Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

Arts & Entertainment

Festival Dares You to Have A Good Time Watching Bad Film

By Leave a Comment

“I’ve seen better film on teeth!” – Bo Catlett, Get Shorty.

Filmmaker Andy Copp’s latest film festival is an all night endurance test of truly bad cinema called “Pay To Get Out Alive”.

This first-time event is unlike anything experienced in Dayton, so I’ll let Andy explain the concept:

“Here is how it works. $15 bucks to get in at 9:30 pm and it goes for 12 hours – all night long. The most mind punishing cinematic trash I could lay hands on. After the first two hours you start to earn money back towards getting back out the door. Each hour you stay after those first two you get $1 back. So if you stay the whole duration the whole event only costs you $5!!!

But can you stand it is the question? The films include:

Black Devil Doll From Hell (1986) – Considered by most to be the WORST movie ever made. Worse than TROLL 2, worse than any Ed Wood movie. You do not know bad until you have seen this.

THE GEEK (1971) You ever wonder if Bigfoot has sex? Well this movie answers that question as well as shows lots of scenic footage of the Oregon countryside.

ROAD OF DEATH (1971) – Insane biker trash starring BOTH of Thora Birtch’s adult film star parents! Directed by the immensely untalented master behind the anti-classic THE GUY FROM HARLEM!

RUBBER’S LOVER (1996) A genuinely good film in the Japanese cyberpunk tradition full of exploding bodies, arterial spray, excessive medical experimentation, unhealthy sexual desires, and the entire cast screaming for 90 minutes.

APHRODISIAC: THE SEXUAL SECRETS OF MARIJUANA (1970) – Truly inspired and brain damaged “educational” film film about how pot increases your sexual abilities and can save the world.

There will also be lots of other films, surprise shorts, trailers and other bits and pieces to fill out the festival.

There will be contests and prizes and a most outrageous costume event.”

For additional info visit the “Pay To Get Out Alive” facebook page.

Coming Up in Dayton Theatre – 12/09 – 12/22

By Leave a Comment

THURSDAY, DECEMBER 9 – WEDNESDAY, DECEMBER 22, 2010

THT: Junie B. Jones

Photo Credit: Mike Long

Two main messages seem to bombard our culture during the holidays: we are either obsessed as consumers, always searching for that perfect gift or the better price or the best idea; or we focus on the “reason for the season” and look beyond giving to the joys of spending time with family and friends. Generally, we operate somewhere in the middle of those concepts, and try to do and have it all.

In the midst of all of that, it’s easy to forget about the arts, in favor of everything else on the month’s agenda. However, in the Dayton Theatre scene of these next few weeks are several great shows sure to provide holiday joy and entertainment. Seeing one of these productions doesn’t have to become one more facet of your to-do list, but can actually be a way to focus: what better way to do something unique and special as a family than to see a performance together, and how special that gift could be! And there will still be time to finish up the shopping and decorating.

Another Openin’, Another Show

…SHOWS NOT TO MISS

Christmas Belles

DAYTON PLAYHOUSE

The Story: With three squabbling sisters, an ailing Santa, vengeful sheep, and a reluctant Elvis impersonator, it’s not surprising this Texan church Christmas pageant is spinning wildly out of control! Add a potentially-derailing family secret and the plan to broadcast the pageant on cable access television to the mix, and you have a hilarious story sure to bring joy to your holiday!
Dates: December 17 – 19
Tickets: 937-424-8477
More Information: Dayton Playhouse: Christmas Belles

HRTC: 8-Track

Photo Credit: Human Race Theatre

8-Track: The Sounds of the Seasons

HUMAN RACE THEATRE COMPANY

The Story: This new musical revue celebrates “the songs of the ‘70s in all their glory, or lack thereof! Expect plenty offlashy outfits and hairdos as four talented performers rediscover the heart and soul of the forgotten decade, with music made famous by artists from Donna Summer to the Eagles to Debby Boone” (HRTC).
Dates: December 2 – 22, 2010
Tickets: Ticket Center Stage
More Information: Human Race Theatre Company: 8-Track, DMM Event, onStageDayton feature article and review

A Christmas Carol

BCYT: A Christmas Carol

Photo Credit: Diana Blowers

BEAVERCREEK COMMUNITY YOUTH THEATRE

The Story: When a young boy struggles to understand why his grandfather would give money to the poor, the grandfather tells the story of Ebenezer Scrooge as he recalls it, and the story of Charles Dickens’ classic A Christmas Carol, where ghosts of past, present, and future persuade the stingy Scrooge to change his life, comes to life as a play-within-a-play in this heartwarming story.
Dates: December 3 – 12, 2010
Tickets: 927-439-4737
More Information: Beavercreek Community Theatre, DMM Event, and onStageDayton feature article

White Christmas

LA COMEDIA DINNER THEATRE

The Story: In the stage adaptation of the classic 1954 film, two WWII veterans, now successful song-and-dance performers, follow a duo of singing sisters en route to their Christmas show in Vermont, hoping for romance. But the 80 degree weather has everyone dreaming of a white Christmas!
Dates: through December 31, 2010
Tickets and More Information: La Comedia: White Christmas

Junie B. Jones: Jingle Bells, Batman Smells

THT: Junie B. Jones

Photo Credit: Mike Long

TOWN HALL THEATRE – LANDMARK CHILDREN’S THEATRE

The Story: The holidays are supposed to be a time of peace and goodwill… that is, until first grader Junie B. Jones draws her sworn enemy’s name for the secret Santa gift exchange at school. And if that’s not enough, their music teacher announces the two will perform together in the school’s holiday pageant!
Dates: December 3 – 19, 2010
Tickets and More Information: Town Hall Theatre, DMM Event, and onStageDayton feature article

The Wonder Bread Years

VICTORIA THEATRE ASSOCIATION

The Basics: In this comic salute to the Baby Boomer generation, critically acclaimed writer and performer Pat Hazell (“Seinfeld,” “The Tonight Show,” and NPR, among other credits) plays out the fun of Halloween night, Christmas morning, and other high watermarks of our collective American youth of the ‘60s and ‘70s. This hilarious production “gracefully walks the line between stand-up and theater,” and is part of the Miami Valley & Good Samaritan Hospitals Broadway Series.
Dates: December 7 – 19, 2010
Tickets: (937) 228-3630 or (888) 228-3630, Ticket Center Stage
More Information: Victoria Theatre Association: The Wonder Bread Years

Dayton Ballet: Nutcracker

Photo Credit: Dayton Ballet

The Nutcracker

DAYTON BALLET

The Story: Dayton Ballet brings the classic story of the Nutcracker to life, complete with mice, soldiers, and the Sugar Plum Fairy. Over 100 local youth participate in this magical performance that has become a much-loved holiday tradition.
Dates: December 10 – 19, 2010
Tickets: 937-228-3639, Ticket Center Stage
More Information: Dayton Ballet: The Nutcracker

~KN

SUBMIT PRESS RELEASES
Would you like to submit theater news for DaytonMostMetro.com’s onStageDayton features?  Email Shane, Dave, Russell, & Katherine at [email protected]

Holiday Hospitality Served With Love

By Leave a Comment


Greg Smith in 'Precious Heart'

The Dayton Theatre Guild’s special return engagement of Ted Karber, Jr.’s one-person comedy “Precious Heart” is a totally engaging, surprisingly touching outing thanks to Greg Smith’s effortlessly authentic and sincere turn as chatty spinster Fleeta Mae Bryte.

With natural ease and Southern fried charisma, Smith completely inhabits the colorful, independent Fleeta Mae, a longtime resident of Precious Heart, Texas who takes pride in knowing everything about everybody and still yearns for someone to love. Numerous stories are told over the course of two hours, and Smith wonderfully transitions from topic to topic steadily guided by director Blake Senseman. You’re bound to laugh when Fleeta Mae reminisces about her oddball relatives, the Armadillo War, her desire to become an airline stewardess, or her decision to cast a 14-year-old as the Baby Jesus in a live nativity. Conversely, the pensive moments, such as Fleeta Mae’s contemplation of suicide and bout with breast cancer, provide the compelling ingredient necessary to push the jokey material to a meaningful plateau. Particularly heartwarming are the final minutes which emphasize the universal significance of connectedness.

In addition to his acting duties, Smith, a noted scenic designer, has created an eye-catching set overflowing with kitschy clutter by set decorator Wendi Michael.

“Precious Heart” could have resulted as nothing more than a flamboyant drag act, but Smith transforms the play into something far greater and life-affirming.

“Precious Heart” continues through Sunday, December 12 in the Caryl D. Philips TheatreScape at the Dayton Theatre Guild, 430 Wayne Ave. Performances are Friday at 8 p.m., Saturday at 5 p.m. and Sunday at 3 p.m. Tickets are $10-$17. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

Have Yourself A Groovy Little Christmas

By Leave a Comment

8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.Every now and then, the Human Race Theatre Company seeks a departure from the compelling, thought-provoking fare they do well in favor of lightweight, audience-friendly entertainment. A perfect example of this type of programming is currently at the Loft Theatre in the form of “8-Track: The Sounds of the 70’s,” a fast-moving, feel-good musical revue incorporating 50 pop/disco classics that defined the decade.

“8-Track,” created in 2001 by Rick Seeber of “Beehive” fame, cannot escape its theatrical karaoke stigma, but is conceptually effective nonetheless in its War and Peace segment that includes “What’s Going On,” “Peace Train,” “War (What Is It Good For?)” and “Taking It To The Streets.” An additional plus is the common thread of love and relationships weaved throughout the revue that provides emotional highs derived from such standards as “You Light Up My Life,” “Just The Way You Are” and “The First Time Ever I Saw Your Face,” three tunes that received the Grammy for Song of the Year.

Director/music director Scott Stoney’s vibrant, personable and harmonic quartet, flavorfully choreographed by Teressa Wylie McWilliams, colorfully costumed by Janet Powell and attractively presented on Mark Halpin’s sleek set reminiscent of a typical ‘70s variety series, fully adapts to the sentiments in each number. Race favorite J.J. Tiemeyer takes charge at the outset with “Get Ready” and particularly touches the heart with “Don’t Let Me Be Lonely Tonight.” Ebony Blake, returning to the Race for the first time since her dazzling performance in “Nefertiti,” delivers a strikingly contemplative take on “’Til You Come Back To Me” and lets loose with fierce sassiness for “Lady Marmalade” and “Car Wash.” Tenor Jonathan Burke, who uses his falsetto impressively for the obligatory “Stayin’ Alive,” offers solid renditions of “Alone Again (Naturally)” and “Desperado” in addition to playfully evoking Tony Orlando for “Tie A Yellow Ribbon Round the Ole Oak Tree.” Jennifer Wren supplies endearing versions of “I Am Woman” and “We’ve Only Just Begun” and tackles “Don’t Cry Out Loud” with gusto.

Although Seeber oddly overlooked legendary songs from a slew of female icons such as Judy Collins, Crystal Gayle, Janis Ian, Carole King, Anne Murray, Olivia Newton-John, Linda Ronstadt, Diana Ross and Carly Simon, “8-Track” is an upbeat holiday alternative that fulfills nostalgic urges.

“8-Track: Sound of the ‘70s” will continue through Wednesday, December 22 at the Loft Theatre, 126 N. Main St. Performances are Wednesday, December 8-Saturday, December 11 and Wednesday, December 15-Saturday, December 18 at 8 p.m., Sunday, December 12 and Sunday, December 19 at 2 p.m., Monday, December 20 and Tuesday, December 21 at 7 p.m. and Wednesday, December 22 at 8 p.m. A special talkback discussion will be held following the Sunday, December 12 performance. Tickets are $18.50-$40. For tickets or more information, call (937) 228-3630 or visit www.humanracetheatre.org

The Girl Who Kicked The Hornet’s Nest & Other Great NEON News!

By Leave a Comment

THIS JUST IN!!!  BLACK SWAN has moved up!  It will now open on December 17th (instead of the 22nd)!

Hello Everyone.

First off, I need to let you know that FAIR GAME will have its last day at THE NEON on Thursday. Folks have been loving this film, but attendance fell drastically this weekend…so it has to go. For remaining showtimes, please visit our website. 127 HOURS will stick around.

Before I move forward with more of this week’s news, I’m delighted to let you know that we have managed to book a film that is destined to be a huge hit with us. THE KING’S SPEECH, which I saw and adored in Toronto, is currently scheduled to open on Dec. 25th. Between KING’S SPEECH and BLACK SWAN, all signs are good that we’ll end 2010 on a fantastic note!

On Friday, we open a film that has already garnered a following. The third and final installment about the girl with the dragon tattoo – THE GIRL WHO KICKED A HORNET’S NEST – “is positively soul-satisfying,” writes Kirk Honeycutt of The Hollywood Reporter. “The movie features a great finish, where three movies’ worth of subplots and characters dovetail into a breathtaking climax and final confrontation…”

Synopsis for THE GIRL WHO KICKED A HORNET’S NEST: “In this last installment, Lisbeth Salander (Noomi Rapace) lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist (Michael Nyqvist), she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge – against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.” (Music Box Films) OFFICIAL WEBSITE

Please be certain to pay close attention to showtimes. Due to recent trends and the duration of our upcoming attractions, showtimes are not the same from day to day. Sunday through Thursday will not have late screenings. (Upcoming showtimes are listed below.)

The Children’s Holiday Film Series is already underway, and the snow last Saturday seemed to cement the idea that the holidays are upon us! Films are FREE for children 12 and under…and only $2 for adults. This week’s selection has become a holiday favorite for many!
Here’s what’s left:
Dec. 11 at Noon – ELF (comedy starring Will Ferrell)
Dec. 18 at Noon – THE GRINCH (the beloved Dr. Seuss tale starring Jim Carrey)

Most of you who frequent THE NEON know Diana – she’s our assistant manager who is responsible for the beautiful menu boards in our concession area. Way above and beyond her inventory duties, Diana decided to come up with a delicious menu of holiday drinks – ranging from traditional Eggnog (*spiked, of course*) to Candy Cane Hot Cocoa. Check out the special menu during your next visit.

Lastly, we have a special treat for those of you looking to give NEON gift certificates this holiday season. For every $50 of gift certificates you purchase, you will receive a free bag of Candy Cane Granola. This delicious, locally made snack was recently sampled by the staff…and quickly became a favorite. Loaded with peppermint schnapps, white chocolate, dried cranberries and almonds, you might end up keeping this treat for yourself.

We hope to see you very soon.

Take care,
Jonathan

SHOWTIMES for December 10 – December 16:

127 HOURS (R) 1 Hr 34 Min
Friday: 12:50, 3:00, 5:10, 7:20, 9:30
Saturday: 3:00, 5:10, 7:20, 9:30
Sunday: 12:50, 3:00, 5:10, 7:30
Monday – Thursday: 3:00, 5:10, 7:30

THE GIRL WHO KICKED THE HORNET’S NEST (R) 2 Hr 27 Min
Friday & Saturday: 1:00, 4:00, 7:00, 9:45
Sunday – Thursday: 2:20, 5:10, 8:00

ELF (PG) 1 Hr 37 Min
Saturday: 12:00 (noon)

COMING SOON:
As always, all dates are tentative. Some of these dates will change.

Dec. 17 BLACK SWAN
Dec. 25 THE KING’S SPEECH
Jan. 14 MADE IN DAGENHAM
TBD: RABBIT HOLE, TAMARA DREWE & SOMEWHERE

Empty Seats: Is the ORIGINAL American Musical In trouble?

By 1 Comment

Scottsboro Boys Broadway PosterSCOTTSBORO BOYS

Kander & Ebb’s Final Masterpiece

By most standards, Broadway is enjoying a banner year. Last year’s huge musical hits – Next to Normal, Memphis, Promises, Promises, Rock of Ages and Green Day’s American Idiot are still running to great houses. Many of these shows are heading out on the road if not already.  Current news in New York has the $65 Million gamble – Spider-Man: Turn Off The Dark (directed by Julie “Lion King” Taymor with music by U2’s Bone and The Edge) generating huge buzz and new film-turned-musicals Catch Me If You Can, Sister Act, and Leap Of Faith all announcing spring openings.  Even in the world of non-musical fare, the hits keep on coming – Free Man Of Color, Driving Miss Daisy, War Horse, Time Stands Still, Lombardi, and a star-studded The Merchant of Venice.

“Slowly but surely, Dayton seems ready to embrace NEW ORIGINAL work, but is it enough?”

Here in Dayton this season, we’ll see the arrival of Avenue Q (after a much lauded tour of Spring Awakening just passed through) as well as NEW emerging musicals and plays in development from Dayton Playhouse, The Human Race Theatre Company, Encore Theater Company and others.  Slowly but surely, Dayton seems ready to embrace NEW ORIGINAL work, but is it enough?

Bloody Bloody Andrew Jackson on BroadwayAmid all of New York openings is a terrifying reality as well. Two of the most critically acclaimed and game-changing ORIGINAL musicals have opened and posted closing notices despite being considered by many as changing the course of American Theatre. The emo-punk musical history lesson – Bloody Bloody Andrew Jackson and The Scottsboro Boys – the final work from the legendary creative team of John Kander & Fred Ebb (Chicago, Cabaret, etc.)

Directed by 5-time Tony® Award winner Susan Stroman (The Producers), this daring and wildly entertaining musical explores a fascinating chapter in American history with arresting originality. The show is based on the notorious “Scottsboro” case in the 1930s, in which 9 African-American men were unjustly accused of a terrible crime. Their shocking and inspiring story – told though a mix of innovative staging and piercing new songs – demands to be shared. And yet, after December 12 – it will be gone.

Christopher Dimond – a New York-based musical theatre composer and good friend of Encore Theater Company – recently discussed his sadness – not only about the closing of this definitive show – but what it says about audiences willing to take risks on something ‘new’ instead of always falling back on the tried and true.  We here at onStageDayton felt it was well worth re-printing here.

-David Brush

How I Failed the Scottsboro Boys

CHRISTOPHER DIMOND

Kooman & Dimond Blog

Scottsboro BoysIt’s easy to gripe about the state of Broadway these days. Trust me, I do it a lot. Original musicals are a rarity. Juke Box shows and movie adaptations dominate the Great White Way, cotton candy and bubble gum pop for the tourist crowd. Fluff trumps substance.

Who’s to blame for this? My personal favorite scapegoats are producers. “If only producers had some balls,” I whine after watching an MTV telecast of a musical about a girl who goes to law school to impress her boyfriend, “Then we’d actually see the high-quality, in-your-face, change-your-life kind of musicals that we should be seeing.”

“It’s an absolute crime, a soul-crushing travesty, that this show is closing, while elsewhere lighthearted Abba tunes will be sung in seeming perpetuity.”

So, who’s to blame when producers with balls take a risk on something daring, audacious, and effing beautiful and it still “fails” on Broadway?

The short answer: me.

Scottsboro BoysThe Scottsboro Boys is a triumph of modern musical theater. It’s brilliant, it’s bold, it’s provocative, it’s moving, it’s surprising, it’s a whole bunch of adjectives that collectively still do not do it justice. And most of all, it’s a story that needs to be told, told in an incredibly powerful manner. It’s the best musical I’ve seen in years. In no way, NO WAY, can this show be described as a failure.

The cast, Kander and Ebb’s score, David Thompson’s book, Susan Stroman’s direction/choreography, the design… it’s not perfect, but it’s about as close to perfect a production as you’ll find on Broadway today.

And yet, producers announced this week that the show will close December 12th, after 49 performances and 29 previews.

Does that make the production a “failure”? Does it mean that we need some alternate model for producing smaller, edgier musicals than the Broadway one? Those are conversations I’ll save for another time.

The simple fact of the matter is this: People are going to lose money producing a brilliant piece of theater. And, more devastatingly, A LOT of people are going to miss out on the chance to see The Scottsboro Boys.  It’s an absolute crime, a soul-crushing travesty, that this show is closing, while elsewhere lighthearted Abba tunes will be sung in seeming perpetuity.

Yes, the show had a healthy run at the Vineyard, and no, the point of creating art should not be to turn a profit. You can even make the argument that it was a mistake to try to transfer such a risky show. But I’m not buying it. This show deserves to be seen, and it deserves to be seen by as many people as possible. Broadway gives it the best chance to do that.

I refuse to believe, POSITIVELY WILL NOT ACCEPT the idea that there are not enough people out there who want to be moved, to be challenged, to be changed by a musical in order to keep this show running.

Scottsboro BoysIt’s going to be easy to blame the marketing of the show, or the subject matter, claiming that it’s just too tough of a sell for Broadway. Bullshit. Here’s all the marketing a show like this should need: “It’s fucking amazing. Go see it. Now.”

Years down the road, pundits will shake their heads and say, “The show simply didn’t find its audience.” I’ll argue differently. The audience simply didn’t find its show.

If we are going to complain about the state of Broadway, then we, as an audience, AS A THEATER COMMUNITY, have a responsibility to actively seek out productions that are extraordinary, to support them by paying for tickets, and to promote the hell out of them through word of mouth, social media, blackmail, whatever’s necessary to advance the cause of innovative, exceptional theater.

I didn’t do that with The Scottsboro Boys. I waited until the closing notice had been posted to buy my ticket. I should have rushed out immediately. I should have been the first in line. I should have shouted from the rooftops.

I didn’t do that.

And, apparently, I wasn’t the only one.

-cd

Holiday Film Series & More at THE NEON

By Leave a Comment

Hello Everyone.

This newsletter will be short and sweet. We’ve got 2 great films…and they’re both performing very well…so they’re gonna stick around. 127 HOURS and FAIR GAME were a great mix for us over the Thanksgiving holiday weekend. If you still need to see either one, hurry on down!

The Downtown Holiday Festival will begin this year’s Children’s Holiday Film Series on Saturday! Films are FREE for children 12 and under…and only $2 for adults. This week’s selection is a film that is absolute magic on the big screen. Though not often thought of as a holiday film, MEET ME IN ST. LOUIS is a perfect film for the whole family – and how can you go wrong with Judy Garland singing the bittersweet American standard “Have Yourself a Merry Little Christmas?”
Here’s the full line-up:
Dec. 4 at Noon – MEET ME IN ST. LOUIS (“Clang, clang, clang went the trolley…”)
Dec. 11 at Noon – ELF (comedy starring Will Ferrell)
Dec. 18 at Noon – THE GRINCH (the beloved Dr. Seuss tale starring Jim Carrey)

December 1st  was World AIDS Day…a day to reflect on the lives of those who have passed from HIV/AIDS complications…and a day to remember that the fight isn’t over. New cases, especially in young demographics, are on the rise. THE RUBI GIRLS, known for their work with various HIV/AIDS charities, have unveiled their 2011 wall calendar – and they’re now available in our lobby. Calendars are just $20 each, and 100% of that amount will go to charities in the Miami Valley. If you still need a 2011 calendar…or you’re looking for a fun, unique gift…check out the calendar next time you’re here. Last year’s edition sold out, and this year’s edition is even more wonderful! If you’re an out-of-town subscriber to this newsletter, you can always visit www.arcohio.org to buy your calendar on-line – where 100% stays with AIDS Resource Center Ohio.
Special thanks to those of you who wrote to me upon hearing the story about The Rubi Girls during “All Things Considered” on WYSO.

We hope to see you very soon.

Take care,
Jonathan

SHOWTIMES for December 3 – December 9:

127 HOURS (R) 1 Hr 34 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:10, 7:20, 9:30

FAIR GAME (PG-13) 1 Hr 48 Min
Friday: 12:20, 2:40, 5:00, 7:30, 9:45
Saturday: 2:50, 5:00, 7:30, 9:45
Sunday: 12:20, 2:40, 5:00, 7:30, 9:45
Monday – Thursday: 2:40, 5:00, 7:30, 9:45

MEET ME IN ST. LOUIS (NR) 1 Hr 54 Min
Saturday: 12:00 (noon)

COMING SOON:
As always, all dates are tentative. Some of these dates will change.

Dec. 10 THE GIRL WHO KICKED A HORNET’S NEST      Dec. 17 TAMARA DREW
Dec. 22 BLACK SWAN    Dec. 25 THE KING’S SPEECH     Jan. 14 MADE IN DAGENHAM

TBD: RABBIT HOLE

Farragut North Becomes Ides of March

By 1 Comment

Beau Willimon - Playwright

In a surprising turn of events, the eagerly anticipated film adaptation of Brooklyn playwright Beau Willimon’s riveting political drama “Farragut North,” the winner of the 2005 Dayton Playhouse FutureFest, has a new name: “The Ides of March.”

Despite the darker yet catchier revamping, Willimon’s engrossing material, which brilliantly contains shades of David Mamet, still chronicles the downfall of an arrogant press secretary of a governor-turned-Democratic presidential candidate during the frenzied Iowa Caucus. According to Deadline.com, Oscar nominee Ryan Gosling (“Half Nelson”) will star as brazen hotshot Stephen Bellamy, a juicy role previously linked to such Hollywood heavyweights as Leonardo DiCaprio and Jake Gyllenhaal.

Joining Gosling, who appeared in “The Notebook,” “Lars and the Real Girl” and is currently garnering Oscar buzz for his performance in the indie hit “Blue Valentine,” will be Academy Award winner Marisa Tomei (“My Cousin Vinny”) as a New York Times reporter, Emmy Award winner Paul Giamatti (“John Adams”) as a rival campaign manager, and indie darling Evan Rachel Wood (“Across the Universe,” “Once and Again,” “Thirteen,” “The Wrestler,” “True Blood”) as a campaign intern.

In addition to directing “The Ides of March,” Academy Award winner George Clooney (“Syriana”) will appear as the aforementioned candidate and co-write the script along with Willimon and Grant Heslov. Clooney and Heslov’s script for “Good Night, and Good Luck” received a 2005 Oscar nomination for Best Original Screenplay.

“The Ides of March,” which has the potential to be a major contender at the 2012 Golden Globe Awards and Academy Awards, is inspired by Willimon’s service as a staff member within Howard Dean’s 2004 presidential campaign. Production is reportedly scheduled to begin in February in Michigan and Ohio.

“There will indeed be some shooting of ‘Ides of March’ in Ohio,” said Willimon, 33. “I have no idea what the shooting schedule is, or where, but it would certainly be cool if Clooney shot some scenes in Dayton!”

Willimon’s credits include the Hurricane Katrina-themed drama “Lower Ninth” and the gripping character study “Spirit Control,” an incredibly authentic account of an air traffic controller haunted by a tragedy.

From Christmas Past to Christmas Pageants… and FREE TICKETS!

By 7 Comments

Childrens Theatres Explore the Holidays

Junie B Jones: Jingle Bells, Batman Smells

Junie B Jones: Jingle Bells, Batman Smells (Photo Credit Mike Long)

So often, we associate “children’s theatre” with “running around in big furry costumes spouting cutesy dialogue” (witty description per playwright Allison Gregory), and “Christmas shows” with the same old retellings of the Nativity or Nutcracker (as Dave mentioned Tuesday). But, we’re often too busy to even think of those types of theatre, let alone putting them together, for the holidays seem to come earlier every year (did Black Friday begin on Thursday…?) – sometimes it seems like ‘tis the season for selfishness and stress! This season, two theatres are surpassing those stereotypes and producing quality holiday productions for audiences of all ages, providing the perfect way for families to spend time together, enjoy themselves, and move beyond the overwhelming focus on gifts and wanting more.

Beavercreek Community Theatre’s A Christmas Carol and Town Hall Theatre’s Junie B. Jones: Jingle Bells, Batman Smells both open this weekend. While extremely different shows, both feature youth performers and share conceptual similarities: they may seem like lighthearted Christmas fare, and audiences of all ages will definitely laugh and enjoy themselves, but also walk away with a little something else to consider.

A Christmas Carol

A Christmas Carol (Photo credit: Diana Blowers)

Beavercreek Community Theatre’s Children’s Theatre presents Charles Dickens’ A Christmas Carol; the structure of this adaptation is unique because it features a “play-within-a-play,” exploring the famous allegory as a story passed down from grandfather to grandson when young Thomas struggles to understand the reason for giving hard-earned money away to the poor. As the traditional story goes and Thomas’ grandfather shares, visits to his past, present, and future teach Scrooge the loneliness of his selfish, stingy ways and inspire him to change his life.

Teresa Connair, who directs the 34-member cast of students ages 8 – 18, has worked with children’s theatre for over fifteen years and began the Children’s Theatre branch (a unique facet not shared by many of the

A Christmas Carol

A Christmas Carol (Photo Credit: Diana Blowers)

other Dayton theatres) at BCT five years ago. Along with performing in shows, students can participate in educational initiatives and classes at BCT, and help choose children’s productions; approximately half of the cast members have participated in BCT’s Children’s Theatre in some way before.

For this show, Connair has worked with the cast not only on scenes, but also on qualities important in life. She commented,

“We try and teach professionality to these kids, and how to develop a character, build a character, be real onstage – not just say lines, and I think they do an excellent job. They constantly surprise me, and that’s not easy to do.”

That training evidently is successful, for Connair stressed the professional quality of this production. That professionalism and the fresh angle to a familiar story both ensure A Christmas Carol is unique, excellent, and worth fitting into a busy holiday schedule.

Junie B Jones: Jingle Bells, Batman Smells

Junie B Jones: Jingle Bells, Batman Smells (Photo Credit: Mike Long)

Town Hall Theatre’s Landmark Children’s Theatre’s current production, Junie B. Jones: Jingle Bells, Batman Smells, also promises to entertain and impress. Some may remember THT’s well-loved and hilarious production last season of Junie B. Jones and a Little Monkey Business, exploring Junie B.’s kindergarten escapades; in Jingle Bells, Batman Smells, Junie B. is now in first grade and has grown up a little bit – this show features her parents less, and explores the relationships and events she deals with at school. Not only does Junie B. draw the name of May, her avid nemesis, for the school “Secret Santa” gift exchange, but both girls are required to perform together in the school’s holiday pageant.

Though many adults are unfamiliar with them, the Junie B. book series, by Barbara Park, is extremely popular with children; even if you have never heard of the books, however, the play and characters stand alone and will make sense. Junie B. reflects the lives and struggles of kids now, but adult audiences will also reminisce and remember the same things that the characters are encountering.  Playwright Allison Gregory, who was commissioned by Childsplay, Inc., to adapt the books for the stage, explained that the magic of the story and characters is how perfectly Park expresses the way kids think, “yet within that impulsive, boundless world, she builds a highly structured, meaningful story.”

Junie B Jones: Jingle Bells, Batman Smells

Junie B Jones: Jingle Bells, Batman Smells (Photo Credit: Mike Long)

Gregory’s adaptation and THT’s production align perfectly with this description, and the cast has had a lot of fun exploring it! Director Brittany Hayden-Hinkle, also THT’s Education Director, discussed how rewarding working with the kids has been:

“I really enjoy them as actors and just as people. Where else would you be discussing burp noises and what “squeeze a burp” should look like? The kids… bring an energy that is positively indescribable; they care so much about the shows they work on! And they never take themselves too seriously.”

Both A Christmas Carol and Junie B. Jones: Jingle Bells, Batman Smells will provide audience members with not only a great distraction from the consumerism and stress of the holidays, but a perfect way to go beyond our typical conceptions about the holidays and theatre to reflect on what’s truly important. Hayden-Hinkle expressed thoughts about Junie B. that reflects the depth of Christmas Carol as well:

“The show encourages kids to look past themselves during the holidays and reach out to those who need a little help. Sometimes the right thing is pretty hard to do but it’s always worth it in the end!”

So, this December, take your family or friends to see one of these two great children’s shows, and move beyond the typical conceptions, enjoying yourself and laughing in the process.

Tickets and Performance Information

A Christmas Carol: Beavercreek Community Theatre

December 3 – 12, 2010 – Fridays/Saturdays at 7:00 pm; Sundays at 3:00 pm
Call the Box Office at 937-429-4737 or visit Beavercreek Community Theatre!

Junie B. Jones: Jingle Bells, Batman Smells: Town Hall Theatre

December 3 – 19, 2010 – Fridays through Sundays (multiple performance times; check website!)
Call the box office at -937-433-8957 or visit Town Hall Theatre!

Or, check out the contest below…

Win Free Tickets!

Beavercreek Community Theatre, Town Hall Theatre, & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to each of these shows!  We will be giving away up to five sets of four tickets total for the second or third weekends of these terrific shows! We have three sets for A Christmas Carol and two for Junie B. Jones. And since we’re giving away four tickets to each winner, your family can come together. All you need to do is:

  • Share this post on Facebook or Twitter…we’ll give away a set of tickets for every 10 ’shares’ on FB/Twitter, up to 5 groups of 4 tickets.  Just click on the appropriate button below, it’s that easy!
  • Leave a comment, answering the following question… Both of these shows center around the holidays and a spirit of togetherness… what is your favorite or most unique holiday tradition?
  • The deadline to enter is MIDNIGHT on TUESDAY, December 16th; tickets will be made available for the second (or third, for Junie B. Jones) weekends of the show.

    • ~KN

    SUBMIT PRESS RELEASES

    Would you like to submit theater news for DaytonMostMetro.com’s onStageDayton features?  Email Shane, Dave & Katherine at [email protected]

    Katherine Nelson is a senior theatre major at Cedarville University who focuses on performance, playwriting, and stage management. She’s the Literary Intern with locally basedEncore Theater Company, where contributors Shane Anderson and David Brush also work. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

    So This is Christmas…

    By 1 Comment

    8-Track:8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.

    The Sounds of the 70’s

    THE HUMAN RACE THEATRE COMPANY

    Grab Your Boogie Shoes!

    The Human Race Presents

    A Unique Holiday Offering

    So this is Christmas and what have you done?

    Another year older, a new one just begun.

    A very merry Christmas and a happy new year,

    Let’s hope it’s a good one without any fear.

    Happy Xmas (War Is Over) – John Lennon & Yoko Ono – December 6, 1971

    Holiday fare at the theatres can often get stale and repetitive.  I love a good Dickens’ tale or Nutcracker ballet like anyone else but wouldn’t it be a great to start a NEW holiday tradition, Recently, we’ve seen local production of fresher holiday fare including classics like Miracle on 34th Street and White Christmas (currently playing at La Comedia) to edgier offerings like Eight Reindeer Monlogues. Nationally, TWO new holiday musicals are making the rounds – a new musical adaptation of the classic holiday film A Christmas Story and on Broadway – a musical staging of the more recent film, Elf.

    8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.

    This holiday season, amid all of the standards, The Human Race Theatre Company is inviting you back to the age of bellbottoms, flower power, and draft dodging.  Fifty of the greatest hits of the 70’s wrapped into one rock ‘n’ roll evening doesn’t seem like typical holiday fare but The Human Race is betting on 8-Track: The Sounds of the 70’s.

    From the creator of the 60’s musical revue Beehive comes this all new retrospective that the Minneapolis Star Tribune has called “an infectious, joyous celebration.”  The show is cleverly split into 8 “tracks” or themes like War and Peace and Disco that give the show a thematic tie to the decade it represents.   Be prepared to hear classic songs from Donna Summer, Helen Reddy, KC & The Sunshine Band, The Carpenters, The Bee Gees among others.

    8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.

    The other thing you can be sure of is that these songs will be expertly executed. Under the direction of Human Race Resident Artist Scott Stoney, the cast of five include TWO locals-made-good including EBONY BLAKE and JJ TIEYMEYER – both Wright State graduates and both now New York based. Neither are strangers to the Loft. Blake was seen in Jitney and the workshop presentation of Nefertiti (Ms. Blake was last seen here in Dayton on the national tour of The Color Purple that played the Schuster Center).  Tiemeyer has been seen  in A Christmas Carol and Man of La Mancha with The Human Race.  The cast is rounded out by JENNIFER WREN (Brigadoon at the Schubert) and JONATHAN BURKE (National Tour of Cats).

    So go ahead and indulge in your “ghost of Christmases past” and dancing mice but don’t miss the holiday Disco party at the Loft.

    8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.Photos by Scott  J. Kimmins

    Tickets & Performance Information:

    The Human Race Theatre Company - Dayton, Ohio8-Track:  The Sounds of the 70’s  – December 2 through 22 at The Loft Theatre, 126 N. Main St.

    Various performances days and times, visit  www.humanracetheatre.org or Ticket Center Stage for ticket information.

    Tickets also available by calling (937) 228-3630 or toll-free (888) 228-3630

    Group tickets for holiday outings (or otherwise) at (937) 461-3823 x 3113

    -DB

    8-TRACK: THE SOUNDS OF THE 70'S - The Human Race Theatre Co.

    We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

    onStageDayton on DaytonMostMetro.com - Shane Anderson, David Brush, Katherine Nelson & Russell Florence, Jr.Shane Anderson & David Brush work with locally based Encore Theater Company.Katherine Nelson, a senior theatre major at Cedarville University, serves as the Literary Intern for ETC.  The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

    Choirs, Choruses & Holiday Concerts

    By Leave a Comment

    Is Glee getting you “gleeked” out for choral music?  Sure, you can get more with the reality TV show The Sing-Off (featuring local group, Eleventh Hour as the FIRST high school group on the show), but maybe you’re looking for some local opportunities to experience some cool harmonies and hear songs re-vamped for voice.  Luckily, in Dayton you have a variety of outlets specifically for choral fun, so here I highlight a handful of groups with upcoming holiday concerts.

    Disclaimer: There’s no way I can highlight them all even as I attempt to stick to adult groups, so if you want to share info on the fantastic college/university and youth choruses in the region – or if I missed an adult group, share in the comments.  But before we dive in, I will let you know that if you want to catch a short concert and take a break from the hustle of your work day, you can enjoy music from some local school groups when you visit downtown for Holiday in the City Noontime Entertainment.

    When you hear Dayton Philharmonic, you may think orchestra – but I’m talking about the Dayton Philharmonic Orchestra Chorus (DPOC).  Having just recently become  members of Chorus America, the DPOC is the official chorus of the Dayton Philharmonic Orchestra.  DPOC member Pam Miller Howard shares that their “goal is choral excellence and community involvement.”    It is part of their mission to serve as part of the orchestra during the regular and summer seasons, but they also offer choral-only concerts, workshops, clinics, joint concerts and other educational outreach.

    The DPOC has been around for a while.  According to their Web page, it was back in 1935 that the DPOC was founded as an all-volunteer chorus to enhance the Orchestra’s programming.  They’ve grown since then; their October concert boasted a chorus of over 140 members.   And they’ve become a well-travelled and well-versed group, too; they’ve toured Europe and performed recently (2008 & 2010) in New York City.  But even with all those perks, this chorus is driven by quality and the love of the music.  Howard says, “Singing and hearing choral music is good for the soul.”  Wanna know if the DPOC is the kind of music good for your soul before checking them out in person?  You’re in luck – Dayton Public Radio airs concerts featuring the DPOC.

    Check out the Dayton Philharmonic Orchestra Chamber Chorus (a select chorus of the DPOC) at the December concert: Messiah with the DPO which will be December 12 at Westminster Presbyterian Church in Dayton at 4:00pm.  This year they will be performing the entire work which is a unique opportunity.

    The Bach Society of Dayton is our next stop on this tour of choral music.  “Dedicated to bringing the art of the great choral singing to Dayton,” they are 54-singers strong highlighting the history of top-quality choral music.  The focus for the Bach Society is the classics – music that has stood the test of time yet continues to inspire.  Some things are beautiful in any century, and they introduce Dayton to the great works first made famous by Vivaldi, Barber, and (of course) Johann Sebastian Bach.

    Collaboration is key to the Bach Society of Dayton as they strive to develop an appreciation for choral music.  Their Web site speaks about collaboration in a powerful way, “when we reach out to our community we share something each of us holds dear.”  They are truly singing for the love of the music.  They are most dedicated to their young person outreach; in recent years they’ve worked with the Muse Machine, many local high schools, the Gem City Ballet, Sinclair Community College, Wittenberg University, Carillon Brass, and players from the Dayton Philharmonic Orchestra.

    Sweet Sounds of the Holidays on Sunday, December 5, 2010 at 7:30 p.m. The Bach Society, along with the Kettering Children’s Choir Chorale under the direction of Bruce Swank and the Kettering Advent Ringers directed by Joan Ulloth Dorgan, present this seasonal favorite of Christmas and Hanukkah music.

    So – you may think of the DPOC or the Bach Society when you think of choral music, but there’s more than traditional choral offerings in our fair city.  The classics are well-represented, but for people who enjoy voices coming together for more contemporary works – there are numerous options for you as well.

    Celebrating their 20th Anniversary, Musica!(yes, the exclamation point is included) is a smaller ensemble of singers who explore many different forms of music.  Their Web site shares their home-grown history – Musica! was started by a group of 8 friends who sang for a friend’s party and they decided to keep going and share their voices with the public.

    Now they have expanded to offer a subscription series, CDs, and specialized performances.  Local singer, Megan Rehbring, is excited to be a part of Musica!  She says, “We do an interesting mix of music, and not much ‘traditional’ choir music, so the concerts are really fun.”  Rehbring is right that it’s not what is generally considered traditional; selections from this season include songs from musicals, spirituals, seasonal carols, and classic fare.

    The Sounds of the Season concert is advertised to “ring in the holidays with several new Christmas arrangements and a festive medley of carols entitled A Baroque Christmas.”  December 18 @ 8:00 PM at Fairhaven Church and December 19 @ 3 PM at Lutheran church of our Savior.

    The Schuster Center Celebration Choir was established to sing at the grand opening of the Schuster Center – that’s it, story over.  Except it’s not over – the singers had such a good time doing it, that they wanted to stay together and continue singing.  Dayton Power and Light sponsors this choir that’s by the community / for the community.  According to Dave Brush from the Victoria Theatre Association, the 40-50 members of this group are a demographic microcosm of the city, and they focus on giving back by singing at Urban Nights, the Grande Illumination, the Spring Concert (together with the Children’s Choir), and in partnership with community groups.  They’ve also been selected to sing the National Anthem at the Dragon’s Games a few times.   With a wide-spectrum of singers with different tastes and talents, they’ve been known to sing everything from Broadway to opera and classical to holiday.   But what remains the same is the focus on providing an outlet for community members to sing, grow their skills, and share their talents with the greater community.

    The Schuster Center Celebration Choir joins with a collection of choirs from local churches, the  Sinclair Handbell Choir, and the Oakwood Accordion Band to bring full voice to the Dayton Philharmonic’s upcoming SuperPops performance Holiday at Homethis weekend at the Schuster Center.

    For even more contemporary fare in this tour of the diverse choral options in town, we come to the Dayton Gay Men’s Chorus.  Their mission is two-fold in their attempt to encourage excellence in vocal arts as well as achieving a gay-affirming presence in the region.   Board President, Allen Kimbrough says, “The DGMC promotes the idea of obtaining and sustaining our individual and human rights, celebrating diversity within our culture and community, and the freedom to express our commitment to the value of opening minds and eliminating prejudice by honoring our differences.  Our music is a testament to these core values, which move us ever forward to succeed in reaching these goals.”

    The crowds that they are getting at their shows and the partnerships they’re developing regionally and nationally are a testament to their drive and dedication to produce great works that support their mission.  But while they are serious about their goals – I would be remiss if I didn’t mention how FUN this group is.  In addition to great harmonies for exciting and unique musical selections, they include some simple choreography, fun costumes, and various props to keep the audience engaged and enjoying the overall experience of each show.  These boys, inspired by music director Jason Schuler, know how to have a good time and that energy is contagious.

    Kimbrough continues, “Our audiences can expect a broad repertoire of music in a variety of visible and accessible venues.”  December shows include  Celebrate! Songs of the Season on December 4th, at St. John’s United Church of Christ in the Cannery District on 3rd Street.  Community outreach performances are scheduled at First Baptist Church on December 5th, Christ Episcopal Church in Springfield on December 10th, the monthly PFLAG December meeting on December 14th, and Barnes and Noble Bookstore on December 19th.

    And finally, there’s the phenomenal group from Fairmont High School, Eleventh Hour.  I know, I know – I’m not highlighting youth choirs in this article – but c’mon!  Starting December 6, they’re on national television on The Sing-Off, so they have to get a little love.  Check out their version of “Santa Claus is Comin’ to Town” to get into the spirit and then catch their free concert at Fairmont High School on December 8.   Voices only as this small acapella group makes contemporary songs sound like they don’t need any instruments besides these seven voices.

    So there’s a *small* sampling of some of the great choral options in the region and ways to get into the holiday spirit while supporting these local music groups.  How are you fitting music into your winter schedule?

    Film Review – 127 Hours

    By 2 Comments

    127 Hours

    I haven’t been forced to look away while watching a movie since the frat boys eating dog semen-filled donuts scene from “Van Wilder” nearly made me vomit in 2002. Like I’m sure most members of the modest afternoon Neon Movies crowd seeing “127 Hours” on the Friday after Thanksgiving, I was familiar with the Aron Ralston story and expected that the inevitable self-amputation scene might force my eyes away from the screen for the first time in eight years of steady movie going.

    I was also concerned that a movie about a hiker/rock climber getting stuck in a canyon for five days, only to free himself by hacking off his own right arm, might be mostly dull, then needlessly gruesome. I’d imagine director Danny Boyle (“Slumdog Millionaire,” “Sunshine”) might have shared those concerns. It turned out that James Franco’s (“Milk,” “General Hospital”) portrayal of Ralston’s five days in the canyon were actually quite entertaining and endearing because Franco does a terrific job conveying Ralston’s humanity, humor, and most importantly, his will to live.

    Ultimate Solitude

    Ralston is a self-sufficient nature lover and adventurer who was as much in search of solitude as natural beauty. When, while hiking in Utah, Ralston falls down a narrow canyon and gets his right arm pinned between a boulder and the canyon wall, he is forced into solitude for five days, all the while contemplating how his independent, possibly selfish personality may have as much to do with his agonizing predicament as does the rock that keeps him from leaving the canyon.

    Because the Ralston story received such attention, the audience knows that he must amputate his right arm in order to free himself and avoid dying in the canyon. Of course, cutting off his own arm was not Ralston’s first attempt at escape and because Franco’s Ralston is so easy to root for, I found myself foolishly hoping that he’d be able to chip away enough of the boulder with his pocketknife to escape, or that the pulley system he fashioned would do the trick, or that the flash flood that loosened the boulder was reality and not just a hallucination brought on by exhaustion and despair.

    By the time Ralston is forced to accept the fact that he must cut off his own arm or die, I knew that my eyes would be glued to the screen during the amputation. At that point, the audience is so invested in Ralston’s survival, I’m sure I was not alone in thinking that it’d be insulting to Franco’s performance and Aron Ralston himself to look away. And, while the amputation scene is graphic and difficult to watch, I found it more an emotional display of Ralston’s intense need to survive, rather than shock and awe gore.

    The Real Aron Ralston

    Like many of the best movies made, “127 Hours” is only showing in Dayton at The Neon. If you’re considering seeing “127 Hours” but are concerned about being able to make it through the amputation scene without fainting, just know that it’s more beautiful than grotesque and that The Neon, as always, has alcoholic beverages available.

    Move On…

    By 2 Comments

    Chris Erk - Photo by Kidtee Hello…a conversation with Chris Erk

    The Tap Factor

    Dayton is a tap town.  There, I said it.  Most people in this city and region probably had no clue, and yet this is  another thing that Dayton should be really proud about.  It’s been a whirlwind of a year for tap dance in Dayton.  First, we come to the painful realization that Sharon Leahy and Rick Good’s RHYTHM IN SHOES was closing up shop after 20-some years…but then we start hearing news of other amazing dance projects in the works.  We hear of South Park resident Kandee Thacker-Mann (who had performed with the legendary Savion Glover) teaching urban kids the art of tap dance through her company SOLE PURPOSE.  Then, out of the blue there’s news of another new tap company in town….THE TAP FACTOR.

    THE TAP FACTOR?  Honestly, the first time I saw a flier advertising the studio, I assumed that it was some of the soon-to-be-former R.I.S. members, establishing their next project.  Upon a little bit of investigation, we started to hear about this new guy in town, one Christopher Erk…he’d been in some Broadway tours and all.? ? A Broadway tour that ended in Dayton, Ohio?  How did a star performer in TAP DOGS end up in Dayton?  This Chris Erk guy was kind of elusive at first…until a quick introduction on Fifth Street one day, then the occasional friendly wave across a bar or on the street.  Then SLAM! The Tap Factor started shaking things up in Dayton!  The Tap Factor - photo by Sarah BabcockThe first gig…at Urban Nights; a special guest appearance at R.I.S’s last performance; SOUL’D OUT DAYTON at C{Space; Broadway caliber guest performers flying in from NYC to teach master classes around town; THE DAYTON TAP PROJECT at Stivers.

    I contacted Chris…I wanted to find out more about this force that suddenly flew into town less than a year ago.   What did I find out? 1) Besides talented, he’s a really nice guy.  2) He really appreciates our city & the artistic environment here. 3)  He’s on his way out of town.? ?

    onStageDayton:  Chris, Dayton is just getting to know you as a performer in our arts scene…but, you came to our city after a pretty interesting career in New York and on the road. For our DMM readers who are just being introduced to you, just who the heck are you?

    Chris ErkChris Erk:  I am originally from CT where I grew up dancing extensively and training in musical theater and drama. When I was 15 years old I was hired for the National Tour of Tap Dogs with whom I went on to tour internationally for 5 years. After putting some time in on the road I settled in NYC where I lived and worked as a tap dancer/teacher/choreographer for the next 5 years. Work there was diverse. I spent a lot of time covering the bases of what the dance world could offer. From corporate entertainment, the teaching and convention circuit, to independent and company projects, there was plenty to get mixed up in while living in the city, and many friendships developed along the way. The exposure gained in my first stint of my career has geared me up for round two.

    OSD:  It seems that you are quite connected on the national dance scene…what do you find exciting about the future of American dance?

    Chris Erk & Janet Schroeder - Photo by Sarah BabcockCE:  The thing that excites me most about the future of the American dance scene is that there is a lot more going on by a lot more people. I notice the country realizing that it doesn’t take much to get something done. Communities are starting to come alive and more groups are being formed. I find the “flash stardom” shows are showing that there is a shot out there for the average Joe. I also think that globalization and internet sharing are making cross culture exchanges “the norm”. That alone is making for a deeper creative pool which in turn yields a more diverse product for a wider audience to enjoy.

    OSD:  We are sorry to hear that your time in Dayton is coming to an end. What personal opportunities did your time here provide for you as an artist and an educator?

    The Tap Factor - Urban Nights, May 2010 - Photo by Sarah BabcockCE:  Leaving Dayton is definitely not going to be the easiest thing to do. From the moment I got to town I was given warm reception and the open heart of the town. Good luck and favor kept coming at the rate of disbelief. I couldn’t fathom that the town was really as kind as it seemed. Whenever there was a hand in need there was a hand indeed.

    As an educator, I would say that I got to have my cake and eat it too. Whether I was teaching “Broadway Bounders” at WSU, giving the recreational class at Sinclair their first tap steps, enriching the experienced dancers at the local studios, or getting my hands dirty getting the Tap Factor crew comfortable to take their tap to the streets to share with the town, the breadth of what I had to offer as an educator and coordinator was full spectrum here in Dayton. As any teacher can tell you, you learn as much as your students do, and in that, I was spoiled here. I will not take that for granted as I move on.

    I found that there are community supported opportunities for everyone who wants to participate in the arts in any capacity. As an artist, the work just flowed out stimulated by the backdrop and resources made available by the city. All of the work that I created in town was a product of good company. I am not set out on a mission to accomplish anything in particular as much as I just like to have a good time tapping with others. If there was no one to work with, there would have been no work produced on my end. In all actuality the demand was steady and therefore in a short time, we got a lot of great work done.

    Soul'd Out Dayton - July 2010 @ C{Space - Photo by Sarah BabcockIn Soul’d Out, the show I produced at C{space, I found that I was able to utilize every bit of skill I had under my belt as well as get my feet wet as a producer. In that experience I was able to dance, teach, choreograph, create, delegate, coordinate, share, invite, collaborate, direct, host, design, etc…all in one show. Artistically and beyond, there was no stone unturned.

    OSD:  You mentioned what a fantastic working environment Dayton is for artists, what factors make you feel that way?

    The Tap Factor - Urban Nights, May 2010 - Photo by Sarah BabcockCE:  Dayton has many hungry people ready for action. They just need to be led and to know, it really isn’t that hard to get something done. There is a venue and audience for all. The theater community itself is thriving which also adds for good stimulation, incubation, and cross pollination. It is nice to have this website, for instance, as a go to for people to get plugged in to what’s happening in town. There is art in everything and Dayton seems to get it. The main factor in all of it is that it costs a fraction of the price you would pay in any major city. If you have goals and a plan, Dayton is the canvass to get ‘er done. I also must attribute the Downtown Dayton Partnership for being a major catalyst and supporter for my work here. The exposure of The Tap Factor would have been dwarfed it it weren’t for frequent supported events that allowed us to get busy.

    OSD:  In the past year you have had the opportunity to collaborate with several other arts and community organizations…what are some of the highlights from these experiences?

    Rhythm In Shoes members at Soul'd Out Dayton - Photo by Sarah BabcockCE:  I would have to say that I was honored to have at least one opportunity to dance with Rhythm in Shoes. They joked and announced me in their final show at the Cityfolk festival as it being my first and last gig with the company. I was sad for that to be the case as I had gained much respect for their historical contribution to the town. They gave me their blessing and came out of retirement for a moment to perform with me and my friends in Soul’d Out.  It really was a treat.

    Zoot Theatre Co. Puppet at Soul'd Out Dayton - Photo by Kidtee HelloI am also sad to leave with out getting some puppets tapping for Zoot. I may have to make sure I get that taken care of at some point. I was also treated with the task of choreographing Gypsy at the Dayton Playhouse. That was my first community theater experience and a blessed one.

    As I had mentioned before, the DDP has been a great resource to lean on, from writing press releases, finding space, to booking gigs, they really are there to be taken advantage of if one wishes to get pugged into the Dayton Circuit. I have also made great friends with some local movers and shakers. Local artist Mike Elsass and Peter Benkendorf of Blue Sky have been readily available for engagements in candid guidance and encouragement. Without their vote of confidence, some of the moves I made may have been handled with less follow through.

    My future was headed towards, of course developing The Tap Factor, but also working with Ann Rassmusen to create space and opportunity for people who need a chance and a helping hand in getting their work out to the world. I believe there is a void in that capacity here in town and it will be exciting to see if and what will be created and by whom.

    OSD:  November 13th’s “Dayton Tap Project,” was most likely your last gig in the city. What story were you able to tell through your performance? What type of audiences were you hoping to reach & what is the personal message that you wanted them to take away from the show?

    The Dayton TAP ProjectCE:  In The Tap Factor segment in the showcase, you pretty much got a point for point account of the works that have come out of my time here. It was a nice recap and a great chance for me to dance with some of the company members that have been around through the whole process. I  also cut up the stage with my best friend, Anthony Russo.  There was tap dancing as you know it and may have never seen before. There were no age or language barriers up.  It’s good clean fire. This was a priceless opportunity…I’m just sayin’…I want audiences to just have fun and let loose with us. No messages to be stated here. Each individual will make of it what they will.

    OSD:  What’s next for you?

    The Tap Factor 2010 - Photo by Sarah BabcockCE:  Next I am going to go back East and throw my self back into the whirlwind of NYC. There is a lot to latch onto. I plan on spending time developing my craft, continuing my college education, and reuniting with my professional peers to see what’s been shaking. I know I will have a wealth of experience from my time here to share.

    OSD:  Chris, thanks for taking time to chat with onStageDayton, we wish you well and hope that you will spread the word on the East Coast what a great arts scene Dayton, Ohio has!

    Chris Erk - The Tap Factor, Urban Nights, May 2010 - Photo by Sarah BabcockCE:  Trust me, I have been an advocate for Dayton since the moment I landed here. I have already had several friends in to get hands involved the arts scene. There are still stories to unfold about what the future holds for the arts in this town. There is a storm brewing up here and I will continue to let the world know that they are about to find out! I am not one to predict the future. I never would say that my time here had ended. All I can say for now is peace and love to you Dayton, onward. There is magic happening here and in due time it’s going to pop and the secret will be out. Trust I will be back for the party. Thank you! See you soon 🙂

    In our conversation, Chris kept discussing how much he has enjoyed his time in Dayton, and the many great people & things to do that he’s heard about but hasn’t yet had the opportunity to meet/experience.  You can tell what an organizational genius he is, because he went ahead made some lists and emailed them to me!

    My Top 10 things I need to do before leaving Dayton:

    1. Meet an Ervin

    2. Box at Drakes Gym

    3. Get on one of Dayton’s Bike paths

    4. Have a Bad Juan Margarita

    5. Go to the Dayton Arts Scene

    6. Teach a class at Stivers

    7. Dance one more time with the Puzzle of Light

    8. See a show at the Loft

    9. Go to a UD game

    10. See a show at Canal Street Tavern

    Top 10 favorite people:

    1. Joe Deer (WSU Theatre)

    2. Tristan Cupp (Human Race Theatre Co./Zoot Theatre Co.)

    3. Ann Rassmusen (C{Space)

    4. Mike Elsass (Artist/The Color of Energy Gallery)

    5. Peter Benkendorf (Blue Sky Project)

    6. Kristen Wicker (Downtown Dayton Partnership)

    7. Russel Florence, Jr. (onStageDayton on DaytonMostMetro.com)

    8. Brian Sharp and Wade Hamilton (Dayton Playhouse)

    9. Gina Nuerer (Sinclair Theatre)

    10. Susan Byrnes (Artist/UD’s ArtStreet)

    My Top 10 Spots I am taking with me!

    1. Lihn’s

    2. South Park Pizza Tavern

    3. Tanks

    4. Oakwood Starbucks

    5. Christopher’s

    6. Palermo’s

    7. Cedarland Bakery

    8. 5th Street Deli

    9. Boston Stoker (iced tea)

    10. Brixx Cafe

    Photos by Sarah Babcock & Kidtee Hello

    -SA

    We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

    onStageDayton on DaytonMostMetro.com - Shane Anderson, David Brush, Katherine Nelson & Russell Florence, Jr.Shane Anderson & David Brush work with locally based Encore Theater Company.Katherine Nelson, a senior theatre major at Cedarville University, serves as the Literary Intern for ETC.  The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

    127 HOURS & FAIR GAME – A Great Combo at THE NEON

    By Leave a Comment

    Hello Everyone.

    We’ve cleaned house…and have moved into awards season – hopefully a busy time for us.
    We have just opened the region’s premiere engagement of Danny Boyle’s new film starring James Franco – 127 HOURS (which you’ll be hearing more about come Oscar time). This film has been given a 100% review by Entertainment Weekly, The New York Times, USA Today, Chicago-Sun Times, and many more.
    Don’t miss this incredible, gripping film on the big screen.

    In addition, we opened the new thriller FAIR GAME – starring Naomi Watts and Sean Penn. Owen Gleiberman of Entertainment Weekly wrote that this film “gets you riled up all over again at a deeply unpatriotic abuse of power.” J.R. Jones of Chicago Reader wrote that the film is “easily the best fact-based Hollywood political thriller since ALL THE PRESIDENT’S MEN.”

    Synopsis for 127 HOURS: “127 HOURS is the true story of mountain climber Aron Ralston’s remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles… Throughout his journey, Ralston recalls friends, lovers, family, and the two hikers he met before his accident. Will they be the last two people he ever had the chance to meet?” (taken from Fox Searchlight Pictures) Directed by SLUMDOG MILLIONAIRE’s Danny Boyle.
    http://www.foxsearchlight.com/127hours/


    Synopsis for FAIR GAME: “Valerie Plame and her husband face the fallout when her cover is blown as a covert CIA agent. Plame’s status as a CIA agent was revealed by White House officials allegedly out to discredit her husband after he wrote a 2003 New York Times op-ed piece saying that the Bush administration had manipulated intelligence about weapons of mass destruction to justify the invasion of Iraq.” (taken from Fandango)
    http://www.fairgame-movie.com/


    The Downtown Holiday Festival has announced The Children’s Holiday Film Series for this year! Films are FREE for children 12 and under…and only $2 for adults.
    Dec. 4 at Noon – MEET ME IN ST. LOUIS (the gorgeous Judy Garland classic which introduced the American standard “Have Yourself a Merry Little Christmas”)
    Dec. 11 at Noon – ELF (comedy starring Will Ferrell)
    Dec. 18 at Noon – THE GRINCH (the beloved Dr. Seuss tale starring Jim Carrey)

    THE RUBI GIRLS have unveiled their 2011 wall calendar, and they’re now available in our lobby. Calendars are just $20 each, and 100% of that amount will go to charities in the Miami Valley. If you still need a 2011 calendar…or you’re looking for a fun, unique gift…check out the calendar next time you’re here. Last year’s edition sold out, and this year’s edition is even more wonderful!

    Over the past several years, we’ve built a following of loyal, NEON customers…and we’re very thankful for your support and interest in our programing. Thank You so much!
    Being that we’re open 365 days a year, we thought we should spread our thanks to folks who come out on Thanksgiving (this will be my 10th year that I’ll be here on Thanksgiving). If you come to THE NEON to see a movie on Thanksgiving Day, mention this newsletter for a free small popcorn.

    We hope to see you very soon.

    Take care & Happy Thanksgiving,
    Jonathan

    SHOWTIMES for November 24 – December 2:

    127 HOURS (R) 1 Hr 34 Min
    Wednesday & Thursday (11/24 & 25): 3:00, 5:10, 7:20, 9:30
    Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
    Monday – Wednesday: 3:00, 5:10, 7:20, 9:30
    Thursday: 3:00, 7:20, 9:30

    FAIR GAME (PG-13) 1 Hr 48 Min
    Wednesday & Thursday (11/24 & 25): 2:40, 5:00, 7:30, 9:45
    Friday, Saturday, Sunday: 12:20, 2:40, 5:00, 7:30, 9:45
    Monday – Wednesday: 2:40, 5:00, 7:30, 9:45
    Thursday:7:30, 9:45

    COMING SOON:
    As always, all dates are tentative. Some of these dates will change.

    Dec. 10 THE GIRL WHO KICKED A HORNET’S NEST
    Dec. 17 TAMARA DREW
    Dec. 22 BLACK SWAN
    Dec. 24 MADE IN DAGENHAM
    TBD: THE KING’S SPEECH & RABBIT HOLE

    Coming Up in Dayton Theatre – 11/25 – 12/08

    By Leave a Comment

    THURSDAY, NOVEMBER 25, 2010 – WEDNESDAY, DECEMBER 8, 2010

    Junie B. Jones: Jingle Bells, Batman Smells

    Junie B. Jones: Jingle Bells, Batman Smells (Town Hall Theatre; Photo Credit - Mike Long)

    Thanksgiving kicks off the holiday season for many Americans. We take it as an opportunity to spend time with family members, enjoy more food than we’ve eaten in the past week, and get a head start on holiday shopping. Unfortunately, it often becomes stressful as we attempt to ensure everything is ready and perfect and everyone is happy.

    I’m grateful for the thriving arts base we have in the greater Miami Valley region, and for the power of theatre. Not only is theatre cathartic, it can be a wonderful experience for family and friends, to bring all of us closer together and remind us of the important things in life. Whether you need a break from slaving over a stove and want to step back in time to the ‘70s, are trying to teach your children important lessons about generosity and the “reason for the season,” or are just in the mood to laugh and enjoy a good show, there’s a great one for you over the next couple of weeks. Put down the TV remote and take a break from the thousands of things you’re trying to get done, gather some friends or family, and spend some time enjoying a show and growing closer together.

    And, to all our onStageDayton readers, Happy Thanksgiving!

    Another Openin’, Another Show

    …SHOWS OPENING SOON

    8-Track: the Sounds of the 70s

    HUMAN RACE THEATRE COMPANY

    The Story: This new musical revue celebrates “the songs of the ‘70s in all their glory, or lack thereof! Expect plenty offlashy outfits and hairdos as four talented performers rediscover the heart and soul of the forgotten decade, with music made famous by artists from Donna Summer to the Eagles to Debby Boone” (HRTC).

    Dates: December 2 – 22, 2010

    Tickets: Ticket Center Stage

    More Information: Human Race Theatre Company: 8-Track, DMM Event

    A Christmas Carol

    BEAVERCREEK COMMUNITY THEATRE – CHILDREN’S THEATRE

    The Story: When a young boy struggles to understand why his grandfather would give money to the poor, the grandfather tells the story of Ebenezer Scrooge as he recalls it, and the story of Charles Dickens’ classic A Christmas Carol, where ghosts of past, present, and future persuade the stingy Scrooge to change his life, comes to life as a play-within-a-play in this heartwarming story.

    Dates: December 3 – 12, 2010

    Tickets: 927-439-4737

    More Information: Look for my children’s theatre feature next week, and go to Beavercreek Community Theatre and the DMM Event.

    Junie B. Jones: Jingle Bells, Batman Smells

    TOWN HALL THEATRE: LANDMARK CHILDREN’S THEATRE

    Junie B. Jones: Jingle Bells, Batman Smells

    (Photo Credit: Mike Long)

    The Story: The holidays are supposed to be a time of peace and goodwill… that is, until first grader Junie B. Jones draws her sworn enemy’s name for the secret Santa gift exchange at school. And if that’s not enough, their music teacher announces the two will perform together in the school’s holiday pageant!

    Dates: December 3 – 19, 2010

    Tickets and More Information: Town Hall Theatre, DMM Event, and watch for an OSD feature article next week!

    One Short Day

    …SPECIAL EVENTS FOR THE THEATRICALLY MINDED

    Cirque Dreams Holidaze

    VICTORIA THEATRE ASSOCIATION

    The Basics: Featuring an international cast of acrobats, aerialists, singers, dancers, and musicians, in this show, ornaments come to life as costumed characters perform astonishing feats that celebrate the holiday season.

    Dates: November 26 – 28, 2010

    Tickets: Ticket Center Stage

    More Information: Victoria Theatre Association: Cirque Dreams Holidaze, DMM Event

    SUBMIT PRESS RELEASES

    Would you like to submit theater news for DaytonMostMetro.com’s onStageDayton features?  Email Shane, Dave & Katherine at [email protected]

    ~KN

    Katherine Nelson is a senior theatre major at Cedarville University who focuses on performance, playwriting, and stage management. She’s the Literary Intern with locally basedEncore Theater Company, where contributors Shane Anderson and David Brush also work. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.

    Cirque Dreams Holidaze at Schuster Center

    By Leave a Comment

    Dayton’s Victoria Theatre Association is bringing Cirque Dreams Holidaze to the Schuster Center this holiday weekend (11/26-11/28)!  Created and directed by Neil Goldberg, Cirque Dreams – Holidaze is an original new musical extravaganza filled with spectacle, imagination and whimsy. Ornaments come to life as costumed characters perform astonishing feats that celebrate the holiday season. An international cast of acrobats, aerialists, singers, dancers and musicians fill the stage, the air and dangle from a gigantic and magical tree. Gingerbread men flip through the air, toy soldiers march along thin wires, snowmen balance, penguins spin, and reindeer soar high above a landscape of holiday wonderment.  A great show to bring the whole family to!

    “Cirque Dreams Holidaze has truly earned its name: the vibrant colors and cheerful voices will delight audiences from three to ninety three.” – Third Coast Digest

    “I must say that was one of the most awesome shows I have ever seen!  I sat in awe and on the edge of my seat through the whole show.  I was nervous about how my children would react to the makeup and the acts, but they LOVEd  it!  My daughter even asked if it was going to be long because she didn’t want to stop watching.  My four year old loved it, too, and said it all was his favorite when I asked him what his favorite part was!” – My Milwaukee Mommy

    Location:
    Schuster Center

    Showtimes:
    November 26 – 8 p.m.
    November 27 – 2 p.m. & 8 p.m.
    November 28 – 2 p.m. & 7:30 p.m.

    Tickets:
    On Sale Now!
    Adult: $70, $56, $46, $36
    Children 12 & Under: 50% Off A & B Section Seats
    (Plus Service Fees. Prices Subject to Change.)
    BUY TICKETS