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Journey Into Love with Dayton Contemporary Dance Company

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Dayton Contemporary Dance Company will kick off their 50th anniversary season with the long-awaited, much anticipated world premiere of The Bench: Journey Into Love. Created & directed by nationally renowned choreographer Kiesha Lalama, (one of Dance Magazine’s “Top 25 to Watch”) and featuring professional singing talent, The Bench – Journey into Love will be sure to be a hit! The work features original music and lyrics.

What do you get when you cross a love story with dance, theatre and song? The world premiere of a full-evening concert, The Bench: Journey into Love, by choreographer Kiesha Lalama. See what happens when a man and woman meet by a park bench, fall in love, have a family, and continue their love into the next life. The Bench – Journey into Love is a whimsical love story told through the influential lens of Fate and Destiny, who unite the charming Antonio and the beautiful Eva through magical serendipity. Emotions run wild as the young couple experience life’s delights and obstacles. This impassioned and passionate theatrical experience weaves together innovative story-driven dance and a gripping jazz musical score to create a timeless tale of love and family.

Choreographer Kiesha Lalama

Kiesha Lalamahas created more than 50 works for stage, film and television. Kiesha choreographed feature films, “The Perks of Being a Wallflower,” “Sorority Row,” the hit television documentary series “Broadway or Bust” (PBS), and critically acclaimed television series “Outsiders” (WGN). Theatrical credits include The Jimmy Awards (Broadway), and many more. Lalama has created two full-length contemporary dance theater productions: HeartShakes, which premiered with DCDC in 2015 and The Bench.

How to Go?

When: Saturday, October 6 at 7:30 pm
or Sunday, October 7 at 4:00pm 

Where: Victoria Theatre, located at 138 N. Main St. in Dayton.

Tickets start at $15.50, available at ticketcenterstage.com or by calling 937-228-3630.

Group Tickets available for groups of 10+.  Student, Veteran & Senior discounts also available.

 

 

 

 

Dayton Ballet & DCDC Volunteers Duel Behind the Bar!

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Dayton is renowned for it’s incredible legacy in the history of American dance. In 1927, The Schwarz School of Dance (now Dayton Ballet School) was opened in Dayton, by the gifted Schwarz sisters, who returned home after performing professionally around the world. Ten years later, the sisters created “The Experimental Group for Young Dancers,” and staged a performance at the Dayton Art Institute. This was the first performance of what is now the Dayton Ballet, the second oldest regional ballet company in the US.

The Schwarz sisters instructed another pioneer of dance, Jeraldyne Blunden. In 1968, Jeraldyen went on to create her own school, Jeraldyne’s School of Dance. A few years later, she established the Dayton Contemporary Dance Company, the first modern dance company in Ohio. The company regularly performs in Dayton, and around the world, including an upcoming trip to Russia and Kazakhstan next May as part of Dance Motion USA, a cultural diplomacy program organized by the U.S. Department of State and the Brooklyn Academy of Music.

These incredible achievements and milestones are being celebrated with style over the next year or two. The Dayton Ballet celebrates it’s 80th Season, and next year DCDC hits their 50th Birthday! Volunteers from the Dayton Ballet Barre and DCDC Ambassadors are joining forces Tuesday, September 5th, 2017 at Brixx Ice Company to kickoff these spectacular seasons! They’ll be slinging drinks as dueling bartenders, and might even have a dance off or two!

Enjoy commradere, drink specials, and a fun way to support these historic arts organizations. Best of all – there will be random ticket giveaways for the exciting up-coming seasons! There will also be ticket discounts available to anyone interested. Tickets to these outstanding artistic events are perfect for date nights, girls nights, and gifts!

How to Go?

Dayton Ballet Barre & DCDC Ambassadors

Dueling Bartenders / 2017-2018 Season Kickoff!

Tuesday, September 5th, 2017 from 6pm-8pm

Brixx Ice Company – 500 E 1st Dayton, OH

 

This Must Be The Party!

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This Must Be the Party! is a brand new benefit show produced by the Dayton Ballet Barre, as a fundraiser for the Dayton Ballet. This “dance party for the dancers” is a special collaboration by the region’s most talented musicians, performing songs from The Talking Head’s epic 80’s rockumentary “Stop Making Sense.” This classic performance will be recreated by this fantastic ensemble on Saturday April 15th at Oddbody’s Music Room. Doors open at 8pm, and Show runs from 9pm–11:30pm. The best part is that it’s a super affordable way to support the Arts in Dayton: Just $15 for pre-sale tickets or $20 at the door, day of show. 18+

Libby Ballengee, President of the Dayton Ballet Barre and a local music promoter through her own music production company, Venus Child Productions, explains the origin and inspiration for this event: “It was an easy ‘win’ all around – the Ballet Barre needed a fundraiser, a group of musicians wanted a reason to perform this album (because it’s so fun!), and lots of my friends would be in heaven if we did this show. I could not be more excited for this show! This is truly going to be an extremely fun event!”

The incredible line-up of Dayton, Cincinnati and Louisville musicians performing include: Brian Hoeflich, Patrick Himes, Nathan Lewis, Erich Reith, Greg Lewis, Aaron Holm, Dan Hereford, Keith Cost, Khrys Blank, Mykal, John Dubuc, Nathan Peters, Brian Spirk, Eric Cassidy, and Matt Byanski.

Big thanks go out to the sponsors of this event: Houser Asphalt & Concrete, Nightstar Security, Turner Property Services Group, On-the-Go Prints, and Oddbody’s Music Room.

How to go?

Saturday April 15th 2017 at Oddbody’s Music Room.

Doors 8pm. Show 9pm. 18+ with valid ID.

$15 advance. $20 day of show.

For tickets: https://www.ticketfly.com/purchase/event/1437688

Read Between the Lines with DCDC March 4th & 5th

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Photo by Paul B. Goode

Last year, the Dayton Contemporary Dance Company was awarded the highly-coveted Bessie award for Outstanding Revival, for it’s revival of Donald McKayle’s iconic “Rainbow ‘Round My Shoulder.” The Huffington Post listed it as one of the top 10 dance performances for 2016.

Daytonians have the opportunity to see this work, along with two others, as part of DCDC’s newest production “Vantage Points: A Read Between the Lines,” March 4 & 5 on Dayton’s historic Victoria Theatre stage.

 

 

“It is very interesting that a piece choreographed in 1959 — by a master choreographer — is still very resonant, and unfortunately very relevant, today,” DCDC Artistic Director Blunden-Diggs said. Alastair Macaulay, dance critic for the New York Times wrote “Rainbow evokes how much there was for many African-Americans to transcend. It’s a strong piece of American dance history; I’m grateful to have seen it.”

The concert lineup also includes the world premiere of a new work by Ray Mercer, a longtime cast member of Broadway’s “The Lion King.” Mercer’s new work pulls the viewer into the choreographer’s mind to experience dance from the choreographer’s vantage point.

 

 

The concert doesn’t quite fall in Black History Month, but the audience could extend the celebration into that first March weekend with the show, Blunden-Diggs said. “To be able to put these works on stage that have been created by us, for us, makes a really strong statement,” she said. “Come celebrate black history with us, because DCDC is black history.”

The show is sponsored by the Dayton Power & Light Foundation with media sponsor Synchrony Financial. Catch it at 7:30 p.m. Saturday, March 4 and 4 p.m. Sunday, March 5. Individual and group tickets are available at ticketcenterstage.com or by calling the box office at 937-228-3630.

For more information on DCDC and our upcoming shows, visit dcdc.org, and connect with us on social media: follow @daytoncontemporarydancecompany on Facebook and Instagram or @DCDCLive on Twitter.

How to Go? Vantage Points: A Read Between the Lines

Saturday, March 4, 2017 | 7:30 pm
Sunday, March 5, 2017 | 4:00 pm
Victoria Theatre, 138 North Main Street, Dayton, Ohio

Tickets start at $24.50 +

SMAG Dance Collective’s 10th Season Finale Comes to the Dayton Playhouse

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SMAGSave the date! for SMAG Dance Collective’s 10th Anniversary Season Spring Fling concert which takes place on May 24h at Dayton Playhouse, 1301 E. Siebenthaler Ave, Dayton, Ohio 45414.

Show times are 4:00pm and 8:00pm.  Tickets can be purchased at www.smagdance.org and Brown Paper Tickets.

Spring Fling is purely devoted to the art of dance; challenging, physical, dynamic and insightful works are performed.  This 10th Anniversary Season’s Spring Fling Concert features the work of many of Dayton’s OWN, so #dateyourcity

SMAG’s 10th Anniversary Season Spring Fling features the work of nearly 10 choreographers, and SMAG is proud to present the work of the exceptionally artful, Rodney Brown, Founder/Director of the Brown Dance Project, the intensely moving work of fellow dancer and life-long friend, Shonna Hickman-Matlock, Director of DCDC2, and the work of Rodney Veal, for whom there are many accolades, and yet who is a humble man who lives art in a way that only he can and our community is blessed by his amazing gifts.

SMAG’s Spring Fling also serves as a showcase for emerging choreographers such as this season’s veteran company member and Assistant Director, Taiesha Green and first year company member, Rachelle Cartee.

This 10th Anniversary Season’s Spring Fling also features the work of Deniz and Renee McClendon.  These women are long time contributors to the body of work that is dance in Dayton, Ohio, and SMAG Dance Collective is excited to share the stage with these choreographers and their dancers.

Spring Fling is very much representative of the company’s mission which is to provide opportunity for dancers and choreographers, educate and entertain diverse audiences, and to bridge the gap between artists, arts organizations and the community.

SMAG Dance Collective extends its heartfelt thanks to everyone who contributed to the company’s Spring Fling power2give campaign and also to Culture Works!

SMAG’s programming is made possible by grant funding from the Ohio Arts Council, private donors, in kind donations from volunteers and local businesses, and most recently, with the help of Culture Works’ power2give launch.

SMAG Dance Collective is a nonprofit 501(c)(3) organization.

Brilliant Leaps and Cautious Steps A Review of Dance in Dayton 2013 and What to Watch for in 2014

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Another year has waltzed by, creating a beautiful stir in the Dayton dance community. I have been privileged to bear witness to some incredible moments of sublimeness amidst the cautious backdrop of these uncertain times in regards to patronage and audience building. Now more than ever we as patrons of the arts have to reinforce our commitment to the arts in our community. While financial support is critical to keeping the lights shining, an education and connoisseurship is vital to elevating our community collectively. These moments and individuals made this year a tantalizing appetizer for a brighter future.

In no particular order:

Sheri “Sparkle” WilliamsDCDC

How often do we have a goddess walking amongst us? For over forty-five years Sheri has illuminated and turned up the heat on the stages of Dayton and around the world. When they describe DCDC as a “world class” organization, they are really describing Sheri. What she brings to the world can only be attributed to the divine. Her artistry is on the level of Dame Helen Mirren, Meryl Streep and Aretha Franklin, an ageless category defying artistic genius that we are privileged to witness. She is worthy of our continued attention.

Dayton Ballet-crop of new choreographic voices

Kudos to Dayton Ballet and their commitment to elevating female choreographers in the realm of classical ballet. This season saw the beautiful work of Gina Gardner-Walther, Amy Seiwert and Susanne Payne. They released the aesthetic beauty and artistic abilities of the dancers and challenged them to new heights and we as an audience were grateful to witness.

DCDC Urban Impulse

This is what a satisfying concert looks like; one that combines community outreach and artistic ambition. It was a gamble that payed off brilliantly. I cannot imagine any lover of dance not leaving that show ecstatic.

DCDC Emergence
This company came back in the fall with a concert of original works that was inspired. The luscious, diverse choreographic works that made Boll Theatre feel like Lincoln Center for a brief autumn evening.

Paul Gilliam, Dayton Ballet

A physically gifted performer who brightens the stage with charm, grace and intelligence. I have been very fortunate to briefly witness his choreographic skills. And I believe we are witnessing a diamond in the rough. Breakout star of 2014

Jammie Walker, Dayton Ballet

A welcomed soulful and passionate presence at Dayton Ballet. A dancer who can handle classical and contemporary work with ease. I look forward to seeing more of him in 2014.

Shed by Kiesha Lalama

Ms. Lalama set an energetic work that was wonderfully constructed and rendered by the dancers at DCDC. The company came roaring back to prominence with this piece and this reviewer was incredibly grateful.

Extremely Close by Alejandro Cerrudo

Okay, so this piece was performed by Cincinnati Ballet, but I would be remise in not discussing it. I had no expectations for this evening of dance at the Aronoff, but as we entered the auditorium, we were greeted with a blank stage, except for a white wall partition and a steady stream of feathers lazily drifting into a pile center stage. It took this reviewer/audience on an unexpected journey, one that we all gladly took. Note to artistic directors in Dayton this guy is worth the investment.

Prodigal Son by George Balanchine

Closing the same concert for Cincinnati Ballet was a re-staging of Prodigal Son with coaching by Edward Villlella. They delivered a bravura performance that brought down the house.

Smag Dance Collective

Congratulations on the 10th anniversary of Smag Dance Collective. The tenacious Artistic Director Michael Groomes fights for his vision of dance that is interwoven into the fabric of our community quilt. This is dance by the people and for the people. He is truly an urban visionary walking amongst us and he and the company deserve our support.

The Brown Dance Project

A poignant, funny and beautifully rendered work created by choreographer Rodney Brown and danced by members of DCDC. MODULE is an educational community outreach work that deals with HIV prevention. A brilliant example of the power of art to address social issues. I was particularly impressed by the audience Q & A afterwards and the fact that they came out on a Saturday afternoon to embrace this necessary work.

Dayton Ballet2014

I am looking forward to several things: The choreography of DeShona Pepper Robertson for Dayton Ballet in the fall. The site specific installation piece being presented by Ohio Dance and created by Crystal Michelle Perkins. Amy Seiwert and Susanne Payne creating new choreography for Dayton Ballet. Dance concerts returning to the Blair Hall Theatre stage at Sinclair Community College. The return of DCDC to the Victoria Theatre stage and the revival of the Dayton Arts Project.

I can think of no better resolution than to see more dance. And in the immortal words of London Coe, #dateyourcity.

Meet Jean Howat Berry – Building Culture Through Community at Cityfolk

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Pandora, one of artists in residence during the 2011 Culture Builds Community program, works with students (Photo by Rodney Veal)

Jean Howat Berry is the new education and outreach manager at Cityfolk.

Cityfolk is the Dayton-based “only full-time, professional presenter of traditional and ethnic performing arts” in Ohio, according to the Cityfolk website.

Berry’s main responsibility is overseeing the Culture Builds Community program, which is in its sixth year.

“The main thrust of the job is this huge project that happens in the spring,” said Berry.

The CBC project, which culminates in April, focuses on engaging participating elementary students in research and practice of specific cultural activities. The project incorporates local ethnic centers and national and local artists of music and dance.

This year’s Culture Builds Community project is called Sole Rhythms and five neighborhood schools are participating. The schools are Ruskin, Edison, Cleveland, Kiser and Fairview elementary schools.

Each school has its own team that focuses on an assigned specific cultural tradition.

Berry said this year’s theme is percussion music and dance. The traditions of focus include Turkish dance, Mexican folk dance, traditional American spirituals and the roots of jazz, the African American fraternity step dance tradition and old time clogging of Appalachia mixed with Irish step dance.

“The whole idea, and what City Folk strives to do with this, is build community,” she said. “There’s so many different facets to Dayton, because we are so immigrant friendly and because we have tremendous gifted artists that work here, we’re able to pull all those folks together to build a team that can go out and connect with those many communities. Because we’re all really one big community.”

Within the context of the schools, CBC helps kids learn new skills, new information about culture and practice physical activity, since this year’s project is a danced based program.

“Kids have the opportunity to use all facets of themselves within the project,” Berry said.

She said from the kids perspective, the project is completely voluntary. CBC provides a few teasers informing the students about their school’s cultural focus. They will then take 15 students 5th through 8th grade and another 10 participants at 16 and older.

Big Mijo teaches students the basics of krump dancing during the 2011 Culture Builds Community program (Photo by Rodney Veal)

According to Berry, last year’s project only encompassed three schools and took ten students from each. So this year’s project is taking on two-to-three times as many participants.

She wants participants to be educated in their specific cultures, but more so she wants them to learn the importance of commitment.

“We want it to be at will, we want a particular age group, but we mostly want commitment, and that’s something this project really seeks to develop in the young people,” Berry said.

Berry said her previous job working at East End Community Services, which sponsors Ruskin Elementary afterschool programming, prepared her well for her new position. Her theatre background will also be helpful in her new role. She said she’s played the role of the artist educating kids in the classroom, just as the artists she’s assigning to the five groups will do.

Berry said CBC has a fairly broad funding base for this project that includes Sinclair Community College, Dayton Power and Light, Target and Arts Midwest.

“It’s a really exciting program,” Berry said. “I just think that it has the capacity by what it’s goals are to continue to grow and to be a real force for bringing folks together in Dayton and that’s what we really want to reach out and do.”

For more information visit Culture Builds Community online at http://www.cityfolk.org/cbc.htm.

Music. Dance. Hiking Boots?

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"Translations: an exploration in birdsong, sound and movement" BLUE SKY PROJECTTranslations:

an exploration in birdsong, sound and movement

Blue Sky Project

When first perusing this press release, I was not really certain into which section of DaytonMostMetro.com to place this article.  When I first spoke with fellow onStageDayton contributor Rodney Veal about this, my assumption was that this project he was so excited about would be featured in the “oSD” section.  Maybe, however, it belongs in the “Dayton Music” section as the project prominently features a very accomplished violinist, Shaw Pong Lui from Boston, participating through a residency here in the Gem City with the Blue Sky Project.

BIRDSONGAs I uncovered more details about the project it seemed that maybe it should be in the “Arts & Entertainment” section since it seems to equally features the creative choreography of Rodney Veal, alongside Liu’s musicality.  The further I read, the more difficult this classification task became.  Here is a collaboration between a dancer, a musician AND nature.  The performance takes place along the trails of Aullwood Garden MetroPark with the dancers and musicians mimicking the sounds and sights of the trails.  Perhaps we need to put this in “Active Living.” The audience has to build up a bit of a sweat during this particular concert, as they will have to traverse the trails.  They even warn you to wear hiking shoes!

iBird Explorer AppThen you throw in the iPod aspect.  Holy Cow!  Do we even have a “Technology & Arts” section?  Audience members can participate in the performance through the use of a special birdsong app! ? !  This is pretty cool.

Alright.  Looking at this, pondering the various aspects…the birds, the trees, the dance, the music…I am making an executive decision here: “Life.”

(fully expecting our illustrious publisher to override this decision and choose the perfect classification for this article)

Official Blue Sky Project Press Release:

Dayton, Ohio — Musicians, dancers and birders will come together for an unusual open-air art event in one of the Miami Valley’s most distinctive woodland parks.

The Blue Sky ProjectThe Blue Sky Project, in collaboration with the University of Dayton and Five Rivers MetroParks, will present “Translations: an exploration in birdsong, sound and movement” 6 p.m. Saturday, July 9, and 3 p.m. Sunday, July 10, at the Aullwood Garden MetroPark, 955 Aullwood Road, Englewood, Ohio. It’s free and open to the public.

Violinist Shaw Pong Liu and choreographer Rodney Veal created the work, which invites audience members to walk along trails throughout the garden, encountering violinists mimicking birdsongs, dancers improvising on the shapes of trees and birders with iPods contributing the real songs of birds.

“The point of the piece is to get people to slow down and pay attention to the environment,” Liu said. “We lead such busy lives, it is rare to take time to attune to the environment, and truly listen. Through this creative exploration of a hidden gem in the Dayton community, we hope to inspire others to listen and see their environments more deeply.”

Liu said the piece is very much in the spirit of the garden’s founder, the late Marie Aull, who opened and donated the garden to the public, and placed inspirational quotes throughout, encouraging visitors to enjoy nature and meditate on its beauty.

Participants include professional musicians from the area, dancers from the Dayton Contemporary Dance Company and the Dayton Ballet, and birders familiar with the region’s birds.

Liu said the some paths go over rugged terrain and recommended appropriate footwear. iPhone users may also participate by downloading iBird Explorer Lite, a free app, before the performance.

Liu’s role as community artist/investigator for Blue Sky is new for the organization, a juried international summer artist residency now in its seventh year and its third based in Dayton, that brings internationally recognized artists to the area to work with young people on public, contemporary art.

The new position was prompted by Liu’s work in 2010 with Blue Sky and the community connections she made, according to Peter Benkendorf, founder and co-creator.

“Collaboration and community are central to both Blue Sky Project and the University of Dayton. It’s exciting to see Blue Sky expand through an artist who is taking the Blue Sky model beyond collaboration of program participants, and out to the larger community,” said Benkendorf.

It’s a good fit for the University, according to Paul Benson, dean of the College of Arts and Sciences, because it combines the University’s commitment to community and its interest in infusing the creative process into education.

Blue Sky also makes good use of ArtStreet, an innovative living and arts community on campus, where the artists both live and make art in the facility’s studios, Benson said.

“We are pleased to support Blue Sky as well the new community artist/investigator position as part of our ongoing commitment to expand the arts on campus and in the community,” he said.

“Translations” is the second major collaboration for Liu and Veal. Their 2010 production “Of a River” transformed the Schuster Center Wintergarden with dancers, musicians and 600 yards of silk.

Shaw Pong LiuLiu is a Boston-based, classically trained violinist who performs internationally and creates innovative shows involving improvised music, narration and audience interaction. Her ongoing project, “A Bird a Day,” explores birds, sunrises and music at www.abirdaday.org.

Rodney VealDayton native Rodney Veal is a choreographer and interdisciplinary artist whose work has been featured at the Ohio Dance Festival, among others. Veal teaches at Stivers School for the Arts in Dayton and Sinclair Community College. A solo show of his work, “Reveal: Five Zones on Beauty,” opens July 23 at the Springfield Museum of Art.”

For information on Blue Sky and the “Transitions” performance, including an alternative venue in case of rain, visit http://www.blueskydayton.org

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Cardinal (actual):

Cardinal (violin):

SANCTUARY composed by Shaw Pong Liu (4/28/2011)

[yframe url=’http://www.youtube.com/watch?v=jih2Z6-OXKQ&feature=channel_video_title’]

Yellow Springs Street Fair is Coming!

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Street Fair is Coming!

Plans for summer events are really brewing around Yellow Springs.  The Chamber is full of signs ready to go out and huge maps of booth positions.  Artists are dropping in with questions.  You can feel the energy in the air.  Street Fair is coming June 11th 9 a.m.-5 p.m.! Everywhere I turn, artists are working feverishly to get a booth full of pottery, sculpture, paintings, hand-crafted clothes, bags or unique jewelry ready for you.

One of my favorites is Jennifer Float’s booth with her colorful and whimsical paintings.  Jenny is a happy painter.  She has a very high “Awww” factor.  Everyone smiles when they see her work.   For the last 2 months, every time I see Jenny shop sitting at Village Artisans (an artist co-op in Yellow Springs) she has half-done canvases stacked on every surface and a brush in hand.  Jenny doesn’t do much sitting when she shop-sits.

So, you probably know about Street Fair, but do you know about some of the other cool events being planned for this summer?  On June 17th, the Friday after Street Fair, is Yellow Springs’ Art Stroll from 6-9 p.m.  One of my favorite shows is happening that night.  Every 2 years is the Miniature Show at “would you could you In A Frame,” at 113 Corry Street. This year, fifty-two artists have created over 100 pieces of fabulous, tiny art. Included are 3-D works, paintings, embroideries, encaustics and more, all no larger than 3 inches x 2 inches.

Art by Lance Rudegeair

The new gallery in town is Springs Gallery in King’s Yard, 220 Xenia Avenue. It will have its Grand Opening celebration during Art Stroll.  I’ve already had a peek inside and  loved the art.  Many of their artists will be present at the opening.

The Yellow Springs Arts Council Gallery, 309 Xenia Ave. is having a great reception that will include art, live music and belly dancing.

Also on Art Stroll night, the Art’s Council in partnership with the Jafagirls is going to have a truly disgusting, Interactive Public Art Project at the Art Park at 100 Corry Street. The world’s first Traveling Gum Wall will be there. This summer and fall the Traveling Gum Wall is going to be popping up all over town, serving as a fundraiser for the Arts Council.  Gum is sold for a buck a piece.  You buy the gum, chew, chew some more, squish it onto the Gum Wall, and then sign the back.

Whoops, almost forgot, the Gum Wall will be at Street Fair too at the Arts Council’s Oasis,  309 Xenia Ave.

Much more is going on during Art Stroll, Art Sale at Village Artisans, live music, beer making demo, wine tasting, Free Art Friday,….

Maybe I better explain Free Art Friday.  It’s a movement around the world to leave art on the streets for anyone to find and take home. It’s been a while since the Jafagirls of Yellow Springs have done a Free Art Friday. But the word is out, Friday the 17th there will be art for the finding.  (Check the trees!)

Quick run down of other offerings for the summer:  Twice a month, 1st and 3rd Saturdays, will be “Dance Piazza” with DJ Juju at the Art Park, 100 Corry Street.

From 7-8 p.m. there are dance instructors to show steps to anyone who wants to join in.  From 8-10 p.m. It’s an international Dance Party with DJ Juju.

Here is a list of the styles of Dance taught for the first hour of each Dance Piazza. The last  two hours dance any which way you please!

  • JUNE 18 – International Folk Dances with Miami Valley Folk Dancers
  • JULY 2 – Bhangra (Punjabi Folk Dance) with Karanvir Singh
  • JULY 16 – Swing Dance with Jill Christie of the Dayton Ballroom Dance Club
  • AUGUST 6 – Mexican Folk Dance with Nuestro Orgullo youth dance troupe
  • AUGUST 20 – Flamenco Dance & Guitar with Mariya Tarakanova & Brent Del Bianco of Flamencotalk
  • SEPTEMBER 3 – West African Drum & Dance with BabaaRitah Clark
  • SEPTEMBER 17 – Appalachian Clogging & Old Time Music with Rick Good (formerly of Rhythm in Shoes) & Friends

July brings : The Cotton Club” a YS Kids Playhouse jazz musical and  the “Yellow Springs Experience.” July 15th –17th three days and nights filled with the “Cirque Carnival,” Live music and Dance, Wellness and Spa Sessions, Nature Hikes and Art Workshops.  Woo hoo!  Tell you more about that later.

See you in the Springs!

A&E on a Budget: UD Presents Free Arts Performance

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University of Dayton's Ebony Heritage SingersThe University of Dayton will be taking over the Schuster Center on Tuesday, April 5th, for their annual Celebration of the Arts performance. Where else can you experience eighteen different arts ensembles in under 2 hours? And even better – it’s free!

The evening will feature performances by University of Dayton music, theater and dance students as well as visual arts displays in the lobby. Burt Saidel, arts reviewer for The Oakwood Register, and Georgie Woessner, general manager of WDPR-FM, will serve as masters of ceremonies. The evening begins at 6:30 pm in the Wintergarden with a visual arts display and pre-show entertainment. The evening will continue at 8 pm in the Mead Theatre. The event is free, but tickets are required and can be reserved online.

Don’t forget to check out other wallet-friendly options on UD’s campus:

The University’s annual LitFest kicks off with poets Kathy Fagan and Kwame Dawes on Friday, April 1, starting at 7:30 pm in Sears Recital Hall. Attend the opening program for free, or register for a weekend full of workshops and readings.

ArtStreet’s Friday Film Series presents Howl (4/1), Elephant in the Living Room (4/8) and Exit Through the Gift Shop (4/15). Film screenings start at 9 pm and are free and open to the public.

The Theatre Program will present Smoke on the Mountain, April 1-3 and 7-9 at Kennedy Union’s Boll Theatre. Directed by Gina Kleesattel, this musical promises to deliver an uplifting evening of “singin’ and witnessin”. Tickets are $12; call (937) 229-2545.

The Department of Music offers a number of free performances during April; visit http://calendar.udayton.edu or http://arts.udayton.edu for a complete schedule.

UD is certainly not the only campus with free or cheap arts and entertainment. All of the colleges and universities in the Dayton region offer a wide variety of events, and many are open to the public. From the art galleries of Sinclair Community College to the Artist Series at Wright State University, there is something for everyone!

Artists Dance their Way into Dayton for Cityfolks “Rise Up to Dance” Performance at Stivers

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Ever since I was a little girl, I have always loved dance. I used to dance in front of the mirror, the kitchen floor, my front porch or on the school yard in front of my peers. I even used to dance in front of the television with my little “dance crew” while the TV was in the off position and watch my reflection as my crew and I did the Snake and the Running Man dance to the Hip Hop sounds of Big Daddy Kane, LL Cool J, MC Hammer and A Tribe Called Quest.

When I look back I can’t think of what was louder, my bright pink polka dot shirt with coordinating suspenders, or the speakers shaking the walls and shifting pictures as I grooved the night away.

I was just a kid then, but not much has changed for my love of dance and Hip Hop music. I still dance in front of my mirror, the kitchen floor, and my front porch. I even still get down and dance at school yards like I did recently with a new generation of Hip Hoppers for the upcoming City Folk “Rise Up to Dance” performance, featuring Celebrity Choreographers and Originators of Krump style dancing, Hurricane and Big Mijo of Los Angeles, California. I had a blast watching the kids perform on stage to one of the hottest hip hop dance forms of this generation, Krump dancing.

I had a nostalgic moment at one point during the rehearsal, because I was once that eager kid learning how to dance and express myself. I remember the level of confidence that I built from just getting out there and showing my moves to whoever was willing to watch. I could see that same excitement and energy I had while parading around in my living room dancing to my favorite hip hop tune.

What I loved most about the “Rise Up to Dance” kids was that they were committed. I could tell the kids were giving it their all, stepping outside of their comfort zones and were excited about participating in something positive. Dancing is what saved me at one point, and it is nice to see the youth of today doing the same.

Hurricane stated during rehearsal with the kids of the “Rise Up to Dance” project, “We love to share with them what saved us from the streets and getting into other bad things.”

Big Mijo added, “It is not about the money, but about the kids first. We love to see them doing something positive and that is why we are here in Dayton doing this project.”

Besides Hurricane and Big Mijo, Dayton is privileged to have so much artistic talent working together in the city at the same time thanks to the wonderful people over at Cityfolk. Featured artist include Kwame Ross of the Prophecy Music Project, Renee McClendon Lead Local Artist for Fairview site, and a host of others.

Julius Jenkins, who goes by the stage name “Eclipse” is a 10 year B-boy and Pop lock dancer and the lead local artist working with east end community children for the “Rise Up and Dance” performance.

Julius stated during our interview, “I Definitely see growth from the children involved. Our goal is for the kids to gain confidence and tap into their creative side. We want to show people that these kids are not just running around in the streets, even though the neighborhoods may be ran down and they are less fortunate. We want to give them the opportunity to gain confidence and do something positive for themselves. They have just as much talent and potential as anybody else.”

Marie Medina, who goes by the stage name of Pandora, is best known for her role in “Step Up 3D” as a featured dancer with moves that set the crowd on fire. Pandora is working with Dayton’s east end kids for the “Rise Up and Dance” project and is having a blast working with the children.

Pandora stated, “Dancing is what saved me from going down the wrong path. I want to help and inspire kids just like I was inspired by the dancers in my neighborhood.”

Pandora is originally from Santa Ana, California and has been a Pop Lock dancer for over 10 years traveling the world performing.

Sparrowfaith is another Lead Local Artist, who says his Krumping style of dance was inspired from the hit movie “Rize” in 2005. Sparrowfaith stated during our interview, “I watched the movie “Rise” over and over and began to practice. I am out here in Ohio and they [Krumpers] were in California so I did not have any teachers, but I just liked it so much that I latched on to the style. ”

Sparrowfaith encourages the community to come out and support the kids and artist who have put in so much hard work for a great cause.

Kelsa Rieger, Community programs manager for Cityfolk, states “I have been afforded an amazing opportunity to do what I have always dreamed of, which is to combine all my passions into one career. I am able to bring together the arts, dance, culture and my passion for community development together.”

When I asked Kelsa what people should expect from this performance she added, “People can expect to have their minds blown. They will see things they have never seen and learn things they have never known. My hope is that people gain a deeper appreciation for the art forms that they will experience during the show.”

As I covered this story, it took me back to the little dancer in me that every now and then likes to come out and groove a little bit. Oh those were the days. I can still hear the sounds of LL Cool J’s “I Need an Around the Way Girl” playing in the background while I was doing the Cabbage Patch dance.

Fortunately, there is an opportunity for everyone to step outside of their daily routine, become a kid again and experience the same feelings I did by coming to the Cityfolk “Rise to Dance” performance taking place March 19, 2011 at Stivers. Show time is 6pm and celebration reception will follow right after the show. For more information and tickets visit www.cityfolk.org or call 937-910-1005.

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Dance It Out

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Hip-Hop Dance Fitness Class For Youth

There are many problems facing today’s youth, not the least of which childhood obesity as well as being in the viselike grip of an apathetic technology. It is not enough to buy your children yet another diversion from the real world, such a Wii Fit, or to try and interest them in an activity that holds little charm against the instant gratification of a computer screen and a bag of Doritos. There has to be something that will not only hold a short attention span, but is uniquely positive, not only to build a physically fit body, but also to build a sense of confidence and character as well.

While you cannot deny the physicality of hip-hop dance, most people would not consider it a exercise regime, but when put all your preconceived notions aside, what better vehicle could you think of to get your kids off the couch and moving? Such a class has been created by Geborah Stephen for the City of Dayton Recreation and Youth Services. She has designed a program that not only teaches teens between the ages of thirteen and eighteen the fundamentals of hip-hop (which incorporates a lot of elements from jazz, step and even ballet.), but also subtly guides the youth into having more self confidence to raise their self esteem. Having dealt with dance/fitness instructor Geborah Stephen before, I can personally vouch for her talent, her determination as well as her positive spirit. We were able to have a lengthly discussion about the class and what she hopes the teens will take from the experience.

J.T.: What kind of things does the class encompass?
Geborah: The Hip-Hop Dance Class entails movements that range from jazz and into some more modern dance movements, like pop and locking, but on a little more faster pace.

J.T.: What do you hope that the kids will get out of this?
Geborah: I am hoping that with the experience that I have, I can naturally encourage and empower the youth that attend and I hope that they can walk away with a better grasp of hip-hop, range of motion and general dance movements.  I want them to have a better outlook as far as their self esteem and a pride in their inner talents.

J.T.: Do you think that this could lead them to pursue other forms of dance?
Geborah: Yes, absolutely! Hip-hop stems from jazz and modern movements and even some ballet movements. I think that this would be a really nice transition to other classes and types of dance. You don’t even necessarily need to be a dancer. You can use dance as a way of expression using it during your own free time or as a fitness tool. You don’t have to use what you learn to become some type of entertainer. So, yes, it could take several different avenues, but all of them are positive paths.

J.T.: With the issue of childhood obesity being in the forefront of news reports, would this type of activity help them get moving and active?
Geborah: Absolutely! I think that hip-hop is an excellent way to get youth involved in fitness. I think that it is something that they can relate to and so I think that it is an easier way to get them active. It’s a very enjoyable form of exercise and kids love to jump around and express themselves through dance. With a lot of the youth having issue with their weight and trying to stay healthy, I think that my class will be a good tool to possibly get them on track and keep them on track.

J.T.: Well, it’s has real world applications whereas there are not too many instances where you can break out an exercise ball outside of the gym. Do you think that it will get the kids out there for more social interactions instead of in front of the television or the computer?
Geborah: Hopefully, but kids today are really into technology, so I’m hoping that it might spark an interest in getting up and moving more, but I think that technology will always hold sway, unfortunately. Hip-hop dance is evolving and it’s definitely becoming a bit more mainstream and I think it is a very good tool, especially for. I just think it is going to be a really good thing all the way around for the youth in Dayton to get involved in the hip-hop classes.

J.T.: If these premier classes go well, what could you see this thing branching into?
Geborah: Well, hopefully my class takes off in the community. I definitely see myself in the future running my own program that will involve hip-hop dance as well as some jazz movement in an atmosphere where youth can build their self esteem and character through dance and also incorporating some life skills and different things like that. I do have my own ultimate vision for a major project in the future, and I do want to produce and promote more projects like this.

The classes begin on January 5th, but you can sign up anytime as it is a ten week course running every Wednesday and Friday until March 11th. The cost is $25 for Dayton residents and $35 for non-residents and the price includes classes plus a recital and a final showcase at the end of the program. For more information or to find out the times for sign ups, call (937) 333-8336. The classes will be held at the Dayton Bomberger Teen Center located at 1306 E. Fifth St.

Move On…

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Chris Erk - Photo by Kidtee Hello…a conversation with Chris Erk

The Tap Factor

Dayton is a tap town.  There, I said it.  Most people in this city and region probably had no clue, and yet this is  another thing that Dayton should be really proud about.  It’s been a whirlwind of a year for tap dance in Dayton.  First, we come to the painful realization that Sharon Leahy and Rick Good’s RHYTHM IN SHOES was closing up shop after 20-some years…but then we start hearing news of other amazing dance projects in the works.  We hear of South Park resident Kandee Thacker-Mann (who had performed with the legendary Savion Glover) teaching urban kids the art of tap dance through her company SOLE PURPOSE.  Then, out of the blue there’s news of another new tap company in town….THE TAP FACTOR.

THE TAP FACTOR?  Honestly, the first time I saw a flier advertising the studio, I assumed that it was some of the soon-to-be-former R.I.S. members, establishing their next project.  Upon a little bit of investigation, we started to hear about this new guy in town, one Christopher Erk…he’d been in some Broadway tours and all.? ? A Broadway tour that ended in Dayton, Ohio?  How did a star performer in TAP DOGS end up in Dayton?  This Chris Erk guy was kind of elusive at first…until a quick introduction on Fifth Street one day, then the occasional friendly wave across a bar or on the street.  Then SLAM! The Tap Factor started shaking things up in Dayton!  The Tap Factor - photo by Sarah BabcockThe first gig…at Urban Nights; a special guest appearance at R.I.S’s last performance; SOUL’D OUT DAYTON at C{Space; Broadway caliber guest performers flying in from NYC to teach master classes around town; THE DAYTON TAP PROJECT at Stivers.

I contacted Chris…I wanted to find out more about this force that suddenly flew into town less than a year ago.   What did I find out? 1) Besides talented, he’s a really nice guy.  2) He really appreciates our city & the artistic environment here. 3)  He’s on his way out of town.? ?

onStageDayton:  Chris, Dayton is just getting to know you as a performer in our arts scene…but, you came to our city after a pretty interesting career in New York and on the road. For our DMM readers who are just being introduced to you, just who the heck are you?

Chris ErkChris Erk:  I am originally from CT where I grew up dancing extensively and training in musical theater and drama. When I was 15 years old I was hired for the National Tour of Tap Dogs with whom I went on to tour internationally for 5 years. After putting some time in on the road I settled in NYC where I lived and worked as a tap dancer/teacher/choreographer for the next 5 years. Work there was diverse. I spent a lot of time covering the bases of what the dance world could offer. From corporate entertainment, the teaching and convention circuit, to independent and company projects, there was plenty to get mixed up in while living in the city, and many friendships developed along the way. The exposure gained in my first stint of my career has geared me up for round two.

OSD:  It seems that you are quite connected on the national dance scene…what do you find exciting about the future of American dance?

Chris Erk & Janet Schroeder - Photo by Sarah BabcockCE:  The thing that excites me most about the future of the American dance scene is that there is a lot more going on by a lot more people. I notice the country realizing that it doesn’t take much to get something done. Communities are starting to come alive and more groups are being formed. I find the “flash stardom” shows are showing that there is a shot out there for the average Joe. I also think that globalization and internet sharing are making cross culture exchanges “the norm”. That alone is making for a deeper creative pool which in turn yields a more diverse product for a wider audience to enjoy.

OSD:  We are sorry to hear that your time in Dayton is coming to an end. What personal opportunities did your time here provide for you as an artist and an educator?

The Tap Factor - Urban Nights, May 2010 - Photo by Sarah BabcockCE:  Leaving Dayton is definitely not going to be the easiest thing to do. From the moment I got to town I was given warm reception and the open heart of the town. Good luck and favor kept coming at the rate of disbelief. I couldn’t fathom that the town was really as kind as it seemed. Whenever there was a hand in need there was a hand indeed.

As an educator, I would say that I got to have my cake and eat it too. Whether I was teaching “Broadway Bounders” at WSU, giving the recreational class at Sinclair their first tap steps, enriching the experienced dancers at the local studios, or getting my hands dirty getting the Tap Factor crew comfortable to take their tap to the streets to share with the town, the breadth of what I had to offer as an educator and coordinator was full spectrum here in Dayton. As any teacher can tell you, you learn as much as your students do, and in that, I was spoiled here. I will not take that for granted as I move on.

I found that there are community supported opportunities for everyone who wants to participate in the arts in any capacity. As an artist, the work just flowed out stimulated by the backdrop and resources made available by the city. All of the work that I created in town was a product of good company. I am not set out on a mission to accomplish anything in particular as much as I just like to have a good time tapping with others. If there was no one to work with, there would have been no work produced on my end. In all actuality the demand was steady and therefore in a short time, we got a lot of great work done.

Soul'd Out Dayton - July 2010 @ C{Space - Photo by Sarah BabcockIn Soul’d Out, the show I produced at C{space, I found that I was able to utilize every bit of skill I had under my belt as well as get my feet wet as a producer. In that experience I was able to dance, teach, choreograph, create, delegate, coordinate, share, invite, collaborate, direct, host, design, etc…all in one show. Artistically and beyond, there was no stone unturned.

OSD:  You mentioned what a fantastic working environment Dayton is for artists, what factors make you feel that way?

The Tap Factor - Urban Nights, May 2010 - Photo by Sarah BabcockCE:  Dayton has many hungry people ready for action. They just need to be led and to know, it really isn’t that hard to get something done. There is a venue and audience for all. The theater community itself is thriving which also adds for good stimulation, incubation, and cross pollination. It is nice to have this website, for instance, as a go to for people to get plugged in to what’s happening in town. There is art in everything and Dayton seems to get it. The main factor in all of it is that it costs a fraction of the price you would pay in any major city. If you have goals and a plan, Dayton is the canvass to get ‘er done. I also must attribute the Downtown Dayton Partnership for being a major catalyst and supporter for my work here. The exposure of The Tap Factor would have been dwarfed it it weren’t for frequent supported events that allowed us to get busy.

OSD:  In the past year you have had the opportunity to collaborate with several other arts and community organizations…what are some of the highlights from these experiences?

Rhythm In Shoes members at Soul'd Out Dayton - Photo by Sarah BabcockCE:  I would have to say that I was honored to have at least one opportunity to dance with Rhythm in Shoes. They joked and announced me in their final show at the Cityfolk festival as it being my first and last gig with the company. I was sad for that to be the case as I had gained much respect for their historical contribution to the town. They gave me their blessing and came out of retirement for a moment to perform with me and my friends in Soul’d Out.  It really was a treat.

Zoot Theatre Co. Puppet at Soul'd Out Dayton - Photo by Kidtee HelloI am also sad to leave with out getting some puppets tapping for Zoot. I may have to make sure I get that taken care of at some point. I was also treated with the task of choreographing Gypsy at the Dayton Playhouse. That was my first community theater experience and a blessed one.

As I had mentioned before, the DDP has been a great resource to lean on, from writing press releases, finding space, to booking gigs, they really are there to be taken advantage of if one wishes to get pugged into the Dayton Circuit. I have also made great friends with some local movers and shakers. Local artist Mike Elsass and Peter Benkendorf of Blue Sky have been readily available for engagements in candid guidance and encouragement. Without their vote of confidence, some of the moves I made may have been handled with less follow through.

My future was headed towards, of course developing The Tap Factor, but also working with Ann Rassmusen to create space and opportunity for people who need a chance and a helping hand in getting their work out to the world. I believe there is a void in that capacity here in town and it will be exciting to see if and what will be created and by whom.

OSD:  November 13th’s “Dayton Tap Project,” was most likely your last gig in the city. What story were you able to tell through your performance? What type of audiences were you hoping to reach & what is the personal message that you wanted them to take away from the show?

The Dayton TAP ProjectCE:  In The Tap Factor segment in the showcase, you pretty much got a point for point account of the works that have come out of my time here. It was a nice recap and a great chance for me to dance with some of the company members that have been around through the whole process. I  also cut up the stage with my best friend, Anthony Russo.  There was tap dancing as you know it and may have never seen before. There were no age or language barriers up.  It’s good clean fire. This was a priceless opportunity…I’m just sayin’…I want audiences to just have fun and let loose with us. No messages to be stated here. Each individual will make of it what they will.

OSD:  What’s next for you?

The Tap Factor 2010 - Photo by Sarah BabcockCE:  Next I am going to go back East and throw my self back into the whirlwind of NYC. There is a lot to latch onto. I plan on spending time developing my craft, continuing my college education, and reuniting with my professional peers to see what’s been shaking. I know I will have a wealth of experience from my time here to share.

OSD:  Chris, thanks for taking time to chat with onStageDayton, we wish you well and hope that you will spread the word on the East Coast what a great arts scene Dayton, Ohio has!

Chris Erk - The Tap Factor, Urban Nights, May 2010 - Photo by Sarah BabcockCE:  Trust me, I have been an advocate for Dayton since the moment I landed here. I have already had several friends in to get hands involved the arts scene. There are still stories to unfold about what the future holds for the arts in this town. There is a storm brewing up here and I will continue to let the world know that they are about to find out! I am not one to predict the future. I never would say that my time here had ended. All I can say for now is peace and love to you Dayton, onward. There is magic happening here and in due time it’s going to pop and the secret will be out. Trust I will be back for the party. Thank you! See you soon 🙂

In our conversation, Chris kept discussing how much he has enjoyed his time in Dayton, and the many great people & things to do that he’s heard about but hasn’t yet had the opportunity to meet/experience.  You can tell what an organizational genius he is, because he went ahead made some lists and emailed them to me!

My Top 10 things I need to do before leaving Dayton:

1. Meet an Ervin

2. Box at Drakes Gym

3. Get on one of Dayton’s Bike paths

4. Have a Bad Juan Margarita

5. Go to the Dayton Arts Scene

6. Teach a class at Stivers

7. Dance one more time with the Puzzle of Light

8. See a show at the Loft

9. Go to a UD game

10. See a show at Canal Street Tavern

Top 10 favorite people:

1. Joe Deer (WSU Theatre)

2. Tristan Cupp (Human Race Theatre Co./Zoot Theatre Co.)

3. Ann Rassmusen (C{Space)

4. Mike Elsass (Artist/The Color of Energy Gallery)

5. Peter Benkendorf (Blue Sky Project)

6. Kristen Wicker (Downtown Dayton Partnership)

7. Russel Florence, Jr. (onStageDayton on DaytonMostMetro.com)

8. Brian Sharp and Wade Hamilton (Dayton Playhouse)

9. Gina Nuerer (Sinclair Theatre)

10. Susan Byrnes (Artist/UD’s ArtStreet)

My Top 10 Spots I am taking with me!

1. Lihn’s

2. South Park Pizza Tavern

3. Tanks

4. Oakwood Starbucks

5. Christopher’s

6. Palermo’s

7. Cedarland Bakery

8. 5th Street Deli

9. Boston Stoker (iced tea)

10. Brixx Cafe

Photos by Sarah Babcock & Kidtee Hello

-SA

We encourage local theatre companies to submit calendar items HERE, and official press releases to onStageDayton@gmail.com.

onStageDayton on DaytonMostMetro.com - Shane Anderson, David Brush, Katherine Nelson & Russell Florence, Jr.Shane Anderson & David Brush work with locally based Encore Theater Company.Katherine Nelson, a senior theatre major at Cedarville University, serves as the Literary Intern for ETC.  The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.