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Dayton Sideshow 8: The Art and Music Lovers Weekend Celebration Welcomes Another Year

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The definition of art is the expression or application of human creative skill and imagination.  A person’s imagination can come to life in a variety of different styles.  A single swipe of paint onto a canvas could be the start of an elegant painting.  A photographer snaps a picture of a moment in time.  A block of clay is the start of amazing, with the finished product being able to have unlimited possibilities in the end.  Art is everywhere around us, whatever or realize it or not.  Every year around this time, Dayton’s artists have a two day event that gives them the platform to present their work to the public.  The event is the 8th annual Dayton Sideshow.

The Sideshow began with the idea from Laurana Wong.  Wong had a vision to organize an evening that brought people together to celebrate the local art being made and the artists that created it.  The show as free for the participants to submit their work, the organizers that would set it up, and for the guests that appeared.  Wong believed that by having this show take place, it would bring attention to the arts and give everyone a chance to connect to their similar interest.

The event took place on June 24th, 2006 at what is now the Cannery.  60 artists from all around the area had work showcased throughout the evening.  Everyone that attended and also volunteered loved what the night brought everyone, except one thing:  the heat.  “It was horrible (laughter)”, Vice-Chairperson for Dayton Circus Creative Collective Erin Vasconcelos mentioned to me.  Vasconcelos was one of the many individuals that helped with the show.  “There was no air, so it just made the room feel horrible.  It didn’t care, though.  We all had an amazing night.”

With the first show being a huge success, the organizers and volunteers continued to make the Sideshow a staple in the Dayton community.  With each year passing, the show remained staying true to its core principals-give the local artists in town the spotlight.  And with every year, the show has become larger and better than the previous one.  The show has in the past few years found a home that can be able to have the space that can hold the massive show-the Yellow Cab Building.  The show has also found the perfect time to hold their event-the weekend of the spring Urban Nights.

Sideshow organizer and current Dayton Circus Creative Collective Chairman Jeff Opt also enlisted live music to the event each year.  “Music is a form of art.  We are lucky to have a great music scene, and it deserves to be celebrated”, Opt says.  Due to the fact that the show is now placed at the Yellow Cab, the show can showcase up to 40 bands with having two stages.

This year’s showcase will be drawing attention to well over 60 local visual artists, and over 20 local music acts. Some of the work that folks will expect will absolutely give people more reason to fall in love with the work being done in town.  They will be live interactions of many of the artists finished products that will give the people that attend an experience they thought that they would have never expected.  Also something new this year came from the minds of a younger generation.  Two young children noticed that something was missing from this year’s event and it felt like it needed to be added.  “There will be a section for kids!”, Vasconcelos said.  The developers of this idea-the children of Opt and Vasconcelos.  In the area for children, there will be photos of artwork and a chance for the youth to make some of their own.

For people who don’t have the chance to help out with the Sideshow, there’s many ways to contribute.  One thing that the committee is doing this year is by setting up a donation section on the fundraising website, Indiegogo.com.  For the next couple of days, everyone is able to give to the show.  By donating certain amounts, donators will be given perks, including photography sessions from photographers Gary Mitchell or Jennifer Clarke.  To donate, click here.

This weekend will once again be shining bright on the town by putting the focus on the Sideshow.  The mind-blowing experiences you will have by seeing the marvelous work of the artists will leave you glad you came.  If that doesn’t do it, stay for the music from great bands like Smug Brothers, Nasty Bingo, Tim Pritchard & The Boxcar Suite, WolfCryer among others.  Dayton Sideshow is a staple of the community.  It’s a weekend where art truly does come alive.  Come see for youself.

Dayton Sideshow 8 takes place May 10th and 11th at the Yellow Cab Building on East Fourth Street in downtown Dayton.  The event starts at 5, with live music starting at 6.

Downtown Dayton’s First Friday Features Derby & Dresses, Tiki Show, Arts Potluck & Demos, Flood Walk

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SAMSUNG CSCBrim is hosting a fashion show featuring Kentucky Derby hats and one-of-a-kind dresses by Tracy McElfresh of Sew Dayton. The models will walk at 6 and 8 p.m. and coffee will be provided by Ghostlight Coffee. Clash Consignments is hosting a Tiki Show that will feature Liz Dearth of Artifact Pottery as artist of the month, along with work by Greg Dearth, Scott Kustowski, Skull 13 and others. Eric Heilman and Rob Hale will provide rockabilly, surf, psychobilly and punk music throughout the evening.

Several art galleries and other venues will host special events this month. Blue Sky Gallery will host a closing reception for “Your Turn,” a collaborative exhibit, by Francis Schanberger and his wife, Bridgette Bogle, who have organized an arts potluck. Instead of bringing food, bring an example of something that inspires you — such as music, video, magazine clippings or books — to share. Dayton Visual Arts Center is opening new exhibit, “The Cline Show.” In memory of Barbara C. Cline and her dedication to student artists, this exhibit features works in all media produced by local students from Wright State University, the University of Dayton, Central State University and Sinclair Community College. Grass Roots Enrichment and Wellness Center will feature paintings by artist of the month Annica Damico. Hands-on activities for children and a free introduction to Reiki and chair massage also will be offered. Bring your favorite wine bottle to “Functional Art “at the CADC. Christy Jennewein will demo wine bottle painting.  The Yellow Cab Building is hosting Dollar Holler, a free event to sell and buy — for only $1 —handmade, vintage, and arts and crafts supplies. Items at past events include vintage home décor and fabric, beads, and original art and prints. Donations will be accepted to support the 2013 Dayton Sideshow arts event.

Urban Nights(2)This First Friday also offers outdoor events. The Courteous Mass Ride will host its monthly cycling expedition throughout the city.  Bikers meet at 5:30 p.m. in front of Fifth Third Field. The Great Dayton Flood Walk starts at 7p.m. and is $10 per person. The tour allows guests to view vintage photos of the great flood, visit buildings that made it through the flood, see high-water marks from 1913 and much more. Call 274-4749 or email [email protected] for required reservation and meeting location.

First Friday includes sales and special event at retail shops, discounts at restaurants, special events, live music, and more. A complete list of what downtown businesses have on tap for First Friday is available on the DDP website.  First Friday is presented by the Downtown Dayton Partnership with support from the Oregon District Business Association, the Ohio Arts Council and WYSO-FM 91.3.

The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more. Download the Find It Downtown mobile search tool for smartphones at http://mobile.downtowndayton.org.

 

Beat the Heat at July’s First Friday

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Downtown’s next free First Friday art hop will be held from 5 to 10 p.m. Friday, July 6. RiverScape MetroPark and the Oregon District will play host to two special First Friday events: the First Friday @ 5 concert series and the Call of the Tropics Festival.

Breakdancers perform at last year's First Friday @ 5 concert Series.

RiverScape MetroPark hosts the second concert in the First Friday @ 5 concert series, with Hey There Morgan performing from 5 to 7:30 p.m. The park’s concession stand will be open and beer will be sold from 5 to 7 p.m. MetroParks employees will demonstrate various kayaking skills on the river and free kayak rentals will be available, courtesy of Cox Media Group Ohio, and free bike rentals will be available as well, courtesy of AAA.  The First Friday @ 5 concert series is sponsored by Five Rivers MetroParks, Clear Channel Radio, Bud Light Lime and the Downtown Dayton Partnership.

Call of the Tropics, a festival celebrating Tiki culture presented by the Fraternal Order of Moai’s Kon-Tiki chapter, will host a block party in the Oregon District from 5 to 10 p.m. Live surf and rockabilly bands will perform, including the Nick Kizirnis Band, Crazy Joe and the Mad River Outlaws, Team Void, and Cherry Lee and the Daddy Katz. The festival also will include Tiki carvers, street performers, hot rod displays and vendors. An exhibition of Tiki art will be displayed at Color of Energy gallery.

For parents who would like to enjoy First Friday without kids in tow, Mini University, located adjacent to Miami Valley Hospital at 28 Hill St., will offer discounted prices during First Friday. Childcare is offered from 6 to 11 p.m., and a light meal will be provided, along with plenty of fun entertainment. Reservations are required and will be accepted through June 29. Call 224-3916.

Galleries galore

July’s First Friday offers plenty of new exhibitions and gallery openings to check out. H. David Clay Studio, 33 S. St. Clair St, and the CADC, 35 S. St. Clair St., will feature a variety of works by multiple artists. Color of Energy, 16 Brown St., will host the opening reception for the Call of the Tropics art exhibition, featuring locally and nationally known Tiki artists and carvers. From 5 to 8p.m., the Dayton Society of Painters and Sculptors, 48 High St., will exhibit an eclectic show of artwork from more than 80 DSPS members. Acoustic guitarists Charlie Emmerich and Jonathan Besecker will perform from 6 to 7 p.m. Blue Sky Project, will host two new art shows. Abstract work by Katherine Mann will be exhibited at 8 N. Main St., with performance art by Mann and choreographer Rodney Veal. The 33 N. Main St. space will show “At Table,” a collection of photographs by Glenna Jennings.

Visitors browse featured art at K12 Gallery for Young People.

The Dayton Visual Arts Center, 118 N. Jefferson St., will feature karaoke and cornhole games during the exhibition of “Drawing Marathon,” a collection of work by various artists from 5 to 8 p.m. The opening of “Contemplations – Post-Modern Landscapes,” by Wisconsin mixed-media artist Jay Batista, will be held at Gallery 510 Fine Art, 510 E. Fifth St. A meet and greet with the artist will be held from 6 to 9 p.m. Work by students from St. Anthony’s School will be exhibited at K12 Gallery for Young People and a display of mixed-media art will be show in the gallery’s TEJAS space at 510 E. Third St.

Music

If you’re in the mood for even more music after the First Friday @ 5 concert, you’re in luck. Many downtown venues will be hosting live bands during First Friday. Blind Bob’s, 430 E. Fifth St., will have live music beginning at 9 p.m., featuring Brian Wilkinson, the Dirty Socialites, Brandon Hawk and Jamy Holiday. Canal Street Tavern, 308 E. First St., will host the The Rolling Stones vs. Beatles English Invasion Tribute, featuring Miss Lissa and Company, Ambiant Drive, Citizens Unrest and others. Doors open at 8 p.m. and the concert begins at 9 p.m., with a $5 cover. “Feel Good Fridays” take place at De’Lish Café, 139 N. Main St., with top-shelf drink specials from 6 to 8 p.m., as well as live jazz by the Wade Baker Quartet from 9 p.m. to midnight. $5 cover.

Garden Station, 509 E. Fourth St., will feature local artists performing protest-themed music for Protest in the Park from 7 to 10 p.m. Jay’s Seafood, 225 E. Sixth St., will host music by Puzzle of Light at 9 p.m., and Omega Music, 318 E. Fifth St., will have live music beginning at 7 p.m. Bring your receipt from Basho Apparel to Omega and receive 15 percent off your purchase. Trolley Stop, 530 E. Fifth St., also will have live music beginning at 9:30 p.m. Remixx Lounge, 146 E. Third St., will have two-for-one martini specials during performances by Donnell Woods, Yvette “Diva” Williams and DJ Night at 8 p.m. Tickets are $10 in advance and $15 at the door. Click here to purchase tickets.

Work up an appetite

Get your night started by grabbing a bite to eat at a downtown restaurant. Franco’s Ristorante Italiano, 824 E. Fifth St., Smokin’ Bar-B-Que, 200 E. Fifth St., and Uno Chicago Grill, 126 N. Main St., will offer 10 percent off food during First Friday. Thai 9, 11 Brown St., Coco’s Bistro, 515 Wayne Ave., feature 15 percent off food. Sa-Bai, 200 S. Jefferson St., also has 15 percent off food as well as a $5 Long Island Iced Tea. Dublin Pub, 300 Wayne Ave., will have no cover and 20 percent off food.

Lucky’s Taproom and Eatery, 520 E. Fifth St., will have dinner specials, along with the special tapping of a firkin of craft beer. Mr. Hyman’s Fine Dining, 40 N. Main St. Lobby, features a $10 all-you-can-eat buffet and live jazz. Olive, an urban dive, 416 E. Third St., will serve Jeni’s Ice Cream and broadcast Rev. Cool’s “Around the Fringe” show on 91.3 WYSO-FM. Oregon Express, 336 E. Fifth St., will have a happy-hour band and half-price pizza from 4 to 8 p.m., with additional live music at 9:30 p.m. Deaf Monty’s Wine, 22 Brown St., features 6-ounce glasses of red or white wine for $5. The Vault, 20 N. Jefferson St., will have an extended happy hour until 10 p.m., with a live band and free food.

Entertainment for the whole family

From climbing to comedy, downtown has plenty of entertainment options on First Friday. The Ghosts, Cemeteries and Murders Walk of Downtown Dayton will begin at 7 p.m. at Courthouse Square. All walks are $10 per person, and advance reservations are required. Contact tour guide Leon Bey at 274-4749 or email [email protected]. The monthly Courteous Mass Ride will meet at 5:15 p.m. for a ride through the city at Don Crawford Plaza in front of Fifth Third Field, 220 N. Patterson Blvd.

Clash Consignments will feature sales and live music during July's First Friday.

Urban Krag, 125 Clay St., will have its climbing gym open until 11 p.m. The Yellow Cab Building, 400 E. Fourth St., will host a Hip Hop Art and Dance Show, featuring students of the Funk Lab and an exhibition of art inspired by hip hop culture from 5 to 11 p.m. The all-ages event will feature a tagging wall to learn and practice graffiti skills, and refreshments will be provided. Victoria Theatre, 138 N. Main St., will show the 1962 film “The Birdman of Alcatraz,” part of the theater’s Cool Films Series at 7:30 p.m. Free popcorn and soda served starting at 6:30 p.m. Tickets cost $5 and can be bought at the door. Wiley’s Comedy Niteclub, 101 Pine St., will host the second of the four-night Wiley’s Comedy Contest, showcasing up-and-coming comedians at 8 p.m.; tickets cost $3. The Neon, 130 E. Fifth St., will have films running during First Friday. Call 222-SHOW (7469) for films and show times.

Downtown summer sales

Retail shops will be featuring sales and specials throughout First Friday. Amore! Designer Consignment Boutique, 16 Brown St., will debut new summer apparel. Basho Apparel, 521 E. Fifth St., will feature 15 percent off to anyone who brings in their receipt from Omega Music.  Beaute Box, 116 W. Fifth St., will feature free makeup lessons for visitors. Clash Consignments, 113 E. Third St., will have a sale on select items and live music. Feathers Vintage Clothing, 440 E. Fifth St., and Jimmy Modern, 605 E. Fifth St. will both be broadcasting Rev. Cool’s “Around the Fringe” show on 91.3 WYSO-FM. Hangar18, 114 N. St. Clair St., will feature 15 percent off all items. Peace on Fifth, 519 E. Fifth St., will have a fair-trade food tasting. ReCreate, 438 E. Fifth St., will have a sale on select items, including new and used instruments, other music-related items, and original artwork.

First Friday is presented by the Downtown Dayton Partnership with support from the Oregon District Business Association, the Ohio Arts Council and WYSO-FM 91.3. The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more.

Dayton librarian’s whale of an art book scores big

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Matt Kish presents “Moby-Dick In Pictures: One Drawing For Every Page”

The legendary 19th-century novel Moby-Dick, or The Whale, is a story of obsession. No one, perhaps, understands that obsession quite so well as a Dayton librarian who spent 543 days creating an illustration for each of Moby-Dick’s pages – and now has the published book to prove it.

Matt Kish, who lives in Columbus, describes the closing months as brutal: “Those final 100 or so pages, when the book itself becomes pretty bleak, I had no personal time whatsoever, and I knew the only way I was going to get my life back was to finish this project.

“The only way through it was to symbolically kill the whale myself. I isolated myself, because I felt I had to save every available ounce of energy for the project. I became just as obsessed with finishing the project as Ahab was with the whale. Thankfully, my wife stayed with me.”

The final drawing emerged Jan. 29, his book contract was completed, and now the only obsession in Kish’s life is dealing with the incredible publicity his project has generated.
“I’m simultaneously excited by it all and overwhelmed and exhausted,” he says.

A whale of a response

How much publicity? Starting just a few days into the project, his posts to a daily blog for friends and family began to be featured on literary and art websites and talked about all over the globe. In December 2009, he was invited to speak about his work in New York.

Within days, even though he hadn’t even reached the halfway mark of the book, he was approached by an agent who almost immediately landed him a publisher.

“It started slow, but then things happened with dizzying speed,” Kish recalls. “This incredibly personal exploration of the novel suddenly had a contract and a deadline.”

He speculates that there’s three reasons for the powerful response.

“Moby-Dick is a cultural touchstone. Even people that haven’t read it, they know the whale, they know Ahab, they know Ishmael, they know that it ends tragically. It’s part of our cultural consciousness. It’s really an American myth.”
The second reason? Kish is not a formally trained artist. Yet his bold, unusual style is immediately gripping, conveying a raw emotional presence with every image. Some pieces are abstract, others intensely detailed. He used spray paint, brushes and ink, ballpoint pens, colored pencil, acrylics, collage, markers, stickers. The quickest took 30 minutes, others took up to 12 hours.

“I know if my work was to be critiqued, there are long lists of errors and completely missing blocks of an art foundation,” Kish says. “I didn’t even attempt to make my illustrations historically accurate. It’s very much about my life, my perspective – it’s influenced by video games I played in the ’80s, comic books from my childhood, covers of progressive rock albums from my dad’s basement. So it’s something that’s never been seen.”
The third reason? The sheer insanity factor of anyone taking on such a monster project.

Life-long connection

“Monster” being the key word. Kish says his lifelong passion for Herman Melville’s 1851 novel began around age 5, when he saw a film version of the story.

“The movie monsters were fictional, but this grabbed me,” he says. “This was a monster that could almost have been real.”

An illustrated children’s version of the story was his next encounter with the white whale; he read the full novel for the first time in junior high. Seven more trips through the book would pass before he started the project.

“What’s odd is that each time I read it, it’s shown me things that almost seem to echo or parallel things happening in my own life — the complexities of growing up and growing old and dealing with life,” Kish says. “In some ways, really grappling with that book requires some life experience.”

In 2009, the former English teacher and bookstore clerk heard about a man illustrating every page of another famous novel.

“I was feeling very creatively restless. I wasn’t really enjoying what I was drawing anymore,” Kish says. “I realized it had been four or five years since I read Moby-Dick, the longest absence in my life. And I thought, ‘I’m just going to jump right in. It’s a way to get me closer to the book, and this is going to keep me inspired artistically.’ And the next day I got started. That was Aug. 5, 2009.”

Two years later, on Nov. 13, Kish will share his creation with readers used to seeing his touch in the DVD, CD and young adult collections. He says he’s not sure what art will flow next for him.

“This project completely shaped and structured my life every day for a year and a half, and that was really trying,” Kish says. “I had an intense sense of relief to finally be done. But I was also really wistful. All those characters had become companions to me.”

To attend

Matt Kish presents “Moby Dick In Pictures: One Drawing For Every Page” at 2 p.m. Sunday, Nov. 13, at the Dayton Metro Library, downtown branch, 215 E. Third St., Dayton. The event is free. Information: 937-463-2665, http://everypageofmobydick.blogspot.com.

Downtown’s Biggest Street Party Is Getting Bigger

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A child paints the street as part of an interactive component of Urban Nights.

If you are looking to take your weekend to new heights, look no further than downtown Dayton.

Urban Nights will be back with even more fun activities on Friday, Sept. 16, from 5 to 10 p.m. New this year is Over the Edge, a challenge that combines fundraising with adventure. Participants who raise at least $1,000 will be given the opportunity to rappel over the side of the 27-story KeyBank Tower. All proceeds will benefit Big Brothers Big Sisters of the Greater Miami Valley. Space is limited; for more information, call 220-6857.

Urban Nights has plenty of live entertainment. Check out the stage featuring Celtic and folk music, including performances by  Norman’s Conquest. Back by popular demand is the Community Stage. For the first part of the evening, local bands and performers will be allowed 10-minute slots on the stages. The second half will feature karaoke, when anyone can take a turn at the mic.

Urban Nights is filled with interactive activities. The public pianos that debuted

A street performer juggles fire.

during the fall 2010 Urban Nights are also back by popular demand. Hauer Music will provide four pianos to be placed on street corners throughout downtown, which pedestrians are invited to play. Other interactive activities will include an opportunity to help create a work of art with jelly beans, a chalk walk on the sidewalk, and a chance to learn how to break dance and juggle.

K12 Gallery for Young People, 510 E. Third St., will host Round 1 of Art-Off, a new fundraising event in which individuals battle to create the greatest art-making spectacle in an Iron Chef-like competition. Participants will receive materials (announced the night of the event) to create artwork within the theme “chaos vs. order.” Ten artists will compete during six 30-minute time slots from 6 to 9 p.m., and audience members will vote on each time slot’s winning artist based on the artists’ performances in crafting their pieces, as well as their finished products. To sign up to participate, contact Kelly Sexton at 461-5149 or [email protected].

Winning entries from the Downtown in Focus amateur and professional photography contest will be on display in the Kettering Tower lobby during Urban Nights. One amateur winner and one professional winner were selected in each of the following categories: My Downtown Favorite, Downtown at Night and Abstract Downtown. A panel of judges awarded a $250 cash prize to the Best in Show winner in each division. In addition, City of Dayton Mayor Gary Leitzell selected one photo that best represents the City’s “Dayton Originals” motto.

The weekend-long Taste of Miami Valley will kick off during Urban Nights at RiverScape MetroPark. Guests can sample food from more than 30 area restaurants. Admission is free, and most tastes are $3 each.

A street painter illustrates the vibrant downtown atmosphere.

A map of participating venues and a complete performance schedule, including a listing of all participating locations’ events and specials, is available online at www.downtowndayton.org. Follow Urban Nights on Facebook at www.facebook.com/UrbanNightsDayton for regular updates and more information.

The best way to see as much as possible during Urban Nights is to walk, and many of the destinations are just a short distance from each other. Greater Dayton RTA also will provide free event trolleys to help visitors get around. In addition, cyclists will gather at 5:15 p.m. at Don Crawford Plaza in front of Fifth Third Field for Urban Bikes @ Urban Nights, a community ride through the action hosted by Bike Miami Valley.

For more information, contact Krystal Luketic at 937-224-1518 ext. 227 or [email protected].

Urban Nights is presented by the Downtown Dayton Partnership, Culture Works, Montgomery County and the City of Dayton, with additional support from WDTN-TV2, DP&L, Greater Dayton RTA, Budweiser Select, the Downtown Priority Board, Clear Channel and Mix 107.7-FM, Wright Dunbar, Inc., Generation Dayton and the Ohio Arts Council.

Celebrate the start of September with First Friday

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Whether you are in the mood to explore downtown or you just want to kick back and listen to some live music, the Sept. 2 First Friday has all the entertainment you need from 5 to 10 p.m.

All summer the local bands have been rocking out at the RiverScape MetroPark, 111 E. Monument Ave. This Friday, Human Cannonball will perform at the free First Friday @ 5 concert from 5 to 7:30 p.m. Beer will be sold from 5 to 7 p.m. and the concession will be open. Free bike parking provided.

First Friday also is a chance for visitors to win a $1,000 travel gift certificate from AAA Miami Valley by completing a First Friday Passport. Each month, AAA will award two prizes of one-year classic AAA memberships, with free renewals for existing members. Everyone who enters for the monthly prize now through Dec. 2 also will be entered into a drawing for a grand prize of a $1,000 travel gift certificate.

Visitors can pick up a First Friday passport at participating locations (click here for a list). The passport must be stamped by at least four locations, and once visitors have all four stamps, they fill out their contact information and drop their passports in any of the First Friday Passport boxes that will be at all participating locations.

Starting at 8 p.m., numerous First Friday locations will blast Rev. Cool’s Around the Fringe radio show, which features lively dance music from around the world and your own backyard and airs on WYSO-FM 91.3. A variety of roaming performers also will provide entertainment (weather permitting).

See the Sights

For those looking for a unique way to tour downtown, check out Courteous Mass. This community of bike-minded individuals will meet at Don Crawford Plaza in front of Fifth Third Field at 5:15 p.m. for an urban street cycling ride through the city and First Friday action.

Another great way to stretch your legs while seeing the city is with Gem City Circle Walking Tours, which will host two tours highlighting local history. A tour of the Oregon Arts District will meet in the Jay’s Seafood parking lot at 5 p.m., and the Ghosts, Cemeteries and Murders Walk of Downtown Dayton tour will meet at Courthouse Square at 7 p.m. All walks are $10 per person, and advance reservations are required. Contact Leon Bey, tour guide, at 274-4749 or email [email protected].

Channel Your Inner Artist

First Friday is a great chance to interact with art. Press, 257 Wayne Ave., will host a kids’ art event in which children ages 4 to 10 are invited to explore their creative side by creating works in a variety of mixed media.  SMAG Dance Collective will perform in front of Boulevard Haus, 328 E. Fifth St., at 7 p.m. with painter Mike Elsass and musician Al Holbrook. Elsass will apply paint to a canvas and four dancers, each representing a different color and mood, will spread the paint with their bodies. The group also will perform its Homeless Series, which features solo and duet performances, throughout the Fifth Street corridor.

Additionally, K12 Gallery for Young People/TEJAS, 510 E. Third St., will host its first “Collaborative First Fridays for Families” sculpture-making event. First Friday visitors are invited to stop by and help create a collaborative sculpture around the theme “Junk It, Funk It.” Work alongside artists Cindi Remm and Michele Devitt to turn recyclables and junk into a community sculpture.

Dayton is filled with a variety of art exhibits.  Open until 8 p.m., Dayton Visual Arts Center, 118 N. Jefferson St., will feature “Coming to a Waterway Near You.” This exhibit by Virginia Burroughs examines the effects of blue-green algae on waterways across the country, and includes demonstrations by Burroughs on applying mixed media to photographs.

In the Orgeon Arts District, Color of Energy, 16 Brown St., will display works of pastel artist Daniel Wise and a preview of the “Sedona Vortex” exhibit by Mike Elsass. Down the street, Gallery 510 Fine Art, 510 E. Fifth St., will feature a variety of gallery artists will demonstrating their techniques, including painting, drawing, beading and Zentangle. The Cannery Art and Design Center, 434 E. Third St, will feature the “crazy quilt” paintings of Carol Stoops and the oil paintings and printmaking of Kathryn Pitstick, along with live jazz and refreshments.

Here’s what’s cookin’
After you’ve visited the galleries, grab a bite to eat or stop to watch the entertainment at numerous restaurants downtown.  Boulevard Haus, 328 E. Fifth St., will offer $1 off tap beer for those who mention First Friday. Deaf Monty’s Wine, 22 Brown St., will feature a discount on rose, $5 for a 6-ounce glass. Lucky’s Taproom & Eatery, will tap a firkin tapping of Left Hand Brewery’s 400 Pound Monkey at 5:30 p.m.

Newly opened Olive, an urban dive, 416 E. Third St., will offer dessert and a beverage for $7 and will feature the art of Melinda A Esmond. De’Lish Cafe, 139 Main St., will feature live music and the “downtowner” specialty cocktail. Blind Bob’s, Dublin Pub, Garden Station, Jay’s Seafood, Omega Music, Oregon Express and Trolley Stop will feature live music.

. . .and there’s more!
District Antiques, 122 Van Buren St., will offer 15 percent off any purchase of new items and 10 percent off consigned items. Newly opened Clash Consignment Co., 113 E. Third St., will host live DJs and a raffle for store gift certificates.

Restaurants, retail shops, bars and clubs, and other establishments throughout downtown will be open during First Friday. For regular updates about this event, follow First Friday on Facebook or text “FirstFridayDayton” to 90210. First Friday is presented by the Downtown Dayton Partnership with support from AAA Miami Valley, the Oregon District Business Association, and WYSO-FM 91.3.

The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more. Click here for a complete list of events taking place downtown.

Aug. 5 First Friday has everything from skatedecks to a scavenger hunt

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Looking for a different way to explore downtown? The Aug. 5 First Friday is rolling in with a night of live music, art shows and entertainment.

Broaden Your Horizons

First Friday will be the continuation of the First Friday Passport Program. Pick up a First Friday Passport at RiverScape and other participating locations (click here for a list) to win prizes from AAA Miami Valley, which each month will award two prizes of one-year classic AAA memberships, with free renewals for existing members. Everyone who enters for the monthly prize now through Dec. 2 also will be entered into a drawing for a grand prize of a $1,000 travel gift certificate.

The passport must be stamped by at least four locations, and visitors can get all four stamps during one First Friday or complete it another month. Once completed, they simply fill out their contact information and drop their passports in any of the First Friday Passport boxes that will be at all participating locations.

Get a Clue

The Aug. 5 First Friday is also the premiere of the First Friday Scavenger Hunt, an event hosted by volunteers from the young professional organization updayton. Teams of friends and families are invited to enjoy an evening packed with clues that include stops at some of downtown’s swankiest restaurants, venues and art spaces. Follow the clues to the final destination ― the First Friday After Party, where complimentary beer, wine and light snacks await everyone who completes the hunt. Clue sheets also will be inside First Friday passports.

Skateboards, Sculptures and Still-Life

Another featured event is the “The Art of Skate,” an art exhibit featuring skate decks and paintings celebrating skating culture past and present. Held at the Yellow Cab Building, 700 E. Fourth St, more than a dozen artists contributed to the project, including Amy Kollar Anderson, Rev. Chad Wells, Mike Guidone and Jason Goad, along with two California artists. The exhibit will be open until midnight, and the skate decks will be raffled later in August.

New to the city’s arts scene, the Dayton Arts Project will present local artists’ work, followed by a performance of choreography, dance and media at Sinclair Community College’s Blair Hall Theatre. Featured artists include Damon Sink, who will create new live music in a collaboration with choreographer Rodney Veal; choreographer Ashley Sass, who will present her work, Momentum; Tom Watson III, presenting his Stem/ReAssemblage series; and Ben Quinn, who will display five new large works in a mixed-media exhibit.

Additional art shows include:

  • The Blue Sky Project’s final exhibit will be showcased at 8 N. Main St. In this eight-week summer artist-in-residence program, five professional artists from throughout the world have worked with area teens in a collaborative art-making process that resulted in the new works of contemporary art that will be on display.
  • The Cannery Art and Design Center, , 434 E. Third St., will host Doug Benedict’s “Found Object Steel Sculpture,” along with live jazz, wine and hors d’œuvres.
  • Color of Energy, 16 Brown St., will present an introduction to the Record Gallery, a new store featuring collectible music items, along with new works by Mike Elsass and Bob Rhodes.
  • Color 2 Gallery, 519 E. Fifth St., will host Mike Elsass’ reception for the graduates of Stivers.
  • Dayton Visual Arts Center, 118 N. Jefferson St., will host its 20th Annual Open Members’ Show in the gallery. A selection of artists from the Members’ Show will give brief gallery talks about their work.
  • Elaine Balsley Fine Art, 523 E. Fifth St., will feature artwork by Stivers School for the Arts graduates.
  • Gallery 510 Fine Art, 510 E. Fifth St., will feature new figurative wood carvings by Marvin Olinsky and new still-life paintings by Nancy Hatton.
  • K12 Gallery, 510 E. Third St., will feature the work of TEJAS summer art camp students, as well as work by local painters in an exhibition centered on landscapes and showing films created by students throughout this year in K12’s first Film Fest.

Hitting the Right Note

In the Garden Station, 509 E. Fourth St., the Dayton Creative Circus Collective will host Free Music First Friday featuring a rare Dayton appearance by The Hiders from Cincinnati. After its 2006 debut, the band was named by NPR’s World Café as an “artist to watch.” Tim Pritchard of the local band Floods will open at 8 p.m.

More live music will be featured throughout the Oregon District. Check out the Trolley Stop, the Oregon Express, the Tumbleweed Connection and the Dublin Pub for a variety of performances all night. Additionally, Practice Yoga will be hosting the WYSO-FM Rev. Cool Around the Fringe Dance Party, and several participating First Friday locations will be playing the long-running radio show.

Rock Out

Local musicians Blind Karma will play the First Friday @ 5 show at RiverScape MetroPark. The concession will be open and beer will be sold during the performance from 5-7 p.m. The concert will wrap up in plenty of time to head to the galleries and other arts venues taking part in the First Friday art hop.

…And There’s More!

Celebrating its grand opening will be Clash Consignment Co., 113 E. Third St., which features items for adult women and men, including an eclectic and funky mix of vintage to modern clothing, jewelry, shoes and other accessories. The store also carries original work by local artists, and will be hosting DJs during First Friday. New to First Friday is District Antiques, 122 Van Buren St., which specializes in antiques, collectibles, home furnishings and artwork. Patrons will receive 15 percent off new items and 10 percent off consignment items during First Friday. Martha Mellon Interior Design Studio also will offer free 30-minute in-store design consultations. Visitors are asked to bring their room measurements, photos, fabric samples, and toss pillows and other accessories to help with the design consultation. A variety of roaming performers will provide entertainment (weather permitting). This month, catch The Dropbacks juggling duo, the Circle Nerdz breakdance crew, solo saxophonist Tyrone Martin, and accordion and violin duet Nathan Rogers and Liz Landis.

From approximately 8 to 11 p.m., many of downtown’s buildings will be lit for amateur and professional photographers who would like to capture night shots of the city in preparation for this year’s Downtown in Focus photo contest, held in conjunction with the Sept. 16 Urban Nights. Visit DowntownDayton.org for contest details.

Visitors also can get outdoors during First Friday for Courteous Mass, which will meet at Don Crawford Plaza in front of Fifth Third Field at 5:15 p.m. for a bike ride through the event action. Gem City Circle Walks will host two historical walking tours led by longtime local history buffs Leon Bey, Nancy Roach and Curt Dalton. An Oregon Arts District walk will begin at 5 p.m. and the “Ghosts, Cemeteries and Murders Walk of Downtown Dayton” will begin at 7 p.m. Each walk is $10 and advance reservations are required by contacting Bey at 937-274-4749 or [email protected].

In addition, all the restaurants, retail shops, bars and clubs, and other establishments throughout downtown will be open during First Friday. For regular updates about this event, follow First Friday on Facebook or text “FirstFridayDayton” to 90210.

First Friday is presented by the Downtown Dayton Partnership with support from AAA Miami Valley, the Oregon District Business Association, Clear Channel Dayton, Heidelberg Distributing Co., Five Rivers MetroParks, Culture Works and WYSO-FM 91.3.

The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more. Click here for a complete list of events taking place downtown.

Add address – also, check for addresses throughout. Since this doesn’t start with the list, as in the release and brochure, there may be other places the address needs to be included.

Activated Spaces is back.

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My last adventure got me out of the car and exploring the region via bus, bike and good ol’ fashioned walking. And you know what I saw? Well, in addition to the random shopping cart and dude who was arguing about drugs – I saw great local art! And not by seeking out a gallery (although I recommend that, too) – but by just walking around.

The Activated Spaces team (powered by the Greater Downtown Dayton Plan) worked with local property owners and invited artists to share their work with the community while focusing on our region’s assets. It was a great success and resulted in 17 vibrant art displays filling downtown windows and the selection of Amanda Sue Allen as the People’s Choice award (work currently on display at the Cannery Art and Design Center). Everything from photography to quilt-work and paintings to cloth and pottery to cellophane was represented (and much, much more!) It was a great, diverse and eclectic celebration of Dayton’s professional and amateur artists.

Serida checks to make sure the QR code is working on the Dayton Creative Syndicate's installation featuring the Culture Works festival.

So – they’re doing it again! They have put the call out to local artists to submit work for a second round of storefront window art displays to be unveiled at the September Urban Nights. The fall 2011 installation theme, “Spotlight Dayton,” challenges artists to focus on our many downtown neighborhoods and highlight favorite places. They hope to include aspects of all areas of downtown–neighborhoods, parks, organizations and various community assets may be featured. It may be a challenge to remain strictly faithful to the theme, but the emailed prospectus states that they welcome artists’ interpretations of the theme however loose or literal it may be; if the artwork is not an exact demonstration of the theme, the artist statement may tie the work to the theme.

Details of the project and submission guidelines are available online. Submissions are due by Friday, August 12, at 5PM.

Check out the Activated Spaces web site for more information.

It’s Alive! Downtown Storefronts In Action

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Pictured below is artist Carol Stoops at work on her Activated Space on North Main Street – next to Flying Pizza – one of many original works of art that will “come alive” on Friday May 6th.
Her work, “Celebrating Dayton” is part of the Activated Spaces projects sponsored by the Downtown Dayton Partnership as part of May’s First Friday festivities. Look for more of these lively works all over downtown this Friday. There’s fun in the hunt!
Enjoy Stoop’s contribution at 223 North Main next to Flying Pizza. More of Stoop’s vibrant paintings are available for sale at the Cannery Art and Design Center, 434 East Third Street. Downtown galleries, restaurants and activated spaces will be celebrating First Friday on May 6 from 5-10 pm.

Robert Pollard Holds Online Art Sale to Benefit United Way of Dayton

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Sir Isaac's Kind Permission by Robert Pollard

Guided by Voices frontman and prolific solo artist Robert Pollard has been keeping busy so far this year.  Just this week, his Lifeguards project with Doug Gillard released a new album called Waving at the Astronaut, and several spring festival appearances have been announced for Guided by Voices.  Pollard also announced this week that he’d be giving back to his community by holding an online art sale to benefit the United Way of Greater Dayton.  There’s a wide variety of artwork available on Pollard’s website including his trademark collages and fake album covers.  Artwork is 50% off or more, and the proceeds will go to the United Way of Greater Dayton.

Click here to check out Robert Pollard’s Artwork.

Here’s a track from the new Lifeguards’ album, Waving at the Astronaut:
LIFEGUARDS – Paradise Is Not So Bad by seriousbusiness

Impressed

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Press Coffee Bar To Hold Premier Art Opening

Black as the Devil, Hot as Hell,
Pure as an Angel, Sweet as Love.
~Charles Maurice de Talleyrand-Perigord

There are things that are serendipitous. There are things that smack of predestination. Then there are things that are just pretty damn creepy. I’m not sure which category this story falls under.

Artwork by Josh Flohre

Artwork by Josh Florhe

To introduce this story, I have to backtrack to October of last year when I received a call from my friend, Emanuel, telling me that I had to get down to the old home décor place at the corner of Wayne Ave. and E. Third St. and check out this gallery showing. I made it down there as soon as I could and…no Emanuel…but his phone call had led me to some of the most original artwork I had seen in quite some time. It was a mélange of media ranging from the contrasting screen print designs by Jannell Barker to the found art of Josh Florhe which held the moment of another age within its imagery.

I toured the gallery showing, tellingly titled Shut Up Art, and was amazed at the innate talent that the artists imbued. I began speaking with Janell about various topics, such as , how the exhibition came to be, bartending and even meandering over some of the technical aspects of silk-screening. Before leaving, I promised Janell that I would contact her (as well as some of the other featured artists) soon and we would get something down in print for the group. It was a promise that I fully intended to keep…right up until the moment that life got in my way.

It’s one of those things where unforeseen circumstances throw walls up in front of you and then, the momentum of the moment is lost until, one day, you are paging through one of your notebooks and you see a phone number and a pang of guilt forces you to close the book quickly.

Photo by Brooke Medlin

Fast forward to last week…Wednesday December 29th to be precise. I was to meet DMM’s Brooke Medlin at a new coffee house called Press Coffee Bar to cover an art exhibition that they were planning. As I ducked inside the building, escaping from the gloomy day above, I was taken in by the warmth of the newly laid wooden floor and the expansive invitation of the room itself. I saw Brooke and another woman crouched in the loft at the rear of the building, which looked out over the whole storefront. I said hello to the bearded gentleman behind the counter and waited for Brooke to come downstairs and fill me in on the details. As I waited, I took in the freshness of the interior. New floors. A newly constructed and conformingly curved coffee bar whose coiled shape and muted tone was a wild variation from the gleaming utilitarian sharpness of the state of the art cappuccino machine. A bearded man behind the counter (who has a name which happens to be Brett Barker) informed me that the machine was made in Florence, Italy and was temperature controlled by a PID computer module that collected data from various sensors and made self correcting adjustments and that it had been used as a demo model at a Seattle coffee festival before arriving in Dayton.

Hearing Brooke and the other woman descending the stairs, I turned around to see…Janell Barker. Dammit, dammit, dammit! I could just hear the snarky remarks that may have been running through her head, remarks that she never said (but justifiably could have!) such as, ‘Do you think you could get this article done in time?’ or saying something to Brooke like, ‘This is the best you could do?’ or even, ‘You’re never going to amount to anything, so you might as well get used to digging ditches!’…sorry, that last one was me channeling my sophomore guidance counselor.

Photo by Brooke Medlin

Apparently harboring no ill will, Janell began preparing a freshly ground cup of coffee for me, which made me groan inwardly, knowing that in moments, I would have to admit that I couldn’t stand the taste of coffee. Telling someone something that will disappoint them after you have already disappointed them is hard. Telling someone something that will disappoint them after you have already disappointed them as they approach you with a scalding hot cup of coffee is just plain scary. I began to quickly understand Al Green’s aversion to grits.

After I made my embarrassing admission, Brett began talking about the types of coffee they would be using, the type of rotating and artisan roasters they would be utilizing and then onto one of Press’ previous events, which was a coffee tasting experience that they call ‘Coffee Cupping.’ These things I will save for a future article, such as the circular pouring of water through a Hario V60 single cup coffee filter to make a perfect cup of java or how one should, “slurp” vigorously when tasting a new coffee to completely saturate the tongue all at once. These things will come later. The thing to concentrate on now is their Premier Opening Art Show.

As Brett and Janell detailed the type of art and the artists that would be showcased, I looked around the vaulted room, taking in the rough edges of the remodeling that had yet to be polished, looking upwards at the newly painted, bare walls, knowing that soon, a clamorous collection of artwork would peer down at the patrons of this little coffee shop, inspiring them with a thirst larger than the one to be quenched by any fancy French pressed brew. The artwork is what motivates us, that brings us together, that allows us to appreciate and accept without the burden of being deigned acceptable by others. The artwork is there as a vehicle for our muse to move us forward. The coffee is there to make us savor the moment.

This is a coffee shop that aspires to be more than just a retail establishment. They want to be part of the community and this art show is the first step in that direction. The Premier Opening Art Show will be held on Friday, January 7th from 4pm until 12pm at Press, located at 257 Wayne Ave. The show will feature artwork by Rueben Briggs, Eric Patton, Josh Florhe, Kasey Henneman, Jason Watkins, Jeff Richards, Mike Guidone, Jason Goad and Zach Armstrong. Regular store hours will be Monday through Friday from 7am until 8pm and Saturday and Sunday from 9am until 8pm.

Where’s the Art in Yellow Springs?

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photo by Corrine Bayraktaroglu

Sometimes visitors to Yellow Springs ask, “Where’s the Art?  I heard this was an art town but there aren’t rows of galleries like other art towns I’ve visited.”

Here’s my answer “the whole town is a gallery.”  Art is everywhere in Yellow Springs, you sit on it – the mosaic benches and the painted daisy benches.  You lean against it- the knit and felt covered benches.  You can touch it on the poles in the knit graffiti.

Visit the public restrooms in the Train Station and look up.  It’s a Loo with a view! Local artists started the Chamber Pot Gallery 4 years ago.

Walk behind Xenia Ave. in Keith’s Alley and see the ever-changing murals. You might catch an artist painting one.

You drive past murals and sculptures on Xenia Ave. and Dayton St. coming into town.

We sneak art in everywhere.  Going for a walk in the glen?  Stop in for a map in the Glen Helen Building and bingo! someone has hung a new art show in the atrium.

Hungry? Get a bite to eat at the Winds Café or the Sunrise Café and you are surrounded with a beautiful art show that changes every month.

Going to listen to the live band at the Wine Tasting at The Emporium?  Whose show is on the walls tonight?   Love the   Pizza at Ha Ha’s?  Check out this month’s featured artist.   On Corry St., Williams Eatery has a couple of regular artists who keep their walls filled with color and wonderful scenes of the Glen.

If you go to see an art film at The Little Art Theater there’s a visual art show hung in the lobby. That’s a double art whammy.

This past month, at the Corner Cone, you could get a scoop of ice cream and depending on the day listen to live music, watch the 10 Minute Play Festival or explore the Art Phone Booth.

Then there are the galleries- Herndon Gallery on the Antioch Campus, Would you, Could you In A Frame on Corry St., the Yellow Springs Arts Council Gallery on Xenia Ave and the new kid on the block- Art Happens in Kings Yard.   Plus there are 2 long established artist co-ops, Yellow Springs Pottery and the Village Artisans.   Or go see the John Bryan Community Pottery with its magnificent ceramic mural on one side and it’s painted penguins on the other side of the door.  It is right behind the John Bryan Building at 100 Dayton St..  Inside ceramic artists are working at the wheels and firing the kilns day and night.

Many Fridays, you can find free art pieces left around town by the Jafagirls.

O.K. there’s much  more but I think I will end with a challenge mystery.  Can you find these art pieces?  They are outside, in plain view, in downtown Yellow Springs.

photo by Corrine Bayraktaroglu

1. The Giant Nose- including nose hair

2. A Lion’s Head

3. A Vampire Bunny

4. The small, white Art Box that changes what’s inside from time to time.

5. The mural on a ceiling.

For useful links on upcoming art events visit the Yellow Springs Chamber of Commerce

A public art map is available at Yellow Springs Arts Blog

Portrait of an Artist – Rodney Veal, the Blue Sky Project and Dayton

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Rodney Veal is a talker.  He’ll talk to you about his art, his family, and his passion for this city.  Upon a first meeting, he’ll talk to you like you’re old friends, and he’s not afraid to tell you what he thinks.  I got the opportunity sit down with Rodney over a long lunch to talk about his experiences.  He’s doing something right – as a Dayton native making it as an artist and giving back to the community through the Blue Sky Project.  I wanted to know his story in hopes that it could help others on a similar journey.  Luckily, Rodney is happy to tell his story.

Who is Rodney Veal?

Rodney Veal is a performance artist who hesitates to use that term to define his art.  He uses visual art, dance, film, photography, music, and more to create experiences for his audiences.  Originally, he was drawn to art school for design, but dabbling in dance while in college gave him a new direction.  After graduation, he found himself clerking at the Department of Transportation, but missing the vibrancy of movement.  He decided that he needed to find a creative outlet.  Luckily, he knew he could take a beginning ballet class at Sinclair Community College at a cost next to nothing and revive his excitement for dance.

That class started the ball rolling.  Basic Ballet at SCC shifted to adult dance classes at the Dayton Ballet which opened further doors for him.  His teacher and soon-to-be champion, Barbara Pontecorvo, told him that he had good qualities; he was musical with good turn out (and he was a man), but he would have to lose weight and learn technique.  Pontecorvo’s honesty and encouragement pushed him along to work harder.

Photo Credit: Kenny Mosher

Rodney believes it was the feedback, criticism, and encouragement from local dance professionals that kept him in the scene.  Bess Imber was his “catalyst for change,” making him take dance seriously as a career.  DeShona Pepper-Robertson shared with him her great passion and positive spirit to transform lives.  It was meeting these women in the Dayton community – and so many more – that created an atmosphere where he could work and thrive.  That’s what he claims makes Dayton such a special place – the support system available to artists.  He argues that the history of Dayton in the dance world is a “history of legendary performers and teachers” all with reputations that extend beyond Dayton.

With more feedback, he kept getting better.  The success he achieved as a choreographer really enticed him and that became his passion.  He learned he was honestly good when four of his works were performed and recognized at Regional Dance America.  He credits his continued success to the fantastic support structure that exists in Dayton; his work with friends at the Dayton Ballet, Gem City Ballet, DCDC, and other dance organizations have built him into a professional dancer/choreographer.  With a light in his eyes, Rodney says, they “gave to me and they didn’t have to be generous – but they were.”  He is forever grateful for his mentors and teachers; it is because of them that he is excited to give back to his own community through the Blue Sky Project.

His days of clerking for the Department of Transportation are long gone.  Now he teaches at Sinclair (the same college that re-introduced him to dance years ago) and Stivers, acts as the President of the Board of Involvement Advocacy which operates the Blue Sky Artist Residency Program, and he freelances as an artist.  Good work brings about more good work.  Because he was a Blue Sky resident artist in 2009, Rodney has been asked to install exhibits and create other works.  Local boy definitely makes good.

The Blue Sky Project

It’s through Blue Sky that I learned about Rodney’s story.  According to their Web site, Blue Sky is “an artist-centered program committed to producing significant works of contemporary art.”  They provide a communal environment for diverse artists to collaborate with local young people, they use the creative process to teach important lessons to the youth participants, and they build up the Dayton community by contributing to the cultural experience.  Blue Sky is changing the landscape of the Dayton region with their creative and collaborative approach to art making.  Rodney believes in the mission and its benefits for Dayton, stating “if we support individuals in what they’re passionate about, it’s a win-win for the community.”

Photo Credit: Betsie Molinsky

Rodney was a resident artist in 2009, and is so pleased to be involved in the Project again this year.  He gushes about youth participants from last year and the difference the Project has made in their life.  Each year, forty young people have the opportunity to be next to someone making art at a professional level, and those youth get to be actively engaged in the process as artists with ideas that are critiqued, validated, and utilized.  Talking about the kids from 2009, he believes their whole demeanor has changed; they see life in a different way.  And he believes that even if they choose to leave Dayton – they leave with a good story to share, and that story will make outsiders more interested in the region.

But it’s not only the youth participants who benefit; the professional artists from around the world are finding that they can work freely in Dayton.  Artistic collaboration is available and resources can be utilized.  There are so many possibilities available if you only ask.  Giving an example from his own experience, on Thursday, July 22, 2010, Rodney filled the Schuster Center Wintergarden with music, silk and dancers for two spectacular performances.  How in the world was this allowed?  He asked.  And Ken Neufeld, the President and CEO of the Victoria Theatre Association, said yes.  According to Rodney, this type of access isn’t available anywhere else – Dayton is a welcoming arts community.

In the Wintergarden - Photo Credit: Betsie Molinsky

Although the summer residency program is coming to an end, you haven’t missed out yet.  Coming up this weekend is the R U Experienced Final Exhibition; there are three ways to check it out.  How you enjoy it is up to you.  Thursday is a special gala with a ticket price that goes to support the project.  Dress up, meet and greet, and put your money toward this great cause.  Low on cash?  Friday is about hipsters and hanging out and seeing the art during First Friday.  Saturday is a friends and family event; although it’s more intimate, it’s not closed to the public.

In the future, Rodney hopes Blue Sky will expand to a year-round program.  The artists this year love the freedom and collaboration available in Dayton and they really want to come back.  Blue Sky hopes to host them through the year and connect them to what they need.

Future Growth in Dayton

The story could end there.  It was a great conversation about his history and what makes Dayton such a great place for young artists.  But I told you Rodney likes to talk, and our conversation didn’t stop with the good news about his history and the Blue Sky Project.  He also has strong ideas about what might be holding Dayton back.

When talking about the art scene in the region, Rodney calls it “an embarrassment of riches.”  But he fears that the audiences aren’t always “present” to enjoy it.  I asked what he means.  He points out that too often audiences will “stop the experience to beat traffic.”  Too many people don’t live life as it comes– they are always thinking of what comes next.  Rodney sounds like he gets his philosophy from an inspirational poster when he encourages that people should work to live rather than live to work, but you can tell that this is a man who honestly lives by that credo.  Life is about the choices that you make; he asks, “What are you running toward on that treadmill?”

He encourages more artistically-minded people to get involved in civic leadership.  New voices at the table will bring fresh, new ideas.  The myth that artists are too removed from “real people” and aren’t hard workers also must be dispelled.  Rodney says he has learned management and finance through the arts business, and he argues that many artists have the capability to use both sides of their brain for creative project management.  These individuals who bring the artistic “full-mindedness” can help implement the changes our region needs to succeed.  It’s a two-sided challenge; our region’s leadership must value the work done by the artists and call on them for help, and the artists must take up arms to help in the revitalization of the region.

Beyond the individual motivations of audience members and the commitment of artists, Rodney has recommendations for the region.  He wants Dayton to be the city that changes the mindset of middle-class America.  Believing that Dayton is behind the times in relations to many societal norms, Rodney wants to see more people feeling empowered to be themselves.  Rodney argues against what some people call “hometown values,” he says that it’s the region’s antipathy toward gay rights, a pigeon-holing of women, and the expectations that our young people should be on a track to marry and start having children quickly that results in stagnation.  In his opinion, breaking out of this mold can encourage more openness, creation, and progress.

Rodney’s last words of advice for those working to make a difference in the region: affect change for the people in front of you – don’t worry about how many are moved, just be sure that you can move those people as much as possible.  Trust the people around you to work.  Critique and feedback is good – Blind validation is bad.  And finally, he has words for the naysayers in Dayton.  “Change it or get out – find the place that makes you happy.”

Learn more about the BLUE SKY PROJECT here or here.

Tangled Up In Blue

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Following The Bliss Of A Blue Man

The Blue Man Group’s How To Be A Megastar Tour 2.1 can be most easily described as Dr. Suess meets Sousa. What better way to articulate the primitive rhythms that course their way through contorted PVC pipes and other instruments with such eccentric names as the Tubulum, the Drumbone and the Piano Smasher, all the while being played by three earless, cobalt mutes.

The Blue Man Group began as an expressive idea that sprung from the minds of Chris Wink, Matt Goldman and Phil Stanton (collectively known as CMP) while they were working as caterers at Glorious Foods in Manhattan, New York. They donned the now familiar blue grease paint, latex bald caps and black clothing in the late eighties, appearing on the streets in full regalia. Sometimes they meandered sporadically through the city, astoundingly innocent in their observations of their surrounding and the myriad masses of people that walked past, equally astounded by their appearance. Other times were spent mimicking dance moves across the street from hot nightspots sans music. They held a funeral for the Eighties, which prompted a modicum of media exposure.

Eventually, they began performing small routines in The CLUB at LaMama Experimental Theater Club, garnering them a review in the New York Times, by critic Stephen Holden hailing the show as a “deliriously antic blend of music, painting and clowning.” Their short  performances led to The CLUB’s owner, Meryl Vladimer, commissioning the group to create a full length show, which resulted in TUBES. The Blue Man Group’s popularity quickly soared and the show garnered them a Obie Award as well as a Lucille Lortel Award which led the show to be taken to the Astor Place Theater off Broadway in 1991.

Since those early days, the Blue Man Group has become and empire unto itself, breaking through in advertisements, the music industry, stage, theater and movies as well as toy development, a traveling museum exhibit and even a school for children with an emphasis on creative learning processes. Their shows are staples in New York, Chicago, Boston, Orlando and Las Vegas with tours across North America and an international tour that has stops in Stuttgart, Switzerland, Spain, France and Austria. These overlapping shows and venues have compelled the original group to hold massive auditions for talented individuals to become second generation Blue Men (which I will term The Blue Brood 2.0). I set out to speak with one or more of this new Blue Brood 2.0 to see what the whole BMG experience was like.

My first attempt at an interview with the Blue Man Group did not go well at all. The only sounds to be heard on the recording of our “conversation” was my own voice asking astoundingly interesting questions, only to be pelted with marshmallows. Halfway through the tape, one can hear my surprised cries as the trio experimented with the acoustics of my balding pate with a large mallet. They were very courteous hosts, however, as illustrated towards the end of the interview when many Twinkie wrappers can be heard crinkling as they offered me their sole source of sustenance in an act of mute hospitality.

            It was my mistake to attempt to speak with them while they were still in character, so I decided on a different course of action. I contacted BMG’s agent and he set up an interview with Marc Roberts, who was once a criminal justice major before quickly switching to theater performance after seeing the Blue Man Group live. Roberts spent over two years auditioning for the group, eventually being selected from an original open casting of over twenty-five hundred applicants.

J.T.: With a casting call of something like 2,500 other people auditioning, what set you apart from the others and what was the process of getting in there?

Oh my gosh! Well, you know, it was just one of those things where I just went in and I was myself and sometimes the stars align. You just happen to be more you than anyone else, I guess. It’s just one of those things. It’s such an indescribable process, the whole audition process. When people asked me what happened, I have to just tell them what specific events happened, like how it happened. I guess I just kept cool under pressure better than the next guy…I don’t know to tell you the truth. They could have just drawn a name out of a hat.  Either way, I’m happy I’m happy I’m here.

 

J.T.: In your opinion, what’s the biggest difference between the theater shows and the arena tours?

Roberts: The challenge is to try and keep the characters as natural as possible. You know, you want to get out here…I mean, I even had that problem going from off-Broadway, which is only about three hundred seats to Vegas, and then from Vegas to a big arena. There’s an intensity that you want to up just because you want to raise the stakes, but at the same time, you want to keep the integrity true. You don’t want to start “miming”. You don’t want to start indicating to people that, “Hmmm! I’m thinking!” as you’re grabbing your chin or holding your head, because, for the most part, if something’s done honestly, it’s read well. We have a huge advantage with the tour because we have a camera and we have three high def screens behind us, so the subtleties like the eyes and stuff that usually wouldn’t transfer, they will now. I would say the biggest challenge for me, to be completely honest with you, is endurance. It is a tiring show. I mean, I’m out of breath, crying by the end of the show, hawking up paint, grabbing for someone while I’m walking off stage because of cramps. It’s embarrassing. That’s my big challenge right now.

J.T.: How hard is it with the arena shows is it to break through “the fourth wall”: to connect with the audience and bring them into the performance?

Roberts: You know, I think with a rock show, it’s a bit easier because people tend to view a rock show with more involvement. There’s more give and take at a rock concert then there would be at a theater performance. When I was at the Astor in New York, it was pretty ridiculous, because you would get a lot of people that wouldn’t know what to expect and they’d be a bit more apprehensive. They wouldn’t want to be looked at. They wouldn’t want to be touched because they want to go to an evening at the theater. I think here, they’re just begging to be involved. I mean, people just run up to the edge of the stage when I break a stick or (when I drop) a stick into the audience, there’s a mad dash to grab it. There’s people running up, grabbing us, taking photos. If anything, it’s kind of scary! You know, there are still only three of us, no matter how big the audience gets, there’s still just the three of us.

J.T.: Well, I know in the beginning, when Chris, Matt and Phil would have meet and greets after the show, they would break character and actually talk, it kind of freaked people out and kind of blew the illusion.

Marc: Well, they’ve never said that we had to stay in character. They’re huge fans of talking about the show. It’s kind of something that we’ve all agreed upon to not talk because for selfish reasons because the instant you talk, you’re going to get people who just want to quiz you like, “How can I do what you do?” “Where does the paint come from?” tell them secrets about the show, you know, “What’s your real name? What’s your phone number?”…that kind of stuff. Then, it’s always like the one person, I feel the one person that I’m going to make really happy by talking is going to be totally counteracted by the fifty other people in line behind them who just want that magic to keep going. They want to believe, with all of their heart, that I’m a “Blue Man”. They know I’m a person, but for the last two hours, they’ve escaped and they just think that there’s this innocent creature out there who just looks at life differently and it just makes them happy and I just want to keep that going. I just want to say that I’m so happy that you’ve…you know, I get a lot of interviews where people just ask me, “Why blue?” or “How long does the make up take?” This is awesome! You know what you’re talking about and I have to say that I really appreciate this.

J.T.: No problem at all. Actually, I wanted to get into some topics, I guess for my own personal interests, that were a little bit deeper. I’ve always been amazed with the group because they are like the perfect outsiders and there’s a duality within the group that these perfect outsiders have somehow connected with the outsider within all of us and have become so popular, so now, the outsiders are popular.

Marc: Yeah, yeah! It’s kind of like the outsiders become the majority and they’ve now become this paradox of the inside. I totally see that. I was definitely drawn to the first show by the fact that there was absolutely no ego. There was the hero aspect of…I mean…I didn’t know what this was, but I was going to go straight towards this and there’s no fear of failure, no fear of looking like a fool and in that aspect, no matter how ridiculous they look, people will just love it, you know?

J.T.: The groups ability to be funny in such a minimalist way with just eye expressions and slight gestures is just amazing.

Roberts: Oh my gosh, yeah. That’s something they teach us. You let the audience write the funniest story. You know, the more you guide them, the more you tell them what’s funny, the less it will be. You try to set up the framework for the joke and they will write the funny punch line for themselves. When they taught me that, and it made my job so much better.

J.T.: What’s new on the How To Be A The Mega Star Tour 2.1 and what is the set list?

Roberts: The How To Be A Mega Star Tour is like an adapted set list from The Complex Tour. It has the music with the vocals. It has some new stuff and it has a few pieces from the original show that are adapted. I would say, compared to the Vegas show, like 85% to 90% of it’s all new. Don’t be expecting to see too much from the “sit down” shows. One of the great things about being on tour is that it’s an organic experience. With the “sit down” shows, we bring in new stuff every couple of months or every year or so, but the tour is one of those things that they just keep constantly fine-tuning. It’s such an amazing experience to get to be at the front end of all this. You know, you go in and they’re like, “No, no! We’re working on this! We re-wrote this style!”

J.T.: In the beginning, when Chris, Matt and Phil (the creators of BMG) would have meet and greets after the show, they would break character and actually talk, it kind of freaked people out and sort of blew the illusion.

Roberts: Well, they’ve never said that we had to stay in character. They’re huge fans of talking about the show. It’s kind of something that we’ve all agreed upon to not talk because for selfish reasons. I feel the one person that I’m going to make really happy by talking is going to be totally counteracted by the fifty other people in line behind them who just want that magic to keep going. They want to believe, with all of their heart, that I’m a “Blue Man”. They know I’m a person, but for the last two hours, they’ve escaped and they just think that there’s this innocent creature out there who just looks at life differently and it just makes them happy and I just want to keep that going.

J.T.: Is there a fun aspect to the anonymity to it?

Roberts: Oh my gosh! I absolutely love…one of my favorite things stories is, I did this show in Vegas and afterward, I was cleaned up and left, and usually it takes about thirty to forty-five minutes to take the make-up off and take a shower and we talk about the show every single night. So, I’m leaving, walking through the casino this time, and I see a girl that was in the show with me (who was) a featured guest. In the meet and greet, we sign (autographs) by giving kisses and she happened to ask for one on the cheek. I never say no and I’m always willing to go with it on genuine emotion, so I give her a peck on the cheek. Well, I saw her afterward with all her friends and I just wanted to hear what she would say, so I stop and was eavesdropping and she caught me! She gave me this look, like, “Get away from me you weirdo!” and I’m laughing to myself because part of me wanted to be like, “You do realize that I was with you.” but I didn’t want to ruin it. I didn’t want to make her experience become real, as much as it was a fantasy. As much as it was that experience, I didn’t want to then put my face with it and get her weirded out, you know. So, I absolutely love that aspect. I get to put the mask of a “super star” on. I get to put that mask on, but I’m not that…I’m still just Marc Roberts.

There is an idiosyncratic, paradoxical dualism to the Blue Man Group. These utilitarian homologues are the perfect outsiders that, through their naïve view of the world and their use of subtle gestures and bombastic rhythms, reveal to us the underlying complexities that make us truly human, thereby making the perfect outsiders one of the most wildly popular acts in the world. Even within their own small group of three, one of the members can, from time to time, become an outsider themselves by reacting differently then their abnormal norm.

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