Arts & Entertainment

‘Smokey Joe’s Cafe’ Review – Victoria Theatre Association – Baby, That Is Rock and Roll

November 14, 2014 By Russell Florence, Jr.

The 20th anniversary national tour of the enjoyably entertaining musical revue “Smokey Joe’s Cafe,” housed at the Victoria Theatre courtesy of the Victoria Theatre Association’s Premier Health Broadway Series, thrives on warmhearted nostalgia and incredibly melodic songs by iconic tunesmiths Jerry Leiber and Mike Stoller.

The cast of Smokey Joe’s Cafe (Contributed photo)

Nominated for seven Tony Awards in 1995 including Best Musical and the record holder as Broadway’s longest-running musical revue, “Smokey Joe’s Cafe” places the music front and center as is typical of the somewhat polarizing revue format. There is no story, arc or framework here –just 39 breezy numbers reflecting the legacy lyricist Leiber (who passed away in 2011) and composer Stoller fashioned beginning in the 1950s. Working with a diverse range of artists including Elvis Presley, The Drifters, The Coasters, The Clovers, Ben E. King, and Peggy Lee during their stellar career, the duo molded the blueprint for earnestly straightforward, toe-tapping songs about love, longing, hope, unity, and good old-fashioned rock and roll.
Fluidly directed and energetically choreographed by Chet Walker, who co-conceived and co-choreographed the 1999 Tony-winning revue “Fosse” and received a Tony nomination for choreographing the 2013 Tony-winning revival of “Pippin,” “Smokey Joe’s Cafe” features a colorful and vocally strong 15-member ensemble. In a pleasant change of pace which serves as a significant draw for this tour, the aforementioned, legendary Coasters are occasionally spotlighted throughout the production although they do not represent the original troupe. Even so, it is refreshing to hear such classics as “Yakety Yak,” “Charlie Brown,” “Dance With Me,” and the title tune sung by the close knit, impressively harmonic quartet consisting of Dennis Anderson, Primo Candelara, Joe Lance Williams, and Eddie Whitfield.

Still, the core cast certainly shines individually and collectively. After all, due to the absence of a libretto, it is imperative that the story within each number resonates. Thankfully, every performer is considerably astute about selling the songs, particularly the joy or poignancy in Leiber’s lyrics. Nik Alexander, Malcolm Armwood, Robert H. Fowler, and Caliaf St. Aubyn deliver a fantastic rendition of “On Broadway,” but separately engage as well. Alexander, a prime source of comic relief, charms his way through “Shoppin’ for Clothes” and “Treat Me Nice” which ultimately makes up for his intense yet uncontrolled “I Who Have Nothing.” The wonderfully sincere Armwood aptly tugs the heart with “Love Me” and “There Goes My Baby.” The equally fine St. Aubyn does the same with “Loving You” and “Spanish Harlem.” Fowler finds the playfulness within “Little Egypt.” The admirable Vaden Thurgood effortlessly turns “Jailhouse Rock” into an infectious highlight.
Additionally, Keely Beirne, Yvette Monique Clark, Kathleen McCann, and Erin McGrath unite for an outstanding rendition of “I’m a Woman” that sizzles with sass, but have multiple opportunities to appealingly solo. In addition to nearly bringing down the house with the rousing, gospel-flavored Act 1 finale “Saved,” Clark fuels the emotional potency within the lovely, meaningful reprise of “Fools Fall in Love.” McCann, a powerhouse belter, offers knockout versions of “Don’t,” “I Keep Forgettin,’” and “Pearl’s A Singer.” The very striking McGrath seductively entices with “Trouble” and is also the lively focus of “Teach Me How to Shimmy.” The marvelously magnetic Beirne, adorned with a white feather boa, thrillingly captivates in “Don Juan” (which deservers an encore) only to return more dazzling and mesmerizing in superb lyric-driven form for the bluesy “Some Cats Know.” In the latter number, Beirne’s piercing focus and slinky strut recalls Laura Benanti’s brilliant take on Gypsy Rose Lee in the 2008 Tony-winning revival of “Gypsy.”
Elsewhere, Steve Paladie’s efficient set, Martin T. Lopez’s attractive costumes, and Brian Loesch’s effective lighting are commendable. However, musical director Todd Olson’s terrific band seems oddly cramped. On opening night, specifically at the top of Act 2 when the band was acknowledged with respective solos, it was difficult to see them as a whole. The configuration of the space for this tour is definitely questionable as if it would have been more suited for the Schuster Center.
Nonetheless, “Smokey Joe’s Cafe” supplies carefree, feel-good vibes that will make you appreciate the simpler delights of a bygone era in pop music.

“Smokey Joe’s Cafe” continues through Nov. 23 at the Victoria Theatre, 138 N. Main St., Dayton. Performances are Tuesday-Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 and 7:30 p.m. Act One: 45 minutes; Act Two: 60 minutes. Tickets are $25-$87. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

Sinclair Theatre Presents bare: a pop opera

November 12, 2014 By Dayton Most Metro

(l-r): Natalie Sanders, Bobby Mitchum and A. J. Breslin.

Sinclair Theatre will present bare: a pop opera for 3 performances only, Nov. 13-15 in the Black Box Theatre located on the fourth floor of building 2 on the downtown Dayton campus.

Bare is a student-produced performance written by Jon Hartmere and Damon Intrabartolo. A group of high school seniors at a Catholic boarding school faces issues of sexuality and personal identity. As they struggle to come to terms with who they are, and who the world thinks they should be, they seek answers from their Church, their friends, and ultimately, from within themselves. Its rich, vibrant score draws on many styles of contemporary music.

Directed by Chris Harmon, bare’s performances are Thursday, Nov. 13 at 7 and Friday and Saturday, Nov. 14-15 at 8 p.m.

General admission tickets cost $15 and are on sale now at: http://www.sinclair.edu/tickets

Preceding Thursday’s performance, there will be a Nacho Bar available for $7 beginning at 5:30 p.m. in the Green Room. A separate ticket must be purchased in advance and is available online when you purchase your Thursday performance ticket.

The box office is open one hour prior to performances if tickets are still available. Black Box Theatre performances often sell out because of the limited number of seats.

Bare is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide, 570 Seventh Avenue, Suite 2100, New York, NY 10018. (866) 378-9758 www.theatricalrights.com

WHIPLASH – Approved By Critics & Audiences Alike – Opens Friday at THE NEON!

November 11, 2014 By Jonathan McNeal

Hello Everyone,

We had a really good weekend with BIRDMAN and ST. VINCENT – our best weekend in the past few months. Thanks to everyone who came out! If you still need to see ST. VINCENT, Thursday will be your last chance to see it at THE NEON. For remaining showtimes, please visit our website at www.neonmovies.com

On Friday, we will open a film that has garnered great reviews from critics and audiences alike – WHIPLASH. You don’t have to take my word for it. Take a look at all the great reviews on the film’s Rottentomatoes page.

Synopsis for WHIPLASH: “Andrew Neyman is an ambitious young jazz drummer, single-minded in his pursuit to rise to the top of his elite east coast music conservatory. Plagued by the failed writing career of his father, Andrew hungers day and night to become one of the greats. Terence Fletcher, an instructor equally known for his teaching talents as for his terrifying methods, leads the top jazz ensemble in the school. Fletcher discovers Andrew and transfers the aspiring drummer into his band, forever changing the young man’s life. Andrew’s passion to achieve perfection quickly spirals into obsession, as his ruthless teacher continues to push him to the brink of both his ability-and his sanity.” (taken from Sony Classics) Click on this link to visit the film’s official site.

REMINDER! VSOP Music & Film is bringing HARLEM STREET SINGER – THE STORY OF REVEREND GARY DAVIS to THE NEON for a one-time screening tomorrow – Wednesday, Nov. 12 at 7:30. Tickets are still available! “The film tells the story of the blind, self-taught musician Reverend Gary Davis. It chronicles his hardscrabble life and the profound impact he made on musicians eager to explore his technique – a homegrown guitar style forged from ragtime, gospel and blues. In addition to archival footage and interview segments with Bob Weir, Jorma Kaukonen, John Cohen, David Bromberg, Ramblin’ Jack Elliott and others, the film features newly recorded versions of songs Davis was closely identified with performed by a band led by Woody Mann. Blues and jazz historian (and frontman for the Classic Jazz Stompers) Dave Greer will lead a Q&A following the screeing.” (taken from VSOP Press Notes) Tickets will be $8 each and available starting Oct. 22 at THE NEON’s box office.

The Annual Family Holiday Film Series, presented by The Dayton Holiday Festival, The Downtown Dayton Partnership, Channel 99.9 and THE NEON, has secured titles for this year’s line-up. Films will screen at Noon on December 6, 13, & 20 – and the price is absolutely amazing. Admission is FREE for kids 12 & under and only $2 for general admission. ELF will play on December 6, THE MUPPET CHRISTMAS CAROL will play on December 13, and the Cary Grant classic THE BISHOP’S WIFE will play on December 20. Tickets will only be available starting 45 minutes before each screening, and children must be present to claim free tickets.

Thanks so much for your continued support!
We hope to see you soon,

Jonathan

SHOWTIMES for Friday, Nov. 14 – Thursday, Nov. 20:

BIRDMAN (R) 1 Hr 59 Min
Friday & Saturday: 11:50, 2:15, 4:45, 7:15, 9:45
Sunday:11:50, 2:15, 4:45, 7:15
Monday – Thursday: 2:45, 5:15, 7:45

WHIPLASH (PG-13) 1 Hr 47 Min
Friday & Saturday: 12:20, 2:40, 5:00, 7:20, 9:40
Sunday: 12:20, 2:40, 5:00, 7:20
Monday – Thursday: 3:00, 5:30, 8:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Nov. 26 – THE THEORY OF EVERYTHING
Dec. 5 – CITIZENFOUR
Dec. 25 – THE IMITATION GAME
Dec. 25 – WILD
Jan. 9 or 16 – FOXCATCHER
TBD – FORCE MAJEURE
TBD – HOMESMAN

The Return of the Story Slamm

November 10, 2014 By Megan Cooper

Shelly “Gladgirl” Hulce had an idea. An idea to connect a community. An idea to have some fun. An idea to share some great stories.

A fan of The Moth radio hour, she contacted the national team, but was told Dayton wasn’t quite big enough to bring the show there. So, she started her own storytelling program in 2012.

As Story Slamm was just passing its one year anniversary in Dayton, Hulce shared with Sharon Short, “We’ve become very distant in our culture. We have mass communication and social media, and so we can hear and read each other’s stories, but rarely do we get in the same room, look into the storyteller’s eyes, observe their movements, while hearing a story. For the storyteller, it’s about giving a piece of yourself to the listener. For both storyteller and listener, it’s a deeper connection than reading or hearing the story from a distance.”

In 2013, Gladgirl stepped back from coordinating Story Slamms when other endeavors took priority. Story Slamms lost a bit of momentum, but the idea was always one that sparked a concept of community and fun for Dayton Metro Library Special Collections Manager and local actor Jamie McQuinn. Regarding bringing Story Slamms back to Dayton, McQuinn says, “I missed it. It was always a great time and I hated that it went away. I contacted Shelly and we thought this would be a great way to bring it back and connect people to the Library.”

Story Slamm is a great night that comes with some rules. McQuinn sums it up, “Tell a short story. First person. It happened to you. It should be “true”… It can be funny, or sad, or surprising. Tell your story in ten minutes or less. No notes or props. Don’t have a story to share? Come and listen. It is always entertaining.” (If you want some inspiration – check out some stories here.)

The crowds come for various reasons. Some people enjoy an expanded, first-person storytelling experience that expands beyond 140 characters. Others are practiced storytellers around the dinner table, and want to bring their favorite family tales to the public. Some just enjoy sitting back and being entertained. Patrick Hillier is a frequent attendee and fan of Story Slamm. He shares that he loves the event for the blending of the casual environment with the “intimate nature of sharing and learning about each other through tales from our lives. You get a chance to tell a short but interesting story from your past or sit back or just listen and maybe learn something.”

The final Story Slamm of 2014 will be at the Huber Heights Branch of the Dayton Metro Library on Tuesday, November 18 at 7 p.m. Six-eight presenters will each tell a 10-minute story based around a “Thankfulness” theme. McQuinn hosts. To fit everyone in, storytellers are asked to register by contacting Jennifer Spillman at 937-496-8611 or [email protected]. If you’d rather just sit back and listen, advance registration is preferred by not required. Judges or a small audience will vote on the best story based on uniqueness and delivery; best story of the evening wins a prize!

51 Artists’ Handcrafted “giftables” in DVAC’s Holiday Gift Gallery

November 8, 2014 By Dayton937

Sparkling glass ornaments, hand-turned wood bowls, eclectic jewelry, painted silk and chunky hand-knit scarves, charming pottery, architecturally-inspired ceramic, letterpress cards, black and white photography and small whimsical painting are what’s on view at DVAC to kick-off the Holiday Season.

DVAC’s annual gift gallery has become the BEST one-stop-shopping for friends, loved ones, workmates and …yourself! Everything is one of a kind and made by a DVAC member artists—either experienced or just starting out. All items are priced competitively and were chosen for their originality, quality craftsmanship and
contemporary or classic stye.

This year’s featured fine art and fine craft was selected jurors Kim Megginson, Owner/Buyer, ZIG ZAG Gallery, Dayton; Litsa Spanos, President, ADC Art Design Consultants, Cincinnati; and Betty Talbott, Executive Director, Ohio Designer Craftsmen and Ohio Craft Museum, Columbus.

DVAC helps sustain the arts community by providing a place for artist to exhibit, market, and sell work and also helps satisfy the needs and wants of art-lovers who have a place to see art and, often, meet the artists – it is how DVAC connects the dots in visual arts. In 2013 DVAC ARTtoBUY artists received over $18,000 in art sales commissions. At its core, DVAC advances art for the community and a community for artists.

DVAC’s popular Beer & Peanuts Shopping Party is back December 17, 5-8 p.m. featuring beers selected by Joe Waizmann of Warped Wing Brewing Company

The Dayton Visual Arts Center provides art for the community and a community for artists. DVAC receives operating support from the Ohio Arts Council, Culture Works, Dayton Power & Light Foundation, Montgomery County Arts & Cultural District, the Virginia W. Kettering Foundation; Community Partner Members Houser Asphalt & Concrete, LWC Inc., Mousaian Oriental Rugs and Premier Health; and Members.

DVAC is located at 118 N. Jefferson St in downtown Dayton. Ample metered parking; free after 6pm and on weekends. Gallery Hours: Tuesday-Saturday, 11am-6pm. Closed Sunday and Monday.

BIRDMAN (with Amazing Cast & Stellar Reviews) Opens Friday at THE NEON!

November 5, 2014 By Jonathan McNeal

Hello Everyone,

Audiences are loving all three of our current attractions, but if you still need to see PRIDE or MY OLD LADY, you’ll need to move quickly. PRIDE will screen for the last time tonight (Wednesday) and MY OLD LADY will screen for the last time on Thursday afternoon. ST. VINCENT is sticking around. If you need a refresher about any of our current films, please visit our website at www.neonmovies.com

On Friday, we’re excited to open BIRDMAN – a film by the brilliant Mexican director Alejandro G. Inarritu, director of AMORES PERROS, 21 GRAMS, BABEL and BIUTIFUL. This new film, which has garnered 100% reviews from some of today’s most esteemed critics, has also garnered a lot of great press for the lead performance by Michael Keaton.

Synopsis for BIRDMAN or (THE UNEXPECTED VIRTUE OF IGNORANCE): “BIRDMAN is a black comedy that tells the story of an actor (Michael Keaton) – famous for portraying an iconic superhero – as he struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego and attempts to recover his family, his career, and himself. ” Also starring Zach Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, and Naomi Watts. Click on this LINK to visit the film’s official site.

VSOP Music & Film is bringing HARLEM STREET SINGER – THE STORY OF REVEREND GARY DAVIS to THE NEON for a one-time screening on Wednesday, Nov. 12 at 7:30. “The film tells the story of the blind, self-taught musician Reverend Gary Davis. It chronicles his hardscrabble life and the profound impact he made on musicians eager to explore his technique – a homegrown guitar style forged from ragtime, gospel and blues. In addition to archival footage and interview segments with Bob Weir, Jorma Kaukonen, John Cohen, David Bromberg, Ramblin’ Jack Elliott and others, the film features newly recorded versions of songs Davis was closely identified with performed by a band led by Woody Mann. Blues and jazz historian (and frontman for the Classic Jazz Stompers) Dave Greer will lead a Q&A following the screeing.” (taken from VSOP Press Notes) Tickets will be $8 each and available starting Oct. 22 at THE NEON’s box office.

Next week, I’ll announce our line-up for the Annual Family Holiday Film Series – presented by The Dayton Holiday Festival & The Downtown Dayton Partnership. Films will screen at Noon on December 6, 13, & 20 – and the price is absolutely amazing. Stay tuned!

Thanks so much for your continued support!

We hope to see you soon,

Jonathan

SHOWTIMES for Friday, Nov. 7 – Thursday, Nov. 13:

BIRDMAN (R) 1 Hr 59 Min
Friday & Saturday: 11:50, 2:15, 4:45, 7:15, 9:45
Sunday:11:50, 2:15, 4:45, 7:15
Monday – Thursday: 2:45, 5:15, 7:45

ST. VINCENT (PG-13) 1 Hr 42 Min
Friday & Saturday: 12:30, 2:50, 5:10, 7:30, 9:50
Sunday: 12:30, 2:50, 5:10, 7:30
Monday – Tuesday: 2:50, 5:10, 7:30
Wednesday: 2:50, 5:10
Thursday: 2:50, 7:45

HARLEM STREET SINGER (NR) 1 Hr 16 Min + discussion
Wednesday: 7:30

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

Nov. 14 – WHIPLASH
Nov. 28 – THE THEORY OF EVERYTHING
Dec. 5 – CITIZENFOUR
Dec. 19 – THE IMITATION GAME
Jan. 9 – FOXCATCHER
TBD – FORCE MAJEURE

‘Hot Mikado’ Review – Wright State University – Gotta Dance!

November 5, 2014 By Russell Florence, Jr.

Without a doubt the first pleasant surprise of the fall is the area premiere of Wright State University’s highly entertaining and fabulously choreographed “Hot Mikado,” Rob Bowman and David H. Bell’s little-known 1986 jazz-era twist on Gilbert and Sullivan’s 1885 comic opera “The Mikado.”

Kyle James Adam and Scotti Marie Stoneburner in Wright State University’s production of “Hot Mikado” (Contributed photo)

With great skill and efficiency, Bowman and Bell impressively dusts off this silly, thin tale of love, law and customs in the quaint, cutely named Japanese town of Titipu. Instead of taking a more familiar, traditional approach to the material and Gilbert and Sullivan’s legacy as particularly evident in Mike Leigh’s acclaimed 1999 film “Topsy-Turvy,” this duo fills their adaptation with a colorfully clever assortment of musical flavors from gospel and swing to R&B and rock and roll. By all means, the sheer power of musicianship and distinctive arrangements (catapulted by the expertise of musical director Scot Woolley’s superb orchestra) is a key factor to the show’s conceptual appeal, which brilliantly doubles as a refreshing history lesson in American music and an enjoyable, respectful homage to one of the most beloved works in the Gilbert and Sullivan canon.

Director Greg Hellems, adept at musical comedy, keeps the carefree action breezy and light (think “42nd Street” or “Crazy for You”) aided by the spectacular, Broadway-caliber contributions of ever-reliable choreographer Teressa Wylie McWilliams, who choreographed Hellems’ first-rate “Oklahoma!” last season. Here, McWilliams, in a return to form recalling her outstanding work for WSU’s 2011 production of “Hairspray,” pulls out the stops at the outset as the handsome, agile male ensemble exuberantly performs a slick, seductive and cheery version of “We Are Gentlemen of Japan,” a terrific, tone-setting opener. Her tap-happy routines continue with feverish aplomb with the scintillating, breathtaking, encore-worthy Act 1 finale and the fiery, playful duels within Act 2’s rousing “Mikado Song.”
Drew Bowen delightfully leads the proceedings as the charming Nanki-Poo, a musician in love with the innocent Yum-Yum (the lovely Bradley Farmer) who is actually betrothed to Ko-Ko (the comical Sean Jones in pure vaudeville mode). Bowen and Jones are crowd pleasers, but Farmer deserves special mention for bringing an enchanting grace and a contemporary sensibility to “Sun and I,” an Act 2 highlight and one of the finest songs ever written by Gilbert and Sullivan. This trio receives excellent support from the suave Alimamy Barrie as the Mikado, vocal powerhouse Paige Dobkins as Pitti-Sing, striking tenor Mark Beyer (“Braid the Raven Hair”) as Pish-Tush, the equally amiable Nathan Pecchia as Pooh-Bah and Bailey Rose as Peep-Bo, and the marvelously formidable Jasmine Easler as the fiery Katisha, who vows to make Nanki-Poo her husband. The exceptional Easler, recently featured in WSU’s remarkable “Fences” and conveying a sinister diva mentality recalling Evilene from “The Wiz,” delivers knockout, amazingly soulful renditions of “Hour of Gladness” and “Alone and Yet Alive” that absolutely bring down the house.
The overt beauty within this impressively produced showcase is fueled by the inviting Japanese décor of Pam Knauert Lavarnway’s set, costumer Jeremy W. Floyd’s attractive mix of Cotton Club-esque attire and gorgeous kimonos, and Matthew P. Benjamin’s evocative lighting and projections.
If you don’t have plans to catch “Hot Mikado” before it closes you need to immediately reschedule your agenda. This must-see is too hot to miss.

“Hot Mikado” continues through Nov. 9 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Thursday at 7 p.m., Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 p.m. Act One: 63 minutes; Act Two: 60 minutes. Tickets are $22 for adults and $20 for seniors and students. For tickets or more information, call WSU box office at (937) 775-2500.

‘Mame’ Review – Human Race Theatre Company – Live, Laugh, Love

November 5, 2014 By Russell Florence, Jr.

Lisa Ann Goldsmith and Peanut Edmonson in the Human Race Theatre Company’s production of “Mame” (Contributed photo by Scott J. Kimmins)

The Human Race Theatre Company’s warmly intimate production of Jerry Herman, Jerome Lawrence and Robert E. Lee’s endearing and splendidly tuneful 1966 musical “Mame” has a lot of heart but lacks pizzazz at its core.
Based on Lawrence and Lee’s 1956 play “Auntie Mame,” adapted from Patrick Dennis’ 1955 novel of the same name, “Mame” chronicles nearly 20 years in the life of Mame Dennis, a lively, eccentric socialite who throws lavish soirees in her posh Beekman Place apartment no matter the occasion. In 1928, Mame’s unrestrained, attention-seeking existence quickly changes when she becomes the guardian of her timid, sheltered 10-year-old nephew Patrick. As Mame energetically shows Patrick just how eye-opening life can be within colorful Manhattan, an education thriving in the unconventional sense, their tender, loving bond grows stronger even as the ensuing years bring its share of hardships, sorrow, misunderstanding, and disappointment.

Lisa Ann Goldsmith and the cast of Mame. Photo courtesy of Scott J. Kimmins.

As the flashy, larger-than-life Mame, one of the juiciest roles in the musical theater canon, Lisa Ann Goldsmith, previously known at the Human Race for roles in “Macbeth” and “Torch Song Trilogy,” adopts a gentler, subdued and mildly coy approach that feels off-kilter to the jubilant spirit of the brassy material. Mame is fashioned to be an earthy, outspoken and flamboyant center of the universe, but Goldsmith embodies the role as a woman second guessing her extravagant flair rather than a woman completely confident in her own skin. As so, her musical numbers, intended to illuminate Mame’s vivacious electricity, are short on vim and verve. The cheerful vigor and excitement pulsating throughout Herman’s dandy score (“It’s Today,” “Open a New Window,” “We Need a Little Christmas,” “That’s How Young I Feel”) just doesn’t credibly land in her hands which deflates momentum despite assistance from the vocally strong ensemble. Even Mame’s signature torch song “If He Walked Into My Life” startlingly comes and goes as if its mere filler rather than the full-throttle, show-stopping epiphany it was written to be. Goldsmith, stunning in costumer Christie Peitzmeier’s stylish outfits, is comfortable in the book scenes that allow her ample time to mold the nuances of her characterization opposite the earnestly sweet Peanut Edmonson as young Patrick, but her musical numbers, the lifeblood of the show, are not equally assured.
Still, there is consistent, grounded work elsewhere under the fluidly fast-paced and atmospheric direction of producing artistic director Kevin Moore, who astutely conceptualizes the show as a portal into Patrick’s memory and effortlessly scales down its traditionally large framework to incorporate a 20-member cast. Leslie Goddard is outstanding as goofy secretary Agnes Gooch, particularly as Agnes attempts to embrace life to the fullest with great consequence. Torie Wiggins, in a refreshing dose of non-traditional casting, is a real comedic find as prominent theater actress Vera Charles, Mame’s boozy best friend. Jamie Cordes is the epitome of a true Southern gentleman as the wealthy Beauregard Jackson Pickett Burnside, Mame’s husband. Zack Steele supplies charisma and conviction as the adult Patrick although he struggles vocally in his upper register. Annie Pesch (Ito), Scott Stoney (Dwight Babcock), Robb Willoughby (M. Lindsay Woolsey), Marya Spring (Sally Cato), Sherri L. Sutter (Mother Burnside), Sarah Naughton (Gloria Upson), Darrin Murrell (Mr. Upson), Layan Elwazani (Pegeen Ryan), Shavey Brown (Ralph Devine), Cooper Taggard (Gregor), and Michael McCrary (Junior Babcock) solidly perform in flavorful featured roles. Fierce, attractive couple Sarah Agar and Adam Soniak, attacking Katie Johannigman’s sharp choreography as if auditioning to become a part of next season’s “Dancing with the Stars” troupe, exhibit dazzling finesse as a pair of steamy ballroom dancers in “Open a New Window.”

Peanut Edmonson and Lisa Ann Goldsmith in Mame, photo by Scott J. Kimmins.

Additionally, Dick Block’s terrific set features a revolving layout for Mame’s apartment as well as large, colorful postcard backdrops. John Rensel’s expert lighting heightens various locales from the coziness of Mame’s bedroom to the Shubert Theater stage in New Haven, Connecticut. Musical director John Faas, a Herman aficionado, leads a well-balanced and peppy seven-member off-stage orchestra.
Captivating joy has always been a primary component to the success of Herman’s most beloved musicals. Whether it’s a matchmaker descending a staircase to the delight of admiring waiters or the euphoric empowerment shared between drag queens, Herman’s sunny, feel-good repertoire absolutely uplifts the spirit. In order for the inherent joy within “Mame” to shine with credible magnetism this production needs to dig deeper.

“Mame” continues through Nov. 23 at the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesday-Saturday evenings at 8 p.m., Sunday and Tuesday evenings at 7 p.m., and Sunday matinees at 2 p.m. Act One: 80 minutes; Act Two: 65 minutes. Tickets are $40-$50. Prices vary depending on performance date. Discounts are also available. Call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org

DMM Ticket Giveaway

If you’d like a chance to win a pair of tickets to see this classic show, just like this post, fill out the form below and leave a comment about why we should pick you as a ticket winner! We’ll announce our winner late night on Thurs, Nov 6th.

Thanks to all who entered! Congrats to Doug Kershner, Renee Reed and Diane Carter, our ticket winners!

‘Ambassador of Americana’ presents all-new Big Retro Slide Show

November 5, 2014 By Dayton Most Metro

The Dayton Art Institute’s Fifth Third Bank Arts Night Out series continues on Thursday, November 6, with the return of “Ambassador of Americana” Charles Phoenix and his Big Retro Slide Show.

Phoenix is a performer, humorist, chef and author. Through his live shows, videos, media appearances and books, the self-proclaimed “retro daddy” explores America’s classic and kitschy pop culture past and present, and often predicts retro-inspired future trends. Fans enjoy his unique spin and genuine reverence for all things Americana. Exuding a joy of life and exuberant enthusiasm, he encourages people to, “Get in touch with your inner Americana, embrace it, have a sense of humor about it, and proudly share it with the whole wide world.”

While growing up in Ontario, California, Phoenix became enamored with theme park environments, fashion fads, and used cars on his dad’s car lots. As a teenager, he began a thrift shopping spree that lasted 30 years. After moving to Los Angeles and enjoying careers as a fashion designer and classic car dealer, his life changed forever when he found a shoebox full of vintage Kodachrome slides, marked “Trip Across the United States 1957,” in a thrift shop. Collecting vintage slides soon became an obsession and he’s been collecting ever since. His vast archive of slides is called the “Slibrary,” employs a “Slibrarian,” and is the basis for his popular Big Retro Slide Shows.

Phoenix performs his slide shows across the country, featuring a wide variety of themes, from road trips and Southern California to his annual holiday celebrations. The Big Retro Slide Show is a sly, entertaining live comedy performance that celebrates mid-century Americana. With his unstoppable enthusiasm and wry, eagle eye for the very best and most bizarre of his massive collection of Kodachrome slides, he supercharges the classic living room slide show into a hysterical celebration of vintage American life and style.

His Big Retro Slide Shows include tributes to local landmarks, legends and lore. During his 2012 visit to Dayton, Phoenix was introduced to many of the area’s vintage gems, and he plans to see more of the best retro sites in the Gem City and surrounding communities during his return visit. The public is invited to share their favorite retro sightseeing suggestions, either via The DAI’s Facebook page, at www.facebook.com/daytonartinstitute, or emailing [email protected].

In addition to his live shows, the popular entertainer has shared his vintage images and culinary creations – including his famous Cherpumple monster pie cake – on TV with Conan O’Brien and Martha Stewart, and he is often heard on National Public Radio. The Los Angeles Times dubbed him “the King of Retro,” and LA Weekly anointed him “Kodachrome King.”

For more about the retro world of Charles Phoenix, including videos and photos from the “slibrary,” visitwww.charlesphoenix.com and follow him on Facebook at www.facebook.com/charlesphoenix.usa.

The Fifth Third Bank Arts Night Out presentation of Charles Phoenix’s Big Retro Slide Show is on stage in The Dayton Art Institute’s NCR Renaissance Auditorium for one night only, Thursday, November 6, at 8 p.m. The DAI’s Leo Bistro will be open for dinner on November 6, 5-8 p.m., offering a special menu for the show. Advance reservations are recommended, by calling 937-512-0146. Go to www.leobistro.com for more information.

Tickets for Charles Phoenix’s Big Retro Slide Show are priced at $30 for adults and $26 for seniors. Tickets are on sale now and may be purchased by phone, at 937-223-4ART (4278), in person at The Dayton Art Institute’s Guest Services Desk duringregular museum hours, and online at www.daytonartinstitute.org/artsnightout or www.etix.com.

Centerville Theater Spins A Tale About Rumpelstiltskin

November 3, 2014 By Dayton Most Metro

Laura, the miller’s daughter, is in a bit of a pickle. The king thinks she can spin straw into gold and has big plans for increasing his kingdom’s treasury! There’s only one problem! The poor girl has no idea how to turn straw into gold. When a small wizard shows up and promises to help…she makes a bargain she’ll soon regret! That is, unless she can guess his name!

Spoiler alert – his name is RUMPELSTILTSKIN!

Don’t miss our fall ACT Showcase, MY NAME IS RUMPELSTILTSKIN! November 7-9! Friday at 7pm and Saturday and Sunday at 3pm!

DVAC Presents Abstract Paintings By Dayton’s Susanne Scherette King

November 2, 2014 By Dayton937

Inspired by the bold, graphic lines of American expressionists Robert Motherwell and Franz Kline (ca. 1940-60s); and steeped in the palette and organic architecture stylized by Frank Lloyd Wright and paralleled in her Oakwood home, Susanne Scherette King‘s abstract shapes, dynamic brush strokes, tones and textures are visual poetry.

DVAC’s solo exhibition of Dayton-based painter, Susanne Scherette King is on view November 7 through December 27, 2014 King’s work was selected for solo exhibition amongst 120 applications for DVAC’s 2012 Biennial Call for Exhibitions.

Born and raised in Indiana, with a B.A. from Valparaiso University (IN) and an M.S. in Education from University of Dayton, she’s been a resident of Oakwood since the early 1980s. She found her creative outlet in garden design and began painting seriously in 2004 while teaching writing at Oakwood Junior High. She quickly reached a level of accomplishment leading to shows in Dayton and Columbus in 2009 and Philadelphia in 2010. Her work was briefly interrupted by a serious automobile accident in the Fall of 2011 and subsequent illness. Remarkably, however, the work displayed in this show, as well as other large-scale work, was produced predominantly from the Summer of 2011 to the present, during what was supposed to be a period of rest and recovery.

She says of how she approaches her canvas: “Each canvas is approached without any preconception. Color evokes emotion; emotion evokes color. The creative-process used on these paintings involves continual change, moving through layers and layers of color and medium. This process evolves into an expression of translucent, organic form. Like nature, sometimes the elements have a life of their own. Paint, water, and oil mix and create a synergy emerging on the canvas.”

The Opening Reception is November 7, 5-8 p.m. and is free and open to the public. King will be giving a fee Gallery Talk on December 11, at 6:15 p.m. The exhibition runs through December 27.

The Presenting Exhibition Sponsors are Jon & Diana Sebaly; Exhibition Partners are Bill & Mary Koch; and Education & Public Program Sponsors are Dr. Bob Brandt, King Orthodontics and Michael E. Peters, Esq.

DVAC is located at 118 N. Jefferson St in downtown Dayton. Ample metered parking; free after 6pm and on weekends. Gallery Hours: Tuesday-Saturday, 11am-6pm. Closed Sunday and Monday.

Musical Thriller Sweeney Todd Opens Tonight in Beavercreek

October 31, 2014 By Dayton Most Metro

Sophisticated, macabre, visceral and uncompromising, SWEENEY TODD nevertheless has a great sense of fun, mixing intense drama with howlingly funny moments of dark humor:

“Night of the Living Dead” turns to Day(ton) for National Premiere

October 26, 2014 By Megan Cooper

Opening on Halloween, October 31 and running through November 7, The Dayton Playhouse produces the national premiere of George A. Romero’s Night of the Living Dead Live. The Canadian creators/adapters of the stage play share, “Night Of The Living Dead Live is a theatrical tribute to all of the elements that make this cinematic masterpiece so endearing. More than just a recreation of the story, the play celebrates the history and influence of the movie. Done through a series of multiple endings, the characters are all faced with different issues and challenges desperately trying to survive the night. However, their contrasting personalities and agendas always seem to affect the group from working together which leaves us all wondering could anyone survive a Night of the Living Dead?” The team out of Canada was nominated for Best Comedic Play in 2014, so Dayton audiences can expect to laugh and scream in delight.

I reached out to director Geoff Burkman who leads the team producing the National Premiere right here in Dayton. Geoff has a history with Romero – he was cast as a zombie in Romero’s third film (of the five-film series) – Day of the Dead, and Geoff is an experienced zombie. I asked him a few questions about directing this production — the fun of delving into the show and passing along his zombie experience to the next generation.

What can audiences expect by coming to the show?

I’m hoping that audiences can expect a good time watching a genre classic get deconstructed in the most loving way possible….by dismembering it!

Who is the perfect audience for this – theatre-goers, movie buffs, horror hounds?

I think the “perfect” audience for this show is Romero fans with a sense of humor, but I also think that normal theatergoers will also appreciate the zany theatricality of the piece. I really don’t want to spoil too much. Admittedly, people who have never seen the original film (do such folks exist?) may have a hard time grasping what we’re doing. They’ll still have fun, though.

In what ways is the stage play similar to the movie and how is it different?

The similarities between the film and this play reside mostly in the iconic characters and the basic plot line and themes, but as the comedic elements begin to intrude and then overwhelm the story, all that goes out the window. That, and they’re both done in black and white.

Any personal thoughts on the movie?

Suffice to say, I consider Night of the Living Dead to be a milestone film that impinged on my consciousness at a milestone point in my life, leading inevitably, inexorably, relentlessly, implacably with singularity of purpose and impetus toward the staging of this unique production. That’s my story and I’m sticking to it!

Why is Dayton the right place for the National Premiere?

Dayton Playhouse has a national reputation for promoting the performing arts, with community theater being no exception, cf. FutureFest. That said, I ascribe it to karma…

Anything else audiences should know?

There will be blood.

For updated information, visit Dayton Playhouse online or on Facebook. Tickets are available now for this national premiere, but you can win tickets first! Dayton Playhouse is offering a pair of tickets to one lucky Dayton Most Metro reader. Just fill out the form below and leave us a comment convincing us why you should be our winner.

Congrats to Emily!

HORRORAMA 2014 Re-Haunts Englewood Cinema October 24th!

October 22, 2014 By Mike Ritchie

More legal than a fake purge and less appetizing than zombies on AMC, it’s that time of year for the 18th Annual Horrorama Movie Festival. Making more returns then Jason, Freddy and Michael the ‘Horror’ returns to the Englewood Cinemas at 320 W. National Road, Englewood, Ohio by Kmart on Friday Oct. 24th. Doors open and the pre-show festivities at 6:00 PM, and the flicks kick off around 7:00 PM. Tickets are $10 in advance (at GameSwap Kettering and Englewood Cinema) or $12 day of show.

Turning 18 this year (it’s old enough to drink blood but not other potent liquids), Horrorama has presented horror films and audience participation activities on the last Friday before Halloween each year. Fans are once again welcomed, encouraged and demanded with a sneer to wear costumes, yell at the screen and scream, holler and howl at will. Please no biting, sacrifices, monster attacks, conjuring’s, mauling’s or ‘turns’ in the theater or lobby. This year’s show returns with four great horror films, tons of trailers from distant yesteryear-current day, short films, some by local directors, and contests! Scream for me Horrorama!

This year’s event is hosted by Dayton’s own horror show and radio host A Ghastlee Ghoul. Terrifying Tales of the Macabre’s Baron Von Porkchop will also present a short film during the event.

The evening’s first frightful flick starts with Peter Cushing returning as Baron Frankenstein in Hammer’s classic Frankenstein and the Monster from Hell. His brain came from a genius. His body came from a killer. His soul came from hell! Your blood will run cold when the monster rises. The second feature is from that hellraisen’ Clive Barker’s little seen sleeper Rawhead Rex. Watch out, he’s pure evil, pure power, pure terror. Someone has awakened him….he lives again to feed again.

The third film is the Italian zombie flick by Bruno Mattei, Hell of the Living Dead and is known as one of the worst zombie films ever made. In other words, you’ll love it! When the creeping dead devour the living flesh, get ready… it’s gonna be one hell of a night. The last film for the evening’s insomniacs and those too scared to sleep is H.P. Lovecraft’s The Bride of Re-Animator, a direct sequel to the cult classic Re-Animator starring Halloween 4’s Kathleen Kinmont and good ole Dr. West. The creator of the original cult classic injects new life into body parts other films cannot reach… it’s a scream! Date. Mate. Re-animate.

For the last 17 years, Horrorama has raised thousands of dollars for charity. This year Horrorama will benefit the All Creatures Great and Small Emergency Pet Food Bank.

Horrorama is not just a passive movie watching event, every year Horrorama features a kids and adult costume contest as well as other contests such as a “zombie walking” and “screaming” contest. More information can be found on Facebook at Horrorama 2014 and Horrorama Dayton or call the Englewood Cinema at 937-836-0805.

Victoria Theatre Association Announces $30 Million Endowment Campaign

October 22, 2014 By Dayton Most Metro

Victoria Theatre Association (VTA) hosted a private reception Tuesday evening announcing a $30 million endowment campaign with funds designated for the future capital, programming and educational needs of VTA’s arts facilities: the Benjamin & Marian Schuster Performing Arts Center, the Victoria Theatre, and the Metropolitan Arts Center, home to The Loft Theatre.

“Dayton is fortunate to have wonderful arts venues – the Benjamin & Marian Schuster Performing Arts Center, the Victoria Theatre, and the Metropolitan Arts Center, home to the Loft Theatre – that we own and operate on behalf of the community. We take stewardship of these buildings very seriously, “said Ken Neufeld, President & CEO of Victoria Theatre Association and the Arts Center Foundation. “In order to plan for the future and make sure each venue is maintained for generations, VTA requires building our current endowment. And that’s just what we’ve been doing. “

Ken Neufeld

“The Next Stage Campaign has met with phenomenal response,” continues Neufeld. “We are already at 74% of our total goal of a $30 million endowment. Tonight – opening night of the 14-15 Premier Health Broadway Series – is about thanking the incredible companies, foundations, individuals and the State of Ohio who have helped us make it so far so quickly and about engaging a broader circle of friends to help us meet our goal.”

Current-use gifts and endowment funds raised through The Next Stage Campaign will be used to support:

Building upgrades and energy efficiency;
Technology improvements; and
New programming initiatives, with plans to introduce more young people to the special experience of the performing arts.

Projects already funded and completed through The Next Stage Campaign include new carpet throughout the Schuster Center and updated stage lighting controls for both the Mead Theatre (Schuster Center) and The Loft Theatre (Metropolitan Arts Center).

To learn more about The Next Stage Campaign and read what has inspired others to contribute by visitingwww.victoriatheatre.com. For information about how you or your company can participate in The Next Stage Campaign, contact Rosie Melia, Campaign Manager, [email protected] or call 937-228-7591, ext. 3044.

ST. VINCENT (Starring Bill Murray) & PRIDE (With Amazing British Cast) Start Friday at THE NEON!

October 21, 2014 By Jonathan McNeal

Hello Everyone,

If you’ve liked films like BILLY ELLIOT and THE FULL MONTY, I’m pretty certain you’re going to absolutely love PRIDE. The standing ovation at the screening I attended in Toronto was invigorating, and the film is more than just warm and charming – it’s inspiring. I hope you’ll come and support it this weekend. In addition to PRIDE, we will open the new Bill Murray comedy – ST. VINCENT. This film was also a crowd-pleaser when I saw it in Toronto, and I think Dayton audiences will like it as well. If you still need to see THE SKELETON TWINS, LOVE IS STRANGE, MY OLD LADY or THE TWO FACES OF JANUARY, you only have until Thursday to see them at THE NEON. Visit www.neonmovies.com for this week’s remaining showtimes.

As a reminder, we will have a special preview screening of ST. VINCENT on Thursday, Oct. 23 at 8:00. Regular ticket prices will apply…and we’ll have some fun prizes to give away!

Synopsis for PRIDE: “PRIDE is inspired by an extraordinary true story. It’s the summer of 1984, Margaret Thatcher is in power and the National Union of Mineworkers is on strike, prompting a London-based group of gay and lesbian activists to raise money to support the strikers’ families. Initially rebuffed by the Union, the group identifies a tiny mining village in Wales and sets off to make their donation in person. As the strike drags on, the two groups discover that standing together makes for the strongest union of all.” This film stars some real heavyweight British actors like Imedla Staunton, Bill Nighy, Dominic West and Paddy Considine. Click this LINK to visit the film’s official site.

Synopsis for ST. VINCENT: “Maggie (Melissa McCarthy), a single mother, moves into a new home in Brooklyn with her 12-year old son, Oliver. Forced to work long hours, she has no choice but to leave Oliver in the care of their new neighbor, Vincent (Bill Murray), a retired curmudgeon with a penchant for alcohol and gambling. An odd friendship soon blossoms between the improbable pair. Together with a pregnant stripper named Daka (Naomi Watts), Vincent brings Oliver along on all the stops that make up his daily routine – the race track, a strip club, and the local dive bar. Vincent helps Oliver grow to become a man, while Oliver begins to see in Vincent something that no one else is able to: a misunderstood man with a good heart.” Click on this LINK to visit the film’s official site.

https://www.youtube.com/watch?v=r5BVn-eyAxA

By now, many of you are familiar with Gathr and Tugg – platforms used to bring films to town that might not otherwise screen in our market. When you visit these sites, you can reserve a ticket that will help bring the film to THE NEON. If not enough tickets are reserved, the screening doesn’t go forward and your card is never charged. Here are 2 upcoming films that are attempting to come to town:
CULTURE HIGH, a film about the modern day marijuana debate – Wed. Nov. 5 at 7:30 – LINK for CULTURE HIGH
PENTON, a film about the American icon and motorcycle pioneer (this is an encore screening due to the sold-out success of the screening a month ago) – Thursday, Nov. 6 a 7:30 – LINK for PENTON

Thanks for your continued support!

We hope to see you soon,
Jonathan

SHOWTIMES for Friday, Oct. 24 – Thursday, Oct. 30:

PRIDE (R) 1 Hr 57 Min
Friday & Saturday: 12:00, 2:20, 4:50, 7:15, 9:45
Sunday: 12:00, 2:20, 4:50, 7:15
Monday – Thursday: 2:45, 5:15, 7:45

ST. VINCENT (PG-13) 1 Hr 42 Min
Special Preview screening Thursday, Oct. 23 at 8:00!
Friday & Saturday: 12:30, 2:50, 5:10, 7:30, 9:50
Sunday: 12:30, 2:50, 5:10, 7:30
Monday – Thursday: 2:50, 5:10, 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

Nov. 7 – BIRDMAN
Nov. 14 – WHIPLASH
Nov. 28 – THE THEORY OF EVERYTHING
Dec. 19 – THE IMITATION GAME
Jan. 9 – FOXCATCHER