For more information about Dayton Theatre Guild’s entire 2010-2011 season, visit www.DaytonTheatreGuild.org

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

Imagination and Collaboration

April 14, 2011 By Dayton937 Leave a Comment

The Phantom Tollbooth

THE ZOOT THEATRE COMPANY
AND
TOWN HALL THEATRE COMPANY

Theatre at its very essence is collaboration: designers and directors; directors, production team, and actors; artistic and front of house staff; and numerous other people all work together to create art. However, we don’t have to limit collaboration to simply what can be done within a single theatre. Rather, collaborating between theatre groups, working together to put on a show or teach classes or read plays, can greatly expand both audiences and participants.

This weekend, the Zoot Theatre Company and Town Hall Theatre are doing just that in their production of The Phantom Tollbooth. In the story based on Norton Juster’s 1961 classic, young Milo is bored with everything from his toy collection to his life, so extremely that the Demons of Ignorance eagerly wait for him to succumb and urge him not to do anything at all (for that would be dangerous). However, with the arrival of an anonymous package and his entry into the fantastical Phantom Tollbooth, he discovers a new world and embarks on a remarkable journey to save the Kingdom of Wisdom. A funny and entertaining show for all ages, The Phantom Tollbooth is filled with puns and plot elements, such as Milo’s sudden Jump to (the Island of) Conclusions, that are the consequences of interpreting idioms literally.

Because of the combination of familial and fantastical elements, this show perfectly showcases the expertise of both the Dayton-based Zoot Theatre Company, which focuses on puppet work, and Centerville’s Town Hall Theatre, a professional and quality-driven children’s theatre. ZTC and THT have collaborated equally on a production annually for the past four years; they usually share artistic responsibilities, and selected this show together. This piece is different in that due to the nature and schedule of this piece, ZTC directed and artistically formed The Phantom Tollbooth, while THT handled all the front of house, publicity, and related areas. However, several students and Town Hall regular actors play the childrens’ roles, including the lead of Milo, making this production a successful model of collaboration between two groups, and providing both patron bases with opportunities beyond what either theatre could do alone.

Working together benefits both theatres. Mark Metzger, Artistic Director at Town Hall Theatre, remarked,

“I look for opportunities for our young people to be challenged, and to operate a puppet and receive feedback from professional puppeteers is an opportunity they won’t get anywhere else.”

Working on a production where the puppets take center stage, and other production elements (set, lighting, costumes) support the puppetry, is a great learning experience for student participants and audience members. This is especially beneficial given the prevalence of shows on Broadway – such as The Lion King, Avenue Q, Shrek, and WarHorse – that incorporate similar techniques.

Even if puppet-based shows were not experiencing such popularity, though, because plays are meant to be seen, not just heard, the addition of such a predominant visual element teaches skills applicable to all theatre, and collaborations such as this benefit both organizations. Metzger commented on Zoot’s talent and ability to produce quality theatre, so he had no reservations whatsoever about doing a project where THT’s own artistic involvement was minimized, knowing that the show would be excellent for both theatres.

As a traveling-based rather than single-venue theatre, Zoot finds collaboration extremely important. Working with Town Hall allows them the chance to perform in another space and with a different patron base; they also do a lot of work within schools and help area theaters with puppet-based work when needed, and even within specific shows, place a high emphasis on collaboration. For example, in describing the process through which the theatre designs and creates puppets, Zoot’s Artistic Director Tristan Cupp explained that various artistic staff design, sometimes originating with group discussions and sometimes with a focal designer’s vision, all the while working with the director to make puppets that align with the characters’ and show’s needs. These different processes, and Zoot’s production skills, are very collaborative. Cupp said,

“What’s wonderful is each one of these artists has strengths in different mediums and different styles, which really lends to the variety of puppets and looks and different ideas… You can expand your creative horizons that way, by learning from each other and learning to use different materials and different styles; that’s what’s needed, and it’s really appealing to a lot of artists who want to help us out and be a part of it.”

Part of that collaboration involves the input of visual artists not involved in theatre, which adds diversity and a variety of skills to the art.

Fittingly, then, Zoot has just announced a residency with the Victoria Theatre Association, and their Mathile Theatre at the Schuster Center. In the previous couple of years, Zoot has presented two shows independently at the Mathile, but this residency will provide both groups an opportunity for growth and collaboration. Zoot’s productions fit into two categories, Mainstage and Zoot Tales (child or family oriented), and the residency will introduce more people within those areas to a type of theatre relatively new to Dayton. Now, Zoot will choose a season of three shows to present, and the VTA will provide venue and/or assistance with touring; the Victoria will be able to offer educational initiatives in puppetry through ZTC, which fits nicely with programs such as their Physicians for Kids Discovery Series.

“Puppetry itself is storytelling through a universal language.”

As such a collaborative organization, Zoot is looking ahead to continuing their work with schools and various theatres, and both Town Hall Theatre and the Zoot Theatre Company hope to continue their collaborations together. Cupp noted, “Puppetry itself is storytelling through a universal language,” and the idea of working together on something so universally applicable is beautiful. Collaboration, too, is universal, for we all have a certain connection as imaginative human beings capable of working together because of that humanity. Reflecting this, The Phantom Tollbooth provides an experience and combination unlike anything else in Dayton right now, where audience members truly can experience imagination come to life.

~KN

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

TICKETS AND PERFORMANCE INFORMATION

Dates: April 15 – 17, 2011, at Town Hall Theatre; April 21 – 30, 2011, at the Schuster Center’s Mathile Theatre

Tickets: Town Hall Theatre or Ticket Center Stage (choose appropriate site for venue)

More Information: Victoria Theatre Association: Phantom Tollbooth, Town Hall Theatre, Zoot Theatre Company

Permanent Collection

April 11, 2011 By Dayton Most Metro Leave a Comment

Alan Bomar Jones and Scott McGowan

Permanent Collection

The Human Race Theatre Co.

An art museum may not be the first place you’d think of when it comes to workplaces with intense conflict, but in Thomas Gibbons’ Permanent Collection the Morris Foundation has as much head-butting as an NFL game. And unlike in an NFL game, the production by The Human Race Theatre, Dayton’s own professional theatre company, doesn’t provide the players with helmets and pads.

Eccentric collector Alfred Morris pretty much guarantees the collisions when his will stipulates both that his museum go to an historically black college and that the displays be kept precisely as they are – leading to an inevitable battle over African artworks that have been kept in basement storage.

Permanent Collection by Thomas Gibbons - Human Race Theatre Co. - April 15-May 1 - Dayton, OH

Alan Bomar Jones

The Morris Foundation is loosely based on the Barnes Foundation of Philadelphia, a real-life private museum with a real-life eccentric owner, Barnes is the subject of the film documentary The Art of the Steal, though the film and Permanent Collection cover entirely different aspects of the aftermath of the collector’s death.

Permanent Collection is directed by Dayton native and current New Yorker Schele Williams, who did a masterful job at the helm of Ethel Waters: His Eye Is On The Sparrow two years ago. It is part of the 2010-2011 Eichelberger Loft Season of The Human Race, which will celebrate the 25th Anniversary of its incorporation during the run.

An Evening at the Museum with More Drama Than Night at the Museum

The college which inherits the collection hires African-American businessman Sterling North as director. North is played by Human Race Resident Artist Alan Bomar Jones, most recently seen at The Loft in A Christmas Carol, who recently garnered rave reviews for the Columbus one-man-play as folk artist Ezra Pierce, Pierce to the Soul.

Melissa Joyner and Scott McGowan

North’s discoveries lead to the battles with the museum #2, Paul Barrow, played by New York-based Scott McGowan, who has won awards for performances in Miss Saigon and Evita, so he knows about culture clashes. The two men draw in the office staff, played by New Yorkers Sharon Hope (who has done numerous Law & Order episodes, so she knows verbal fracases) and Melissa Joyner (whose many credits include a turn as a student in Carrie II, so she know about the results of anger), into the fray.

A reporter who gets interested in the story is played by Christine Brunner of Middletown, who was in Human Race productions of A Christmas Carol and has appeared in many other shows in the region, and who has been a hand model in commercials for both Charmin and Bounty, so she knows when people have made a mess of things.

The imaginative set – you have to be imaginative when depicting a few billion dollars’ worth of art – is by Tamara L. Honesty. Costumes are by Janet Powell, lighting by HRTC Resident Artist John Rensel, sound by Matthew P. Benjamin, with Heather Jackson as Production Stage Manager.

Among the participants in the While We’re On The Subject talkback after the April 24 matinee, to which audience members are invited, will be Dayton Art Institute Chief Curator Will South.

Production sponsors are Rob and Leesa Comparin, Richard and Marni Flagel, Tyree L. Fields, Larry S. Glickler – Bradford-Connelly and Glickler Funeral Homes, Jon and Diana Sebaly, Maryann and Jack Bernstein, Alan and Marsha Pippenger, and John and Tamara Clough.

-Human Race Theatre Co. Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

PERMANENT COLLECTION by Thomas Gibbons

April 15 – May 1 – various performance times (note…there will be an additional “preview night” performance on April 14)

at the LOFT THEATRE – map

More information and tickets are available through www.humanracetheatre.org, by calling Ticket Center Stage at (937) 228-3630 or toll free (888) 228-3630. Tickets can be purchased in person at the Schuster Center box office, or at the box office at The Loft two hours before curtain.

“Off you go, and enjoy yourself!”

April 7, 2011 By Dayton937 Leave a Comment

See How They Run: A Classic, Chaotic Comedy of Mixed Identity

Cedarville University

Actors rehearse in preparation for the show. Photo Credit Scott Huck

The pants-wearing wife of an English bishop who accidentally decorated the pulpit with turnips and leeks, a staunch parishioner who unknowingly gets into the cooking sherry, an American actor-turned-soldier ready for a night off, a maid who’s seen too many American movies (and a lot of other goings-on), and between one and four clergymen (most in varying stages of undress) combine to tell this story that will both actors and audience members as if they’d run a footrace. The result? Humor not easily forgettable! Eric Rasmussen, who plays the Reverend Humphreys, commented, “Even at the first read-through of the script, I was falling out of my chair laughing.”

Both originating and set in 1943, an early production of See How They Run toured as entertainment for the British troops fighting in WWII; part of the charm of this script is its humorous approach amidst difficult situations. During the war, although British television service could not continue during to financial and security reasons, the BBC prioritized the continuation of radio variety programs, emphasizing the importance of comedy and entertainment to maintain morale. See How They Run honestly portrayed the culture of the time without removing people from their struggles, but by setting up a related situation so hilarious audience members could not help but laugh. Similarly, farcical shows such as this, with characters who completely believe in themselves (even with a play of mistaken identities!) are the perfect way for us to appreciate the lighthearted potential within complicated situations and crazy lives.

With tax season, summer vacation and reunion planning, and the end of school or university years, we all, like those WWII soldiers, could use a few hours just to laugh. Director Rebecca Baker commented conceptually, “At the deeper level, this farce reveals the humorous effect of defining identity by roles… it seems, however, that the key word is humorous! In a spirit of fun, the playwright encourages us to laugh.” The actors in the nine-member cast have enjoyed perfecting comedic timing and playing with different approaches to humor in performance.

I’m serving as the Dramaturg (for those who haven’t worked with dramaturgs before, I do all the historical and thematic research for the production, and provide a link between the script on all levels and the actors/production/audience) for this production, and will be doing an open talkback on Saturday, April 9, following the matinee performance. I’ve enjoyed researching the context and themes, including how humor affected those during WWII and those living now; audience members are sure to enjoy the show even more.

An important facet of See How They Run is that characters do not shy away from the difficulties within their or others’ lives, but find ways (often humorous!) to get through. To fit the global context of the show and help those in need, we will be accepting donations to the campus relief fund to assist those affected by the recent earthquake and tsunami in Japan. Theatre guests choosing to contribute may do so during intermission.

From mistaken identities to runaway spies to one soldier’s instruction to “Arrest most of these bishops!” along with the opportunity to find humor amidst difficulty and help others, See How They Run will keep you laughing during the entire show. So, this or next weekend, take a break from your numerous stressors and responsibilities to see a show that thankfully reminds us how hilarious life can be.

~KN/CU synopsis

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Performance Information

Dates: April 7 – 9 and 14 – 15 & 17, with evening performances at 8:00 pm, a Saturday matinee at 2:00, and a Sunday matinee at 3:00.
Dramaturgy Talkback on Saturday, April 9, at approximately 4:30 pm.
More information: Cedarville University Production Season
Tickets: Available online or at the door. Cedarville University Box Office

Coming Up in Dayton Theatre – 04/07 – 04/20

April 7, 2011 By Dayton937 Leave a Comment

Human Race Theatre Co.: Permanent Collection

THURSDAY, APRIL 7 – WEDNESDAY, APRIL 20

Famous playwright, critic, and essayist George Bernard Shaw (who wrote Arms and the Man, opening this weekend at Clark State) once said, “You see things; and you say, ‘Why?’ But I dream things that never were; and I say, ‘Why not?’” The capacity to imagine and “dream things that never were” is vital to appreciating the arts, for the moment you walk through theatre doors, you become part of a new world and story for the next few hours. From a monster made of smoke to a drag queen with just “an angry inch” to four men running around in various stages of undress and clergy suits, the shows in the greater Dayton area this week are sure to expand your imaginations, while inspiring laughter and thought at the same time. Between special performances and weekend schedules, eight shows and a special event over the next two weeks provides you the opportunity to see a show almost any night you choose. So, this week, see a show or two or eight and enhance your imagination – as Shaw said, “Why not?”

ANOTHER OPENIN’, ANOTHER SHOW

…SHOWS OPENING SOON

The Phantom Tollbooth

ZOOT THEATRE COMPANY with TOWN HALL THEATRE COMPANY

Photo Credit: ZOOT Theatre Company

The Story: In this adaptation of the youth classic, after the very bored Milo receives a make-believe tollbooth, he is transported to the Lands Beyond, a fantastic and imaginitive world. He meets Tock the watchdog, the floating Alex Bings (whose legs have not yet grown down to earth), Dynne (a monster made of smoke), and many others, ultimately learning the boundlessness of imagination.
Dates: April 15 – 30, 2011, at both Town Hall Theatre and the Schuster Center Mathile Theatre
Tickets and More Information: Town Hall Theatre, Victoria Theatre Association , Zoot Theatre Company, and watch for a DMM feature article next week!

See How They Run

CEDARVILLE UNIVERSITY

Students rehearse in preparation for the show. Photo credit: Scott Huck

The Story: Galloping in and out of the four doors of an English vicarage are an American actor and actress, a cockney maid who has seen too many American movies, a staunch parishioner who unknowingly gets into the cooking sherry, and four men in clergyman suits. One is the bishop who really lives there, another is a disguised escaped prisoner, one just dropped in to visit, and the other — well, that’s left for those on stage and the audience to figure out in this WWII-era farce. (CU)
Dates: April 7 – 17, 2011
Tickets and More Information: Cedarville University Production Season, Cedarville University Box Office , and watch for a DMM feature article!

Arms and the Man

CLARK STATE UNIVERSITY THEATRE

The Story: “The Petkoff women inadvertently save an enemy soldier’s life during wartime. After the war, the soldier returns to the Petkoff home only to be reunited with his warring enemies. With classic George Bernard Shaw witticism,”Arm & the Man” shows the foolishness of war against a lush and romantic backdrop.” (CSU press release)
Dates: April 8 – 17, 2011
Tickets and More Information: Clark State box office

Permanent Collection

HUMAN RACE THEATRE COMPANY

…SHOWS CLOSING SOON

Joseph and the Amazing Technicolor Dreamcoat

PLAYHOUSE SOUTH

The Story: This musical, the first collaboration between Andrew Lloyd Webber and Tim Rice, explores the Biblical saga of Joseph through an exciting variety of musical styles. The prophetic Joseph is sold into slavery by his jealous brothers and taken to Egypt, where he “endures a series of adventures in which his spirit and humanity are continually challenged” as he struggles to survive in a new land and move past his brothers’ betrayal.
Dates: March 25 – April 9, 2011
Tickets and More Information: Playhouse South, DMM Review

Alice’s Adventures in Wonderland

BEAVERCREEK COMMUNITY YOUTH THEATRE

The Story: Alice falls down a rabbit-hole into “a world of talking animals, comic royalty, and races where the contestants run in circles!” (BCT) This children’s adaptation provides a contemporary view of the Carroll classic, where “nonsense makes quite good sense” and we can believe as many as six impossible things before breakfast.
Dates: April 8 – 17, 2011
Tickets and More Information: Beavercreek Community Theatre , 937-429-4737

The Boys Next Door

DAYTON THEATRE GUILD

The Story: Four emotionally and/or mentally challenged men live together as part of an independent living program; social worker Jack attempts to guide them in their distinct trials and pursuit of a happier life.
Dates: April 1 – 17, 2011
Tickets and More Information: 937-278-5993 or Dayton Theatre Guild

…ONE WEEKEND ONLY

JJ Parkey as Hedwig

Hedwig and the Angry Inch

ENCORE THEATER COMPANY

The Story: After the sex change operation that will allow her to marry US soldier Luther is botched, East German

rock ‘n’ roll goddess and “internationally ignored song stylist” Hedwig Schmidt is left with just “an angry inch.” This award-winning, outrageous, and unexpectedly hilarious show tells her story in rock music and stand-up comedy, and is a show for all those who felt life gave them an inch when they deserved a mile, and all those who yearn to be complete. JJ Parkey (Rent) and Abigail Nessen Bengson (award-winning Mimi in last season’s Rent) co-star.
Dates: April 7 – 9, 2011
Tickets and More Information: Encore Theater Company

PART OF IT ALL

…AUDITIONS AND CASTING CALLS

Annie, Get Your Gun

SPRINGFIELD ARTS COUNCIL & SPRINGFIELD CIVIC THEATRE

Auditions: Saturday, April 9, 2011 – 9 am
Performances: June 16 – 19, 2011
The Story: A fictionalized version of the lives of historical figures, in this musical, we explore the life of sharpshooter Annie Oakley, from her falling in love to handling rival sharpshooters.
Directed by: Becky Brunsman
More Information: Springfield Arts Council: Auditions

ONE SHORT DAY

…SPECIAL EVENTS FOR THE THEATRICALLY MINDED

The Legend of Marshmallow Island

SPRINGFIELD ARTS COUNCIL

The Basics: In this exploration of world music, Lorne Lampert, founder of Mystic Drumz, searches for Marshmallow Island through multicultural music themes and interactive audience participation with projection, sound effects, and instruments from around the world.
Date: April 13, 2011 – 7:30 pm
More Information: http://www.springfieldartscouncil.org

~KN

Las Americas Extends Hours, Hosts Live Music

March 25, 2011 By Dayton937 Leave a Comment

Las Americas Caribbean Cuisine has extended its hours, and the restaurant now is offering entertainment and a special menu during First Fridays.

The historic Oregon Arts District restaurant, 524H E. Fifth St., now is open until 10pm on Friday and Saturday evenings. Las Americas specializes in authentic cuisine that features the aromatic spices and flavors of Puerto Rico, home country of owner Dolores Quinones, as well as Cuban and Spanish dishes.

On First Friday, Las Americas has started offering special menu items, as well as live music. During the next First Friday on April 1, Armando Garcia will perform.

“Featured is a very special troubadour performer, Armando Garcia, a most talented singer, guitarist and performer ― what a combination,” Quinones said. “Armando delights in bringing guests a serenade right to their table that will be one of the highlights of their visit to Las Americas Caribbean Cuisine.”

April First Friday special menu items will include off-the-grill pork chops with pineapple mojo, tilapia tacos topped with Las Americas’ own un poco picosita white sauce, colossal shrimp with green peas over white rice, and a beef empanada platter with arroz con gandules and yucca salad, along with special appetizers and desserts.

Regular menu items, which range from $4 to $10, also will be available. Those include soups, salads, wraps, quesadillas, mofongos and nachos ― many of them vegetarian. Desserts include flan and tres leches, and the restaurant offers a variety of non-alcoholic drinks, such as nectar juices and Puerto Rican coffee, pocillo.

Las Americas is open Tuesday through Thursday from 10 am to 5 pm, Friday and Saturday from 10 am to 10 p, and Sunday it offers a special brunch menu from 9 a.m. to 1 p.m. Call 937-266-3086 and follow Las Americas Caribbean Cuisine on Facebook for more information.

Las Americas Caribbean Cuisine started as a popular vendor at the PNC Second Street Market. Quinones expanded and moved to the Oregon Arts District in 2010, adding new menu items to customer favorites from the Market.

Coming Up in Dayton Theatre – 03/24 – 04/06

March 24, 2011 By Dayton937 Leave a Comment

THURSDAY, MARCH 24 – WEDNESDAY, APRIL 6, 2011

Limestone Bricks: rainbow base painting (Photo Credit: Denise Yvette Serna)

When I wandered into the theatre today, a scenic artist was busily painting a stone wall – with nearly every color of the rainbow, rather than a traditional brick red or tan. The stones looked gorgeous, although not yet like the limestone bricks on the set model. “Real bricks aren’t flat – they’re unique,” she said, explaining her process of basing the bricks with rainbow scumbling, then applying multiple washes to mute the colors but bring out the pigments and bright undertones. However, when the set is complete, audience members will never know just how many layers were essential to make such a realistic stone wall.

So many layers and colors go into every one of these shows, as well. From the sound designer to the box office intern to the actors and directors, shows are necessarily collaborative and layered, to an extreme. Often, we are never aware of these affectations, but each one contributes to the show that we see.

Limestone bricks: completed! (Photo Credit: Denise Yvette Serna)

Likewise, we and the people around us bear the same intricacies and layers. We are products of years of existence and influence; each personal experience has added color to the scumbled wall that is a life. Part of the magic of theatre is its influential power to reflect people; part of that, and of shows in general, illustrates the deep and layered nature of those other human beings around us. It does this not only through the literal act of a show, but also through the subtle things, like the rainbow layers underneath the bricks.

This week, go see one of the following shows. Whether exploring cupcakes, alcoholism, or sex, each one deals in some way with real people, in all of their layers and depth; therefore, through them, we can better understand the people and world around us. You could even take a friend or two to one of the shows below, then discuss it over drinks or dinner afterward. Understand the layers, one at a time.

Another Openin’, Another Show

…SHOWS OPENING SOON

Bill W. and Dr. Bob

DAYTON PLAYHOUSE

The Story: Bill W. – famous New York stockbroker who loses everything in the 1929 crash, then turns to alcohol – and Dr. Bob Smith – Ohio surgeon who often operates hung over – meet and form a relationship, each helping to keep the other sober. This courageously blunt, uncompromisingly straight forward docu-drama explores the lives of these two men and the history of Alcoholics Anonymous.
Dates: April 1 – 3, 2011 (Season Extra)
Tickets and More Information: 937-424-8477, Dayton Playhouse

The Boys Next Door

DAYTON THEATRE GUILD

Joseph and the Amazing Technicolor Dreamcoat

PLAYHOUSE SOUTH

…SHOWS CLOSING SOON

Pinkalicious!

TOWN HALL THEATRE – LANDMARK CHILDREN’S THEATRE

Photo Credit: Mike Long

The Story: Young Pinkalicious can’t stop eating pink cupcakes, even though her parents and friends warn her to stop. But when she wakes up one morning to discover she has turned bright pink from head to toe, her doctor diagnoses her with Pinkitis. In this adaptation of the beloved children’s book, families see if there can ever be too much of a good thing.
Dates: March 11 – 27, 2011
Tickets: (937) 433-8957
More Information: Town Hall Theatre: Pinkalicious

Part of it All

…AUDITIONS AND CASTING CALLS

Encore Theater Company: Summer Mainstage Season

The Basics: Altar Boyz. In My Blood. Pump up the Volume. The Consequences. In its exciting 2011 season, ETC collaborates with Sinclair Community College and the Human Race Theatre Company to bring Dayton several developing and contemporary musicals throughout the summer.
Auditions: March 27 – 29, 2011 (schedule appointment)
More Information: Encore Theater Company

One Short Day

…SPECIAL EVENTS FOR THE THEATRICALLY MINDED

Avenue Q

VICTORIA THEATRE ASSOCIATION

The Story: Princeton moves to NYC with bright eyes, big dreams, and a tiny bank account, and ends up on Avenue Q, where everyone is looking for the same things: a decent job, a stable relationship, and a “purpose.” Sponsored by Logos@Work, Square One Salon & Spa, and with DaytonMostMetro.com as media sponsor, this national touring production of the sassy, irreverently hilarious puppet show that took Broadway by storm explores the ups and downs of life and “the real world.”
Date: March 30, 2011 – One Night Only!
Tickets: Ticket Center Stage , but they’re almost sold out!
More Information: DMM Feature

~KN

It’s No Joke: April 1 First Friday Packed with Art, Entertainment

March 24, 2011 By Dayton937 2 Comments

Comedic juggling duo The Dropbacks will return to First Friday in April to wow crowds with their feats of daring-do.

The next First Friday, downtown Dayton’s free monthly art hop, will be held from 5 to 10 p.m. April 1. As the weather warms, First Friday also heats up with the return of outdoor entertainment.

The popular street performers will return to First Friday (weather permitting) with roaming entertainers including breakdance crew Circle Nerdz, the comedic juggling troupe The Dropbacks and saxophonist Tyrone Martin. The street performance is supported by grant funding from the Ohio Arts Council.

Also returning to First Friday will be two historical walking tours by Gem City Circle Walks. Longtime local history buffs Leon Bey, Nancy Roach and Curt Dalton will lead an Oregon Arts District walk beginning at 5 p.m., and the “Ghosts, Cemeteries and Murders Walk of Downtown Dayton” will begin at 7 p.m. Each walk is $10 and advance reservations are required by contacting Leon Bey at 937-274-4749 or [email protected].

Another outdoor event in April will be presented by The Broken Dayton Art Machine, a group of local artists who will present a single-piece digital exhibit titled “I Have No Rival.” The artists will create a three-story video projection in the floors above The Southern Belle, 134 N. Patterson, which can be viewed from Patterson Boulevard from 8 p.m. to midnight. Artists Nicholaus Arnold, Ian Breidenbach, Frank Travers, Phillip Evans and Ren Cummings will at The Southern Belle to discuss their work.

As always, there will be plenty of action in downtown’s galleries and other establishments during First Friday, including in some nontraditional spaces. As part of the 510 Project, visitors can watch two local artists set up art installations in two spaces located right off Courthouse Square. In the former Roly Poly space (33 N. Main), Landon Crowell will install a video piece that examines the workers’ rights issues facing Ohio and Wisconsin’s public employees. In the lobby of the KeyBank Tower (10 W. Second) from noon to 6 p.m., Leesa Haapapuro will create a sculptural installation created in conjunction with her “Canal Man” project, which will feature cast human figures installed in the granite pools along Patterson Avenue. The sculptures will represent the men who labored to dig the Miami Erie Canal.

The Cannery Art and Design Center will host live music during First Friday.

In its newest space, TEJAS, K12 Gallery for Young People, 510 E. Third St., will feature the exhibit “Dirt and Matter,” paintings by Rebecca Sargent, from 6 to 9 p.m. K12 also will display artwork by the HAALO (Helping Adolescents Achieve Learning Objectives) program of the Montgomery County Juvenile Courts and works from St. Luke School. The Cannery Art and Design Center, 434 E. Third St., will feature paintings by Clifford Darrett, whose jazz/salsa five-piece band will perform from 7 to 10 p.m. Nearby Garden Station, 509 E. Fourth St., will host live music, including Shade of Red at 8 p.m.

Open from 5 to 8 p.m., the Dayton Visual Arts Center, 118 N. Jefferson St., will host a preview party to launch the countdown to its 18th Annual Art Auction, which will be held April 29 at Sinclair Community College. At 7:30 p.m., DVAC will announce the live auction line up.

The Wine Gallery, 5 W. Monument St., will host the photography of local artist Josh Mayes in his exhibit “A Taste of Spring,” which emphasizes flowers and celebrates the change in seasons.

In the Oregon Arts District, Press, an espresso bar and arts space at 257 Wayne Ave. will feature the exhibit “April Fools,” a group art show and live performance by John Gassett, Eric Dunn and Wes Tirey from 7 to 11 p.m. Elaine Balsley Fine Art, 523 E. Fifth St., will host an open house featuring a variety of contemporary art from 3 to 10 p.m. ReCreate, 438 E. Fifth St., will feature original art, instruments and other music-related items.

At the Color of Energy, 16 Brown St., gallery owner Mike Elsass will show a preview of his work that will be featured in Laguna Beach, Calif., next fall. Elsass’ second gallery, Color 2, 519 E. Fifth St., will host an exhibit of new works by Jennifer Rosengarten, Bob Rhoades, Ann Kim, Ben Norton, Amanda Baker and Darren Haper.

Jazz saxophonist and music aficionado Tyrone Martin will perform at First Friday. This photo was taken by Josh Mayes, who will exhibit his work at The Wine Gallery during the event.

Gallery 510 Fine Art, 510 E. Fifth St., will show Christina Pereyma’s “Yellow Box,” an interactive artwork constructed of yellow satin. Visitors will be able to enter the enclosed space and be photographed as part of the exhibit. Gallery 510 also will introduce the wood turnings of Maryland artist Michael Batista. 5th street clayworx, 521 E. Fifth St., will highlight the “Tree of Life” sculptures by Paula Vasquez. Nancy Snyder also will offer functional pottery for the Easter holiday, as well as gifts for weddings and special occasions.

Omega Music, 318 E. Fifth St., will host live music from 6 to 9 p.m. Patrons who present a receipt from another Oregon Arts District business will receive 10 percent off new CDs and LPs, as well as 15 percent off used music.

Other entertainment options abound during First Friday. For example, the monthly Courteous Mass Ride will meet at Don Crawford Plaza in front of Fifth Third Field, on the corner of Patterson Boulevard and Monument Avenue, at 5:15 p.m. for a ride through the city. The Dayton Theatre Guild, 430 Wayne Avenue, presents The Boys Next Door at 8 p.m. and the urban arts showcase “The Signature: A Poetic Medley Show” will take place at The Loft Theatre, 126 N. Main St., from 9 to 11 p.m.

Jay’s Seafood Restaurant, 225 E. Sixth St., will host Puzzle of Light at 9 p.m. with no cover charge. Las Americas Caribbean Cuisine, 524H E. Fifth St., will offer a special menu and musical entertainment by Armando Garcia. Canal Street Tavern, 308 E. First St., will host the Lab Partners at 9:30 p.m.

Click here for a complete list of events taking place downtown.

In addition, all the restaurants, retail shops, bars and clubs, theaters, The Neon, Wiley’s Comedy Niteclub, Urban Krag Climbing Center, and other establishments throughout downtown will be open during First Friday. For regular updates about this event, follow First Friday on Facebook. The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more.

Poetic Medley with Poetri at The Loft Theatre

March 11, 2011 By Dayton937 Leave a Comment

Tony Award winner Poetri will headline the April 1 production of The Signature: A Poetic Medley Show at the Loft Theatre.

Oral Funk Poetry Productions is launching its fourth season of “The Signature: A Poetic Medley Show” in a new venue, The Loft Theatre, 126 N. Main St.

“We’re so excited to be producing our fourth season at The Loft Theatre,” said Sierra Leone of Oral Funk Poetry Productions. “Our new home has more seating for our shows, which often sell out, and allows us to kicks up the performance a notch thanks to access to more professional production equipment and capabilities in the theater. It also allows us to learn from the professionals at The Human Race Theatre Company.”

The season opening performance will be held from 9 to 11 p.m. Friday, April 1, at The Loft Theater. Tickets cost $15 in advance and are available at www.ticketcenterstage.com or by calling 937-228-3830. Tickets at the door cost $20. A cocktail reception will be held in the theater lobby from 8:30 to 9 p.m.

“We are pleased to co-present The Signature at The Loft Theatre,” said Human Race Producing Artistic Director Kevin Moore. “It’s a wonderful way to expand both of our audiences and to make good use of downtown’s most intimate and comfortable entertainment space ― The Loft Theatre.”

Poetri, Tony Award-winner and HBO Def Jam poet, will headline the show with a presentation of original material in which he infuses comedy and spoken word to discuss universal issues, such as relationships and money. Known as “the poet rock star,” Poetri has worked with such legends as Curtis Mayfield, Bootsy Collins and Nona Hendrix, as well as such contemporary stars as Tyler Perry , LL Cool J, Rosario Dawson, Jessie Dylan and Malcolm-Jamal Warner. He was one of the first poets to win a Tony Award for his own material on Broadway for Def Poetry Jam, and recently, President Barack Obama invited Poetri to attend the first spoken word event at the White House.

Poetri’s TV appearances include The Oprah Winfrey Show, Tyler Perry’s House of Pain and Bones, and he also has appeared in popular movies, such as Blades of Glory and Yes Man. Poetri has written and appeared in more than 150 commercials for such clients as Subway, Gatorade, Nike, NFL Films, BET and Arby’s, and he worked with the Black Eyed Peas on a series of award-winning online digisodes for Snickers called “InstantDef.” In addition, Poetri is one of the founders of one of the largest weekly poetry venues in the nation, which attracts more than 350 people every Tuesday.

Theresa tha S.O.N.G.B.I.R.D. also will be a featured performer during The Signature.

The evening’s other featured performer will be vocalist and spoken word artists Theresa tha S.O.N.G.B.I.R.D., who blends spoken word, hip-hop, blues and jazz into her work, which makes light of heartache and encourages people to grow from life’s pains and challenges. A Chicago native who now lives in Atlanta, her performance is a mix of Southern sass and Windy City wit.

Theresa tha S.O.N.G.B.I.R.D. has performed in cities throughout the United States, released several spoken word albums, and written and appeared in two independent films. She is a cast member of The Coochie Chronicles, a spoken-word AIDS awareness stage play based in Cincinnati, and currently is touring with Georgia Me Presents Adam’s Rib, sharing the stage with Tony- and Emmy award-winning poet Georgia Me, as well as nationally known poets Tasha Jones and M’Reld Green. In addition, Theresa tha S.O.N.G.B.I.R.D. has coached acting and public speaking to young people for the past seven years, and her students have won several awards and hold three Illinois state championships. She also volunteers with Ayudagente, which helps feed Atlanta’s homeless community, and she sponsors charitable showcases to benefit Aniz Inc., which works to combat AIDS/HIV in the African American community.

Also during the event, El Coats and the Funk Point will perform a melting pot of rhythm and blues with a neo-soul twist, and Columbus Slam poet Will Evans will be the guest emcee.

The theme for the fourth season of The Signature is “What Does It Mean to Be a Poet?” Other performance dates include June 17 and Aug. 15. The season will culminate with the third annual Regional Academic and Cultural Collaborative (RACC), which spotlights urban arts and entertainment while giving Dayton-area students an opportunity to connect with some of the industry’s top names. The first two RACC events brought in hip-hop heavyweights Common and Lupe to discuss their work.

During its first three seasons, “The Signature: A Poetic Medley Show” featured local and national poets, musicians, actors, vocalists, dancers and visual artists presenting numerous forms of self-expression ― often to sold-out crowds. In late 2010, Oral Funk Poetry Productions took its show on the road as part of a planned expansion to produce The Signature in other Ohio cities. Its first venture outside of Dayton was a mid-November show and related events in Toledo. For more information, visit www.myspace.com/thesignatureofpp.

Music Video Monday: February 28, 2011

February 28, 2011 By Juliet Fromholt Leave a Comment

This week I decided to offer two music videos for the price of one (so, still free as usual). Both videos come from bands that are playing at Blind Bob’s on (First) Friday night. Check out the DaytonMostMetro events calendar for more information.

The first comes to us from The Story Changes. They filmed this music video in Dayton last summer so be on the lookout for familiar faces and places.

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Our second video comes from Me & Mountains. In addition to the Blind Bob’s show, they’ll be playing a free show at OMEGA Music for First Friday beginning at 6pm. Details are for this performance are also at our events calendar.

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