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Will the Oregon District Finally Solve Liquor Permit Dilemma?

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Dayton’s Oregon District is an interesting combination of entertainment district and upscale historic residential neighborhood.  It didn’t always have the upscale side though, until the 1970’s and ’80s when some very dedicated citizens began to move into the very rough hood and started bringing back historic homes to their original glory.  In addition to the enormous task of rehabbing old homes, these urban pioneers had to contend with some of the roughest bars in the city.  Not just Fifth Street establishments that helped the district earn the nickname “Filth and Wine”, but especially places like the old Southern Belle and Fred & Sylvia’s situated in the residential neighborhood’s interior.  It was their persistence and never-say-die attitude that helped transform the district into what it is today.  While many of those original pioneers have since moved on, there are still some left and to many of them the fight to keep the riffraff out has never ended.

Before I detail the current situation, here is a brief history of the OD’s liquor permit saga as I understand it based on conversations with several people in the OD:

In 1997, the neighborhood association called the Oregon Historic District Society (OHDS) approved the first liquor permit policy for the district, limiting the total number of allowable permits to 17.  A few years later they reduced it to 16, but in 2004 the City of Dayton approved an additional permit for Coco’s Bistro, with the OHDS deferring to the city.  Soon afterward, the city commission adopted an informal resolution that ensured the commission would not approve liquor permits for the OD above the 17 threshold, and the “Rule of 17” was born.  It should be noted that the State of Ohio Division of Liquor Control ultimately approves or denies liquor permits in Ohio, and while it does consider the City of Dayton Commission recommendations, it does not have to follow them.

In 2007, Thai 9 owner Rob Strong opened the 5th Street Wine & Deli and requested a beer & wine permit.  Since there were already 17 liquor permits, the OHDS objected and the city formally objected to the state.  The state overruled the city and granted the 5th Street Deli its permit, and since the Dayton Gym Club building was sold to the Dayton Theatre Guild without transferring its liquor permit, the total number came back down to 17 and the city did not appeal the 5th Street Deli case.  However, this situation worsened the already contentious relationship between the OHDS and the Oregon District Business Association (ODBA) – a group focused on the OD’s business district.

In 2009, an established bed & breakfast called Inn Port D’Vino applied for its own liquor permit, and the OHDS and subsequently the City of Dayton objected – again based on the Rule of 17.  Like with the 5th Street Wine & Deli, the state liquor board overruled the city and granted the permit, but this time the city appealed at the request of the OHDS board and in 2010 the state board overturned their original decision to grant the permit.  Jeff and Leslie Gonya (owners of Inn Port D’Vino) are appealing that decision and it is currently pending.  They gathered 172 signed petitions from OD residents in an effort to abolish the “Rule of 17”, which they presented to both OHDS and the city commission.  Soon the discussion on whether or not the current “Rule of 17” is still necessary or in fact a detriment to positive growth in the OD was at the forefront.  The debate is not simple and has many sides, including those who want to simply abolish the “Rule of 17” in favor of more business growth, those who do not want any additional alcohol-serving businesses no matter what – and those who fall in the middle.  The later group wants to see 5th Street thriving with more classy establishments like Side Bar and Thai 9 (and less vacant spaces) but are concerned with the possibility that undesirable bars might open shop – and some may even try to open in the interior of the residential neighborhood and jeopardize the quality of life that now exists.

New S.I.D. map including OD Business District (click to enlarge) - Courtesy of Downtown Dayton Partnership

In November 2010, Dayton Commissioners Joey Williams and Nan Whaley met with the OHDS board and suggested a possible solution that all parties might approve.  This involves the ability for the city to divide the OD into two separate voting precincts – the residential neighborhood and the 5th Street business district (based on new SID boundaries that includes existing businesses off of 5th such as Thai 9, Jay’s Seafood and Inn Port D’Vino).  The residential precinct could then vote itself dry, meaning that no liquor permits could be granted to any business within the residential precinct – a binding law that unlike the informal “Rule of 17” resolution, could not be overruled by the city commission or the state liquor board.  With this in place, it is believed that an overwhelming majority of neighborhood residents would then approve getting rid of the “Rule of 17” in favor of more growth in the business district.  As it stands, a letter of agreement between the OHDS and ODBA for the purposes of establishing a new voting precinct in the OD has been signed by the ODBA president Mike Martin, and the ball is now in the OHDS’s court.  There is a monthly general membership OHDS meeting tomorrow (Tuesday February 8 at 7pm), and while the OHDS board doesn’t necessarily have to vote on anything it is believed that this will be the main topic of discussion.  Proponents of the agreement are urging fellow residents to attend this meeting and have their voices heard.

In my many discussions with various players in this saga, I believe there are still neighborhood influencers and OHDS board members who will likely continue to push to keep things as they are, with the “Rule of 17” kept intact.  Sources tell me that the board is evenly split on this latest proposal, and it is unlikely the board will vote in favor of the proposed agreement because of a concern about a lack of specific language that would require the precinct lines be drawn and the dry-neighborhood proposition be placed on a ballot before removing the “Rule of 17” (a feeling that the ODBA refuses to cooperate because of a few conflicting personalities on both sides also exists among various residents).  Ironically, the neighborhood risks losing all protection including the “Rule of 17” regardless of whether or not the OHDS votes to move forward with the agreement, since the “Rule of 17” is an informal resolution that the city commission could eventually dismiss anyway – a distinct possibility given that the most recent commission vote to appeal the state’s granting of a liquor licence to the B&B barely passed 3-2 (with Nan Whaley and Matt Joseph opposing the appeal).  Not to mention that the state can grant liquor licenses regardless of the “Rule of 17”.  Only by voting the residential precinct dry can the OD residents guarantee that no bars can open in the residential neighborhood.

Photo Credit: sbluerock on Flickr

As objectively as I’ve tried to present this complicated situation, I should disclose my own personal bias.  I don’t live in the OD but I have lived downtown for the past 7 years, and while I understand the residents’ concerns about the impacts that businesses on Fifth Street have on their quality of life, I also think that the “Rule of 17” is a draconian tool that has negatively impacted the vibrancy of Fifth Street.  The OD is not just a historic neighborhood with a business district, but it is THE entertainment district for the city and the only authentically local entertainment district in the region; its vibrancy or lack thereof affects all of us, not just the OD neighborhood.  This latest proposal makes sense, and I applaud the leadership that Nan Whaley and Joey Williams have shown in bringing it to the OHDS.  I also applaud the efforts of people like Lt. Larry Faulkner, who has been working closely with bar owners to make sure that incidents are reduced.  It is time for the OHDS to recognize that the status quo is not acceptable, and it is time to adapt to changing times.  It is also time for the ODBA to get over past differences between various individuals and understand that there are in fact many residents and OHDS board members that want the same thing as they do – a vibrant business district.  If language has to be adjusted to make more people comfortable, then make it happen so that we can finally get rid of the “Rule of 17” and move closer toward a united and thriving Oregon District that the rest of the city and region can be proud of.

I attended the public OHDS membership meeting following this article on Tuesday 2/8 – here is the follow-up.

Stage & Screen: WSU Grad to Present Concert at The Neon

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Here With Me:Christian Duhamel LIVE in concert at THE NEON February 8, 2011HERE WITH ME:

CHRISTIAN DUHAMEL LIVE IN CONCERT

The Neon Movies & The Human Race Theatre Company

Regional Premiere!

I had a meeting down at the DMM clubhouse (office) yesterday.  The conversation kept coming back to how frustrating it is to hear people say things like “there’s nothing to do in Dayton,” and “nothing happens here, I can’t wait to move to_______________.” PEOPLE! – THE MOST AMAZING THINGS HAPPEN RIGHT HERE!  IN DAYTON! You’ve just got to pay attention!

Of course, if you are reading this article on DaytonMostMetro.com, I’m probably just preaching to choir.  So, please, share it.

Our downtown gems of theater,  THE NEON (movies)  and  THE HUMAN RACE THEATRE CO. (live) are teaming up to present a concert. ? A concert at a movie theater?  You gotta hand it to both organizations, both are willing to take chances on something new, both embrace innovation.  Tuesday night they will try something new, together….present a concert of music by an up & coming new musical theatre composer!

The setting is a terrific idea!  I’m actually a little bit miffed that I didn’t think of it first for the organization I work with.  The Neon has a terrific set-up for an event that will feature live song and stories.  Grab a beer, glass of wine or even a cup of coffee to go along with those junior mints and settle in for an evening of new musical theatre songs by Christian Duhamel.

Duhamel is in town working on Shakespeare’s TWELFTH NIGHT at “the Race.”  He portrays Feste, the clown (and musician) in the unique production which has been reset in Jazz-Age America.  Besides acting, Christian is also a composer.  He has composed for theater, including several original musicals and a songbook.  Tuesday evening’s concert will feature Christian, and a few guests, singing songs (& telling stories) from his repertoire.

HERE WITH ME: Christian Duhamel LIVE in concert at THE NEON - Tuesday, February 8, 2011CHRISTIAN DUHAMEL was named one of Seattle BroadwayWorld.com’s Top 10 People to Watch in 2011. He is a Kennedy Center American College Theatre Festival Award-winning composer, lyricist, playwright, director and musical director and was the inaugural recipient of the Young Creator’s Award from Music Theatre Ventures. His musicals and songs have been performed on stages and at cabarets across the nation. In 2009 he published his first songbook, “Here With Me: A Collection of Songs by Christian Duhamel.” Mr. Duhamel earned his BFA in Acting-Musical Theatre from Ohio’s Wright State University. www.christianduhamel.org.

onStageDayton had a few questions for Christian about his career, his music & returning to Dayton:

onStageDayton: For our readers who don’t know you, how did you first end up in Dayton? Where are you based currently? How has it felt to return to Dayton as an actor & musician in The Human Race Theatre Company’s production of Shakespeare’s TWELFTH NIGHT?

WSU Theatre

Christian Duhamel:  I first came to Dayton as a transfer into the acting-musical theatre program at Wright State. I grew up in a suburb of Seattle, Washington, and after graduating from WSU and working around the country for a bit, I moved back to Seattle and have lived there the last 4 and a half years, working as an actor, writer, composer, musical director, director, coach and educator.

The Loft Theatre

Returning to the Race has been a huge honor and joy. From previous involvement in Race productions and also from being an audience member, I know the Race puts on high-quality productions. When I received the offer to play this amazing role (Feste) at this amazing theatre and additionally, to compose music for two of Shakespeare’s lyrics, I knew could not pass up the opportunity.

OSD:  Besides being an actor and musician, it seems that you are also a musical theatre composer. At what point did you decide to put pen to paper to write a musical? What was that first musical and have you written any since?

Christian Duhamel

Christian Duhamel

CD:  In high school I was highly involved in choir and drama, and here I got my first taste of creating new works: writing plays, arranging vocal jazz charts and writing choral and jazz music. When I began college, writing was placed on a back burner as I focused on my acting training. After I transferred to Wright State, I rediscovered my passion for writing, and wrote my first musical, REINVENTING ROMANCE, which was produced at Wright State, went to the regional level of the Kennedy Center American College Theatre Festival, and I went on to the national level with awards for playwriting, music, lyrics and direction. Since then I’ve written several new musical theatre pieces: THE WAR CYCLE, which looks at American involvement in the many wars of the 20th Century; ICARUS ASCENDING uses the mythological characters Icarus and Daedalus to examine the relationship between fathers and sons; RED, a contemporary retelling of Little Red Riding Hood; and A BEAUTIFUL END, which is the story of two real women who worked the western burlesque circuit in the late 1800’s. I have also self-published my own songbook called HERE WITH ME: A Collection of Songs by Christian Duhamel.

OSD:   Do you collaborate with other writers in your musical theatre writing?

CD:  I write cabaret material on my own and with another Wright State graduate, Kristina Wilson. I am currently working with several new collaborators on the development of several new musicals. Hopefully you’ll hear more about those pieces soon!

OSD:  It seems that there is a bit of a resurgence of of musical theatre writing happening in America…a whole new generation of new musical theatre writers are creating very personal, emotional works (instead of the song & dance spectacles of the past). What do you think is the impetus of this new movement? What do you think the next few years holds for new musicals in the American theatre landscape?

CD:  I think musical theatre, like all art forms, is following a natural ebb and flow: Mozart wanted to write operas about real, contemporary situations, and in Chekhov’s The Seagull, Trigorin craves “new forms.”

Concert Guest Aaron Vega with wife Claire Kennedy

If I had to take a stab, I’d attribute the current shift to a generation of minds who experienced 9-11, can learn from a seasoned Sondheim, and who are growing up dealing with the “relationship disconnection” caused by that wonderful invention: the internet.

In the next few years, as we see 65 million dollar spectacles taking stage, I imagine more writers will strive to bring the focus of the musical back to the emotional spectacle of a character’s internal life, and then we’ll shift the other way again.

OSD:  What should audience members expect when they come to The Neon on Tuesday night? What should they NOT expect as well?

Darian Taschner

CD:  Tuesday night will be a relaxed evening filled with music I’ve written, including a couple of songs with collaborator Kristina Wilson.  The Neon has the perfect atmosphere (and open bar) for an evening of something a little different.  I’ll be telling stories about the origins of the music and the impact particular pieces or being a writer has had on myself and my family.

Alexandra Sunderhaus

I’ll be joined by guest artists Aaron Vega (WSU grad, actor and director of Twelfth Night), and Alexandra Sunderhaus and Darian Taschner (the female leads from WSU’s Jekyll and Hyde). There won’t be any production numbers, just me behind a piano with some outstanding voices singing new music for the people who join us.

Tickets & Performance Information:

HERE WITH ME:  The Music of Christian Duhamel

One Night Only. Tuesday, February 8th, 9:30 pm

THE NEON, 130 E. Fifth Street, Dayton, OH

(937) 222-8452

Tickets ($5) are available presale at The Neon.

Concessions will be available at the event, including beer, wine & coffee beverages.

-SA/Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].
VIDEOS:
Invisible Woman by Christian Duhamel
Performed by Ashley Fitzsimmons
Produced by CONTEMPORARY CLASSICS
Presented by ACT’s Central Heating Lab

http://www.youtube.com/watch?v=1m69lGIoykA
Couldn’t You Stay By Michael Mahler
Performed by Christian Duhamel & Jenny Shotwell
Produced by Contemporary Classics

In the Company of Helen

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Dayton Theatre Guild presents Neil LaBute's FAT PIT - February 11-27, 2011FAT PIG

Dayton Theatre Guild

Neil LaBute’s dark comedy premieres at downtown theatre.

For his entire career, playwright/film director Neil LaBute has explored a wide variety of genres. Consider his film work like In The Company of Men, dark comedies Nurse Betty and Death at a Funeral, and even bona fide horror films The Wicker Man and Lakeview Terrace. LaBute has mastered the art of the dark comedy – exploring the darker side of the human psyche in ways that make us oddly uncomfortable and questioning our own darkness.

Neil LaBute, playwright of FAT PIG

Neil LaBute, playwright

What I think strikes most people as fascinating is that LaBute’s language always feels ‘real’, colloquial and in turn, honest. One really feels as if they are listening to REAL people having REAL dialogue (sometimes TOO real). One of the best examples of LaBute’s influence on American theater and cinema opens February 11 at Dayton Theatre Guild.

Neil LaBute's FAT PIG at Dayton Theatre Guild - February 11-17, 2011Fat Pig tells the story of Tom – a well built attractive man who meets and falls in love with the quite plus-sized but ever-charming Helen. When people in Tom’s life begin to discuss why he is dating such a large woman, Tom must decide where HE stands. It is a fascinating exploration into society’s treatment of those we deem unfit, in this case, plus-sized. Neil’s language is smart and engaging and provides a great “what would you do?” discussion starter. If you want to see what the contemporary American theatre sounds and looks like, LaBute’s Fat Pig is great choice. Dayton Theatre Guild is to be applauded for producing this daring and important play and I, for one, was thrilled to see it on their season. It is also quite timely as a Broadway production of Fat Pig (directed by LaBute himself) is headed to Broadway this spring starring Dane Cook and Julia Stiles.

Here in Dayton, the Guild production features Amy Askins (Jeannie), Nicolas Bauer (Carter), Steve Strawser (Tom), and Wendi Williams (Helen). The production is under the direction of Dayton Theatre Hall Of Fame inductee Fran Pesch. There is honestly no better place for LaBute’s work than the Guild (with the exception of the Human Race). DTG has a track record of choosing daring titles by contemporary exciting playwrights and Fat Pig, to me, is a harbinger of good things to come. Later this year, the Guild will present the local premiere of the one-woman tour-de-force Golda’s Balcony (about Israeli Prime Minster Golda Meir) as well as Theresa Rebeck’s acclaimed Mauritius.

Neil LaBute's FAT PIG at Dayton Theatre Guild - February 11-17, 2011

The cast of Dayton Theatre Guild's FAT PIG. L to R: Nicolas Bauer, Steve Strawser, Wendi Williams, Amy Askins

-DB

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Dayton Theatre GuildNeil LaBute’s FAT PIG – February 11-17 – Performance Times Vary (click for details)

Tickets Prices: $11 student / $16 senior / $18 adult

Location:  Dayton Theatre Guild at The Caryl D. Philip’s TheatreScape – 430 Wayne Ave. Dayton, Ohio  45410 (MAP)

Contains adult situations and language.

Tickets are on sale now through DTG’s Online Box Office, or via phone at (937) 278-5993 (due to a volunteer staff, phones are not monitored continually).

For more information about Dayton Theatre Guild’s entire 2010-2011 season, visit www.DaytonTheatreGuild.org

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

‘9 to 5’ Thrives On Nostalgia

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9 to 5: The Musical presented by Victoria Theatre Association at the Schuster Center9 to 5: The Musical

presented by the Victoria Theatre Association

“9 to 5: The Musical,” Dolly Parton and Patricia Resnick’s shaky adaptation of the 1980 workplace revenge film of the same name, struggles to overcome its dated discrimination premise and an assortment of hit and miss tunes, but there are commendable elements nonetheless in its reconceived, well cast national tour, which began its regional premiere Tuesday, February 1 at the Schuster Center courtesy of the Victoria Theatre Association’s Miami Valley and Good Samaritan Hospitals Broadway Series.

9 to 5: The Musical presented by Victoria Theatre Association at the Schuster CenterA greater sense of nostalgia in the form of a terrific pop culture-inspired show curtain as well as Parton’s warm, folksy introduction and closing commentary (including a sing-a-long) effectively distinguishes the tour from its unnecessarily flashy, vocally erratic and unsurprisingly short-lived 2009 Broadway counterpart. There is also a sharper character-driven focus and tighter pace that director/choreographer Jeff Calhoun establishes that keeps the show entertaining and engaging even when three labored fantasy sequences and a swarm of bad jokes and crude lyrics become cringe-inducing.

The core trio of Mamie Parris as ditzy divorcee Judy Bernly, “American Idol” runner-up Diana DeGarmo as voluptuous Doralee Rhodes, and three-time Tony Award nominee Dee Hoty as no-nonsense Violet Newstead form a compatible bond. Each character exudes a genuine, down to earth sensibility so it’s easy to empathize with the torment they endure at the hand of their bigoted boss Franklin Hart, Jr. (Joseph Mahowald in a terribly one-dimensional role). The endearing Parris actually finds depth in what could easily be perceived as a thankless part. Her belting soprano absolutely sparkles in “Get Out and Stay Out,” which powerfully culminates in a “Wicked” style reminiscent of “Defying Gravity” or “No Good Deed.” The naturally perky DeGarmo remains a vocal knockout and couldn’t be more charming. Her poignant rendition of “Backwoods Barbie” is a meaningful highlight, but she’s also great leading the rousing ensemble number “Change It.” Hoty, a wonderful authoritarian, particularly makes the most of Act 2 opener “One of the Boys,” Parton’s meager attempt at writing a razzle-dazzle show tune.

9 to 5: The Musical presented by Victoria Theatre Association at the Schuster Center

Enjoyable featured turns are given by the very funny, spontaneous Kristine Zbornick as Hart’s infatuated secretary Roz Keith, Gregg Goodbrod as Joe, Wayne Schroeder as the Colonel Sanders-esque Tinsworthy, and scene-stealer Jane Blass as the boozy Margaret.

Although there’s no escaping the fact that the best number in the show was written over 30 years ago, “9 to 5” is better here than in New York with an intent to please Parton admirers as well as fans of the film and its era.

9 to 5: The Musical presented by The Victoria Theatre Association at the Schuster Center

(L to R) Diana DeGarmo, Dee Hoty and Mamie Parris in '9 to 5'

9 to 5: The Musical continues through Sunday, February 6 at the Schuster Center, Second and Main Streets. Remaining performances will be held today at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 70 minutes. Act Two: 45 minutes. Tickets are $36-$90. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com.

In addition, the show notably contains two Wright State University alums: swing K.J. Hippensteel and stage manager E. Cameron Holsinger.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Calling “Dolly”: behind the scenes as a stage manager

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CU: Hello, Dolly

Jessica Hickling as Dolly Levi (Photo Credit Beth Porter)

HELLO, DOLLY

CEDARVILLE UNIVERSITY

Win tickets to this show! Read on…

5:17 pm

Balancing my prompt book and score, yellow legal pad, and Chai tea, I dart between two ladders (bearing paint-splattered shop workers, detailing the archway) to stand on the stage. Our first dress rehearsal begins soon, and the DeVries Theatre is busy. Properties supervisors cross the stage with a tray of tiered glasses and a stack of suitcases; our technical director oversees crew members counterweighting the chandelier at the flyrail; show director, Bob Clements, is deep in conversation with a designer.

I’m the Stage Manager for this production of Hello, Dolly! at Cedarville University, where I’m a senior theatre performance major. I applied and was selected as SM last spring, and have been thinking about or working with the show in some capacity since; the time has both passed slowly and flown by.

The rehearsal sign-in I posted earlier tells me that so far, cast members have arrived on time. Failure to do so results in fines – ordinarily $1/minute, but twice that during tech week. Although the program here is small, the professors work hard and creatively to instill professionalism in us.

I visit dressing and makeup rooms, greeting people and checking progress, before heading back upstairs. The couple of hours before rehearsal begins have a strange pacing, a mixture of urgent and quiet. The theatre is busy as people hurry to finish tasks, yet the pace is controlled, and these few moments are calm. In a little while, I’ll start calling the time until costume checks, go over the lighting effects with the designer, and ensure everything is ready; but for now, I drink my tea and review the opening sequence of cues.

7:24 pm

CU: Hello, Dolly (photo credit Beth Porter)

Ensemble (photo credit Beth Porter)

We’re a little late starting costume checks, but that is understandable for first dress, and I work to keep everyone moving. The costumers have done an amazing job with each of the thirty-eight cast members: the women are gorgeous in long, jewel-toned dresses and ornate hats; the men dashingly sport white tailed suits.

Student wardrobe manager, Amanda, a measuring tape draped over her shoulder, takes notes; I catch a glimpse of her spreadsheet, orderly and extremely detailed. Don, our eclectic and beloved design supervisor, surveys the actors individually, commenting on details many wouldn’t even know to notice. Pushing up his round glasses, he crosses his arms. “Where are his spats? He’ll need spats,” he says, and immediately a crew member rushes downstairs to pull some.

8:35 pm

“Are the actors in place?” I inquire over our intercom headsets. After receiving confirmation, I prepare everyone for our initial cues. After delaying start time to accommodate for costumes and tech, we’re finally ready to begin. “Standby follow-spot… Mrs. Porter and F1, go.”

The musical director appears from the archway, a spotlight illuminating her walk into the pit; she bows before our imaginary audience, raises her hands, and at her cue the overture begins. I breathe and mentally run through the cues: Take follow spot out and narrow lights on ramp. Transitional lights. Curtain up…

9:59 pm

The makeup room is busy, though not overwhelming, during intermission. Ben greys his hair, Charlee attaches facial hair, and Jessica adjusts her hatpins. “Ten minutes,” I announce, receiving a chorusing, “Thank you, ten!” from those in earshot. After refilling my water bottle, I return to the light board, put on my headset, and open my score to the entr’acte. Five minutes to end of intermission…

“Kate?” The light board operator gets my attention. “We’re using the chandelier here for the first time tonight, and I need to check the programming.”

CU: Hello, Dolly

Hello, Dolly! cast (Photo Credit Scott Huck)

“I’ll get the designer,” I offer, and call into com, “Carolyn, we have a lighting question. Could you run up please?” A moment later, she appears in her ornate costume and hat; Carolyn is also an ensemble member. Multiple interests and skills are common to the dedicated majors of our department. Jessica plays Dolly and designed the hair/makeup; Denise is an ensemble member, scene shop employee, and dramaturg; beside stage managing, I’m an electrician and student box office manager. Our program is conducive to educating those with multifaceted aspirations; many of us take both upper-level design and performance classes. Professor (and Dolly director) Mr. Clements stresses that we never know where we’ll have the opportunity for employment, so should be versatile and marketable, and always “do the ordinary extraordinarily,” no matter what that “ordinary” may be.

10:39 pm

Listening both to the show’s dialogue and com headset’s hum, I call the lighting cue an instant before the waiters dance onto stage bearing silver trays. I say, “Standby for L53…” Stanley enters. “L53, go.”

“Standby for Follow Spot 26…” Dolly is going to arrive at the Harmonia Gardens restaurant; the waiters and cooks scramble into place. Stanley breathes his line and I see the tip of the feather from Jessica’s headdress behind the backdrop. “F26, go.” Jessica, in a sparkling sapphire gown and with a gaze that intermingles flirty and reminiscent, enters as Dolly into the light. She is beautiful, and the waiters see it, their eyes on her every movement.

“Hello, Harry, well, hello, Louie, it’s so nice to be back home where I belong…”

The men unite for their verse of the song. “Standby for L54.” Dolly crosses back to the stairs, t urns her head slightly, and looks out wistfully just as I call, “go,” and the lights shift with her thought…

CU: Hello, Dolly

Rehearsing for the Harmonia Gardens

11:52 pm

“Let’s go ahead and get started with the production meeting,” I say, and begin to ask each team member for their feedback and discussion items. “From my perspective, I felt the show went well. We have a few things we need to adjust, but otherwise, cues and scene changes went well, and the show ran smoothly…”

A few remaining actors, just out of hair and makeup, shuffle through the theatre on their way home. During the next forty-five minutes, we discuss aspects of the show from costume design to dramaturgy, handling issues that arose and coordinating our work; when I dismiss the meeting, only a few are able to head home, but the majority of technicians stand and go to continue working.

1:05 am

As I go to the design lab to email our rehearsal log, I pass Amanda laying out snacks on a chair by the props table. “This is for the props crew,” she explains, “although you can have some, too.” She continues explaining that several of the students are each setting food out for a crew, to show their and the cast’s appreciation. Our department, in many ways, is like a family, and we look out for each other. The properties supervisors, exhausted but surprised, come over to take a moment’s break as I again towards turn the lab to get ready for tomorrow’s rehearsal.

Before the Parade Passes By…

Performance Information

Hello, DollyThe Story: Dolly Levi, adored by all (especially the waiters at the Harmonia Gardens Restaurant) is a self-termed meddler, but this time, she’s scheming to arrange her own marriage, to the well-known and rich Horace Vandergelder. In this optimistic and fun musical, Dolly charms (and meddles) her way into his heart, setting up a few other matches along the way.
Dates: February 3 – 5, 10 – 12; curtains at 8:00 pm, with additional Saturday performances at 2:00 pm.
Tickets: Cedarville University: Tickets
More Information: Cedarville University: Theatre Season

Win Free Tickets!

The Cedarville University Theatre & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to HELLO, DOLLY!  We will be giving away up to TWO pairs of tickets for the second weekend of the show! (February 10-12)  All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page.
  • Fill out the contact form at the bottom of this post.
  • Leave a comment, answering the following question…Dolly Levi is a matchmaker…Have you ever had someone set you up on a blind date?  What’s your worst/funniest blind date story? (no names, please…to protect the innocent/guilt)
  • The deadline to enter is 9AM on FRIDAY, February 4th.
  • Winners will be selected randomly from all of the entries.

Contest Closed

Completing the River – Downtown Dayton Game Changer

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Riverscape Phase IV Proposal (click for larger view)

Over the past ten years, Dayton has been bringing people back to the shores of our rivers (Great Miami River, Mad River, Stillwater River, Wolf Creek and Twin Creek) with the ongoing development of Riverscape.  Phase I/II was completed in 2001/2003 and Phase III was completed last summer with the addition of a permanent covered pavilion, new ice skating rink and bike hub.  It would be easy to assume that the project is now complete but Five Rivers MetroParks is still not done, and they now have their sights set IN the river itself.

On any given summer day, one can see a paddler or two in our downtown river.  There is actually a nice river run that begins at Eastwood Lake MetroPark with Mad River and takes you to Riverscape and into the Great Miami River, but because of a treacherous low dam you really can’t go any further than the I-75 bridge.  This low dam is one of six that were installed in our various rivers after the Dayton Flood of 1913 to prevent further disasters, and along with the earthen levies they have done the job for the past 98 years (correction – the dams were added to create a pooling effect for recreational purposes).  In fact, the “hydraulic jump” dam was invented in Dayton by Arthur Morgan (is there anything that wasn’t invented here?) but decades later they are now being replaced in other cities because of their reputation as death traps.  Get stuck in the undertow at the bottom of one of these things and you’re not getting out without some major help – not exactly conducive to paddling.
In cooperation with the Miami Conservancy District, City of Dayton and Montgomery County (and as part of the ‘Rivers, Cycling & Active Lifestyle committee of the Greater Downtown Dayton Plan), Five Rivers MetroParks has just announced its proposal to remove the downtown low dam and install two grade-control whitewater/bypass “canoe” channels that will make the river navigable through downtown and past Carillon Park.  A similar effort is being implemented in nearby Springfield’s Buck Creek, with two of four low dams having been converted last year.

In addition to making the river safer and navigable, the project would improve the health of the river and increase fish stock – an outcome experienced relatively quickly in other locations where low dams were similarly removed.  A pair of jetties would be constructed with rocks and boulders at each channel (see proposal above), giving visitors and spectators ways to sit and enjoy the river up-close, and planners anticipate the project would draw even more people downtown and to the river.  Recreation Engineering and Planning has completed a preliminary design, and sediment testing has been conducted and passed.  Next steps include regulatory permitting, memorandum understanding between the various stakeholder groups, fund raising and then final engineering and implementation.  The project is estimated to cost $2.9 million for the low dam removal and in-river work, with an additional $1.1 million for river bank modifications and enhancements – totaling $4 million.

A similar project was completed in Pueblo, CO – converting a larger low dam into five consecutive drops like the two proposed for Dayton.  The Pueblo Whitewater Park now attracts thousands of paddlers and spectators each year – check out the video and imagine this scene in front of our own Riverscape.  Yes this could be the next game changer for Downtown Dayton.

Jane’s Best Bets (2/2 – 2/6)

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Photo Credit: Alli Shillito

Hello February…and hello icky weather!  If you’re reading this, that means you still have power, which is a great thing!  I hope you also have the power to get up off the couch and enjoy some of these events!

On Groundhog Day (a.k.a. Wednesday), eat lunch at Smokey Bones for their $5 Lunch Special.  Over at the Schuster Center, check out the Visual Voices Art Exhibit:  Dayton Skyscrapers 2011, which celebrates “women and men who stand tall as role models in the Dayton African-American community.”  There will be a sea of food at Dorothy Lane Market as part of their Oyster Bar Happy Hour, as well as at Bonefish Grill for their Bang Bang Shrimp Wednesday.  If you are a fan of environmental causes and would like to know more about the lives affected by the water industry as well as public water rights, then you will want to attend the Environmental Film Series: Tapped at Cox Arboretum.  Enjoy an adult beverage at The Wine Loft for their Happy Hour, The Wine Gallery for their Weekly Wine Tasting, or Bruning’s Wine Cellar for their Taste the Wines of Frog’s Leap event.  If you’re downtown, head to the Schuster Center to see 9 to 5: The Musical (I’m looking forward to it after my 9 to 5 job!) or to The Loft Theatre to see Twelfth Night.  Over at Clark State Performing Arts Center, watch Fiddler On The Roof…I’m hoping he doesn’t fall down with it being icy!  And finally, support the UD Flyers as they play St. Bonaventure at UD Arena…and hopefully get a victory!

On Thursday, celebrate the Chinese New Year with dinner specials at both The Nanking Inn and Kabuki.  Have you always wanted to dance, but keep putting it off?  If so, boogie your way to Michael Solomon Pavillion for International Folk Dance Lessons.  Over at the Dayton Racquet Club, attend the Go Red for Women/American Heart Month Kickoff.  At The Neon, check out Pecha Kucha Night Dayton, Volume 6, in which there will be several short presentations by noteworthy people around the city about their creative endeavors.  The presentations will be followed by a screening of the documentary DIVE, which is based on the topic of food waste at L.A. supermarkets.  For more information about Pecha Kucha, click here.  If you like meeting new people, head to Cedarville University to meet Dolly… be sure to tell her Hello, Dolly! Also, at the Schuster Center, you will be able to see 9 TO 5: The Musical, and at The Loft Theatre, you can catch Twelfth Night.

On Friday, after you get out of the shower, be sure to put on your red for the National Wear Red Day, in honor of the American Heart Association’s “Go Red for Women” Movement.  If you wish, you can continue to celebrate the Chinese New Year at China Dynasty, The Nanking Inn, or Kabuki.  Get out your dancing shoes and head to the Michael Solomon Pavilion for the Contra Dance Party – Cityfolk.  If you love a good fish fry, head to either the Ascension or the St. Mary Fish Fry.  All you art lovers will want to participate in First Friday, the fabulous art hop which happens the first Friday of each month downtown.  There will also be many wonderful shows going on in our great region, including 9 to 5: The Musical (Schuster Center), The Octette Bridge Club (Beavercreek Community Theatre), The 25th Annual Putnam Spelling Bee (Dayton Playhouse), Twelfth Night (Loft Theatre), The Berenstain Bears Onstage; A Bear Country Musical! (Town Hall Theatre), and True West (University of Dayton-Kennedy Union Boll Theatre).  And finally, listen to The Rocket Man, The Eagles, Diana Ross, and The Beatles as you skate at RiverScape for their event, Peace, Love, and Skate: 60s and 70s.

On Saturday, bring your Valentine and go to the wonderful El Meson for their Cooking Class for Lovers.  For all you techies, head to the Dayton Diode Open House which has been called a “YMCA for nerds”…perhaps I should go then!  When tragedy strikes, it is important for a community to join together.  Over at St. John’s Lutheran Church, bring your friends and participate in the Dodgeball Tournamnet to benefit the Suzanne Waughtel Hopper fund.  In the evening, there are opportunities to support other great causes.  You can attend the 21st Annual Artemis Center Gala ‘Be a Star, a Purple Carpet Event’ at Sinclair or Sing your Heart Out For A Good Cause (the American Heart Association) at The Wine Loft.  All you “pasghetti” lovers (as many kids call it!) will want to go to the American Legion Post 598 for Franco’s FAMOUS Spaghetti.  Over at RiverScape, participate in the Star-Late Skate.  Also on Saturday, there will be a plethora of theatre options, including 9 to 5: The Musical, The Berenstain Bears Onstage; A Bear Country Musical, The Octette Bridge Club, The 25th Annual Putnam Spelling Bee, Twelfth Night, and True West.

On Sunday, consider going to Alex’s for their Jazz Brunch.  Or you can Savor Your Sunday & Support Stivers at Coco’s Bistro.  If it’s not too cold, perhaps you’ll want to learn the Fundamentals of Skating at RiverScape.  Sundays are a great day for the arts, so consider checking out the Wright State University 2011 Faculty Exhibition, Visual Voices Art Exhibit; Dayton Skyscrapers 2011 at the Schuster Center, Folk Art from the Collection of Porter Wright Morris & Arthur LLP at The Dayton Art Institute, or A Student of People Exhibit at Troy-Hayner Cultural Center.  Or check out one of the many theatre productions going on around town.  If you still haven’t done so, be sure to check out DMM’s onStageDayton, where Shane, Katherine, and Russell keep you up to date on the Dayton theatre scene!

And now it’s time for the Dumb Joke of the Week. Drum roll please…

How many pessimists does it take to change a lightbulb?

Nevermind.  Nobody would get the joke anyway.

These are just a few best bets from the DMM Calendar.  There are plenty more events listed there, so if you haven’t, I encourage you to check it out today!  Also, if you have an event to share or promote, please submit it– it’s great marketing and better yet, it’s FREE!  And finally, if you have a dumb joke to share, I’m all ears!

Have a great week Dayton!

YP Roundup – February

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We’ve made it through the longest day of the year and now we’re into the shortest month; fingers crossed that the pesky groundhog misses its shadow and spring is just around the corner.  Groundhog or not, time seems to be flying by, but before it gets too far away from us – we can enjoy a lot of great YP events coming up this month.

Wednesday, February 2: Start off February by making a commitment to better your city!  A way for YPs to get involved is the “Street Level” committee for the Vacant Storefronts Project.  The Downtown Dayton Partnerhsip (in collaboration with many community leaders, businesses, volunteers, and organizations) has been crafting the Greater Downtown Dayton Plan.  They handed over control of this important project to any and all young people in the region who want to make a significant visual impact on the vibrancy of the region.  There are three committees working hard to fill the empty storefronts in different ways.  Contact Sherri to learn how to get involved.

UPDATE:  CANCELLED!  Also, the first Wednesday of the month brings the Ballet Barre/Associate Board meeting at the Dayton Racquet Club.  As always, they start with a social and an opportunity to check out the view from the top of the DRC, then they get into the business of the meeting.

Have you checked out Meetup yet?  If you’re a 30-something in the region and interested in meeting some new people while checking out some fun venues, maybe this is for you.  Their schedule changes often as new events are added as people decide to host a party or schedule a dinner out.  They’re planning a couple fun ones on Friday, February 4 (downtown with First Friday as the setting) and Saturday, February 5 to watch the UFC fight at Champps down south.

To keep with the Meetup spirit, the Dayton Young Professionals are hitting Meadowlark for a fun, social, and casual brunch on Sunday, February 6.

Are you a reader?  Or do you love the social aspect of a book club?  Either way, join Generation Dayton on Monday, February 7 at Books & Co. at the Greene for their monthly book club meeting.  They are discussing The Little Black Book of Leadership written by Dr. Todd Dewett.  Who’s going to be there?  Oh yeah, Dr. Dewett himself!  Don’t miss this chance to get great insights on an inspiring book from the author himself.

Head up north on Wednesday, February 9 from 12-1 PM to have lunch with HYPE.  They’ll be at The Backyard Bistro in Piqua where you can meet some new friends, keep up with some upcoming events, and check out a great location in the northern Miami Valley.  New members welcome!

Thursday, February 10 brings a collaboration for all networking, social, and arts minded YPs.  JumpstART hooks up with Generation Dayton during their monthly “Thirsty Thursday” to make it bigger and better than ever.  Get some free appetizers, happy hour drink prices, and 1/2 off small plates at downtown’s newest hot spot, De’Lish.  THEN head across the street to the Human Race Theatre for half price tickets to Twelfth Night.  Stick around after the show to meet the cast and get a special YP backstage tour.  It’s a big night open to ALL young people in the region.  Details on the whole night here.

Did you know that one of the local YP groups – Generation Dayton – is actually a program of the Dayton Area Chamber of Commerce?  It just demonstrates how much local businesses value the role of young professionals in the region.  Learn more about it from Phil Parker, the President and CEO of the Dayton Chamber, at the Business and Breakfast Speaker Series on Tuesday, February 15 at the Dayton Racquet Club.  Free to attend, breakfast at your expense.

So, you got your breakfast YP fix – now get those creative juices flowing on the evening of February 15 as the Dayton Creative Syndicate presents speaker Brian Hoff from The Design Cubicle. Time: 6-7 PM – Only $10 for DCS members, $20 for nonmembers, $5 for students.  Learn more about Brian and the DCS here.

Are you a 20-something in the region looking for some new people to hang out with?  There is no shortage of great events with the 20-somethings of Dayton Meetup.  On Wednesday, February 16 they are partying it up at the Soft Rock Cafe for Karaoke and drink specials.  No worries if you’re a non-singer, you can shoot pool, throw darts, or make fun of cheer on the signers.

The 20-somethings love their mid-week get togethers.  Wednesday, February 23 they test how many brain cells they’ve kept since college with trivia at Harrigan’s South.  These and lots more meetups for the 20-somethings at: http://www.meetup.com/20somethings-of-Dayton-Ohio/#upcoming

Generation Dayton often opens its events to all YPs in the region.  But this month’s Lunch Speaker Series on Friday February 25 is for dues-paying Member’s Only.  If you’re a member of GenD or want to consider joining, check out the Web page for details on this lunch topic.

Et. al: Not specifically YP events (oh, no – I’m breaking the rules!) but some great options for YPs include:
Pecha Kucha night on Thursday, February 3 at the Neon, a graffiti party at upcoming downtown restaurant Olive during First Friday, Dayton Diode (self-described as a YMCA for nerds) open house on Saturday, February 5, the YMCA Valentine’s Ball on February 11, WYSO’s silent auction on February 12, and EVERY Sunday in February you can enjoy brunch to benefit Stivers School for the Arts at Coco’s.  For these (and so many more) great Dayton events, keep an eye on the weekly Jane’s Best Bets.

So – those are a handful of events keeping you busy in February and introducing you to lots and Lots and LOTS of new YPs who are active and involved in having a great time in Dayton.  Go to everything and you’ll average an event every other day.  Check out something new and let me know how it goes.

Pecha Kucha Dayton – Volume 6

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We’ve been helping to promote the local Pecha Kucha events since the first one in August 2009, and this Thursday Feb. 3 brings number six to The Neon theater in Downtown Dayton.  For those who have never experienced it – it is a social gathering where people present ideas to the group with 20 powerpoint slides at a face-paced 20 seconds each.  It only costs $5 and it starts at 7:15pm.

PK Vol. 6 Presenters


Sam Enslen of Dragonfly Editorial uncovers a treasure trove of staged photos she and her sister took of their Barbie dolls 30 years ago. For the first time, the secret lives of these three Barbies, their modeling agency, their families, their pets, and their globe-trotting adventures are revealed to the public.
Sharon Howard, Director of Marketing for the Dayton Development Coalition, relates the story of how her celebration of the photo-journal: Crowns: Portraits of Black Women in Church Hats, took on a life of its own to become a calendar benefit for the Kettering Medical Foundation’s Women’s Wellness Fund.
Sherif Hedayat, owner of Erratic Media, is a stand-up comic and director who will share his expertise on erratic creativity.
Brandy King, a.k.a. Vizz, is a food reviewer through her blog Food vs. Face. This ravishing redhead is known to extol the merits of meat and beer and eats like a well-mannered wild animal.
Chris Wire is an artist who is turned on by welding and grinding. He does not like celery.  As head of Real Art Design Group he surely has something intelligent, imaginative and inspiring to share with us.
Jay King talks! If you are fascinated by comic book style illustrators, you will love Jay’s presentation. Normally a man of few words, it will be a rare treat to have him take the mic.
Reade Faulkner is a funny thinker and he is friends with Jason Sheets. But that’s not the only thing that makes him amusing. You’ll have to come listen to find out anything else.
Rounding out the speakers is urban activist Theresa Gasper, Full Circle Development, a woman of vision and action. Hear the story of how she came back to the neighborhood where she grew up, determined to renew it.
At 9:00PM, watch the 50-minute documentary DIVE! Filmmaker Jeremy Seifert dumpster dived in the receptacles of L.A.’s supermarkets to expose the truth about waste.

Present Mirth Hath Present Laughter

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Shakespeare's TWELFTH NIGHT - presented by The Human Race Theatre Co. - January 28 - February 13Twelfth Night

The Human Race Theatre Co.

What is love? ’tis not hereafter;
Present mirth hath present laughter;
What’s to come is still unsure:
In delay there lies no plenty;
Then come kiss me, sweet and twenty,
Youth’s a stuff will not endure.

Seize the day. Enjoy the moment. Youth won’t last. Carpe Diem.

Aaron Vega has a vision. Take the bard’s classic comedy, Twelfth Night (orginally set in ancient Illyria) and plop it into an American / Jazz Age / F. Scott Fitzgeraldean setting. Cool.

Shakespeare's TWELFTH NIGHT - presented by The Human Race Theatre Co. - Jan. 28-Feb. 13 - Photo by Scott J. KimminsYou gotta be creative and have some guts to do something like that, no? Well Vega is and does! At 28, Aaron Vega (recognizable to most WSU & Loft Theatre audiences from his appearances on-stage) now holds the record as the youngest director of a production in The Human Race Theatre Company’s history.

The show, one of Shakespeare’s classic comedies, was written in 1601. It earns it’s name from the 12th night after Christmas Day, referred to as the Eve of the Feast of the Epiphany in the Catholic faith.  In Shakespeare’s time, however, this 12th night had become quite the uproarious occasion, and the Bard felt compelled to contribute an evening’s entertainment to the frivolity.  What better contribution to the revelry than a plot featuring shipwrecks, misguided romance, mistaken identity, merry pranksters, and, (of course) cross-dressing.

“if music be the food of love, play on.”

Don’t expect to hear lutes or panpipes accompanying this production, instead  a wide range of music from the 1920’s, from Gershwin to Fats Waller.  Additional music has been composed by WSU grad Christian Duhamel, who also appears on stage as Feste, the clown.

onStageDayton questioned Vega about his unique vision for the production & his first experience directing in the Loft.

onStageDayton: What was your goal in setting this production in 1920’s Jazz-Age America instead of the original Ancient Illyria?

Aaron Vega & Claire Kennedy in Lend Me A Tenor at The Human Race Theatre Company - Photo by Scott J. Kimmins

Aaron Vega & Claire Kennedy in 2009's Lend Me A Tenor

Aaron Vega: Playing it in the ‘20s will help tell the story to a modern audience. The poetry of Shakespeare can be a hurdle for some audience members who aren’t used to it, so placing the story into a time-period that we all have at least a vague visual knowledge that helps people relax and enjoy the beautiful story. That being said, most people that have never seen or heard Shakespeare except in a high school English class, will find themselves pleasantly suprised at how much they will understand the poetry of the language.

OSD: By moving the plot into a more modern setting, what kinds of problems did this present to you and your actors? What creative freedom did it provide?

Shakespeare's TWELFTH NIGHT - presented by The Human Race Theatre Co. - Jan. 28-Feb. 13 - Photo by Scott J. KimminsAV: The question I asked was, “does this help or hinder the story?” We’ve all heard about Shakespeare shows that have been placed in settings that don’t make any sense. HAMLET set in space springs to mind as an example. It was a fairly logical step to set it in the ’20’s because of all the rich history in this country at the time. Women’s suffrage, prohabition, jazz, etc. I knew we were onto something when the actors started coming to me with ideas about their characters based on the period AND supported by the text. It helped us go further and deeper with a play that can sometimes be played just for laughs.

OSD: Do you think that your choice to change the time and place of Twelfth Night might make the show more appealing to an audience that might normally not choose to attend a Shakespearian production?

AV: Yes. Yes. Yes. But again, give the play 8 minutes and then you’ll really be shocked at how much ANYONE can enjoy the language. The story is so accessible and there are so many characters, that everyone watching will be able to connect to at least one of the characters on stage. The actors and I have worked very hard to make sure that the play remains human. All of the relationships, character’s intentions or plots-even clowning-say human. It’s really been quite lovely to watch. The setting only amplifies that. It’s easier for me, as an audience member, to feel connected to a character if they’re dressed at least a bit like me. The second you put someone in poofy pants, and poofy shirts, even I get turned off.

OSD: This is your first directing gig with The Human Race and you are the youngest director in the history of the company–What has this experience been like for you? Following in the footsteps of great local directors such as Kevin Moore, Scott Stoney and Marsha Hanna, did you ever find yourself questioning your creative decisions throughout the process?

Shakespeare's TWELFTH NIGHT - presented by The Human Race Theatre Co. - Jan. 28-Feb. 13 - Photo by Scott J. KimminsAV: It’s been a joy and an honor. I’ve questioned a few decisions early on but I had Marsha Hanna and Kevin asking the tough questions and making sure that I was as specific as I needed to be. They’ve been incredibly gracious and supportive. The other side of the story is that there is a larger staff at The Human Race Theatre Company, in their office and scene shop (where they build all of their beautiful sets), who have also been tremendously supportive. It’s nice to know that there are theatre companies in this country who are still dedicated to local audiences and telling a beautiful stories on the stage. My wife and I live in New York City and the amount of work has been getting smaller and smaller due to the economy and theaters closing their doors. The fact that a professional theatre company with such a good national reputation is still willing to produce the classics AND call Dayton, Ohio it’s home is truly inspiring. That is all because of people like the staff at the Human Race and specifically their leadership in Kevin Moore and the late Marsha Hanna.

OSD: Now that the show is about to open, what excites (or terrifies) you most about preparing for audiences to see this new version of classic Shakespeare?

AV: The actor’s dedication to the humanity of the characters is what keeps inspiring me. My dream is that people in the Miami Valley will choose live theatre as an entertainment option in a world that is becoming increasingly more disconnected. The Human Race Theatre Company at The Loft Theatre is Dayton’s opportunity to directly engage in their community and have a collective experience with other people from the area. It’s also fairly inexpensive and a wonderful way to enjoy their day. They’ll remember the play for the rest of their lives. Can any of us say that about the last TV show we watched?


Marsha Hanna ~ 1951 - 2011

Marsha Hanna

Twelfth Night is the fourth production of the 2010-2011 Eichelberger Loft Season of The Human Race. It will be the first Human Race production in more than 20 years without Artistic Director Marsha Hanna, who died January 3 of complications from esophageal cancer.

The cast of Twelfth Night is a result of local and national auditioning, including many members with local ties. It includes two Human Race Resident Artists, Tim Lile as Sir Toby Belch and Scott Stoney as Malvolio. Vega’s wife, Claire Kennedy (Lend Me a Tenor, A Christmas Carol), plays Viola, whose disguise as a man sets off the play’s events.  Another WSU alum, Sara Mackie (Green Gables) plays Olivia.

Shakespeare's TWELFTH NIGHT - presented by The Human Race Theatre Co. - Jan. 28-Feb. 13 - Photo by Scott J. Kimmins

Yellow Springs native Kevin Malarkey, a UC College-Conservatory of Music senior, is Valentine. Matthew Moore of Cedarville plays the Captain and Antonio. David Dortch, a veteran of Blue Jacket, plays Orsino.

Jennifer Johansen of Indianapolis (A Christmas Carol, Romeo and Juliet) is Maria. Josh Stamoolis, longtime Cincinnati Shakespeare resident performer, is Sir Andrew Aguecheek. And Justin Flagg, from the Royal Scottish Academy via New York, is Sebastian.

Behind the scenes, Dick Block designed the set, Lowell A. Mathwich the costumes, Rich Dionne the sound, Resident Artist John Rensel the lighting. Heather Jackson is the production stage manager, Scott Kimmins the Technical Director, with Heather Powell on props, Andrew Ian Adams on wardrobe and Nathan Dean on sound.

Photos by Scott J. Kimmins

-SA/Human Race Theatre Co. Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

http://www.humanracetheatre.org/TWELFTH NIGHT (January 28 – February 13 at The Loft Theatre, various performance times).

More information and tickets are available through www.humanracetheatre.org, by calling Ticket Center Stage at (937) 228-3630 or toll free (888) 228-3630.  Tickets can be purchased in person at the Schuster Center box office, or at the box office at The Loft two hours before curtain.

A Cup of Ambition…at the Schuster Center

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9 to 5 - the musical ~ February 1-6, 2011 at the Schuster Center ~ present by Victoria Theatre Association9 to 5 – the musical

Victoria Theatre Association

Win tickets to this show!  Read on…

The year was 1980.  Dolly Parton was making her big-screen debut and the whole world was a-flutter!  Dolly on the BIG SCREEN!  This 10 year old little kid couldn’t figure out why Grandpa had four copies of her latest album which featured the title song from the movie 9 TO 5.  Thirty-one years later, I think I’ve got it figured out.

9 to 5 - the musical ~ February 1-6, 2011 at the Schuster Center ~ present by Victoria Theatre AssociationThis was one funny movie!  Bravo still has it listed as #47 on their list of the “100 Funniest Movies.”   I was so jealous of my older cousins who saw it in the local movie-plex.  I am pretty sure that I wasn’t allowed to see the movie when it first came out (I had to wait several years for VHS on the small screen), but I know that there was many a chuckle at family gatherings that Christmas over this flick.  I think I know now why Grandpa kept four copies of the vinyl.  You always wanna a few back-ups of something this, umm, monumental.

Leap forward almost thirty years.

Dolly Parton brushes the dust off of this classic, writes a few new songs, hires a kick-butt cast & breathes new life into the hilarious story–but this time in one of the biggest houses on the Great White Way, marking the Broadway debut of the seven-time Grammy Award winning singer, songwriter and musician.

9 to 5 - the musical ~ February 1-6, 2011 at the Schuster Center ~ present by Victoria Theatre Association2009 saw the premiere of 9 TO 5: THE MUSICAL, starring contemporary stage greats Stephanie J. Block, Megan Hilty, Mark Kudisch and Daytonian Allison Janney (who was just HEARD on stage in the recent Muse Machine production of Sondheim’s INTO THE WOODS as the voice of the giant).  Unfortunately the show’s NYC run only survived through September 2009, but a year later the first national tour kicked off…and will be making a stop at The Schuster Center February 1-6.

“it shines! Dolly Parton’s songs are bouncy, big hearted, fresh & original. If you’re looking for a diversion, 9 to 5 will do the trick from 8 to 10:15!” ~ The Daily News

9 to 5 - the musical ~ February 1-6, 2011 at the Schuster Center ~ present by Victoria Theatre Association9 TO 5: THE MUSICAL is a hilarious story of friendship and revenge in the Rolodex era. This is the story of three unlikely friends who conspire to take control of their company and learn there’s nothing they can’t do — even in a man’s world.

Outrageous, thought-provoking and even a little romantic, the show is about teaming up and taking care of business… it’s about getting credit and getting even.

While the company has changed a bit, it still features a stellar cast of Dee Hoty (Violet), Diana DeGarmo (Doralee Rhodes) and Mamie Paris (Judy), along with Dolly Parton’s original hit title song in her new Tony Award® and Grammy-nominated score. 9 TO 5: THE MUSICAL was nominated for four 2009 Tony Awards® including Original Score and received a record breaking 15 Drama Desk nominations including Outstanding Musical.

9 to 5 - the musical ~ February 1-6, 2011 at the Schuster Center ~ present by Victoria Theatre Association

“I couldn’t have asked for a better experience on my first Broadway show,” said Dolly Parton. ‘I’ve had the privilege of working with an amazing group of people who have become like family to me. I can’t wait for this show to hit the road so people across the country can see why I’m so proud of everyone involved.”

9 TO 5: THE MUSICAL’s book is by Patricia Resnick (co-writer of the original screenplay). The touring production will be directed and choreographed by Tony nominated, Jeff Calhoun.

9 to 5 - the musical ~ February 1-6, 2011 at the Schuster Center ~ present by Victoria Theatre Association“I met Dolly Parton as a chorus kid dancing in the film ‘The Best Little Whorehouse in Texas’ only a few years after ‘9 to 5’ was already a hit movie. It was a thrill to work with her then and an honor and privilege to be entrusted to direct and choreograph this exciting new tour of 9 to 5: The Musical” said Mr. Calhoun.

9 to 5 - the musical ~ February 1-6, 2011 at the Schuster Center ~ present by Victoria Theatre Association

Allison Janney in 9 to 5

The co–choreographer is Lisa Stevens, scenic design by Ken Foy, costume design by five time Tony Award® winner, William Ivey Long, lighting design by Tony Award® and Drama Desk Award winner, Ken Billington, music supervision by Stephen Oremus and casting by Telsey + Company.

-SA/VTA Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].
 

Tickets & Performance Information:

9 to 5: The Musical (February 1-6 at The Schuster Center) Performance times are Tuesday through Friday evenings at 8 p.m., Saturday at 2 p.m. and 8 p.m., and Sunday at 2 p.m. and 7:30 p.m.

Tickets start at $36, with discounts available for senior citizens, students and groups.

Tickets are on sale now through Ticket Center Stage, and may be purchased at the Schuster Center box office in downtown Dayton or by phone, at (937) 228-3630 or toll free (888) 228-3630. Ticket Center Stage hours are Monday-Friday, 10 a.m. – 6 p.m., Saturday, noon – 4 p.m., and two hours prior to each performance. Tickets may also be purchased online at www.ticketcenterstage.com. Group discounts for 20 or more are available.

For more information about Victoria Theatre Association’s entire 20010-2011 season, visit www.victoriatheatre.com.

Win Free Tickets!

The Victoria Theatre Association & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to 9 TO 5: THE MUSICAL!  We will be giving away up to TWO pairs of tickets for the Tuesday evening show! (February 1st)  All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page.
  • Fill out the contact form at the bottom of this post.
  • Leave a comment, answering the following question…WITHOUT NAMING NAMES…Describe your DREAM retaliation against your LEAST FAVORITE BOSS ever????! (no blood or guts, please)
  • The deadline to enter is 8PM on SUNDAY, January 30th.
  • Winners will be selected randomly from all of the entries.

CONTEST CLOSED

Coming Up in Dayton Theatre: 01/27 – 02/09

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WSU: Jekyll and Hyde (Photo Credit Wright State University)

WSU: Jekyll and Hyde (Photo Credit Wright State University)

Thursday, January 27  – Wednesday, February 9, 2011

It seems like it’s the beginning of that time of year when hours pass too slowly and days even more so. There’s been snow on the ground for the majority of several months, but its melting seems too far in the future to even consider. The excitement of the holidays has been over for a month, and there aren’t any special events or vacations to which to look forward for quite a while. However, the plays that are up in Dayton over the next two weeks are perfect distractions from those winter doldrums, and whether you’re in the mood for a fun musical spectacle (Hello, Dolly!) or a tale of intense inner torment (Jekyll & Hyde), there’s a show for you. So… what do you plan on seeing?

Another Openin’, Another Show

…SHOWS OPENING SOON

Twelfth Night

HUMAN RACE THEATRE COMPANY

The Story: After being shipwrecked, Viola pretends to be her drowned brother. When she falls in love with her employer, for whom she’s delivering love notes to the Lady Olivia, the result is a classic love triangle in this hilarious Shakespearean comedy of mistaken (and disguised) identities. HRTC sets this production in 1927 America, complete with speakeasies, tights, and all the music of the Roaring Twenties!
Dates: January 27 – February 13.
Tickets: Ticket Center Stage
More Information: Human Race Theatre Company: Twelfth Night

25th Annual Putnam County Spelling Bee

DPH: Spelling Bee

David Thomas as Leaf Coneybear (Photo Credit John Gebhardt)

DAYTON PLAYHOUSE

The Story: Six eclectic students in the throes of puberty compete (along with some volunteer audience members) in pursuit of spelling bee fame; the adults and hosts aren’t so far from childhood themselves! In this fun and interactive musical, the students learn where they can stand out and fit in all at the same time.
Dates: January 28 through February 13; Fridays and Saturdays at 8:00 pm, Sundays at 2:00 pm.
Tickets and More Information: Dayton Playhouse, call the box office at (937) 424-8477, or win some free through my DMM feature, s-y-n-e-r-g-y and spelling .

The Octette Bridge Club

BEAVERCREEK COMMUNITY THEATRE

The Story: Eight sisters in a small Rhode Island town meet twice a month for bridge and gossip; in this play set in the context of the World Wars, we see them grow closer and apart, and how their selves, relationships, and world change between 1934 and 1944.
Dates: January 27 – February 6, 2011
Tickets and More Information: Beavercreek Community Theatre

Hello, Dolly!

CEDARVILLE UNIVERSITY

Cedarville University: Hello, DollyThe Story: Dolly Levi, adored by all (especially the waiters at the Harmonia Gardens Restaurant) is a self-termed meddler, but this time, she’s scheming to arrange her own marriage, to the well-known and rich Horace Vandergelder. In this optimistic and fun musical, Dolly charms (and meddles) her way into his heart, setting up a few other matches along the way.
Dates: February 3 – 5, 10 – 12; curtains at 8:00 pm, with additional Saturday performances at 2:00 pm. Call for info on additional student and senior citizen matinees.
Tickets: Cedarville University: Tickets
More Information: Cedarville University: Theatre Season and watch for a behind-the-scenes preview article here next week!

…SHOWS CLOSING SOON

I Hate Hamlet

PLAYHOUSE SOUTH

The Story: In this dramatic comedy, television actor Andrew Rally is struggling in his professional and private lives, attempting to play the role of Hamlet (which he hates) and deal with his girlfriend’s unrelenting chasteness. The dilemma deepens when the ghost of John Barrymore appears to try to convince Andrew to persevere in the role… while an old deal-making friend suddenly offers Andrew the chance at a new television deal.
Dates: January 21 – 23, 28 – 29, 2011
Tickets: 888-262-3792
More Information: Playhouse South

Jekyll & Hyde

WSU: Jekyll & Hyde

WRIGHT STATE UNIVERSITY

The Story: Dr. Henry Jekyll studies what he perceives to be a dichotomous nature in humans, comprising good and evil; when he attempts to separate them, “he unwittingly unleashes his dark, inner self: the murderous Edward Hyde” (WSU). In this intense and thrilling musical, he battles that self and the destructiveness Hyde unleashes.
Dates: continues through Sunday, January 30.
Tickets: (937) 775-2500 (good luck getting them, but it’s worth trying)
More Information: (937) 775-3072 or DMM Review

Part of it All

…AUDITIONS AND CASTING CALLS

Beyond Therapy, by Christopher Durang

DAYTON PLAYHOUSE

Auditions: February 1 & 2, 7:00 pm
Performances: March 11 – 20, 2011
The Story: Manhattanites Prudence and Bruce, both seeking stable romantic relationships with their psychiatrists’ help, place personal ads. After a disastrous meeting, the two flee back to their respective therapists, who may just be more troubled than their patients. Although Prudence and Bruce overcome their mutual loathing, in true Durang fashion, the chaos doesn’t end.
Directed by Kim Warrick
More Information: Dayton Playhouse: Auditions
Cait Doyle

ONE SHORT DAY

…SPECIAL EVENTS FOR THE THEATRICALLY MINDED


Cait Doyle’s Hot Mess in Manhattan

ENCORE THEATER COMPANY

The Story: Carrie Bradshaw is a Lie. In  this stylistically encompassing new musical, we journey through the wilds of New York City life in an honest, hilarious, contemporary, and touching look at one woman’s interaction with the city that never sleeps. Encore Theater Company is pleased to be the host theatre for the out-of-town tryout of this New York bound musical.
Date: Saturday, February 12, 8pm at Sinclair Community College (Building 8)
More Information: Encore Theater Company

Savor Your Sundays & Support Stivers

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For the third year in a row Coco’s Bistro will open in February  for Sunday Brunch to benefit Stivers School for the Arts.  This unique fundraising event is food for the spirit – and stomach!

A different group from Stivers will perform each Sunday:
Feb. 6: Jazz Trio
Feb. 13: String Ensemble
Feb. 20: Chamber Choir
Feb. 27: Concert Pianists

Each Sunday will feature two seatings the first at 10 am to 11:30 a.m. and the second begins at noon t0 1:30pm.  Brunch runs $30 per person; $15 of this is a tax-deductible donation to the seedling Foundation, which supports the arts at Stivers.  Gift certificates also are available.

All funds raised during the Sunday brunches will support arts instruction at the school.
Advanced reservations are required; seating is limited. Call 228-COCO (2626), or reserve online.
Coco’s is located at 515 Wayne Ave just south of Fifth Street in the Oregon District.

s-y-n-e-r-g-y and spelling

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The 25th Annual Putnam County Spelling Bee

Dayton Playhouse: Spelling Bee

"Spelling Bee" cast. Photo credit: John Gebhardt

DAYTON PLAYHOUSE

Win Tickets to this show…Read on!

“Trespass. T – R – E – S…” Nine years old and fourth speller left, I paused. Were there one or two s’s in the middle? I guessed two, and with the disheartening ding of the buzzer, my chance at spelling stardom disappeared. Since then, I’ve never forgotten how to spell ‘trespass,’ or been in another bee. However, in Dayton Playhouse’s upcoming production of The 25th Annual Putnam County Spelling Bee, we can all relive those childhood competitions… some of us, even onstage with the actors.

s-y-n-o-p-s-i-s

According to the show’s official website, this “hilarious tale of overachievers’ angst chronicles the experiences of six adolescent outsiders vying for the spelling championship of a lifetime.” Each student is eclectic and unique, from the youngest but politically aware Logainne SchwartzandGrubenniere (overseen by her overbearing, gay fathers), to the linguistic, obsessively confident, not-allowed-to-cry Marcy Park (Battle Hymn of the Tiger Mother, anyone?) to the pubescent (inopportunely so…) Chip Tolentino.

Dayton Playhouse: Spelling Bee

Bobby Mitchum as Chip Tolentino; photo credit John Gebhardt

p-r-e-c-o-c-i-o-u-s

The adults in charge are equally diverse and have barely managed to escape childhood themselves. The result is a quirky and hilarious story “filled with jubilant music, humor, and heart.”

Cast member Corinne Derusha, who plays host Rona Lisa Peretti, observed,

“Spelling Bee isn’t meant to be performed by kids [it’s aimed to be performed by adults portraying children] but with the range of ages and experiences [of our cast], it takes the audience away from that one aspect and focuses more on the characters we have created.”

d-i-d-a-c-t-i-c

This unique portrayal of children by adults is, according to director Natalie Houliston, “very revealing, [bringing] a new life and light to the struggle of the human condition.”

Dayton Playhouse: Spelling Bee

"Spelling Bee" cast; photo credit John Gebhardt

The characters are not the only spellers in this fictitious bee. Prior to the show, audience members can sign up with Vice Principle Panch and Rona to be considered for one of four audience speller roles. Don’t let this b-e-l-e-a-g-u-e-r you, though – these spellers don’t have to be amazing, merely willing to sit onstage and try their best!

p-a-r-t-i-c-i-p-a-n-t

The cast members have enjoyed working on this production. Derusha in particular loves the music:  “[it] is brilliant. And singing it every day has been a treat. I’m going to be sad when it’s over.” Each of the cast members with which I spoke also praised the show’s direction as both professional and familial.

Charity Farrell, who plays Marcy, said,

“Natalie has been incredible to work with… she is completely open to any ideas we might have – in fact, every single suggestion that anyone has thrown out from the beginning has been answered with, ‘I’d be willing to see that!’”

Especially for a show about a student experience, that spirit of collaboration is perfect. But, this attitude has not come at the expense of quality and a clear vision, but rather alongside and promoting them.

Dayton Playhouse: Spelling Bee

Charity Farrell as Marcy Park; photo credit John Gebhardt

r-a-p-p-o-r-t

The cast shares this perspective : Errik Hood, vocal director and Vice-President Panch, said,  “The entire cast showed up to the first rehearsal with great voices, but the truly special thing about each of them was their willingness and ability to try new ideas, experiment with new vocal colors and approaches, and to dramatically motivate each musical choice– making the singing an organic manifestation of the character instead of a superimposed or conflicting idea.”

That combination of synergy, creativity, and leadership, along with a s-t-e-l-l-a-r cast of s-p-e-l-l-e-r-s, makes Dayton Playhouse’s production of The 25th Annual Spelling Bee a show Dayton audiences shouldn’t miss.

Performance Information

p-a-i-d-e-i-a (a compendium of general education)

Who: Complete cast – Corinne Derusha, Errik M. Hood, Lindsay Sherman, Charity Farrell, Bobby Mitchum, Matthew Smith, David Thomas, David Stone, and Hannah Berry. Directed by Natalie Houliston, with musical and vocal direction from Joe Whatley and Errik Hood, choreography by Erica Hamilton, lights by John Findley, sound by Tony Fende, costumes by Eric Winslow, and stage management by Cami Brewer.

When: January 28 through February 13; Fridays and Saturdays at 8:00 pm, Sundays at 2:00 pm.

Where: 1301 Siebenthaler Avenue, Dayton.

Warning: Parents strongly cautioned: “…Spelling Bee” contains strong language, adult jokes, and mature themes. Not recommended for children under 13.

To purchase tickets, visit http://www.daytonplayhouse.org or call the box office at (937) 424-8477.

Win Free Tickets!

The Dayton Playhouse & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to Spelling Bee!  We will be giving away up to FOUR pairs of tickets for the show! All you need to do is:

  • Share this article on Facebook or Twitter…just click the appropriate button at the top of this page (We’ll give away one pair of tickets for every TEN FB/Twitter Shares).
  • Fill out the contact form at the bottom of this post.
  • Leave a comment, answering the following question…WHAT COMMONLY USED WORD ALWAYS TRIPS YOU UP WHEN YOU TYPE IT?  You know…”D-E-S-S-E-R-T or D-E-S-E-R-T?”
  • The deadline to enter is NOON on FRIDAY, January 28th.
  • Winners will be selected randomly from all of the entries.

Contest Closed 1/28/2011 at Noon

Dear You – Preamble, Procrastination And A Puppy

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Dear You...Wish You Were Here!

The premise of this column is rather simple: while most advice columns have readers submit their most convoluted personal tragedies, some of which I find to be nothing more than the apocryphal rants of desperate attention-mongers, and then the advice columnist gushes with humanity and proceeds to tell this perfect stranger how to live their life. This column, however, takes a rather dynamic approach to meting out advice which is, simply put, that I don’t. I have more problems before 8:00 am than the average person has in a whole lifetime, so I feel that a.) I am not in the position to give anyone advice, what with the precariously poised position my life teeters on at any given moment and b.) if anyone in this dynamic needs advice, it is me. Ask anyone that has dealt with me for more than five minutes and they will wholeheartedly agree with me…and then I will hate them forever for passing such crass judgments against my character. I mean, who the hell are they to be so judgmental? I’ve only known them for a little more than five minutes!

So, the way this works is, I will write about whatever problem I happen to be dealing with at that moment and you, the reader, will submit their well intentioned, sage like counsel, which I will, in turn, probably argue against, picking apart their suggestion point by point in the next column. While this may seem rather mean spirited and, at the end of the day, rather a huge waste of time for all involved if I am not even going to entertain taking the advice of perfect strangers, but it is the process and not the proffered guidance that helps people. You can read Freud, Nietzsche or Chicken Soup for the Soul until the tattered pages decay into dust and you won’t actually apply any of the answers that you may find there because you have not gone through the process of dealing with the problem. Slapping a bumper sticker philosophy across a problem and repeating it’s poetic phrases like some monosyllabic mantra will only mask the problem, lulling you into a false sense of security. You may feel as if you have conquered a world of pain by singing, Don’t Worry, Be Happy, thinking that it will sink into your subconscious, healing all your wounds, when all it will really do is allow your problem to ferment and foment in the shadows of evasion…and make you want to hitchhike to Hollywood and choke Bobby McFerrin with a bag of Lifesavers. In a nutshell, I guess what I am saying is that, regardless of whether or not I take the advice given, it opens up the process of realization and, by agreeing or arguing a point down, it allows each side to actually examine an issue and not just throw fortune cookie philosophies at it.

Well, I guess with all of the unnecessary preambles and attacks on modern psychobabble out of the way, let’s journey forward together, shall we?

I wondered which of the many issues that act as a roadblock on my synaptic superhighway I should tackle first. Well, since I actually sat down to write this yesterday, my epic weakness for succumbing to procrastination jumped right to the top of the list. Yesterday, I had thought about starting this column as I dropped my children off to school, trying to mold a frame together which later I would hang words and phrases off of. I had an adequate number of cigarettes on hand and a chilled two liter of Mountain Dew at the ready. As I turned on the computer, I remembered that I needed to do laundry, so I got up and grabbed my basket full of dirty clothes and headed for the basement. After almost careening headfirst down the steps because one of my little lethargic offspring had thrown a large, wet beach towel onto the steps. I went back upstairs fuming, entering the guilty child’s room to pee on his pillowcase so that he would reflect on the danger that his slothful deed could have caused. I learned that trick from my cat, who trained me not to accidently lock her in the garage with just two short sessions of this method. After getting the laundry started, I went back upstairs, only to find that my baby-mama’s Pomeranian had pulled out some of the stuffing from one of the couch cushions.

This could actually be a whole separate story in of itself, but since it has reared its furry little head into this story, it must be discussed. I didn’t want a dog in the first place. Dogs, in my opinion, are too needy. You have to work your whole schedule around a dog, making sure that you get home in time before your living room becomes a waste management way station. You have to adjust your leisure time activities to include the dog, which means that you get to watch others have a leisure time activity while you get your shoulder yanked out of socket trying to keep said dog from running in front of an ice cream truck.

This dog…this dog is nothing but a ball of fuzzy destruction. Anything that comes near its sharp toothed Alpo-hole is devoured instantly. It ate my middle son’s Blue Tooth, threw it up, then fought me as I tried to clean it up and he tried to re-eat it. It ate a whole can of my youngest son’s Play-Doh, which, while annoying, at least added a festive décor to the front yard when he pooped out merry little red dog logs just in time for Christmas. It ate a whole four foot length of hemp twine and then whined and cried while we had to pull the rest out of him because it only pooped out a foot and a half. We had brand new carpet laid in the living room just before Christmas and the dog chewed a hole through it. People have told me, ‘You have to train the poor little puppy!’ and then they turn to walk away and trip in the hole that the malevolent little creature dug…through the sidewalk! It dug a hole through a two inch thick brick paver!

It occurs to me in the wee hours of the morning as I hear him gnawing through his water bowl or dry-humping his little bed, that this could possibly be a terrorist tactic, aimed at dismantling the nuclear family, one torn pant leg and chewed shoe at a time. It makes perfect sense that there could be an Al Qaeda AKC splinter cell that is training dogs to masticate the American way of life. When I talk this way, people look at me as if I’m crazy and they look at the dog, which cocks its cute little head like Nipper, the RCA dog. I tell them that if he’s so cute and harmless, they should take him home, but they must subconsciously sense his insufferable evil rolling off his fur and decline in a flurry of excuses. One time at the drive through of the bank, and then I’m the bad guy because I suggested that I could send him through the vacuum tube to her. He’s small! He would have fit!

I’m the one being cruel? I have to be on guard constantly, ever vigilant for the muted chomping sounds coming from under the couch. He got in the habit of spending several hours under the bed, which I thought was fine because I knew where he was and he couldn’t get into too much trouble under there. This was what I thought, until one night at about three or four in the morning, I rolled over and the bed collapsed. The little bastard had chewed straight through the center board supporting the box springs! Our living room looks as if we can’t afford decorations and such because we had to strip it bare so that he couldn’t eat anything. He ate through three electrical cords and somehow did not get electrocuted. He ate through the cable wire. He ate through the X-Box controllers. He has eaten through five collars while I have had him chained up front and then run away…but I’ll be damned if he doesn’t show right back up!

I know I sound exceptionally cruel, but let me assure you that I have never mistreated an animal. I grew up with twenty-one cats, a flock of ducks, a beehive, two dogs and a snapping turtle named Herbie. All of my cats have been strays that I have rescued and they have all lived long, happy lives. I worked with my mom volunteering for several animal rescue groups and humanitarian networks…then the Devil’s dog comes along to test my humanitarian record.

Well, I started this column with all good intentions. I wanted to talk about my rampant ADHD and propensity for procrastination and that damned dog got in the way again! It’s like it’s chewing a hole through my brain, just like the carpet. I guess I’ll write the article about procrastination once I take care of the puppy problem. Maybe I’ll do it tomorrow…or maybe the next day…

Delectable ‘Jekyll’ at Wright State

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(L to R) Alexandra Sunderhaus, Blaine Boyd and Darian Taschner in 'Jekyll & Hyde' (Contributed Photo)

Wright State University could have produced Leslie Bricusse, Steve Cuden and Frank Wildhorn’s dark pop musical “Jekyll & Hyde” a decade ago, but thankfully the powers that be held the show until now so Blaine Boyd’s transcendent leading performance would be remembered as one of the best to ever appear on the Festival Playhouse stage.

Boyd, a key element to the remarkable success of WSU’s Ohio collegiate premiere of “The Light in the Piazza” last season, broadens his expertise as an actor and vocalist in the extremely demanding title roles. As Dr. Henry Jekyll, an earnest Victorian scientist who concocts a serum to separate good from evil in man, Boyd possesses an amiable charm coupled with a steadfast determination that gives total credence to Jekyll’s progressive mission, which his hypocritical colleagues and government officials deride. In fascinating contrast, he molds Jekyll’s diabolical alter ego Edward Hyde into a cunning, sensual and unnerving creation (effectively enhanced by sound designer James Dunlap). His stunning transformation into Hyde alone contains an animalistic physicality and excruciating pains so real you will cling to your seat in trepidation.

Musically, Boyd’s striking tenor fits impressively within the confines of Wildhorn’s challenging, rigorous score. “This Is the Moment,” the show’s signature anthem which has wallowed in beauty pageant hell for years, feels reborn due to his decision to emphasize the inspiring lyrics rather than resorting to self-indulgent vocalizing. Elsewhere, he unleashes Hyde to terrifying degrees in “Alive!” and presents a convincing “Confrontation” between the dual personalities resulting in a surprisingly chilling finish.

Although Boyd is an undeniable draw, this melodramatic yet substantive 1997 adaptation of Robert Louis Stevenson’s gothic novella also relies on two women who endearingly frame the action and fuel its emotional impact. As Jekyll’s devoted fiancé Emma Carew, lovely soprano Alexandra Sunderhaus radiates with elegant gentility. Her rendition of “Once Upon a Dream,” Emma’s desire to restore her fractured relationship with Jekyll, is a highlight given added depth by Boyd’s marvelously silent interplay. Darian Taschner, another standout in “The Light in the Piazza,” shines again as Lucy Harris, the main attraction at London’s decadent Red Rat nightclub who has feelings for Jekyll and is abused by Hyde. Taschner poignantly delivers the bulk of Wildhorn’s beautiful ballads, specifically “Sympathy, Tenderness,” “Someone Like You” and “A New Life.” She also fills the melancholy magnetism of “No One Knows Who I Am” with a captivating introspectiveness that fully reveals Lucy’s somber uncertainty of her circumstance, existence and future. In addition, Sunderhaus and Taschner combine for a heartfelt “In His Eyes,” and are equally strong in their duets with Boyd, especially Taschner who applies keen apprehension to the seductive heat of “Dangerous Game.”

Well defined featured roles are offered by Zach Steele as John Utterson, Drew Helton as Sir Danvers Carew, Lucian Smith as Simon Stride, Jon Hacker as Spider, Cameron Blackenship as Lord Savage, Drew Bowen as General Lord Glossop, Eric Julian Walker as Bishop of Basingstroke, Charis Weible as Lady Beaconsfield, Ian DeVine as Sir Archibald Proops and Kylie Santoro as Nellie.

In a refreshing change of pace, director W. Stuart McDowell dials back the flashy showmanship evident in his helming of such musicals as “Cabaret,” “Hello, Dolly!,” “Show Boat,” “South Pacific” and “Titanic.” This time, he opts for a clear-cut, character-driven approach, refashioning “Jekyll & Hyde” as a relatively scaled down chamber piece. His skillful staging flows with intimacy, intensity and precision.

Choreographer Greg Hellems creates a foreboding flair with ensemble numbers “Façade” and “Murder, Murder” and playfully tackles Taschner’s titillating “Good and Evil.”

D. Bartlett Blair’s attractive period costumes, Kelly Green’s sleek set design and musical director Rick Church’s fine off-stage orchestra are also commendable.

“Jekyll & Hyde,” which opened Friday, January 21, is practically sold out, but try to get a ticket if you can.

Jekyll & Hyde, which has been dedicated to the memory of Marsha Hanna, continues through Sunday, January 30 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Tuesday and Wednesday at 7 p.m., Thursday and Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 p.m. Act One: 75 minutes; Act Two: 50 minutes. Tickets are $17 and $19. For tickets or more information, call (937) 775-2500. In related news, Wright State plans to stage the Tony Award-winning musical Hairspray in the fall of 2011. WSU’s complete 2011-2012 lineup will be announced at a later date.