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Jonathan McNeal

Audiences & Critics Love SING STREET – Opening Friday at THE NEON!

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-132434-poster-xlarge-resizedHello Everyone,

We had a really nice weekend at THE NEON. Folks in the packed house on Saturday night really loved the screening of PURPLE RAIN…so we’re bringing it back one more time this Saturday at 10pm (last week’s screening sold out, and numerous people were disappointed not to get tickets). In addition to holding both MILES AHEAD and A HOLOGRAM FOR THE KING, we’re opening a brand new film that is currently rated “97% Fresh” on rottentomatoes – SING STREET. This charming, uplifting and funny film is a complete gem, and it’s from John Carney – director of ONCE.

Synopsis for SING STREET: “In 1980s Dublin, 14-year-old Conor is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, uber-cool and beautiful Raphina, and with the aim of winning her heart he invites her to star in his band’s music videos. There’s only one problem: he’s not part of a band…yet. She agrees, and now Conor must deliver what he’s promised – calling himself ‘Cosmo’ and immersing himself in the vibrant rock music trends of the decade, he forms a band with a few lads, and the group pours their heart into writing lyrics and shooting videos.” Click this LINK to visit the film’s official website.

https://www.youtube.com/watch?v=C_YqJ_aimkM

Don’t forget about this Thursday, May 5th’s special screening! Stivers School for the Arts is coming back to THE NEON with a new edition of student work – THE SHOWCASE. “This eclectic compilation of short films includes comedies, documentaries, animations, music videos, as well as experimental work. Some of these films have won national and regional awards. Following the show we’ll have a Q & A with the student filmmakers. All proceeds go towards updating equipment in the film and animation studio. Tickets will be $5.00 during the pre-sale and $7.00 day of the screening. Tickets are now available at THE NEON’s box office. Our students thank you for your continued support!” (taken from press notes)

“The Dayton International Peace Museum invites you to save Sunday, May 8, 2016 at 3:00 p.m. for HIP-HOPERATION. In conjunction with our ‘Invent Peace’ theme, this funny documentary follows the Journey of Seniors from New Zealand as they not only learn to dance Hip Hop, but attend a World Hip Hop Dance Championship in Las Vegas. Enjoy their delight in discovering a new world. Suggested Donation: $10 (includes popcorn!) More info at: daytonpeacemuseum.org or call Jerry at 937-999-7314.” (If you liked YOUNG AT HEART – the documentary about seniors singing rock songs – you’ll love this film.) Check out the trailer by clicking this LINK.

Mark your calendars! I can hardly believe it, but the documentary TRUTH OR DARE is now 25 years old! Take a Holiday with Madonna and her entourage as we celebrate the film’s anniversary on the big screen…one of the great concert films of the past 30 years…and an incredibly important film to me when I first saw it at age 17! “This documentary chronicles Madonna’s controversial 1990 ‘Blonde Ambition’ international tour (which ROLLING STONE has recently called “the best concert tour of the 1990’s”). The film is a behind-the-scenes look at Madonna’s relationships with her dancers and crew, her then-boyfriend Warren Beatty, and her family and friends, achieving an intimate glimpse into the boundary-pushing singer’s drive and individuality.” Gene Siskel said it was “One of the best and most entertaining films of the year.” Come dressed as Madonna or wear your favorite Madonna T-shirt for discounts at the Concession Stand! Tickets are now on sale. TRUTH OR DARE will screen Thursday, May 19 at 7:30 and Saturday, May 21 at 10pm.

“Massie Creek Paddlers and Tomfoolery Outdoors are pleased to announce the Dayton screening of THE REEL PADDLING FILM FESTIVAL WORLD TOUR. The festival is an international adventure film tour presenting the world’s best paddling films of the year – categories include: whitewater, sea kayaking, canoeing, SUP, action and lifestyle. Audiences will see hairy whitewater action, sea kayakers exploring remote coastlines, northern river canoe expeditions, international river travel films, motivating environmental documentaries, grueling kayak fishing battles and hilarious short films capturing the lighter side of paddling life. Join us on May 25 at 7:30 for the best paddling films of the year.” Tickets are $10 in advance and are only available at this LINK. If tickets remain on the day of the show, they will be $15 each and available at our box office one hour before showtime.

“LUNAFEST, a national festival of women’s films, comes to Dayton for the 7th time Sunday June 5 at 3:00 at THE NEON. The program features six award-winning short films that are international in scope, plus a short film by local filmmaker Aisha Ford. The films examine women’s stories told through the lens of women filmmakers in places ranging from Dayton, Ohio to the Philippines, Cuba and Iran. The diverse, thought-provoking stories for 2016 include challenges facing a woman boxer, a deaf woman dealing with cancer, the effects of drug addiction, raising a transgender child and more. Funds raised by this event will go to the Breast Cancer Fund and to Planned Parenthood Southwest Ohio Region. Tickets are $10.00 ($5.00 for students) and donations over this amount are gratefully accepted. The event is sponsored nationally by Luna and locally by Dayton Women’s Rights Alliance & the Dayton chapter of the American Association of University Women. Tickets can be purchased in advance at THE NEON.” (taken from press notes) To read about each of this year’s films, visit this LINK. A trailer for Aisha Ford’s film WREN can be viewed at this LINK.

Next week, we plan to bring a film that will absolutely delight foodies – CITY OF GOLD. If we have room, we’ll also open the big SXSW winner KRISHA.

Thanks for your continued support.

See you soon!
Jonathan

SHOWTIMES for Tuesday, May 3- Thursday, May 12:

MILES AHEAD (R) 1 Hr 40 Min
Tuesday & Wednesday (May 3 & 4): 3:00, 5:10, 7:30
Thursday (May 5): 3:00, 5:10
Friday (May 6): 12:20, 5:00, 9:30
Saturday (May 7): 12:20, 5:00
Sunday (May 8): 12:20, 5:15
Monday – Thursday (May 9-12): 5:10

A HOLOGRAM FOR THE KING (R) 1 Hr 37 Min
Tuesday-Thursday (May 3-5): 3:10, 5:20, 7:40
Friday & Saturday (May 6 & 7): 2:45, 7:15
Sunday (May 8): 7:30
Monday (May 9): 2:50, 7:30
Tuesday (May 10): 2:50
Wednesday (May 11): 2:50, 7:30
Thursday (May 12): 2:50

STIVERS FILM & ANIMATION – THE SHOWCASE (NR)
Thursday (May 5): 7:30

SING STREET (PG-13) 1 Hr 46 Min
Friday & Saturday (May 6 & 7): 12:30, 2:50, 5:10, 7:30, 9:45
Sunday (May 8): 12:30, 2:50, 5:10, 7:30
Monday – Thursday (May 9-12): 3:10, 5:30, 7:50

PURPLE RAIN (R) 1 Hr 51 Min
Saturday (May 7): 10:00pm

HIP HOP-ERATION (NR) 1 Hr 33 Min
Sunday (May 8): 3:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
May 13 – CITY OF GOLD
May 13 – KRISHA
May 20 – THE MEDDLER
May 27 – LOVE AND FRIENDSHIP
TBD – A BIGGER SPLASH
TBD – THE CONGRESSMAN
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE
TBD – HUNT FOR THE WILDERPEOPLE
TBD – SWISS ARMY MAN
TBD – CAPTAIN FANTASTIC
July 22 – ABSOLUTELY FABULOUS
July 29 – CAFE SOCIETY

Tom Hanks Fever + Cincinnati & Dayton’s MILES AHEAD at THE NEON!

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26004198166_ffa375b1b8_oHello Everyone,

We’re cleaning house this week!  On Friday, we will start two brand new films. First is Don Cheadle’s MILES AHEAD. This film was shot in Cincinnati and Dayton, and many filmmakers and actors from the region participated in the production (I even had the privilege of being an extra for a day back in 2014). In addition, we’ll open A HOLOGRAM FOR THE KING – starring Tom Hanks. Dayton is currently quite excited about Hanks and his attachment to Wright State University. Interestingly, Stuart McDowell of WSU visited Hanks on the set of HOLOGRAM FOR A KING in Berlin. It was during this meeting that Hanks agreed to put his name on the new “Tom Hanks Center for Motion Pictures” at WSU. (Would you like to win an autographed poster? Keep reading.)

Synopsis for MILES AHEAD: “In the midst of a dazzling and prolific career at the forefront of modern jazz innovation, Miles Davis (Don Cheadle) virtually disappears from public view for a period of five years in the late 1970s. Alone and holed up in his home, he is beset by chronic pain from a deteriorating hip, his musical voice stifled and numbed by drugs and pain medications, his mind haunted by unsettling ghosts from the past.” (taken from Sony Classics) Shot in Cincinnati & Dayton, this improvisation on the life of Miles Davis is a treat for music lovers! Click this LINK to visit the film’s official website.

 

Synopsis for A HOLOGRAM FOR THE KING: This film is based on the beloved novel by Dave Eggers and directed by visionary director Tom Tykwer. “Cultures collide when an American businessman (Tom Hanks) is sent to Saudi Arabia to close what he hopes will be the deal of a lifetime. Baffled by local customs and stymied by an opaque bureaucracy, he eventually finds his footing with the help of a wise-cracking taxi driver (Alexander Black) and a beautiful Saudi doctor (Sarita Choudhury).” (taken from Roadside Attractions) Click this LINK to visit the film’s official website. (More about Hanks, HOLOGRAM and WSU below.)

On Monday, April 25 at 7:30, Gathr Films along with Tricia Rau-Hammond will present a one-time screening of the new documentary MILK. “Through an intimate and artistic lens, MILK brings a universal perspective on the politics, commercialization and controversies surrounding birth and infant feeding over the canvas of stunningly beautiful visuals and poignant voices from around the globe. Inspiring, informative, provocative and sensitive, MILK celebrates bringing a new life into this world with a strong call to action and reflection.” (taken from Press Notes) In addition to the screening, the evening will feature a raffle of prizes from Luna Blue’s Boutique. Advanced tickets must be purchased on the Gathr site by following this LINK. If tickets remain, they will be available at our box office one hour before the screening.

“The seniors from the award winning Motion Picture program at Wright State University are showcasing their thesis work at the annual BIG LENS FILM FESTIVAL. The film festival of new work is scheduled for May 1st, 2016 at 7:30. There will be work from Joe Cook, Alan Lewin, Mitch Centers, Sydney Waltz, Brian Roll, C. B. Hovey, Jessica Barton, Michaela Scholl, Eric Risher, and Liz Lowe. Past participants in Big Lens have won awards at festivals such as Slamdance, Student Academy Awards, and Sundance.” (taken from press notes) Tickets are $7 and can now be purchased at THE NEON’s box office.

Thursday, May 5 at 7:30 has been reserved for a showcase of student work from Stivers School for the Arts. I’ll have more details for you soon!

“The Dayton International Peace Museum invites you to save Sunday, May 8, 2016 at 3:00 p.m. for HIP-HOPERATION. In conjunction with our ‘Invent Peace’ theme, this funny documentary follows the Journey of Seniors from New Zealand as they not only learn to dance Hip Hop, but attend a World Hip Hop Dance Championship in Las Vegas. Enjoy their delight in discovering a new world. Suggested Donation: $10 (includes popcorn!) More info at: daytonpeacemuseum.org or call Jerry at 937-999-7314.” (If you liked YOUNG AT HEART – the documentary about seniors singing rock songs – you’ll love this film.) Check out the trailer by clicking this LINK.

Would you like to win a poster from HOLOGRAM FOR THE KING signed by Tom Hanks? During our run of the film, you can enter your name for a chance to win one. Stuart McDowell helped to get posters autographed for us during yesterday’s festivities at WSU with Hanks – a truly fantastic event! Here are a couple photos I took from the ceremony.

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a5688b4e-28e1-45e4-976e-a2516f3d610d

Thanks for your continued support.
I hope to see you soon at THE NEON,
Jonathan

SHOWTIMES for Friday, April 22 – Thursday, April 28:

MILES AHEAD (R) 1 Hr 40 Min
Friday & Saturday (Apr 22 & 23): 12:50, 3:00, 5:10, 7:30, 9:45
Sunday (Apr 24): 12:50, 3:00, 5:10, 7:30
Monday-Thursday (Apr 25-28): 3:00, 5:10, 7:30

A HOLOGRAM FOR THE KING (R) 1 Hr 37 Min
Friday & Saturday (Apr 22 & 23): 12:30, 2:45, 5:00, 7:20, 9:40
Sunday (Apr 24): 12:30, 2:45, 5:00, 7:20
Monday (Apr 25): 3:10, 5:20
Tuesday-Thursday (Apr 26-28): 3:10, 5:20, 7:40

MILK – BORN INTO THIS WORLD (NR) 1 Hr 30 Min
Monday (Apr 25): 7:30
ONE NIGHT ONLY!

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
TBD – THE DARK HORSE
TBD – KRISHA
TBD – THE CONGRESSMAN
May 6 – SING STREET
May 13 – LOVE AND FRIENDSHIP
May 27 – THE MEDDLER
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE

Sally Field’s DORIS Soars! Hank Williams Biopic Opens Friday at THE NEON!

By

I SAW DMMHello Everyone,

Many thanks to everyone who came out to see HELLO, MY NAME IS DORIS this weekend. The response was terrific, and DORIS will certainly stick around. If you’re a Terrence Malick fan (or a fan of Christian Bale, Cate Blanchett or Natalie Portman) and you still need to see KNIGHT OF CUPS, Thursday will be your last chance to see it at THE NEON. On Friday, we will open the new Hank Williams biopic – I SAW THE LIGHT – featuring an incredible central performance by Tom Hiddleston.

Synopsis for I SAW THE LIGHT: “I SAW THE LIGHT tells the story of the iconic, tormented singer-songwriter Hank Williams who revolutionized country music with his raw charisma, haunting voice and original songs, most of which are considered American standards today and have been recorded many times over by pop, rock and country artists alike. Hank Williams (Tom Hiddleston) emerged from the local Alabama music scene after World War II. Wife Audrey (Elizabeth Olsen) was desperate to sing by his side despite being of lesser talent, which fueled an extremely turbulent home life.” (Sony Classics) Stephen Hubbard of ABC-Nashville wrote, “Not since Sissy Spacek portrayed Loretta Lynn as an actor inhabited a legend like Tom Hiddleston playing Hank Williams.” Click this LINK to visit the film’s official site.

https://www.youtube.com/watch?v=jc2TEsl7vC8

We’re only a week away from THE DAYTON JEWISH FILM FESTIVAL, and this year’s selections look like a winning line-up! The fest begins in early April with screenings and speakers all around town. Here’s a list of films that will screen at THE NEON:
Thursday, April 7 – 7:15pm – ATOMIC FALAFEL
Sunday, April 10 – 7:15pm – THE LAST MENTSCH
Tuesday, April 12 – 9:30am – GETT: THE TRIAL OF VIVIANE AMSALEM
Tuesday, April 12 – 7:15pm – BORROWED IDENTITY
Thursday, April 14 – 7:15pm – APPLES FROM THE DESERT
Sunday, April 17 – 5:20pm – MAKING MORNING STAR
Sunday, April 17 – 7:15pm – DOUGH
Advanced tickets are available on the festival’s official site.

On Wednesday, April 20 at 7:30, “Go Wild for Earth Month at the WILD AND SCENIC FILM FESTIVAL presented by Aveda and the SierraClub. The evening will be a celebration of wilderness and waterways as we take a cinematic tour of rivers, lakes, oceans and the individuals exploring, enjoying, and protecting them. Over 15 films spanning the globe highlight why our waterways should be wild.” (taken from press notes) Tickets are $10 each in advance, and they can be purchased via this LINK. If tickets remain, they will be sold one hour before the event at our box office for $12 each. All proceeds benefit the Sierra Club.

On Monday, April 25 at 7:30, Gathr Films along with Tricia Rau-Hammond will present a one-time screening of the new documentary MILK. “Through an intimate and artistic lens, MILK brings a universal perspective on the politics, commercialization and controversies surrounding birth and infant feeding over the canvas of stunningly beautiful visuals and poignant voices from around the globe. Inspiring, informative, provocative and sensitive, MILK celebrates bringing a new life into this world with a strong call to action and reflection.” (taken from Press Notes) In addition to the screening, the evening will feature a raffle of prizes from Luna Blue’s Boutique. Advanced tickets must be purchased on the Gathr site by following this LINK. If tickets remain, they will be available at our box office one hour before the screening.

Next Friday (April 8), we’re slated to open DEMOLITION – the new film from Jean Marc Vallee (director of WILD and DALLAS BUYERS CLUB). It stars Jake Gyllenhaal & Naomi Watts, and it was the Opening Night Film at last year’s Toronto International Film Festival. I think many of you will love it!

We hope to see you soon!
Thanks for your continued support,
Jonathan

SHOWTIMES for Monday, March 28 – Thursday, April 7:

KNIGHT OF CUPS (R) 1 Hr 58 Min
Monday – Thursday (March 28-31): 3:00, 5:30, 8:00
FINAL DAY – March 31!

HELLO, MY NAME IS DORIS (R) 1 Hr 35 Min
Monday – Thursday (March 28-31): 3:00, 5:15, 7:30
Friday & Saturday (April 1 & 2): 12:20, 2:40, 5:00, 7:20, 9:30
Sunday (April 3): 12:20, 2:40, 5:00, 7:20
Monday – Wednesday (April 4-6): 3:00, 5:15, 7:30
Thursday (April 7): 3:00, 5:15

I SAW THE LIGHT (R) 2 Hrs 3 Min
Friday & Saturday (April 1 & 2): 1:00, 4:00, 7:00, 9:30
Sunday (April 3): 1:00, 4:00, 7:00
Monday – Thursday (April 4-7): 3:00, 5:30, 8:00

DAYTON JEWISH FILM FESTIVAL
Thursday (April 7): ATOMIC FALAFEL (NR) – 7:15

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
April 8 – DEMOLITION (Opening Night film from TIFF)
April ? – REMEMBER
April 22 – MILES AHEAD (shot in Cincinnati & Dayton)
April ? – THE DARK HORSE
April ? – KRISHA
May 6 – SING STREET
May 13 – LOVE AND FRIENDSHIP
May 27 – THE MEDDLER
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE

Sally Field’s DORIS & Star-Studded Malick Film Open Friday at THE NEON!

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rs_634x939-151119112930-634-hello-my-name-is-doris-posterHello Everyone,

We’re cleaning house this week! If you need to see HITCHCOCK/TRUFFAUT, MUSTANG, SON OF SAUL or LADY IN THE VAN, Thursday will be your last chance to catch them at THE NEON. On Friday, we’ll begin a film that many of you have expressed excitement about – HELLO, MY NAME IS DORIS – starring Sally Field. In addition, we’ll begin a film by master filmmaker Terrence Malick with a star-studded cast – KNIGHT OF CUPS.

Synopsis for HELLO, MY NAME IS DORIS: “When Doris Miller meets John Fremont, her company’s hip new art director, sparks fly-at least for Doris. In the cluttered house she shared with her late mother, Doris mines the Internet for information on her one-and-only, guided by the 13-year-old granddaughter of her best pal Roz. When Doris begins showing up at John’s regular haunts, she wins over his Williamsburg friends. Her new life brings Doris a thrilling perspective, but also creates a rift between her and her longtime friends and family, who believe she’s making a fool of herself over a guy half her age. Eager for all the experiences she has missed out on, Doris throws caution to the wind and follows her heart for the very first time.” VARIETY wrote, “A showstopper. Sally Field shines.”

https://www.youtube.com/watch?v=Pdn-CcRypo8

Synopsis for KNIGHT OF CUPS: “Knight of Cups follows writer Rick (Christian Bale) on an odyssey through the playgrounds of Los Angeles and Las Vegas as he undertakes a search for love and self. Even as he moves through a desire-laden landscape of mansions, resorts, beaches and clubs, Rick grapples over complicated relationships with his brother (Wes Bentley) and father (Brian Dennehy). His quest to break the spell of his disenchantment takes him on a series of adventures with six alluring women: rebellious Della (Imogen Poots); his physician ex-wife, Nancy (Cate Blanchett); a serene model Helen (Freida Pinto); a woman he wronged in the past Elizabeth (Natalie Portman); a spirited, playful stripper Karen (Teresa Palmer); and an innocent Isabel (Isabel Lucas), who helps him see a way forward. Rick moves in a daze through a strange and overwhelming dreamscape — but can he wake up to the beauty, humanity and rhythms of life around him? The deeper he searches, the more the journey becomes his destination.” THE VILLAGE VOICE wrote, “KNIGHT OF CUPS might be both the most intoxicating film [Malik] has ever made-a deluge of gorgeous, kinetic images and sounds-and, in some ways, the most perplexing.” Click this LINK to visit the film’s official site.

It’s almost time for THE DAYTON JEWISH FILM FESTIVAL, and this year’s selections look like a winning line-up! The fest begins in early April with screenings and speakers all around town. Here’s a list of films that will screen at THE NEON:
Thursday, April 7 – 7:15pm – ATOMIC FALAFEL
Sunday, April 10 – 7:15pm – THE LAST MENTSCH
Tuesday, April 12 – 9:30am – GETT: THE TRIAL OF VIVIANE AMSALEM
Tuesday, April 12 – 7:15pm – BORROWED IDENTITY
Thursday, April 14 – 7:15pm – APPLES FROM THE DESERT
Sunday, April 17 – 5:20pm – MAKING MORNING STAR
Sunday, April 17 – 7:15pm – DOUGH
Advanced tickets are available on the festival’s official site.

On Wednesday, April 20 at 7:30, “Go Wild for Earth Month at the WILD AND SCENIC FILM FESTIVAL presented by Aveda and the SierraClub. The evening will be a celebration of wilderness and waterways as we take a cinematic tour of rivers, lakes, oceans and the individuals exploring, enjoying, and protecting them. Over 15 films spanning the globe highlight why our waterways should be wild.” (taken from press notes) Tickets are $10 each and can be purchased in advance via this LINK. If tickets remain, they will be sold one hour before the event at our box office. All proceeds benefit the Sierra Club.

We hope to see you soon!
Thanks for your continued support!
Jonathan

SHOWTIMES for Tuesday, March 22 – Thursday, March 31:

THE LADY IN THE VAN (PG-13) 1 Hr 44 Min
Tuesday – Thursday (March 22-24): 3:00, 7:30
FINAL DAY – March 24!

SON OF SAUL (R) 1 Hr 47 Min
Tuesday-Thursday (March 22-24): 5:10
FINAL DAY – March 24!

HITCHCOCK/TRUFFAUT (PG-13) 1 Hr 19 Min
Tuesday-Thursday (March 22-24): 5:15
FINAL DAY – March 24!

MUSTANG (PG-13) 1 Hr 37 Min
Tuesday-Thursday (March 22-24): 3:15, 7:30
FINAL DAY – March 24!

HELLO, MY NAME IS DORIS (R) 1 Hr 35 Min
Friday & Saturday (March 25 & 26): 12:20, 2:40, 5:00, 7:20, 9:30
Sunday (March 27): 12:20, 2:40, 5:00, 7:20
Monday – Thursday (March 28-31): 3:00, 5:15, 7:30

KNIGHT OF CUPS (R) 1 Hr 58 Min
Friday, Saturday, Sunday (March 25-27): 12:30, 3:00, 5:30, 8:00
Monday – Thursday (March 28-31): 3:00, 5:30, 8:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
April 1 – I SAW THE LIGHT
April 8 – DEMOLITION
April ? – REMEMBER
April 22 – MILES AHEAD (shot in Cincinnati & Dayton)
April ? – THE DARK HORSE
April ? – KRISHA
May 6 – SING STREET
May 13 – LOVE AND FRIENDSHIP
May 27 – THE MEDDLER
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE

New Michael Moore Film Now Playing at THE NEON!

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Where_to_Invade_Next-727341632-largeHello Everyone,

We just opened a documentary that is insightful, optimistic and terribly funny – Michael Moore’s WHERE TO INVADE NEXT. Knowing Moore’s work, you might look at the title and feel as though you already know where this film is going…but it’s actually quite a different tone (more below). In addition, we’re holding ANOMALISA as well as the OSCAR NOMINATED SHORTS (we’ve even brought back the documentaries for a few screenings). On February 19, we will open the new highly-anticipated Maggie Smith film – THE LADY IN THE VAN.

Synopsis for WHERE TO INVADE NEXT: “WHERE TO INVADE NEXT is an expansive, rib-tickling, and subversive comedy in which Moore, playing the role of ‘invader,’ visits a host of nations to learn how the U.S. could improve its own prospects. The creator of FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE is back with this hilarious and eye-opening call to arms. Turns out the solutions to America’s most entrenched problems already existed in the world – they’re just waiting to be co-opted.” (taken from Drafthouse Films) Entertainment Weekly wrote, “Where to Invade Next is so heartfelt and sincere, it’s tempting to say that Moore’s mellowed with age. But beneath its innocent-abroad optimism, the film has a stinging truth that’s hard to ignore.” Click this LINK to visit the film’s official site.

Our friends at ThinkTV are helping us once again to get a signal for our Annual FREE Oscar Party! This year’s telecast will happen on Sunday, February 28, and Ballots (where you can predict the winners for awesome prizes) are now available in our lobby. Our friends at Square One Salon & Spa are once again donating a fantastic prize that will part of our Grand Prize – “The Star Treatment.” Keep tuning in for more details!

“The Junior Leaguers Club of Dayton will sponsor a screening of OPPOSITE FIELD on March 5, 2016 at Noon. This is the club’s fifth annual fundraiser at THE NEON, and this movie is a classic underdog sports story about an Ugandan Little League team. This documentary is inspiring and will have the audience displaying a wide range of emotions as the team makes history as the first African team hosted by the Little League World Series. This is a great film for adults and our youth. The funds raised will go into the Junior Leaguers Club scholarship fund. The tickets are $30 for adults (which include movie, glass of wine, glass of soda, and popcorn) and $15 for students (which include soda and popcorn). Tickets can be purchased at THE NEON. Guest speakers for this screening will be Mr. Ron Johnson, president First Dayton Little League and Mr. Keith Byars, former NFL professional player and a little league player in his youth.” (taken from press notes)

Due to the upcoming holiday, we will have later hours on Sunday and earlier hours on Monday. Please see all of our upcoming showtimes below.

We hope to see you soon!
Thanks for your continued support!
Jonathan

SHOWTIMES for Saturday, Feb. 13 – Thursday, Feb. 18:

OSCAR NOMINATED SHORTS: ANIMATION (NR) 1 Hr 26 Min
Saturday, Sunday (Feb 13-14): 9:30
Monday (Feb 15): No Screening
Tuesday, Wednesday, Thursday (Feb 16-18): 3:15

OSCAR NOMINATED SHORTS: LIVE ACTION (NR) 1 Hr 47 Min
Friday – Thursday (Feb 12-18): 5:10

ANOMALISA (R) 1 Hr 30 Min
Saturday, Sunday, Monday (Feb 13-15): 12:00, 7:30
Tuesday (Feb 16): 7:30
Wednesday (Feb 17): No Screening
Thursday (Feb 18): 7:30

OSCAR NOMINATED SHORTS: DOCUMENTARY (NR) 2 Hr 44 Min
Saturday, Sunday, Monday (Feb 13-15): 1:50
Tuesday (Feb 16): No Screening
Wednesday (Feb 17): 7:30
Thursday (Feb 18): No Screening

WHERE TO INVADE NEXT (R) 1 Hr 59 Min
Saturday, Sunday (Feb 13 & 14): 11:50, 2:20, 4:50, 7:20, 9:50
Monday (Feb 15): 11:50, 2:20, 4:50, 7:20
Tuesday, Wednesday, Thursday (Feb 16-18): 2:50, 5:20, 7:45

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Feb. 19 – LADY IN THE VAN (Maggie Smith – need we say more?)
Mar. 4 – JANIS: LITTLE GIRL BLUE
TBD – 45 YEARS (Oscar Nomination for Charlotte Rampling)
TBD – SON OF SAUL (Oscar Nominated “Best Foreign Film”)
March 25 – KNIGHT OF CUPS
April 1 – I SAW THE LIGHT
TBD – THE LOBSTER, DEMOLITION, THE BRONZE

CAROL Soars at THE NEON! PEGGY GUGGENHEIM Doc & Return of SPOTLIGHT Start Friday!

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5117f5ba-f6a8-4f2d-a3fa-47bb154f4766Hello Everyone,

What a fantastic weekend! Many thanks to everyone who came out for CAROL at THE NEON! This stunning film surpassed the national average for us and has already reached “hit status” in our books. Don’t forget that your ticket stub to CAROL gets you 50% off admission to America’s Packard Museum – just a few blocks away.

We’re holding everything we’ve got (CAROL, THE DANISH GIRL and TRUMBO), and we’re adding a couple more films to the line-up. First off, we’re bringing a documentary that has received several requests – but it will only play for a handful of screenings – PEGGY GUGGENHEIM: ART ADDICT. In addition, we will bring SPOTLIGHT back into the mix…we’re pretty certain it will receive numerous Oscar nominations on Thursday.

Speaking of Oscars, I’m happy to announce that our friends at ThinkTV have once again agreed to help us get a signal for our annual Oscar Party. Save the date for Sunday, February 28. More details coming soon!

Synopsis for PEGGY GUGGENHEIM: ART ADDICT: “Lisa Immordino Vreeland follows up her acclaimed debut DIANA VREELAND: THE EYE HAS TO TRAVEL with PEGGY GUGGENHEIM: ART ADDICT. A colorful character who was not only ahead of her time but helped to define it, Peggy Guggenheim was an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art, but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.” (Submarine Deluxe) Click this LINK to visit the film’s official website.

Garry Harrington is bringing a cycling film to town on Wednesday, February 3 at 7:30. Sponsored by Five Rivers MetroParks, “INSPIRED TO RIDE is the followup film from the creators of the wildly popular and award-winning film RIDE THE DIVIDE, as well as their second film, REVEAL THE PATH. On June 7, 2014, forty-five cyclists from around the world set out on the inaugural TransAm Bike Race, a 4,233-mile cross-country, self-supported race from Astoria, OR, to Yorktown, VA. The route roughly follows the TransAmerica Trail as created by the Adventure Cycling Association, traversing through ten states in a transcontinental adventure of epic proportions…These athletes will endure agonizing climbs in the Rockies, driving winds in the Great Plains and sawtooth switchbacks in the Appalachians all for a pat on the back, potential bragging rights and a cold beer when it’s over. Some are out to make history and set records, while others are simply trying to finish.” Advanced tickets are $12 each and are only available at this LINK. Same day tickets (if available) will be $15 at our box office one hour before the screening.

We hope to see you soon!
Thanks for your continued support!
Jonathan

SHOWTIMES for Tuesday, Jan. 12 – Thursday, Jan. 21:

THE DANISH GIRL (R) 2 Hrs
Tuesday – Thursday (Jan 12-14): 2:40, 7:45
Fri, Sat, Sun (Jan 15-17): 7:15
Monday (Jan 18): 5:45
Tuesday – Thursday (Jan 19-21): 5:15

TRUMBO (R) 2 Hrs 4 Min
Tuesday – Thursday (Jan 12-14): 5:15
Fri, Sat, Sun (Jan 15-17): 4:45
Monday (Jan 18): 3:20
Tuesday – Thursday (Jan 19-21): 2:40

CAROL (R) 1 Hr 58 Min
Tuesday – Thursday (Jan 12-14): 2:50, 5:20, 7:50
Friday & Saturday (Jan 15 & 16): 11:45, 2:15, 4:45, 7:20, 9:50
Sunday (Jan 17): 11:45, 2:15, 4:45, 7:20
Monday (Jan 18): 3:15, 5:40, 8:00
Tuesday – Thursday (Jan 19-21): 2:50, 5:20, 7:50

PEGGY GUGGENHEIM: ART ADDICT (NR) 1 Hr 39 Min
ONLY 4 SCREENINGS OF THIS FILM!
Fri, Sat, Sun (Jan 15-17): Noon
Wednesday (Jan 20): 7:45

SPOTLIGHT (R) 2 Hrs 8 Min
Friday & Saturday (Jan 15 & 16): 2:10, 9:45
Sunday (Jan 17): 2:10
Monday (Jan 18): 8:10
Tuesday (Jan 19): 7:45
Wednesday (Jan 20): No Screening
Thursday (Jan 21): 7:45

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Jan. 22 – ANOMALISA (Charlie Kaufman’s new film)
Jan. 22 – YOUTH (starring Michael Caine & Harvey Keitel)
Feb. 12 – WHERE TO INVADE NEXT (Michael Moore’s new film)
TBD – OSCAR NOMINATED SHORTS
Feb. 19 – LADY IN THE VAN (Maggie Smith – need we say more?)
TBD – SON OF SAUL (almost certain to get an Oscar nomination)
TBD – 45 YEARS (Big Oscar Push for Charlotte Rampling)

BLANCHETT & REDFORD in TRUTH + Big Changes at THE NEON!

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f15d409ef0d2dd66517a60e998226f3b74edbf29Hello Everyone,

Cate Blanchett & Robert Redford! Need I say more? If you’re like me, you’re already invested! Tomorrow (Oct. 30) we open TRUTH – the new film starring these two incredible actors! (In the coming weeks, I’ll hopefully have more details for you about CAROL – the film with Blanchett I’ve been anticipating for more than a year.) If you still need to see EXPERIMENTER or COMING HOME, you’ll need to hurry. Today is the last day for both of these films at THE NEON. If you need showtimes for today, please visit our website – www.neonmovies.com Showtimes for the upcoming weekend/week are below.

I’ve recently had several people ask me why movies aren’t sticking around longer…customers are wondering why wonderful films (like COMING HOME and PHOENIX and MERU) are leaving after such short runs. Simply put, it almost always means films aren’t performing well. We haven’t had a hit in quite a while, and the independent industry is feeling this across the board. As I write this, distributors are frantically changing their distribution strategies for upcoming films – opening dates are shifting (some forward, some backward), and some titles may disappear entirely from our “Coming Soon” list. These date moves make it all the harder on small venues like THE NEON to effectively market upcoming engagements. I truly appreciate you keeping your eyes on this newsletter (and even our website and facebook) for the latest developments.

Synopsis for TRUTH: “On the morning of September 9, 2004, veteran CBS News producer MARY MAPES (Cate Blanchett) believed she had every reason to feel proud of a broadcast journalism job well done. By the end of the day, Mapes, CBS News, and the venerable CBS News anchor DAN RATHER (Robert Redford) would be under harsh scrutiny. The evening before, 60 Minutes II had aired an investigative report, produced by Mapes and reported on-air by Rather, that purported to reveal new evidence proving that President George W. Bush had possibly shirked his duty during his service as a Texas Air National Guard pilot from 1968 to 1974.” (taken from Sony Classics) Stephen Holden of THE NEW YORK TIMES wrote, “TRUTH is a gripping, beautifully executed journalistic thriller about the events that ended Dan Rather’s career as a CBS anchorman.” Click this LINK to visit the film’s official site.

Don’t forget that we’ve just opened MEET THE PATELS!
Synopsis for MEET THE PATELS: “A laugh-out-loud real life romantic comedy about Ravi Patel, an almost-30-year-old Indian-American who enters a love triangle between the woman of his dreams…and his parents. This hilarious and heartwarming film reveals how love is a family affair.” (taken from Alchemy Releasing) VARIETY calls the film “Sharp” and “Riotously funny.” Click this LINK to visit the film’s official site.

On Thursday, Nov. 5 at 7:30, Dayton native Tann Moore is bringing a selection of short films to town. “The Dayton Onyx Cinefest (D.O.C.) is a cinefest designed to broaden the horizons of local artists by bringing the culture of film to the African- American arts community and consumers of African-American entertainment in Dayton, Ohio. The fest’s goal is to encourage, educate and enhance the fine-arts related careers of emerging and established local filmmakers of color through a public exhibition and eventual competition program. The desire is to be instrumental in the process of discovering and launching independent films and filmmakers by bringing them to the attention of the public and broader industry. Additionally, attendees will have access to informational seminars and workshops covering a variety of topics including: independent film production, writing for independent film, and will have access to online tutorial programs designed to inform and educate local actors.” Tickets are $20 each and are available via the official site or at THE NEON’s Box Office.

On Sunday, November 15 at 3:00, The Dayton International Peace Museum will have a special screening of SEEKING THE TRUTH IN THE BALKANS. This screening is in commemoration of the 20th anniversary of the Dayton Peace Accords, and tickets will be on a first come first serve basis on the day of the screening for a requested minimum donations of $10. “In the 1990s, the former state of Yugoslavia devolved into chaos as various segments of the country declared independence, inflaming age-old ethnic tensions and the worst genocide to occur in Europe since World War II. During the midst of the conflict, the UN Security Council created the International Criminal Tribunal for the former Yugoslavia (ICTY) to prosecute genocide, war crimes, and crimes against humanity. The ICTY was the first international criminal tribunal since Nuremberg. Now, 23 years later as the ICTY is wrapping up its cases, this prize-winning documentary explores the legacy of this landmark experiment in international law and asks if truth, peace, justice or reconciliation were attained by interviewing over 100 persons most impacted by the decisions of the Tribunal. The trailer for the film can be seen by clicking this LINK.

“Up And Running of Dayton has partnered with Trails in Motion to bring exciting films and documentaries about trail running to the Dayton Area on Wednesday, November 18 at 7:30. All proceeds from this event will go to Girls On The Run of Dayton. Each year, the TRAILS IN MOTION FILM TOUR brings a collection of the finest trail running films to passionate audiences around the world. Trails in Motion strives to present a varied montage of high quality film content from dynamic film makers in this genre, and also aims to develop a global community that brings together like minded trail runners and outdoor enthusiasts in a visual celebration of the sport. All hosted by people who love to share this ‘dirty art’ with their local running communities.” (taken from press notes) Tickets, just $12 each, are available at THE NEON’s box office, at Up And Running stores in Dayton and Troy or via this Speedy Feet LINK.

I’ve already had a handful of requests regarding this year’s holiday film selections. I will announce this year’s line-up in next week’s newsletter!

Thanks for your continued support!
Hope to see you soon,
Jonathan

SHOWTIMES for Friday, Oct. 30 – Thursday, Nov. 5:

TRUTH (R) 2 Hr 5 Min
Friday & Saturday: 1:00, 4:00, 7:15, 9:45
Sunday: 1:00, 4:00, 7:15
Monday – Thursday: 2:45, 5:15, 7:45

MEET THE PATELS (PG) 1 Hr 18 Min
Friday & Saturday: 1:10, 3:10, 5:15, 7:20, 9:30
Sunday: 1:10, 3:10, 5:15, 7:20
Monday – Wednesday: 3:10, 5:15, 7:20
Thursday: 3:10, 5:15

DAYTON ONYX CINEFEST (NR)
Thursday: 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Nov. 6 – LABYRINTH OF LIES
Nov. 13 – SUFFRAGETTE
Nov. 25 – BROOKLYN
TBD – ROOM
Possible Titles: SPOTLIGHT, THE DANISH GIRL, CAROL, TRUMBO, YOUTH

TIFF 2015 Day #9 – My Final Day!

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Youth-poster-newHello Everyone,

Today was my last day of screenings, and even though I feel like I’ve been away for months, I’m actually a little sad to be packing my bags.  There are several films I didn’t get a chance to see, and every year I think I’m going to take part more in the industry activities (indiewire talks, a variety of lectures, etc.) – but I don’t.  I just end up cramming in movies.

First off today, I saw STONEWALL, directed by Roland Emmerich.  This film was lambasted before anyone saw it.  Criticism soared across the web based only on the trailer, and I must admit that I went into this screening with very low expectations…and I was pleasantly surprised.  Though not a masterpiece by a long shot, it’s better than I anticipated.  The story of the actual Stonewall Riots is only a portion of this coming-of-age tale about a young guy kicked out of his home and now living on the streets of NYC with numerous other LGBT youth.  This is a fictional story set in the midst of some recognizable events and characters, and despite some giggles at some inappropriate moments (due to trite material) it worked emotionally for several people around me in the cinema.

YOUTH is director Paul Sorrentino’s follow-up to his masterpiece THE GREAT BEAUTY.  It’s a lovely film about two long-time friends (Michael Caine and Harvey Keitel) vacationing in the Swiss Alps.  Though not much “happens,” there’s a lot of discussion about life – both present and past, and there is an abundance of cinematic poetry.  The two men are on different paths.  One is finishing a screenplay for what should be his next great film and the other is retired with no intention of returning to his work (even at the request of the Queen of England).  Though perhaps a bit too avant garde for some, I devoured this film and its interesting gaze.

My last film of the festival was THE WITCH, directed by Robert Eggers.  This period thriller/horror film set in 1630’s New England was a smash at Sundance, and I have to admit that I have a secret thing for witches.  From Margaret Hamilton to Angelic Huston, from Shakespeare’s “double double, toil and trouble” to Miller’s trials – I’ve always been fascinated by them. Though stylish and sometime startling, The performances and period details are very well executed, the cinematography is moody and beautifully done, and there are some genuinely haunting moments…but something wasn’t working for me.  Perhaps the score which purposefully misguides us numerous times helped to create a distrust in the storytelling – I’m not entirely sure what was creating the disconnect for me. That said, as much as this film is about a witch, it’s even more about paranoia and distrust and a creepy devotion to the Bible.  During the Q&A, we heard the director talk about all of his research for this film – from court documents and diaries from that era to architectural elements, his knowledge of the subject made me appreciate the film a bit more.  I think this film will certainly find a devoted audience…but I wasn’t 100% sold.

And now it’s time to pack my bags.  I’ve met some great people during this trip – critics that write for international publications, people who curate festivals in other markets and numerous lovers of cinema.  I’ve seen old friends, I’ve had good food, I’ve seen numerous movie stars and famous directors, and I’ve watched 34 movies.  It’s been a blast. Thanks for checking in on me.

I hope to see you soon.  All the best,

Jonathan

TIFF 2015 – Day #8

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Victoria_(2015_film)_POSTERHello Everyone.

Today was the first day I didn’t have to get up terribly early, and that extra 45 minutes of sleep was much appreciated.

My day started off with a screening of a film that will be on the top of my list – SPOTLIGHT, directed by Tom McCarthy.  This is a newsroom procedural of the Boston Globe uncovering the Catholic Church scandal in 2001.  Starring Mark Ruffalo, Michael Keaton, Rachel McAdams and Liev Schreiber, this film has a great script, tight editing and at times plays like a thriller.  The material is certainly chilling – especially when one character states that when it comes to priests and pedophilia, it’s not just a few bad apples, it’s  “a recognizable psychiatric phenomenon.”  I think it could go the distance for numerous nominations this season.

VICTORIA, directed by Sebastian Schipper, was next on my list.  This 2+ hour film was done in one long, mobile take. It’s the story of a young woman who gets caught up with a group of guys after leaving a nightclub in Berlin.  She’s romantically interested in one of the guys, but the gang has a mission that night…and she ends up getting tangled up in a bank robbery.  Though the last 40 minutes are quite exhilarating, it takes a long time to get moving.  Because it’s one shot, we would never buy the protagonist’s motivations to join the guys on their heist if we didn’t have time for her to form a connection.  Thus we are forced to watch the set-up of their relationship in what would normally be trimmed down to 15 -20 minutes (instead it takes more than an hour – some of which is rather tedious).  The film is technically incredible and the performances are wonderful too…I just felt it went on too long – but I understand that’s part of the point.

JAMES WHITE, directed by Josh Mond, was my final film of the day.  Cynthia Nixon and Christopher Abbott both give incredible performances in this film about a walking powder keg who is taking care of his sick mother.  Abbott plays James –  a hot-headed, partying slacker with bursts of violence, and the performance is riveting.  The raw feel of the film truly puts us in the heart of New York without ever feeling like a triptych, and there are a couple powerful moments between mother and son which really cemented Josh Mond as a filmmaker to watch.   The director and cast were present for a Q&A, and Nixon was asked about her preparation for the part.  She spoke eloquently of having lost her mother to Cancer during the same year of shooting the film and of losing two close friends to AIDS in the 90’s…and how she was able to draw upon those bedside experiences to prepare for the role.

Only one more day!

Thanks for reading,

Jonathan

TIFF 2015 – Day #7

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room_posterHello Everyone.

Today was a rough start.  One of the boys at IndieWire threw a little party last night, and I got in very, very late…so getting out of bed at 6:30 was a challenge.  But I made it…and managed to squeeze in a nice nap mid day. So everything worked out fine.

First off, I saw THE MAN WHO KNEW INFINITY, directed by Matthew Brown.  This is a film about an Indian mathematician whose theories revolutionized his field…and the his hardships in having them heard due to racial tensions in England.  The movie stars Dev Patel and Jeremy Irons, and this is certainly Patel’s most subtle and best role since SLUMDOG. Though I found some material a little hokey, it’s ultimately a solid period piece that will be a crowd-pleaser. (There is not yet a trailer for this film.)

the-man-who-knew-infinity

ROOM, directed by L Abrahamson is fantastic.  This is the story of a young woman and her son who are being held captive in a small garden shack.  The little boy turns 5 early in the film, and the “Room,” his mother and the man who visits regularly (their captor) are the only things the boy knows of the world.  Though they have television, he’s been raised to believe that everything there is make-believe.  I had quite a response to this film.  My entire body was trembling during the scene when the boy’s mother created a plan for the boy to escape.  I haven’t had this type of bodily response to a film in a long, long time.  (I’m not going to tell you anything more about the plot.  Just trust me…it’s great.)

I SMILE BACK, directed by Adam Salky, was next on the list.  Sarah Silverman is getting a lot of praise for this brave, raw performance – and it’s well-deserved.  This is the story of a married mother of two who is battling mental illness and substance abuse.  It’s a gritty film, and the story is actually simple.  Though performances are strong across the board, and I think the film is well done, there was something keeping me from really connecting.

My final film of the day was MISS SHARON JONES!, directed by Barbara Kopple.  This documentary is about the legendary singer and her battle with Cancer.  Kopple is one of a handful of directors who had a film premiere at the very first Toronto Film Fest (then known as “The Festival of Festivals”) – the film was HARLAN COUNTY, USA, and it went on to win the Academy Award.  This film is full of great music and Jones’ soaring spirit.  During industry screenings, audience response is quite minimal…this one was followed by a nice round of applause.  (I’ll soon be acquiring some Sharon Jones and the Dap Kings music.)

USA - MUSIC - Sharon Jones

I no longer have to get in line super early, so I get to sleep in until 7:45 tomorrow.   I’m looking forward to that extra sleep.

Thanks for reading,

Jonathan

 

TIFF 2015 – Day #6

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21165911088_409fa65dab_oHi Again.

Thanks for coming back.  Today, in addition to 4 films and one late night party, I managed to have a window of time that allowed me to have a nice dinner and small shopping spree – so I have now contributed nicely to the Canadian economy.

First thing this morning, I saw THE DRESSMAKER, directed by Jocelyn Moorhouse and starring Kate Winslet.  Moorhouse, known for her weepie HOW TO MAKE AN AMERICAN QUILT, wasn’t quite sure which tone to give to this most recent novel adaptation…so she went with several.  What starts out as a “Screwball Western” changes genres and mood so many times, it’s difficult to explain.  Winslet, returning home after a long absence, appears as a curvaceous outlaw – her nontraditional weapons are her Singer sewing machine, a great gold swing and her feminine wiles.  Accused of killing a classmate while in grade school, she hasn’t been back to town for years.  Now she’s back to take care of her mother and set things straight.  This Australian film is completely bonkers!  It also stars the awesome Judy Davis and the terribly sexy Liam Hemsworth, and was penned by P.J. Hogan (MURIEL’S WEDDING).  Though I found this film to be an overall disaster, I couldn’t stop watching – the performances are fun and some of the material is quite hysterical.

https://www.youtube.com/watch?v=580PmstF7IA

Next up was a film that many have been quite excited about. WHERE TO INVADE NEXT, directed by Michael Moore isn’t quite what it seems.  There is no trailer yet for this film that critics are dubbing “Michael Moore’s Happy Film,” and if you watch the clip below, even the press was speculating about the subject of the film before it premiered (the young woman in the clip mentions what the film is about…and she’s completely wrong).  In what might seem to be Michael Moore’s most optimistic film, he visits various countries and gives us ideas as to how we could do things better.  From Italy’s vacation policies to school lunches in France to Slovenia’s no tuition for college system, Moore explains that these practices lead to better living conditions, a more productive work force and overall better state of affairs.  This film is a crowd-pleaser.

http://www.youtube.com/watch?v=2ZVGbH2awic

I then scurried across town for the under-attended MA MA, directed by Julio Medem.  Medem, known for his film LOVERS OF THE ARCTIC CIRCLE and SEX AND LUCIA, was in attendance along with the stunning lead actress Penelope Cruz.  This is the story of woman who finds out she has breast Cancer but continues to be a most compassionate, giving/forgiving woman.  Critics have not been terribly kind to this beautifully executed melodrama (but they rarely are with this genre).  Though not without its flaws, I really liked this film. (Unfortunately, I can’t find a trailer with subtitles, but you should watch this one regardless.)

ANOMALISA, directed by Charlie Kaufman & Duke Johnson, was my final film for the day.  This stop-motion puppet film, written by the much beloved Kaufman (BEING JOHN MALKOVICH, ADAPTATION, ETERNAL SUNSHINE OF THE SPOTLESS MIND), is 100% made for adults.  It’s a relatively simple story about a motivational speaker staying overnight at a hotel trying to escape his monotonous life.  There is no trailer for this film – only the Kickstarter campaign below.  The film won the Grand Jury Prize in Venice, and word has it that it is being picked up for distribution.

la-2437344-et-0904-charlie-kaufman-telluride-02-r-20150903

Thanks for reading!  Only a few days left.

More tomorrow,

Jonathan

TIFF 2015 – Day #5

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Freeheld-posterHello Again.  Thanks for coming back!

Half way through today marked the half way point of the festival.  And by the end of the day, I had seen 20 films in all…but there’s lots more to go.

My first film of the day was the thriller COLONIA, directed by Florian Gallenberger.  Starring Daniel Bruhl and Emma Watson, this film started out like a conventional political thriller about civil unrest in Chile in 1973.  But then it became an over-the-top cult escape thriller.  This is the story of Colonia Dignidad – a hideous compound in Chile that housed a religious cult and also served as a military torture prison.  Though entirely engaging, I found some of the characters to be of the Disney villain sort – thus making it seem like it couldn’t be based in reality.  That said, the story is based on fact, and seeing the actual photos at the end was a nice pay-off.  There were moments that seemed a little too much HUNGER GAMES driven – so I’m not sure who the intended audience is…serious subject but a little too young adult driven to rise to the top for me.

Next up was FREEHELD, directed by Peter Sollett and starring Julianne Moore and Ellen Page.  This was a film I was looking forward to seeing, and I was a little disappointed at first.  Though the performances are certainly quite good, the film seemed a bit flat at first.  This film is based on the short documentary of the same name.  We played it at the Dayton LGBT Film Fest several years ago, and it went on to win the Academy Award.  It’s the story of Laurel Hester and her attempt to get her police pension left to her domestic partner in New Jersey.  Though perhaps a little “one-note” in this role, it takes Steve Carell to inject some energy into the film.  The original documentary covered the material that picks up in the second half of the film, and that’s where I became most engaged.  This story was groundbreaking in its role to bring marriage equality to New Jersey…and now that marriage equality is nationwide, it serves as an important reminder of why LGBT people have been fighting so hard.

Next up was THE FAMILY FANG, directed by Jason Bateman.  This film is based on a beloved novel, adapted for the screen by David Lindsay-Abbaire (playwright of RABBIT HOLE).  Starring Bateman, Nicole Kidman and Christopher Walken, this is the story of a family who are reunited after an unlikely accident.  The parents are long-time, well-known performance artists who stage very public pieces that often come off as practical jokes.  Though certainly a very touching film, it is also terribly funny. Somewhere between FLIRTING WITH DISASTER and SAVAGES and even a little ROYAL TENENBAUMS (though more for its elements of family dynamics), this film became my biggest surprise for the festival.  I was intrigued enough to go…but was so delighted that I had.  It’s a wonderful film.  Bateman and Walken were there for a Q&A, and it was delightful.  It was clear that Bateman loved having Walken in the role, and he said “Everything Chris did was fantastic.  It was like killin’ babies in the editing room.” This film has yet to be picked up for distribution…but I bet it will be soon.

75-1

I had about half an hour to spare this evening, so I poked into JANIS: LITTLE GIRL BLUE, directed by Amy Berg – it was not my intention to stay for the entire film (and I didn’t).  I was quick to learn that this documentary about Janis Joplin was made for PBS (I believe it will play on American Masters series).  Though intriguing subject material and certain to find a big fan base, this film wasn’t working so well for me on the big screen.  Much of the archival footage was so grainy and distorted via large format projecting…I think it will play much better on televisions.

THE ONES BELOW, directed by David Farr was my last film of the night.  “Eagerly awaiting their first child, a young couple in a tiny London suburb become involved in a psychological battle of wills with the tenants in the apartment downstairs…” (taken from the TIFF program).  Unfortunately, this film also looked like it would play much better on television – but not due to pixilation or grainy footage.  This thriller had some unintended laugh-out-loud moments…and in most other circumstances I would have left after 20 minutes.  But for some reason, I felt compelled to stay and so I could shake me head and roll my eyes at some very strange decisions in what had hoped to be a bit more of a nod to Roman Polanski.  Though there were a couple gripping moments, I ultimately found this film to be the biggest turkey of my TIFF experience so far.

75-2

And now it’s off to bed.  Thanks for checking in.

More tomorrow,

Jonathan

TIFF 2015 – Day #4

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brooklynHi Again!

My first film today was TRUMBO, directed by Jay Roach.  For the first few minutes, I had to get over its visual style.  It seemed a little cartoony, and the cinematography seemed more like television than film…but then it took its hold on me with a sharp screenplay and terrific performances.  This is the story of Dalton Trumbo, one of the “Hollywood 10” who was Blacklisted during America’s fear of people affiliated with the Communist Party. The script is terrific, and the story is playful but serious – and Brian Cranston is wonderful in his Big performance (during the Q&A, the director noted that “Trumbo didn’t just talk, he performed.”).  This is a film that had the packed house bursting into applause during certain key moments, and I think it’s a film that would certainly go over well with NEON audiences.  We’ll see what the distributor has in mind (not to mention the crowded marketplace this fall)! (NEON favorite Helen Mirren plays Hedda Hopper – and she chews up the scenery with her wickedly upsetting material.  One other supporting role that stood out was John Goodman’s.  You’ll love him.)

https://www.youtube.com/watch?v=R2AaNh4FSig

DISORDER, directed by Alice Winocour, was the next film of the day.  Starring Matthias Schoenaerts (a regular face at THE NEON – RUST AND BONE, THE DROP, and FAR FROM THE MADDING CROWD…and possibly THE DANISH GIRL this Fall), this is the story of a man with PTSD who is hired to work security for a wealthy family while the husband is away on business.  This psychologic turned invasion thriller is marked with great performances, edge of your seat tension and incredible sound design.

Up next was MAGGIE’S PLAN, directed by Rebecca Miller.  This seemed like new territory for a Rebecca Miller film to me.  It might be in large part to Greta Gerwig’s presence, but it felt more like a Noah Baumbach/Woody Allen comedy.  That said, this love triangle comedy starring Gerwig, Ethan Hawke and Julianne Moore certainly has some wonderful moments (and Julianne Moore steals every scene she’s in as a Danish professor).  The story is about a single woman (Gerwig) who is determined to have a baby and finds herself in a relationship with a married professor.

Maggie's Plan

Lastly, I saw my favorite film of the festival so far – BROOKLYN, directed by John Crowley.  In this lovely 1950’s period film, Saoirse Ronan plays a girls who moves from Ireland to Brooklyn in order to have a better life.  We witness a wonderful transformation from reserved wallflower to a more confident, stunning woman.  With a screenplay by Nick Hornby, this film works on all levels.  The screenplay is great, the performances are wonderful, and the cinematography will make you swoon.  Saoirse Ronan, Domhnall Gleeson (seen earlier this year in EX MACHINA),  Emory Cohen (who you might recognize from THE PLACE BEYOND THE PINES) and director John Crowley were in attendance for an insightful Q&A.

After all my screenings, I met different people at a couple different locations for cocktails.  It was a nice mix of business & pleasure to cap off the day.

More tomorrow.  Thanks for reading!

Jonathan

TIFF 2015 – Day #3

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a5e418c00d1f88a05b2165e602f9f7f0_originalHello Again,

After my successful turn in line this morning, I was off to my first screening – MISS YOU ALREADY, directed by Catherine Hardwicke.  Many people refer to this type of a film as a “chick flick.”  Though there are many films that get this label, there are a handful of these guilty pleasures that I have absolutely adored over the years…and I was hoping to find a new BEACHES today.  Hardwicke takes the story of two best friends since childhood (Toni Collette and Drew Barrymore) and gives it the energy and style of her film THIRTEEN.  There’s lots of crazy camera moves and a series of montages in an attempt to keep it fresh, but I feel that style detracts from this already overlong story.  Though there are certain elements of this film that work (namely Collette), I was mostly disappointed.  However, I was still moved by the ending – so I still had some sort of emotional attachment.

I had only planned on 4 films today, but when I had a window of time, I snuck in another film instead of a nap.  SLEEPING GIANT, by first-time Canadian director Andrew Cividino, is a lakeside summertime coming-of-age story about a teenage boy of privilege and his friendship with two much rougher boys living with their grandmother for the season.  It’s pretty early on in the film that we feel the powder keg sensibility of what’s in store, and the story becomes a little predictable.  But the cadence of the contemporary youthful dialog is just right and the boys’  performances are all strong.   What’s especially lovely about this film is the subtext.  This is one of the stronger films I’ve seen so far…but a hard sell – teen dramas that aren’t really meant for teens are always tricky (even when they’re as wonderful as ME AND EARL AND THE DYING GIRL).

THE LADY IN THE VAN, directed by Nicholas Hytner, was next on my list.  Hytner was in attendance for this film, and the Q&A was fantastic.  Based on the memoir and subsequent play by Alan Bennett, the films stars Maggie Smith (who originated the role in the play in 1999).  As this was the world premiere, it was Hytner’s first time seeing the finished film with an audience, and he had such eloquent things to say.  Maggie Smith is divine, and I must say that it’s smarter, funnier and significantly more touching than the trailer alludes. (Sony Classics has picked this up, so it’s pretty certain it will get a NEON run.)

Then I got to see the North American premiere of THE DANISH GIRL, directed by Tom Hooper (KINGS SPEECH).  This lovely film isn’t without a couple problematic moments, and it will certainly have its LGBT detractors – harping that it’s too “easy.”  That said, I think it works.  With lovely art direction, exquisite costumes and incredible performances across the board, this is a love story about artists Lili Elbe and Gerda Wegener (Eddie Redmayne & Alicia Vikander).   Lili, first introduced to us as Einar Wegener, is known to be the first recorded person to receive sexual reassignment surgery in the 1930’s.  Her diaries, posthumously used as the basis for the book MAN INTO WOMAN, remain highly regarded work for the transgender community.  There will certainly be a lot of award season buzz for this film. (In addition to a fantastic Q&A with Tom, Eddie and Alicia, the audience at this screening included many stars from other films at the festival – including Johnny Depp (his wife Amber Heard plays a wonderful role in the film, and she was stunning tonight).)

TE PROMETO ANARQUIA, directed by Julio Hernández Cordón, was my last film for the night.  This gritty film set in Mexico City is about two skateboarder boyfriends and their attempt to make some cash.  It feels a bit like some of Gus Van Sant’s indie work (less GOOD WILL HUNTING and MILK, more PARANOID PARK and ELEPHANT).  There are a lot of scenes where we simply see people traveling through the landscapes of the town with a loud, music-driven soundtrack.  And there a handful of scenes with dudes showing off their machismo – which I understood their intent but felt were some of the weaker moments.  The storytelling was uneven and overly long, and I think some of the plot points were haphazardly executed. About 25 minutes in, I considered leaving…but I’m glad I stuck it out.

I finished up the night with cocktails and catching up with some friends from NYC.  Some high profiles films are on the docket for tomorrow – looking forward to them.

Thanks for reading!

Jonathan

TIFF 2015 – Day #2

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KillYourFriends2-600x400Hello Again!

Today started off much the way they’ll all start.  I pulled myself out of bed after 4.5 hours sleep and scurried into the industry ticket line.  (Not having to run across town each morning is really fantastic.)

The first film I saw today was from one of Canada’s most beloved filmmakers – Atom Egoyan (THE SWEET HEREAFTER, CHLOE, and many more).  REMEMBER stars Christopher Plummer as a Holocaust survivor with dementia who escapes from his nursing home to seek revenge on the Auschwitz commander who killed his family.  Though a serious and intriguing subject, with moments of great tension, the film sometimes comes off as a bit twee when dealing with Plummer’s age and condition.  There’s a good story here, but I just didn’t completely buy it.  That said, I know many people will love this film.

Next up was IN CONVERSATION WITH JULIANNE MOORE.  Clips from Moore’s career (BOOGIE NIGHTS, BIG LEBOWSKI, FAR FROM HEAVEN, THE HOURS, STILL ALICE, and more) played before she took the stage for a hour-long interview with Cameron Baily (and eventually a handful of audience questions).  As I already knew, this woman is a class act.  It was exciting to hear her insights on acting and her eloquence and command of language is so refreshing.  She mostly spoke of her career in indie films, but she still referenced all the Hollywood material (JURASSIC, HUNGER GAMES, etc) she’s done…and she attributes her years on soap opera for giving her an opportunity to really learn to work.  When asked by a young, college bound actress about seeking a career and having a “plan B” (referencing STILL ALICE), Julianne suggested always getting a college degree (even if it is in acting) and “do everything that interests you.”  I love her! (The Star covered this event.  For their story, visit this LINK…though the link might not work outside of Canada.)

After lunch and a 30 minute nap, I scurried to THE LOBSTER, directed by Yorgos Lanthimos.  This is a film set in a parallel universe – but it’s not really science fiction.  It’s the story of a man who goes to a hotel where people go to find partners.  After 45 days, if they haven’t found a partner, they get turned into an animal of their choice (OK, so maybe a hint of science fiction).  This quirky allegory is from the man who brought us DOGTOOTH – one of my favorite challenging films of the past decade.  THE LOBSTER is the director’s first English language film, and though I certainly like some of its themes and some of its moral and societal questions, I felt it was a little more disjointed than I’d prefer.  I felt like the film began to lose steam in its second and third act.  That said, I’d certainly watch it again…so there’s a testament to its strengths.

My last film for the day was KILL YOUR FRIENDS, directed by Owen Harris.  This is a super-polished and scathing look at the music industry – starring Nicholas Hoult and based on a best-selling novel.  The portrait of how things get done for record labels (though I’m sure you could substitute any number of high profile “glamorous” jobs) is relentless, and the drug use, the disregard for women (and in this over-the-top case, even violence) was terribly off-putting.  Now here’s the question.  Will some audiences simply revel in it?  Will the drug use and hookers with bare breasts seem the ultimate goal to some…or will audiences really read it as a cautionary tale?  I’m hoping for the latter. Nicholas Hoult plays the adorable maniac very well, and the movie recalls the tone and message of films like THE PLAYER and AMERICAN PSYCHO.

That’s it for today.  I’m off for a beer with some friends.  Hoping to be in bed by midnightish….we’ll see.

Thanks for reading,

Jonathan

P.S.  You can quickly look at all my Toronto posts by going to www.mostmetro.com/tag/tiff  Thank you!

TIFF 2015 – Day 1

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MV5BMTU1MDcxODk2OV5BMl5BanBnXkFtZTgwNzA5Nzc2NTE@._V1_SY317_CR2,0,214,317_AL_Hello Daytonians & Film Lovers!

Thanks for checking in to see how everything went with my first day of screenings.  I got up early and was in the Industry Box Office line by 6:55…and there were still several people ahead of me.  This line starts a little earlier each year, and some folks have joked about possibly camping out.  I’m glad to report that I did get the tickets I desired for Saturday – including the premiere of THE DANISH GIRL.

After grabbing tickets, I went to my first screening – HITCHCOCK/TRUFFAUT, directed by Kent Jones.  This is wonderful, and film lovers will delight.  Using the famous book written by French New Wave darling Francois Truffaut as a launching pad, this film explores that famous interview and is such the careers of both Hitch and Truffaut.  We get interviews from contemporary directors who have great relationships with the book (Wes Anderson, Martin Scorsese, David Fincher, Oliver Assayas and more), and numerous sound bites from the week-long interview back in the 60’s.  Hearing Hitchcock talk about his work will delight cinema theorists…especially when he talks about what’s really happening during a certain scene in VERTIGO.  (There is no trailer available for this film yet…just one of these famous stills.)

Truffaut.Hitchcock_Photo.by.Philippe.Halsman.Courtesyof.CohenMediaGroup.3_{26725b4d-9af9-e411-8342-d4ae527c3b65}_lg

Next up, I saw 45 YEARS, directed by Andrew Haigh.  Starring Charlotte Rampling and Tom Courtenay, this is a film about a couple preparing for their 45th Wedding Anniversary party.  Early in the film, Courtenay’s character receives a letter that the body of a former girlfriend has been found in the ice (she died in an accident while hiking by a glacier decades before).  The news shakes him to his core, and his wife begins to take offense that he still seems to care so deeply about someone else.  Full of some wonderful performances and always aware of the passing of time, this film makes you realize how quickly the foundation can be shaken from below your feet.  The sound design (and lack of score except for incidental music) was particularly interesting.  Though still a little “flummoxed” with the ending, I ultimately like this quiet, slow-paced film.

Before going back the apartment to get ready for Opening Night, I saw one more film – EVERYTHING WILL BE FINE, directed by Wim Wenders.  After Wenders made PINA (one of my favorite documentaries ever) in 3D, he decided that he would continue using that format for narrative film.  It’s certainly interesting to see a film where 3D is used as an artistic tool instead of an effect-driven gimmick.  That said, this film was all over the map.  Meandering, overscored, and  dotted with some bombastic moments and a weak screenplay, I found it difficult to care too much about the characters.

https://www.youtube.com/watch?v=L7N8ZZ7Q8Os

Last up, I went the official Opening Night film – DEMOLITION, directed by Jean-Marc Vallee (director of DALLAS BUYERS CLUB and WILD).  TIFF has a reputation for programming “not-so-great” films for Opening Night (THE JUDGE, SCORE: A HOCKEY MUSICAL, etc.).  But tonight’s film was quite good…perhaps the best they’ve programmed over the past decade.  This is the a about a man who seems to be unable to feel anything after the death of his wife (she dies in a car accident that leaves her husband unharmed).  Jake Gyllenhaal gives a wonderful performance as a man who is incapable of feeling emotions.  Driven by work, he is otherwise disconnected with the life he’s living.  Though there are moments written into the script that seem more driven by potential audience pleasure than character development, I rather liked this film.

Glenn Kiser, a director & friend who visited Dayton for The Dayton LGBT Film Festival a few years ago, invited me to the Opening Night screening and Party.  We had a great time catching up and the party was quite a sight (“people watching” is quite fun in this scenario, and complimentary booze certainly helps to make things merrier).

It’s 1:30am, and I need to be up in 5 hours.

All the best,

Jonathan