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Arts & Entertainment

ArtPrize 2013 Day 1 & 2

September 28, 2013 By Dayton937 Leave a Comment

imageAmway/Rick DeVos funded (1 prize $250k to 1 artist; 20k to most popularly voted venue, 560k in prize money total) + 1,524 artists and 168 venues who sign-up to partner via a to a “speed-date system + vibrant, walkable downtown who welcome an additional 500k visitors for 2 weeks (bringing an estimated 15m economic impact) + ANYBODY can vote for their fave, not once (“ugh, don’t make me feel dumb by asking me to pick the best work of art!”) but vote for as many things that float your boat + really high production value in graphics, wayfinding, “info hubs,” and apps (google Grand Rapids impact history of design) + a guiding principle to spark conversations about and around art = a one of a kind art experience / social experiment. That’s gotta be good right?

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But what about the art?

I arrive in Grand Rapids Thursday afternoon by driving up one of the main drags downtown that curves around right in front of the Grand Rapids Art Museum – a very modern multi-level glass and angled thing sprawled in the center of park, nestled with food trucks, a Maya Lynn public amphitheater and bustling small town/downtown city sidewalks. And I mean bustling. Folks with maps in their hands. Wait. With smartphones in their hands. Hundreds of “em. Voting via the geo-targeting ArtPrize app. Right there in broad daylight in the middle of the street.

And thus begins the adventure.

As a guest of my former colleague (read: my old boss invited me to tag along) I enter the staff side of the museum, intros all around and we’re off. Up the street we run, past many more Amway-funded entities to DeVos Hall – basically a convention center filled with art. Atrium, hallways, you name it. Hours. Hundreds of pieces. Hundreds of people voting. Everywhere.

On a Thursday afternoon. Some artists sitting near their works like at art shows/festivals, some with short list, top 25, popular and guest juror designee signage. All with clear, distinct signage, artist info (international but 90% of what I saw US/Midwest) artists statement, info about media. Some good art. Some bad art. Some artists I recognize. Or recognize what they are trying to do. I’m told the first few years works had to be no more than 1 year old to keep things fresh, contemporary.

image

After a few enterprising artists re-purposed works year after year, organizers figured screw it and opened it up to any year by living artists. Nice dinner with a group of collectors and then a pub tour of sorts, including stops at a burning man type outdoor street party and a few brew pubs (note Dayton: GR calls it self the beer city). Did I mention hundreds of people voting? everywhere. After a walk back to the hotel, a nightcap and a slide show to complete strangers in the hotel bar of my top 40 of the day, I called it a night.

Friday began with a tour of GRAMs Top 25 ArtPrize show in which contenders were paired w notable works from the collection, a brunch with the artists and ArtPrize DirectorChristian Gaines (4 mos new from the LA independent film scene) and we’re off again. This time via trolley to Kendall College, a stop to see last year’s winner “Elephants,” a monumental graphite on paper allegorical “Peaceable Kingdom” type drawing (installed amidst a plethora of clever merchandising (My 2 cents about that maybe tomw)), to the sleek, expansive LaFontsee Galleries (good regional contemporary, framing and design-y merch and then to meld food and art culture at the Downtown Market (25 varieties of pink salt and almond biscotti ice cream).

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We finished our evening at the home of the city’s most eclectic private art collection. What can you say about collectors like this? Old masters hung salon style along side graffiti art above a custom case of Japanese netsuke, a Van Gogh drawing in the atrium a Wolf Kahn in the bedroom and rows upon rows of unknown, but compelling to the owners small, medium large, accomplished and a bit raw, paintings. My favorite kind of collector is what I say. Just a great reminder of living with art you love.

So. Wildly liberating to view art in museums, galleries, hotel lobbies, an auto-body shop, a few brew pubs, a yoga studio, cathedrals, community centers, sidewalks, Starbucks, pizza joints, a sports arena,

city parks, Buffalo Wild Wings, a courthouse, a presidential museum, a bank and a nice cream parlor, huh? And did I mention hundreds of people … you know.

Here’s a smattering of pics in no order. See what you thin and tom’w Ill tell you more about what the artists think of all this and how it all may benefit Dayton.image

 

Filed Under: Arts & Entertainment, Visual Arts Tagged With: art, Art and Community, Art Review, Artists, ArtPrize

‘Harvey’ Review – Wright State Unviersity – Enigmatic Elwood

September 27, 2013 By Russell Florence, Jr. Leave a Comment

harvey

(l to r) Renika Williams, Taylor Montgomery and Cameron Blankenship in Wright State University’s production of “Harvey” (contributed photo)

If you thought Mary Chase’s 1944 Pulitzer Prize-winning comedy “Harvey” was a bygone relic that couldn’t possibly be fulfilling or substantive in this day and age, check out Wright State University’s excellent production radiating with refreshing depth, vivacity and non-traditional casting.

Director Brian McKnight, returning to WSU for the first time since 2010’s “All My Sons,” particularly doesn’t forget to paint Chase’s sturdy canvas with great poignancy, especially when the utterly charming and entirely enigmatic Elwood P. Dowd (the incredibly delightful Cameron Blankenship) pensively reflects on the peculiar bond he shares with his titular best friend. Of course, it’s important to note the friend in question is a 6-foot-tall invisible white rabbit. Even so, Blankenship’s captivating, meaningful delivery, subtly heightened by Erin Jones’ lighting design, makes you believe every morsel of Elwood’s truth no matter how implausible. When Elwood talks about his ability to turn strangers into friends whenever Harvey is by his side, even when those connections are short-lived due to what he believes is envy, it automatically tugs the heart. The question of sanity is certainly a prime target of discussion and laughs throughout, but McKnight, staging scenes very well on Michael Amico’s striking double sets, astutely knows that understanding Elwood’s odd behavior and motives, seemingly born out of grief and maintained by the constant need for alcohol, also plays a significant part, especially in the engrossing, darker Act 2.
The bouncing, smiling, carefree Blankenship, short in stature but enormous in spirit, is supported by a terrific, lively ensemble attractively clothed in period attire by D. Bartlett Blair. Taylor Montgomery, a vibrant, physical comedienne, is wonderfully befuddled and exasperated as Veta Louise Simmons, Elwood’s society-driven sister who is so infuriated with Harvey that she checks Elwood into Chumley’s Rest Sanitarium. Montgomery notably provides a hilarious entrance near the top of Act 2 followed by a similarly amusing interpretation of Veta’s traumatic experience of having been mistakenly admitted to the sanitarium.  Still, her finest moment occurs with a credible, touching conversion toward the end of Act 2 in the play’s key scene that finds Veta clearly comprehending the magnitude of a world without Elwood’s genial essence. The lovely, perky Renika Williams is firm and funny as Myrtle Mae Simmons, Elwood’s agitated niece who specifically finds her mother’s sanitarium incident titillating. Zack Steele, handsome and affable, is a perfect fit for the empathetic yet curious Dr. Lyman Sanderson, the hotshot psychiatrist who wrongly commits Veta and ushers in the play’s chaos. Jim Miller is authoritative and pleasingly goofy as Dr. William Chumley. Anita Hill is enjoyably forthright as Ruth Kelly, a nurse who pines for Sanderson. Tommy Dimassimo commands attention as Omar Gaffery, a stern judge who is also a portal into Elwood’s sociable existence pre-Harvey. The tall, imposing Stephen Kell is very intimidating as sanitarium worker Duane Wilson, a tough guy unafraid to handle a patient. Katie Post (Miss Johnson), Delee Cooper (Mrs. Ethel Chauvenet), Cassi Mikat (Betty Chumley) and Brandon Kinley (E.J. Lofgren) are equally strong and impactful members of this breezy showcase.

 

“Harvey” continues through Sept. 29 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glen Hwy, Fairborn. Performances are today at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 p.m. Act One: 55 minutes; Act Two: 65 minutes. Tickets are priced at $22 for adults and $20 for students and seniors. For tickets or more information, call (937) 775-2500.

 

 

 

 

 

Filed Under: On Stage Dayton Reviews Tagged With: Harvery, wright state university

The wait is over! Little Art Theatre Grand Reopening is this weekend!

September 25, 2013 By Dayton Most Metro Leave a Comment

sns020113LittleArt2On Saturday, September 28, the newly remodeled Little Art Theatre will reopen its doors to the public with an Open House and Grand Reopening Celebration — it’s your chance at a first look at the historic  Yellow Springs movie theater’s nearly half-million dollar renovation, financed by donations from people like you.

The Grand Reopening event takes place from 3 to 9 p.m. The Little Art will be open during that time for people to look around — old-time movies and cartoons will be shown in the auditorium, the concession stand will be open and free popcorn will be available, and special-edition Little Art T-shirts will be for sale. Children can stop in for face painting between 3 and 6 pm. Short Street will be closed for food trucks and dancing in the street, with movie-themed music provided by DJ Juju from 5 to 9 p.m. We hope you’ll come dressed as your favorite movie character! At 7 pm, the Little Art will premier its new animated short, “Welcome to the Little Art,” made by a team of volunteers and directed by award-winning local filmmaker Steve Bognar.

On Sunday, Sept. 29, a 12-day film festival begins with the screening of a fresh digital print of the 1923 comic silent film Safety Last! starring Harold Lloyd, a perfect way to honor the past with new technology. The “Back to the Movies Festival” continues with a parade of fan favorites and new movies from over the summer, including the 1965 musical The Sound of Music (one of Little Art patrons’ favorite films according to a recent survey), Before Midnight (2013), The Kings of Summer(2013), Renoir (2012), Mud (2012), Much Ado About Nothing (2012), the documentary 20 Feet from Stardom (2013), the Japanese animated film From Up on Poppy Hill (2011) and The Way, Way Back (2013). Regular programming returns on Friday, Oct. 11, with Woody Allen’s Blue Jasmine. Visit www.littleart.com for show times.

Welcome back and we’ll see you at the movies!
~Jenny

Filed Under: On Screen Dayton Tagged With: Little Art Theatre

Barstools & Brushstrokes Combines Cocktails and Creativity

September 25, 2013 By Dayton Most Metro Leave a Comment

barstools-and-brushstrokesBarstools and Brushstrokes is the newest twist for your happy hour!  Explore your creative side while recreating the featured nights painting with step-by-step guidance from the instructor.  Classes are for both the artistic and the not-so-artistic… the main objective is to have fun!!!

Instructors will guide you, step by step, recreating the featured nights painting. We provide all materials needed (canvases, easels, paints, aprons, etc…) just bring yourself and your creativity! It’s fun, easy, and totally stress free! You’ll go home with a 16X20 masterpiece that is “uniquely yours” and hopefully a new found talent that you’ll want to explore! All materials are provided (canvases, easels, paints, aprons, etc…) just bring your own personal style and we do the rest!

Upcoming classes:

 Oregon Express 7-9pm Wed, Sept 25th

Blind Bob’s 1-3pm, Sun, Sept 29th

 

**Events have food and/or drinks available for purchase.  
Check schedule to see specific event details and happy hour specials!**

Because of limited seating, signing up in advance is always recommended. Register online to confirm your spot in a class . If a class is sold out,  you can be  put on a waiting list or just show up at the scheduled event…though they don’t promise anything, due to last minute cancellations, they can almost always get you in!

– All supplies are provided, including aprons, but it is still recommended that you wear something you don’t mind getting dirty or possibly stained.  Barstools and brushstrokes cannot be responsible for any paint damage.

Filed Under: Arts & Entertainment Tagged With: Barstools and Brushstrokes, Blind Bob's, Oregon Express

SALINGER and THE HUNT Open Friday at THE NEON!

September 24, 2013 By Jonathan McNeal Leave a Comment

Salinger_Poster_embed_article-1Hello Everyone,

We’re moving right along, and I think it’s fair to say that we’ve got something for everyone this weekend. In addition to holding AUSTENLAND and BLUE JASMINE for one more week, we will open the documentary SALINGER and the highly acclaimed film from Denmark –THE HUNT. For remaining showtimes for this week, visit our official site at www.neonmovies.com.

Synopsis for SALINGER: “SALINGER features interviews with 150 subjects including Salinger’s friends, colleagues and members of his inner circle who have never spoken on the record before as well as film footage, photographs and other material that has never been seen. Additionally, Philip Seymour Hoffman, Edward Norton, John Cusack, Danny DeVito, John Guare, Martin Sheen, David Milch, Robert Towne, Tom Wolfe, E.L. Doctorow, Gore Vidal and Pulitzer Prize winners A. Scott Berg and Elizabeth Frank talk about Salinger’s influence on their lives, their work and the broader culture. The film is the first work to get beyond the Catcher in the Rye author’s meticulously built up wall: his childhood, painstaking work methods, marriages, private world and the secrets he left behind after his death in 2010.” (taken from The Weinstein Company) Click HERE to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=_oUHn0lZFy8′]

Synopsis for THE HUNT: “Mads Mikkelsen (NBC’s Hannibal, A ROYAL AFFAIR) won the Best Actor Award at the 2012 Cannes Film Festival for his penetrating portrayal of Lucas, a former school teacher who has been forced to start over having overcome a tough divorce and the loss of his job. Just as things are starting to go his way, his life is shattered when an untruthful remark throws his small community into a collective state of hysteria. As the lie spreads, Lucas is forced to fight a lonely fight for his life and dignity.” (taken from Magnolia Pictures) Click HERE to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=vjmZGaXDRHY’]

THE DAYTON LGBT FILM FESTIVAL is heading into its 8th year, and we’ve just secured flights for 2 visiting filmmakers (with hopefully more to come). The dates are set for October 11-13, and the line-up is fantastic. The committee has been working on this year’s festival since April, and we’re proud of the response – festival passes are already flying. The official site is up and running, and you can visit our Facebook Page for last-minute and fun postings. We hope you’ll look at our site and find something you’d like to see…if you’re into thought-provoking documentaries or period films or satirical comedies, we’ve got it covered. Single tickets go on sale this Wednesday, Sept. 25…it’s certain to be an amazing festival!

I’m sure many of you have seen the trailer for one of the best reviewed comedies of the year – Nicole Holofcener’s ENOUGH SAID, starring Julia Louis-Dreyfus and James Gandolfini. I’m delighted to announce that it has moved up…it is now set to open next Friday (Oct. 4).

Thanks for your continued support!
We hope to see you soon,

Jonathan

SHOWTIMES for Fri, Sept. 27 – Thurs, Oct. 3:

BLUE JASMINE (PG-13) 1 Hr 38 Min
Friday, Saturday, Sunday: 2:50, 9:45
Monday – Thursday: 5:30

THE HUNT (R) 1 Hr 55 Min
Friday, Saturday, Sunday: 12:30, 5:00, 7:20
Monday – Thursday: 3:10, 7:50

AUSTENLAND (PG-13) 1 Hr 37 Min
Friday, Saturday, Sunday: 12:45, 5:10
Monday – Thursday: 5:20

SALINGER (PG-13) 2 Hrs
Friday, Saturday, Sunday: 2:50, 7:15, 9:45
Monday – Thursday: 3:00, 7:45

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Oct. 4 – ENOUGH SAID
Oct. 11 – THE PATIENCE STONE
Oct. 18 – INEQUALITY FOR ALL
Oct. 25 – WADJDA
Nov. 22- KILL YOUR DARLINGS
Nov. 22 –DALLAS BUYERS CLUB
TBD – CUTIE AND THE BOXER

Filed Under: On Screen Dayton Tagged With: arthouse, austenland, blue jasmine, bridegroom, cate blanchett, darren stein, DAYTON LGBT FILM FESTIVAL, Dayton Ohio, dik, enough said, Fox Searchlight, G.B.F., i am divine, jackpot, james gandolfini, john waters, julia louis-dreyfus, lgbt, magnolia pictures, movie times, salinger, showtimes, something real, Sony Classics, the happy sad, the hunt, The Neon, the new black, woody allen, yeah kowalski

‘Hairspray’ Review – Dayton Playhouse – The Beat Goes On

September 20, 2013 By Russell Florence, Jr. 2 Comments

HAIRSPRAY-1

The cast of the Dayton Playhouse’s production of ‘Hairspray’ (photo by Art Fabian)

After Wright State University staged “Hairspray” in the fall of 2011, I didn’t think any theater troupe in town would touch the show for at least five years. The sheer electricity of that indelible production, which I saw three times, whisked me immediately back to July 26, 2002 when I saw a preview of “Hairspray” on Broadway before the critics heralded it as the hit it was bound to be. Even so, the Dayton Playhouse refreshingly and assuredly steps up to the plate to present a wholeheartedly entertaining version that certainly ranks among the best musicals the organization has produced.
Crisply directed by Tina McPhearson and set in1962 Baltimore, “Hairspray,” winner of eight 2003 Tony Awards including Best Musical, centers on spunky, plus-sized teenager Tracy Turnblad (an innately appealing Tamar Fishbein). Tracy’s humble world changes forever when she joins the merry dance troupe of the local “Corny Collins” TV show. Her lively personality and funky moves helps her catch the attention of the show’s heartthrob Link Larkin (the handsome, sensitive Ben Douglas), but situations escalate when she vows to racially integrate the program.
Fishbein charms throughout as Tracy evolves into a courageous visionary for equality, a key element deftly explored in Mark O’Donnell and Thomas Meehan’s terrific libretto adapted from the 1988 John Waters film of the same name. There are occasional glimpses of exhaustion in her portrayal which diminishes her vocal capacity, but she’s an admirable singer nonetheless, particularly filling the dreamy “I Can Hear the Bells” and the reprise of “Good Morning Baltimore” with great tenderness. Fishbein is also wonderfully supported by Brian Sharp, warmly feminine, affably understanding and very funny as Tracy’s insecure mom Edna, and Jim Lockwood, who delivers one of his finest performances as Tracy’s kooky dad Wilbur. Sharp and Lockwood’s close-knit partnership culminates in a truly effervescent, meaningfully touching version of “Timeless to Me,” composers Marc Shaiman and Scott Wittman’s nod to unwavering love.
An assortment of excellent featured turns are given by reliable triple threat Desmond Thomas as Seaweed J. Stubbs, knockout vocalist Crystal Williams as Motormouth Maybelle, the absolutely dynamic Kelli Locker as Velma Von Tussle (on par with Linda Hart who originated the role), the spirited Dean Swann as Corny Collins, the amiable Amanda Carter as Amber Von Tussle, the magnetic Amber Butler as Little Inez, the versatile Marabeth Klejna and Rod Wood in multiple roles, and an utterly hilarious Tori Kocher in a breakthrough performance as Tracy’s zany best friend Penny Pingleton.
The cohesive, sunny ensemble, energetically executing Annette Looper’s choreography flavorfully capturing the period, consists of Naman Clark, Malcolm DeSean Casey, Erica Savage, Sydney Thomas, Alyssia Blake, Andrew Reese Tomlinson, Alissa Peppo, Paige Combs, Daveed Abrams, Andrew Wood, Allison Eder, James Branham, Melanie Barrett and Zack Conway.
McPhearson’s impressive technical team includes scenic designer Chris Newman (colorfully recalling David Rockwell’s original work), costume/wig designers Steve Burton and Tim Grewe, and lighting designer Anita Bachmann. Musical director Judy Mansky leads a firm orchestra particularly accented by the skillfulness of drummer Thomas Varner.
Attempting a character-specific, ensemble-driven show like “Hairspray” is a huge undertaking for a community theater, but the Playhouse effortlessly rises to the occasion. Long before the cast says goodbye with the infectious “You Can’t Stop the Beat,” one of only a few songs in contemporary musical theater to live in the pop culture mainstream, you’ll be glad “Hairspray” returned with unbridled glee.

 

“Hairspray” continues through Sept. 22 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Act One: 75 minutes; Act Two: 55 minutes. Tickets are $17 for adults and $15 for students and seniors. For tickets or more information, call (937) 424-8477 or visit www.daytonplayhouse.com

 

 

 

 

 

 

Filed Under: On Stage Dayton, On Stage Dayton Previews, On Stage Dayton Reviews Tagged With: Dayton Playhouse, Hairspray

‘Becky’s New Car’ Review – Human Race Theatre Company – Navigating a Midlife Crisis

September 19, 2013 By Russell Florence, Jr. Leave a Comment

BNC 3-1

Margaret Knapp, David Sitler and Michael Richey, photo courtesy of Scott J. Kimmins

“When a woman says she wants a new car, she wants a new life.” Becky Foster, a middle class wife and mother grappling with middle-age self-worth, intriguingly heeds this opinion in Steven Dietz’s aptly titled 2008 comedy “Becky’s New Car,” the Human Race Theatre Company’s engaging if lightweight season opener fluidly directed by Marya Spring Cordes.

At the outset, Becky, delightfully portrayed by a very personable and relatable Margaret Knapp, warns the audience they might have issues with her likability. In other words, the woman brushing up on her housecleaning before heading to her office manager job at a car dealership will evolve in ways that could startle or be off-putting. And it is Becky’s honest, direct, conversational allure that keeps her on the audience’s side, especially when she decides to take a leap of faith that shakes her family’s foundation with hurtful repercussions. I’m not sure how many women would follow Becky’s example of disregarding their marriage when charmed by a rich widower, but Dietz’s clever decision to demolish the fourth wall allows the audience to at least sympathize with her humorous yet bothersome predicament. By allowing the audience to comment on the action and occasionally join Becky on stage, an unspoken bond is established that breeds understanding. Dietz could have planted more substantive fireworks in the mildly tedious Act 1, but there’s no denying the engrossing tension that occurs in the darker Act 2 when Becky’s deception is revealed forcing her to face the music.
Knapp, navigating a convincing sea of frustrated, perplexed emotions, receives stellar support from an authentic supporting cast. As Becky’s easygoing, hardworking husband Joe, David Sitler excellently crafts a journey firmly built on trust that is eventually replaced with heartache and pain with a pinch of vengeance. Wright State University alum Gregory Mallios is sharp and amiable as Becky and Joe’s son Chris, a grad student still determining his path no matter how smart he thinks he is. Michael Richey is hilariously aloof as wealthy Walter Flood, an older gentleman smitten with Becky but not completely over the loss of his wife. Thanks to Richey’s sweet, innocent demeanor it is entirely believable that Becky would turn her world upside down for Walter, who is so far removed from the middle class that he’s humorously astounded by the concept of pizza delivery. Human Race resident artist Patricia Linhart makes a welcomed, commanding return to the Loft Theatre stage as the jaded, privileged Ginger, Walter’s acerbic friend who longs to be useful while wishing she were the center of his attention. Jason Podplesky, adept at physical comedy, is a bundle of energy as Becky’s co-worker Steve Singletary. Leslie Goddard is lovely as Walter’s spoiled daughter Kensington who finds the man of her dreams in one of the play’s crafty twists.
In addition, Tamara L. Honesty’s wonderfully colorful, expansive and inspired set, expertly lit by John Rensel, astutely signifies the varying directions within Becky’s conflicted existence. Linhart and Goddard are particularly costumed in striking black cocktail dresses in Act 2 courtesy of Christie Peitzmeier.
Later this season, the Human Race will stage two fascinating plays that are more indicative of their pedigree: Harvey Fierstein’s “Torch Song Trilogy” and Jon Robin Baitz’s “Other Desert Cities.” Until then, you’re encouraged to ride shotgun with Becky Foster. Hold on tight.

 

“Becky’s New Car” continues through Sept. 29 at the Loft Theatre, 126 N. Main St., Dayton. Performances are Wednesdays-Saturdays at 8 p.m.; Sundays at 2 p.m. and Tuesdays at 7 p.m. Act One: 53 minutes; Act Two: 60 minutes. Tickets are $36-$40. There are also a limited number of $25 tickets available for each performance. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit online at www.humanracetheatre.org or www.ticketcenterstage.com.

 

Filed Under: On Stage Dayton, On Stage Dayton Reviews, The Featured Articles Tagged With: Becky’s New Car, The Human Race Theatre Co.

Coming up in Dayton Theatre, 9/20 – 9/29

September 19, 2013 By Sarah Caplan Leave a Comment

Hello again! Welcome back and hello! We’ve got three good shows closing this weekend, a couple still running and one getting ready to open. Let’s get right on stage.

Closing This Weekend!

 

Hairspray!

Dayton Playhouse
hairspray-the-musicalThe Skinny: This high-spirited musical musical takes place in 1962 in Baltimore, Maryland. Teenager, Tracy Turnblad, dreams of dancing on The Corny Collins Show, a local TV dance program. When Tracy wins a role on the show, she becomes a celebrity overnight. She then launches a campaign to integrate the show. The show deals with injustices of parts of American society in the 1960’s.
Dates: Hairspray runs this weekend, closing Sunday, 9/22.
Tickets: Please visit the Dayton Playhouse website at www.daytonplayhouse.com

Hair

Beavercreek Community Theatre

hairThe Skinny: The American Tribal Love-Rock Musical!This show introduced America to the “Rock musical”, with songs that became standards, such as “The Age Of Aquarius” and “Easy To Be Hard.” Hair focuses on a “tribe” of hippies, touching on several different individual stories, woven throughout with the tragedy of the Vietnam conflict.
Dates: Hairs also closes this weekend, Sunday 9/22.
Tickets: Please visit www.bctheatre.org

First Baptist of Ivy Gap

ivygap_logoThe Skinny: During WWII, six women gather at the church to roll bandages and plan the church’s 75th anniversary. Overseeing things is Edith, the pastor’s wise-cracking wife who dispenses Red Cross smocks and witty repartee to Luby, whose son is fighting in the Pacific; Mae Ellen, the church’s rebellious organist who wants to quit but hasn’t the courage; Olene, who dreams of a career in Hollywood; Sammy, a shy newcomer with a secret; and Vera, an influential Baptist with a secret of her own. When Luby learns her son has been wounded, she confounds the others by blaming the vulnerable Sammy. Twenty-five years later, our “First Baptist Six” reunite!

Dates: Closing Sunday, 9/22

Tickets: To make ticket reservations, please call the Brookville Flower Shop at 937-833-3531

Opening This Weekend!

Harvey

harveyThe Wright State Theatre Company
The Skinny: Elwood P. Dowd is an endlessly pleasant & delightfully eccentric bachelor living in a small town that isn’t quite aware that its newest citizen is a 6’3″ white rabbit named “Harvey,” that only certain people can see.
Dates: Harvey opens Thursday, 9/19 and runs through 9/29
Tickets: Please visit the WSU Theatre Department box office website: http://www.wright.edu/theatre-dance-and-motion-pictures/performances/ticket-information

Currently In Production

Becky’s New Car

The Human Race Theatre Company

ndbeckyThe Skinny: Becky Foster is stuck in neutral—middle aged, in middle management and a middling marriage—until an honest misunderstanding with a wealthy widower offers her the chance at an exciting double life…and she takes it. Now she’s frantically juggling to keep her two worlds apart before everything threatens to come crashing down on her. It’s enough to drive Becky off a cliff, and she’s taking the audience along for the ride!

Dates: Running through the 29th.
Tickets: Please visit the Human Race Theatre Company website at www.humanracetheatre.org

A Mighty Fortress Is Our Basement

La Comedia Dinner Theatre

lacomedia-mighty-fortressThe Skinny: The fourth installment in the popular Church Basement Ladies series takes place in 1960, and reformation is underway. The Church Basement Ladies are once again required to face chance head-on, but they will stand strong in their faith and their friendships.

Dates: Closing 10/27.

Tickets: Please visit the La Comedia website at www.lacomedia.com

Filed Under: On Stage Dayton, The Featured Articles Tagged With: Beavercreek Community Theatre, Brian Sharp, Brookville Community Theatre, Dayton Playhouse, dayton theatre, hair, Hairspray, Human Race Theatre Company, la comedia dinner theatre, musicals, wright state theatre department, wright state university

AUSTENLAND Opens at THE NEON + New Event News!

September 18, 2013 By Jonathan McNeal Leave a Comment

austenland_xlgHello Everyone,

I’m back from Toronto, and I had a wonderful time. The film culture in Toronto – especially with the addition of the TIFF Bell Lightbox and their year-round programming – is phenomenal. In all, I saw 32 films at this year’s festival (out of 300+ options), and I met some great people. Now it’s back to focusing on Dayton’s film culture! There are some fun announcements below.

This Friday, we will open a new romantic comedy based on the popular novel – AUSTENLAND. On our other screen, we will hold BLUE JASMINE and BLACKFISH for one more week…in addition to an encore screening of The Big Lens Film Festival. For remaining showtimes for this week, visit our official site at www.neonmovies.com.

Synopsis for AUSTENLAND: “Jane Hayes is obsessed with all things Jane Austen. But when she decides to spend her life savings on a trip to a resort catering to Austen-crazed women, Jane’s fantasies of meeting the perfect gentleman suddenly become more complicated than she ever could have imagined.” (taken from Sony Pictures Classics) Click HERE to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=KbHr8YyjSlg’]

Due to the previous SOLD-OUT screenings, WSU’s Annual Big Lens Film Festival is returning to THE NEON for one more night. “The 21st Annual Big Lens Film Festival will play Tuesday, Sept. 24 at 7:30 at the THE NEON…Every year, Big Lens screens a selection of the very best short films to come from the Wright State University Motion Picture program, and this year is no different! Ranging from documentary to narrative, these six films cover a wide variety of subjects and emotions. Tickets, just $7 each, are now available at THE NEON. Some films may contain adult content.” (taken from Big Lens press release)

And speaking of film festivals, THE DAYTON LGBT FILM FESTIVAL is heading into its 8th year. The dates are set for October 11-13, and the line-up is fantastic. The committee has been working on this year’s festival since April, and we’re currently in the process of securing guest artists (and getting the website 100% ready). The official site should be ready by the end of the week, but you can visit our Facebook Page to get a glimpse of what’s happening. At the very least, be sure to check out the trailer for REACHING FOR THE MOON – it’s certainly NEON-hit material.

[yframe url=’http://www.youtube.com/watch?v=27YqB_UZ9u8′]

Thanks for your continued support!
Jonathan

SHOWTIMES for Fri, Sept. 20 – Thurs, Sept. 26:

BLUE JASMINE (PG-13) 1 Hr 38 Min
Friday, Saturday, Sunday: 1:00, 5:10, 7:20
Monday: 3:10, 7:40
Tuesday: 3:10
Wednesday & Thursday: 3:10, 7:40

BLACKFISH (PG-13) 1 Hr 23 Min
Friday, Saturday, Sunday: 3:10, 9:30
Monday – Thursday: 5:30

AUSTENLAND (PG-13) 1 Hr 37 Min
Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:15, 9:30
Monday – Thursday: 3:00, 5:15, 7:30

THE BIG LENS FILM FESTIVAL (NR)
Tuesday: 7:30

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Sept. 27 – SALINGER
TBD – THE HUNT
Oct. 4 – ENOUGH SAID
Oct. 11 – THE PATIENCE STONE
Oct. 18 – INEQUALITY FOR ALL
Oct. 25 – WADJDA
Nov. 22- KILL YOUR DARLINGS
Nov. 22 –DALLAS BUYERS CLUB
TBD – CUTIE AND THE BOXER

Filed Under: On Screen Dayton Tagged With: 12 years a slave, austenland, Blackfish, blue jasmine, dallas buyers club, Dayton Ohio, enough said, Kill Your Darlings, movie times, Neon, salinger, showtimes, TIFF

ENCORE Young Professionals Support Dayton Performing Arts Alliance With Season Opener

September 17, 2013 By Dayton Most Metro Leave a Comment

549996_139136986247282_1881814290_nThe 2013/2014 Season is finally kicking off! Join ENCORE young professionals for an exclusive evening on the town to celebrate Dayton’s rich cultural arts heritage on Saturday, September 21st. 

♫ 5:30 pm – Pre-show “mix ‘n mingle” at the Dublin Pub in the Oregon District

♫ 7:30 pm – Migrate over to the Schuster Center

♫ 8:00 pm – The Dayton Ballet, Dayton Opera, and Dayton Philharmonic come together to present the 2013–2014 Season Opening Spectacular, featuring the music of three very different composers in three distinctly different formats.

✒ SINGLE TICKET COST: JUST $30/ticket

✒ SEASON TICKETS COST: $120/all 6 ENCORE performances. This discount is up to 77% off regular single ticket prices. You can’t get prices like this in ANY city in America!!! LIMITED SEATS AVAILABLE!! Only 15 more season ticket packages available.

✒ Call Ticket Center Stage (888) 228-3630 TODAY to reserve your tickets.

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ENCORE Season Lineup:

♫ Saturday, September 21 – Season Opening Spectacular ($36 single ticket)
♫ Friday, December 13 – The Nutcracker Ballet ($70 single ticket)
♫ Saturday, January 18 – The Music of the Rolling Stones ($53 single ticket)
♫ Friday, February 21 – Hansel and Gretel Opera ($87 single ticket)
♫ Saturday, April 5 – Oh What a Night: Billboard Hits of the 60s ($61 single ticket)
♫ Friday, May 16 – Beethoven’s Great Ninth ($47 single ticket)

 

ENCORE! is a special program created to engage young professionals in a lasting relationship with the Dayton Performing Arts Alliance by bringing together like-minded individuals through performances, unique social events, special “perks” and networking opportunities. ENCORE! is cultivating the next generation of DPAA patrons and leaders to ensure that Dayton’s rich performing arts legacy will be enjoyed by many generations to come.

✒ Note: ENCORE! tickets can be exchanged for any production within the DPAA season as a $20 credit towards regular single ticket prices in your choice of available seating tier. Only one ticket per performance may be redeemed *´¨) ¸.•´¸.•*´¨) ¸.•*¨) (¸.•´ (¸.•`

¤ Hosted by DPAA Advisory Board Members: Maha Kashani & Richard Kaiser

 

Filed Under: Arts & Entertainment Tagged With: Dayton Opera, Dayton Philharmonic, DPAA, ENCORE!, The Dayton Ballet

Toronto – Day #9+ – 2013

September 14, 2013 By Jonathan McNeal Leave a Comment

Dear Readers,

I’m back in Dayton.  Yesterday evening and this morning were a whirlwind, so I didn’t have time to type this review until just now…sitting in the comfort of my living room.  Yesterday morning was taken leisurely, and I eventually saw 2 films in the afternoon and evening…then I went out for some cocktails.  Upon waking up this morning, I decided to fit in one more film before scurrying to the airport at Noon.  Thus this update includes films I screened on Friday and this morning.

EASTERN BOYS is a film about a French man who hires a male prostitute only to have his entire life uprooted by an entire gang of Eastern European hustlers.  It’s a scary film with long takes that forces us to deal with the situations, and it eventually makes way for a sort of love story that changes course.  There are moments in this film when my heart was beating so fast that I found myself holding my breath.   The film is sexually frank, and the lead hustler is both sexy and terrifying.  Though there are moments when we don’t understand a character’s motivations (like not immediately calling the police…though I’m guessing shame played a role), I ultimately really liked this film.

easternboys_02

ROCK THE CASBAH is a beautifully directed film about the gathering of a family for an important funeral.  Set in Morocco, this film is both funning and touching…and it’s full of amazing performances by a couple women I love – Hiam Abass and Nadine Labaki.  The film is narrated by the ghost of the recently deceased, played by Omar Sharif, and the film tackles some important issues – one being the role of women in Moroccan society.  Directed by Laila Marrakchi, this is a really solid crowd-pleaser by a woman who is shaking things up. (Abass, Marrakchi, and actress Morjana Alaoui came out for a Q&A after the screening.)

[yframe url=’http://www.youtube.com/watch?v=E6Oy9qKsCig’]

A PROMISE was my last film of the festival.  Unfortunately not the best.  From veteran director Patrice Leconte, directing for the first time in English, this film is based on the novel JOURNEY INTO THE PAST by Stefan Zweig.  The story follows a love triangle about an ailing steel factory owner (Alan Rickman), his young wife (the lovely Rebecca Hall), and the factory owner’s assistant (the adorable, but new to me, Richard Madden – I’ve never seen GAME OF THRONES).  The costumes and sets are lovely, but the story is relatively bland with some clunky dialog and there’s some questionable camerawork (some camera moves actually made me angry).  There’s an audience for this film…but it just didn’t cut it for me.

une promesse

So here I am.  Back at home and just beginning to think of all the films I saw.  32 in fact!!  It seems like weeks ago that I was heading into CLOSED CURTAIN.  In 9 days, I’ve been to far off lands, outer space, and familiar territory.  I’ve seen a couple masterpieces, and I walked out on a couple stinkers.  TIFF is always a highlight of my year, and I appreciate your interest in reading my thoughts.

All the best.

I hope to see you soon at THE NEON!

Jonathan

Filed Under: On Screen Dayton Tagged With: a promise, Dayton Ohio, eastern boys, hiam, hiam abbass, nadine labaki, omar sharif, patrice leconte, rebecca hall, rock the casbah, The Neon, TIFF, toronto

Smash, Snap and Splash are the Sounds of This Fall’s Urban Nights

September 14, 2013 By Dayton937 Leave a Comment

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Art galleries, retailers and other businesses will host special exhibits and other events during Urban Nights.

NOTE: Giant tents will cover downtown streets; more than 100 indoor venues participating in downtown Dayton’s Urban Nights, which takes place today (Sept. 20) rain or shine from 5 to 10 p.m. Follow Urban Nights on Facebook at www.facebook.com/UrbanNightsDayton for regular updates and any last-minute cancellations due to inclement weather.

Tents will cover the three Urban Nights Hotspots (listed below) and activity will take place as planned.

  • • International Street, Second Street between Main and Jefferson streets: Second Street will be closed to make way for dance performances from a variety of troupes, beer truck featuring import brews and a variety of food vendors.
  • • Arts Corner, St. Clair and Fourth streets: Fourth Street will be closed to make way for Paint Boxing, presented by CADC Art Gallery and Drake’s Downtown Gym — Home of Jab City Boxing. At 5:30, 6:30 and 7:30 p.m., see boxing demonstrations in a ring in the middle of the street. Then, watch boxers dip their gloves in brightly colored paint and jab and punch a huge canvas to create a piece of art. In addition, enjoy a range of entertainment hosted by nearby businesses, including live entertainment, art exhibits and special sales.

• Live on Five, corner of Fifth and Pine streets in the Oregon District: Check out live music by some of Dayton’s best bands and a fashion show from Sew Dayton and Brim while enjoying a brew from the beer truck.

A map of participating venues and a complete list of their events and specials is available online at www.downtowndayton.org, at info tents located throughout the event area and at participating venues.

*****

Downtown is going to be a lively and noisy (in a good way!) place with all the events going on during Urban Nights from 5-10 p.m. on Friday, Sept 20. More than 100 businesses are participating to make this the best Urban Nights yet. With three hotspots scattered throughout downtown, the streets of our center city are going to be one big party.

Visitors who come to the Arts Corner hotspot on Fourth and St. Clair streets will see boxers fighting in the middle of the street — with a canvas, that is. CADC Art Gallery and Drake’s Downtown Gym—Home of Jab City Boxing  are partnering to put on an unusual performing arts event called Paint Boxing. Boxers will dip their gloves into brightly colored paint then “smash” it into a large canvas to create a one-of-a-kind artwork. Onlookers also will be invited to learn basic boxing techniques at Drake’s Gym or paint box a T-Shirt at CADC.

The cameras of many photographers went “snap” to capture fantastic photos of Dayton for the annual Downtown in Focus photo contest. The winners have been chosen, and all photos entries will be on display in the lobby of the Kettering Tower, including the best-in-show winners and the Dayton mayor’s pick for “Dayton Original.” Find out if your top picks match what the judges decided.

Some “splashes” will be heard at the Mini-Midwest Outdoors Experience in Courthouse Square. This event, presented by Five Rivers MetroParks , gives a taste of outdoors experiences offered in Dayton. Visitors can try stand-up paddleboating in the Square’s fountain and slacklining and a mountain bike course in the Square. Over the Edge, sponsored by Big Brothers Big Sisters of the Greater Miami Valley, also will be taking place in the Square. Brave adventurers will be rappelling over the side of the 27-story KeyBank Tower to raise money for the organization. Courthouse Square activities will run until 8 p.m.

Three hotspots will be located throughout downtown. Art vendors, live music, henna art and a special performance of select excerpts from Spamalot by Sinclair’s music and theater departments can be found at Arts Corner. International Street will feature cuisine and dance performances from around the world. Live on Five in the Oregon District will be the live music hub for the night, and downtown stores Brim and Sew Dayton will present a fashion show in between musical acts to celebrate their mutual one-year anniversaries. (A complete schedule for the hotspots is below.)

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Check out some of Dayton’s best bands and a fashion show by Brim and Sew Dayton at the hotspot Live on Five in the Oregon District.

More than 30,000 people come downtown to experience Urban Nights, a free event when more than 100 establishments showcase downtown’s numerous offerings. The best way to see as much as possible during Urban Nights is to walk, and Greater Dayton RTA also will provide free event busses to help visitors get around.

A map of participating venues and a complete performance schedule, including a listing of all participating locations’ events and specials, is available online. Follow Urban Nights on Facebook for regular updates and more information.

SEPT. 20 URBAN NIGHTS HOTSPOTS

International Street

Sponsored by Miller-Valentine Group: Celebrating 50 Years

Second Street between Main and Jefferson streets

Enjoy dance performances while you grab an import brew to go along with chow from one of many food vendors.

Dancing in the Street Stage Schedule

5-5:25 p.m.:        The Circle Nerdz

5:30-5:55 p.m.:  The Beseda Dancers

6-6:25 p.m.:        South Dayton Dance Theatre

6:30-6:55 p.m.:  Troupe Roja

7-7:25 p.m.:        McGovern Ceili Dancers

7:30-7:55 p.m.:  Vivian Zumba

8-10 p.m.:            Son del Caribe

 

Arts Corner

Sponsored by Sinclair Community College and DP&L

St. Clair and Fourth streets

Paint Boxing:

Fourth Street will be closed between St. Clair Street and Patterson Boulevard for this special activity, hosted by CADC Art Gallery and Drake’s Downtown Gym—Home of Jab City Boxing and funded by the DDP’s Urban Nights Grant. At 5:30, 6:30 and 7:30 p.m., boxing demonstrations will be performed in the street.

Arts Corner Entertainment

Enjoy a range of entertainment hosted by nearby businesses, including live music, art exhibits, henna art and special sales.


Live on Five

Sponsored by Miami-Jacobs Career College, with media sponsor WYSO 91.3-FM

Corner of Fifth and Pine streets in the Oregon District

Grab a draft brew from the beer truck and rock out to a variety of live bands.

Entertainment Schedule:

5-5:40 p.m.:        Yvette “Diva” Williams, featuring Premium Blend

5:40 p.m.:            Molotov: Stupid Human Tricks

6- 6:40 p.m.:       Seefari

6:40 p.m.:            Molotov: Stupid Human Tricks

7-7:40 p.m.:        The Eric Jerardi Band

7:40-8 p.m.:        Fashion show from Brim and Sew Dayton celebrating both stores’ one-year anniversaries

8-10 p.m.:            Meghna & the Majority

Filed Under: Arts & Entertainment, The Featured Articles Tagged With: arts, bands, Beer, Dayton, Dayton Ohio, Downtown Dayton, Events, Oregon District, Things to Do, Things to do in Dayton

Toronto – Day #8 – 2013

September 13, 2013 By Jonathan McNeal Leave a Comment

My time in Toronto is wrapping up.  I’ll screen a couple films today and perhaps 1 film early tomorrow before I head to the airport.  It’s been a blast so far, but I am starting to drag.

The first film I saw yesterday was IGNACI M. – a Spanish documentary about an artist.  Brought up in a home with a mother and father who were also artists, this is an exploration of his relationships with his parents, children, and others in the community.  Ignaci is a colorful, gay, HIV+ man who takes 29 pills every day (the opening of the film has him explaining each pill – which is funny and heartbreaking all at once) and is willing to speak frankly with anyone.  Though I found this piece interesting, some of the interviews go on way too long.  I felt as though the editor was stretching this film to make it a feature – whereas it would make a much stronger 30-40 minute portrait. (The cheesy photoshoot moments didn’t help matters.)

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THE RAILWAY MAN, based on a memoir by Eric Lomax, is the story of a man who is dealing with the demons of having been tortured while a prisoner of the Japanese troops in Thailand.  Starring Colin Firth and Nicole Kidman (among many other great performances in the flashback scenes), this film has lush visuals and strong performances.  Lomax, in real life, died just last year…and the director of the film told the audience “Lomax loved that Colin Firth was playing him…his wife Patti was at the festival earlier in the week…she loved being here with her best friend Nicole.”  This film is well done, and it will appeal to people who love historical, war dramas – like THE EMPEROR from earlier this year.

[yframe url=’http://www.youtube.com/watch?v=ksrkKXoEJbM’]

SALVATION ARMY is a quiet, directorial debut for Abdellah Taia – based on his own semi-autobiographical novel.  This is the story of a young Moroccan boy who is discovering his sexuality and social codes in Casablanca.  Told in two parts, we see his upbringing and familial relations…then we see him off to study in Geneva – where more political and social obstacles lay in wait.  With very little dialog and told in a very matter-of-fact style, this film is certainly not for everyone…but I liked it quite a bit.  (Below is just a clip – a trailer doesn’t exist yet.)

[yframe url=’http://www.youtube.com/watch?v=5_CB0aVpKsw’]

And off I go to start my day.

Thanks for reading!

Filed Under: On Screen Dayton Tagged With: colin firth, Dayton Ohio, ignasi m, nicole kidman, salvation army, the railway man, TIFF, toronto, wwii

Toronto – Day #7 – 2013

September 12, 2013 By Jonathan McNeal Leave a Comment

I saw 4 films yesterday…among them was one big, special effects movie.  I rarely go for the huge, Hollywood titles while in Toronto, but I decided that because Alfonso Cuaron directed GRAVITY, I’d give it a go…but let’s start at the beginning of the day.

First off, I saw MARY QUEEN OF SCOTS – a Swiss film (in English and French) based on the book MARY STUART.  Though I certainly appreciated elements of this film, there were also numerous elements that made me cringe.  The score was often overbearing, and a few devices (the narration at the beginning and end, the over-use of puppets) fell flat.  The costumes and sets were marvelous, but overall, it didn’t work for me.

[yframe url=’http://www.youtube.com/watch?v=IpHckcAsES8′]

WE ARE THE BEST! is the new film by Lukas Moodysson.  Set in 1982 Stockholm, the movie is about 3 13-year old girls who start a punk band.  It’s a sweet portrait of rebellion and bonding, and the performances and situations are really wonderful.  That said, it’s not a film I’d revisit…there’s just something missing.  It’s good…just not great.

[yframe url=’http://www.youtube.com/watch?v=TfPytPjV1xc’]

GERONTOPHILIA is a film by Canadian filmmaker Bruce LaBruce.  This is a movie about a young man who realizes he is infatuated and turned on by senior-aged men…so he gets a job at a nursing home where he forms a special relationship with one of the residents.  Whereas I think this film might have some interesting things to say about age and aging, I felt that the shifts in tone (some of it feels like a farce, other parts seem very serious) made me less interested.  Though some parts were genuinely funny…and some parts were genuinely touching…ultimately I’m not a fan.  (Below is just a clip from the film…no trailer yet.)

[yframe url=’http://www.youtube.com/watch?v=pP7Dg1fvEm0′]

Lastly, I saw GRAVITY in IMAX 3-D.  Starring Sandra Bullock and George Clooney, I think this is biggest small film ever to come out of Hollywood.  Set in space, there are only 3 on-screen characters (and 1 dies almost immediately – so it’s mostly Bullock and Clooney).  After an accident (debris from a Russian satellite), an astronaut and a medical engineer are forced to figure out a way to survive .  This film is simple and scary.  And though there are a couple moments of on-the-nose monologue material (which kinda ruined the moment for me), I ultimately really enjoyed it.

[yframe url=’http://www.youtube.com/watch?v=OiTiKOy59o4′]

Thanks for reading!

Filed Under: On Screen Dayton Tagged With: alfonso cuaron, Dayton Ohio, George Clooney, gerontophilia, gravity, lukas moodysson, mary queen of scots, sandra bullock, The Neon, TIFF, toronto, we are the best

Toronto – Day #6 – 2013

September 11, 2013 By Jonathan McNeal Leave a Comment

Today is my last day of needing to wait in line for early-morning tickets…thus my last day of waking up at 6:00am.  How refreshing!

In addition to seeing 3 films yesterday, I got to hang out with a dear friend, Bill Taylor, who I met in line at a screening of TALK TO HER (one of my favorite Almodovar films) back in 2002 (my first year at TIFF).  Bill just completed his first feature film (which I will soon get a chance to see), and we have played 2 of his short films at the Dayton LGBT Film Festival over the years.  It was great to catch up.

VIOLETTE was the first film of the day, and it made me want to go out and pick up a bundle of books.  This is a film about Violette Leduc and how she became a well-known author.  A large portion of the film focuses on her relationship with Simone de Beauvoir, and several other renowned French authors work their way into the narrative.  The film is gorgeously directed by Martin Provost – director of SERAPHINE (if you haven’t seen this film, I highly recommend it – available via netflix, etc.), and it’s a wonderful story of self-discovery through writing.

violette_05

IDA, perhaps the most visually stunning film I’ve seen this year, is a lovely, quiet film (shot in black & white in a 1:37 aspect ratio (which means it appears more like a square than a rectangle)).  A young Catholic girl – about to take her vows as a nun – goes into the city to meet her aunt for the first time.  During the trip, she discovers her true roots and the life she had before being brought to the convent.  I loved this film.

[yframe url=’http://www.youtube.com/watch?v=MRzbCZtiWYc’]

TOM AT THE FARM is the new film by Xavier Dolan.  Based on a play, this is the first time Dolan has directed material that was in-part written by someone else…and it works.  I felt that Dolan’s last film suffered from its length – this one feels just right.  Tom visits the family of his recently deceased lover, and the mother didn’t know of her son’s homosexuality.  Very different in tone from Dolan’s first three films, this is a psychological thriller that becomes rather creepy.  Though I questioned a couple script choices, I ultimately really liked this film.  (The clip below doesn’t do the film justice…but at least you’ll get a small glance.)

[yframe url=’http://www.youtube.com/watch?v=b8bq-MGazn0′]

Thanks for reading!  Off to more screenings!

Filed Under: On Screen Dayton Tagged With: almodovar, bill taylor, Dayton Ohio, ida, silver road, talk to her, The Neon, TIFF, tom at the farm, toronto, violette, xavier dolan, young prime minister

Music for Teacups: Melissa Haviland & David Colagiovanni

September 10, 2013 By Dayton937 Leave a Comment

teacupsA composition in image and sound, the exhibition “Music for Teacups” employs video, sculpture and installation that utilize one object —the teacup—as a whimsical metaphor through which to explore and subvert notions of class and etiquette.

 

The video Music for Teacups, 2013 is a composition in image and sound that recombines captured footage of falling and breaking teacups. Like the “Drop Art” movement of the early 1960s and more recently a 1995 photographic triptych by prominent dissident Chinese artist Ai Wei Wei in which he is shown dropping a Han dynasty urn in an irreverent gesture to the worship of China’s past, the artists are in good company making art that expressive and even beautiful in its destruction. Central to Music for Teacups, however, are the sounds you are hearing as a direct representation of what you are seeing. Watch how the artists have captured both the image and sound of the moment a teacup or bell opens up, bounces on the ground or violently shatters and find the musicality hidden within these transformative events.

 

A Host of Options (wallpaper), 2013 is an installation of 2,400 small laser cut teacup shapes to create a fluttering wallpaper effect in the gallery. Installed with mother-of-pearl headed corsage pins, the teacups dangle by the handle—shifting as the viewer walks through the space. The black silhouette emphasizes the patterns that begin to develop as well echo true multiplicity available in porcelain production.

 

In addition, the video For Best, 2013 and the installation, To rend and to mend, 2013 document a performance in which the artists walk a simple, oval shaped balance beam (12′ long by 5′ wide) while Haviland balances china on her head. After balancing and breaking five full sets of china the remnants of the performance are mended and presented as sculpture. Haviland and Colagiovanni have said “Porcelain for us isn’t precious and neither are the roles associated with its use. We hope our work can communicate the fragility of both.”

 

Haviland and Colagiovanni are artists who live and collaborate in Athens, Ohio. Haviland, who is Associate Professor of Art, Ohio University, straddles the boundaries between printmaking and installation-performance exploring lineage, ritual, and practice within objects that are gendered and classed. Colagiovanni, who also teaches at Ohio, is a video and sound artist with interests in the reconfiguration of image and sound and the effects of gravity and immersion in virtual and physical space. They have exhibited nationally both singly and as a duo; been awarded numerous grants, fellowships, and residencies and have works in several permanent collections. In October, Music for Teacups will be included in the 2013 British Ceramics Biennial in England’s former Spode factory.  You can learn more about the artists and their work on their websites: www.colagiovanni.net  and www.melissahaviland.com.

 

The exhibition was selected from 117 applications through DVAC’s 2012 Biennial Call for Exhibitions.

 

You can check out this exhibition through October 19th at DVAC, located at DVAC 118 North Jefferson, downtown Dayton.  The galleries are open Tuesday through Saturday from 11am to 6pm.

Filed Under: Visual Arts Tagged With: David Colagiovanni, DVAC, Melissa Haviland, Music for Teacups

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