Arts & Entertainment

DAI To Host Renaissance Ball

November 6, 2013 By Dayton Most Metro Leave a Comment

Get ready to party like it’s 1499, as The Dayton Art Institute’s popular Prime Time Party Rental Series closes out 2013 with a Renaissance Ball on Friday, November 15, 7-11 p.m.

Held in conjunction with the special exhibitions Object of Devotion: Medieval English Alabaster Sculpture from the Victoria and Albert Museum and Elizabeth Turk: Wings, it promises to be a festive night of food, fun, and characters right out of the 16th century. As always, costumes are encouraged (but not required), so break out your fanciest garb!

The DAI has partnered with the Ohio Renaissance Festival for the Ball, and more than a dozen performers from the festival, including the Queen and her court, wandering minstrels, and musicians, will take part in the festivities from 7-9 p.m. From 9-11 p.m., Liftoff Entertainment will provide great music for dancing and a photo booth to capture all the evening’s merriment!

Elite Catering has another fantastic special menu planned, featuring mini meatloaf cupcakes, turkey puff pastries, mini Tuscan chicken pot pies, smoked white cheddar risotto, grilled vegetables, mini apple cobblers, pecan tarts, pumpkin mousse and more. Great drinks are also part of the mix and The DAI’s resident mixologists will serve up themed cocktails, as well as special offerings of craft beer and mead and samples of the new Budweiser Project 12 beers,

The Renaissance Ball will include a raffle, featuring many great prizes, including a Budweiser fire pit donated by Heidelberg Distributing. The highlight of the raffle will be two jewelry items from the John Hardy Naga collection, donated by James Free Jewelers, a gold and silver bracelet values at $595, and a gold and silver round drop pendant on chain necklace, valued at $995. Tickets for the raffle will be sold during the Renaissance Ball.

All of The DAI’s Prime Time Parties feature a connection to art on display at the museum. As part of the Renaissance Ball, the special exhibitions Object of Devotion and Elizabeth Turk: Wings will be open to party guests during the party.

The Prime Time Party Rental Series Renaissance Ball takes place on Friday, November 15, 7 – 11 p.m. at The Dayton Art Institute. Advance tickets are $35 for museum members, $40 for non-members. Tickets purchased at the door are $40 members, $45 non-members. Prime Time Party Rental Series tickets include all food and entertainment for the evening. A cash bar is available with alcoholic and non-alcoholic drinks. Advance tickets may be purchased online at www.daytonartinstitute.org/primetime, by calling 937-223-4ART (4278) or in person at the museum’s Guest Services Desk during regular hours.

12 YEARS A SLAVE & HOW I LIVE NOW at THE NEON!

November 6, 2013 By Jonathan McNeal Leave a Comment

Hello Everyone,

By now, I’m sure you’ve heard of 12 YEARS A SLAVE. This was one of the 32 films I saw in Toronto this Fall, and I immediately knew that a classic had been born. I wasn’t alone. The film went on to win “The People’s Choice Award” – the biggest prize at The Toronto International Film Festival. In addition, the film has received 100% reviews from THE NEW YORK TIMES, THE LOS ANGELES TIMES, THE WALL STREET JOURNAL, NPR, ENTERTAINMENT WEEKLY, ROLLING STONE, and many more. 12 YEARS A SLAVE will certainly be nominated for “Best Picture” at the Academy Awards (and will likely win), so we hope you’ll hurry to see it with us!

In addition, we will open a new film that I have not yet seen. HOW I LIVE NOW stars Saoirse Ronan (from ATONEMENT) and was directed by Kevin Macdonald (director of LAST KING OF SCOTLAND and MARLEY). I like everyone involved, so I’m anxious to see it.

If you still need to see HANNAH ARENDT or ENOUGH SAID, Thursday will be your last chance to catch them at THE NEON. IN A WORLD, the comedy that audiences are loving, will stick around for one screening a day over the weekend.

Synopsis for 12 YEARS A SLAVE: “12 YEARS A SLAVE is based on an incredible true story of one man’s fight for survival and freedom. In the pre-Civil War United States, Solomon Northup (Chiwetel Ejiofor), a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty (personified by a malevolent slave owner, portrayed by Michael Fassbender), as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist (Brad Pitt) will forever alter his life.” (Fox Searchlight) Click this LINK to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=z02Ie8wKKRg’]

Synopsis for HOW I LIVE NOW: “Set in the near-future UK, Ronan plays Daisy, an American teenager sent to stay with relatives in the English countryside. Initially withdrawn and alienated, she begins to warm up to her charming surroundings, and strikes up a romance with the handsome Edmund (George MacKay). But on the fringes of their idyllic summer days are tense news reports of an escalating conflict in Europe. As the UK falls into a violent, chaotic military state, Daisy finds herself hiding and fighting to survive.” (Magnolia Pictures)

[yframe url=’http://www.youtube.com/watch?v=lyAYcG-kvmI’]

“Come support GLSEN at the Dayton Premiere of SCARY NORMAL on Thursday November 21st at 7:30. Tickets are available on a sliding scale – pay what you can – $15-$50. Director Jennifer Bechtel presents this coming-of-age romantic comedy about Chelsea, a teenager who just wants to be seen as normal. However, her stepdad’s life as an independent filmmaker leaves her surrounded by wild, colorful characters and often embarrassed and frustrated by her family. Along comes Danielle, a sometimes brash, almost always self-confident young lesbian who has been kicked out of her own family because of her sexuality. Through their friendship, Chelsea starts to realize the true value of friends and family who love unconditionally. About GLSEN: For 25 years GLSEN, the Gay, Lesbian & Straight Education Network has been the leading national education organization focused on ensuring safe schools for all students.” (taken from GLSEN Dayton press notes) Tickets are now available at THE NEON.

Mark your calendars now…this year’s Family Holiday Film Series is wonderful! Tickets are FREE for children 12 and under, and all other tickets are $2 each. We will screen RISE OF THE GUARDIANS on December 7, on December 14 we will screen HOME ALONE, and on December 21 – the holiday classic – WHITE CHRISTMAS. Each film will only screen one time – at Noon. Tickets will only be available starting 45 minutes before each show.

Thanks for your continued support!
We hope to see you soon,

Jonathan

SHOWTIMES for Fri, Nov. 8 – Thurs, Nov. 14:

12 YEARS A SLAVE (R) 2 hrs 14 min
Friday, Saturday, Sunday: 1:00, 4:00, 6:30, 7:00, 9:45
Monday – Wednesday: 2:30, 5:15, 7:30, 8:00
Thursday: 2:30, 5:15, 8:00

HOW I LIVE NOW (R) 1 hr 41 min
Friday, Saturday, Sunday: 2:00, 9:30
Monday – Thursday: 3:00, 5:20

IN A WORLD (R) 1 hr 33 min
Friday, Saturday, Sunday: 4:15

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.

Nov. 22 – DALLAS BUYERS CLUB
Nov. 22- KILL YOUR DARLINGS
Nov. 27 – PHILOMENA
Dec. 20 – NEBRASKA
Jan. 3 – THE ARMSTRONG LIE

HANNAH ARENDT & IN A WORLD Start Friday at THE NEON!

October 31, 2013 By Jonathan McNeal Leave a Comment

Hello Everyone,

If you haven’t seen the wonderful film WADJDA, you only have until Thursday to catch it at THE NEON. In addition, INEQUALITY FOR ALL is also heading out. On Friday, we will begin 2 new films – the thoughtful and charged biopic HANNAH ARENDT and the hilarious comedy (which was the sold-out, opening night film at this year’s FilmDayton Festivao) IN A WORLD.

Synopsis for HANNAH ARENDT: “The sublime Barbara Sukowa reteams with director Margarethe von Trotta for her brilliant new biopic of influential German-Jewish philosopher and political theorist Hannah Arendt. Arendt’s reporting on the 1961 trial of ex-Nazi Adolf Eichmann in The New Yorker-controversial both for her portrayal of Eichmann and the Jewish councils-introduced her now-famous concept of the “Banality of Evil.” Using footage from the actual Eichmann trial and weaving a narrative that spans three countries, von Trotta beautifully turns the often invisible passion of thought into immersive, dramatic cinema. An Official Selection at the Toronto International and New York Jewish Film Festivals, Hannah Arendt also co-stars Klaus Pohl as philosopher Martin Heidegger, Nicolas Woodeson as New Yorker editor William Shawn, and two-time Oscar Nominee Janet McTeer (Albert Nobbs) as novelist Mary McCarthy.” (Zeitgeist Films) Click HERE to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=WTQNWgZVctM’]

Synopsis for IN A WORLD: “Lake Bell (Children’s Hospital) stars in IN A WORLD…a hilarious romantic comedy about a struggling vocal coach who strikes it big in the cutthroat world of movie-trailer voiceovers, only to find herself in direct competition with the industry’s reigning king-her father. Written and directed by Bell, who won the Sundance 2013 Waldo Salt Screenwriting Award for the script, IN A WORLD also stars Fred Melamed (A SERIOUS MAN), Rob Corddry (HOT TUB TIME MACHINE), Nick Offerman (Parks and Recreation), and Tig Notaro (The Sarah Silverman Program).” (Roadside Attractions) Click HERE to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=uPXJgRwh78k’]

A local faith-based non-profit is hosting a screening of the new documentary THE TRIUMPH on Wednesday, November 13 at 7:30. “THE TRIUMPH is a powerful new documentary film about our Blessed Mother’s apparitions in Medjugorje. On June 25, 1981, in the mountain village of Medjugorje in Bosnia Herzegovina, Our Lady appeared to six children. She identified herself as the Blessed Virgin Mary, Queen of Peace, and continues to appear to several of the visionaries even today. The filmmakers are hoping the audience can view the movie with an open mind, as they interview skeptics, priests, believers, and non-Christians who claim they have seen an apparition of Mary. ‘This is without a doubt one of the greatest historical and spiritual phenomenons that has ever happened in the history of mankind and the great thing about it is that it is happening right now, during our time…’ said TRIUMPH producer Zaid Jazrawi.” (taken from Lovey Dovey, Inc. press notes) $10 presale tickets are only available via this LINK from Love Dovey, Inc. Remaining tickets will be sold at THE NEON on the night of the screening.

On Friday of next week, we will open 2 new films. The first is one of the most anticipated films of the year – 12 YEARS A SLAVE. This film will certainly be nominated (and likely win) “Best Picture” at the Academy Awards…it is absolutely incredible! In addition, we will open HOW I LIVE NOW (from the director of THE LAST KING OF SCOTLAND) – a film about an American girl on holiday in the UK who finds herself fighting to survive as the British Empire becomes a military state. Several other great films are just down the road – like the fantastic film PHILOMENA. We hope to see you often over the next several weeks.

[yframe url=’http://www.youtube.com/watch?v=yd71LWhCO4s’]

Thanks for your continued support!

We hope to see you soon,
Jonathan

SHOWTIMES for Fri, Nov. 1 – Thurs, Nov. 7:

ENOUGH SAID (PG-13) 1 hr 33 min
Friday, Saturday, Sunday: 1:00, 5:20, 9:50
Monday – Thursday: 3:10, 5:20

HANNAH ARENDT (NR) 1 hr 53 min
Friday, Saturday, Sunday: 12:30, 3:00, 7:20
Monday – Thursday: 3:00, 7:30

IN A WORLD (R) 1 hr 33 min
Friday, Saturday, Sunday: 3:10, 5:15, 7:30, 9:40
Monday – Thursday: 5:20, 7:45

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Nov. 8 – 12 YEARS A SLAVE
Nov. 8 – HOW I LIVE NOW
Nov. 22 – DALLAS BUYERS CLUB
Nov. 22- KILL YOUR DARLINGS
Nov. 27 – PHILOMENA
TBD – ALL IS LOST
Dec. 20 – NEBRASKA
Jan. 3 – THE ARMSTRONG LIE

Jonathan McNeal Guest Speaker at Film Connections

October 27, 2013 By Dayton Most Metro Leave a Comment

Jonathan McNeal, film lover, filmmaker, director of the Dayton LGBT Film Festival, and manager of THE NEON, is our featured presenter and provides great stories and information. Want to hear his insights on filmmakers premiering at local theatres? Or catch some great trailers from his favorites from the Toronto International Film Festival (TIFF)? Maybe pick his brain on how independent film houses pick movies to screen? Enjoy a great conversation, show-and-tell, and more

Film Connections is the monthly social gathering for filmmakers and film lovers. Typically hosted on the last Tuesday of the month, Film Connections offers tips and hints to strengthen skills, critical perspectives on film genres, screenings of films connected to local filmmakers or networking among aspiring and professional filmmakers. The topics change monthly. Take a look at our Facebook page to learn more about upcoming programs. (https://www.facebook.com/FilmDayton)

Come on down, and bring your ideas with you! $5 at door/ Free for FilmDayton members.

NOTE: Typically, Film Connections is hosted at ThinkTV – 110 S. Jefferson Street, Dayton Occasionally, the location may need to change – follow us on Facebook for monthly topics and locations.

Downtown Dayton Will Come Alive (While Celebrating the Day of the Dead) During the Nov. 1 First Friday

October 24, 2013 By Dayton937 1 Comment

The Dia de los Muertos parade was such a hit last year, organizers are again hosting the event during this year’s Nov. 1 First Friday.

By the time Dayton’s next free First Friday event hits the streets of downtown, Halloween will be over — but lots of people will still be costuming up. That’s because the Nov. 1 First Friday, which will take place from 5 to 10 p.m., includes the second annual Dia de los Muertos Parade. The event is based on the Mexican holiday Day of the Dead, during which friends and family gather to celebrate loved ones who have passed.

The parade will begin at 6 p.m. on the corner of Jefferson and Fifth streets. The parade includes life-size puppets, dancers, music and more. The public is invited to dress up and join the parade, which will proceed east on Fifth Street. In addition, the monthly Courteous Mass Ride will meet at 5:30 p.m. at Don Crawford Plaza (220 N. Patterson Blvd.) and will join the parade. Synergy Kitchen Incubators will host a pre-parade food truck rally at 200 S. Jefferson St. before the parade, which will end at the Missing Peace Art Space (234 S. Dutoit St.) with a reception and artwork created by local students.

The Dayton Visual Arts Center will celebrate the opening of this year’s ARTtoBUY Holiday Gift Gallery during the Nov. 1 First Friday.

But that is not all: As always, First Friday will include art exhibits, special events, live music and more throughout downtown. The Nov. 1 First Friday also will be an excellent time to start holiday shopping: For example, the Dayton Visual Arts Center (118 N. Jefferson St.) will celebrate the opening of its annual ARTtoBUY Holiday Gift Gallery, a great place to find a unique gift for anyone on your list. DVAC is open until 8 p.m. Call 224-3822.

A complete list of activities taking place during the Nov. 1 First Friday is available online. Many restaurants, taverns and retailers offer special discounts, host live music and offer other special activities during the event. Other highlights include:

Sew Dayton (261 Wayne Ave.), in collaboration with Telephone Weekly, will host a live T-shirt screen printing of exclusive “Sew Dayton” shirts. Each shirt is $20 and includes a free T-shirt re-design sewing class. The free sewing class is only offered to the first 40 T-shirt purchasers. Call 234-7398.

Clash Consignment (521 E. Fifth St.) will feature artwork by John Knabe with live music from Matt Freeman and Mike Guidone. Visitors can browse pre-owned and vintage clothes in a lively atmosphere. Call 241-9434.

Grass Roots Enrichment and Wellness Center (400 E. Fifth St., Suite C) will host a “khafla” — a small gathering centered on food and belly dance. Works by artist-of-the-month Ron Rollins will be on view to enjoy. Activities for families will be available, along with a free introduction to massage therapy and Reiki and light refreshments. Open until 8 p.m. Call 723-6747.

Artist Mike Elsass will be painting live at Color of Energy (16 Brown St.) New artwork by Elsass, including large-scale pieces, will be on display. Call 266-3491.

To celebrate its 75th anniversary, the Dayton Society of Painters and Sculptors (48 High St.) will feature the work of some of its most dedicated members. Light refreshments will be served as guests browse artwork on view. Open until 8 p.m. Call 228-4532.

Live music and artwork by Doug McLarty will be featured at CADC (45 S. St. Clair St.). Call 313-9883.

New artwork and gifts will be on view and for sale at Gallery 510 Fine Art (508 E. Fifth St.). Call 672-6717.

First Friday is presented by the Downtown Dayton Partnership with support from the Oregon District Business Association and Rev. Cool’s “Around the Fringe” show that airs on Fridays from 8 p.m. to midnight on WYSO-FM 91.3. The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more. Download the Find It Downtown mobile search tool for smartphones at http://mobile.downtowndayton.org.

WADJDA Opens Friday at THE NEON + Special Event News!

October 23, 2013 By Jonathan McNeal Leave a Comment

Hello Everyone,

I know many of you are excited to see Robert Redford’s new film ALL IS LOST. Unfortunately, the distributor decided to make some drastic, last-minute changes. Instead of opening on 350 screens across the USA this weekend, they’re only opening on 75…and we didn’t make the cut. We hope they’ll make the film available to us in the near future, but we’ll have to wait and see how their new proposed date works with our other bookings.

Regardless, we are moving forward this Friday with a special film that is currently at a 99% approval rating on Rottentomatoes.com – WADJDA.

Synopsis for WADJDA: “WADJDA is a movie of firsts. This first feature film shot entirely in Saudi Arabia is the story of a young girl living in a suburb of Riyadh determined to raise enough money to buy a bike in a society that sees bicycles as dangerous to a girl’s virtue. Even more impressive, WADJDA is the first feature film made by a female Saudi filmmaker. In a country where cinemas are banned and women cannot drive or vote, writer- director Haifaa Al Mansour has broken many barriers with her new film.” (taken from Sony Classics) Keith Uhlich of TIME OUT NEW YORK wrote, “…it is a rare movie shot entirely in Saudi Arabia, which has no cinema industry to speak of…Forbidden from mixing with the men in her crew, Al-Mansour often directed via walkie-talkie from the back of a van.” Peter Keough of BOSTON GLOBE wrote, “The world of cinema is richer for the voice of Al Mansour; she speaks for the women of her country, and for people everywhere.” Click this LINK to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=3koigluYOH0′]

Next week, we’ll announce our Family Holiday Series…where movies are FREE for children 12 and under and only $2 for adults. Stay tuned!

Thanks for your continued support!

We hope to see you soon,

Jonathan

SHOWTIMES for Fri, Oct. 25 – Thurs, Oct. 31:

ENOUGH SAID (PG-13) 1 hr 33 min
Friday, Saturday, Sunday: 1:00, 3:10, 5:15, 7:30, 9:40
Monday – Thursday: 3:15, 5:30, 7:45

INEQUALITY FOR ALL (PG) 1 hr 29 min
Friday – Thursday: 5:15

WADJDA (PG) 1 hr 38 min
Friday, Saturday, Sunday: 12:45, 3:00, 7:20, 9:40
Monday – Thursday: 3:00, 7:20

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
TBD – ALL IS LOST
Nov. 8 – 12 YEARS A SLAVE
Nov. 22 – DALLAS BUYERS CLUB
Nov. 22- KILL YOUR DARLINGS
Nov. 27 – PHILOMENA

Coming up in Dayton theatre, 10/23 – 11/3

October 23, 2013 By Sarah Caplan Leave a Comment

Welcome back! You know, whenever I type that phrase, I think of the theme song to the 1970’s sitcom “Welcome Back, Kotter!” Only, in this case, your dreams aren’t your ticket. Your tickets are your dreams. And in each one of the pieces I’m synopsizing for you, there are dreams a’plenty. For safety, for glory, for happiness…and maybe just for a really good-looking man.

Was that too much? I may be waxing poetic. Probably best, then, just to dive right in!

Limited Engagement!

War Horse

The Schuster Center

The Skinny: A heart-warming tale of loyalty and friendship, War Horse is based on the 1982 novel of the same name. The plot heart-warming tale of loyalty and friendship, War Horse tells the story of young Albert and his beloved horse, Joey, set amid the horrors of the first World War. And features puppetry you must see to believe.

Dates:

Tickets: Tickets are available at the Victoria Theatre Association website, www.victoriatheatre.com

Opening This Weekend!

Deathtrap

Dayton Playhouse

The Skinny: A writer of thrillers, who has seen his unsuccessful plays greatly outnumber his smashes, receives a nearly perfect thriller in the mail from a fan. After inviting the fan to his home, the question becomes…what would you do for a taste of glory? This is a dark comedy that will make you laugh, and gasp, and keep you guessing.

Dates: Deathtrap opens 10/25 and will run through 11/03.

Tickets: Please visit the Dayton Playhouse website at www.daytonplayhouse.com

Dog Sees God – Confessions of a Teenaged Blockhead

Beavercreek Community Theatre

The Skinny: An “unauthorized parody,” the play imagines characters from the popular comic strip Peanuts as teenagers. Drug use, suicide, eating disorders, teen violence, rebellion, sexual relations and identity are among the issues covered in this drama. Not for the younger set, as this is produced by BCT’s more-adult “Edge Of The Creek” season.

Dates:

Tickets: Please see the Beavercreek Community Theatre website at www.bctheatre.org

Oklahoma!

Wright State University

The Skinny: This beloved Rogers & Hammerstein classic tells the story of the denizens of the Oklahoma territory, just as it is poised on the cusp of statehood. You know it, you love it. It’s a guaranteed good time in the theatre.

Dates: Oklahoma opens Thursday, 10/24 and will run through 11/10.

Tickets: Please visit the Wright State box office page, here.

Currently In Production!

The Rocky Horror (Puppet!) Show

Zoot Theatre Company

The Skinny: The sweet transvestite and his motley crew will take the stage in an entirely new way and for the first time ever at the NCR Renaissance Auditorium. A much different take on this classic, yet campy musical this deliberately kitschy rock ‘n’ roll sci-fi Gothic is more fun than ever and let’s face it…it’s going to be done like ONLY Zoot can do! Caution: adult themes and strong language are used. Recommended for those ages 16 and up.

Dates: RH(P)S is currently in production, having opened last weekend, and will run through 11/2.

Tickets: Please call the Zoot box office at 937.512.0140

Opening Next Weekend!

Fiddler On The Roof

The Human Race Theatre Company

The Skinny: Based on the short stories of Sholem Aleichem, Fiddler is the tale of Tevye the milkman and his family. The shtetl of Anatevka seems safe and peaceful, but the sweeping changes facing Russia in 1905 bring strife and worry even to its smallest pockets. Fiddler juxtaposes the large changes rocking the world with the intimate, beautiful and sometimes heart-breaking changes that can rock a family.

Dates: This production will open on 10/31 and run through 12/1.

Tickets: Please visit the Human Race Theatre Company website at www.humanracetheatre.org

Oh, good grief! How The Peanuts Gang Grew Up!

October 21, 2013 By Dayton Most Metro Leave a Comment

Beavercreek Community Theatre’s Edge of the Creek Productions will present “Dog Sees God: Confessions of a Teenage Blockhead,” by Burt V. Royal. The spoof of the Charles Schulz comic strip “Peanuts” follows the original gang a decade later as their beloved beagle companion dies. A missing pen pal, an abused pianist, a pyromaniac ex-girlfriend, two drunk cheerleaders, a homophobic quarterback, a burnt out Buddhist and a drama queen sister fill the show’s ensemble.

“’ It is a window into how they could have evolved if they’d been allowed to grow into adolescence. This play shows us just how hard it is to be stuck between childhood and adulthood,” said Director Matt Curry. “When Charlie Brown’s dog dies he starts questioning his family and friends about what they think happens after death. Nobody can provide him with any solace, save for one–the target of the groups’ harsh bullying and torment. This relationship, forged from hope and love, has disastrous consequences careening towards a poignant and heartfelt ending.”

“This play’s subject matter requires a certain level of maturity and tolerance. The audience must be willing to let these character’s lives develop. There is strong language, sexuality, intense bullying, explosive emotions, drug use, and rebellion,” Curry said. Edge of the Creek Productions is an “edgy” branch of BCT, created to broaden the scope of their traditional season of family-oriented productions.
The show opens this weekends and runs through November 3rd. Friday and Saturday performances are at 8pm; Sunday matinees are at 3 pm at the Beavercreek Community Theatre, 3868 Dayton-Xenia Road in Beavercreek. For ticket information, call the box office at 429-4737 or e-mail [email protected].

Friday and Saturday performances are at 8 p.m.; Sunday matinees are at 3 p.m. at the Beavercreek Community Theatre, 3868 Dayton-Xenia Road in Beavercreek. For ticket information, call the box office at 429-4737 or e-mail [email protected].

‘The Rocky Horror (Puppet) Show’ Review – Zoot Theatre Company –A Strange, Sexual & Unforgettable Journey

October 17, 2013 By Russell Florence, Jr. 8 Comments

JJ Parkey as Dr. Frank ‘N’ Furter in Zoot Theatre Company’s production of “The Rocky Horror (Puppet) Show” (Contributed photo by Dawn Ruggles)

Babies, don’t you panic. Over at the Frankenstein place (a.k.a. the Dayton Art Institute), Zoot Theatre Company’s production of Richard O’Brien’s “The Rocky Horror (Puppet) Show” is a totally commendable experience absolutely blessed by a singular sensation in high heels and fishnets.

O’Brien’s envelope- pushing yet enduring 1973 tale of an innocent couple’s sexual awakening inside a demented castle is so full of sci-fi gobbledygook and campy silliness that it’s imperative for an ensemble to completely dive in no holds barred. The balancing act of staying rooted in character while not taking anything seriously is the key to inhabiting this thin, outlandish romp. Thankfully, director/musical director John Faas assembles an amusing, eager, passionate and vocally admirable team who spiritedly attack the material for all its worth. I question Faas immediately exaggerating tone by having the cast interact with each other and the audience during the nostalgic opener “Science Fiction Double Feature” (which oddly detracts from his inspired addition of projections and show credits displayed center stage), but he shapes a smoother, hilariously carnal course thereafter that aims to please.
In fact, the course at hand, which rightfully encourages audience participation, is brilliantly taken to another dimension the jaw-dropping moment JJ Parkey arrives as Dr. Frank ‘N’ Furter, the mad scientist and sex-craved megalomaniac thrilled to have created the perfect man. Decadently costumed by Ayn Wood as a glam rock god and strutting around the stage as if it’s his own personal runway, Parkey, totally aware that Frank craves attention and respect, sends the pulsating “Sweet Transvestite” through the roof to fearsome, commanding and delectably bitchy degrees. It is a truly astonishing moment that not only seems to stop time, but remarkably recalls the uninhibited raw power of his fierce, haunting portrayal of Hedwig in Encore Theater Company’s 2011 production of “Hedwig and the Angry Inch.” Still, the most alluring aspect of his thrillingly domineering and delightfully comedic embodiment of Frank is his freedom to be as assertively over-the-top as he wants without the risk of overpowering his fellow actors. He can simply savor the role for the showy spectacle it was intended to be. By time he raises the roof again late in Act 2 with a soaring rendition of “I’m Going Home” while channeling the divas of yore with old-fashioned Hollywood glamour, you’ll find it hard to imagine anyone else leading this show.
Elsewhere, the bespectacled, multi-tasking Ray Zupp is a naturally endearing and humorously dopey Brad Majors, who shares Walter White’s fondness for tighty whities. The equally pleasant Beth Conley is a genuinely green and gullible Janet Weiss, but her “Touch-A-Touch-A Touch Me” epiphany could be more vigorously vivacious. Anyone who saw Riley Able’s breakthrough performance as handsome, shirtless, muscular drifter Hal Carter in Wright State University’s 2011 production of “Picnic” will not be surprised he’s playing the handsome, shirtless, muscular Rocky. There is more to Able than his physique (seven months ago he was a sophisticated Baron in WSU’s dazzling “Grand Hotel”), but right now he’s turning heads as a thoroughly entertaining doofus in tight gold shorts and that ain’t no crime. Matt Zanfagna (Riff-Raff), Alison Koch (Magenta) and Stephanie Jenkins (Columbia) are a fittingly creepy, mischievous and subservient trio although the committed Koch has a tendency to scream-sing, leaving most of her lyrics incomprehensible. Natalie Houliston is an unbridled joy exhibiting sharp comedic timing in the dual roles of Dr. Scott and Eddie, particularly leading a rousing “Hot Patootie” that is among the many exuberant numbers choreographed by Shawn Storms. Julia Gomez, Chelsea Hauptsteuck, Philip Stock and Ben Tracy keep the debauchery alive with seductive magnetism as the Phantoms. Eric Antz, Juliet-Howard Welch and Michael Stockstill are the silently proficient trio operating puppets (designed by Zoot artistic director D. Tristan Cupp) representing the remnants of Frank’s bizarre handiwork. Andrew Ian Adams also exhibits skilled puppetry while fluidly guiding the proceedings with engagingly ghoulish glee as the Narrator.
J. Gary Thompson’s sound design proved very problematic at the performance attended, but Wood’s sexy costumes, Zupp’s efficient sets, John Rensel’s atmospheric, Technicolor rock concert lighting, and Edward Wooten’s satisfying band are more gratifying technical components.
Bound to please die-hard fans and curious newbies, this “Rocky” will be remembered for expanding Zoot’s artistic capabilities and allowing the phenomenal Parkey to deliver one of the best performances of 2013.

“The Rocky Horror (Puppet) Show” continues through Nov. 2 in the NCR Renaissance Auditorium of the Dayton Art Institute, 456 Belmonte Park N, Dayton. Performances are Oct. 25-27 and Nov. 1-2; Friday and Saturdays at 8 p.m. and Sundays at 2 p.m. There will also be a special midnight performance Oct. 26. Act One: 40 minutes; Act Two: 55 minutes. Tickets are $12-$20. Visit www.zoottheatrecompany.org for tickets or more information. Patrons are advised the musical is recommended for ages 16 and older due to strong language and adult themes.

DMM has 3 pairs of tickets to give away to some of our lucky winners to see The Rocky Horror (Puppet) Show. If you’d like to be our guest just like this review and comment on why you should win and fill out the form below! We’ll post our winners here Thursday night!

Congrats to our winners: Harvey from Huber Heights, Debbie from Kettering and Beth from Springfield! Enjoy the show!

‘Time Stands Still’ Review – Dayton Theatre Guild – Not So Safe and Sound

October 11, 2013 By Russell Florence, Jr. 1 Comment

(l to r) Cassandra Engber, Kelli Locker, Alex Carmichal and David Hallowren in the Dayton Theatre Guild’s production of “Time Stands Still” (Contributed photo)

The horrors and wounds of war pervade the homefront in Donald Margulies’ gripping 2010 Tony Award-nominated drama “Time Stands Still,” a compelling character study about relationships, career and worldviews currently receiving an excellent local premiere at the Dayton Theatre Guild.

Living “on the sorrow of strangers,” accomplished photojournalist Sarah Goodwin (a dynamically passionate Cassandra Engber) returns from Afghanistan physically and emotionally scarred having survived complications from a roadside bomb. However, recuperating inside her Brooklyn loft (marvelously designed with eye-catching personality by Blake Senseman) becomes problematic when her longtime live-in boyfriend/freelance writer James Dodd (an effortlessly firm Alex Carmichal) disagrees with her decision to take on another assignment nearby. Encouraged by her editor Richard Ehrlich (an affable David Hallowren) and his sunny younger girlfriend Mandy Bloom (a top-notch Kelli Locker), Sarah feels comfortable about stepping back behind the camera to aid a worthwhile story. But it’s not just the assignment causing friction for Sarah and James. The real turbulence stems from Sarah’s romantic indiscretion in Afghanistan with her interpreter Tarek, a revelation that smoothly propels Margulies’ thought-provoking tug of war to heartbreaking degrees.
Having recently seen the magnificent Broadway revival of Tennessee Williams’ “The Glass Menagerie,” I’m reminded of how powerful it is for a playwright to create a silent character who lingers in the mind while serving as a launching pad for conflict. Amanda Wingfield and her troubled offspring are forever encumbered by the painful memories of the unseen husband and father who “fell in love with long distance.” In Margulies’ equally dysfunctional exploration of memory, Tarek is the invisible catalyst that rips Sarah and James apart although he isn’t entirely to blame. It’s totally apparent the duo may not have been perfect for each other in the first place. Prone to bickering and misreading, Sarah and James seem to be part-time soul mates. James wants kids and marriage. Sarah, deep down on the inside, prefers adventure and independence. They want to make their relationship work, but it’s not borne of a healthy desire to be fully compatible. Even when Sarah ridicules James for wavering in his writing pursuits she takes on the persona of a scolding mother. I’m sure the duo longs to be happy and values the idea of being together forever, but without the ability to recognize each other’s faults and be absolutely supportive their relationship will continue to disintegrate into a series of dead ends.
Splendidly guided by director Debra Kent, Engber and Carmichal, who should be among the first actors to receive resident artist status if the Guild ever chooses to go that route, are utterly captivating and combative. Engber, just as good as Laura Linney who originated the role, particularly impresses while professing Sarah’s Act Two agony of remaining true to her profession as death and decay literally stare her in the face. Carmichal, astutely emphasizing James lackadaisical, slacker qualities, rises to the occasion with volatile verve early in Act Two as a drunk James erupts while arguing with Mandy. Hallowren effectively engages as the underwritten yet concerned Richard. Locker discovers meaningful layers within the seemingly naïve Mandy instead of resigning the character to a one-dimensional existence.
Additionally, Kent’s exemplary creative team includes lighting designer David Corson, costumer Linda Sellers, prop masters Senseman and Deidre Bay Root, sound designer K.L. Storer, and makeup/wig designer Patrick Hayes. What a specific pleasure it is to know this production involves Corson, a University of Cincinnati-College Conservatory of Music student whose phenomenal lighting of Centerville High School’s “Sweeney Todd” last season ranked on par with the best lighting designs on Broadway. Corson’s contributions are more subtle here, but his decision to open certain scenes with illuminated laptops is a wonderfully contemporary, introspective touch. Also, Senseman and Root sprinkle Sarah and James’ loft with a vivid assortment of artifacts as well as a mounted bicycle and a weather trunk as a coffee table. Storer is particularly responsible for compiling one of the best soundtracks I have heard at the Guild to accompany scene changes.

“We’re supposed to capture the truth – not stage it,” says a defiant Sarah in defense of her career. Thanks to the Guild, the truth has never felt so real.

“Time Stands Still” continues through Oct. 20 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Performances are Fridays at 8 p.m.; Saturdays at 5 p.m. and Sundays at 3 p.m. Act One: 55 minutes; Act Two: 53 minutes. Tickets are $18 for adults, $16 for seniors and $11 for students. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

‘Monty Python’s Spamalot’ Review – Sinclair Community College – Royal Romp

October 10, 2013 By Russell Florence, Jr. Leave a Comment

Rehearsals for Sinclair Theatre’s SPAMALOT include knights Sir Lancelot (Chris Delanis), Sir Galahad (Michael Dean Conley), Sir Bedever (Patrick Greco), Sir Robin (Stephen Kallenberg), King Arthur (Skyler McNeeley) and Patsy (C.J. Suchtya). Photo by Patti Celek

Laughs abound in Sinclair Community College’s breezy, highly entertaining production of Eric Idle and John Du Prez’s 2005 Tony Award-winning Best Musical “Monty Python’s Spamalot,” “lovingly ripped off” from the cult classic 1975 film “Monty Python and the Holy Grail.”

This boldly irreverent and witty showcase, grounded in broad, silly British humor with playful nods to pop culture and musical theater conventions, follows the misadventures of King Arthur and the Knights of the Round Table in their kooky quest for the Holy Grail. Avid Python fans will be pleased that many familiar characters and sequences remain intact from the sight of killer rabbits and flying cows to the nastiness of taunting Frenchmen and the peculiar desires of the Knights of Ni. However, Idle and Du Prez’s critical Act Two decision to stray from the film’s framework and push the envelope with jabs targeted at the Jewish and gay community is more jarring and deflating than hysterical, particularly since “Spamalot” has moved on from the comforts of a diversified Broadway audience. Regardless, guest director Gina Kleesattel (responsible for reenergizing musical theater at the University of Dayton with notable productions of “The 25th Annual Putnam County Spelling Bee,” “Bat Boy” and “Urinetown”) certainly keeps the action crisp, fluid, fast-paced and lighthearted, which is all you can ask for a show that doesn’t rely on plot and treats absurdity as the norm.
The uniformly terrific, male-dominated cast, a welcomed blend of Sinclair and University of Dayton performers, is led by Skyler McNeely, who brings a delightful amount of self-effacing charm and cluelessness to his plum role of King Arthur. The vocally alluring Natalie Sanders, who memorably portrayed Jesus in Sinclair’s “Godspell” last season, solidly returns as amusing diva Lady of the Lake, a new addition to the Python universe that motivates Arthur and his loyal followers with soulful appeal. Stephen Kallenberg (Sir Robin) greatly impresses in the energetic “You Won’t Succeed on Broadway.” The handsome, versatile Chris Delanis winningly tackles an assortment of roles including Sir Lancelot, the French Taunter and the Knight of Ni. Michael Dean Conley oozes pompous swagger as Sir Galahad and shares one of his best moments opposite Sanders in the inspired “Phantom of the Opera” parody “The Song That Goes Like This.” Patrick Greco is an amiably understated Sir Bedevere. CJ Suchtya delivers one of his strongest performances as Arthur’s devoted Patsy, particularly joining McNeely for fine renditions of the comical duet “I’m All Alone” and the upbeat “Always Look on the Bright Side of Life.” Additional featured support stems from Bryan Bryk (gleefully leading “I Am Not Dead Yet” as Not Dead Fred), John Dunn (a standout in Sinclair’s “The Laramie Project” whose pleasant evolution continues as the Historian and other roles), and the pitch-perfect Brennan Paulin as the sheltered and demure Prince Herbert. Effective ensemble players include AJ Breslin, Tray Shelton, Anna Sheldon, Aeriel Aniballi, Jasmine Barrett, Maggie Carroll, Samantha Creech, Jennifer Smith and Coartney Freeland.
The wacky world of “Spamalot,” encompassing medieval England with a pinch of Las Vegas and Studio 54 for extra measure, is colorfully and atmospherically first-rate thanks to scenic designer Terry Stump, costumer Kathleen Hotmer, lighting designer Joe Beumer (particularly heightening Sanders’ dynamic rendition of “The Diva’s Lament”), sound designer Dan Brunk and property designer Jennifer Kramer. Rodney Veal’s flavorful choreography is an exuberantly fun mixture of soft-shoe, cheerleading, disco and old-fashioned Broadway showmanship. Daniel Greene provides music direction, but Dr. Kenneth Kohlenberg leads a wonderful orchestra that is an added plus to what is surely one of the best musicals Sinclair has produced.

“Monty Python’s Spamalot” continues through Oct. 12 at Sinclair Community College, Blair Hall Theatre, Building 2, 444 W. Third St., Dayton. Performances are today at 7 p.m., Friday and Saturday at 8 p.m. Act One: 55 minutes; Act Two: 65 minutes. Tickets are $15 for adults and $10 for seniors and students. All Thursday tickets (Downtown Dayton Thursday Night) cost an additional $5 each and include pre-show appetizers and cash bar beginning at 6 p.m. in the Blair Hall Theatre lobby. For tickets or more information, call (937) 512-2808 or visit www.sinclair.edu/tickets.

Big Name Comedy Invades Dayton This Weekend

October 10, 2013 By Lisa Grigsby 7 Comments

As many of you may know about me, I spent over 20 years running comedy clubs. I’ve seen literally thousands of comics over the years and people often ask me why I don’t write more about the comedy scene. I often say it’s because after all those years, not much is funny to me anymore. But looking at the talent playing Dayton this week, I felt the urge to throw something together here to share with you all.

Sean Morey

With Poundstone, Pauly and Brian Regan all in town, my first thought was two out of three ain’t bad. Then just to be fair, I decided to look up who was playing at Wiley’s Comedy club, Well, I’m betting the folks at Wiley’s wish I hadn’t. Sean Morey is the headliner there this weekend. He may be the only comic I ever fired before he took the stage. He was a regular on the Bob & Tom show, and seemed to do well with crowds. On a recommendation from Heywood Banks, I booked him at Jokers. He was just starting to become a draw at clubs, due to his Bob & Tom appearances, and he really seemed impressed with himself. It was his arrogance and attitude that did him in with me. Long story short, the day of the show, he insisted I not put on an act ahead of him, or he wouldn’t go on stage. Which made my decision easy, he never set foot on stage at my club.

Comedian Paula Poundstone was a regular on the comedy club circuit in the 80’s and 90’s, s a political correspondent for “The Tonight Show” during the 1992 presidential campaign. Best known for her quick wit, her love of cats, Poundstone is a regular on NPR’s weekly news panel game show “Wait, Wait … Don’t Tell Me!” She holds the show’s record for not answering a single right question. But whether she’s right or not, she’s always makes me laugh. Poundstone sums up her act best by saying, “I have jokes I’ve told before and will tell again, but my favorite part of the night is talking to the crowd.” She’s a rare stand up talent, with the ability to charm a room, be funny off the cuff and generally works pretty clean. I saw her do an entire show at Jokers, just working off an audience and highly recommend this show. And I also think she was mildly tortured hanging out in my club office, that was stacked floor to ceiling with headshots, tapes, cds and more and put her OCD on high alert.

[yframe url=’http://www.youtube.com/watch?v=dEliyNOnFLM’]

Paula performs Friday, October 11th at 7:30pm at the Victoria Theatre. Tickets run $28-$38 and can purchased online.

Brian Regan is another comic that I’m proud to have worked with at Jokers Comedy Cafe back in the day.Brian has been brilliantly funny for years. He’s like that goofy friend you have who’s not the obvious class clown, but just consistently funny. He has the ability to take common occurrences and everyday observations and stretches them out into major chunks of his act. A stand up for over 25 years, Brian is a rare breed. He never used the club as a stepping stone for a sitcom or movie career, stand up has always been his thing. From the minute he hits the stage, Brian has the crowd laughing consistently, and often closes his show with a run of his “greatest hits” often adding favorites called out by the audience. I can remember sitting at the Dayton airport with him, waiting on his delayed flight out of town, laughing hysterically as he entertained me over a bowl of cereal. He’s a great guy and I highly recommend this show!

[yframe url=’http://www.youtube.com/watch?v=Dlcq_DC1CkM’]

Brian performs Sunday, October 13th at 7:00pm at the Victoria Theatre. Tickets run $39.50 and can be purchased online.

Pauly Shore is in town playing the Funny Bone at The Greene. I booked Pauly three times (maybe four, can’t remember) at Jokers and I’ll tell you the same thing I said then when people asked me if he was funny. If you’re a fan of Pauly’s, you might enjoy the show. In the early MTV “Totally Pauly” years, he’d show up on a tour bus, with an entourage in a cloud of smoke, living up to the drunk and stoned reputation he earned on tv as “The Weasel.” He’d be lead to the stage, where he’d lean back against the brick wall, slur out 40 minutes of something that was supposed to resemble an act. Mildly amusing at best, it was his star power that was intoxicating to those who were enamored to be in the same room with a “TV star.” He always sold lots of merchandise and was pretty good about signing it and taking pictures with the crowd. On one of his bookings he showed a slide show of him growing up at the famed Comedy Store, owned by his legendary mother Mitzi. Sharing pictures of him being taught to ride a bike with Jay Leno, telling stories of Sam Kinison taking him under his wing to learn comedy and watching Pryor light up a crowd (with laughter, not literally). I actually enjoyed that show. Over the years, I did see Pauly grow up some, and leaving behind the MTV character, but I’d still say Pauly’s talents are better used on tv and movies than at stand up. But that’s just my opinion, you may find him funny.

[yframe url=’http://www.youtube.com/watch?v=A9K43PemQ6w’]
Pauly will appear Friday & Saturday, 7:30 & 10pm with tickets running $22-$25 and available online.

And now you know why I don’t often write about comedy.

8th Annual LGBT Film Festival – The Full Line-Up & Visiting Filmmaker News!

October 5, 2013 By Jonathan McNeal Leave a Comment

Festival Passes have sold out, but single tickets remain for The 8th Annual Dayton LGBT Film Festival – scheduled for Oct. 11, 12 & 13 at THE NEON in Downtown Dayton.

The exciting weekend will kick off on Friday, October 11 at 7:30 with G.B.F. – sponsored by Square One Salon & Spa. From the maker of JAWBREAKER comes another hysterical satire of high school clique culture – this time focusing on the latest fashion accessory – the G.B.F. (Gay Best Friend). Attendees will be invited to the Opening Night Party at CADC on the corner of East 4th and St. Clair – where they’ll be greeted with complimentary appetizers from Roost Modern Italian and live music by Sandy & Michael Bashaw. The opening night party is sponsored by Sue Spiegel and Lisa Hanauer.

[yframe url=’http://www.youtube.com/watch?v=Z6DJSGrfNbk’]

On Saturday, the films will continue at 1:00 with BRIDEGROOM – sponsored by PFLAG Dayton. This touching documentary recounts a romance between a young couple…and how one man was forbidden from attending the funeral of his lover. (This documentary started as a youtube video called “It Could Happen To You” – which has attracted close to 4 million viewers.)

[yframe url=’http://www.youtube.com/watch?v=7lhsXr2jbkg’]

Always a festival favorite, at 3:00, TOP DRAWER SHORTS will showcase the latest and best in short films from across the country and around the world. This program is sponsored by The Human Race Theatre Company’s production of “Torch Song Trilogy.” Below is the trailer for DIK.

[yframe url=’http://www.youtube.com/watch?v=ry1wypccGQg’]

REACHING FOR THE MOON, a beautiful period piece, chronicles the long-lasting love affair between poet Elizabeth Bishop and architect Lota de Macedo Soares. This film has won numerous audience awards and has played at prestigious film festivals around the world. It is sponsored by The Greater Dayton LGBT Center and starts at 7:15 on Saturday evening.

[yframe url=’http://www.youtube.com/watch?v=27YqB_UZ9u8′]

Later on Saturday night, the festival will play a fresh and fun documentary about the cult legend and John Waters favorite – I AM DIVINE. Sponsored by MJ’s Café & Johnny, this film will begin at 9:45.

[yframe url=’http://www.youtube.com/watch?v=sJqw0hTAhXY’]

On Sunday afternoon, the festival will continue with THE NEW BLACK at 3:00. This film, sponsored by The Miami Valley Fair Housing Association, tells the story of how the African-American community is grappling with the gay rights issue in light of the recent gay marriage movement and the fight over civil rights…and it has a local connection. Steve Bognar of Yellow Springs shot a portion of this film!

[yframe url=’http://www.youtube.com/watch?v=GX4XiTSuuF0′]

The closing film – THE HAPPY SAD – will screen on Sunday, October 13 at 5:15. In the age of polyamory and blurred lines of sexuality, what really makes for a happy relationship? Two young couples in New York – one black and gay, one white and heterosexual – find themselves intertwined as they create new relationship norms, explore sexual identity, and redefine monogamy in this captivating new film directed by Rodney Evens (Brother to Brother). Sponsored by Marion’s Piazza, this wonderful film has been playing at film festivals all summer.

[yframe url=’http://www.youtube.com/watch?v=Pmb5_S_DNmI’]

In addition to a line-up of critically acclaimed new films from across the country and around the world, this year’s movie-goers will be treated introductions and Q&A’s from at least two visiting filmmakers.

Darren Stein, director of the Opening Night Film G.B.F., will be flying in from Los Angeles. Last week, G.B.F. screened in Atlanta, and he’ll be off to Austin after the Dayton premiere. In addition to film and television work in California, one of Stein’s well-known films, JAWBREAKER, is currently being turned into a musical in NYC.

Guy Shalem, the award-winning director of the short film SOMETHING REAL, will also attend the festival. SOMETHING REAL is a celebrity packed short with a musical twist about today’s contemporary bar scene. The film marks Shalem’s first collaboration with Tony award winning composer and lyricist Jeff Marx (AVENUE Q) and 5-time Grammy-award winning producer, composer and lyricist, Mervyn Warren. Shalem has heard great things about the film community in Dayton, and he’s excited to get to town.

The Dayton LGBT Film Festival wishes to extend a special thanks to AIDS Resource Center Ohio for their sponsorship and assistance in bringing these filmmakers to town. Additional sponsors include Ken Byers, Kurt Fleagle & Warren Riffle, and Chase Whiteside.

The Downtown Dayton LGBT Film Festival presents films that have thematic ties to the lesbian, gay, bisexual and transgender community – stories that aren’t often represented or celebrated in mainstream media. This year’s selections were picked from over 100 films, and though many of these films will not find mainstream distribution, they are strong pieces of work that merit being seen by a wider audience. The festival encourages film lovers from around the Miami Valley to support these strong films.

Single tickets – just $8 each – are moving fast.

THE NEON is located at 130 E. 5th Street in downtown Dayton. For more information about the festival, including full descriptions, links to official sites & trailers, and ticketing details, please visit www.daytonlgbt.com.

Coming Up in Dayton Theatre 10/4 – 10/13

October 3, 2013 By Sarah Caplan Leave a Comment

Welcome back, theatre lovers! Let’s see what there is to choose from for the next two weeks!

Opening This Weekend

Time Stands Still

The Dayton Theatre Guild

The Skinny: Seriously wounded in Afghanistan, photographer Sarah is brought home to recuperate by her writer and live-in boyfriend, James. She is soon visited by her editor and his new and much younger girlfriend. He sees her work and wants a book. And James wants something altogether more conventional.

Dates: Opening Friday, 10/4 and running three weekends to close Sunday, 10/20.

Tickets: Please visit the Theatre Guild website at www.daytontheatreguild.org

SPAMalot

The Skinny: This musical is lovingly ripped off from the motion picture “Monty Python and The Holy Grail”. It’s the story of King Arthur and his Knights of the Round Table as they embark on their quest for the Holy Grail. Flying cows, killer rabbits, the lady of the lake and show-stopping musical numbers are just part of this hilarious, yet highly irreverent parody.

Dates: Opening this Friday, 10/4 and running two weekends, to close on Saturday, 10/12.

Tickets: Please visit the Sinclair website; http://www.sinclair.edu/arts/theatre/box-office/index.cfm

The Art of Self-Defense

The Undercroft Players

The Skinny: A funny, wise, and ultimately powerful depiction of five modern women who casually meet in a T’ai Chi class, and who eventually, through growth, discovery and mutual support, change the quality of their lives.

Dates: One weekend only, this Friday, Saturday and Sunday.

Tickets: This piece is being produced at First Lutheran Church Corner of First St. and Wilkinson St. Downtown Dayton. 7 pm Friday and Saturday and 3 pm Sunday. Tickets are $5 at the door.

ENOUGH SAID, 2 French Imports & More at THE NEON

October 1, 2013 By Jonathan McNeal Leave a Comment

Hello Everyone,

We’re cleaning house this weekend. If you still need to see BLUE JASMINE, AUSTENLAND, SALINGER or THE HUNT, you only have until Thursday to see them at THE NEON. For remaining showtimes for this week, visit our official site at www.neonmovies.com.

On Friday, we will open 3 new films. First of all, we’ll open one of the best reviewed comedies of the year – a film I really like – ENOUGH SAID. Directed by Nicole Holofcener, this film is smart, funny & touching, and it has two incredible central performances by Julia Louis-Dreyfus and James Gandolfini. In addition, Francophiles will rejoice for our one-week engagement of 2 French films – POPULAIRE and HAUTE CUISINE (and foodies will certainly want to see the latter).

Synopsis for ENOUGH SAID: “A divorced and single parent, Eva (Julia Louis Dreyfus) spends her days enjoying work as a masseuse but dreading her daughter’s impending departure for college. She meets Albert (James Gandolfini) – a sweet, funny and like-minded man also facing an empty nest. As their romance quickly blossoms, Eva befriends Marianne (Catherine Keener), her new massage client. Marianne is a beautiful poet who seems “almost perfect” except for one prominent quality: she rags on her ex-husband way too much. Suddenly, Eva finds herself doubting her own relationship with Albert as she learns the truth about Marianne’s Ex. ENOUGH SAID is a sharp, insightful comedy that humorously explores the mess that often comes with getting involved again.” (taken from Fox Searchlight) Click HERE to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=L1TDTv_tGd8′]

Synopsis for POPULAIRE: “Spring, 1958: 21-year-old Rose Pamphyle lives with her grouchy widower father who runs the village store. Engaged to the son of the local mechanic, she seems destined for the quiet, drudgery-filled life of a housewife. But that’s not the life Rose longs for. When she travels to Lisieux in Normandy, where charismatic insurance agency boss Louis Echard is advertising for a secretary, the ensuing interview is a disaster. But Rose reveals a special gift – she can type at extraordinary speed. Unwittingly, the young woman awakens the dormant sports fan in Louis. If she wants the job she’ll have to compete in a speed typing competition…He’ll turn her into the fastest girl in the world!” (taken from The Weinstein Company) Click HERE to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=6Q71XSMlPN8′]

Synopsis for HAUTE CUISINE: “Hortense Laborie (Catherine Frot), a renowned chef from Perigord, is astonished when the President of the Republic (Jean d’Ormesson) appoints her his personal cook, responsible for creating all his meals at the Elysee Palace. Despite jealous resentment from the other kitchen staff, Hortense quickly establishes herself, thanks to her indomitable spirit. The authenticity of her cooking soon seduces the President, but the corridors of power are littered with traps.” (taken from The Weinstein Company) Click HERE to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=OSaZ7xyzOGo’]

THE DAYTON LGBT FILM FESTIVAL is just 10 days away! The dates are set for October 11-13, and the line-up is fantastic. The official site is up and running, and you can visit our Facebook Page for last-minute postings. We hope you’ll look at our site and find something you’d like to see…if you’re into thought-provoking documentaries or period films or satirical comedies, we’ve got it covered. As I’m writing this newsletter, there are less than 10 passes left (we made 60)…but there are plenty of single tickets to individual shows. Tickets can be purchased via the official site (with surcharges) or at THE NEON (for face value)!

[yframe url=’http://www.youtube.com/watch?v=Z6DJSGrfNbk’]

[yframe url=’http://www.youtube.com/watch?v=sJqw0hTAhXY’]

THE WATCHER’S REVELATION will screen October 24 at 7:30 and 9:45. “Is a race of benign extraterrestrials secretly influencing the world’s governments? Are these creatures really ancient aliens sent to protect humanity from self-destruction, or are they evil beings set on deception as the world approaches its final days?…This faith-based, science fiction film was made by lifepointe church in Dayton, OH, featuring a cast and crew of local talent who worked for an occasional pizza and the love of film. Tickets are $5 and extremely limited. They are available for purchase at lifepointe church and will be available at The Neon box office starting October 7.” (taken from Lifepointe Church press notes)

We’ve got so much going on in the next few weeks…and we’re heading into Oscar season. I’m so delighted to announce that 12 YEARS A SLAVE has just been added to our line-up. It’s certain to be nominated for “Best Picture” this year, and it is exceptional!

Thanks for your continued support!
We hope to see you soon,
Jonathan

SHOWTIMES for Fri, Oct. 4 – Thurs, Oct. 10:

ENOUGH SAID (PG-13) 1 hr 33 min
Friday, Saturday, Sunday: 1:00, 3:10, 5:15, 7:30, 9:40
Monday – Thursday: 3:15, 5:30, 7:45

POPULAIRE (R) 1 hr 51 min
Friday, Saturday, Sunday: 12:30, 5:00, 9:30
Monday – Thursday: 5:15

HAUTE CUISINE (PG-13) 1 hr 35 min
Friday, Saturday, Sunday: 2:45, 7:20
Monday – Thursday: 3:00, 7:40

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Oct. 11 – THE PATIENCE STONE
Oct. 18 – INEQUALITY FOR ALL
Octo. 25 – ALL IS LOST
Oct. 25 – WADJDA
Nov. 8 – 12 YEARS A SLAVE
Nov. 22 – DALLAS BUYERS CLUB
Nov. 22- KILL YOUR DARLINGS
TBD – CUTIE AND THE BOXER

Oct. 4 Event to Feature Art Exhibits, Live Music, Shopping, Discounts

September 30, 2013 By Dayton937 Leave a Comment

SMAGmare once again will be a highlight of the October First Friday. SMAG Dance Collective, Deniz with Caravan Workshops and Funk Lab Dance Center will star in this ghoulish performance at 8 p.m. at 530 E. Fifth St. (next door to the Trolley Stop).

Dayton, Sept 30, 2013– What is a better way to kick-off the Halloween season than downtown Dayton’s free First Friday event on Oct 4, from 5 to 10 p.m? To put everyone in a ‘creepy’ mood, dancers from the SMAG Dance Collective will roam the streets as ghouls, witches and other characters before the performance of SMAGmare at 8 p.m. at 530 E. Fifth St. (next door to the Trolley Stop). Deniz with Caravan Workshops and Funk Lab Dance Center also will be part of the performance.

Two Oregon District stores will be celebrating openings: Pop-up Shop Spice Paradise (16 Brown St.) will celebrate its grand opening while Sew Dayton (261 Wayne Ave.) will open its doors in a new, larger retail space.

Steel drummer Joseph Glenn, guitar player Todd the Fox and fire dancers Soul Fire Tribe will provide entertainment as they roam downtown.

As an encore performance from this past Urban Nights event, CADC (45 S. St. Clair St.) will offer visitors another chance to try out Paint Boxing. Anyone is invited to create a unique piece of art or T-shirt at one of the Paint Boxing stations for $20. Call 313-9883.

Clash Consignment (521 E. Fifth St.) will feature artists Erica Blackstock, Craig Galentine, Josh Hydler, Liz Dearth and Robert Walker. This store will also offer 20 percent off all costumes. Call 241-9434.

The monthly Courteous Mass Ride will meet for one ride at 5:30 p.m. at Don Crawford Plaza (220 N. Patterson Blvd). This route will take riders on a 10-mile journey to the Midwest Outdoor Experience and back. Riders may choose to stay at the Experience. All tours are free and welcome any skill level.

Dayton Visual Arts Center (118 N. Jefferson St.) will continue its exhibit Music for Teacups: Colagiovanni and Haviland, a selection of video, artist books and original prints by two artists from Athens, Ohio. Showing through Oct 19. Open until 8 p.m. Call 224-3822.

Stainless steel artwork by Ryan Struve will be on display at Gallery 510 Fine Art (508 E. Fifth St.). Call 672-6717.

All are welcomed to Garden Station’s (509 E. Fourth St.) beginner’s cheesemaking class at 6 p.m. and a course on soaking and sprouting grains followed by live music at 8 p.m. by Stillwater Riverband. The Urban Farmer’s Market beings at 5:30 p.m. Call 610-3845.

Synergy Incubators hosts the First Friday Food Truck Rally, featuring many popular local food trucks at 200 S. Jefferson St.

Junkyard Dojo will be playing at The Yellow Cab, (700 E. Fourth St.) The completed works created during the live Urban Nights “Works in Progress” show will be showcased along with the creepy but intriguing exhibit “Squick.” Call 203-8175.