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The Featured Articles

Yeah… but can it play Dayton?

July 13, 2010 By Dayton Most Metro 8 Comments

[title of show] - Encore Theater Co. - Dayton CastDayton, Ohio:  a hotbed for the development & performance of new musical theatre?

YES.

“It is a hopeless endeavour to attract people to a theatre unless they can be first brought to believe that they will never get in.” – CHARLES DICKENS, Nicholas Nickleby

Musical Theatre Workshop:  Festival 2010

THE HUMAN RACE THEATRE COMPANY

During the 1940’s and 1950’s, American Musical Theatre was developed right in the heart of it all – Manhatten. After all, that’s where all the great theatre was happening. PLUS – it wasn’t nearly as expensive to produce a big Broadway musical as it is today. (Wicked has just recently recouped its $40 million investment and THAT’S a runaway hit). Add to that the fact that the vast majority of Broadway audiences are tourists, then you can see why so many writers of new musical theatre are hungry to test their work in an “everyman” market. After all, those are the folks buying tickets.

Events here in our city over the next two weekends suggest to me that New York writers might just begin asking themselves –“Yeah, but will it play Dayton?” Without a doubt, Dayton is becoming a new Midwestern Mecca for new musical theatre development.

Human Race Musical Theatre Workshop 2008

"The Black Crook Project" 2008

Consider this. Downtown at The Loft theatre this coming weekend, THREE new musicals will premiere. One of those – PLAY IT BY HEART – features the work of Brian Yorkey (2009 Tony-Winner for Next To Normal). Another – TENDERLY – was written by the same team that created the wildly popular GREEN GABLES that played the Victoria in 2005. And the third – being written as we speak by local students – will make its national debut – right here in Dayton (The Lovewell Project). This is coming on the heels of the stellar Human Race production of Adam Gwon’s new musical ORDINARY DAYS. There is simply no excuse not to catch one of these shows. Not to mention, the schedule for the festival weekend makes it so easy. PLUS there are opportunities to meet the creators and party with the Race.

Do yourself a favor and make time for this festival weekend.
MUSICAL THEATRE WORKSHOP: FESTIVAL 2010 FULL SCHEDULE

Friday, July 16

8pm               Play It By Heart @ The Loft Theatre
Followed by an After-Show Reception @ The Dayton Racquet Club

Saturday, July 17

1:15pm          Meet the Play It By Heart writers @ The Loft Lobby
2pm                Play It By Heart @ The Loft Theatre
7pm               Lovewell Show @ The Loft Theatre
Followed by an After-Show Reception The Loft Lobby
8pm                Tenderly @ Creativity Center

Sunday, July 18

2pm                 Lovewell Show @ The Loft Theatre
2pm                 Tenderly @ Creativity Center
6:15pm           Meet the Tenderly writers Creativity Center
7pm                 Tenderly @ Creativity Center
Followed by a Wrap-Up Party @ a Location TBA

Synopses:

Play it By Heart tells the story of a female country music star battling her family and a changing industry. Taylor, who penned such hits as Tammy Wynette’s “Another Chance” and Johnny Cash’s “The Baron,” calls it “the quintessential story of family in country music.”

Tenderly is about a real musical legend, one of the most famous entertainers ever to come out of the Southwest Ohio/Northern Kentucky region, Rosemary Clooney. The show includes such Clooney hits as “Come On-a My House,” “Mambo Italiano” and “Hey There.”

For more Information & Tickets, visit:

Musical Theatre Workshop: Festival 2010 (July 16-18) will be celebrated at both the 219-seat Loft Theatre at 126 N. Main St. and the approximately 60-seat Caryl D. Philips Creativity Center at 116 N. Jefferson St. Tickets ($15 per performance) are available at the door. Visit http://www.humanracetheatre.org for more information.

If we seem to have a particular passion for developing NEW and innovative work, it because we do! After all, the same weekend as the MTW Festival at the Loft, Encore Theater Company is presenting local premiere of the 2009 Tony-Nominated musical [title of show] – trust me – a comedy like no other!

DB

[title of show]

ENCORE THEATER COMPANY

What do you get when you gather four friends, four chairs, a keyboard, some monkeys, vampires, drag queens and a fresh batch of rice crispy treats?  Why [title of show] of course!

How do you explain a show that has an ingredient list like that?  How about “a show that really [BEEEEEEP]’ing ROCKS!”

Shawn Hooks as "Jeff" in [title of show] - Dayton, Ohio But really, all poor grammar aside, this show really does ROCK!  Just ask Dayton native Susan Blackwell, an original cast member of the Broadway, Off-Broadway and New York Musical Theater Festival productions of the little show that could. Not only was Ms. Blackwell an original cast member…she is also a character in the show.

Angele' Price as "Susan" in [title of show] - Dayton, OhioConfused? Don’t be, here’s the premise-[title of show] is a hilarious new musical written by 2 struggling writers about 2 struggling writers writing a hilarious new musical. word.  Essentially, art imitating life imitating art imitating life.  Get the picture? Oh, and Susan was a great pal & agreed to be in their show.

Chris Smyth as "Hunter" in [title of show] - Dayton, OhioWith a song list that includes such classics as “Untitled Opening Number,” “Monkeys & Playbills,” “I Am Playing Me,” “Nine People’s Favorite Thing,” and  “Die Vampire, Die!” how could you possibly consider missing this opportunity to catch this show?

Nora Coyle as "Heidi" in [title of show] - Dayton, OhioWell…here’s good news!  You can win Tickets to [tos]! YAY! DaytonMostMetro & Encore Theater Company are giving away three pairs of tickets to [title of show].  All you need to do is give the show’s director a good DRAG QUEEN name! Yes, that’s right, brainstorm a great drag queen name for the director of the show…and suggest it in the comment section below (everyone else in the cast/crew has a DQ name already…you can check them out HERE).

We will announce winners on Wednesday night.  You will have a choice of performances (Thursday, Friday or Saturday at 7:30pm).

Help DOUBLE the number of tickets that we will be giving away!  We will announce three additional winners, if we can help DaytonMostMetro reach 2,000 fans by midnight Wednesday! Go to the DMM Facebook Fan Page, become a fan if you are not already, then share it with all of your friends, family & FB lurkers.

[title of show] will be performed at 7:30pm on Thursday, Friday & Saturday (July 15-17) at Blair Hall Theatre on the campus of Sinclair Community College.  Visit www.EncoreTheaterCompany.com for more information about Encore Theater Company & [tos].

For more Information & Tickets, visit:

[title of show] (July 15-17) Call Blair Hall Box Office at  (937) 512-2808 or visit http://www.EncoreTheaterCompany.com for information and links to the online box office.  Tickets are $15 in advance, $18 at the door.  Please note:  [title of show] contains adult themes and language.

SA

Encore Theater Company welcomes the writers of Next Thing You Know to Dayton, July 23-25

Joshua Salzman & Ryan Cunningham - Next Thing You KnowOn the “developing new musical theatre in Dayton, Ohio” front, ETC would like to mention the exciting fact that the writers of NEXT THING YOU KNOW will be traveling from New York to work with the Dayton cast on the show.  Joshua Salzman & Ryan Cunningham (who penned the Off-Broadway hit I LOVE YOU BECAUSE) have been developing NTYK for a potential New York run, and will be utilizing the Encore Theater Company production as an opportunity to test some changes and make some creative decisions in the development process.

In an effort to help cover Josh & Ryan’s expenses, ETC kicked off the 30 for 30 for New Musical Theater campaign last week.  The response was great from the Dayton arts community…making this opportunity a reality!  If you would like to contribute to the fund, and an opportunity to meet the writers, please email the ETC staff at newmusicalsETC@gmail.com for information about how you can participate in the campaign.

While Salzman & Cunningham are in town, they will also conduct a workshop for Dayton actors about auditioning for musical theatre productions.  This workshop will take place on Saturday, July 24th in the Oregon District Arts Collaborative space above the new SideBar (400 East Fifth Street, Suite A).  Email the ETC staff at newmusicalsETC@gmail.com for information.

Next Thing You Know will be performed at 7:30pm on Thursday, Friday & Saturday (August 12-14) at Blair Hall Theatre on the campus of Sinclair Community College.  Visit www.EncoreTheaterCompany.com for more information about Encore Theater Company & NTYK.

For more Information & Tickets, visit:

Next Thing You Know (August 12-14) Call Blair Hall Box Office at  (937) 512-2808 or visit http://www.EncoreTheaterCompany.com for information and links to the online box office.  Tickets are $15 in advance, $18 at the door.  Please note: NTYK contains adult themes and language.

Update: NEXT THING YOU KNOW by Salzman & Cunningham

Joshua Salzman & Ryan Cunningham traveled from New York to Dayton last weekend to work with the ETC cast of NEXT THING YOU KNOW.  The writers continued to mold & shape their show into what they envision it to be.  This was a thrilling experience for everyone at Encore Theater Company.

While Salzman & Cunningham were in town we took some time to sit down with them, and the cast of NTYK to record a MusicalWorld episode.  Look for that episode below.

We also hosted a reception for the writing team at the home of Dr. Michael Ervin, followed by a trip to the new SideBar in the Oregon District.  Much thanks go out to Dr. Ervin, Kevin Moore (artistic director of The Human Race Theatre Co.), the donor’s in the “30 for 30” campaign, the folks at Toxic Brew Company (keep watching DMM for info about this cool Dayton start-up), Bill & Shannon from Dayton Most Metro and representatives from other local organizations & theatre companies.  Look for a video about that reception below.

http://www.mevio.com/episode/241734/mw66-salzman-amp-cunningham-next-thing-you

SA

Spitfire Grill

BEAVERCREEK COMMUNITY THEATRE

The Spitfire Grill - Beavercreek Community TheatreWhile not a brand new piece of musical theater, SPITFIRE GRILL is a rarely performed show.  The last performance in Dayton was the excellent production by The Human Race Theatre a few seasons ago.

Doug Lloyd will helm the Beavercreek Community Theatre production of Spitfire Grill September 17th through the 26th.  He will be joined on staff by Stacey Gear (choreographer) and Dr. James Tipps (music director).  BCT recently held auditions for the show.  The result was what looks to be a terrific cast for this heartwarming show.

Percy Talbott – Sydney Lanier

Shelby Thorpe – Katie Storost

Hannah Ferguson – Pam McGinnis

Effy Krayneck – Teresa Connair

Sheriff Joe Sutter – Max Monnig

Caleb Thorpe – Brad Mattingly

The Visitor – Nick Vanderpool

Synopsis:

A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah’s Spitfire Grill. It is for sale but there are no takers for the only eatery in the depressed town, so newcomer Percy suggests to Hannah that she raffle it off. Entry fees are one hundred dollars and the best essay on why you want the grill wins. Soon, mail is arriving by the wheelbarrow full and things are definitely cookin’ at the Spitfire Grill

Mark your calendars and plan to attend what will surely be a terrific production of  Spitfire Grill.

For more Information & Tickets, visit:

Spitfire Grill (September 17-26) Call Beavercreek Community Theatre Box Office at  (937) 429-4737 or visit http://www.bctheatre.org for information and links to the online box office.

SA

FINALLY – be sure to check out the latest MusicalWorld Podcast that features an interview with Susan Blackwell (who was in the original cast of [title of show] on Broadway!

Filed Under: On Stage Dayton, The Featured Articles Tagged With: Acting Workshop, Beavercreek Community Theatre, Downtown Dayton, Encore Theater Co., Events, The Human Race Theatre Co., Theater, Things to Do

Beating the odds with Boxing

July 11, 2010 By Dayton Most Metro 9 Comments

“You have the shoulder of an 80 year old woman, but after this surgery, you will be able to hold your future babies.”  Dr. Welker said this as he prepared for surgery to fix my perpetually dislocating shoulder.  It was 2003 and this was the second surgery on that shoulder in as many years.  Sports injuries and a family pre-disposition had left a deep seated – and warranted – fear of dislocating during everyday activities.  I would dislocate while washing my hair, riding a bike, being bumped while walking down narrow steps.  The idea of being able to hold a baby and walk around with confidence seemed like a pretty big leap.

Well, the surgery was successful (thanks to Dr. Welker and lots of PT) but the fear of dislocating or causing additional damage was holding me hostage.  My once active lifestyle had gone sedentary and the effects were obvious on my waistline.  My arm mobility was limited, my upper body was very weak, and my fear of the surgery failing was enough to keep me from pushing any limits.  After the birth of my daughter in 2007, my perspective changed dramatically.  I was able to hold her with confidence – no fear at all.  I wanted to make sure she lived a healthy lifestyle – one that included physical activity and healthy food – void of unnecessary fear – and I realized that my example was the most critical piece of teaching her a healthy and active lifestyle.

So I started to shed the extra 40 pounds with diet.  And I began working out with Wii Fit.  Around the same time, I met John Drake and he urged me to come try a boxing class.  It took a few months to get up the courage, but one Friday afternoon in the summer of 2008 I finally came into the gym.  I was taught how to throw a punch, the boxer’s stance, and how to do a proper squat.  I did my first 20 pushups since high school gym class.  We worked out on the heavy bag and with Mitts.  The people in the class all learned my name and were encouraging me – literally cheering me on – as I learned my first combination.   Nobody had cheered for me since high school.  I felt like a million bucks.  Better than that even.  I was so proud of myself.  What would Dr. Welker say if he could see me now?

After class my muscles were sore but my shoulder did not slip.  I felt like I was checking off a list of things that suddenly I could do if I just tried – greater physical challenges than I had taken on in 10 years.  I did 100 consecutive pushups.  I ran a 5K.  I went to class 3 days a week, increasing my speed and taking on more complex combinations.  I had muscle definition that I never thought possible.  And it happened while I was having fun and making friends.

A year ago, I felt the shoulder ache come back and I thought I felt it slip.  I had recently increased the weight of my gloves and had been lifting a lot of very heavy boxes at work.  I muttered to myself that Dr. Welker gave me release for a free range of activities but probably would have said “You know, except maybe you shouldn’t box” and I would have laughed because… really… that would have been a ridiculous concept at the time.  And there I was, potentially tearing the muscle that was holding my shoulder in socket, for fun.  I felt foolish on one hand and I was devastated on the other – I just couldn’t give up when I had come so far. And hitting a bag was like therapy for me.

So I talked to John about it and he assured me that we could continue boxing – and that strength training is part of PT and that is really what we do for most of the class.  We came up with a new strategy to keep me boxing and ensure I healed.  For many months I lifted 3lb dumbbells instead of 15 pound tires. I picked a softer bag and laid off the hooks.  I adjusted my planks to relieve stress on my shoulder.  And most importantly, I switched to be a left- handed boxer, which meant that I threw fewer punches with my left arm and more jabs with my right.  I felt like it was my first day in class again… my form was poor and my punches were weak.   I was discouraged – but now I had a group of friends cheering me on every time I got in the ring.  And they encouraged me to keep trying and helped me recognize when I was pushing too hard.  Slowly, I built back up to doing all the pushups and lifting the tires.  Last week I got a text from one of my classmates saying that she thought I boxed better as a southpaw.  I felt like a million bucks again.

If I don’t go to the gym, I am difficult to be around.  For me and many others, it is a non-negotiable part of our life that keeps us balanced.  There are so many inspirational members at Drake’s gym – people in their 60s belting out 100 pushups straight, women who have lost over 100 lbs, people with shoulders of 80 year old women, and newbies that are starting the journey and renew the exhilaration for those of us who have been doing it for years.   It is a unique group that is united by an enthusiasm for seeing yourself and your peers excel and learn new skills – and a place where you are expected to encourage and inspire others.  I love to introduce it to new people – they are immediately hooked.

To get a glimpse of the hard work and fun in action, go to Fight Night on July 17th with gates opening at 7:30 and bouts starting at 8:30.  Pre and post parties will be held at The Color of Energy (where the exhibit “Punchers and Painters” has been on display since last month)  in collaboration with neighboring restaurants and bars in the Oregon District. Learn more about the gym at www.jabcityboxing.biz or just come in and see what it is all about.

Filed Under: Active Living, The Featured Articles

10?’s with Rue Dumaine’s Chef

July 8, 2010 By Lisa Grigsby 1 Comment

“Food of Love”, Chef Anne Kearney’s motto, says it all, keeping the chef and her staff ever mindful of their mission to create culinary excellence in every dish that is placed before a guest.

For Chef Kearney, the words are close to her heart. Her passion for culinary perfection and the “sense of place” she feels in the kitchen, will always be the cornerstones of her dedication to her chosen career.  A native of Ohio, Chef got her early training at  Greater Cincinnati Culinary Arts Academy then made her way into the culinary scene in New Orleans.  And what a way she made, with stints as a sous chef for some of the most acclaimed chefs in the big easy, and eventually buying the restaurant Peristyle, after the owner passed away.  Kearney’s hard work, incredible mentors and her  respect for food  and proper preparation skyrocketed her to the top of the culinary world.  Her career has been documented with a cover of Food & Wine Magazine, when she was declared one of the “10 Best New Chefs in America,”  four Best Chef Awards from the James Beard Foundation, a Best Chef award by American Express, a feature in Gourmet Magazine and writing credits for Emeril Lagasse’s cookbook recipes and scripts for his tv show.

After all this success, a medical crisis made Kearney rethink her life.  In 2002, a brain aneurysm ruptured and after several more incidents and surgery, Kearney and business partner and husband Tom Sand returned home to the Miami Valley.  It allowed her to spend time with her family caring for her father in his last years after being diagnosed with Alzheimer disease.  Tom and Anne also began a small farm, Two Small Tomatoes, on the Kearney family property in Lebanon.  Kearney sells her wares at Centerville Farmers Market, the second Thurs of each month from 1-6pm . Here’s an excerpt from her weekly Rue Dumaine email:

“This week there will be corn** bisque, black bean-corn** salsa, gingered carrot** soup, white bean-arugula** dip, zucchini**- chocolate chip muffins…. just to name a few. She’ll be making breakfast bars in the am and Tom will be in the RUE kitchen tomorrow creating a huge batch of his tasty granola, which makes me very happy, it is so good and good for you. I am bringing along more product to this months market as I hope to satisfy the demand; don’t let me down, come on out and see what your local community has to offer.” (The ** refer to locally grown ingredients)

In 2007 with her health under control Anne and her husband Tom refurbished a failed asian bistro in what has now become one of Dayton’s hottest restaurants. Rue Dumaine was named after the street that Peristyle, her New Orleans place was on.   Fueled by Anne’s love of fresh ingredients and her own more casual interpretation of french classics, Dayton diners have felt the love and are giving it right back, making reservations very much suggested for a meal at this Washington Township eatery.  Or each Friday you can have lunch from 11:30am – 1:30pm.

And now – here’s Chef Anne Kearney’s answers to our 10 questions:


What is your favorite ingredient to cook with?

Local produce, I am intoxicated with the abundance that the Miami Valley provides for Rue Dumaine.
What ingredient do you dread?
Frozen fish, it is sent away from here.

What’s your favorite dish to make?
Endive salad
What’s your favorite pig out food?
Cheese in various forms

What restaurant, other than your own do you like to dine at in the Miami Valley?
Meadowlark; Wiley and her crew rock. (You can read Wiley’s 10 ?’s here)

What’s your best advice for home chefs?
If at first you don’t succeed, try, try again. Oh, please buy local.

If you could invite any 4 guests to a dinner party who would they be and why?

John Neal, my mentor-I would love him to taste how my food has progressed thru the years. He would tell me and I would benefit from that. (Kearney  went to New Orleans to work under the late chef John Neal at the acclaimed Bistro at the Maison de Ville Hotel. When Chef Neal left to open Peristyle in late 1991, he took Kearney along as his Sous chef. Kearney credits Neal for her tutelage in classic French cooking techniques, as well as perfecting her own palate and prompting her discovery of new tastes and the depths of flavor.

“His passion for his work was so real, it was almost tangible,” says Kearney. “I will always hold with me the image of John hovering over a tiny pot that held what would become a perfect pink pea risotto. He would stir and taste, stir and taste, until it was absolutely perfect.”)

James J. Kearney, my father- He loved my food and he also loved that I found a joy in cooking. Paula Wolfert, one of my idols-I have established much of my culinary foundation on her stories and research. She opened my eyes to the cuisine of southwestern France. Robert Heisser, my maternal grandfather- He build and ran a lodge in upstate Michigan, where cooked a sit-down dinner for the guests every night. I think he would dig the fact that I cook for a living.
Who do you look up to in the industry and why?
Chef John Besh. He has taken the reign of Culinary King of New Orleans, Louisiana actually. I respect his efforts and love his food.

What do you do in the Miami Valley on a day off?
I attend Pilates class at Practice. Seasonally weed out at the farmJ, there are some serious vegetables growing out there. I cannot wait to cook them up for all.
Share a kitchen disaster, lucky break or other interesting story:
Kitchen disaster- The freezers went out 1 hour before my second James Beard dinner was to begin, we were serving baked Alaska that evening. At least I was in NYC, it was a tough push but we made it happen.
Lucky break- I was blessed to discover at a young age that cooking was my thing. It has taken me to far reaches and brings me joy daily.

Insider Info about Rue Dumaine’s Never Advertised, Always Sold Out Cooking Classes from the Chef herself:

“I am blessed to be sold out thru November (1 a month)and I try to take December off for holiday events. 1class a month since last July:). The classes are a great deal of fun: once the class is sold out I send out a questionnaire to all students with relevant questions regarding each persons likes, dislikes, allergies. Any food memories, techniques, or flavors that they would like to have incorporated into the menu. I post a list of seasonal ingredients and have them rank their preferences. Once I receive the completed questionnaires I begin to write the menu. Once written Michael pairs wine and it is then sent out for student approval, once approved I begin to write recipes. The day before, I prep and organize the recipes. The day of I and one of my kitchen crew set up 4 stations in the kitchen, one for each of the cooks and their assigned course. At 3pm the cook half of each couple show up and we sit down and go thru the packet of recipes, I assign 1 dish to each student. A kitchen tour is given, chefs jacket and linen apron (theirs to keep) are put on and the cooking begins. By 6pm (ideally:)) we are ready to roll out hors d’ourvres and sparkling for all. After a few minutes of down time we move to the dining room and all take a seat at a table for 10. The student who prepped the first course goes into the kitchen with me and we execute the first course. Once all plated we run the food out to the table take a seat and the student describes the dish and speaks of any challenges or funny occurrences. Michael or Evan pour the wine and talk of the pairing. This continues on for 3 more courses. They all go home full, with a packet of recipes, a menu, 1 linen apron and 1 bottle of wine from the evenings menu. All that for $300 a couple.”

If you’d like to get on the list to become a future student send contact them through their website and Rue Dumaine will contact you as they develop classes for 2011.

Filed Under: Ten Questions, The Featured Articles Tagged With: Chef Anne Kearney, Rue Dumaine, Two Small Tomatoes

Yellow Springs Experience: An Immersion into Art & Culture

July 6, 2010 By Dayton Most Metro 1 Comment

The last time I visited Yellow Springs, I went used book shopping at Dark Star Books, walked the trails at the beautiful Glen Helen Nature Preserve and ate a delicious lunch at the popular Ha Ha Pizza eatery.

It was a good reprieve from the my day-to-day stresses.

A day in the eclectic, bohemian village can be a refreshing and invigorating experience.

Just imagine what 10 days can be.

Starting this weekend, Yellow Springs invites the region to become acquainted with everything that makes it special in the form of a 10-day art and cultural extravaganza called Yellow Springs Experience. From July 9-18, the village will be bustling with a flurry of cultural activities. Over 80 events ranging from visual arts workshops, wellness classes, theater and dance performances and art exhibits are scheduled, creating a 360-degree immersive shared experience. The goal was to capture the essence of the community, says Yellow Springs Arts Council administrator Carole Braun.

“There was always the Antioch Writer’s Workshop and the Yellow Springs Kids Playhouse,” says Braun “There were a couple of things that happen in the summer. This is an attempt by the arts council to put together some of the things that were a backbone of entertainment and culture in Yellow Springs. We thought we would try and pull together everything. So there are astrology classes, a sustainable building and farm tours… Glen Helen ecocamps. We tried to get a little bit of everything so that people can experience the flavor of Yellow Springs.”

Events will be located at various venues throughout the village, including Antioch College which will present “Letters Home from Freedom Summer”, a public reading of select writings of some of the over 600 students who organized non-violent protests of the segregation policies of Mississippi in the summer of 1964. “We’ve been able to pull in our educational institutions,” says Karen Wintrow, executive director of the Yellow Springs Chamber of Commerce. “This community is really strong on education.

“Our  job is to bring people to Yellow Springs,” she adds. “We think the festival embodies everything we’re about.”

Braun is optimistic that this will be an annual celebration.  “We’d like to make it a yearly event,” she says. “We’re already excited about next year!”

Most events are ticketed, including those that are free. Tickets can be purchased online at http://www.yellow-springs-experience.org, which also offers a complete list of events.

What can you expect from the 10-day Yellow Springs Experience? Here is a partial listing of some of the events scheduled:

The Grand Hoopla YS Experience Launch Party at the YS Arts Council – July 9, 4-7 p.m.

The Red Tent Women’s Self-Nourishing Time – Daily, 2-4 p.m.

YS Kids Playhouse: The Conference of the Birds – Thursday – Sunday, 7:30 p.m.

Skate Music Fest & Battle of the Bands – July 11, 3-8 p.m.

Cirque Carnival on Dayton Street – July 16, 6-10p.m.

WYSO “Are You Listening” Group Listening Experience, AACW Poetry Jam, movies nightly at the Little Art Theatre, wheel-thrown pottery workshops, yoga meditation, and much more!

Click here for the full experience.

Filed Under: Arts & Entertainment, The Featured Articles Tagged With: carole braun, glen nature helen, WYSO, yellow springs experience

When Street Art & Government Clash

July 4, 2010 By Dayton Most Metro 5 Comments

OD Knit Graffiti - photo credit: Delectable Dayton

The City of Dayton seems to be stuck somewhere between two forces.  The first is a government mired in an old bureaucratic attitude and uncreative culture with strict rules that focus on regulating instead of facilitating, perhaps from a different era when old captains of industry controlled things in the community.  The other is a new generation of a few progressive-thinking city staffers & officials, a citizenry made up of those who create music and art, and those who enjoy living where creativity (sometimes spontaneous) is embraced and encouraged.  The same subset of city residents that actually CHOOSES to live in the city for the love of an urban environment, despite the enormous challenges that the city faces.

Last month, the Delectable Dayton blog did some great reporting on the spontaneous “knit graffiti” (or “yarn bombs”) that popped up in the Oregon District, and the subsequent heavy-handed reaction by public works employees who allegedly responded to a few complaints by removing this spontaneous street art and threatening to bill the “offending artist” for said removal.  The final chapter in this saga ended with the issue moving from the stand·pat publics works department to the more progressive planning department and a call for this kind of situation to be resolved in the future by community stakeholders instead of city staff.  This was a great example of an issue going viral on the social networks (Facebook, individual blogs, etc.), and the social network reaction is what caused the change in this incident’s trajectory within the city government.  Yes, the more progressive factions of the city government are very plugged into online social networks and I predict we’ll see more actions and reactions come from these online discussions.

Getting back to the OD yarn bomb incident – it is my opinion that we must have a major shift in attitude when it comes to street art in this town.  While the old guard tends to favor more planned, less risque and established out-of-town artists when it comes to public art, the new generation of creatives wants public art to be more spontaneous, thought-provoking, unique and most importantly – done by local artists.  This isn’t to say that city government has always come down against this new generational attitude as Garden Station is a perfect example of city government acting as an enabler.  But other efforts such as c{space have run into a strange combination of conflicting attitudes within city government; regulators vs facilitators, squashers vs champions, traditional vs progressive.  And then there is the OD Yarn Bomb Incident.

Street art can be controversial yet it is important to any urban environment – it differentiates an authentic downtown from the more sterile environments found in typical suburban shopping malls and corporate-driven lifestyle-centers like The Greene.  Nothing against those environments – different strokes for different folks.  But the more diverse lifestyle options a region can offer, the stronger it will be in attracting a talent base necessary for economic growth – and a strong, viable and authentic urban core is an absolute necessity to any region’s economy.  So how do we strike the proper balance between encouraging our local artists when it comes to spontaneous public art, and ensuring that we are creating a truly inspiring urban environment that doesn’t offend the sensibilities of the average resident or visitor?

A possible solution to the public art dilemma could come in the form of a public street arts council – a group of community stakeholders (local artists, residents, business owners) that could be responsible for evaluating potential planned public art installations and quickly approving permits to local artists.  Organization and communication could be done easily, cheaply and rapidly online as opposed to traditional committee meetings and public townhalls.  And this same council and communication system could be used to handle spontaneous street-art incidents, perhaps with online polls that empower citizens to evaluate – hopefully with a sensible yet more laissez-faire attitude than a government bureaucracy.  Whereas typical vandal graffiti would get a majority thumbs down, completely harmless street art like knit graffiti would likely get a pass (as can be seen by the quick poll set up at Delectable Dayton).

As our city continues its transition from old to new economy, we must be looking forward and implementing solutions such as these – lest we lose for good those who make our city more interesting and those who truly appreciate our urban core.

UPDATE: In case some of you haven’t actually clicked on the links in this post, check out the simple solution that Bristol implemented to deal with rogue street art after the fact: http://www.guardian.co.uk/artanddesign/2009/aug/31/graffiti-art-bristol-public-vote

Filed Under: Downtown Dayton, Opinion, The Featured Articles

Get your SOUL on at CityFolk with Bettye LaVette

June 30, 2010 By Dayton Most Metro 3 Comments

Bettye LaVette is not thinking about her next album. And when she decides to change that, she won’t be wasting any time.

“I’m not thinking about that yet,” said the soul legend, who will perform Friday night on the NewPage Main Stage at the 2010 Cityfolk Festival, held at RiverScape MetroPark. “It could be a while, and when I do it, it’ll probably be like my others—we pull some stuff together in four days, get into the studio for a couple of days, and get done with it. I love to perform, but I do not like to record. It amazes me when people say, ‘Oh, I’ve been working on this album for three years.’ Get in there, sing the damn songs, and stop wasting your time and money.”

Gritty and languid of voice, familial in tone (“Baby” she called me many times, like a knowing aunt), with a raucous, throaty laugh and a salty gin-joint brand of wisdom, LaVette has seen and done it all, and she does not mince words.

Nearly 50 years ago, LaVette began her career as a professional musician in her hometown of Detroit, when her first single, “My Man – He’s a Lovin’ Man,” was released when she was only 16 years old. That success led to a whirlwind concert tour with Clyde McPhatter, Ben E. King, Barbara Lynn, and newcomer Otis Redding.

“It wasn’t happening to anyone else in the 9th grade,” she said with a laugh. “Otis and I were so young, just starting out. We had both released our first records on Atlantic, and we were there looking at these stars thinking, ‘I hope I can be like that one day.’ The rest of the people who started around 1962 are around 10 years older than me, except Stevie Wonder—he’s the only one who’s younger.”

Many of LaVette’s contemporaries reached mainstream success which eluded LaVette for much of her life, but her passion for singing drove her on. She toured the country playing wherever she could, and put in six years on Broadway in the cast of the hit musical Bubbling Brown Sugar alongside Cab Calloway during the 1970s.

“That was the most interesting thing I’ve ever done in showbiz. Learning to tap dance as an adult…that was very difficult. But in all, [that experience] was the way I thought showbiz was supposed to be. It was about a touring company during the ’20s, and when you did it, you dressed up, went out and danced for a few minutes, and you were a star. I got to throw my dress around and walk down long staircases and tap with Cab Calloway… It was really exciting.”

LaVette continued to record through the years, but remained in obscurity except to soul hardcore enthusiasts until the New Millennium, when, more than 40 years after recording her first record, 2005’s I’ve Got My Own Hell to Raise shot her to worldwide recognition with its blues-drenched, heart-scouring renditions of female-written songs like Dolly Parton’s “Little Sparrow,” Sinéad O’Connor’s “I Do Not Want What I Haven’t Got,” and Fiona Apple’s “Sleep to Dream.” Suddenly, Bettye LaVette was claiming—in short order, at high speed—the limelight which had eluded her for decades.

In 2006, the Rhythm & Blues Foundation gave LaVette its Pioneer Award, and 2007’s The Scene of the Crime, recorded with alt-rock band Drive-By Truckers, was Grammy-nominated for Best Contemporary Blues Album. Always reaching for greater heights, LaVette created one of 2008’s lightning-in-a-bottle media moments with her performance at the Kennedy Center Honors. Invited to perform in honor of recipients Roger Daltrey and Pete Townshend of The Who, so gut-wrenching and stunningly new was her transformation of “Love, Reign O’er Me” that during the thunderous ovation that followed, fellow honoree Barbra Streisand, profoundly moved by the performance, turned to Townshend and asked in amazement, “Did you really write that?”

Those who did not know Bettye LaVette before certainly knew her now, and since then, the triumphs just keep coming. The New York Times has gushed that she “now rivals Aretha Franklin as her generation’s most vital soul singernow rivals Aretha Franklin as her generation’s most vital soul singer. She uses every scrape, shout and break in her raspy voice, with a predator’s sense of timing, to seize the drama of a song.” She performed “A Change is Gonna Come” with Jon Bon Jovi at Barack Obama’s presidential inauguration. And this year, she released Interpretations: The British Rock Songbook, featuring classics by the Paul McCartney, the Rolling Stones, the Animals, Pink Floyd, the Moody Blues, and more, concluding with an audio recording of her famous Kennedy Center performance.

“The concerpt was my husband’s,” she said. “After the Kennedy Center Honors, he found 500 songs from the British Invasion era and went through them, and we narrowed them down.”

The Stones’ Keith Richards recently told NPR, “When you hear a voice like Bettye LaVette’s, there’s a sense of transportation, a certain freedom of movement and emotion,” and Jon Bon Jovi said of her after the inauguration performance, “Some singers sing…  Then there is Bettye.  She doesn’t just sing the song, she lives each of them.  I’ve heard it.  I’ve stood close enough to see it in her eyes.”

So demanding is her tour schedule that LaVette rarely has time at home, but when she does, she relishes each moment.

“I really love to be at home. When I was young, I wanted to live running around in the streets—wanted to get dressed up and go out and be Bettye LaVette!, and now I’m sitting here at home, looking out at my lawn, with the water going around, and I’ve got my two kitties with me—Smokey and Otis. I spend time with my husband; he’s a record collector, historian, and dealer, and now they’re calling him ‘the ultimate soul collector.’ I met him online more or less as a fan. He gave me some advice I didn’t ask for, and I wrote back a rather nasty response to tell him I didn’t appreciate it. He flew to Detroit to make amends, and here we are,” she said, chuckling.

(I ask about one of her old albums. “Oh, I don’t know, I never remember any of that stuff. He knows all that.” She calls to him nearby. “Baby! What year was that?” He calls back a response. “That sounds right,” she says. “He knows my career better than I do.”)

“I love watching old movies,” she says. “When I’m home, that’s what I love to do. My favorites would be Casablanca and Now, Voyager. Anything black-and-white made before 1945, really. And sometimes I’ll turn on CNN and see what they’re doing to my president.” Her voice furrows with concern. “All the things they’re saying about the oil spill being Barack Obama’s Waterloo—I don’t believe that. When a problem gets solved, people move on to something else.”

The Huffington Post, which lauds Lavette as “the High Priestess of R&B,” said of Interpretations, “It’s astonishing to hear what depths can be found in these songs…LaVette inhabits these tunes, wraps her skin around them like some kind of song-eating monster. There’s something so deeply human going on here that it’s incantatory, so distinct that it’s indelible. So true that it dares to be ugly sometimes. So right that it can cause you pain.”

“I feel good about the new album,” she said serenely. “It’s been received wonderfully. This is as much due as I’ve ever gotten. The things the artists have said about my renditions of their songs, and the things the press has written… Most of my early career is attributed to lack of exposure. My career is not one you can just follow by the numbers—all you can do is go by when you heard of me. Now I’m beginning to connect everything together, though. All those years in between helped me to become an entertainer. Fame and money come and go, but entertainment will always survive. I had to stop wanting to be a star and learn how to be an entertainer, and I played everywhere I could—tiny bars for $20 a night—whatever was there, and I’m up here now with all the people I started with in 1962. No matter how much money anyone’s made, or how many panties have been thrown onstage, we all started together in 1962. And it feels good to be a part of that.”

The Huffington Post, which lauds Lavette as “the High Priestess of R&B,” said of Interpretations, “It’s astonishing to hear what depths can be found in these songs…LaVette inhabits these tunes, wraps her skin around them like some kind of song-eating monster. There’s something so deeply human going on here that it’s incantatory, so distinct that it’s indelible. So true that it dares to be ugly sometimes. So right that it can cause you pain.”

Filed Under: Dayton Music, The Featured Articles

RiverScape Just Got Better!

June 28, 2010 By Dayton Most Metro 3 Comments

(the following is an official press release from Five Rivers MetroParks)

Five Rivers MetroParks is excited to announce the completion of Phase III of RiverScape MetroPark, a project that will offer more amenities for visitor comfort and accommodate the needs of RiverScape’s and downtown Dayton’s continuing success. All areas of the park are slated to be open to the public after the ribbon cutting, scheduled for 11:30 AM Monday, June 28.

Executive Director Charlie Shoemaker sees Phase III as a fundamental element in the increasing vitality of downtown and an opportunity to build upon the existing foundation of community partnerships. “Since opening in 2001, RiverScape MetroPark has time and again demonstrated its value as a dynamic urban space in Dayton where all segments of our community come together to celebrate our local pride in a unique and beautiful setting,” he said. “The ability of MetroParks and our partners to gain the support for this next phase stands as a testament to RiverScape’s success as a defining piece of our urban environment.”

Patrons will now be able to take advantage of some new and some improved features of RiverScape MetroPark, including:

·         A covered pavilion with a stage and seating perfect for enjoying festivals, community events, free entertainment or just a relaxing lunch with friends. In the winter, the pavilion will house the ice rink, which will be nearly 50 percent larger than the former rink with additional skating hours, more rental equipment and an extended skating season, starting Thanksgiving weekend, November 26.

·         A new bike hub with secure bike storage, showers and lockers. It will provide a central location for downtown commuters going to work or play, as well as a welcome rest stop for recreational cyclists and active families enjoying our region’s extensive recreation trail system.

·         Food concessions operated daily, and during concerts and events by a local Skyline franchisee, featuring salads, wraps, cold treats, sandwiches and patrons’ favorite Skyline fare.

“The realization of Phase III is because of its community partnerships,” Shoemaker said. “Joining the original RiverScape community partners of Five Rivers MetroParks, the City of Dayton, Montgomery County, Greater Dayton Regional Transit Authority, Miami Conservancy District and the Downtown Dayton Partnership, the new phase brought us support from Congressman Mike Turner, whose assistance was invaluable in securing federal transportation grants to fund the majority of this project. Support also came from the Miami Valley Regional Planning Commission and the Ohio Department of Natural Resources. But foremost, none of this would be possible without the support of Montgomery County citizens. We’re grateful every day that the citizens of this region understand the value of the outdoors and its contribution to the overall welfare and health of the Miami Valley through creating personal connections with nature and instilling long-lasting, positive change for those living in the region.”

In addition to increasing the vibrancy of downtown Dayton, it is the goal of Five Rivers MetroParks to encourage families to become healthy by providing safe, affordable and accessible facilities where they can engage in active lifestyles.

Known for breathtaking landscapes, interactive fountains and free entertainment along the banks of the Great Miami River, RiverScape MetroPark has become a favorite outdoor gathering place in downtown Dayton. For almost nine years, this downtown hotspot has offered a cool getaway right in the middle of the city with free concerts, educational programming and the community’s favorite cultural festivals amid the scene of floral landscapes, hanging baskets and relaxing swings.

Five Rivers MetroParks thanks its community partners and the priceless support from Montgomery County citizens paramount to helping RiverScape MetroPark become an integral part of downtown and a symbol of the city’s pride and continued development of its cultural identity.

To learn more about RiverScape MetroPark and the recent renovations, visit www.metroparks.org/RiverScape or call (937) 275-PARK.

Filed Under: Downtown Dayton, The Featured Articles

Pecha Kucha Peeks at Atta Girl Art & Gardens

June 24, 2010 By Lisa Grigsby 4 Comments

If you love Dayton, like new ideas and want to see what others who believe in our region are up to, you need to experience Pecha Kucha!  Correctly pronounced its four syllables  “peh-cha koo-cha”, but  it’s perfectly acceptable to say you’re headed to PK night!  The concept originated in Tokyo and is based on a presenter having up to 20 slides to talk about for 20 seconds each.  The images forward automatically and presenters talk along to the images.

Held once a quarter, this Friday, June 25th meeting will also be the public debut of South Park Residents Carli & Hamilton Dixon’s newest adventure: Atta Girl Art & Gardens at 905 E. Third Street, just west of Keowee. The site itself is worth the trip, as you’ll see what these brave entrepreneurs have taken on and are revitalizing an old abandoned 18,000 square foot building into:

* Performance space
* Shared studio space
* Coffee/bicycle shop
* Gallery
* Recording studio?
* Artists’ studios
* Urban gardens

And the line up for Pecha Kucha presentations is pretty amazing to:
There’s a Shakespearean actor, an independent truth telling communications major from Wright State, a cinematic art expert, a puppet theater artist, an architect’s perspective on art like Big Butter Jesus, a women’s rock promoter, an advisor on the culture of India, someone who helped bring back nature with art, a sailor and world traveler, an architect who is turning humble oddly shaped garden fruits into stage pieces, and our MC of the evening will share the odyssey of her art and garden studios.
Cost: $5 (includes 1 soft pretzel and 1 beer) Falafels and additional beer also available.  The actual meeting will take place in sculptor Hamilton Dixon’s new studio 811 E. Third Street (just west across the parking lot of the building pictured above). Event starts at 7pm.
No RSVP needed, just grab some friends and get there!

Filed Under: Downtown Dayton, The Featured Articles Tagged With: Atta Girl Art & Gardens, Hamilton Dixon, Pecah Kucha

The Passion Of Pin-Up

June 22, 2010 By J.T. Ryder 11 Comments

Cherry Lee’s Salon Caters To A Classic Culture

A look, lost in time, revived to make eyes follow and fantasies unfurl. The bobby-pinned curls cascading down in huge rolls to frame a perfectly finished face, replete with fire engine red lipstick and a hint of blush to complete the illusion. The clothes have to keep up with the walk as the eyes take in the severely lined stockings, teasingly tempting as they make their way under a flared skirt. The straight cut bangs hovering above smoky eyes. The poses and positions that, while innocent enough, still evoke strong urges within the male’s psyche. This is the world of pin-up culture.

A local woman, Cassandra Barker, yearned to bring these frozen moments in time to life. She scrimped and saved, all while raising her children, until she was able to open her own salon to cater to the needs of the pin-up, rockabilly, hot rod culture. Her dream was realized last year when she was able to open the doors of Cherry Lee’s Salon, a place for ‘Classy Broads & Fancy Fellas’. In speaking with Cassandra, the first hurdle was defining what the culture is that her shop caters to.

“It’s retro or pin-up or anything that you would look at like that.” Cassandra said. “If you come into the salon, you’ll see that there’s real old pin-up stuff on the walls and the counter tops are decoupaged with pin-up stuff and Nancy Drew and all kinds of other stuff.”

Since this is not the run of the mill hair salon, I wondered how Cassandra got drawn into this specific type of hair styling.

“Well, I think what happened with me, I had a lot of theater background. I did hair working for Phantom of the Opera for a little bit and I learned a lot about Victorian hair. Basically, hair is just like fashion: it changes throughout the course of the years, but it keeps its general structure.” Cassandra went on to say that, “I took the things I learned from Phantom of the Opera and started incorporating it into up-dos for proms and weddings and things kind of went from there. I started researching it and made sure I was staying authentic, like using a beeswax that they used to use back in the day, because…that’s what they used to use. I try to keep as true as I can with the products we use because they worked.”

A hairstyle is just as identifiable as any other fashion or body modification. People instantly recognize what station or class or culture you are from based on your clothing and your coif, even recognizing what era a specific hairstyle may be from. What is the current interest in retro hairstyles and fashion? Could it be that, since we are currently living lives on the edge of the unknown that we cast a look back, trying to recapture a simpler, more contented era?

“I think so for sure. The time period that we focus most of our stuff on, there was no money, there were hard times and we’re kind of going back to that style and it’s easy; it’s not that expensive and everyone seemed happy.” Cassandra opined. “I think that what it comes down to…they were even talking in the news the other day that moonshine was on a resurgence and stuff is starting to come back that was cheap, but made fun happen, you know what I mean? I think that a lot of that is coming back and hopefully that starts to push everybody at least if not towards doing better monetarily, at least feeling better in their general life, which I’m 100% for.”

I wondered if this was the only type of hair styling that Cassandra did or if it was a full service salon. Cassandra answered my question by saying;

“I had a girl sitting in here watching me one day and she said, ‘The range of people that you have walk through your door amazes me!’ I have a range of people from real pin-up, retro girls who do all the photo shoots with the cars to a mom to a little kid to a little old lady, and I can do any of it. I worked at Square 1 Salon for almost ten years. I can do the soccer mom hair and I can do anything else, but my focus and passion is definitely the pin-up stuff and the more retro stuff.”

One might wonder what the purpose is of all of this retro-vision. Was there a purpose behind all of it?

“Basically…and I know this sounds cheesy and hokey…it comes down to making people feel the best that they can. I mean, if it’s taking a housewife, who has been a housewife forever and ever and ever and who has worn t-shirts and jeans for the last ten years, who sits at home and cooks and cleans and taking them and bringing them out, giving them a fresh look and giving them new hair and make-up and giving them that sexy little pin-up look. It’s frozen into some other land and then they all of a sudden have confidence again and start feeling good about themselves.” Cassandra added that, “Actually, I think it scares the crap out of their husbands. Like, every girl I know who has come in here, who had been kind of plain Jane and then they walk out with a little Betty Page pin-up look with dark hair.

Were there other markets that catered to the pin-up/hot rod culture? Where could you get the clothing and other accoutrements?

“They can pick up some of Nikki Forte’s pin-up design stuff here. Nikki has been bringing stuff in and out of the salon. She’s actually been getting pin-up stuff for the girls and is looking at opening a little boutique inside of the salon. It’s in the works. You know, Dayton, since it is out of the eye of everything that is going on with retro and pin-up, it’s harder to get a hold of the stuff.”

As we wrapped our conversation up, Cassandra told me about a big event that was taking place at our mutual friend, Bill Winger’s shop called Daddy Katz in Moraine.

“On July 9th, we’re actually doing a pin-up training camp at Bill’s shop (Daddy Katz).” Cassandra went on to detail the event. “It’s going to be two hours of one-on-one make-up, hair training and finishing…like I’ll finish their hair and make-up. Joe Schuster from Cincinnati will do a one hour photo shoot with each girl and they will walk away with a disc of pictures and later on, they will get an edited picture of the best picture from their shoot. It’s going to be really cool. There’s a lot of stuff like that going on in California, but there’s not anything going on that around here.”

Cherry Lee’s Salon for Classy Broads & Fancy Fellas is located at 2712 Linden Ave., but is open by appointment only. You can call (937) 901-6589 to make an appointment. Mention this article and you will receive $5 off their cut and style.

Filed Under: Community, The Featured Articles Tagged With: Cassandra Barker, Cherry Lee's Salon, cut, cuts, cutting, Dayton, hair, hairstyles, hot rod, local business, pin-up, retro, rockabilly, style

Extraordinary Days

June 18, 2010 By Dayton Most Metro 1 Comment

Ordinary Days at The Human Race Theatre Co.Ordinary Days at The Loft

It isn’t often that patrons in ANY city get the rare theatrical opportunity currently occurring Downtown Dayton. Currently housed in an extended run in the Schuster Center is – for many – the gold standard for musical theater goers all over the world – Andrew Lloyd Webber’s now iconic THE PHANTOM OF THE OPERA. But quietly, intimately, and indeed passionately next door at The Loft, the next generation of musical theater writers is being heralded in by a young composer named Adam Gwon and his remarkable musical ORDINARY DAYS – thanks to the amazing staff and cast at The Human Race Theatre Company. Ordinary Days is anything but ordinary. The small in size – large on theme – musical evening explores several interconnected stories against the backdrop of New York City’s bustling contemporary culture. The music is contemporary – the lyrics are brilliant – the cast is engaging.

Adam Gwon, composer/lyricist of Ordinary Days

Adam Gwon, composer/lyricist of Ordinary Days

I cannot tell you strongly enough how important it is for the future of this artform that as patrons – we make the decision to not make only ‘safe’ choices with our entertainment dollars. Remember that once upon a time someone (whose name no one remembers) told Sir Lloyd Webber that a musical based on Gaston Leroux’s Gothic tale of a creeper with mommy issues stalking a young ingénue was a HORRIBLE idea for a musical. Someone lost their job over that one I am certain. So as wonderful as it is to JOIN an already exciting bandwagon – also take the time to be there from the start of one as well. And Ordinary Days and Mr. Gwon himself are poised to take this industry by storm sooner rather than later.

Ordinary Days continues through June 27 at The Loft.

The Human Race Theatre Company’s executive director Kevin Moore & Ordinary Days composer/lyricist Adam Gwon were recently featured on MusicalWorld discussing the journey that Ordinary Days took to Dayton, Ohio:

Additional Local Theater News:

Opening This Weekend:  BCT’s The Who’s Tommy

Cast of BCT's "The Who's Tommy"

BCT's "The Who's Tommy" with Dean Swann, Aiden Kesson, Lynn Kesson

Beavercreek Community Theatre wraps up its 2009-2010 season with the classic 60s rock opera “The Who’s Tommy.”

Pete Townsend’s tale of a young boy, who becomes catatonic after witnessing the murder of his mother’s lover by his father, will be presented at 8 p.m. on June 18, 19, 25 and 26 and at 3 p.m. on June 20 and 27.

The show includes many hits by The Who including “The Acid Queen,” “Pinball Wizard,” “Sensation,” “We’re Not Gonna Take It.” “See Me, Feel Me” and “Listening to You.

Matt Curry in BCT's "The Who's Tommy."

Matt Curry of Dayton portrays the adolescent Tommy. His parents are played by Dean Swann and Lynn Kesson, also of Dayton. In additiona, the cast includes Matt Owens of Beavercreek, Megan Vonder Kolk and Megan Grabiel of Fairborn, Rick Burnette of Huber Heights, Jillian Varner of Bellbrook, Malcolm Walker of Sidney, T.C. Schreier and Nick Moberg of Springfield, Leah Kushmaul and Montana Iverson of Springboro and Dayton residents Mike Stockstill, Aiden Kesson and Jenna Burnette.

The show, directed by Chris Harmon of Beavercreek, is an Edge of the Creek production, which means it is for mature audiences.

Tickets are $12 for adults and $11 for BCT members, students, and senior citizens.  A group discount of $1 per ticket is available to groups of 10 or more purchased at the same time for the same performance.

Beavercreek Community Theatre is located within the Lofino Adult Enrichment and Cultural Arts Center at 3868 Dayton-Xenia Road in Beavercreek.

__________________________________________

(this week’s ridiculously cheesy sign-off)

Extra, extra, read all about it!  Pinball Wizard in a miracle cure!
Extra, extra, read all about it! Right now, right now, story and pictures
to show times, lessons and actors…
Extra, extra!  onStageDayton with Shane & Dave
only on Dayton Most Metro!

For more Information & Tickets, visit:

Ordinary Days (through June 27) Call Ticket Center Stage at  (937) 228-3630 or visit http://www.ticketcenterstage.com

The Phantom of the Opera (through June 27) Call Ticket Center Stage at  (937) 228-3630 or visit http://www.ticketcenterstage.com

The Who’s Tommy (June 18-27) Contact BCT Box Office at boxoffice@bctheatre.org or (937) 429-4737  or visit http://www.bctheatre.org

Shane Anderson & David Brush work with locally based Encore Theater Company. ETC recently moved into the new arts collective space in the Oregon District, along with Zoot Theatre Co. & Rhythm in Shoes. Anderson, Brush & ETC are currently in the midst of their summer season of new musicals in downtown Dayton: Johnathan Larson’s RENT, [title of show] & Next Thing You Know.

Casting Call

Beavercreek Community Theatre will hold open auditions for  “The Spitfire Grill” at 7 p.m.  July 5 and 6 at the theater, located within the the Lofino Adult Enrichment and Cultural Arts Center at 3868 Dayton-Xenia Road in Beavercreek.

Doug Lloyd will direct the show, which will be presented on September 17, 18, 19, 24, 25 and 26.  The vocal director will be Dr. James Tipps and the choreographer will be Stacy Gear.

Those wishing to audition should prepare a one-minute Broadway-style song that “shows your belting abilities.”

There will also be cold readings from the script and those auditioning will be taught and asked to perform a short dance number.

For more information call 429-4737, email bctheatre@bctheatre.org or visit the theater’s Web site at www.bctheatre.org.

Filed Under: On Stage Dayton, The Featured Articles

Cycling from Dayton to Cincinnati

June 14, 2010 By Dayton937 11 Comments

Several months ago, I discovered that Dayton’s bike trails connect all the way to the eastern suburbs of Cincinnati, a city that I lived in for almost 10 years and loved. I used to bike around the hilly city regularly, especially for the year when I lived over the river in northern Kentucky in the Bluffs, the apartment complex on the hill as you cross the river on the I-75 bridge south. I used to bike down the hill, over the river and through the flat streets of downtown, often stopping at Findley Market for an Italian sausage out of one of those big grills.

I set a big goal: Bike from my home in Kettering, Ohio, to Cincinnati’s Sawyer Point, a beautiful riverfront park right downtown. My best guess was that it was about 80 miles.

To put this in perspective, my longest ride ever was 36.2 miles (home to Franklin and back). The next longest was under 30 (home to Yellow Springs one way). Eighty miles was a big leap.

I set out early last Sunday morning, about 10 minutes before 8 o’clock. Big storms had blown through the night before, and there was still technically a tornado watch for the region when I left. I say “technically” — the watch expired at 9 a.m., but I’d checked the radar, and it showed that the storms had already passed by. With an extra set of clothes, a set of hand-written directions, and some fruit, peanut butter and bread in my panniers, I set out solo from home.

I was familiar with the route from my house to Xenia along the Creekside Trail from a ride last year to Yellow Springs. This morning, I was all alone on it and flying.

Maybe it was the adrenaline of finally setting off. I hadn’t slept well the night before from anticipation, and now I was off. Riding to Xenia is a pretty substantial ride, but today it would be just a drop in the bucket. With the help of a friendly breeze behind me, a slight downgrade and fresh legs, I cruised along comfortably at 20-25 mph pace for a lot of it. I had to slow considerably once for a deer that wouldn’t run off, and I saw more rabbits than I could count. A frog made me practically jump out of my pedals to avoid him.

It was a lovely ride through the woods, past the dragstrip and empty ballfields all the way to Xenia Station. Xenia Station, which I’d seen on maps but never in person, turned out to be a parking lot from what I could tell. I turned right to cut south, and as far as I was concerned, my ride was really beginning. I was a little under the 20-mile mark.

Since Sunday, several people have asked me about my route. I’ll describe parts of it here, but the gist of it is shown in the map at top. All but about 12 or so miles was on shared-use bike paths. I picked up a path in eastern Dayton, rode that to the Creekside Trail, which got me to Xenia. In Xenia, I turned south on the Little Miami Scenic Trail, which took me all the way to the edge of Mariemont in Cincinnati. I got off the trail there and navigated streets for maybe 10 miles.

One of the reasons I was hustling to and through Xenia was that Michelle and Kevin, two friends, offered to ride along with me on part of the ride. They decided to hook up with me in Spring Valley, about 6 miles south of Xenia, and ride south a bit from there. I rode fast to avoid keeping them waiting, though I know they’d have waited happily. The timing couldn’t have been more perfect. I was coming through Spring Valley, wondering where we were actually supposed to meet, when I saw Michelle walking her bike up to the trail. I’d just arrived & they’d just arrived at the same spot. Serendipity…

So, we rode south. This section of the trail showed the worst effects of the storms the night before. Sticks everywhere, a few bigger fallen branches and debris just all over the place. We could also feel the wind starting to shift. Or maybe it was us shifting. It had been coming out of the west, but we increasingly felt it in our faces, not terribly but enough to make us aware of it. We rode two and three abreast at pretty good pace, probably an average of about 16 miles an hour. Along the way, I topped 36.2 miles, making this officially my longest ride ever, even if I didn’t go another foot. By the time we stopped at Fort Ancient about 16 miles south of where we met, I was around the 42 mile mark.

We took a break by Morgan’s Livery, which was hosting a paddle-bike-run triathlon that day, so we were surrounded by some very fit folks in spandex.

A digression: I was wearing for the first time bike shorts. I’d gotten some pretty solid advice that if I was to survive this ride, they were essential for keister comfort. I wore a pair of shorts over them and an old soccer jersey. I’m not much of a physical specimen. Overweight, gray-haired, unshaven. Some days I could play Yassir Arafat in a Lifetime movie. I’m nothing to look at, but here I was surrounded by fit triathletes, the muscle-ratti gathered at a lithe-a-thon. I wasn’t one of them, but I felt good about what I was doing. Kevin snapped a photo of me before I had a chance to sit up straight while Michelle checked my tire size to see whether she could loan me a spare inner tube, just in case.

After a bit of a break, Michelle and Kevin headed back north, and I changed into some lighter, dry clothes now that the sun was high. I took off further south, riding against the traffic of the triathletes.

South from Fort Ancient, the next big milestone was Loveland, but I was getting confused about how far away it was. I’d forgotten the order of towns, and it wasn’t always obvious what town I was in. I was expecting Corwin-Morrow-Loveland, but Morrow took forever, and there was no sign of Loveland for a long, long time. I thought it might be six miles, but those miles went by, then 10, then 15 and still no sign of Loveland.

I was tired, I was alone, I was discouraged and I’d started to wonder if I’d make it all the way. Though I’d gone more than 40 miles and topped my longest ride ever, I knew I had another longest-ride-ever ahead of me. I’d already gone really far. I could call it quits somewhere nearby and still have the pride of a very long ride. I kept pedaling as I thought through it all, adding up more miles.

Around mile 50, somewhere between Morrow and South Lebanon, if memory serves, I heard a tell-tale “ping” and looked down between my legs. My rear wheel, which had just been trued, was going rowr-rowr-rowr, warped all to hell. I’d broken a spoke. Two weeks earlier, I’d broken a spoke, and the warped wheel rubbed against the brake so hard I could hardly pedal it. This time, I kept moving, looking at the path ahead and down between my legs thinking, “Well, I guess that’s it.”

My speedometer also caught my eye. Despite the broken spoke, I was still going 16-17 mph. I wasn’t slowing down at all. I was sore and hurting, but no worse than I’d been 10 miles earlier. “OK,” I told myself, “This is now about whether you’ll refuse to give in.” Marathon runners say the last few miles are all mental. This was now my marathon, and whether I made it was just a question of what I as willing to put up with. Sore back, tired legs, dry eyes — I have all of that but I’m still cruising at 14-16 mph, and my broken spoke isn’t slowing me down.

Looking back, that’s when I really finished the ride, when I decided not to quit unless my bike just wouldn’t go forward anymore.

The wind kicked up in my face now, but it wasn’t like pedaling into a wall. I kept going, moving somewhere between 12-14 mph on average. As I finally got closer and closer to Loveland, traffic on the trail really picked up, and it didn’t let up much until I got off the trail far south of there near Newtown.

Loveland’s a really lovely place for cyclists. The path in town is lined with little cafés, ice cream shops, even a BBQ joint, all right on the trail. It was a lovely oasis and a nice place to stop for lunch. As I ate a banana and a peanut butter sandwich, I called Teresa to update her on my progress. She was with the boys at Ikea, eating hotdogs.

Back on the bike, sore, tired and wondering when my wheel would finally give out, I headed south through Milford and then to Newtown, where the trail portion of my ride ended. There were no signs, but I’d studied the map enough to know Newtown Road overhead when I saw it. My odometer read about 70 miles. 70-damn-miles. Me. You’ve seen the photo above, right? I mean, c’mon. That guy rode 70 miles.

When I got off the trail, I was euphoric. This was the home stretch. I had only about 10 miles to go, and I would be riding on streets I know in a city I love. I’d go west through charming Mariemont, turn south to go past Lunken Airport and then west through Columbia-Tusculum, where I’d ride right in front of the last apartment I had in Cincinnati, a charming duplex with a vestibule and lovely tilework. Once I hit my old apartment, I had 3.8 miles left. I can bike that in my sleep, no matter how tired I am. Getting off at Mariemont meant I’m practically there.

I rode off the bike trail, and staring at me on Wooster Pike above was a huge friggin’ hill. Uphill. Probably about .25 miles long, not miserably steep but a very steady climb. I steeled myself and started climbing. Ugh. But there was no question of quit now. I was too close. My wobbly wheel was still turning. I wasn’t calling for a ride from here.

I made it up the hill at about 5 mph and through Mariemont, then through the industrial zone to Lunken Airport, where I used to hit golf balls at the driving range. Through here, I had to keep pulling my directions out of my pocket to avoid a wrong turn. I didn’t need any extra distance, even tenths of miles. My directions were in a plastic bag, along with two $5s, my driver’s license and my health insurance card (Teresa’s suggestion). I stopped in the shade of a tree to phone Teresa again and let her know I was getting close. After we got off the phone, I reached into my pocket for my directions, but nothing. They were gone.

No directions, no license, no health card, no $10. Damn. I checked my other pockets, my panniers, but nothing. I called Teresa back.

“I think I have a problem,” I told her.

“Can you go back and see if you can spot it?” she asked.

“I’ll try,” I promised.

I wasn’t happy with myself for being so careless, but I turned my bike around and started riding back along the route I’d taken, away from Sawyer Point. I knew I had limited energy, and I was using it to go the wrong direction. I went back about half a mile and saw nothing. It was a fool’s errand, and I was being a fool. I wasn’t going to find it, and I couldn’t change that. I didn’t need the directions anymore because I knew the way. So I turned back around and rode past Lunken a third time.

I started having weird trouble with my gears. At one point in my fruitless search, I had shifted to the smallest gear on the back wheel, and my chain came off. I downshifted and caught cogs again, but it all felt very chunky. I shifted back and forth as I rode from Lunken to Eastern Avenue, trying to figure out what was up and discovered I had only two or three cogs in the middle of the rear gears that I could reliably use. Broken spoke, and now something wrong with the gears. My derailer seemed bent out at a weird angle too.

But my wheels were still turning when I pedaled. At this point, I was less than six miles away. I was holding up better than my bike. It was limping along, but I kept going.

I limped past my old apartment on Eastern Avenue, which came up a lot quicker than I’d remembered, and turned onto the last road I’d take: Riverside Drive. 3.8 mostly flat miles along the river to Sawyer Point. I looked at my odometer. It read 84 point something. I started to tell myself, “It won’t hit 89.”

I could see the I-471 bridge, which runs right through Sawyer Point. I’d ride right under it to get to the large green lawn in front of the amphitheater where I planned to end. I could see the bridge getting closer. I topped 85 miles. “I won’t hit 89 miles,” I kept repeating to myself.

And I got closer and closer. 86 miles, 87 miles, 88 miles. “I won’t hit 89.”

And I turned left into Sawyer Point. There were people everywhere — families, kids, motorcycle cops, a clown on stilts and a DJ playing the chicken dance and the hokey-pokey. I’d made it.

I rode toward the giant lawn in front of the amphitheater, and not 50 feet before it, I carelessly tried to change gears to get up a slight rise. My chain completely locked. My pedals would not turn. I had to get off and walk the last damn 50 feet. Then I collapsed in the grass, deliriously happy. This is the picture I took laying there, the only one Teresa or I thought to take that afternoon.

I called Teresa, who’d just arrived with our two sons. The boys came running to me on the grass when they saw me, and I unexpectedly choked up a little. It was very sweet. It reminded me of myself at age 8 running to my dad at an airport in upstate New York. An Air Force serviceman, he’d been stationed in Korea for a year, and I wore funny goggles to the airport to welcome him back.

After a few hugs, I laid on the grass awhile while Teresa took the boys around. All the people were at Sawyer Point for something called Kidsfest. What luck. They had some fun on the inflatable bouncies and playground, and I laid on my back and rested my legs. Then we walked to the car, put the bike in the back and drove an hour up the interstate to home.

88.49 miles, 6 hours & 18 minutes on the bike, a little more than 7 hours total. My house to Sawyer Point. Check.

Addendum: The next day I was shocked not to be sore. I was a little tired but otherwise normal. My bike was much worse for wear than I was. In addition to the broken spoke, I discovered I’d broken off the smallest cog of the gears on my rear wheel. I had eight cogs but arrived with seven, and those seven were wobbling back and forth in the extra space. The broken cog and chain trouble also stressed my rear derailer to the point that I’d bent it all out of whack. Instead of being parallel with the wheel, it stuck out at about a 30 percent angle. And the bike was filthy, as I was. I’ve since showered, and the bike’s in the shop. A good Samaritan mailed my license, health card, directions and $10 back to me the next day. His daughter had found it at Lunken Airport. Nice people in this world.

Filed Under: Cycling, The Featured Articles Tagged With: Bikes, cycling, Dayton

Dayton and Regionalism

June 9, 2010 By Dayton Most Metro 7 Comments

This week, The Brookings Institute published a study called “The State of Metropolitan America.” The premise of the study is that we can no longer define metropolitan areas in the same general terms used in the 80s and 90s because the demographic trends of the 2000s have reshaped the character of metropolises in America.   The report is grounded with the premise that population growth is an important “barometer of economic and societal well being.”

The study generally categorizes cities into the new terminology that reflects the demographics, such as “Mid-sized magnets” and “Skilled anchors” instead of “Sunbelt”  or “Rustbelt” cities.  One of the buckets is called “Industrialized Core” and represents the slow growing, less diverse, older and less educated cities that are “disadvantaged.”  The Dayton, Ohio region is lumped into this category with 17 other cities, including our standard Ohio and Michigan counterparts of Toledo, Youngstown, Cleveland, Grand Rapids and Detroit.  The study compares statistics from 1990-2000 and 2000-2009, focusing on population trends, including growth/decline, shifts between cities and suburbs, and diversity of population, as well as household growth/decline.  Dayton ranked in the lowest 10% for every statistic cited in the study, except of course the statistic about the greatest rate of decline in under age 45 population, in which we scored in the top 10.  The study specifically highlighted our significant loss of households in the “married with children” category – declining over 16% in the last 8 years.  This statistic is key data to defining our regional strategy since it skews the population age for the next generation.

Our regional strategy builds on our position in the defense industry and the region’s roots in aerospace technology and manufacturing.  We are focused on four strategic growth areas:  Aerospace R&D, Information Technology, Advanced Materials & Manufacturing, and Human Sciences/Healthcare.  The key points of our strategy focus on a highly educated workforce with our pillar community educational institutions (universities and hospitals) leading the way to differentiate our region.

This focus steers us toward the more palatable characterization of “skilled anchor” metropolis with other post-manufacturing Midwestern cities such as Akron, Pittsburgh, Cincinnati, Milwaukee, and St. Louis.  This type of city is characterized as slow growing, having a less diverse population, and higher than average education levels.  The anchors specified are service centric – such as hospitals and educational institutions.   The “skilled anchor” cities are distinct from “Industrialized Core” cities economically but share the challenges of primary growth in lower density suburban areas/decentralization and an aging workforce/growing senior population comparative to other age groups.

The conclusion of the study suggests that regional collaboration is critical within the new demographic realities.  It is not clear if the new characterizations of the metropolitan areas will remain true through the rapid transformations of the coming decades, but the study points out very clearly that the response to changing demographics must be shared across local dividing lines for the region to sustain its unique identity and growth rate.

Without regional collaboration, the “Industrial Core” cities will not transition, ultimately being usurped in the list of top 100 metropolitan areas by smaller cities with higher population growth due to immigration and emigration from the likes of Dayton.  The Dayton region must be a cohesive voice representing the metropolitan area to the state; and local leaders must forge new solutions to tackle the challenges of fiscal crises, outdated infrastructure and lacking capacity to extend needed community services.

Dayton’s leaders are making visible strides to position our region as a hub for aerospace technology and a service centric, highly educated, knowledge based economy.  While the vision is sound and is being realized incrementally, three primary questions remain un-answered on how we move toward regional growth rather than continue on the decline.

  1. What is the approach for the Dayton region to position ourselves more competitively based on the pending merger with the Cincinnati statistical MSA?
  2. How do we plan to more cohesively address economic development opportunities with a regional voice, enabling us to successfully execute our planned strategy?
  3. Are we ensuring that the human capital of the region fits with the strategic plan for growth?  There seems to be a gap in the required education, skill set and age demographics for a service and knowledge based economy with a declining population under the age of 45.

What will Dayton’s story be 10 years from now when population and growth charts for the coming decade are analyzed?  Are we going to trend toward population growth? Continue to be considered a beleaguered region mired in population loss?  Or will we allow ourselves to lose our identity entirely to become part of greater Cincinnati?  The answers to those questions will come when we begin to measure our success as a region/metropolis (household income, employment and population) instead of individual cities and towns.  The clock is ticking and the decade is already 5% gone.  We know what we want to be as a region, but we need to start taking action now to make it a reality.

Look for more in this series about Regionalism in Dayton coming soon…

For more DMM conversations on Regionalism, check out the discussion on the DMM Forum.

Filed Under: Local Government/Politics, The Featured Articles

“So A Dyslexic Walks Into A Bra…”

June 5, 2010 By J.T. Ryder 2 Comments

…and Other Tales From the Fringe of Dayton’s Comedy Scene.

The only sound cutting through the sea of silence is a slight feedback whine as the flop sweat pours from your forehead, reflecting chromatic prisms from the glaring, white-hot spotlight. You clench the microphone with sweat-slicked hands, as your mind becomes an echoing chamber of panic. You can’t even make out the faces in the crowd, the piercing light obliterates their features, changing the warmth of humanity into an amorphous blob of judgment. How could this have happened? Your mom told you that you were funny. The clerk at UDF always laughed at your jokes. Your shadow, nailed against the faux brick wall by the merciless spotlight, seems to shrink as your confidence bids you a fond adieu, leaving you for climes that are more hospitable. You either recover quickly, raining down a torrent of bon mots to cover your previous gaffe, or you walk the longest walk ever made under the glaring reproach of the unamused.
Stand up comedy is one of the least understood and surely one of the most minimally regarded of the performing arts, yet it is one of the most difficult crafts to hone, execute and endure. The constant pressure to produce and perform is unrelenting. Development of a single joke’s precision, synthesis and rhythm is always evolving. The eternal search for material, the sharpening of lines, the shaping of words and the final development of delivery is exhaustive. Ironically, just as perfection is almost within reach, the material is usually scrapped because it is no longer topical or has become tired and mawkish and now, all new material must be captured and crafted.
In an attempt to check out the local comedy scene with an eye for how they all got started, I interviewed several local comics. Some of them are fairly new to the landscape, appearing at open mic nights for very little or no compensation, while others are national road veterans, having amassed quite an impressive resume’. The first question that arises would have to be why anyone would want to pursue a career in comedy in the first place.
A seasoned comedian, Mark Fradl, started his career in 1992 and ran hard until 1999, before abruptly leaving the stage completely for various reasons, including being burnt out on the road and its day to day hustle. He returned to stand up several years ago because the desire for performing live was re-ignited within him. When I asked him recently why anyone would get into comedy, he said, “I think you’ll find most comics have the same story: people told them they were funny. They somehow got up the courage to go up that first time at an open mic night (still the hardest thing I’ve ever done) and they just kept doing it. The dream starts huge – Tonight Show, Letterman, sitcom – but quickly narrows down to more immediate goals – get a strong five minutes, get a strong fifteen minutes, get ANY work, get good work, and then the Holy Grail of goals: quit the day job. I think that’s what keeps people in it, there’s always another little rung to climb. Step-by-step you’re deeper into the life.”
Ryan Singer, who used to be a schoolteacher for Dayton Public Schools and is now on national tours stated candidly, “I just had to. It is that simple. As a kid I remember seeing standup comedians on television and thinking to myself, ‘that is the best job ever!'”
A recent college graduate as well as a fairly current addition to the local comedy scene, Mat Thornburg took a slightly different route to the stage. “I was really involved in theater in high school” he wrote me, “and I always ended up getting cast as the comic relief. People kept telling me that I should try standup comedy, but I had no idea how to get started. Then when I was in college they had a comedy contest to win tickets to see Dane Cook. So I guess you could say the reason I got on stage the first time was because I wanted to see Dane Cook, but really it was something that I was going to do sooner or later and the contest was just an easy way to make that first step.”
Jeff Bang, nicknamed, quite unimaginatively ‘Banger’, is a butcher by day and does stand up locally as well as working at Wiley’s comedy club as a…well…I’m not really sure what Banger does, keeping me company while I stand outside and smoke, I guess. Anyway, when I asked him why he kept doing stand up, he answered my question with a question.
“Why do I keep doing it? Do you know what it’s like to get a good high? A big rush?” To which I replied that not only had I never imbibed in any illicit drugs in the past, I would eschew all illegal substances in the future if in fact any illegal substances were presented to me. He did not believe me, informing me that I was full of bovine fecal matter and continued onto his point. “There is no bigger rush than standing on a stage and making people laugh. There is no bigger rush. You get up there and do it and you have however many people are there, a hundred, a thousand, however many, and they’re in the palm of your hand and they are just hanging on every word. There is no bigger rush than that.”
Mark Fradl echoed Banger’s reasoning with, “…the good shows are great enough to get you through the bad ones. There’s still the insane rush of coming up with an idea and doing it on stage that night and honing it show after show. And there’s still a thrill in seeing how you’re bringing some pure laughter into someone’s life.”
“You’ve got to have that burning desire like 24/7 that makes you want to go out… just want to go out. You’re scared and nervous, but you want to go out there.” remarks James Earl Tompkins from Springfield. Originally from the East Side of Chicago, he landed at Wilberforce and Central State in his mid-twenties. His inspiration actually came from a speech class where he learned how to debate and discuss topics. He saw that he could apply those concepts to comedy and began trying to hone the mechanics at open mic events. His first forays did not always go as planned. “I felt so small on a lot of those days. I just wanted to hide. Hide out for weeks.” He sought solace in books that showed him the pitfalls of failure and how to strike back and overcome over adversity.
Egyptian born Sherif Hedeyat, who lives in a three-bedroom sleeper cell in Centerville and is one of the members of the Axis of Evil Comedy Tour, started in much the same way. While attending Wright State University, he tried out an open mic night at the now defunct Joker’s Comedy Café.
“I remember I was in the lounge at Wright State,” Sherif recalls, “and I remember somebody saying, ‘Hey, you’re pretty funny. You should try doing comedy at Joker’s.’ I went in there one night and just ate it bad. Literally it was like a year between my first and second time on stage because I was sitting there going, ‘Man! That was a painful experience!’ Then the second time on stage…well, it’s kind of like a drug. You start once, then you go back a while later and then you start to want it and you get better and you want it more, and it progressed.”
With ego crushing moments, little or no pay and the constant reworking of material, why would some partially sane person keep subjecting themselves to this potentially abusive mistress? The rush and the possibility of fame and fortune are motivating forces, but definitely not one that ranks the highest in most of the comedians’ minds that I interviewed.
“I keep doing it because there’s nothing else that provides the same thrill or satisfaction.” says Mat Thornburg. “Standup is great because you know instantly how you’re doing. That can be bad when you’re not doing well, but when you are doing well it’s great to hear it in the audience’s laughter. I think another reason I keep doing it is that there’s always room for improvement. There’s always something I can get better at or something I can make funnier and every performance is an opportunity to learn something new about standup and what works for you as a performer.”
I wondered if the national headliners looked down upon the aspiring comedian with disdain. Having already slogged up the mountain, did they view the local comics as untalented plebes or would they remember the arduous journey that they themselves had made and offer some assistance. I asked Banger this question, because he has a unique perspective, hanging out at Wiley’s, doing whatever it is he does there.
“A good headliner will look at an open mic guy that’s ‘got it’, especially the ones who’ve ‘got it’, and encourage them and they’ll give them little tips here and there.” Jeff said, “The ones (headliners) who are stuck on themselves, and they’re not usually the best headliner in the world, those are the ones that look down on the open mic guys.”
Ryan Singer had a slightly differing view, stating, “I think headliners don’t spend much time thinking about the local comedians one way or the other. I think headliners have their own careers to worry about and especially in the business nowadays, it can be brutal because there are so many comedians out there trying to work the same rooms. It is a tough business and when you do find a headliner that wants to help you, it is truly a random act of kindness. There are those that enjoy seeing the local comedians and offer good advice about building a career. Most young comedians don’t want to hear the advice because is all about patience and hard work. It takes a long time to become an overnight success in comedy.”
The Dayton and surrounding area has nurtured many nationally known humorists and comedians. Jonathan Winters, Erma Bombeck, Dave Chappelle, Drew Hastings, Dave Zage, Kenny Smith, Jesse Joyce, Gary Owen, Rob Haney…the list goes on and on. Is the Dayton comedy scene still a vibrant and living player on the national stage?
“Actually, I see a lot of good, up and coming comedians.” said Sherif. “There was a time for several years when we (local comedians) weren’t working ‘together’. I mean, when I came up, Cincinnati had Josh Sneed, Greg Warren and those guys, they were all hanging out together, they were writing together, they were in the clubs hanging out, they were creating that scene. In Dayton, it was almost like everyone was just doing their own thing or they were going to Cincinnati or Columbus to hang out. It seems like ever since the Funnybone opened (in Beavercreek) we got a whole new clientele and audience and we’ve got a whole new crop of comedians.”
To stand at a microphone alone, captured by the spotlight in front of a group of strangers with the intent of making them laugh is a daunting task unto itself. A classically trained actor performing a one man show does not have to carefully gauge the spectators and change up lines in midstream or alter the dialogue to please his audience. If an audience came to see Hamlet, then Hamlet they shall see. Yet how do you please a group that just shows up with the expectation of being made to laugh? Everyone’s sensibilities and sense of humor are truly not the same. The ability to have a rural farmer sitting next to a office worker who is seated near a college student and having them all succumbing to the least understood of all human reactions, that of laughter…well, one is truly encountering art at its most refined.
You can check out some of the best that the area has to offer almost any given Sunday at Wiley’s Comedy Niteclub (check website for details). This coming month, from July 1st through the 4th, Wiley’s will be holding a comedy contest, which I would like to think of as a Comedic Thunderdome-esque Cage Match of Epic Proportions, but Rob Haney just tells me to shut up when I say things like that. Anyway, you can come down and watch the best of the best compete for comedic glory or, since there is enough time, stand in front of a mirror, your dog and your family for a month, spitting the best anecdotes and one liners you can think of, honing your skills for the Big Time! The winner will receive $1,000 in American currency and forever secure their place in the Dayton’s Hall of Humor…well, if we had one of those here in Dayton, I’m sure that you would be secured there. Check out the open mic nights, and especially come out and support the local talent for the Wiley’s Comedy Contest on Thursday, July 1st at 8:30 pm, Friday, July 2nd at 9:00 pm, Saturday July 3rd at 8:00 pm and 10:30 pm and Sunday, July 4th at 8:30 pm. Tickets are a mere $2. To enter the contest yourself, contact via e-mail Jack Wilson funnymayor@aol.com.

Filed Under: Comedy, The Featured Articles Tagged With: Banger, comedian, Comedy, comic, Jeff Bang, Mark Fradl, Mat Thornburg, open mic, Rob Haney, Ryan Singer, Sherif Hedeyat, Wiley's Comedy Niteclub

A Photographic Journey of Woodland Cemetary

June 3, 2010 By Dayton Most Metro 2 Comments

The 200-acre Woodland Cemetery and Arboretum in Dayton is one of the nation’s oldest “garden” cemeteries. Founded in 1840 by John Van Cleve (the Van Cleve family is one of Dayton’s “founding families”), this spacious, rolling area is the final resting place of many notable Daytonians including aviation pioneers Orville and Wilbur Wright, novelist and poet Paul L. Dunbar, columnist Erma Bombeck, inventor Charles Kettering, and John Patterson, the founder of National Cash Register.

Words don’t do this historic landmark justice.  So here are some pics:

Woodland Cemetary, located at 118 Woodland Avenue, Dayton, Ohio.

The Liberty Bell -- in Dayton?

Woodland has over 100,000 monuments.

James Ritty, inventor of the cash register, which he sold to John Patterson for $6,500.

Historic tours can be scheduled for visitors. Be prepared to walk uphill!

Living the good life...even in death.

I know Stroop Rd is in Kettering, but who was Stroop?

More striking memorials.

The Wright family plot.

Headstones of Orville, Wilbur and Katharine Wright.

The grave of Johnny Morehouse, a five-year-old boy who fell in the waters of the Miami & Erie Canal. Morehouse's dog jumped in the water, attempting to save him, but was too late.

Visitors to the Morehouse site leave toys and dolls.

Many of the trees at Woodland are more than 100 years old.

A beautiful angel.

A majestic monument watches over the resting souls.

The roads are suitable for walking or cycling

Grave site of Paul Laurence Dunbar. The tiny headstone is that of his sister Elizabeth, who died at age 2.

A 29,000 pound boulder marks the grave site of Erma Bombeck.

Filed Under: Community, The Featured Articles Tagged With: bombeck, dunbar, historic tours, woodland, woodland cemetary, wright

Southern Comfort Food

May 30, 2010 By J.T. Ryder 4 Comments

Huffie’s Serves Up The Best In Q

Mural by Dayton artist Ronnie Williams

Food. All you have to do is look at my expanding midsection and you will instantly know that, although I may not know the fanciest places to eat, I know the places that serve the down home cookin’ that you can only get from a family owned restaurant. Huffie’s Bar-B-Que, located at 925 McArthur Avenue, is one of those places. Now, I fully realize that describing any type of bar-b-que is tantamount to getting into a political argument with all sides taking up the cause of their own particular favorite, so I will avoid making any sweeping statement about it being the best bar-b-que in the city…even though it is.

Anyway, the secret is the method of preparing the ribs and the way that the bar-b-que sauce is created. Of course they did not tell me what went into the sauce, as they would have had to have killed me immediately afterward. Suffice it to say that the sauce is not too vinegary nor is it too overpowering. Some sauces strive too hard, covering up the taste of the meat with either a spicy heat or an overabundance of spices in general. Huffie’s is a perfect blend, allowing you to taste the preparation of the pork along with the rich tang of the sauce itself.

Huffie’s menu covers a broad range, taking in the Southern style favorites like fried okra, fried green tomatoes, greens and cornbread. Put that on as a side to your slab of ribs, pulled bar-b-que pork sandwich or whole fried catfish and you have yourself an incredibly satisfying meal. In recent years, they’ve added a lot of vegetarian items and heart friendly foods to the menu, such as salads, baked fish and vegetarian soups and beans. You can cap off that meal with a wide selection of pies and cheesecakes, especially their famous sweet potato pie with the crust still made with lard. Perhaps Dr. Oz might disapprove of the cholesterol count, but your palate will kick his Oprah lovin’ ass for saying such disparaging comments about something so wonderful.

I was able to sit down with the owner of Huffie’s, Howard “Huffie” Huffman, to talk about the history of the restaurant, the processes of running it and cooking for it as well as some of the memorable events that have happened there over the years.

J.T.: You guys have been here, what? Forty-three years?
Huffie: Forty-five years.

J.T.: I thought it was opened in ’65?
Huffie: Actually, it was ’63. My sisters started working here in ’65. I’ve worked here since I was thirteen and I was born in 1950, so about ’63 or ’64.

J.T.: Did it start out as a family business?
Huffie: Yeah, my father started it up. It all started out when we were in Joy Apartments on Millicent and they built a pit outside. Down South, everybody barbecues all the time and they share, so the neighbors would start coming over and we used to have as many as fifty or sixty people in the neighborhood coming over and eating our barbecue. That was at the Joy Apartments in the early sixties…sixty-one, sixty-two I’d say.

J.T.: Is most of your food still based on family recipes?
Huffie: Oh yeah, almost all of it.

J.T.: Have the recipes changed over the years?
Huffie: Not too much. It’s Memphis, Tennessee style barbecue. My father’s from Mississippi and my grandfather is also from Mississippi, so it’s basically Southern type food. It’s changed for like the extended menu, like cheese steaks and things like that, but the barbecue sauce is still the same, the ribs are still the same, the pork shoulder’s still the same. We smoke them outside. One time we got a commercial unit, but we found out that it just didn’t give you the same taste, the same authentic taste, so we went back to the hickory wood and charcoal. You know, we marinate the meat like two days ahead of time then we smoke them. We do things the old fashioned way.

J.T.: Do you buy your ingredients local?
Huffie: Oh yeah, we buy from meat companies and produce companies like, but things like the ribs and the pork shoulders, we buy from companies like GFS.

J.T.: Are there any plans for expansion, as in opening other restaurants?
Huffie: We had four or five restaurants before. I had my own restaurant one time and I’d do catering. I was over by the golf course for about two years and over by Kettering Field for like six years and that was enough. We found out it was best to just run your own single business than to try and have four or five others and trying to have someone else running them for you. You lose that family atmosphere and you kind of lose touch with things. You run into problems with people rushing the ribs or too much of a portion on a platter trying to get big tips. I mean, I’d do a franchise where someone could pay me a set amount of money and you could buy a franchise, because that gives you more control where you supply them with everything.

J.T.: Do you do a lot of catering?
Huffie: Like, I do hog roasts and Hawaiian luaus. I’ve catered for places like NCR, Mead and General Motors. I used to cater folks like the Temptations. I still have pictures. They used to know me by name. I fed the O’Jays and one time, a big named star was here at UD…I think he was about sixteen years old at the time…and he bought a couple of slabs of ribs and I took them to him and he gave me a hundred dollar tip! The best tip I’ve ever had to this day!

Huffie’s Bar-B-Que is located at 925 McArthur Avenue on the West side of Dayton, right off of Germantown St. You can call ahead to make a take out order or to make reservations for special occasions at (937) 263-2289. Their dining room is clean and spacious and, on many occasions, there are local jazz artists and other talented musicians playing while you dine. My only problem is after I eat my favorite meal there (pulled pork sandwich with a side of fries), I have to stave off the urge to curl up in the booth and take a nap. The “itis” is a force to be reckoned with.

Filed Under: Dayton Dining, The Featured Articles Tagged With: 925 McArthur Ave., Bar-B-Q, barbecue, catfish, Dayton, Howard "Huffie" Huffman, Huffie's Bar-B-Que & Catering, O'Jays, ribs, Ronnie Williams, smoked, Southern cooking, The Temptations

Playing Possum In The Forest Of Argonne

May 28, 2010 By J.T. Ryder 6 Comments

Possum Creek MetroPark’s Hidden History

This man is exerting far too much energy for this to be considered a "relaxing" activity.

As Spring hurtles uncontrollably into Summer, my mind reaches out to find the activities I can do outside. My own definition of “outdoor activities,” however, has little or nothing to do with being active at all. More to the point, I like to try and find places where it can appear that I’m doing some sort of activity, while remaining completely inactive. Fishing usually fits this bill. I will confess here that I have rarely ever caught a fish (which would go against my goal of being inert) and sometimes, to insure that some fish with either a death wish or a very slow mental acuity won’t inadvertently leap onto my baited hook, I usually fish with no bait. This serves a twofold purpose: one, a fish will generally avoid my barren hook in search of a more agreeable dinner, thereby allowing me to remain in a seated position and two, it makes it so that I don’t have to put my hands near any icky worms which, on especially humid days, feel much like a semi-solidified string of undulating snot. I guess that while I’m confessing things here, I might as well add that, even if I had the misfortune of catching a fish, I would throw it back as I can’t stand to eat fish and I can assure you that a mounted fish on my wall would definitely clash with my rather eclectic form of interior design. Moving on…

The reason that I bring this up is that it reminds me of one of the places that I love not to fish: Possum Creek MetroPark. The first time I was there was sometime in the late eighties/early nineties… you will forgive me as time has been somewhat of an elusive creature my entire life, so remembering dates isn’t one of my strong points. I do remember that a group of us were supposed to be driving to Indianapolis for Pink Floyd’s Division Bell Tour, if that gives anyone a frame of reference. One of the group thought that the park would be a bitchin’ place to party before the concert. It wasn’t. Some of the group got lost and we damn near missed the concert. Fast forward to around ten years ago. I was scouting all the parks surrounding Dayton, exploring all of the wonderful points and playgrounds with my two youngest sons. We meandered over to Possum Creek one day and found that it not only had several fishable lakes, it also boasted some really interesting hiking trails, a community garden and a farm area with many types of animals on display.

On one of my excursions, I was trying not to fish on the shore of one of the lakes, but my wife insisted that I bait my hook so that I could catch her a catfish to fry up that evening. Not wanting to exert that much energy trying to reel in a catfish, let alone the potential injuries I may sustain from the stinging barbels, I convinced her that all the good catfish were in the middle of the lake. I got out my trusty inflatable raft and, utilizing the convenient foot pump, filled it with air and pushed off from the shore. Now I could actually lie down in public without seeming as if I were a lazy ne’er-do-well. This was pure genius. Well, while I was floating about on the water, I noticed some splashing and activity nearby. I didn’t even dare to have a hook on for fear that a catfish might be attracted to the shiny metal and hook it’s stupid self, so I just kept casting sinker in the general vicinity of the splashing, which seemed to create more splashing. From the shore, I’m sure that it must have looked impressive. Well, the splashing began to come closer to where I was floating and, after a few more casts, seemed to make a beeline directly for me. Now, I’ve seen Jaws I and II, so a tremor of fear trickled down my back until I remembered that the Great Whites were destined for deeper waters than those found at Possum Creek. I was rather shocked, however, when the splashing got really, really close and I found it to be caused by a very pissed off beaver that I had apparently conked in the head several times with my sinker. Apparently there are a literal ton of these flat tailed rodents gnawing about Possum Creek and, thankfully, I was able to extricate myself from the situation unscathed.

The walking trails are incredibly intriguing as well. You can explore areas that range from lakeside trails to wildflower fields to farmland and then into a beech tree forest, full of loamy trails and deep ravines. This is where I found some things that struck me as odd and made me explore the history of the park further. I came across a massive trestle, a large square expanse of concrete and several rusted out trolley car frames sitting inexplicably in the middle of the woods. The name of the woods also intrigued me: Argonne Forest. While it may sound like something out of Lord of the Rings, history’s most famous forest of the same name was a deadly battle site during World War I. Why would someone name a forest in Dayton after the site of such an epic battle?

In the late eighteen-hundreds, a boy was born named Null M. Hodapp. His boyhood friend was a boy named Ralph Clemons with whom he shared many adventures. They grew into adulthood together and enlisted in the Army to fight the Germans in World War I. In a sadly ironic twist of fate, Ralph was killed mere hours before the Armistice Treaty was signed. Ralph’s death was devastating to Hodapp as he returned to Dayton to resume his life. He eventually married LoRean D. Hodapp and became a widely regarded judge in the Dayton area. In the 1930s, Hodapp purchased 400 acres around Germantown Pike and dubbed the land Argonne Forest Park, in memory of his friend and the place in which he had died. The first building that was constructed was a clubhouse for veterans. Eventually, the park consisted of a dance pavilion, a horse track, a car racetrack, a shooting range and a swimming hole with a diving platform. “Swimming hole” is more than a slight misnomer as the “hole” was actually constructed by building a huge wall to block the Possum Creek, which created a massive swimming area replete with diving platforms, the remnants of which can still be seen today. Hodapp also bought several streetcars from the Oakwood-Dayton lines to be used as impromptu cabins and for the children to play in. Hodapp would also perform the Battle of Argonne Forest every Fourth of July, in memory of 322nd Field Artillery Unit who had fought there during World War I.

As the world moved into the next War, rationing and depletion of money contributed to the eventual demise of the park. Some sections were sold off, but the bulk of the park remained and was made into what is now known as Possum Creek MetroPark. Walking amongst the paths and seeing the relics of a bygone era, one can almost squint and see the shrieking children cannonballing off the diving platform or hear the music and the shuffling feet scrape over the dance hall floor. The grandeur is gone, but the memory remains indelibly etched into the sodden trails and the swaying branches of the forest.

Filed Under: Hiking/Backpacking, The Featured Articles Tagged With: Argonne Forest, farm, fishing, five rivers metroparks, Hiking, MetroParks, nature, Null M. Hodapp, Possum Creek, World War I

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June 19 @ 2:30 pm - 6:30 pm

Springboro Juneteenth Jubilee Blood Drive

COMMUNITY BLOOD DRIVE IN PARTNERSHIP WITH VERSITI AT SOUTHWEST CHURCH!No matter the color of our skin, we all have the...

4:00 pm - 6:00 pm

A Midsummer’s Reading Bash

June 19 @ 4:00 pm - 6:00 pm

A Midsummer’s Reading Bash

Have you been working hard to “Color Our World” for the Teen Summer Reading Program recently? If so, come relax...

Free
4:00 pm - 7:00 pm Recurring

Lebanon Farmers Market

June 19 @ 4:00 pm - 7:00 pm Recurring

Lebanon Farmers Market

The Lebanon Farmers Market is open 4 pm to 7 pm every Thursday mid-May through mid-October.  We are located in...

+ 11 More
8:00 am - 9:00 am

African American Community Fund Annual Breakfast Meeting

June 20 @ 8:00 am - 9:00 am

African American Community Fund Annual Breakfast Meeting

The Dayton Foundation’s African American Community Fund cordially invites you to its Annual Fundraising Breakfast Meeting on Friday, June 20,...

Free
9:00 am - 3:30 pm Recurring

Xenia Community Garage Sale

June 20 @ 9:00 am - 3:30 pm Recurring

Xenia Community Garage Sale

Browse through gently used and new items from the residents at Reserves of Xenia. Like any garage sale, you're bound...

12:00 pm - 3:00 pm

Claybourne GRILLE

June 20 @ 12:00 pm - 3:00 pm

Claybourne GRILLE

3:00 pm - 7:00 pm

The Lumpia Queen

June 20 @ 3:00 pm - 7:00 pm

The Lumpia Queen

4:00 pm - 10:00 pm Recurring

Cruise In at the Roadhouse

June 20 @ 4:00 pm - 10:00 pm Recurring

Cruise In at the Roadhouse

Cruise In at the Roadhouse is taking place at Rip Rap Roadhouse, which is located at 6024 Rip Rap Rd. in Huber Heights....

5:00 pm - 9:00 pm

Freakin Ricans Food Truck

June 20 @ 5:00 pm - 9:00 pm

Freakin Ricans Food Truck

5:00 pm - 9:00 pm

Middletown PRIDE

June 20 @ 5:00 pm - 9:00 pm

Middletown PRIDE

Come be a part of our 7th annual Middletown PRIDE celebration! Everyone and everyBODY is welcome. (Glitter is optional, but...

Free
5:00 pm - 9:00 pm

Summer Kick-Off Patio Party

June 20 @ 5:00 pm - 9:00 pm

Summer Kick-Off Patio Party

Celebrate the First Day of Summer with Us! ☀️🍻 On Par Entertainment is teaming up with Warped Wing Brewing for...

Free
+ 15 More
8:00 am - 12:00 pm Recurring

Yellow Springs Farmers Market

June 21 @ 8:00 am - 12:00 pm Recurring

Yellow Springs Farmers Market

For over 20 years this market has been made up of a hardworking group of men, women and children, dedicated...

8:00 am - 12:00 pm

Squeaky Wheels Cups & Cones

June 21 @ 8:00 am - 12:00 pm

Squeaky Wheels Cups & Cones

8:30 am - 12:00 pm Recurring

Downtown Franklin Farmers Market

June 21 @ 8:30 am - 12:00 pm Recurring

Downtown Franklin Farmers Market

Join us every Saturday through Sept 13, 8.30 a.m. - 12 p.m. for local products including fresh produce, honey/jams, and...

9:00 am - 12:00 pm Recurring

Oakwood Farmers Market

June 21 @ 9:00 am - 12:00 pm Recurring

Oakwood Farmers Market

The 2025 Oakwood Farmers’ Market will be held Saturdays, June 7th thru October 11th, from 9 am until 12pm. The...

9:00 am - 1:00 pm Recurring

Greene County Farmers Market

June 21 @ 9:00 am - 1:00 pm Recurring

Greene County Farmers Market

The outdoor Farmers Market on Indian Ripple Rd. in Beavercreek runs Saturdays, 9-1 even during the winter months. Check out...

9:00 am - 2:00 pm Recurring

Shiloh Farmers Market

June 21 @ 9:00 am - 2:00 pm Recurring

Shiloh Farmers Market

The farmers’ market is located on the corner of Main St. & Philadelphia Dr, in the parking lot of Shiloh...

9:00 am - 3:30 pm Recurring

Xenia Community Garage Sale

June 21 @ 9:00 am - 3:30 pm Recurring

Xenia Community Garage Sale

Browse through gently used and new items from the residents at Reserves of Xenia. Like any garage sale, you're bound...

9:00 am - 6:00 pm

Dayton Air Show

June 21 @ 9:00 am - 6:00 pm

Dayton Air Show

U.S. Air Force Thunderbirds The Thunderbirds will headline the 2025 Dayton Air Show. READ MORE U.S. Army Golden Knights Formed...

$35
+ 30 More
9:00 am - 12:00 pm

Downtown Troy Farmers’ Market

June 22 @ 9:00 am - 12:00 pm

Downtown Troy Farmers’ Market

Downtown Troy Farmers' Market will run Saturday mornings 9:00 am to 12:00 pm from June 22nd, 2013 through September 21st,...

9:00 am - 6:00 pm Recurring

Dayton Air Show

June 22 @ 9:00 am - 6:00 pm Recurring

Dayton Air Show

U.S. Air Force Thunderbirds The Thunderbirds will headline the 2025 Dayton Air Show. READ MORE U.S. Army Golden Knights Formed...

$35
10:00 am - 2:00 pm

The Historic Oregon District Summer Garden Tour!

June 22 @ 10:00 am - 2:00 pm

The Historic Oregon District Summer Garden Tour!

⚘️ Enjoy a self-guided tour through vibrant private gardens and explore the natural beauty that makes the neighborhood so unique....

$25
10:00 am - 5:00 pm Recurring

Greene County Strawberry Fest:

June 22 @ 10:00 am - 5:00 pm Recurring

Greene County Strawberry Fest:

Greene County Strawberry Fest: June 21 & 22, 2025 at the Greene County Fairgrounds. Saturday & Sunday 10am-5pm. Family Fun...

$6
11:00 am - 12:30 pm Recurring

Gelato Making Adventure

June 22 @ 11:00 am - 12:30 pm Recurring

Gelato Making Adventure

$20
11:00 am - 1:00 pm

Kid’s Pasta Class

June 22 @ 11:00 am - 1:00 pm

Kid’s Pasta Class

Kid's Pasta Class (For Ages 3-7) Bring your littles in for a fun hands-on pasta making where we'll hand-mix dough...

11:00 am - 2:00 pm

Lazy Baker Pizza Maker

June 22 @ 11:00 am - 2:00 pm

Lazy Baker Pizza Maker

11:00 am - 3:00 pm

All-Corvette Car Show

June 22 @ 11:00 am - 3:00 pm

All-Corvette Car Show

Enjoy food, fun and CORVETTE’S with GREATER DAYTON CORVETTE CLUB!! Join us in Fairborn for one Southwest Ohio’s best All...

Free
+ 14 More
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