Human Race Theatre Company

‘The Full Monty’ Review – Human Race Theatre Company – Measure of a Man

September 14, 2015 By Russell Florence, Jr.

Pictured (left to right): Richard E. Waits, Matt Welsh, Josh Kenney, Christopher deProphetis, Matt Kopec and Jamie Cordes.

Skin is in at the Loft Theatre. But if seeing a bunch of guys in their undies is the only reason you’re tempted to check out the Human Race Theatre Company’s delightful production of composer David Yazbek and librettist Terrence McNally’s outstanding Tony Award-nominated 2000 musical comedy “The Full Monty” you’ll miss out on the compelling facets that propelled it as one of the finest, relevant and heartwarming musicals of the last decade.
Set in blue-collar Buffalo and based on the 1997 Academy Award-winning British film of the same name, “The Full Monty,” unlike any contemporary musical, skillfully addresses the agony, worry, shame, and disappointment men face when stripped of their livelihoods. Without a job, without a sense of purpose to provide for themselves and their families, what are men to do? Should they pound the pavement hoping something better comes along all the while knowing hope doesn’t equal money? Should they take a job they view as menial just to please their spouse? Should they simply give up? And greater still, what do men become when they’re perceived as lesser? The six insecure, unemployed men at the center of this relatable tale truly bare all for a quick buck a la the Chippendales, but in doing so, and whether it’s the right or wrong decision, they ultimately regain their self-confidence and a clearer understanding of the value of teamwork, which, in this case, helps repair marriages and fuels newfound love.

(left to right): Matt Welsh, Matt Kopec, Josh Kenney, Christopher deProphetis, Jamie Cordes and Richard E. Waits.

This season opener entertains under the crisp, character-conscious direction of Joe Deer, recently inducted into the Dayton Theatre Hall of Fame. Making good use of the Loft’s immersive capabilities and the sizable space in front of the turntable, Deer delicately balances the humor and seriousness of the material but doesn’t forget the show is a comedy at its core even when it stings. He also coaxes solid performances from a uniquely diverse and funny sextet. In the lead role of divorced dad Jerry Lukowski, Christopher DeProphetis dives admirably into Jerry’s desperation and determination to fight for custody of his son no matter the cost, particularly in the rousing anthem “Man.” As Jerry’s chunky best friend Dave Bukatinsky, the very natural, grounded Matt Welsh is a terrific sidekick prone for comic relief but also strong introspectively. As Jerry’s former boss Harold Nichols, Jamie Cordes humorously conveys an uptight persona in a gutsy departure from past roles. Muse Machine alum Matt Kopec, excellently sensitive as suicidal loner Malcolm MacGregor, supplies a beautiful rendition of the poignant ballad “You Walk With Me” ably assisted by Josh Kenney, a lighthearted bundle of excitable, goofy energy as oddball Ethan Girard. As the elderly, colorful Noah “Horse” T. Simmons, crowd-pleaser Richard E. Waits nearly steals the show proclaiming the joys of being a “Big Black Man.”

Pictured (left to right): Christopher deProphetis, Jamie Cordes, Matt Welsh, Josh Kenney, Richard E. Waits, Matt Kopec and Deb Colvin-Tener.

Elsewhere, Deb Colvin-Tener is a feisty, feel-good support system as rehearsal pianist Jeanette Burmeister, an old-timer who helps Jerry and his cohorts (dubbed Hot Metal) with their clunky routines. Jillian Jarrett is a sensible, tender presence as Pam, Jerry’s ex-wife. Leslie Goddard, a fabulous Agnes Gooch in the Race’s production of “Mame” last season, winningly returns as Dave’s rowdy wife Georgie particularly leading the spirited “It’s a Woman’s World.” Sonia Perez, as Harold’s materialistic wife Vicki, brings spice and energy to “Life With Harold,” and joins forces with Goddard for a lovely reprise of “You Rule My World.” A fearless Richard Jarrett opens the show with sexual gusto as professional stripper Keno. The fine cast also features Peanut Edmonson as Jerry’s son Nathan, Scott Hunt as Pam’s boyfriend Teddy, Scott Stoney as Reg, Andréa Morales as Estelle/Molly MacGregor, Gina Handy as Joanie, Tracey L. Bonner as Susan, Adam Soniak as Marty, and Cassi Mikat as the swing.

Choreographer Dionysia Williams, a Wright State University graduate and BalletMet Dance Academy faculty member, offers flavorful, character-specific movement, especially in “Big Black Man,” “Michael Jordan’s Ball,” “The Goods,” and exuberant finale “Let It Go.” Scenic designer Dick Block’s terrifically multipurpose set convincingly establishes a variety of locales. Costumer Janet G. Powell’s choices suitably reflect casual, everyday attire. John Rensel’s expert lighting is heightened to good use in the enticing, teasing final seconds. Musical director Sean Michael Flowers’ offstage, seven-member orchestra makes Yazbek’s sublime music sizzle but is unbalanced and occasionally overpowers the cast, perhaps a reflection of Jay Brunner’s surprisingly iffy sound design.

“The Full Monty” spotlights the camaraderie of a distinct group of men uniting for a common goal but their life-changing journey will have you feeling just as liberated and uplifted.

HRTC-MONTY-prod-5.jpg Pictured (left to right): Tracey L. Bonner, Gina Handy, Leslie Goddard and Andréa Morales.

“The Full Monty” continues through Oct. 4 at the Human Race Theatre Company’s Loft Theatre inside the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Tuesdays at 7 p.m., Wednesdays-Saturdays at 8 p.m., and Sundays at 2 and 7 p.m. Act One: 85 minutes; Act Two: 65 minutes. Tickets are $20-$40 but discounts are available. Patrons are advised the show, intended for mature audiences, contains adult language and themes as well as a bit of full frontal male nudity. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.humanracetheatre.org

‘Taking Shakespeare’ Review – Human Race Theatre Company – You Have To Be Carefully Taught

April 24, 2015 By Russell Florence, Jr.

The incredibly testy, life-changing relationship between a disheartened Shakespeare professor and her unmotivated student drives the humor and poignancy of John Murrell’s intimate, relatable two-hander “Taking Shakespeare,” a highlight of Canada’s 2013 Stratford Festival currently receiving a terrific Midwest premiere at the Loft Theatre courtesy of the Human Race Theatre Company.
Set in a non-descript town on the ground floor of an old house, attractively realized with disheveled, lived-in finesse by designer Dan Gray, “Taking Shakespeare,” delicately directed with atmospheric acuteness by Shakespeare devotee Aaron Vega, is primarily fueled by a very impressive cast, certainly one of the best assembled on the Loft stage this season. Johanna Leister as the seasoned, critical and concerned Prof and Jon Kovach as 24-year-old slacker Murph are a marvelously well-matched duo, meticulously, and at times, breathtakingly uncovering the beauty, mystery, rage, and significance of “Othello,” one of the Bard’s deepest, most complex plays, without forgetting the importance of connection and the subtlety of executing scenes with realistic impulses.

Johanna Leister and Jon Kovach in The Human Race Theatre Company’s production of Taking Shakespeare. Photo courtesy of Scott J. Kimmins.

Over the course of five strenuous, enlightening weeks (lighting designer John Rensel and sound designer Jay Brunner expertly mark the moody passage of time), Prof educates Murph on the Bard’s fascinating intricacies while also revealing truths behind the politics and professionalism of academia. The stern yet droll Leister, sustaining a wonderfully agitated discontentedness, dynamically engrosses. In fact, she is specifically mesmerizing in the dramatic moments which stir emotions. In addition to bringing power and vulnerability to Prof’s reflections on her upbringing and a serious crush that left an indelible imprint which hasn’t subsided, she masterfully interprets Shakespeare’s challenging, illuminating language. Trust me, when Leister steps into Othello’s shoes late in Act 1, a pulsating moment of epiphany for Prof and Murph, the descriptive passage “Villain, be sure thou prove my love a whore. Be sure of it. Give me the ocular proof…” will linger in the recesses of your mind. By and large, don’t be shocked if the drive and fervor within her tremendous portrayal conjures memories of one of your memorable, unabashedly passionate teachers and the invaluable lessons learned.
Likewise, Kovach, returning to the Race following a 2012 appearance in “Band Geeks!,” is equally captivating. His perfectly awkward, nonchalant aura strikingly dissipates as Murph, attempting to regain some inkling of goal-driven maturity having particularly disappointed his mother, one of Prof’s former students, advances to a better understanding of the Bard’s intentions. Due to the magnetic credibility of Kovach’s excitable evolution, it’s easy to root for Murph’s success and his future potential, particularly as he grows more confident in his textual debates with Prof and gets to the heart of what “Othello” truly means not only on the page but within his soul.
“Taking Shakespeare,” a reminder that the Bard’s legacy extends far beyond his use of iambic pentameter, would have flowed better as a one-act and has an ambiguously forced conclusion, but it’s easily one of the most absorbing, pleasantly surprising new plays you’re likely to see this spring.

“Taking Shakespeare” continues through May 3 in the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesday-Saturday at 8 p.m., Tuesday at 7 p.m.; Sunday at 2 p.m. Act 1: 65 minutes; Act 2: 35 minutes. Tickets are $35-$45, but discounts are available. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org.

Ticket Contest

DMM has 2 pairs of tickets to giveaway for some lucky winner to see this show. Like and share this post and fill out the entry below to enter our random drawing. Feel free to leave a comment below to convince the judges to pick you. We’ll name a winner Sunday night. [form 55 “DMM Contest Entry – Generic”]

‘Family Shots’ Review – Human Race Theatre Company – Matters of the Heart

January 26, 2015 By Russell Florence, Jr.

Pictured (left to right): Randy Brooks, Corbin Bleu and Colleen Zenk. Photo by Scott J. Kimmins.

Inside a suburban New Jersey hospital, the Baker family has come undone. Crisis brings them together, but what will keep them together? Playwright Michael Slade provides clues with wonderfully relatable authenticity and astute, unresolved ambiguity in his new original play “Family Shots,” an excellent, touching comic drama superbly presented in its world premiere at the Loft Theatre courtesy of the Human Race Theatre Company.

Recalling Nicky Silver’s comedy “The Lyons” coupled with the quiet sophisticated intimacy of Richard Greenberg (“Three Days of Rain”), “Family Shots,” deftly helmed by Race producing artistic director Kevin Moore, concerns the heart health of patriarch Sam (Randy Brooks), a plastics entrepreneur and frequent tennis player whose seemingly fit body has been driven to the breaking point due to Viagra. Sam’s fussy, self-absorbed wife Marsha (Colleen Zenk) and concerned, devoted son Aaron (Corbin Bleu) try to make sense of it all, but the unexpected quality time they now share and prize with Sam eventually opens old wounds.

Slade, in a refreshing departure from his dark, disturbing and polarizing dramas “Under a Red Moon” and “Gingerbread Children” previously presented by the Race, impressively turns his attention to more interesting, engaging themes of marriage and commitment. Sam and Marsha have been together 40 years. Aaron has only been married one year to retail salesman Malcolm Harrison (Adam Halpin). Creating two colorfully complex and contrasting relationships, particularly Aaron and Malcolm’s deteriorating journey involving the dangers of fiscal irresponsibility and casual flirting, gives Slade many avenues to explore that are ripe for compelling drama, especially since the action transpires in the uncomfortable confines of a hospital thereby fueling the need for venting emotions. It’s fascinating how Sam and Marsha have been rattled by too much love while Aaron and Malcolm, who believed they were ready for marriage, cope with the regret of not having loved enough. By and large, Aaron and Malcolm’s arc particularly contains some of the finest morsels of contemporary playwrighting you’ll find right now on a regional theater or NYC stage.

Pictured: Corbin Bleu and Colleen Zenk. Photo by Scott J. Kimmins.

Bleu, who starred as energetic sidekick Chad Danforth in Disney’s megahit “High School Musical,” brings striking confidence and genuine warmth to the conflicted Aaron, a talented photographer humble enough to accept unglamorous assignments as he awaits a breakthrough. When it is revealed that Aaron’s sexuality troubled Marsha years ago and continues to bother his homophobic sister-in-law, who apparently keeps his brother from visiting even during a family emergency, Bleu expressively connects with anger, hurt and dismay. Overall, without resorting to flashiness or melodrama, he delivers a terrifically sharp, effortlessly magnetic performance solidifying his mature evolution as one of the most skilled actors of his generation.

Zenk, a three-time Emmy nominee as villainous Barbara Ryan on “As the World Turns,” is a flustered, worrisome joy brilliantly conveying the nervous agitation derived from accepting and embracing the unknown. In addition to marvelously describing the peculiar noises that arise when living alone in silence, Zenk never fails to reiterate the love Marsha feels for Sam in spite of their disagreements. It is apparent Marsha’s fragile world would surely crumble if she didn’t have her husband, her favorite travel companion and close confidant, by her side.

The remarkably understated Brooks, a TV and film veteran, is an amiable, comical source of stability amid instability. He is well aware of how vital it is for Sam to be grounded as a mediator as commotion swells around him. Brooks is basically confined to a bed throughout, but his down-to-earth presence and plain spoken insightfulness appealingly resonates.

Pictured: Corbin Bleu and Randy Brooks. Photo by Scott J. Kimmins.

Featured players Halpin, Arash Mokhtar as Sam’s cardiologist Dr. Patel, and Annie Pesch as Sam’s nurse Joyce truly shine. Compatible with Bleu and very strong opposite Brooks, Halpin delicately uncovers the disappointment and frustration dwelling underneath Malcolm’s chipper, materialistic Bergdorf Goodman façade. Mokhtar brings a gentle aura of suave charisma to Patel, who is attracted to Aaron but remains entirely professional. One of the play’s singular moments involves Patel and Malcolm examining Aaron’s photographs from opposite ends of Sam’s room fully aware of how much they adore the artist and his art. Pesch, in an earnestly kindhearted role reminiscent of Vivian Bearing’s dutiful nurse Susie Monahan in “Wit,” greatly supports Brooks with encouraging verve and sensitivity.
This stellar production, the best Race offering thus far this season, is expertly accented by Scott J. Kimmins’ efficient, revolving scenic design incorporating three platforms and two large walls beautifully showcasing photos at the conclusion of every scene, costumer Janet G. Powell’s fashionably modern attire, John Rensel’s proficient lighting, Nathan D. Dean’s first-rate sound design, and Sean Michael Flowers’ satisfying incidental music.

“Sometimes you have to talk. Sometimes you have to listen.” Sam’s important advice serves as the universal foundation for any productive relationship, any productive family. In order to grow closer, in order to be more understanding and forgiving of each other’s faults and imperfections, relationships must value correct communication. The road ahead for the Bakers will not be easy, but as long as there is love there is hope.

“Family Shots” continues through Feb. 8 at the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesdays-Saturdays at 8 p.m., Tuesdays at 7 p.m., and Sundays at 2 p.m. The play is performed in 90 minutes without intermission. Tickets are $17.50-$45. Call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org.

Soap Star Colleen Zenk Comes To Town To Star in Human Race’s Family Shots Ticket Giveaway

January 13, 2015 By Nikki Nett

From the time I was born, the CBS Soap Operas have been part of my life. My grandmother watched faithfully, a trait passed along to my mother. While I still check in from time to time on Y&R and B&B, my favorite memories are of rushing home after school to see the last half of As The World Turns followed by Guiding Light. Both shows were full of characters that kept me transfixed while learning about subjects I shouldn’t in elementary school, to navigating the awkward teen years. One of my favorite characters was “Barbara Ryan” from As The World Turns.

Barbara was played by the fantastic Colleen Zenk. She was always sassy, sometimes vulnerable, manipulative, and from time to time genuinely nice (thanks, Hal). A quick search on Wikipedia sums her character up best:

Barbara Ryan is portrayed as a heroine who experienced many tragedies, mostly at the hands of her controlling ex-husband, the villainous “James Stenbeck” .

Over her 32 years on the show, Barbara has been shot through the heart, nearly gored by a bull in Spain, kidnapped 15 times, married nine times, burned in a chemical explosion and jumped out of a three-story window.

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The cast of The Human Race Theatre Company’s world premiere production of FAMILY SHOTS. Photo courtesy of Scott J. Kimmins

Beginning on January 22 and running through February 8, Colleen Zenk, along with Corbin Bleu and Randy Brooks will be starring in Family Shots for The Human Race Theatre Company. The description from the Human Race Theatre’s website gives some insight to what the play is about:

Charming family patriarch Sam Baker lies in a hospital bed, recovering from an apparent heart attack, but his wife, Marsha, won’t stop making the crisis all about her—much to the dismay of their son, Aaron. The young photographer wonders why his parents even stay together while he and his husband, Malcolm, deal with their own issues as newlyweds. Intimate, yet universal, Michael Slade’s latest play is a wildly funny and touching comedy about marriage—its joys, challenges and responsibilities—and what’s worth fighting for.

I see some similarities in Colleen Zenk’s character, Marsha, and the one she’s best known for, Barbara Ryan, so I had to ask myself…

What Would Barbara Ryan Do In Dayton?

Full disclosure: I am obsessed with the smokey eye. Fortunately, as an adult, I have perfected it, but that hasn’t always been the case. Inspired by Babs, the queen of eyeliner, there was “The Barbara Incident of Fourth Grade”. I can trace my makeup obsession to this day, as a child, trying to emulate a soap opera character. Hey, there’s no shame in my game. Naturally, Barbara would need to look fabulous, so I can only imagine that she would begin with a treasure trove of goodies from Preen Apothecary. Once nestled in Oakwood, they have now moved to a special new place near Carrillon Park. I am excited to check out their new digs, and of course, stock up on eyeliner and mascara.

Having been married MULTIPLE times, one can guess that Barbara spends a LOT of time with her attorneys. Seeing as how there is a large concentration of lawyers near the court buildings, she’d naturally be downtown quite a bit, right? Depositions would require a caffeine boost from Boston Stoker across from the Schuster Center and she may take a lunch break at Citilites.

After a long day of trying to be un-married again from her psycho husband James, she would be in desperate need of a drink. The obvious choice would be to head to Salar for one of their hand crafted cocktails, before meeting girlfriends (she actually did have a couple friends) at the Oakwood Club.

Barbara would naturally be drawn to the vibrant arts district we have downtown, so it’s only logical to think that she’d end her busy day by taking in a play. Perhaps at the Human Race Theatre Company? Obviously. We want you to be able to join the fun, so make sure you read below for our ticket giveaway!

Corbin Bleu

This has been a fun and wordy way to let you know I’m excited to check out Family Shots and see Colleen Zenk bring her famous sass to her character, Marsha. This is sure to be a great run, and one you won’t want to miss! By the way, I should probably mention that Corbin Bleu of High School Musical fame also has a starring role. That’s right, “Chad Danforth” right here in Dayton. Let the fangirling commence.

DMM Ticket Giveaway:

For your chance to win a pair of tickets to see Family Shots, just fill out the form below and tell us in the comments below where you’d take Barbara Ryan if you were going to show her around Dayton. We’ll post our winner here on the evening of Thursday, Jan 14th. [form 55 “DMM Contest Entry – Generic”]

‘Mame’ Review – Human Race Theatre Company – Live, Laugh, Love

November 5, 2014 By Russell Florence, Jr.

Lisa Ann Goldsmith and Peanut Edmonson in the Human Race Theatre Company’s production of “Mame” (Contributed photo by Scott J. Kimmins)

The Human Race Theatre Company’s warmly intimate production of Jerry Herman, Jerome Lawrence and Robert E. Lee’s endearing and splendidly tuneful 1966 musical “Mame” has a lot of heart but lacks pizzazz at its core.
Based on Lawrence and Lee’s 1956 play “Auntie Mame,” adapted from Patrick Dennis’ 1955 novel of the same name, “Mame” chronicles nearly 20 years in the life of Mame Dennis, a lively, eccentric socialite who throws lavish soirees in her posh Beekman Place apartment no matter the occasion. In 1928, Mame’s unrestrained, attention-seeking existence quickly changes when she becomes the guardian of her timid, sheltered 10-year-old nephew Patrick. As Mame energetically shows Patrick just how eye-opening life can be within colorful Manhattan, an education thriving in the unconventional sense, their tender, loving bond grows stronger even as the ensuing years bring its share of hardships, sorrow, misunderstanding, and disappointment.

Lisa Ann Goldsmith and the cast of Mame. Photo courtesy of Scott J. Kimmins.

As the flashy, larger-than-life Mame, one of the juiciest roles in the musical theater canon, Lisa Ann Goldsmith, previously known at the Human Race for roles in “Macbeth” and “Torch Song Trilogy,” adopts a gentler, subdued and mildly coy approach that feels off-kilter to the jubilant spirit of the brassy material. Mame is fashioned to be an earthy, outspoken and flamboyant center of the universe, but Goldsmith embodies the role as a woman second guessing her extravagant flair rather than a woman completely confident in her own skin. As so, her musical numbers, intended to illuminate Mame’s vivacious electricity, are short on vim and verve. The cheerful vigor and excitement pulsating throughout Herman’s dandy score (“It’s Today,” “Open a New Window,” “We Need a Little Christmas,” “That’s How Young I Feel”) just doesn’t credibly land in her hands which deflates momentum despite assistance from the vocally strong ensemble. Even Mame’s signature torch song “If He Walked Into My Life” startlingly comes and goes as if its mere filler rather than the full-throttle, show-stopping epiphany it was written to be. Goldsmith, stunning in costumer Christie Peitzmeier’s stylish outfits, is comfortable in the book scenes that allow her ample time to mold the nuances of her characterization opposite the earnestly sweet Peanut Edmonson as young Patrick, but her musical numbers, the lifeblood of the show, are not equally assured.
Still, there is consistent, grounded work elsewhere under the fluidly fast-paced and atmospheric direction of producing artistic director Kevin Moore, who astutely conceptualizes the show as a portal into Patrick’s memory and effortlessly scales down its traditionally large framework to incorporate a 20-member cast. Leslie Goddard is outstanding as goofy secretary Agnes Gooch, particularly as Agnes attempts to embrace life to the fullest with great consequence. Torie Wiggins, in a refreshing dose of non-traditional casting, is a real comedic find as prominent theater actress Vera Charles, Mame’s boozy best friend. Jamie Cordes is the epitome of a true Southern gentleman as the wealthy Beauregard Jackson Pickett Burnside, Mame’s husband. Zack Steele supplies charisma and conviction as the adult Patrick although he struggles vocally in his upper register. Annie Pesch (Ito), Scott Stoney (Dwight Babcock), Robb Willoughby (M. Lindsay Woolsey), Marya Spring (Sally Cato), Sherri L. Sutter (Mother Burnside), Sarah Naughton (Gloria Upson), Darrin Murrell (Mr. Upson), Layan Elwazani (Pegeen Ryan), Shavey Brown (Ralph Devine), Cooper Taggard (Gregor), and Michael McCrary (Junior Babcock) solidly perform in flavorful featured roles. Fierce, attractive couple Sarah Agar and Adam Soniak, attacking Katie Johannigman’s sharp choreography as if auditioning to become a part of next season’s “Dancing with the Stars” troupe, exhibit dazzling finesse as a pair of steamy ballroom dancers in “Open a New Window.”

Peanut Edmonson and Lisa Ann Goldsmith in Mame, photo by Scott J. Kimmins.

Additionally, Dick Block’s terrific set features a revolving layout for Mame’s apartment as well as large, colorful postcard backdrops. John Rensel’s expert lighting heightens various locales from the coziness of Mame’s bedroom to the Shubert Theater stage in New Haven, Connecticut. Musical director John Faas, a Herman aficionado, leads a well-balanced and peppy seven-member off-stage orchestra.
Captivating joy has always been a primary component to the success of Herman’s most beloved musicals. Whether it’s a matchmaker descending a staircase to the delight of admiring waiters or the euphoric empowerment shared between drag queens, Herman’s sunny, feel-good repertoire absolutely uplifts the spirit. In order for the inherent joy within “Mame” to shine with credible magnetism this production needs to dig deeper.

“Mame” continues through Nov. 23 at the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesday-Saturday evenings at 8 p.m., Sunday and Tuesday evenings at 7 p.m., and Sunday matinees at 2 p.m. Act One: 80 minutes; Act Two: 65 minutes. Tickets are $40-$50. Prices vary depending on performance date. Discounts are also available. Call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org

DMM Ticket Giveaway

If you’d like a chance to win a pair of tickets to see this classic show, just like this post, fill out the form below and leave a comment about why we should pick you as a ticket winner! We’ll announce our winner late night on Thurs, Nov 6th.

Thanks to all who entered! Congrats to Doug Kershner, Renee Reed and Diane Carter, our ticket winners!

ShakesBeer: A Double Dose of Craft

September 29, 2014 By Megan Cooper

Question:

What is ShakesBeer?

A) A casual mix and mingle for downtown residents and employees.

B) A fun way to enjoy Shakespeare’s Othello through a modern (and much shortened!) production.

C) An opportunity to go behind-the-scenes at one of Dayton’s local craft breweries.

Answer:

All of the above!

Dayton Metro Library is hosting a free after-work networking event on Thursday, October 9 at the Main Library (215 E. Third Street, Dayton) with a double dose of craft.

First up: Enjoy the craft of acting from The Human Race Theatre Company as they perform a shortened and modern version of Shakespeare’s Othello (40 minutes of tweets and deceit) at the Main Library in Downtown Dayton. Then: Head across the street to Warped Wing to enjoy craft beer. Take a tour, take home a special pint glass (first 50 attendees), and enjoy locally-brewed beer available for purchase.

Don’t miss this free event for your opportunity to mix and mingle with other downtown residents and employees in a casual and quick ShakesBeerian adventure.

What’s on tap?

4:30 p.m. – Mix and mingle with fellow downtowners at the Library while you peruse the diverse items from the ShakesBeer collection: plays, modern movie remakes, home brew how-tos, great soundtracks, best brewery guides and more.

5 p.m. – Showtime! The Human Race Theatre Company presents their original production #othello. Adapted and directed by Aaron Vega. All the knavery of this classic tragedy fits into a fast-paced 40 minutes.

5:45 p.m. – As the show wraps, actors will be available for questions and comments about how plays translate from the page to the stage, and you’ll get a behind-the-scenes look at the fine craft of acting.

6 p.m. – We got our Shakes in, now for the Beer. Head across the street as Warped Wing offers a tour of the craft brewery to see behind-the-scenes magic. First 50 attendees to hand in their ticket will take home a free pint glass!

The Human Race Goes Country with PLAY IT BY HEART Ticket Contest

June 6, 2014 By Dayton Most Metro 6 Comments

The Human Race Theatre Company wraps up its 27th season with a long-awaited four-week run of the country musical Play It by Heart. This fully produced regional premiere is the culmination of a four-year collaboration with The Human Race that began with a residency for the writers in 2009 and a reading in the theatre’s summer 2010 Musical Theatre Workshops program. An early version of the musical premiere at Village Theatre in Washington state in 2005.

Composer/lyricist David Spangler brought the script to the attention of Producing Artistic Director Kevin Moore. “After their production at Village, the writers all went off to work on other projects,” says Moore. “Brian had this little show brewing called Next to Normal. In 2006, we workshopped the musical Nefertiti that David had written with Rick Gore. He and I stayed in touch, and in 2009 he told me about Play It by Heart, and that the writers all wanted to get back to it. I read it, listened to the songs and was hooked.”

The 2010 workshop proved to be a hit. “Our audiences loved it,” exclaims Moore. “Over and over I heard, ‘I’m usually not a country music fan, but I really liked this music and this show.’ It’s a universal story that speaks volumes about family and forgiveness—something that resonates with everyone.” He also praises the score for its potential for mass appeal. “It’s filled with so many ‘radio-worthy’ songs. I wouldn’t be surprised if we hear some of them on the airwaves soon.”

ABOUT PLAY IT BY HEART

It’s the passing of the torch in a country music dynasty as superstar Jeannine Jasper’s long career draws to a close. The changing world of the music industry is about to thrust her little sister, Jamie Lynn, into the spotlight. When an old flame comes calling, Jeannine envisions a quiet life offstage, but Jamie Lynn’s wild ways may cut short her time on top. Stage mother Naomi tries to keep control of her daughters until a scandalous secret comes to light and threatens to tear them apart. A musical about heartbreak and healing, this regional premiere comes alive with an exciting original score filled with new songs from the Nashville Sound to New Country by David Spangler, Jerry Taylor and R.T. Robinson and a book by Pulitzer Prize and Tony Award^® winner Brian Yorkey (If/Then, Next to Normal, upcoming The Last Ship).

Tickets for the preview performance of Play It by Heart on June 12 are $25 – $40. For all performances June 13 – July 6, tickets are $25 – $50, depending on availability, seating location and the day of the week desired. Student tickets are half price with valid ID. Group discounts are available for parties of 10 or more. All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Tickets and performance information on Play It by Heart are available at www.humanracetheatre.org or at Ticket Center Stage.

DMM Ticket Contest:

We’ve got 2 pairs of tickets to give away for Play It By Heart to our MostMetro.com readers. Just like and share this post and fill out the form below to be entered in our drawing. Of course a comment below of why you should win always goes a long way to sway the judges! 🙂

Ticket contest is now closed. Congratulations to our winners Kate Good & Rob Strobel!

Coming up in Dayton theatre, 11/7-11/17

November 7, 2013 By Sarah Caplan 1 Comment

Welcome back again, theatre lovers! What do we have to tempt you this week?

Closing This Weekend

Oklahoma!

The Skinny: It’s the turn of the century, and the Oklahoma territory is on the cusp of statehood. There are farmers, their daughters, cow-men and their mounts in this beloved musical extravaganza.

Dates: Oklahoma closes this weekend, 11/10.

Tickets: Please visit the Wright State University Theatre department website here.

Opening This Weekend!

Oedipus Rex

Springfield Stage Works

The Skinny: Oedipus is abandoned after his father hears a prophecy that he is to kill his father and marry his mother. Oedipus is adopted and later hears that same prophecy, and goes in search for the truth. Hijinks do not, in this play, ensue.

Dates: Oedipus opens this weekend and closes next weekend.

Tickets: Please visit the Springfield Stage Works site, www.springfieldstageworks.org

Currently In Production

Fiddler On The Roof

The Human Race Theatre Company

The Skinny: In the early part of the 20th century, the inhabitants of the shtetl of Anatevka, including Tevye and his 5 daughters, must contest with how Russia’s sweeping changes will effect their daily lives.

Dates:

Tickets: Please visit the Human Race Theatre Company website at www.humanracetheatre.org

9 to 5

Playhouse South

The Skinny: A musical workplace-revenge fantasy, based on the 1980 comedy movie.

Dates: 9 to 5 runs this weekend and next, closing Saturday, 11/16.

Tickets: Please call (888) 262-3792.

Opening Next Weekend

Over The River And Through The Woods

Brookville Community Theatre

The Skinny: Nick is a family-dedicated Jersey boy who has to tell his family he’s moving to follow his dream job. Out of town.

Dates: Over The River opens the 14th and runs through the 24th.

Tickets: Please call the Brookville Floral Shop at 937-833-6790.

8th Annual LGBT Film Festival – The Full Line-Up & Visiting Filmmaker News!

October 5, 2013 By Jonathan McNeal Leave a Comment

Festival Passes have sold out, but single tickets remain for The 8th Annual Dayton LGBT Film Festival – scheduled for Oct. 11, 12 & 13 at THE NEON in Downtown Dayton.

The exciting weekend will kick off on Friday, October 11 at 7:30 with G.B.F. – sponsored by Square One Salon & Spa. From the maker of JAWBREAKER comes another hysterical satire of high school clique culture – this time focusing on the latest fashion accessory – the G.B.F. (Gay Best Friend). Attendees will be invited to the Opening Night Party at CADC on the corner of East 4th and St. Clair – where they’ll be greeted with complimentary appetizers from Roost Modern Italian and live music by Sandy & Michael Bashaw. The opening night party is sponsored by Sue Spiegel and Lisa Hanauer.

[yframe url=’http://www.youtube.com/watch?v=Z6DJSGrfNbk’]

On Saturday, the films will continue at 1:00 with BRIDEGROOM – sponsored by PFLAG Dayton. This touching documentary recounts a romance between a young couple…and how one man was forbidden from attending the funeral of his lover. (This documentary started as a youtube video called “It Could Happen To You” – which has attracted close to 4 million viewers.)

[yframe url=’http://www.youtube.com/watch?v=7lhsXr2jbkg’]

Always a festival favorite, at 3:00, TOP DRAWER SHORTS will showcase the latest and best in short films from across the country and around the world. This program is sponsored by The Human Race Theatre Company’s production of “Torch Song Trilogy.” Below is the trailer for DIK.

[yframe url=’http://www.youtube.com/watch?v=ry1wypccGQg’]

REACHING FOR THE MOON, a beautiful period piece, chronicles the long-lasting love affair between poet Elizabeth Bishop and architect Lota de Macedo Soares. This film has won numerous audience awards and has played at prestigious film festivals around the world. It is sponsored by The Greater Dayton LGBT Center and starts at 7:15 on Saturday evening.

[yframe url=’http://www.youtube.com/watch?v=27YqB_UZ9u8′]

Later on Saturday night, the festival will play a fresh and fun documentary about the cult legend and John Waters favorite – I AM DIVINE. Sponsored by MJ’s Café & Johnny, this film will begin at 9:45.

[yframe url=’http://www.youtube.com/watch?v=sJqw0hTAhXY’]

On Sunday afternoon, the festival will continue with THE NEW BLACK at 3:00. This film, sponsored by The Miami Valley Fair Housing Association, tells the story of how the African-American community is grappling with the gay rights issue in light of the recent gay marriage movement and the fight over civil rights…and it has a local connection. Steve Bognar of Yellow Springs shot a portion of this film!

[yframe url=’http://www.youtube.com/watch?v=GX4XiTSuuF0′]

The closing film – THE HAPPY SAD – will screen on Sunday, October 13 at 5:15. In the age of polyamory and blurred lines of sexuality, what really makes for a happy relationship? Two young couples in New York – one black and gay, one white and heterosexual – find themselves intertwined as they create new relationship norms, explore sexual identity, and redefine monogamy in this captivating new film directed by Rodney Evens (Brother to Brother). Sponsored by Marion’s Piazza, this wonderful film has been playing at film festivals all summer.

[yframe url=’http://www.youtube.com/watch?v=Pmb5_S_DNmI’]

In addition to a line-up of critically acclaimed new films from across the country and around the world, this year’s movie-goers will be treated introductions and Q&A’s from at least two visiting filmmakers.

Darren Stein, director of the Opening Night Film G.B.F., will be flying in from Los Angeles. Last week, G.B.F. screened in Atlanta, and he’ll be off to Austin after the Dayton premiere. In addition to film and television work in California, one of Stein’s well-known films, JAWBREAKER, is currently being turned into a musical in NYC.

Guy Shalem, the award-winning director of the short film SOMETHING REAL, will also attend the festival. SOMETHING REAL is a celebrity packed short with a musical twist about today’s contemporary bar scene. The film marks Shalem’s first collaboration with Tony award winning composer and lyricist Jeff Marx (AVENUE Q) and 5-time Grammy-award winning producer, composer and lyricist, Mervyn Warren. Shalem has heard great things about the film community in Dayton, and he’s excited to get to town.

The Dayton LGBT Film Festival wishes to extend a special thanks to AIDS Resource Center Ohio for their sponsorship and assistance in bringing these filmmakers to town. Additional sponsors include Ken Byers, Kurt Fleagle & Warren Riffle, and Chase Whiteside.

The Downtown Dayton LGBT Film Festival presents films that have thematic ties to the lesbian, gay, bisexual and transgender community – stories that aren’t often represented or celebrated in mainstream media. This year’s selections were picked from over 100 films, and though many of these films will not find mainstream distribution, they are strong pieces of work that merit being seen by a wider audience. The festival encourages film lovers from around the Miami Valley to support these strong films.

Single tickets – just $8 each – are moving fast.

THE NEON is located at 130 E. 5th Street in downtown Dayton. For more information about the festival, including full descriptions, links to official sites & trailers, and ticketing details, please visit www.daytonlgbt.com.

Coming up in Dayton Theatre, 9/20 – 9/29

September 19, 2013 By Sarah Caplan Leave a Comment

Hello again! Welcome back and hello! We’ve got three good shows closing this weekend, a couple still running and one getting ready to open. Let’s get right on stage.

Closing This Weekend!

Hairspray!

Dayton Playhouse
The Skinny: This high-spirited musical musical takes place in 1962 in Baltimore, Maryland. Teenager, Tracy Turnblad, dreams of dancing on The Corny Collins Show, a local TV dance program. When Tracy wins a role on the show, she becomes a celebrity overnight. She then launches a campaign to integrate the show. The show deals with injustices of parts of American society in the 1960’s.
Dates: Hairspray runs this weekend, closing Sunday, 9/22.
Tickets: Please visit the Dayton Playhouse website at www.daytonplayhouse.com

Hair

Beavercreek Community Theatre

The Skinny: The American Tribal Love-Rock Musical!This show introduced America to the “Rock musical”, with songs that became standards, such as “The Age Of Aquarius” and “Easy To Be Hard.” Hair focuses on a “tribe” of hippies, touching on several different individual stories, woven throughout with the tragedy of the Vietnam conflict.
Dates: Hairs also closes this weekend, Sunday 9/22.
Tickets: Please visit www.bctheatre.org

First Baptist of Ivy Gap

The Skinny: During WWII, six women gather at the church to roll bandages and plan the church’s 75th anniversary. Overseeing things is Edith, the pastor’s wise-cracking wife who dispenses Red Cross smocks and witty repartee to Luby, whose son is fighting in the Pacific; Mae Ellen, the church’s rebellious organist who wants to quit but hasn’t the courage; Olene, who dreams of a career in Hollywood; Sammy, a shy newcomer with a secret; and Vera, an influential Baptist with a secret of her own. When Luby learns her son has been wounded, she confounds the others by blaming the vulnerable Sammy. Twenty-five years later, our “First Baptist Six” reunite!

Dates: Closing Sunday, 9/22

Tickets: To make ticket reservations, please call the Brookville Flower Shop at 937-833-3531

Opening This Weekend!

Harvey

The Wright State Theatre Company
The Skinny: Elwood P. Dowd is an endlessly pleasant & delightfully eccentric bachelor living in a small town that isn’t quite aware that its newest citizen is a 6’3″ white rabbit named “Harvey,” that only certain people can see.
Dates: Harvey opens Thursday, 9/19 and runs through 9/29
Tickets: Please visit the WSU Theatre Department box office website: http://www.wright.edu/theatre-dance-and-motion-pictures/performances/ticket-information

Currently In Production

Becky’s New Car

The Human Race Theatre Company

The Skinny: Becky Foster is stuck in neutral—middle aged, in middle management and a middling marriage—until an honest misunderstanding with a wealthy widower offers her the chance at an exciting double life…and she takes it. Now she’s frantically juggling to keep her two worlds apart before everything threatens to come crashing down on her. It’s enough to drive Becky off a cliff, and she’s taking the audience along for the ride!

Dates: Running through the 29th.
Tickets: Please visit the Human Race Theatre Company website at www.humanracetheatre.org

A Mighty Fortress Is Our Basement

La Comedia Dinner Theatre

The Skinny: The fourth installment in the popular Church Basement Ladies series takes place in 1960, and reformation is underway. The Church Basement Ladies are once again required to face chance head-on, but they will stand strong in their faith and their friendships.

Dates: Closing 10/27.

Tickets: Please visit the La Comedia website at www.lacomedia.com

Coming Up In Dayton Theatre, 9/5 – 9/22

September 4, 2013 By Sarah Caplan Leave a Comment

Welcome back! Has everyone had a good and fulfilling summer? I sure have. But I’m ready to jump back into Dayton’s exciting theatre scene.

Closing This Weekend!

45 Seconds From Broadway

The Skinny: Neil Simon’s 2001 Broadway-based comedy takes place in the Polish Tea Room, a haunt of Broadway-types in general, and comedian Mickey Fox in specific.Taking place over the course of 1 year (4 scenes, 4 seasons), this story follows Mickey and his friends as they do all those play things; live, laugh, love and learn.

Dates: 45 Seconds closes this weekend. Friday, 9/6 at 8, Saturday 9/7 at 5 and Sunday 9/8 at 3.

Tickets: For ticket information, please visit the Dayton Theatre Guild website, www.daytontheatreguild.com

Opening This Weekend!

Hairspray

The Dayton Playhouse

The Skinny: This high-spirited musical musical takes place in 1962 in Baltimore, Maryland. Teenager, Tracy Turnblad, dreams of dancing on The Corny Collins Show, a local TV dance program. When Tracy wins a role on the show, she becomes a celebrity overnight. She then launches a campaign to integrate the show. The show deals with injustices of parts of American society in the 1960’s.

Dates: Hairspray opens this Friday, 9/6 and runs 3 weekends, closing on Sunday, 9/22.

Tickets: For ticketing information, please see the Dayton Playhouse website, www.daytonplayhouse.com

A Mighty Fortress Is Our Basement

La Comedia Dinner Theatre

The Skinny: The fourth installment in the popular Church Basement Ladies series takes place in 1960, and reformation is underway. The Church Basement Ladies are once again required to face chance head-on, but they will stand strong in their faith and their friendships.

Dates: This show opens Thursday, 9/5 and runs through 10/27.

Tickets: For information regarding tickets, schedule and menu, please visit La Comedia’s website at www.lacomedia.com

Opening Next Weekend!

Becky’s New Car

The Human Race Theatre Company

Dates: Becky debuts Thursday, 9/12 and runs through Sunday, 9/29.

Tickets: For ticketing information, please visit www.humanracetheatre.org

Hair

Beavercreek Community Theatre

The Skinny: The American Tribal Love-Rock Musical!This show introduced America to the “Rock musical”, with songs that became standards, such as “The Age Of Aquarius” and “Easy To Be Hard.” Hair focuses on a “tribe” of hippies, touching on several different individual stories, woven throughout with the tragedy of the Vietnam conflict.
Dates: Hair opens next weekend, 9/13 and closes 9/22.
Tickets: For ticketing information, please visit the BCT website at www.bctheatre.org

First Baptist of Ivy Gap

Brookville Community Theatre

The Skinny: More Church ladies! During WWII, six women gather at the church to roll bandages and plan the church’s 75th anniversary. Overseeing things is Edith, the pastor’s wise-cracking wife who dispenses Red Cross smocks and witty repartee to Luby, whose son is fighting in the Pacific; Mae Ellen, the church’s rebellious organist who wants to quit but hasn’t the courage; Olene, who dreams of a career in Hollywood; Sammy, a shy newcomer with a secret; and Vera, an influential Baptist with a secret of her own. When Luby learns her son has been wounded, she confounds the others by blaming the vulnerable Sammy. Twenty-five years later, our “First Baptist Six” reunite!

Dates: Opening Friday, 9/12 and running through 9/22.

Tickets: To make ticket reservations, please call the Brookville Flower Shop at 937-833-3531

Avenue Q Review – Human Race Theatre Company – Irreverent Joy (TICKET CONTEST)

June 10, 2013 By Russell Florence, Jr. 1 Comment

The cast of The Human Race Theatre Company’s Avenue Q. Photo by Scott J. Kimmins

If you’ve ever wondered why the Human Race Theatre Company continues to be heralded as one of the finest theater troupes in Southwest Ohio, take time to catch its splendidly hilarious production of “Avenue Q,” the risqué recipient of 2004 Tony Awards for Best Musical, Book and Score.

Blessed with brilliantly witty songs by Robert Lopez (“The Book of Mormon”) and Jeff Marx and a terrifically frank, clever and insightful book by Jeff Whitty (“Bring it On: The Musical”), “Avenue Q” tells a deliciously irreverent story of growing up, making mistakes, assessing regrets, falling in love, embracing identity and discovering purpose within a whimsical New York City neighborhood (impeccably designed with eye-catching graffiti and inspired nuances by Dick Block) where humans and puppets coexist. Borrowing a sunny “Sesame Street” framework, the breezy, R-rated musical dares us to examine our own beliefs and principles by poking fun at everything from racism and poverty to collegiate concerns and gay Republicans. Sometimes the bold, raunchy material is tough to swallow or outright jaw-dropping, but it can also break your heart with striking maturity, particularly when the ups and downs of a budding relationship are treated with deeply palpable poignancy.

James Oblak with “Princeton”, Shawn Storms and Katie Pees with “Kate Monster”. Photo by Scott J. Kimmins.

The musical’s surefire comedic foundation and knockout entertainment value hasn’t diminished in the consistently reliable hands of director Joe Deer, who also helmed impressive productions of “Crazy for You” (Muse Machine) and “Spring Awakening” (Wright State) this season. Deer not only provides fluidly energetic choreography, allowing this version to surpass the original Broadway production in terms of movement and old-fashioned showmanship, but ensures his skillfully zany cast of eight steps up to the challenge of creating believable, emotionally sound characters. The material feeds the temptation to go over-the top, but it’s wonderful to see this joyfully compatible ensemble, especially those operating and voicing multiple puppets charmingly created in the Jim Henson vein by Zoot Theatre Company co-founder/ artistic director D. Tristan Cupp and adorably clothed by Shirley P. Wasser, aim for greater by achieving genuine, heartfelt sparks without aimlessly wallowing in silly, overdone caricature.

Annie Kalahurka with the girl “Bad Idea Bear”, Katie Pees with “Kate Monster”, James Oblak with “Princeton” and Andrew Ian Adams with the boy “Bad Idea Bear”. Picture by Scott J. Kimmins

The immensely engaging, effortlessly multi-tasking James Oblak, a pleasant tenor, delivers one of the best performances of the season in the dual roles of Princeton and Rod. As the sincere, soul-searching Princeton, a liberal arts graduate in need of a life coach, Oblak appealingly explores the character’s puzzling uncertainty about his future and masters the romantic awkwardness that keeps him from obtaining true happiness. But as the uptight, snarky Rod, a closeted banker who loves Broadway musicals and secretly pines for his straight roommate, he pulls out the stops by commanding the stage with a mere glance or stance. Oblak simply attacks the fussy role with marvelously expressive vitality in which every fiber of his being encompasses denial, elation and heartbreak, particularly in his fantastic rendition of “My Girlfriend, Who Lives in Canada,” Rod’s amusing and ultimately shameful post-wedding meltdown.
An absolutely heartwarming Katie Pees is equally versatile as Kate Monster, the genial kindergarten teaching assistant attracted to Princeton, and Lucy the Slut, a saucy, curvaceous chanteuse longing to make her prey feel “Special.” Pees, a gifted comedienne who can make anyone laugh with the smallest inflection, seamlessly operates Kate while voicing Lucy in some instances, but her endearing interpretation, firmly grounded with a relatable earnestness on par with Oblak’s portrayals, is most notably solidified in her beautifully tender rendition of Kate’s lovelorn ballad “There’s a Fine, Fine Line,” which can be considered the unofficial anthem of the dating world.

James Oblak with “Rod”, Brett Travis and Andrew Ian Adams with “Nicky”, Shawn Storms, Michelle Liu Coughlin and Michael Thomas Walker. Photo by Scott J. Kimmins.

Excellently detailed, full-fleshed featured performances are given by the amiable Brett Travis as Rod’s laidback roomie Nicky and porn-adoring Trekkie Monster, the carefree Michael Thomas Walker as aspiring comedian Brian, the utterly delightful and occasionally fiery Michelle Liu Coughlin as Brian’s Asian wife Christmas Eve, the comically upbeat, sarcastic Shawn Storms as building superintendent Gary Coleman, and the super cute duo of Andrew Ian Adams and Annie Kalahurka as the Bad Idea Bears.
John Rensel’s proficient lighting design, Janet G. Powell’s appropriately understated costumes, musical director Sean Michael Flowers’ well balanced six-piece orchestra, and Zach Rosing and Ben Phillippe’s outstanding video design accent this must-see Human Race season finale.
For now “Avenue Q” is where you’ll want to be.

“Avenue Q” continues through June 29 at the Loft Theatre, 126 N. Main St., Dayton. Performances are June 16 and 23 at 2 p.m., June 11, 18 and 25 at 7 p.m., and June 12-15, 19-22 and 26-29 at 8 p.m. Act One: 70 minutes; Act Two: 45 minutes. Tickets are $41-$45. The production contains adult language/content. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org

Coming up in Dayton Theatre 5/17 – 5/26 (Plus! FutureFest 2013 News!)

May 17, 2013 By Sarah Caplan Leave a Comment

Welcome back, Theatre lovers!

What’s happening in the theatrical neck of your woods? So glad you asked!

Closing This Weekend!

Next To Normal

The Human Race Theatre Company (@ The Victoria Theatre)

The Skinny: The story of a mother who struggles with bipolar disorder and the effect her illness has on her family. This contemporary Pulitzer Prize and Tony winning musical is an emotional powerhouse that addresses issues such as grieving a loss, ethics in modern psychiatry, and suburban life. With provocative lyrics and a thrilling score, this musical shows how far two parents will go to keep themselves sane and their family’s world intact.

Dates: Closes Sunday 5/19

Tickets: Tickets are available via the Victoria Theatre Association website, here: tickets.

Opening This Weekend

The Pillowman

The Dayton Theatre Guild

The Skinny: With echoes of Stoppard, Kafka, and the Brothers Grimm, THE PILLOWMAN centers on a writer in an unnamed totalitarian state who is being interrogated about the gruesome content of his short stories and their similarities to a series of child murders.

Dates: Opening Friday, 5/17 and running 3 weekends to close on Sunday, 6/2. Remember, at the Guild, the 2^nd and 3^rd Saturdays are at 5 pm.

Tickets: For ticket reservations, please visit the Dayton Theatre Guild website, www.daytontheatreguild.org.

(Note: For mature audiences only. Note: there will be a loud gun shot and a minor amount of smoke on stage during one scene in the performance.)

Currently In Production!

The Sound Of Music

La Comedia Dinner Theatre

The Skinny: A little known musical gem about a would-be nun who battles Nazis. But seriously, folks – this is the well-loved classic, a perennial crowd pleaser. Join The Captain, Maria and all 7 children as they sing, dance and, eventually, cross the Alps.

Dates: Through June 30^th.

Tickets: Please visit La Comedia’s website at www.lacomedia.com

FutureFest 2013!

Announcing the line up of your 2013 FutureFest Finalists!

A Position of Relative Importance by Hal Borden

On the Road to Kingdom Come by Michael Feely

St. Paulie’s Delight by Jacob Cox

The King’s Face by Steven Young

The One With Olives by Sam Havens

Veils by Tom Coash

FutureFest weekend will be July 26^th through 28^th.

Weekend Pass tickets go on sale June 3^rd and will be $95

Single Show Tickets go on sale July 8^th and will be $18

This year’s crop of adjudicators are all familiar, friendly faces:

David Finkle, Rob Koon, Faye Sholiton, Helen Sneed and Eleanore Speert.

Auditions are Monday, June 3^rd for Fully Staged shows, Tuesday, June 4^th for Staged Readings and Thursday, June 6^th for both.

Please see the Dayton Playhouse FutureFest site for more detailed information regarding cast breakdowns and play synopses, here.

Coming up in Dayton Theatre 5/3 – 5/12 (plus Season Announcements!)

May 2, 2013 By Sarah Caplan Leave a Comment

Welcome back friends! We’ve got just a couple things going on the next couple weeks, but we also have SEASON ANNOUNCEMENTS! So exciting!

Closing This Weekend!

‘Til Beth Do Us Part

Brookville Community Theatre
The Skinny: A comedy about love, marriage and trust.
Dates: Running through Sunday, May 5th.
Tickets: For tickets, please call the Brookville Flower Shop at (937) 833-3531.

Opening This Weekend!

The Late Edwina Black

Troy Civic Theatre

The Skinny: When a some-what unpopular woman dies, the community feeling is rather less of grief and more of relief. When an autopsy shows her remains full of arsenic, an Inspector must interview the three main suspects and try to figure out what really happened.
Dates: Opening 5/3 and closing Saturday, 5/11
Tickets: Please call the ticket chairman at 937-339-7700

Mid-week Opening!

Next To Normal

The Human Race Theatre Company (@ The Victoria Thatre)

The Skinny: The story of a mother who struggles with bipolar disorder and the effect her illness has on her family. This contemporary Pulitzer Prize and Tony winning musical is an emotional powerhouse that addresses issues such as grieving a loss, ethics in modern psychiatry, and suburban life. With provocative lyrics and a thrilling score, this musical shows how far two parents will go to keep themselves sane and their family’s world intact.

Dates: Opens Tuesday 5/7 and closes Sunday 5/19

Tickets: Tickets are available via the Victoria Theatre Association website, here: Tickets.

Opening Next Weekend!

Jekyll & Hyde

Playhouse South

The Skinny: This dark, gothic musical is based on the Robert Louis Stevenson book The Strange Case of Doctor Jekyll and Mister Hyde. Nominated for several Tony awards, the music is chilling, moving and altogether wonderful.

Dates: Jekyll takes the stage on Friday, 5/10 and will run Fridays and Saturdays through 5/25 with one Sunday matinee on 5/12. What better treat for Mom?!

Tickets: Tickets are available for purchase via the PHS website, here: Tickets

Season Announcements!

Tis the season for season announcements! Theatres are beginning to release their 2013-2014 seasons. Here’s what I’ve got so far!

Dayton Theatre Guild
45 Seconds from Broadway, by Neil Simon
Directed by Fred Blumenthal. Runs Aug 23-Sep 8, 2013

Time Stand Stills, by Donald Margulies
Directed by Debra Kent. Runs Oct 4-20, 2013

The Gifts of the Magi, by Coats & Germain — (The Holiday Extra)
Director to be announced. Runs Nov 22-Dec 8, 2013

The Subject Was Roses, by Frank D. Gilroy

Directed by Marcia Nowik. Runs Jan 10-26, 2014

Expecting Isabel, by Lisa Loomer
Directed by Natasha Randall. Runs Feb 28-Mar 16, 2014

An Inspector Calls, by J.B. Priestly
Directed by David Shough. Runs Apr 18-May 4, 2014

The Dead Guy, by Eric Coble
Directed by Saul Caplan. Runs May 30-June 15, 2014

Dayton Playhouse

Hairspray Sept. 6-22

Directed by Tina McPhearson and Fran Pesch

Deathtrap, by Ira Levine
Directed by Jennifer Lockwood. Runs October 25-November 3rd

Fellow Passengers, by Greg Carter
Directed by Dodie Lockwood. Runs December 6-15

Working
Directed by Jim Lockwood. Runs January 31-February 16

The Whales of August, by David Berry
Directed by John Riley. Runs March 14th-23

Oklahoma!
Directed by Brian Sharp. Runs May 2-18

Beavercreek Community Theatre

Hair
September 13-22

Dog Sees God
October 25-November 3

A Neverland Christmas Carol
December 6-15

‘Till Beth Do Us Part
January 24-February 2

Carrie
March 7-16

Monty Python’s Spamalot
June 20-29

Human Race Theatre Company

Becky’s New Car
September 12-29

Fiddler on the Roof
October 31-November 17

Torch Song Trilogy
January 30-February 16

Other Desert Cities
March 27-April 3

Play It By Heart
June 12-29

Victoria Theatre Association/Broadway Series

War Horse
October 22-27

It’s A Wonderful Life (A Live Radio Play!)
December 3-15

Sister Act
January 28-February 2

Memphis
April 8-13

Beauty And The Beast
May 27-June 1

Million Dollar Quartet
June 17-22

That’s what I’ve got so far — There are more to come, however. It’s gonna be a really good season! I’m already marking my calendars. How about you?

Human Race Theatre Company Presents RACE + TICKET CONTEST

March 28, 2013 By Dayton Most Metro Leave a Comment

The Human Race Theatre is taking its core mission—“to present universal themes that explore the human condition and startle us all into a renewed awareness of ourselves”—to heart with David Mamet’s Race. No stranger to divisive topics or candid conversation, Pulitzer Prize-winning playwright Mamet (American Buffalo, Glengarry Glen Ross) takes on the explosive subject of race relations. When two cynical lawyers—one black and one white—prepare to defend a powerful white businessman accused of raping a young black woman, they must confront their own perceptions and prejudices. Legal and ethical lines are crossed as shocking revelations come to light. But when their client’s case takes a series of unexpected turns, they realize that not everyone is who they seem in this world of shame and guilt.

Filled with David Mamet’s signature “Mamet speak” true-to-life dialogue and his desire to press hot-button issues, Race has recently become a popular play for regional theatres across the country after its 2009 Broadway premiere, produced by Jeffrey Richards, Jerry Frankel, Jam Theatricals, JK Productions, Peggy Hill and Nicholas Quinn Rosenkranz, Scott M. Delman, Terry Allen Kramer/James L. Nederlander, Swinsky Deitch, Bat-Berry Productions, Ronald Frankel, James Fuld Jr., Kathleen K. Johnson, Terry Schnuck, The Weinstein Company, Marc Frankel and Jay and Cindy Gutterman/Stewart Mercer.

The Human Race Theatre’s production of Race is directed by Resident Artist Richard E. Hess (Doubt, Red, A Delicate Balance), Chair of Drama at the Cincinnati College Conservatory of Music. In preparing for the task, Hess embraced Mamet’s exploration of a universal—though rarely admitted to—truth. “Racism exists in all of us. We are all prejudiced. We are all carefully taught,” he states. “David Mamet dares to point an unwavering finger at prejudice in Race. The story feels like it’s ripped from the headlines of tomorrow’s news.”

Producing Artistic Director Kevin Moore is just as excited about the script. “When I first read Race I could not put it down,” says Moore. “Similar to a good ‘who-done-it’, I loved the dramatic twists and turns. The collision of great theatre and compelling message made it a ‘must see’ for our audiences.”

The 4-member cast includes Human Race Resident Artists Bruce Cromer (Brother Wolf, I am My Own Wife), Alan Bomar Jones (Gem of the Ocean, Permanent Collection) and Michael Kenwood Lippert (Red, The Sunset Limited), plus actress Julia Pace Mitchell (“Sofia Dupre” on The Young and the Restless). “It is rare when we can pull together so many of our talented Resident Artists into one project. I am thrilled to have Alan, Bruce, Michael and Richard all working on this powerful script,” says Kevin Moore. “And the addition of Julia, the gifted newcomer, will add just the right spice to this ‘boys club’.”

The set design is by Mark Halpin, costume design by Charis Weible and lighting design by Resident Artist John Rensel. Kay Carver is the production stage manager and Kristin A. Sutter is the stage manager.

Race runs April 4 through 21, 2013. Opening night is Friday, April 5.

The production sponsor for Race is Morris Home Furnishings, with additional support from Maryann and Jack Bernstein, and Jon and Diana Sebaly and Sebaly Shillito + Dyer.

PERFORMANCE AND SPECIAL EVENT INFORMATION
Tickets for the preview performance of Race on April 4 are $31 for adults, $29 for seniors and $15.50 for students. For all performances April 5 – 21, single ticket prices are $36 and $40 for adults, $34 and $38 for seniors and $17.50 and $19.50 for students. Prices vary depending on the day of the week desired. Group discounts are available. The Human Race Theatre is offering a pair of discount ticket opportunities. Twenty-five special $25 tickets are available at most performances, on sale two weeks prior to that performance. The Sunday, April 7 7:00 p.m. performance is “Sawbuck Sunday”, when a limited number of available seats can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio.

Show times for Race are 8:00 p.m. on Wednesday through Saturday evenings and 7:00 p.m. on Sunday and Tuesday evenings. Sunday matinees are at 2:00 p.m. The Pay-What-You-CAN performance is Wednesday, April 3 at 8:00 p.m. The “Inside Track” pre-show discussion begins at 7:15 p.m. on Thursday, April 4, prior to the 8:00 p.m. preview performance. The opening night performance is Friday, April 5 at 8:00 p.m., followed by a free party with the cast in The Loft Lobby. “Lite Fare at the Loft” with food and drink provided by Citilites begins in The Loft Theatre lobby at 5:30 p.m. on Tuesday, April 9. There is no “While We’re on the Subject” post-show talkback for this production.

Tickets and performance information on Race are available at http://www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

TICKET CONTEST

Contest Closed – Congratulations to our winners!

Julie Westwood

Christina Tomazinis

ON STAGE DAYTON REVIEW: Lombardi (Human Race Theatre Company) – Imperfect Icon

February 14, 2013 By Russell Florence, Jr. 1 Comment

Edward Furs as “Vince Lombardi” (photo by Scott J. Kimmins)

The enduring legacy of Vince Lombardi (1913-1970), the renowned coach who led the Green Bay Packers to five championships in seven seasons and the first two Super Bowl victories, resonates with candid, entertaining potency in Eric Simonson’s aptly titled character study “Lombardi,” which receives a terrific local premiere at the Human Race Theatre Company.

Based on David Maraniss’ novel “When Pride Still Mattered: A Life of Vince Lombardi” and directed with crisp urgency by Tim Lile, “Lombardi” spotlights the temperamental Vince (the marvelously abrasive Edward Furs) in 1965 before the Packers’ winning streak defined his career. Eager, statistics-adoring cub reporter Michael McCormick (an endearing Jarred Baugh) is sent to interview the extremely passionate coach, but their exchanges are not always smooth. The duo attempts to establish a meaningful father-son connection, but Vince’s prickly, off-putting persona often undercuts their bond, especially when he scolds Michael for interviewing a few players at practice without his permission. Still, football is the tie that binds them together for good and bad. Michael ultimately grows to comprehend, accept and respect the aggressively perfectionist spirit that kept Vince, a heavy drinker who refused to be treated for stomach problems which eventually led to his death from colon cancer, tirelessly motivated to inspire his team for greatness and play for pride on the field.

Furs, dynamically boisterous, gruff and imposing, is not an exact physical representation of Vince, but his sharp eye contact and rousing cadence certainly gives ample, intimidating credibility to his astute portrayal. Baugh warmly guides the audience through the action as the play’s narrator, remaining believably focused on obtaining the true story behind the legend. Marcy McGuigan brings delicious sarcasm and wit to her excellent, gently seductive portrayal of Vince’s tipsy wife Marie, an unyielding support system emotionally drawn to Michael and the Packers, particularly Paul Hornung, appealingly portrayed by the very charismatic Brandon Dahlquist. Gabriel Lawrence (Dave Robinson) and Ryan Imhoff (Jim Taylor) are also first-rate as teammates with deep animosity toward each other. Imhoff in particular shines opposite Furs in a heated argument regarding Taylor’s loose lips and desire for more money, which absolutely infuriates Vince.

Marcy McGuigan and Edward Furs (photo by Scott J. Kimmins)

Taking a page from his co-direction of the Human Race’s sublime 2007 production of “Take Me Out,” Lile begins the proceedings with the national anthem. The inviting atmospherics extend to his wonderful creative team consisting of scenic designer Tamara L. Honesty, lighting designer John Rensel, costumer Ayn Wood, sound designer Matthew P. Benjamin and video designer Shaunn Baker. Honesty’s chalkboard set immersed in various football plays, Rensel’s stadium-inspired lighting and Baker’s projections featuring period images and footage are noteworthy.

By conceiving the play as a one-act, Simonson doesn’t completely delve into Vince’s intriguing, flawed personal history, which is unfortunate. Mentions of Vince’s children, especially his testy relationship with his son, only scratches the surface. Additional flashbacks focusing on his marriage, faith, family and upbringing would have added greater depth.
Nonetheless, “Lombardi” is a fascinating look at an imperfect icon.

“Lombardi,” which is performed in 100 minutes without intermission, continues through Feb. 24 at the Loft Theatre, 126 N. Main St. Performances are Tuesday at 7 p.m., Wednesday-Saturday at 8 p.m. and Sunday at 2 p.m. Tickets are $36-$40. There are a limited number of $25 tickets available for each performance. A talkback forum will be held following the Feb. 17 performance. Additionally, during the run of “Lombardi” an assortment of Lombardi memorabilia from Sinclair Community College athletic director Jack Giambrone’s vast collection will be on display in the Loft lobby. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit online at www.ticketcenterstage.com

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