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Arts & Entertainment

Les Miserables Collaboration Creates Big Sound

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LesMizDo you hear the people sing? You will – but it’s this weekend only. Les Miserables is getting a fresh staging and a BIG sound with a collaboration between Dayton Playhouse and Miami Valley  Symphony Orchestra at the Masonic Center for an orchestral and vocal production. The team of Brian Sharp (Director), Erik Strope (Vocal Director), and Ron Kindell (Orchestra Conductor) is working together to bring this show to Dayton. I recently talked to Brian Sharp for some insights into how the production came together and what audiences can expect.

Is Les Mis a personal favorite of yours? Do you remember when you first saw it and how you felt?

I saw Les Mis the first time on Broadway…and loved the music…but was not fond of the original staging, etc.  I always found the music thrilling and emotional.
 Les Mis has been around for a while and is fairly well-known. What makes now the right time for a community theatre to produce it locally in Dayton?

As far as why is this right now…and still appropriate? There is really no way for a community theatre to mount a production this large.  The idea of a partnership was perfect.  It would allow a full symphony and the opportunity to fill the cast with voices from all over the Miami Valley area. The music is timeless…and is much loved!

This is a pretty huge show to tackle. Did you have any concerns with such a big endeavor?

Just the sheer magnitude of the auditions was an undertaking.  We had over 200 people audition and had them scheduled every ten minutes…we auditioned over the course of a week…and then had a follow up chorus audition. There were concerns with rehearsal space because of the size of the cast and orchestra.  Once the auditions were complete…I had no concerns with the voices…these really are the best of the best!

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Brian Sharp

Is this adaptation different than the shows come of our readers may have seen traveling? All the same songs, setting, staging?

This adaptation will be similar to what was seen on the 10th and 25th anniversary shows.  However, there is a twist.  My big concern with this type of version is how do we keep the story clear to the audience. We have worked with a Broadway projection company to use projections that have never been seen anywhere in the Midwest.  It will truly be sensory overload…the visual piece of the costumed actors/singers, the magnificent symphony orchestra and then this visual element is sure to add another amazing element.

Can you tell me about the collaboration between the Playhouse and the MVSO?

The collaboration was just kind of a natural fit. Many of their musicians have played in the pit orchestras for our musicals. This is an opportunity for us to give back.

Does the setting of the Masonic Center add to the drama of the show?

The Masonic Center is grand, and allows us to sell up to 1500 seats per performance, so there are plenty of tickets available. It will definitely add to the performance and they have been fantastic to work with.
Anything else our audiences should know?

I simply hope the community realizes what an opportunity this is for them…we have positioned the orchestra in such a way that the audience will feel up close and personal with the musicians.  This is a production that should not be missed. Tickets are only $20/$18 and that is a bargain for what you will be receiving.

Tickets are available now for the performances Friday, October 24 and Saturday, October 25 (both at 8 p.m.) and Sunday, October 26 at 2 p.m. They can be purchased online at wordpress.thedaytonplayhouse.com. However, a lucky Dayton Most Metro reader will have the chance to win a pair of tickets to see the show!  Just fill out this form below and tell us in the comments why you should win! [form 55 “DMM Contest Entry – Generic”]

Gaggle of Stars in New Movies at THE NEON!

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the-two-faces-of-january-posterHello Everyone,

We’re holding both LOVE IS STRANGE and THE SKELETON TWINS for one more week, but we’re going to add two new films into the mix. On Friday, we will open a film starring Dame Maggie Smith, always loved by our regulars, in MY OLD LADY – also starring Kevin Kline and Kristin Scott Thomas. In addition, we will open a stylish adaptation of a Patricia Highsmith thriller – THE TWO FACES OF JANUARY – starring Kirsten Dunst, Viggo Mortensen, and Oscar Isaac. All of these films will end their runs on Thursday, Oct. 23…so hurry down if you want to see them. Visit www.neonmovies.com for this week’s remaining showtimes.

Synopsis for MY OLD LADY: One Week Only! “Mathias Gold (Kevin Kline) is a down-on-his-luck New Yorker who inherits a Parisian apartment from his estranged father. But when he arrives in France to sell the vast domicile, he’s shocked to discover a live-in tenant who is not prepared to budge. His apartment is a viager – an ancient French real estate system with complex rules pertaining to its resale – and the feisty Englishwoman Mathilde Girard (Maggie Smith), who has lived in the apartment with her daughter Chloe (Kristin Scott Thomas) for many years, can by contract collect monthly payments from Mathias until her death.” (taken from Cohen Media) Click this LINK to visit the film’s official site.

Synopsis for THE TWO FACES OF JANUARY: One Week Only! “Screenwriter Hossein Amini (The Wings of the Dove, Drive) makes a stylish directing debut with this sleek thriller set in Greece and Istanbul, 1962, and adapted from Patricia Highsmith’s novel. Intrigue begins at the Parthenon when wealthy American tourists Chester MacFarland (Viggo Mortensen) and his young wife Collete (Kirsten Dunst) meet American expat Rydal (Oscar Isaac), a scammer working as a tour guide. Instead of becoming his latest marks, the two befriend him, but a murder at the couple’s hotel puts all three on the run together and creates a precarious bond between them as the trio’s allegiance is put to the test.”

On Sunday, Oct. 19 at 5:30, Jeff Akers has rented one of our auditoriums to locally premiere his new short film ILLUMINATION. “Jeff Akers Films, a subsidiary of NJP Media Network, is pleased to announce the release of the riveting new short film ILLUMINATION, which brings to light the mindset of an unbeliever who continues to deny that God is real. The film is set in current reality but personifies new age technology and the power it can have on those in control of it. ILLUMINATION stars veteran actor Shane Willimon, as well as newcomers like Chedrick Cohens, Kenya Permenter, and Darrell Brown who bring this film to life with their skill and believability on screen. Director Jeff Akers plans to screen the film in Greenville, SC and Dayton, Ohio where the majority of it was filmed, he will also enter the production into numerous Christian-based film festivals. ‘This film will not only surprise people, but it will have them thinking on a completely different level,’ he stated. Akers plans to leave you pining for more compelling films and industrials that change your thinking and re-shape your awareness.” (taken from press notes) Akers will attend this screening, and tickets are $5 each – available at THE NEON.

Many thanks to everyone who came out for The Dayton LGBT Film Festival. We had 3 sold-out screenings, and audiences seemed quite enthused by the selections and Opening Night Party. We’re still tabulating the audience award winners…so click this LINK for the festival’s Facebook page later this weekend to find out the latest.

On October 24, we are opening two new films – PRIDE (which is exceptional) and ST. VINCENT (in which Bill Murray is a scream). That said, we just booked a special preview of ST. VINCENT for Thursday, October 23 at 8:00 – where we will have some fun giveaways! Tickets will be available for this special screening by the weekend.

Thanks for your continued support!
We hope to see you soon,
Jonathan

SHOWTIMES for Friday, Oct. 17 – Thursday, Oct. 23:

THE SKELETON TWINS (R) 1 Hr 33 Min
Friday & Saturday: 5:10, 9:30
Sunday – Thursday: 5:10

LOVE IS STRANGE (R) 1 Hr 34 Min
Friday & Saturday: 1:00, 5:15
Sunday: 1:00
Monday – Thursday: 5:15

MY OLD LADY (PG-13) 1 Hr 47 Min
Friday & Saturday: 12:30, 2:50, 7:15
Sunday:12:30, 2:50, 7:15
Monday – Thursday: 2:50, 7:15

THE TWO FACES OF JANUARY (PG-13) 1 Hr 36 Min
Friday & Saturday: 3:00, 7:30, 9:40
Sunday: 3:00, 7:45
Monday – Wednesday: 3:00, 7:30
Thursday: 3:00

ILLUMINATION (NR) 30+ Min
Sunday: 5:30

ST. VINCENT (PG-13) 1 Hr 43 Min
PREVIEW SCREENING!
Thursday: 8:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Oct. 24 – PRIDE
Oct. 24 – ST. VINCENT
Nov. 7 – BIRDMAN
Nov. 14 – WHIPLASH
Nov. 28 – THE THEORY OF EVERYTHING
Dec. 19 – THE IMITATION GAME

‘Good People’ Review – Dayton Theatre Guild – Boston Bliss

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The Dayton Theatre Guild, who staged memorable local premieres of “Fuddy Meers” and “Kimberly Akimbo” by Pulitzer Prize winner David Lindsay-Abaire (“Rabbit Hole”), delivers a splendid local premiere of “Good People,” Lindsay-Abaire’s 2011 Tony Award-nominated working-class dramedy about misunderstanding, regret and neighborhood pride in South Boston’s Lower End a.k.a. Southie.

Delicately directed with impressive authenticity by Debra A. Kent, this terrifically insightful, humorous and engrossing character study concerns the resilient yet brash Margaret “Margie” Walsh, a down-on-her-luck single mom of a handicapped adult whose search for employment reunites her with her high school boyfriend Mike, a successful doctor. When Margaret realizes just how far removed Mike has become since their youth, sparks fly with the underlying knowledge that everybody’s perspective of the past is never the same no matter how hard you choose to see it differently.


good people

(l to r) The cast of the Dayton Theatre Guild’s local premiere of David Lindsay-Abaire’s “Good People” features Alexander Chilton as Stevie, Shyra Thomas as Kate, Rachel Wilson as Margaret, Heather Martin as Dottie, Shawn Hooks as Mike, and Wendi Michael as Jean.




Rachel Wilson and Shawn Hooks deliver their finest performances as the central couple who could have been more than fleeting lovers. Marvelous in dialect and conviction from start to finish, Wilson effortlessly navigates a beautifully complex, fully-realized journey in which you not only feel but absorb Margaret’s desperation and helplessness due to past mistakes and circumstances beyond her control. Hooks, amiable and sharp, avoids embodying his role with a chip on his shoulder which allows Mike to come forth as genuine and rightfully perturbed when his Southie allegiance is called into question. Wilson and Hooks worked very well together last season in the Guild’s entertaining “Expecting Isabel,” and they unite deeper here to palpable proportions with an entirely real, unforced chemistry.

Additionally, four fantastic featured performances delightfully propel the story, containing discussions of bingo, neighborhood lore and political incorrectness in typically peculiar Lindsay-Abaire fashion. Heather Martin, in a welcomed return to the Guild, injects sassy spunk into her portrayal of Margaret’s outspoken landlady Dottie, who earns extra money with her kooky crafts. Wendi Michael is an absolutely understated joy as Jean, Margaret’s direct, encouraging friend who seems to know more about the colorful ongoings within Southie than anyone. Alexander Chilton, bringing authority and concern to the pivotal opening scene he shares with Wilson, is also winningly understated as the good-natured Stevie, Margaret’s former boss-turned-bingo partner. In a remarkable Guild debut, the magnetic Shyra Thomas nearly steals the show as her breakthrough portrayal of Mike’s elegant, sophisticated wife Kate pokes holes into and ultimately reexamines Margaret and Mike’s relationship with surprising results that in turn forces her to see her privileged world in a new light.

Kent’s first-rate artistic team includes scenic designer Blake Senseman, lighting designer Jason Vogel, sound designer K.L. Storer (who once again assembles outstanding, story-driven musical selections for scene changes), costumer Linda Sellers, property masters Senseman and Deidre Bray Root, and dialect coach D’Arcy Smith.
Considering the fact that there’s a little bit of good in everyone, don’t skip the invitation Lindsay-Abaire and the Guild extends to become acquainted and captivated by six intriguing individuals whose distinct lives mirror ourselves and those we love.


 

“Good People” continues through Oct. 19 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Performances are Fridays at 8 p.m., Saturdays at 5 p.m., and Sundays at 3 p.m. Act One: 55 minutes; Act Two: 55 minutes. Tickets are $19 for adults, $17 for seniors and $12 for students. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

Critically Acclaimed LOVE IS STRANGE Opens at THE NEON!

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Love-is-StrangeHello Everyone,

Taking a cue from national trends, we didn’t have the highest hopes for ALIVE INSIDE…but it’s a film we believed in and hoped would find an audience. Unfortunately, those trends proved to be right in line with the film’s performance in Dayton. That said, people who saw it can easily understand why this inspiring film won the audience award at Sundance. Unfortunately, Thursday was the last chance to see it at THE NEON. On Friday, we open a wonderful new film with two of the best male performances of the year – LOVE IS STRANGE. We will also hold onto the much-loved, darkly funny sibling drama THE SKELETON TWINS. Visit www.neonmovies.com for this week’s remaining showtimes.

Synopsis for LOVE IS STRANGE:Rated 97% FRESH on Rottentomatoes.com. “After nearly four decades together, Ben (John Lithgow) and George (Alfred Molina) finally tie the knot in an idyllic wedding ceremony in lower Manhattan. But when George loses his job soon after, the couple must sell their apartment and – victims of the relentless New York City real estate market – temporarily live apart until they can find an affordable new home. While George moves in with two cops (Cheyenne Jackson and Manny Perez) who live down stairs, Ben lands in Brooklyn with his nephew (Darren Burrows), his wife (Marisa Tomei), and their temperamental teenage son (Charlie Tahan), with whom Ben shares a bedroom. While struggling with the pain of separation, Ben and George are further challenged by the intergenerational tensions and capricious family dynamics of their new living arrangements.” (taken from Sony Pictures Classics) This film was directed by Ira Sachs – a director who has visited Dayton and worked directly with WSU motion picture students…he has also been quite kind to The Dayton LGBT Film Festival over the years. Click this LINK to visit the film’s official site.

“Next Wednesday, October 8 at 7:30, there will be a one-time screening of AMERICAN WINTER immediately followed by a moderated discussion with the producer Harry Gantz. This screening is sponsored by the City of Dayton, Ohio CDC Association, and CareSource. ‘For countless middle-class families who have experienced job loss or an unexpected financial setback, the American Dream has become an American nightmare. Working families, seemingly on a path toward economic security, have discovered how quickly they can slip from the middle class into poverty. The film presents an intimate snapshot of the state of the nation’s economy as it is playing out in the lives of many American families.’ (From American Winter notes) A must see for those working with those in poverty and those involved in the formation of policy that impacts the community’s safety net services! Admission is $5 and open to the public. THIS JUST IN: Tickets to this screening are sold out!  If you’d like to be put on a waiting list, contact  [email protected].” (taken from press notes).

On Sunday, Oct. 19 at 5:30, Jeff Akers has rented one of our auditoriums to locally premiere his new short film ILLUMINATION. “Jeff Akers Films, a subsidiary of NJP Media Network, is pleased to announce the release of the riveting new short film ILLUMINATION, which brings to light the mindset of an unbeliever who continues to deny that God is real. The film is set in current reality but personifies new age technology and the power it can have on those in control of it. ILLUMINATION stars veteran actor Shane Willimon, as well as newcomers like Chedrick Cohens, Kenya Permenter, and Darrell Brown who bring this film to life with their skill and believability on screen. Director Jeff Akers plans to screen the film in Greenville, SC and Dayton, Ohio where the majority of it was filmed, he will also enter the production into numerous Christian-based film festivals. ‘This film will not only surprise people, but it will have them thinking on a completely different level,’ he stated. Akers plans to leave you pining for more compelling films and industrials that change your thinking and re-shape your awareness.” (taken from press notes) Akers will attend this screening, and tickets are $5 each – available at THE NEON.

The Dayton LGBT Film Festival is right around the corner, and we have 4 guests who will attend screenings this year. Lisa Hass, lead actress and writer of THE FOXY MERKINS, is flying in from NYC. Director Drew Van Steenbergen will join the writer and star of ALONE WITH PEOPLE – both flying in from L.A. Chinonye Chukwu, writer and director of A LONG WALK, is now part of the Motion Pictures Department at WSU and a recent Dayton transplant. Tickets for the Opening Night Film – THE WAY HE LOOKS – are going quickly…take a look at the brand new trailer for this wonderful film. Visit the official site to read about all of our selections and get your tickets before they’re gone.

Maggie Smith fans rejoice! We have booked MY OLD LADY for Oct. 17! Click HERE to visit the film’s site and check out the trailer.

Thanks for your continued support!

We hope to see you soon,

Jonathan

SHOWTIMES for Friday, Oct. 3 – Thursday, Oct. 9:

THE SKELETON TWINS (R) 1 Hr 33 Min
Friday & Saturday: 12:30, 2:45, 5:00, 7:20, 9:40
Sunday: 12:30, 2:45, 5:00, 7:20
Monday – Thursday: 3:15, 5:30, 7:45

LOVE IS STRANGE (R) 1 Hr 34 Min
Friday & Saturday: 12:45, 3:00, 5:15, 7:30, 9:40
Sunday: 12:45, 3:00, 5:15, 7:30
Monday & Tuesday: 3:00, 5:15, 7:30
Wednesday: 3:00, 5:15
Thursday: 3:00, 5:15, 7:30

AMERICAN WINTER (NR) 1 Hr 30 Min + Discussion
Wednesday: 7:30

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

Oct. 10-12 – DAYTON LGBT FILM FEST, Oct. 17 – MY OLD LADY
Oct. 24 – PRIDE, Oct. 24 –  ST. VINCENT, Nov. 7 – BIRDMAN, Nov. 14 – WHIPLASH, Nov. 28 – THE THEORY OF EVERYTHING

Ohio’s Oldest Comedy Club Has New Owner

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wileysOriginally opened in 1982 by Dan Lafferty and his wife Jody on Patterson Road, Wiley’s Comedy Club is one of the longest running clubs in the country and the oldest in Ohio.  Sometime in 1990 the club moved to it’s current home in the Historic Oregon District. After 17 years at the helm of the business Lafferty sold the club to stand up comic Rob Haney, who is also a writer for the Bob & Tom radio show.  Now, fourteen years later, and  for the first time in the club history, the new ownership group are not Daytonians.  The team is headed up by stand up comic Steve Hofstetter.

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Hofstetter on stage at his Indy club.

Author’s confession- I worked at Wiley’s in 1993, before I bought Jokers Comedy Cafe.  It was at Jokers that I first booked  Hofstetter, bringing him in for a special one night show he was promoting aimed at college students.  I’d never seen his show, but based on his success on the college circuit, his status as the original writer for collegehumor.com, and his persistence in pursuing the booking, I took a chance on him.  While I don’t remember much about his humor  (which generally means his show was fine- the ones that sucked and those that rocked the rooms are the ones that stand out from my 25+ years of comedy)  what I did come away with was the sense that this New Yorker had the determination and drive to make a success out of anything he undertook.   I lost track of him along the way, but would occasionally hear about his latest accomplishment.  I heard he’d taken over a failing club in Indy and knew he was still hustling his way through comedy clubs.

Then one morning in July I started getting phone calls and facebook messages asking if I’d bought Wiley’s.  Rumors were out that Rob had sold the club and folks were asking if I’d bought the club.  I chuckled, and gave my standard answer, “been there, done that, not going back.”  Later that day I posted this update on the MostMetro.com Facebook page:

“As of October 1st, Wiley’s Comedy Club will have  new ownership. Comedian Steve Hofstetter will be the managing partner.
This will be the 3rd club they own, adding to their Indy and Louisville clubs. Steve is a hustler and knows how to promote so expect some exciting things to happen when he takes over!”

So I reached out to Steve and asked him a few questions about taking over Wiley’s:

 

What made Dayton an attractive city for you to buy a club in?

SH:  I’ve been performing there for ten years. I’ve done shows at multiple clubs, as well as Wright State and U. of Dayton. The vibe of the neighborhood in particular is what got us. It is a working class town, but filled with artists and young people actively looking for something interesting to do. Who wouldn’t want to run a club here? It’s also a Bob & Tom city, and so are our other clubs. This club in particular is a great fit – amazing bones, but not doing much re: social media and modern technology, which is what we do best. In addition, we specialize in clubs in the midwest. Our other two are in Louisville and Indy – both 2 hours from Dayton. We can do wonderful things regarding routing big comedians through the three cities.

What changes can guests expect at the club?

SH: Our philosopy is that we are responsible for the customer’s night as soon as they get out of their car, and every aspect of the experience must be considered accordingly. Our other clubs are known for quality food and a vast liquor selection, in addition to great talent. Because we have the ability to book in bulk, customers will quickly see an increase in celeb acts. We will also focus on building more of the local artists – with opportunities to grow in our organization, we’ll be teaching the local comedians to think beyond open mics and hopefully churn out some amazing acts from the scene. Rob Haney has done great things at Wiley’s over the years. Our job is to take it to the next level.

gwarren

Comedian Greg Warren

Who’s your favorite all time comic and favorite still playing clubs? (and no, you can’t say yourself)

SH:  All time is Bill Hicks. Also love me some Mitch Hedberg and Eddie Izzard (who is still gigging, just not at clubs). My favorite current club acts are probably Greg Warren and Tom Simmons. But there are so many wonderful ones it’s really hard to choose (MM:Since Greg Warren is probably my best friend in comedy, Steve wins some brownie points for that answer).

 

358272FA-D4F0-24D7-5BAC91F03B4A9E0CSo tonight, is the first night of the new regime and it’s ladies night, all women get in free on Thursday. And the first comic they have booked is another good buddy of mine, B.T.

Originally from Oklahoma and now living in Indy, this drama school graduate trained for the rigors of making people laugh and has been so successful that he has performed at the prestigious HBO U.S. Comedy Arts Festival. B.T.’s physical performance style and charm landed him two performances on NBC’s “Friday Night Videos”. He has also appeared on BET Comic View, MTV’s The Jenny McCarthy Show, and FOX’s The Keenan Ivory Wayans Show.  B.T. is only on the show for tonight, come this weekend, Steve Hofstetter will be taking the stage at his newest club.

Wishing them well and looking forward to the new energy Hofstetter will bring to Wiley’s Comedy Joint.  Stop on out to the club at 101 Pine Street in the Oregon District, with shows Thursday through Sunday at 8pm, with a second show at 10:15pm on Friday and Saturday.  You can purchase tickets on their website or call the club for more information at 937-224-5653.

‘Pride and Prejudice’ Review –Sinclair Community College –Inclusive Austen

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Film and TV actress Keke Palmer made headlines three weeks ago when she became the first African-American Cinderella on Broadway in “Rodgers and Hammerstein’s Cinderella.” But you don’t have to go to New York City to witness that kind of unique, outside the box casting. After all, Sinclair Community College’s wonderfully charming production of Jane Austen’s “Pride and Prejudice” takes a similarly non-traditional approach that allows the classic tale to refreshingly breathe anew.
Elegantly directed with beautifully fluid transitions by Kimberly Borst, “Pride and Prejudice,” breezily adapted by Joseph Hanreddy and J.R. Sullivan, brings the lovely Ariqa Bowens and handsome Shaun Diggs to the thoroughly engaging forefront as prickly adversaries-turned-lovers Elizabeth Bennet and Mr. Darcy. As Austen’s enlightening study of class, manners, privilege, and romance transpires, Bowens and Diggs delicately convey the cool repartee required to sell the complexity of their iconic roles. Bowens, graceful and intuitive in her breakthrough performance, particularly shines during Elizabeth and Darcy’s first awkward dance (which Borst astutely heightens by freezing the world around them) as well as Elizabeth’s late evening showdown with Darcy’s haughty, imposing aunt Lady Catherine de Bourgh (a perfectly stern and conceited Anna Sheldon). Diggs, the brooding epitome of male detachment, effectively softens Darcy’s aloof heart as he grows to care for and adore the incredibly headstrong Elizabeth.

pride and prejudice

(center left to right) Shaun Diggs as Mr. Darcy, CJ Suchyta as Sir William Lucas and Ariqa Bowens as Elizabeth Bennet in Sinclair Community College’s production of Jane Austen’s “Pride and Prejudice.” (Contributed photo by Patti Celek)

In addition to the aforementioned Stern, Bowens and Diggs are strongly supported by the particularly appealing contributions of the marvelously understated Charles Larkowksi as the kindly Mr. Bennet, the delightful Kate Gieselman as meddling Mrs. Bennet, the sweet and sensitive Cassidy Rowley as Jane Bennet, Jasmine Barrett as the reserved Mary Bennet, Degreona Herrod as the humorously overlooked Kitty Bennet, the spiritedly perky Hayley Penchoff as Lydia Bennet, the amiable Woody Hieb as Mr. Bingley, the dynamically icy Ashlee Ferrell as Caroline Bingley, the magnetic Kevin Manley as Mr. Wickham, CJ Suchyta as Sir William Lucas, Natalie Sanders as Lady Lucas, and the scene-stealing Austin DeVaughn who reinterprets minister Mr. Collins with a comical outspokenness and a deliberately passionate cadence steeped in the traditions of the African-American church. The fine cast also features Aeriel Aniballi (Mrs. Reynolds),Matt Poliachik (Ensign Denny) , David Brandt (Fitzwilliam), James Butler (Servant), Greyson Calvert (Servant), Rebecca Henry (Servant), Jesse MaGill (Captain Carter), Kira Miller (Mrs. Gardiner), Leah Mikesell (Georgiana Darcy), Andre Tomlinson (Servant), Ella Wylie (Anne de Bourgh), and Jessica Zula (Charlotte Lucas).
Austen’s world is exquisitely realized from a design standpoint by Chris Harmon’s stunning estate set (one of his finest creations) featuring nearly 20 portraits, Kathleen Hotmer’s attractive period costumes, Michelle Sampson’s first-rate wig and hair creations, Jennifer Kramer’s properties, and Daniel Brunk’s evocative lighting and sound.
“Pride and Prejudice” purists will have qualms with Sinclair’s showcase which unabashedly takes liberties with the authenticity of early 19th century England. Even so, the inclusive magic of theater proves its rejuvenating worth nonetheless in one of the best and most enjoyable productions I have seen at Sinclair.

 

“Pride and Prejudice” continues through Oct. 4 at Sinclair Community College, Blair Hall Theatre, Building 2, 444 W. Third St., Dayton. Performances are Wednesday at 10 a.m., Thursday at 7 p.m., and Friday and Saturday at 8 p.m. Act One: 80 minutes; Act Two: 60 minutes. Tickets are $18 for adults and $15 for seniors and students. All Thursday tickets (Downtown Dayton Thursday Night) cost an additional $10 each and include pre-show county picnic buffet dinner beginning at 5:30 p.m. For tickets or more information, call (937) 512-2808 or visit www.sinclair.edu/tickets.

ShakesBeer: A Double Dose of Craft

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Question:

What is ShakesBeer?Shakespearecombined_HiRes

A) A casual mix and mingle for downtown residents and employees.

B) A fun way to enjoy Shakespeare’s Othello through a modern (and much shortened!) production.

C) An opportunity to go behind-the-scenes at one of Dayton’s local craft breweries.

Answer:

All of the above!

Dayton Metro Library is hosting a free after-work networking event on Thursday, October 9 at the Main Library (215 E. Third Street, Dayton) with a double dose of craft.

First up: Enjoy the craft of acting from The Human Race Theatre Company as they perform a shortened and modern version of Shakespeare’s Othello (40 minutes of tweets and deceit) at the Main Library in Downtown Dayton. Then: Head across the street to Warped Wing to enjoy craft beer. Take a tour, take home a special pint glass (first 50 attendees), and enjoy locally-brewed beer available for purchase.

Don’t miss this free event for your opportunity to mix and mingle with other downtown residents and employees in a casual and quick ShakesBeerian adventure.

What’s on tap?

4:30 p.m. – Mix and mingle with fellow downtowners at the Library while you peruse the diverse items from the ShakesBeer collection: plays, modern movie remakes, home brew how-tos, great soundtracks, best brewery guides and more.

5 p.m. – Showtime! The Human Race Theatre Company presents their original production #othello. Adapted and directed by Aaron Vega. All the knavery of this classic tragedy fits into a fast-paced 40 minutes.

5:45 p.m. – As the show wraps, actors will be available for questions and comments about how plays translate from the page to the stage, and you’ll get a behind-the-scenes look at the fine craft of acting.

6 p.m. – We got our Shakes in, now for the Beer. Head across the street as Warped Wing offers a tour of the craft brewery to see behind-the-scenes magic. First 50 attendees to hand in their ticket will take home a free pint glass!

 

 

SKELETON TWINS and ALIVE INSIDE Open at THE NEON!

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98f6a31d29a786e520a9fb5198413b7eHello Everyone,

We’re moving forward this weekend with 2 new films! THE SKELETON TWINS has been winning high praise for Kristen Wiig and Bill Hader, and ALIVE INSIDE is a moving documentary that will uplift audiences and perhaps start a local movement.

Synopsis for THE SKELETON TWINS: “When estranged twins Maggie (Kristen Wiig) and Milo (Bill Hader) feel they’re at the end of their ropes, an unexpected reunion forces them to confront why their lives went so wrong. As the twins reconnect, they realize the key to fixing their lives may just lie in repairing their relationship.” (taken from Roadside Attractions) Click this LINK to visit the film’s official site.

Synopsis for ALIVE INSIDE: “Alive Inside is a joyous cinematic exploration of music’s capacity to reawaken our souls and uncover the deepest parts of our humanity. Filmmaker Michael Rossato-Bennett chronicles the astonishing experiences of individuals around the country who have been revitalized through the simple experience of listening to music. His camera reveals the uniquely human connection we find in music and how its healing power can triumph where prescription medication falls short. This stirring documentary follows social worker Dan Cohen, founder of the nonprofit organization Music & Memory, as he fights against a broken healthcare system to demonstrate music’s ability to combat memory loss and restore a deep sense of self to those suffering from it…An uplifting cinematic exploration of music and the mind, Alive Inside’s inspirational and emotional story left audiences humming, clapping and cheering at the 2014 Sundance Film Festival, where it won the Audience Award.” (taken from Bond/360) Click this LINK to visit the film’s official site.

“On Wednesday, October 8 at 7:30, there will be a one-time screening of AMERICAN WINTER immediately followed by a moderated discussion with the producer Harry Gantz. This screening is sponsored by the City of Dayton, Ohio CDC Association, and CareSource. ‘For countless middle-class families who have experienced job loss or an unexpected financial setback, the American Dream has become an American nightmare. Working families, seemingly on a path toward economic security, have discovered how quickly they can slip from the middle class into poverty. The film presents an intimate snapshot of the state of the nation’s economy as it is playing out in the lives of many American families.’ (From American Winter notes) A must see for those working with those in poverty and those involved in the formation of policy that impacts the community’s safety net services! Admission is $5 and open to the public. Tickets can be purchased by visiting THE NEON’s box office, going to www.thinktank-inc.org or by contacting [email protected].” (taken from press notes)

We received wonderful news late last week. THE WAY HE LOOKS, the opening night film of this year’s Dayton LGBT Film Festival, was selected by Brazil to represent their country in this year’s Oscar race. We’re so delighted that this little gem is getting such great recognition around the world! Our festival’s official website is now live, and festival passes (only 2 left) and single tickets are starting to move. Click this LINK to visit the site and read all about the films. If you get a ticket to Opening Night (only $8), you get to see the film (sponsored by Square One Salon & Spa) and attend the Opening Night Party at Salar (sponsored by Lisa Hanauer & Sue Spiegel) – where there will be complimentary wine and delicious appetizers. It’s really the best deal in town!

Thanks for your continued support!

Jonathan

SHOWTIMES for Friday, Sept. 26 – Thursday, Oct. 2:

THE SKELETON TWINS (R) 1 Hr 33 Min
Friday & Saturday: 12:30, 2:45, 5:00, 7:20, 9:40
Sunday: 12:30, 2:45, 5:00, 7:20
Monday: 3:15, 5:30, 7:45
Tuesday: 5:30, 7:45
Wednesday & Thursday: 3:15, 5:30, 7:45

ALIVE INSIDE (NR) 1 Hr 18 Min
Friday & Saturday: 1:00, 3:00, 5:15, 7:30, 9:30
Sunday: 1:00, 3:00, 5:15, 7:30
Monday: 3:00, 5:15, 7:30
Tuesday: 3:00, 7:30
Wednesday & Thursday: 3:00, 5:15, 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Oct. 3 – LOVE IS STRANGE
Oct. 10-12 – DAYTON LGBT FILM FEST
Oct. 17 – MY OLD LADY
Oct. 24 – PRIDE
Nov. 7 – BIRDMAN
Nov. 14 – WHIPLASH
Nov. 28 – THE THEORY OF EVERYTHING

‘Fences’ Review – Wright State University – The American Family in Conflict

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August Wilson’s tremendously visceral 1987 Tony and Pulitzer Prize-winning drama “Fences,” among the finest inclusions in his remarkable 10-play “Pittsburgh Cycle” chronicling the African-American experience in the 20th century, opens Wright State University’s 40th anniversary season with emotionally riveting resonance.

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Photo caption (l to r) Jasmin Easler, Law Dunford and Tyrell Reggins in Wright State University’s production of August Wilson’s Tony and Pulitzer Prize-winning drama “Fences” (Contributed photo)

Beginning in 1957 and spanning nearly eight years in the life of a middle class African-American family in Pittsburgh, “Fences,” splendidly and poignantly co-directed by W. Stuart McDowell and Sheila Ramsey, centers its thought-provoking account of race, regret, responsibility, faith, struggle, and sacrifice on Troy Maxson (Law Dunford), a dysfunctional, disillusioned former Negro League baseball hotshot. In the Maxsons backyard, where the engrossing action transpires, loudmouth Troy is king of his castle, a welcomed escape from his daily grind as a sanitation worker longing for a promotion. A habitual storyteller still harboring daddy issues from his scarred childhood, Troy tends to be unbearably over-the-top for the sake of attention, but his larger-than-life persona is nonetheless a huge factor to his appeal not only in the eyes of his loyal friend and fellow ex-convict Jim Bono (Brandon Kinley) but his devoted second wife Rose (Jasmin Easler). But it takes Troy’s son Cory (Tyrell Reggins) to make him realize the weight of his flawed existence when Cory asks to join his school’s football team, an idea that infuriates Troy due to the unfulfilled potential of his own athletic career lingering in the recesses of his mind.

 
The domineering Dunford, a fantastic Inspector Javert last season in “Les Misérables,” substantially storms into Wilson’s marvelously authentic world with colorful wit and blustery bravado. Commanding yet intuitive, Dunford is a force to be reckoned with because he brings volatile truth to Troy’s complex journey migrating from reasonable provider one minute to arrogant jerk the next. His dynamically intense moments opposite the sensitive Reggins specifically packs a punch. Still, as Wilson intended, the play doesn’t belong to Dunford by any means. Above all, in Act 2, the outstanding Easler, in a breakthrough performance rooted in a calm sensibility that astutely builds to searing proportions, passionately conveys Rose’s disgust and disappointment upon being told of Troy’s infidelity. Easler’s expert handling of Rose’s explosive monologue, a beautifully written passage detailing her encumbered upbringing and the desires she cast aside for the greater good, becomes a thrilling heartbreaker. The terrific chemistry she nurtured with Dunford from the outset makes the heated moment all the more palpable and profound.
This impressive production, dedicated in memory of the legendary Ruby Dee and co-sponsored by Wright State’s Bolinga Black Cultural Resources Center, also features firm portrayals by charismatic Korey Smith as slick loafer Lyons (Troy’s oldest son from a previous marriage), very endearing Christian Henderson as the mentally challenged Gabriel (Troy’s brother), Ocean Brown and E’Draya Caldwell as cutely inquisitive Raynell (Troy’s daughter), and the aforementioned, amiably easygoing Kinley.

 
McDowell and Ramsey’s exemplary, Broadway-caliber artistic team includes scenic designer Ryan Sess, lighting designer Sammy Jelinek, costumer Mary Beth McClaughlin, and sound designer Emily Hutton. The duo also supplies inviting music for scene changes ranging from soft jazz to soul-stirring gospel.

 
Wilson, who passed away in 2005, mastered language, tone and relationships. His insightful depiction of blacks attempting to thrive in an uncertain, unjust America will be felt for generations to come because his plays simply contain a universality that actually transcends race. Do not miss Wright State’s electrifying tribute to his legacy.FENCE

 

“Fences” continues through Sept. 28 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Thursday at 7 p.m., Friday at 8 p.m., Saturday and 2 and 8 p.m., and Sunday at 2 p.m. Act One: 90 minutes; Act Two: 60 minutes. Tickets are $22 for adults and $20 seniors and students. For tickets or more information, call the WSU box office at (937) 775-2500. Patrons are advised the production contains adult language and situations.

Introducing FilmDayton’s New Executive Director

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Shelly Hulce, FilmDayton Executive Director. Photo by Jennifer Taylor

The FilmDayton Board of Trustees introduce their new Executive Director,   Shelly Hulce

Ms. Hulce is studying in the Human Services Administration program at Antioch University Midwest with a background in communications, IT, allied health and municipal government administration. An active member of the Dayton music community, she is a directing board member of Southwestern Ohio Public Radio, hosts a weekly radio show on WSWO and is a contributing writer for DaytonMostMetro.com. As a radio producer, Hulce began her training at WYSO. Before her involvement in local radio, she was an independent video producer and was involved in Cincinnati 48HourFilm contest and the Ohio Film + Music Fest. Known to locals as “Gladgirl,” she created community building arts events such as Poster-Tastic, StorySlamm Dayton, promoted and represented many local rock artists and has written, produced and directed two successful local rock operas. With a heart for non-profits, she served as a directing member of the former Dayton Dirt Collective arts and music venue and was a long time employee of Hospice of Dayton. Hulce was most recently employed by the City of Dayton as Legislative Aide to Mayor Gary D. Leitzell.

“FilmDayton is growing as an organization and we couldn’t be more excited to bring Shelly on board as Executive Director. Shelly is firmly connected to Dayton’s rich artistic community and has been a vital member of the creative class. We look forward to working with Shelly on many exciting future projects and programming.” said Dr. Nicole Richter, president of the FilmDayton Board of Trustees.

Hulce says,“There could not be a more exciting time to join this team! Since the beginning of FilmDayton, major events have happened within the regional film community and we continue to be represented by stellar professionals who call the Dayton area their home. Just in the last decade we have celebrated the many accomplishments of passionate artists ranging from students to professional feature film artists. Notable festival wins, professional industry awards, significant distribution deals and major motion picture and television productions have landed in this region. There is no shortage of things to be excited about! FilmDayton and the regional film community have a lot of goals to meet and we will get there together! I am honored to serve the artists of the hometown I love so much.”FilmDayton Logo

Under the leadership of the new Director, FilmDayton will continue its established programming and support services of the local film community, while heightening the focus on economic development. As reported previously, FilmDayton was born out of the DaytonCREATE initiative nearly eight years ago, with intent of forming a regional film commission office.

Hulce will continue aggressive efforts to lead the organization to meet that goal.

A Dayton native, she continues to reside in the city with her husband and daughter.

WYSO Updates Programming Schedule

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Neenah Ellis, WYSO GM

Neenah Ellis, WYSO GM

Neenah Ellis, general manager of public radio station 91.3 WYSO in Yellow Springs, has announced several changes to its programming line-up designed to refresh, update and energize the station’s sound. “Programming a public radio station is a balancing act taking into account financial sustainability while maintaining our distinctive voice,” said Ellis. “We want to keep a good balance between local and national sources, between news and entertainment. We want to satisfy our long-time listeners and attract and new audience members.”

 
As part of the news-related programming and scheduling changes, WYSO will add a two-hour call-in show called On Point, produced by public radio member station WBUR in Boston. On Point will air weekdays at 10:00 am beginning Monday, September 29, 2014. The addition of On Point, hosted by long-time journalist Tom Ashbrook, will onpointfulfill a strong demand from listeners for news-related talk programming in that time slot, according to Ellis. “Listeners have been telling me for years about their desire for this kind of programming during the day. The results of the listener survey we conducted this summer confirm this. This was the single most requested programming change we heard from our listeners,” Ellis said. Nearly nine hundred people took the on-line listener survey, says Ellis.

 
Excursions, hosted by long-time WYSO Music Director Niki Dakota, will begin at noon and run until 3:00 pm. Changes will also occur on Saturday afternoon from 1- 5 pm beginning on October 4, where a succession of new programs will be introduced. On Saturday afternoons at 1:00pm WYSO will carry Studio360 from WNYC in New York, a cultural magazine program hosted by mothradiohr-webKurt Andersen, followed by the storytelling program The Moth Radio Hour, The Ted Radio Hour from NPR, based on “Ted Talks,” and On The Media hosted by Bob Garfield and Brooke Gladstone, which WYSO has previously aired in another timeslot.

“We know that our listeners are highly engaged and studies demonstrate that, across the board, the most popular programs on public radio are those that engage listeners through content that is both informational and entertaining on topics that are meaningful and relevant; all new programs do just that,” said Ellis.

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Norm Whitman retires after 30 years

Moving off the schedule will be Detours, a folk music program hosted by local musician Norm Whitman, who is retiring after more than thirty years as a WYSO music volunteer. Dear, Green Place hosted by Cindy Funk will move to 6pm on Saturday evening. “We can’t thank Norm Whitman enough for his years of loyal dedication to folk music and we know his listeners will
miss him dearly,” Ellis said. “He has created a program from week to week with his whole heart and soul. Luckily, he has agreed to appear from time to time on Excursions to lend his expertise and great sense of humor to our airwaves.”

“The programs we’re adding are excellent – chosen with Miami Valley listeners in mind – to keep WYSO relevant, fresh and strong,” Ellis said. “While we know some people will be disappointed that their favorite programs are going away, we encourage them to experience the strong new line-up new that offers the kind of content that attracts listeners to public radio in the first place.”

Multiple factors were taken into consideration in WYSO’s programming decision:

Ongoing listener feedback to the staff & volunteers during face-to-face conversations at events, via email, phone calls & regular mail
Data-gathering tools which measure listening habits like Arbitron and WYSO’s own listener survey
Listening trends in public radio across the country
Listener feedback during fund drives

A full description of all the program changes at WYSO can be found at their website, WYSO.org. The new schedule will go into effect on Monday September 29.

TIFF 2014 – Day #9

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MV5BMjEwMDczOTU3Nl5BMl5BanBnXkFtZTgwMDYyMDU0MjE@._V1_SX214_AL_Friday, September 12, 2014

Hello.

Thanks for coming back to check out my last day of screenings at this year’s Toronto International Film Festival.  Even though I didn’t see as many as I have during some years, I had a great time and managed to see 30 films, visit with lots of people in various aspects of the industry, and attend a couple fun parties.

My first film today was Susanne Bier’s A SECOND CHANCE.  I was first introduced to Bier’s work at my first TIFF back in 2002.  That’s where I saw OPEN HEARTS (her film from the Dogme Movement) and I fell in love…BROTHERS, AFTER THE WEDDING, the Oscar winning IN A BETTER WORLS – all great films.  Bier is truly a gifted storyteller, but this new film is just too over-the-top for me.  A veteran police officer and his wife are new, proud parents…but when the baby dies in the night of SIDS, the cop decides to swap his dead child with a mistreated baby from an ill-kept apartment to help nurse back his terribly depressed wife.  This film is like a more cinematic, 2-hour episode of LAW & ORDER: SVU.  Though the craft is there, the story and the script seem too big and even trite at times.  Though I was engaged and wanted to see what happened, I was ultimately disappointed.  (The lead actor, Nikolaj Coster-Waldau, is from GAMES OF THRONES.  I’m sure there will be added appeal due to his presence.)

I usually only name films that I finish.  If I walk out early, I don’t feel a review is warranted.  That said, I watched the first 20 minutes of a movie today to kill some time.  My plan was to leave early because I needed to get to a different screening.  The movie was X + Y, and I was truly engaged (Sally Hawkins is in it, so that adds to the allure). I wish I could have finished it, but I wanted to get to ST. VINCENT in time.

ST. VINCENT is Bill Murray’s most recent film.  It’s the story of a grumpy, older man who ends up babysitting his new next door neighbor’s kid when he gets home from school.  Murray takes the kid to the race tracks, teaches him to defend himself on the playground and adds a few new colorful words to his vocabulary.  Though a little “easy” sometimes, this film is a crowd-pleaser.

 

My last film of this year’s fest was LEARNING TO DRIVE – a film starring Patricia Clarkson and Ben Kingsley.  What a perfect way to end the fest!  This is a film about a middle-aged woman who has just been left by her husband.  Feeling even more trapped in her life by not being able to pick up and go visit her daughter, she finally takes the driving lessons she needs in order to get a license.  Clarkson is luminous in this film, and her chemistry with Kingsley is spectacular.  Clarkson attended the Q&A, and she told this audience that this is a film she’s been trying to make for 9 years.  It’s touching, it’s very funny, and it’s a liberating film in regards to finding and taking control of yourself.  I hope it finds distribution!

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After the screening, I met up with a childhood friend who now lives in Buffalo.  It’s been 5 years since I saw him last, and it was so great to catch up.

Thanks so much for checking in on my TIFF experience.  It’s been a great year, and I’m going to miss this wonderful city.

In the next few days, I’ll try to upload a few photos I took on my phone and come up with a mini-recap.

All the best,

Jonathan

‘How to Succeed in Business Without Really Trying’ Review – Dayton Playhouse – Corporate Charm

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Photo caption (Center left and right) R.J. Steck, Jim Lockwood and the cast of the Dayton Playhouse’s production of “How to Succeed in Business Without Really Trying.” (Photo by Art Fabian)

The Dayton Playhouse’s 2014-15 season is off to a promising start thanks to its delightful staging of Frank Loesser, Abe Burrows, Willie Gilbert and Jack Weinstock’s 1962 Tony and Pulitzer Prize-winning musical satire “How to Succeed in Business Without Really Trying.”

Based on the 1952 book by Shepherd Mead and directed by Jeff Sams, this “Succeed” succeeds primarily because it doesn’t have to survive on the confident shoulders of R.J. Steck, a tall, lanky and personable presence who conveys the proper amount of gumption and shrewdness as window washer-turned-corporate honcho J. Pierrepont Finch. Steck charmingly handles Finch’s fascinating ascension within the World Wide Wicket Company circa 1965, a goofy, dated playpen where men behave badly and women long for marriage. However, as with any star-driven musical from “Mame” to “Fiddler on the Roof,” it’s important for the lead to be supported. It’s satisfying to know Steck is surrounded by a strong ensemble and featured performers despite the cast overtly skewing younger than most productions of this show.
Brad Bishop is a hoot as philandering company president J.B. Biggley, particularly mastering Biggley’s idiosyncrasies and no-nonsense attitude while validating how easily manipulated he is. He also memorably partners with Steck for a comical rendition of “Grand Old Ivy” reminiscent of the 2011 Broadway revival starring Daniel Radcliffe. Lovely vocalist Taylor Winkleski is sweet and appealing as Rosemary Pilkington, the secretary smitten by Finch. The playful Tori Kocher, a breakthrough performer last season as Penny Pingleton in the Playhouse’s “Hairspray,” shines again as a wonderfully witty Smitty, Rosemary’s close friend and fellow secretary. Desmond Thomas, precise and intuitive, schemes with glee as Bud Frump, Biggley’s jealous nephew and Finch’s nemesis. As dim-witted vamp Hedy LaRue, Hannah Thompson cutely seduces and entraps. Jim Lockwood is terrifically distinctive as Mr. Twimble and Wally Womper. J. Gary Thompson (Bert Bratt), Richard Young (Milt Gatch), Rebekah Skaroupka (Miss Jones), and Steve Peters (Voice of the Book that gives Finch the tricks of the trade) commendably round out the principals. The enjoyable ensemble consists of Maggie Carroll, Malcolm Casey, Naman Clark, Janice Lea Codispoti, Paige Combs, Allison Eder, Karla Enix, Tyler Henry, Marabeth A. Klejna, Matt Lindsay, Grace Lindsley, Joe Meyer, Trevor Meyers, Jim Spencer, Sydney Thomas, John-Michael Vanover, Stacy Ward, and Andrew Wood.
From a notable musical standpoint, the Act 1 finale spotlighting Steck, Winkleski and Thomas will send you into intermission with a smile due to their very pleasant harmony and the strength of Nancy Perrin’s fine orchestra.
Elsewhere, choreographer Annette Looper supplies another series of energetic and flavorful routines as evidenced in the hilarious frenzy of “Coffee Break,” the mindful caution of “A Secretary is Not a Toy,” and the rousing unity of “Brotherhood of Man.” Chris Newman, the Playhouse’s resident scenic designer this season, supplies a colorfully authentic workplace complete with an efficient elevator and large walls cleverly serving as office doors. Kathleen Carroll’s attractive costumes are also era-appropriate. John Falkenbach’s lighting design, K.L. Storer’s sound design, Melanie Davis’ properties, and Steve Burton and Tim Grewe’s wig and hair design are added benefits of this thoroughly entertaining production.

 

“How to Succeed in Business Without Really Trying” continues through Sept. 21 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. Tickets are $18 for adults and $16 for seniors and students. The production is performed in 3 hours including a 15-minute intermission. For tickets or more information, call (937) 424-8477 or visit online at www.daytonplayhouse.com

TIFF 2014 – Day #8

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movies-benedict-cumberbatch-the-imitation-game-filming-3Thursday, September 11, 2014

Welcome back!  Thanks for checking out my Day #8 blog of my TIFF adventures.

This morning was so different than the others.  I slept in!  Because I didn’t need to be in line by 7:00, I woke up at 9:15 instead of 6am.  It was glorious!

My first film of the day was LOVE IN THE TIME OF CIVIL WAR – a French-Canadian film about a 20-something guy with a crack problem.  An alternate title for this film could be DON’T DO CRACK.  I’ve never seen such a gruelingly monotonous film about drug use.  The lead character smokes to get high, has some sex (in what is generally very unsexy footage), buys some drugs and gets high again.  Sometimes, he has to find money – so he robs someone, gets paid for sex and then buys more drugs and gets high.  This film could essentially be a 2-hour PSA about the horrors of crack.  As much as I wanted to go, I felt like I needed to stay.  I didn’t make the right decision.

There is no trailer available for this film.  Below is a picture.

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I went into my next film with a qualifier in place.  If the film failed to reel me in within the first 12 minutes, I would leave to go to a different selection.  It failed and I walked.  The next selection was worse.  Including eye-rolling situations with characters that were much too twee or playing on archetypal stereotypes, I failed to see the backbone of good storytelling…so I left that screening and got lunch instead.

After a 30-minute nap, I was off to AN EYE FOR BEAUTY – the new film from Denys Arcand (director of BARBARIAN INVASIONS, JESUS OF MONTREAL and more).  It’s the story of a married man and how he’s both interested in another woman and dealing with the mental instability of wife.  This film is full of stunning landscapes, the changing seasons, and well-written dialog.Though fully engaged, I felt the film fell flat with a lack of focus.

There is no trailer with English subtitles, but take a look at this anyway.

https://www.youtube.com/watch?v=Y1QO8SXywHs

THE IMITATION GAME was my final film for the day.  I am quite certain that this film will be nominated for “Best Picture.”  I’ll bet the farm on it! Based on the story of Alan Turing and the breaking of the Enigma codes, this film is filled with familiar NEON favorites Benedict Cumberbatch, Keira Knightley and Matthew Goode.  The art direction is superb, the story is touching and suspenseful with quite a few laughs, and the packed 1200+ audience was truly engaged.  Though I wasn’t as emotionally attached to this film as I was to THE THEORY OF EVERYTHING, I still think this film will play very well.  (For those who know the story, NCR was only mentioned once very quickly. No other mention of Dayton was made.)

https://www.youtube.com/watch?v=S5CjKEFb-sM

A last-minute decision for a late-night cocktail in the neighborhood where I’m staying ended up creating a nice evening.  I ran into some old and new friends and was able to talk about highlights of the festival before wrapping it up for the night.  More than likely, I’ll see at least 3 films tomorrow…and I head home Saturday.

More soon!

Thanks for reading,

Jonathan