The Dayton Philharmonic Orchestra, under the leadership of Artistic Director and Conductor Neal Gittleman, is honored to be a part of the Dayton Contemporary Dance Company’s 50th Anniversary celebration for a special DCDC Golden Anniversary Concert on Saturday, May 4, 2019 at 6:30pm at the Schuster Center in downtown Dayton.
Founded in 1968 by the late Jeraldyne Blunden, Dayton Contemporary Dance Company (DCDC) is the oldest modern dance company in Ohio. DCDC serves as a cultural ambassador to Dayton, the state of Ohio, the Midwest, and the nation. The company holds the world’s largest archive of classic African American dance works and one of the largest of any kind among contemporary dance companies worldwide. Noteworthy choreographers who have worked with the company include Alvin Ailey, Talley Beatty, Donald Byrd, Bill T. Jones, José Limón, Donald McKayle, Ray Mercer, Bebe Miller, Doug Varone, and Kevin Ward.
Together, the Dayton Contemporary Dance Company and the Dayton Philharmonic Orchestra will present a thrilling performance to honor DCDC’s 50th Anniversary as the region’s outstanding modern dance company rooted in the African American experience. The evening’s performance will consist of three engaging pieces that celebrate the artistry and athleticism of the full DCDC company of dancers.
The first of the three pieces presented will be the World Premiere choreographed by former DCDC artistic director Kevin Ward. The new work is entitledand each day you mean one more and is set to brand new music by composer and musician Derrick Spivey, Jr. and performed by the Dayton Philharmonic Orchestra. Neal, Derrick and Kevin–conductor, composer, and choreographer–have worked closely together over the last several months to bring this work to life.
and each day you mean one more is partly inspired by the poem “The Low Road” by Marge Piercy, which addresses the challenges faced by the lone actor for societal good and how, with the gradual attraction and enlistment of like-minded individuals, a real force for change can be built that can resist destructive reactionary forces. In creating the dance, choreographer Kevin Ward was inspired by many lone actors such as Fanny Lou Hamer, David Hogg, Fred Rogers, James Baldwin, Malala, Claudette Colvin, and many nameless actors, such as the U.S. prisoners who staged a massive strike against systematic abuse, even though it resulted in the cruelest solitary confinement, and how their efforts inspired millions to follow suit.
DCDC will also perform a signature work from their history called Children of the Passage. This work was co-created for DCDC by world-renowned choreographer Ronald K. Brown and Tony-nominated choreographer Donald McKayle, who passed away just over a year ago this April. The work follows a party of decadent lost souls that are haunted and later rescued by spirits that reconnect them to their ancient and ancestral character. The composition is a cadence that is drawn from the traditional marching jazz bands of New Orleans, with the grind and groove of the contemporary jazz and soul music. The language of movements is translated from the visual poetry of African and African American dance and the celebration of cultural rituals of yesterday and today.
The third work on the program is American Mo’, created by choreographer and DCDC Associate Artistic Director Crystal Michelle Perkins. The dance is a celebration of triumph over adversity. Dancers express freedom, courage and joy to Duke Ellington’s “Three Black Kings,” composed in honor of Dr. Martin Luther King, Jr. This work originally premiered on September 19 & 20, 2015 as part ofAmerican Mosaic, Celebrating the 50th Anniversary of the Miriam Rosenthal Foundation for the Arts and was performed with accompaniment by Dayton Philharmonic Orchestra at the Schuster Center. DCDC has performed the innovative piece in New York City, Kazakhstan, and the Bolshoi in Moscow.
How To Go!
We hear a lot about First Fridays downtown, but less so about Final Fridays. Edward Dixon who owns a new independent gallery downtown is celebrating
How To Go?




If you’ve ever driven or taken a stroll down Linden Avenue in the




The annual music and art extravaganza
Friday Acoustic Stage
Visual Artists Featured:
How to Go?

It’s not a difficult task to discover
The Downtown Dayton Partnership is helping to roll out a new juried art show. The
You can meet the artists from the juried show pop-up galleries in their spaces, and you can check out an array of other arts activities sprinkled around downtown, including:
Nucleus CoShare
I am a Dayton native. I left after graduating Fairview High School to attend Haverford College, graduate school at Western Reserve University, and military service in the Air Force in Turkey and Italy. I returned to practice dentistry for 50 years, much of that as a partner with my father, Dr. Jack Saidel. That was always my intention and I have fulfilled it happily.
Now, we have entered the age when down-sizing is becoming a cogent decision. Both of us have dealt with the concept of a smaller residence. We realized that Dayton’s arts are the center of our life’s activities. This made downtown Dayton a major choice for us. Our move downtown puts us at the epicenter of the arts, music, dining and friends.
We also need space for our relatives and children. We regularly fill our big home with their presence for family events. We also host many artists performing here for the opera, Vanguard concerts, etc. We knew a two- or even three-bedroom apartment would be too confining. Many visits to condominium-type dwellings yielded nothing that came close to our needs. We came upon an interesting concept, vertical rather than horizontal, that was advanced by Charles Simms in his design for Monument Walk.
We know the Simms family well. Charlie, as the younger member, and his father Charles are experienced builders and good friends. And we know with Ann Simms looking over their shoulders, everything will be perfect.
Cincinnati native Jon White wasn’t happy stuck behind the wheel of his car. When the 31-year-old landed a job in Dayton, he initially tried to commute from his new job in Dayton back to his home in Cincinnati. But spending hours on the road took its toll on Jon, and he decided to find a new home that offered more freedom and flexibility. “I didn’t feel healthy commuting like that every day. I wanted to live close to work and close to entertainment,” Jon said. The location at Dayton Towers apartment complex
checked off Jon’s requirements for proximity for 9-to-5 and 5-to-9 activities. “I bike to work just about every day,” he said. “and I still have easy access to the highway if I need to travel somewhere, and it’s a quick trip to access the bike trails for recreation.”
population is more dense, you’ll see more people, and when you walk or bike instead of drive, you have more interactions.” Within his own apartment building, Jon said he has met a wide range of ages and backgrounds of people who choose the convenience and excitement of downtown living. “There are families with kids, senior citizens, University of Dayton and Sinclair College students, young professionals like myself — people from all walks of life live here,” he said. “There’s a real sense of community.”
Mingling with other Dayton Towers residents is how Jon met his group of friends, who enjoy Dayton Towers’ proximity to Oregon District businesses as well as theaters, art galleries, recreational activities, and other amenities within easy walking or leisurely bike riding distance. Of course hanging out on the patio or balconies is a popular choice with the amazing city views. Regardless of how he now spends his additional free time as a downtown resident, Jon said he’s happy with his choice to ditch the commute and dive into the live-work-play environment his downtown address provides. “It’s a lifestyle I prefer to have.”
Noah agreed and went on to describe how Stivers’ school pride impressed him. “The school had a gift shop; that was pretty different,” he said. One hurdle down: Noah auditioned and was accepted to Stivers’ choral program. He began his freshman year in August.


Even though their new apartment home is physically smaller than their suburban digs, they said they don’t feel cramped or that they lack space. “There are so many places to visit and they’re practically in our back yard,” Kevin said. Giving one particular weekend as an example, the couple recounted attending a
From the Rehfuses’ home, perched on the banks of the Great Miami River, they will have front-row seats to watch more active lifestyle amenities come online. Construction has started on the new
The abundance of action wasn’t the only surprise 









