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10?’s with Chef Matt Hayden of Scratch Event

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Chef Matthew Hayden

Chef Matthew Hayden credits his mom as being his first mentor in the kitchen.  Being a “sick kid” Matt missed many days of school and spent a great deal of time with his mother. She taught him to cook and how to channel his creativity into other useful skills. Matthew’s father Phillip travelled the world extensively and introduced Matthew to the cultures, customs, and cuisines of many different countries. His father instilled in him a strong work ethic, a sense of pride in his community, and an entrepreneurial spirit.

He graduated from Ohio University with a psychology degree, worked as a “smoke tester,” climbing smoke stacks and performing technical services for the EPA and local Engineering firms. He then spent time as a studio musician, and still writes and performs original music, in his spare time.  In the late 90’s Matt and his family purchased and operated the Centerville Pourhaus Tavern. Hayden’s next venture took him to Miamisburg, buying the old TW’s and reinvented it as The Chimney’s Inn.  Matt spent  eight years building his catering business while running the restaurant.  Last year he sold that building  to the Anticoli family, who now run Giuliano’s Tavern there.  This allowed Matt to open his next venture, which he calls his dream business: Scratch Event Catering.

 In the short time since he founded Scratch, Matt has earned a reputation in Dayton as a creative, forward-thinking chef and business-owner. He proudly offers his talents to his native city and devotes a great amount of time to his community. He serves in numerous non-profit capacities in Montgomery County: he is a trustee on the board of Dayton Opera, a member of Centerville Noon Day Optimists and Generation Dayton, and acts as a foodservice consultant for Aids Resource Center Ohio and numerous other non-profit organizations.  Matt is optimistic for Dayton’s future and will continue to offer his talents and creativity to the city that gave him the opportunity to succeed.

 

What is your favorite ingredient to cook with?
At this moment, a common Indian spice blend called garam masala. For a chef that is compelled to explore new flavors continuously, a spice mix such as garam masala represents a stepping stone to endless possibilities. Because it contains numerous spices that are considered both savory and sweet to a western tastes, it can be substituted for cinnamon, traditional curry, clove or even cumin to tremendous effect. Imagine a apple with hints of cardamom and cumin or chicken salad with hints cinnamon and star anise….

What ingredient do you dread?
Im not sure I can say that I dread any ingredient. But if I did, I imagine it would be the ingredient that could only be prepared one way.

Seafood Gumbo with Crab Claws, Mussels, Shrimp, Chicken & Andouille Sausage!

What’s your favorite dish to make? Probably Seafood Soups and Stews – They are festive in nature and are indigenous to nearly every culture. E.g. New Orleans Gumbo, Ciopinno, Brazilian Moqueca, She Crab Soup, Clam Chowder, Bermuda Fish Chowder…. They all make my mouth water, and are an occasion in and of themselves.

What’s your favorite pig out food?
Chicago Hot Dogs and Pizza to name a few

What restaurant, other than your own do you like to dine at in the Miami Valley?
Real Mexican at Taqueria Mixteca, Un Poco de Todos at Las Piramides, Numerous Slices from Flying Pizza, Massaman Curry and Rangoon Sticks at Bahn Mai Thai, Brie Flatbread Pizza and Gnocchi at Savona’s , Whole Wheat Calzone at Ha Ha Pizza, Anything with Submarine House Pepper Relish on it, Tapas until I am blue in the face at El Meson and Anything that has been touched by Elizabeth Wiley, Jenn Disanto, Anne Kearney or my Mother in Law.

What’s your best advice for home chefs?
No one has a monopoly on good food, so get crackin !

If you could invite any 4 guests to a dinner party who would they be and why?

dressed up deviled eggs


Led Zeppelin – background music whilst I cook.

Who do you look up to in the industry and why?
Anthony Bourdain for telling it like it is; Heston Blumenthal and Ferran Adria for thinking way-ass outside the box; Alton Brown for unearthing so much information and Rachel Ray for irritating me.

What do you do in the Miami Valley on a day off?
Be with my wife!

 

You’ll be able to sample Scratch Catering at the upcoming Fleurs et Vin Festival on Sun, May 20th  at Carillon Park!

Change is in your hands with updayton

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It’s almost time for the annual updayton Summit!

What? You’re not excited? Well, maybe it’s because you don’t know what it is or how much it’s impacted the Dayton area. Allow me to fill you in!

updayton was conceived in 2007 as a way to attract and keep young talent through engagement, connection and empowerment of the young creatives in the Miami Valley. The organization partners with and is sponsored by other local organizations and businesses.

Current updayton Director Yvette Kelly-Fields says, “The Summit provides a platform for people to use creative thinking and problem solving to address issues that affect the attraction and retention of young talent to the region. We are starting to see the fruits of our labor as we see more young professionals moving into the downtown, opening businesses and filling local jobs.”

Former Director Scott Murphy said he believes the summit has helped to spotlight critical issues to help keep more young people in the region. He enjoys the energy and excitement associated with the event and said he’s “particularly proud of how we’ve been able to take the feedback we receive from Summit attendees and turn that into recommendations for local leaders.”

As a graduating college student, I can’t tell you how many times I’ve heard my fellow students complain there isn’t enough opportunity for them as young entrepreneurs around Dayton. They’d rather try their luck in a different city, or even a different state that seems to have better employment options.

But as the updayton site says, we can be the change we want to see, and it has been successful in its endeavors for community and economic change.

“Each project last year created both community and economic impact,” said Maria Norman, in charge of public relations for the organization.

In fact, the current iteration of this very website (Dayton MostMetro.com) was born out of the first updayton summit three years ago, when summit participants in a live survey of various community project ideas voted overwhelming for a comprehensive online resource for the Dayton Region.  Since then, the site has grown with the help of over 40 volunteer interns, writers and editors, and has become the go-to site for tens of thousands of people in the region wanting to connect with things to see, do and get involved with.

Winner of the "Unifying the Divide: Bridge Paint Project" - Dayton Wags

Currently, the Creative Communities project is continuing to work on a major beautification project between the Oregon District and South Park neighborhoods called “Unifying the Divide: Bridge Paint”. “This will raise the visibility of both areas and serve as a new attraction and destination point for the City for native Daytonians and visitors,” said Norman.

The focus this year is on increasing residents’ use of alternative transportation, aiding the integration of diverse immigrants in the area, reviving the Twin Towers neighborhood, and developing a sustainable program to improve community’s college students’ perceptions of downtown and encouraging them to participate in and experience all downtown has to offer. Also, for the first time, updayton will present a panel of experts in urban revitalization and who will show how they are changing the game in their community. They’ve been appropriately named, Game Changers.

“It  has been said, if you want to change the world, start with your city, start with the updayton Summit. Change starts there,” says Director Kelly-Fields.

The updayton Summit will be held on Friday, April 27, 2012 at the Dayton Art Institute. For more information or to register to attend, visit their website at updayton.com or check them out on Facebook.

Got Soul?

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Step Afrika

Got talent? Got pride? Got commitment? Got compassion? I am pleased to report that the answer is YES, to each and every one of those questions, as they apply to the 80 or so members of the Soul Rhythms Team!! Culture Builds Community: yes, yes, yes, yes, yes!

It’s a feel-good process! And the list could go on! Got imagination? Got fun? Got friends? Got community? YES! That is our goal with education and outreach – getting to YES!

One of the things I learned early on in theatre training was the unspoken commandment of the YES. Particularly in improvisation, the play forward requires that you say YES to your scene partner. If not, there is no scene. It’s similar in music. While watching LaFrae Sci work with the young Stivers musicians, I was struck by the importance of invitation, making the YES an opportunity to accept. Each of those musicians say YES by the way they follow the “conduction” process: thematic cues, symbols for dynamics and the gesture I will call “invitation” to solo. As LaFrae extends her arm from elbow to fingertips in the direction of a player, he or she is invited to bring their unique skill and interpretation to the moment. It’s an invigorating process!

[yframe url=’http://www.youtube.com/watch?v=ycKor1ILIgc’]

We’re held to account in the creative process. Our response to invitation is action. YES does mean work. For sure, you are on the line when you accept such an invitation. You must produce. The invigorating part is when you realize that what you’re producing is yourself. Nobody else. Your talents, your choices, your deepest ideas; even the things you question become part of the product, deserving of your time and exploration. As human beings, we are always “becoming.” The choice, then, is what we become.

LaFrae Sci

As community builders, working through arts and culture, we have a distinct opportunity to invite every Dayton dweller to say YES to the growth of our community, to the tremendous assets, by getting involved, taking action. Yes is an action!!! One thing we strive to teach with Culture Builds Community is that commitment is positive. It is an active response, a YES! Involvement invites each voice in this Dayton portion of our human family to be heard! This Sunday afternoon at 3:00pm at the Masonic Center, Soul Rhythms will unveil a series of remarkable choices made by a troupe that has said YES to commitment, creativity, hard work and big fun! On that stage, YES is the star whose glimmer is powered by the 75 or so performers that accepted the invitation. Youth and adults alike, working in collaboration, making art, sharing traditions, establishing friendships: the YES is working!

Soul Rhythms is a tour de force of percussive dance, multicultural musical form, spoken word, history and tradition. The theme of migration is visual, on stage and screen, with filmed sequences affirming the texture and movement of the dance, and audible in the array of instruments beings played throughout the show. Truly, this is a feast for the eyes and ears. And then, there’s the soul! The rhythms of the soul are well nourished in this performance, as they have been for the past 6 weeks in residency. Seeing young people take on challenges and meet them, artists working with youth as peers, so many diverse traditions sharing in one beautiful effort: it is surely a model to embrace. This is Dayton! We are saying YES to who we are, individually and together.

Got soul? Darn right!

[yframe url=’http://www.youtube.com/watch?NR=1&v=6eDwTiLVBTY’]

 

Food Adventures Crew Thai One on at Tik’s Thai Grille

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Our best Food Adventures often come when we least expect it, and some of these impromptu meals, end up being the most fun.  A perfect example of this was our visit to Tik’s Thai Grille which is located in a strip shopping mall on the Bellbrook-Centerville border.  The owner, Tik has been a successful restaurateur  for years.  Big Ragu stumbled upon this place on his way home and decided this was a spot that he and the Food Adventures Crew would have to try.  All he had to do was mention the words “Thai Food” and “Close to home” and our foodies were on their way.

Once inside the restaurant, we were instanty struck by the stunning interior.  The restaurant was spotless and beautiful artwork adorned the walls.  This would make a perfect date place.  We were greeted by Tik who showed us to our nice, “Romantic” table.  It was a late weeknight, so we had the rare opportunity to talk to Tik and the staff.

Before you can understand Tik’s Thai Grille on 725, you have to know what makes it tick.. whoops, we mean Tik.  Who is Tik?  She is a very animated person who is originally from Thailand.  Since her arrival in America, Tik has become a self taught chef who used to own a few restaurants including Yummy Burger and what is now House of Thai in Beavercreek.  An unlikely career for someone who as a child in Thailand, could not stand the chore of cooking.  Well, look at her now.  She currently owns and helps operate two Thai restaurants, Tik’s Thai Grille in Bellbrook and Tik’s Thai Express across the street from Wright State University.

The Spicy Tom Yum Soup was.. well, YUM !

Very proud of her menu, Tik was eager to share many dishes with us.  The kitchen offers traditional Thai food and lots of options for carnivores and vegetarians alike.    We decided to grab an appetizer and went with the Mango Fresh Rolls.  Tik brought out our appetizer, but also decided to accompany the mango fresh rolls with Tom Yum Soup, Fried Butterfly Shrimp, and Crispy Thai Spring Rolls.   We instantly noticed how beautifully the food was presented.  The Big Ragu immediately went for the fried Butterfly Shrimp and munched on the Mango Fresh Rolls.  This food was not only gorgeous, but delicious as well.  The Mango Fresh Rolls were incredible!  They are loaded with Avocado, Mango, Vermicelli Noodles, Carrots, Mint and rolled into Rice Paper.  The Big Ragu who is the “King of Fried Foods,” thinks that the Fried Butterfly Shrimp was one of the best appetizers that he has ever tasted.   This could be because of the spectacular Sweet Chili Dipping Sauce which accompanied the shrimp.  We enjoyed the Thai Cripsy Spring Rolls as well and our sinuses were pretty much drained because of the Tom Yum Soup.  We are still sweating from this flavorful soup!

Your Food Adventurers will admit that we were starting to feel a little full from the arsenal of appetizers, but out comes Tik with our entrees.  We decided to go with is usual staple of Chicken Pad Thai and also decided to try the Bourbon Chicken Noodles.  The Pad Thai was excellent…..full of big chunks of chicken, soft egg noodles, eggs, carrots, cabbage, and that wonderful Thai Peanut Sauce.  This dish did not disappoint!  The Big Ragu was equally impressed with his selection of Bourbon Chicken Noodles which contained Egg Noodles, Chicken, a mix of vegetables, egg, and the housemade Bourbon Sauce.  Our pants really started to feel quite a bit tighter due to all the food.  We moved slowly so we would not split any seams.

The Flavorful Bourbon Chicken Noodles

Thai people are known for their excellent hospitality and Tik is a perfect example of this.  When we were about finished with our entrees, she came into the dining room carrying a Tin Foil Statue that resembled a stork or bird of some sort.  We didn’t know what to expect.  If this was a film, this would the be the grand finale. Tik suddenly pulled out a giant butcher knife and carved into the tin foil.  She made this into an event and inside housed a wonderful Seafood, vegetable, and Jasmine Rice combination.  We would find out that this was called the Seafood Bouquet.  It was loaded with shrimp, scallops, mussels, pieces of fish, and squid.  We were so full that we wanted to take a nap, but we couldn’t let our graciuos host down.  We dug into the Seafood Bouquet and finished it off.  Surely we were finally done with the parade of tasty food, right?…Wrong..

At this point, the spirited Tik decided that we needed dessert.  We asked her “Do either one of us look like we need dessert?”  She brought out a sliced Mango on a bed of Sweet Sticky Rice and she wrote the words “Thank You, Tik” in Chocolate Sauce.  We decided to climb over the “Food Wall” we had hit and finish this dessert off.  It was absolutely amazing!  It was a wonderful way to top an excellent meal.

Tik sat down with us and explained to us how it took her a year to create this beautiful restaurant.  She wanted to get it just right and she succeeded!  Tik was especially proud of the beautiful artwork that hangs on the restaraunt walls that was created by her son.  Before we exited the restaurant, Tik brought out a framed article from the Dayton Business Journal showcasing her newest establishment.  This Food Adventure summed up why we love dining and supporting local restaurants……the owners take pride in what they do. 

Amazing Mango Dessert Served on Top of Sweet Sticky Rice

 

 

The restaurant also has a bar inside where you can use the line, “your pad(thai) or mine?”(groan).  Tik’s also has a drive-up carryout window!  Does it get much better than that?  The wonderful thing about this restaurant is that it can be a nice, casual place or a romantic, “Date Night” place.  The prices are reasonable, the decor is beautiful, the food is artfully created, and the owner is a pretty special person as well.  We highly recommend that you use your noodle and give Tik’s Thai Grille a chance.  Tell them the Food Adventure Crew sent you!

Have you been to Tik’s Restaurants?  Feel free to leave a comment below!

Tik’s Thai Grille

4459 W Franklin St
Bellbrook, Ohio 45305
(937) 310-1049
Mon- Thurs: 11am – 3pm, 4:30-9:30pm
Fri: 11am – 3pm, 4:30-10pm
Sat: noon – 10pm
Sun: noon – 9pm

Son of Ohio Shock: Part 2 of a History of Horror Hosting in the Buckeye State

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Editor’s note:  The piece was submitted by Matthew Brassfield, a local filmmaker and the writer, director and producer of Baron Von Porkchop’s Terrifying Tales of the Macabre.

I wrapped up my first article, Ohio Shock, at the beginning of the 80’s and presented hosts like the Ghoul, Dr. Creep, Mad Daddy, Fritz The Nite Owl and many more. Now it’s time to explore the next batch of hosts that kept the 80’s to present day scary for Ohioians.

Phil Chandler

In Ohio Shock we spoke about the Shock Package, a group of Universal Films that helped spawn the Horror Host genre into entertainment the whole family could watch. In 1958 a second package was released called “Son of Shock” that not only showcased horror from Universal Pictures but also Columbia Pictures, expanding the catalog of films stations and hosts could show. This new package brought new films to TVs across America and inspired new hosts with new shows. Most modern horror hosts show public domain horror, sci-fi and fantasy films and sometimes independent films made by upcoming directors.

Phil Chandler

Before we move on to the 1980s, I wanted to highlight a local host from the 70s that I just recently became aware of. Phil Chandler hosted “Friday Fright Festival” in the early 70’s in Dayton, Ohio and was Dr. Creep’s competition for a time. Phil, who was a vampire type character, would host cheesy movies late nights and was joined by side characters that included a Frankenstein monster and werewolf, both of whom had funny quirks. Phil was also a brilliant illusionist went on to become a ringmaster in the circus. His show’s side characters went on to make numerous appearances on Shock Theater with Dr. Creep. As of this point I am not aware of any surviving footage from his show.

The Cool Ghoul II

The Cool Ghoul II

In 1972, The Cool Ghoul’s run came to an end, and fans would have to wait until 1984 for a second wacky version of the host to hit TV sets with “Thriller Theatre” that aired in Akron. While The Cool Ghoul II also did a show in Canton in 1970, it was his second run that made him popular and turned this second incarnation of the Cool Ghoul into a first rate host. His show ended in 1986, but in subsequent year he was brought back to host Halloween specials and appear at charity events like the Jerry Lewis Telethon. The Cool Ghoul II would also go on to become the Cyber Cool Ghoul when he began hosting an online show. While not as iconic as the original, the second Cool Ghoul was a character all to himself and had a wacky style that got him a solid following. Some of his episodes can be found on trade lists and online.

Son of Ghoul

Son of Ghoul

The Son of Ghoul has been a mainstay on Cleveland television sets since 1986 when he took over the The Cool Ghoul II’s timeslot and began the “Son of Ghoul Show.” The Son of Ghoul was a stylistic mix of Ghoulardi and The Ghoul and was given the name “Son of” by The Ghoul himself when he won a look alike contest. Son of Ghoul would change up his image before hitting the airwaves by adding sunglasses, a top hat and cape to the fake goatee of his mentors. But things turned sour between Son of Ghoul and The Ghoul leaving the hosts at odds with each other and splitting what could have been a very powerful friendship. The Son of Ghoul would not let this get him down as he became yet another horror host icon from Cleveland, eventually becoming so popular that the station had him host a call in-game show. The Son of Ghoul’s hosting style is much like The Ghoul’s: adding sound effects and music to the films to spice them up. His co-hosts, The Fidge (who sadly passed away in 2003) and Jungle Bob, also ended up being just as popular as the Son of Ghoul himself. In 2012 Son of Ghoul is still going strong and is a respected member of the host community. You can find his shows on DVD at his official website.

Frank and Drac

Frank and Drac

Two classic monsters would hit Cleveland in 1987 when Frank and Drac unleashed “The Frank and Drac Show” proving that ghouls love film. Every week they would meet up to host a horror film, spouting facts about the movie and cracking wise on each other. Drac would talk in your typical Transylvania accent as Frank had an almost Curly from the Three Stooges sounding voice, making then a fun pair. The show was a hit and gained high ratings during its one year run. The final episode aired in 1988 due to the ghouls not seeing eye to eye with station higher ups. You can find clips of Frank and Drac on YouTube and episodes on trade lists.

A. Ghastlee Ghoul

A. Ghastlee Ghoul

When Dr. Creep went off the air in 1985, Dayton was left without a horror host. That void was filled in 1989 when A. Ghastlee Ghoul wisecracked his way into the spot with “The Ghastlee Movie Show” and became a beloved late night horror host. Ghastlee, who didn’t always host movies, had a show that more skit-based based and on occasion would show a film that he would wisecrack through or even add himself into. Ghastlee’s style would capture younger and older viewers who watched to see what The Ghastlee One would say next. His style also influenced other horror hosts such as Dr. Freak, who you’ll read about in a bit. Ghastlee would go on to host his show for many years and also co-create the Horrorhost Underground, a resource for hosts and fans around the world. At first Ghastlee wore a black duster, black clothes, gloves and white face paint with a unibrow. Later he would turn in the duster for a custom long red coat and signature hat. The Ghastlee Movie Show still airs and has new episodes from time to time as Ghastlee now also hosts on a YouTube show called “Weird Web Theater.” Ghastlee is also known for his 2004 convention, Scary Camp, and for playing music in and around Dayton. To see Ghastlee’s work you can buy his best of from him and see clips on YouTube.

Dr. Shock

Dr. Shock

“Dr. Shock’s X-Ray Chiller Theatre” was a Toledo show hosted by, you guessed it, Dr. Shock. The program started in 1989 and was cancelled in 1992 when the station, who was a Fox affiliate, decided to show late night infomercials instead. This did not stop the Dr. as he then went on to host independent films that were released on VHS and later DVD. Currently Dr. Show is off the air and his hosting direct to video films days are over, but his zany off the wall humor has touched many fans. You can find Dr. Shock hosting independent films on his website and watch clips online.

Billy Black

Billy Black

One part horror host and one part Andrew Dice Clay sums up Billy Black who brought “Hott Sinema” to Columbus in 1992. Billy Black, who really knew his films, would his time on air in a bar talking to his bartender friend and telling jokes as local strippers would dance in between segments. The show was a racy twist on hosting and was clearly more for adults than kids. Billy’s run was short and his impact not as powerful as the hosts before him, but to his fans he was one cool cat with one wild show. Clips of his show can be found online.

Commandant Gore

Commandant Gore

In 2000, the Centerville/Dayton area met Commandant Gore. Along with his sidekicks, he hosted a show called “Gorevision” and would show clips of things sure to make most viewers’ stomachs turn. Commandant’s show would be on and off for some years and would remain a rather underground show. While his gory visions have been off the air for some years now, those who spent time watching Commandant remember a bloody strange time. The Commandant’s are out there for the finding, but are not widely available.

Dr. Freak

Dr. Freak

The world’s youngest horror host, Dr. Freak (who was 14 when he started) brought his “Cult Theater” to Dayton airwaves for only three episodes during its first run in 2000. But he also made a number of appearances on other host programs such as New Shock Theater with Dr. Creep and The Ghastlee Movie Show hosted by A. Ghastlee Ghoul. Dr. Freak would also go on to star in his own movie called “Dr. Freak Vamp Killa,” directed by Henrique Couto and “Joe Nosferatu: Homeless Vampire,” directed by Bob Hinton keeping the young host active for the time. Dr. Freak would also make appearances at Cinema Wasteland and Horrorama Dayton. Dr. Freak’s style was a mix of old school hosting with a youthful twist, making for some interesting episodes. As of late, Dr. Freak has made a small return as he guest stars on Terrifying Tales of the Macabre (hosted by Baron Von Porkchop), and Cult Theater has returned for an episode on Dayton’s first Scare-A-Thon. So we just may be seeing more of him in the coming years. His episodes have been released on DVD and are hard to find nowadays, but are around for the fan who looks hard enough.

Butch R. Cleaver

Butch R. Cleaver

Butch R. Cleaver is a 1959 man stuck in modern times after an accident left him and his wife stranded in 2003. Every week Cincinnati fans can watch “Meet Cleaver Theatre” to find out what this old horror buff thinks of films he missed in the 50 years he skipped. Butch spends his time hosting movies and working in his lab doing zany experiments, making him a fan favorite. Butch is a classic host with a modern show that’s great to enjoy in the late hours. Butch R. Cleaver, who must wear his 3-D Glasses at all times to see properly, has slowed down as of late and with fewer episodes and public appearances in 2011, leaving fans hoping that Butch and Meet Cleaver Theatre will be back soon in full force. Episodes can be found at his public appearances, on trade lists and online.

The Mortician

The Mortician

The Mortician is a hulking skeleton faced man who took pride in his work of cutting bodies and hosting films on “The Mortician’s House of Fear” that started in 2003 and aired in Brunswick. Every week viewers would watch as he went to work on the dead body and talked about the films as heavy metal music played in the background. The show’s segments were shot as if on scratchy old film, and this added a great spooky feel to the show. While his House of Fear has been off the air for many years now, the Mortician certainly made his mark in Ohio hosting history. His show can be found on DVD via his website and at some online rental stores.

Tarr & Fether

Tarr & Fether

In 2004 Dr. Tarr and Professor Fether opened up the asylum doors to Liberty City viewers with their “Psycho Cinema,” and the madness of the two crazed loonies was unleashed. The pair would make up fake products, do skits and even look for local monster legends giving viewers laughs and adventure. The pair, who have been missing for some time, have hinted at a return giving fans something to look forward to. Tarr and Fether’s hosting style is very classic, and the two speak in almost proper English accents giving the show an old time feel. Both share the names of characters from an old Edger Allen Poe short story, making you wonder if these ghouls were the ones Poe wrote about. They also had a great opening sequence which resembled an original Sony Playstation video game. DVDs of their show can be bought at their official website and clips can be found on YouTube.

Dale Kay

Dale Kay

Dale Kay is the host of “Dale Kay’s Spookshow,” a Cleveland show that started in 2007 and is an old school horror host show that’s safe for the young and the young at heart. Dale, who was inspired by The Ghoul, hosts films and fills the time with skits parodying popular genre films and products. Dale and his Spookshow are still going strong and can also be seen on The Monster Channel (www.100ymm.com), a website that showcases all things horror including many horror host programs. Dale Kay’s shows can be inquired about via his Facebook page.

Iris and Reina

Iris & Retina

Two cool cats rocked their way into Dayton host history when Iris and Retina began “Mondo Smash A’ Go Go” in 2008. The pair hosts from their living room and shares a deep knowledge of the films they are watching alongside you. During break segments Iris & Retina will teach you to cook, host a dance contest or visit a local coffee shop making you feel the overall smooth vibe of the show. Their laid back nature is very much in the vein of Fritz The Nite Owl. As of late 2011, Iris & Retina have made a new episode that premiered before Dayton’s first Scare-A-Thon, and are slated to be on a future episode of Baron Von Porkchop’s Terrifying Tales of the Macabre. At times, you can catch them at surf rockers Team Void’s concerts. Episodes can be bought at Game Swap in Kettering and can been seen via YouTube.

Baron Von Porkchop

Baron Von Porkchop

In late 2010, Baron Von Porkchop was dug up from his grave and began hosting “Terrifying Tales of the Macabre” in Dayton. The Baron is an undead ghoul from the 1800’s who used to own slaughter houses that all went belly up. Now alongside his wife and a team of sidekicks, the Baron brings viewers classic horror films along with independent features. While the films on the show are not always, the Baron’s segments are kid friendly and are geared for fans of horror hosts from the 60’s-80’s, and his goofy nature has gained him a growing fan base. The Baron, who just wrapped his second season, has also hosted his own concert event called The Baron’s Ball at Gilly’s Jazz Club and has made appearances at Horrorhound Weekend, Cinema Wasteland, WYSO’s Kaleidoscope and Horrorama Dayton. The Baron also loves to bring host friends onto his show and has featured cameos from hosts such as A. Ghastlee Ghoul, Dr. Freak, Sammy Terry (Indiana), Count Gregula (Chicago) and more. The Barons shows can be bought at Game Swap in Kettering and online.

Dr. Dark

Dr. Dark

Imagine if Elvira Mistress of the Dark and Dr. Creep spawned an offspring that was a phantom and you would have Dr. Dark of “After Dark Theater” that began airing in Greenville in 2011. Despite being a phantom, Dr. Dark is a gentle undead soul who brings viewers classic public domain films alongside his own brand of comedy. While fairly new to hosting, Dr. Dark seems to be gaining a fan base based in and around his viewing area. Dr. Dark has also made some public appearances that include Horrorhound Weekend and the A. Ghastlee Night at Gillys concert. Dr. Dark also does many charity events and even does a kid friendly version of Robot Chicken for his public access station. His show can be seen on TV with future DVDs planned.

Susie D. Rott

Susie D. Rott

Susie D. Rott is a undead bride who hosts “Susie D. Rott’s Warehouse of Terror” in Hamilton. Her journey to bring the viewers the best (or is that worst) in public domain and independent films started in 2011 and is still going strong as of early 2012. Susie is joined in her warehouse by her director and a lot of sidekicks. Susie is a sweet undead woman who enjoys sharing her films and her warehouses with viewers. While a new face in the world of hosting, Susie could quickly earn a place in Ohio hosting history. Susie’s shows can be seen on the Monster Channel and clips are online.

And there you have some of the ghouls and bad movie historians that have and are haunting Ohio airwaves. Ohio has always been a mecca for horror hosts and has some of the world’s best fans who stand by and support their favorite late night hosts. But we aren’t the only ones. There are many states with amazing hosts: Indiana has Sammy Terry of Nightmare Theater, Iowa has Marlena Midnite of Midnite Mausoleum, Pennsylvania has Roxsy Tyler of Carnival of Horrors and so on in every state.

If you want to learn more about horror hosting, check out websites like

The Horror Host Graveyard

Egor’s Chamber of Horror Hosts

G.O.T.H.I.C.

Terror From Beyond The Daves

Also check out documentaries like American Scary directed by John E. Hudgens, Virginia Creepers by Sean Kotz & Christopher Valluzzo and Every Other Day’s Halloween by C.W. Prather. The book Television Horror Movie Hosts by Elena M. Watson is worth a read.

This closes our exploration of Ohio horror hosting for now.  But as new hosts pop up or old ones come to my attention, I will be more then happy to bring you another installment of this article, The Bride of Ohio Shock. So until next time, stay scary and keep on watching.

Special thanks to: Juliet Fromholt, Art Bausman, Bob Hinton, the late Barry Hobart, Stephen Alexander II, Richard Martin, Norman & Sue Brassfield, Jason Hignite and Bryan Brassfield for their help with this article.

-Matthew Brassfield

Jazz at Lincoln Center Orchestra with Wynton Marsalis Comes To Dayton

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Dayton is in for a world-class performance when Cityfolk and the Victoria Theatre Association bring the Jazz at Lincoln Center Orchestra with Wynton Marsalis to the Schuster Center on Wednesday, April 25. A bright, briliant big band boasting 15 of the most talented and accomplished players in modern jazz, the JLCO will present an evening of sparking original works and familiar gems.

Saxophonist Ted Nash will be returning to Dayton for the first time since the late 1980s, when he led a combo booking at the old Nite Owl bar in the Oregon District (where Blind Bob’s currently resides).

Ted Nash

“I’ve been with the band since 1998,” he said of the JLCO. “I was doing a recording with [pianist] Marcus Roberts, who was in Wynton’s group back in the ‘80s. Wynton came to the session as a guest, just to wathc, and he heard me playing clarinet. He introduced himself and ended up calling me a few times for some gigs and an album. A few years later, an opening came up for an alto saxophone chair in the Lincoln Center band, and I’ve been there since.”

Nash is fortunate to be part of not one, but two great musical legacies: as well as being a member of JLCO, he is the son of trombone legend Dick Nash and nephew of saxophone great Ted Nash, after whom he is named. The Nash brothers were two of the West Coast’s greatest session sidemen for decades, with both their roots reaching back into the big band era.

Dick Nash played trombone for just about every great Golden Era jazz artist imaginable, beginning with Tex Beneke’s big band (spun off from Glenn Miller’s after Miller’s disappearance) and collecting work alongside names like Ella Fitzgerald, Count Basie, June Christy, Art Pepper, Oscar Peterson, Pete Fountain, Lena Horne, and Frank Sinatra, among countless others. The Nash brothers also played on almost all of Henry Mancini’s film soundtracks and studio albums from the late 1950s on, beginning with the famous Mr. Lucky and Peter Gunn recordings. In their honor, the younger Ted Nash recorded The Mancini Project in 2008.

“He was a master of creating an ambience, an environment,” Nash said of Mancini. “I loved the movie The Great Race when I was a kid. I was six when it came out, and my father had solos throughout the score, and we went and saw the movie and then played the album at home, so that kind of music had a big impact on me. Later, it seemed like a natural idea–my father and uncle had this long association and I could make a tribute of it.”

“Music was a great influence they both had on me,” he said, “but more than that, they taught me to trust my decision to be a musician. They were very supportive of me. I never wondered if being a musician would be difficult, and it was a luxury to have that support. My dad would come home from work happy every day. It was a perfect example of someone doing something because they were good at it and loved it. Love always attracts success.”

An elastic composer and arranger whose original songs are as diverse as jazz itself, Nash just last week wrapped a tour promoting his newest album, The Creeper, and was the first JLCO member other than Marsalis to have his original work performed by the JLCO band with the Grammy-nominated Portrait in Seven Shades, an ambitious, gorgeous jazz suite with each movement inspired by a 20th century painter.

Wynton Marsalis

“Wynton came to me out of the blue one day,” he recalled, “and asked me to write a longform piece of music that had a unifying theme. It only took me a couple of days to come up with the idea. I’ve always loved fine art, paintings in particular, and I knew having a different painter represented by each movement would really help with all those parallels in color and texture and layers. Whether we’re musicians or painters or writers or whatever, we’re all artists; we go through the same struggles with success, with creativity, with worrying about if people like what we’re doing. I worked with the Museum of Modern Art, and they were great. They gave me carte blanche to come during off hours so I could stand and look at the pantings for as long as I needed to without having to look over someone’s shoulder. And when we played the pieces live in New York City, many of those pieces were displayed behind us.”

Of the band’s Dayton show, Nash said, “We have ten arrangers and composers in the band, so we have a wealth of things to choose from, both new and original. We’ll probably mix newer material with classics from way back. We did a project recently with Chick Corea, and we arranged all the music for him. He was a bit hesitant about it, wasn’t sure it would come together the right way with all the different arrangers working on it. We showed up for rehearsal, and he kept saying, ‘Oh, man, that’s great! Who did that one?’ We’ll probably play some of those. You’ll hear a cross section of what we consider the best of the best of our repertoire, some traditional music played with a fresh energy as well as some of our more contemporary pieces by people in the band, particularly Wynton.”

“I love being a part of this band,” he said. “It’s big band jazz, so there’s a certain structure there, but we’re a complete band of improvisers, so there’s a lot of spontaneity within the structure.”

 

Jazz at Lincoln Center Orchestra with Wynton Marsalis

Wednesday, April 25, 2012

Schuster Performing Arts Center

Click Here for Tickets

 

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Landscapes Real and Imagined: Dayton Art Institute Exhibition Offers Rare Glimpse of Contemporary Chinese Art (Ticket Contest)

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Maya Lin - "Flow"

(Ticket Contest Details Below)

The Dayton Art Institute’s current special exhibition, Changing Landscapes: Contemporary Chinese Fiber Art, offers a rare look at the world of contemporary Chinese fiber art. It is the first exhibition of contemporary Chinese fiber art to travel outside China, and The Dayton Art Institute is the last of only three U.S. venues to host the exhibition. Changing Landscapes is on view at DAI now through June 17.

Changing Landscapes showcases the work of 48 artists selected from the past five International Fiber Art Biennales, held in China since 2000, which are devoted to innovative and exciting new ideas and thinking in the global field of fiber art.

The exhibition was originally co-curated by Ni Yue-Hong, a professor at the Fiber Arts Institute in China, and Deborah Corsini, curator at the San Jose Museum of Quilts and Textiles in California. Guest curator for The Dayton Art Institute’s presentation is Lisa Morrisette, from the Department of Art and Art History at Wright State University.

The works range from figurative to abstract, two dimensional to sculptural, crafted to conceptual. They vividly demonstrate how contemporary Chinese fiber artists are forging a new aesthetic by synthesizing their own experience with the diverse influences of China’s artistic heritage. The techniques and forms of the artworks include a broad spectrum, from classic tapestry weaving and pile weaving (a rug hooking technique), to embroidery, printing and dyeing, and large-scale constructed sculptural pieces.

"Resplendence"

Traditionally, tapestry has been a transcription of painting, employing yarns like wool, silk, and linen to create two-dimensional wall hangings. Zheng Dan’s tapestry Resplendence is an example of the rich dimensional effects of hand woven tapestry. This triptych has subtle color variations feathered together using a variety of traditional techniques from hatching to knotting. Her curving forms pulsate and softly glow with the addition of metallic fibers.

Many artists utilize more unusual materials, such as metal, wood and plastics. Zhao Dandan, for example, uses stainless steel to create a three-dimensional armature whose shape is reminiscent of a crescent moon or boat. Into this armature she weaves delicate, translucent threads of plastic that both fill and cascade from the belly of the arc.

Increasingly, fiber is simply another medium for artists to express their vision; the material is used to express something beyond the nature of the material. Their approach transforms fibers to articulate a personal artistic viewpoint.

"Memory of August"

The title Changing Landscapes is not just a reference to the outer visible form of the world, but serves as a metaphor for the inner landscape of an artist’s heart and mind. Wang Kai’s Origin of the River, a monumental work that cascades from ceiling to floor, creates both the image and feel of the falls on China’s Yellow River. Bai Xin’s set of corn fiber, pine, and bamboo cubes, Balminess, captures the space and color of fields from her childhood memories. As a subject matter in Chinese art history, landscape dates back to the 7th century. This venerated subject has been used in both painting and poetry to convey social, political, and philosophical views of the world. Transcending the literal, landscape operates on a metaphoric level – the concrete object refers to other things.

Changing Landscapes provides a snapshot of how three generations of artists have used fiber as an expressive media to respond to economic, political, and social changes that have transformed the Chinese landscape over the past decade.

For more, go to www.daytonartinstitute.org/changinglandscapes.

MAYA LIN: FLOW

In conjunction with Changing Landscapes, The Dayton Art Institute is also showing one of Maya Lin’s large-scale installations, Flow.

Lin is perhaps best known for the Vietnam Veterans Memorial in Washington, D.C. She achieved national recognition when, as a 21 year-old senior at Yale University, her design for the memorial was selected from among 1,420 submissions. Since that first work, she has gone on to create numerous public monuments, architecture, earthworks and installations, as well as smaller-scale gallery pieces.

Her work defies categorization. Moving between boundaries, she explores relationships between architecture, sculpture, and landscape, between the natural and the man-made, between science and art. Her inspiration is drawn from a wide range of sources, including geological phenomena and topography, prehistoric earthworks, Japanese gardens, and engineering principals such as fluid mechanics.

Flow embodies landscape, framed within the space of architecture. Thousands of 2 x 4s are cut and stacked on end to create a commanding form whose shape is somewhere between a hill and a wave, the swells of which reach two feet high. Working with industrial materials and abstract forms, Lin evokes the natural rather than man-made. Her work is not a reproduction of landscape; rather it recreates the feeling of landscape. She is interested in the human relation to the environment, translating forms and experience.

The sculpted form of Flow is a static grouping of 2 x 4s, but it implies the movement of the current or the ripple of a wave. It echoes sculpted prehistoric earthworks, such as the Serpent Mound in Ohio, or the topographic lines of a map.

For more, go to www.daytonartinstitute.org/flow. To watch a time-lapse video of Flow’s installation at the museum, click here to visit the DAI’s YouTube page.

Maya Lin’s Flow by the numbers:

Number of crates: 29

Average weight of each crate: 293 lbs.

Total weight: 8,500 lbs.

Average dimensions of crates: 28” x 53” x 48”

Individual 2x4s in Flow: 10,148

Time for 2 art handlers to install: 45 hours

Coffee consumed by art handlers: 256 ounces

HOW TO GO

Tickets include admission to Changing Landscapes, Flow and DAI’s permanent collection. A $1 per transaction Historic Preservation Fee will be added to all ticket sales.

Adults: $12

Seniors (60+), Students (18+ w/ID) & Active Military: $9

Youth (ages 7-17): $6

Museum Members & Children (6 & under): Free

The Dayton Art Institute is located at 456 Belmonte Park North in downtown Dayton, just off Interstate 75. The museum is open Wednesday – Saturday, 10 a.m. – 5 p.m. and Sunday, noon – 5 p.m., with extended hours until 8 p.m. on Thursdays.

(submitted by The Dayton Art Institute)

Ticket Contest!!!

We have three pairs of tickets to this exhibit (a $24 value) and we want to give them to YOU!  So just this article and then fill out the form below – we’ll announce three winners next Monday April 24 after 3pm.  GOOD LUCK!

[form 23 “Contest Entry – DAI Changing Landscapes”]

Urban Arts Showcase Takes the Stage This Friday

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HBO Def Poet Black Ice will headline this Friday's "The Signature: A Poetic Medley Show."

HBO Def Poet Black Ice will headline this Friday's "The Signature: A Poetic Medley Show."

Oral Funk Poetry Productions will launch its fifth season of “The Signature: A Poetic Medley Show” at The Loft Theatre, 126 N. Main St., from 9 to 11 p.m. this Friday, April 20.

The season-opening performance will be a celebration of National Poetry Month. The theme will be Jamaican and Caribbean culture through spoken word, dramatizations, live music, vocalists, visual arts and more.

Featured performers include Tony Award-winning HBO Def Poet Black Ice, who appeared on six seasons of the popular show and starred in Def Poetry on Broadway. He’s lent his voice to hip-hop projects by such artists at Method Man and opened for Mary J. Blige on her 2006 world tour. Black Ice also has appeared on BET’s Live 8 Concert Special, Rap City the Basement and 106th & Park, as well as on NBC’s Showtime at the Apollo.

Joining Black Ice will be singer and poet Scorpio Blues, who also has appeared on HBO’s Def Poetry. Her recent CD, Scorpio Rising, features her soul music and some poetry, while her first CD, Blue Blushin’, was an acclaimed poetry work. In 2006, Scorpio Rising became the first female and the first African-American to win the Ill List Poets championship. She also has her own spoken word and music entertainment, management and promotions company called Hot Water Cornbread.

The Flex Crew Reggae Band, a popular group from Columbus, will perform live music. Its seven members hail from a variety of musical backgrounds, resulting in a versatile and high-energy band with an array of musical styles, including funk, R&B, soul, hip hop and roots reggae. In addition, local spoken word poet I Witness Life will emcee.

Tickets cost $20 and can be purhcased at www.ticketcenterstage.com, by calling 937-228-3830 or at the door.

Poet Scorpio Blues also will perform during The Signature.

Poet Scorpio Blues also will perform during The Signature.

Oral Funk Poetry Productions has partnered with De’Lish Café, 139 N. Main St., for the event. The restaurant, located across the street from the theater, will offer special Jamaican and Caribbean menu items and drinks.

During its first four seasons, “The Signature: A Poetic Medley Show” featured local and national poets, musicians, actors, vocalists, dancers and visual artists presenting numerous forms of self-expression ― often to sold-out crowds.

“We’re so excited to continue producing our show at The Loft Theatre after moving the production to this great venue last year,” said Sierra Leone of Oral Funk Poetry Productions. “This location has more seating for our shows, which often sell out, and has allowed us to kick up the performance a notch thanks to access to more professional production equipment and capabilities in the theater. We also have appreciated the opportunity to work with and learn from the professionals at The Human Race Theatre Company.”

Presenting The Downtown Dayton Revival Music Festival

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John Legend

The Downtown Dayton Revival Music Festival has just been announced along with the initial lineup for its inaugural year – including performances by several acts with local ties, like John Legend (a Springfield native), Guided by Voices (based in Dayton), Motel Beds (based in Dayton) and the Heartless Bastards (Dayton/Cincinnati area natives) . This two day street festival is scheduled for September 8th & 9th, 2012 and will have 3 stages in key locations in downtown Dayton.

Confirmed acts include:

Several more performers will be announced in the coming weeks, and as DMM is a Media Sponsor we will have festival updates right here as they happen!

Guided By Voices

“We are very excited to fill the streets of downtown Dayton with exceptional music from a wide variety of artists.  From Grammy winners to local talent, and everything in between this will be a weekend to remember,” said Matt Luongo, President, Downtown Revival, LLC. A Dayton native himself, Luongo graduated from the University of Dayton in 1998 and is enthusiastic about creating this music fest right here in Dayton.

The Downtown Dayton Revival Music Festival is to be a mix of national and local talent, with several slots still open for local acts.  If you are interested in playing this event, send them your info at [email protected].  In addition to over 30 bands, festival organizers are planning family friendly events as well as other activities to be announced.

Two day passes will be available at www.downtownrevival.com beginning April 24th, 2012 at 10:00a.m. A limited number of discounted early bird ticket will also go on sale on April 24th and will include entry into a contest for a VIP package upgrade including reserved seating, VIP hospitality tent, invitations to a Friday night preview party, artist meet and greet and more.

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Dayton Music Scene Celebrates Record Store Day

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Dayton MostMetro.com is a proud media sponsor for Record Store Day!

If you haven’t been keeping up with music trends in the past few years, I have some news for you: vinyl records are making a comeback. Surprising, right? I have even more news for you, then: there is an entire day devoted to vinyls and the stores that sell them. Hopefully you’re getting excited now. This Saturday, April 21st, is the fifth-annual Record Store Day, and it is a chance for Dayton’s music stores and scene to step forward and shine. (check out our calendar for complete Record Store Day schedule)

Record Store Day celebrates exactly what is in its name. The thing that is unfortunately starting to fade away with the advent of digital music. On this day, multiple artists and bands release exclusive vinyl albums and singles to independent record stores around the country (and world!), with the stores putting on live shows, various festivals, and anything else they can think of in celebration of actual physical music.

Omega Music (down in the Oregon District) and Toxic Beauty Records (out in Yellow Springs) are both getting in on the festivities. Both stores will be carrying the aforementioned exclusive Record Store Day releases, while featuring music and giveaways all day. Omega Music will have a full slew of local bands performing, including Buffalo Killers, Me & Mountains, and The Rebel Set. Toxic Beauty will be holding a performance by local band Wheels around 2PM, along with a ticket giveaway for Primus, and many other exclusives. Both Record Gallery and Feathers will also be featuring live local music.

Record stores aren’t the only ones getting into the celebrations. Other venues will be offering discounts when you bring in a receipt from any of the four stores mentioned above. Both Thai9 and Blind Bobs will be offering 50% select appetizers, while 5th Street Deli will be offering 20% off all food. Basho Apparel will be offering 10% off products with the receipts as well.

Ghettoblaster Magazine is hosting a screening of the movie Empire Records over at The Neon at 10PM, with all proceeds going toward the funding of this year’s Dayton Music Fest. Tickets for this screening will be running $6 on Record Store Day, and only $4 with a receipt from Omega, Toxic Beauty, Record Gallery, or Feathers.

Fans of music, the local scene, or just Dayton in general would be doing themselves a disservice by not checking out the festivities going on this Saturday. It’s a great chance to hit the town, listen to some local music, and start rebuilding that vinyl collection you got rid of back in the 80s. It’s going to be a great time, so don’t miss out!

“You’re A Jittery Little Thing, Aren’t You?” (an interview with Carrie Fisher)

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A.)     Quote From Princess Leia In Return Of The Jedi

or

B.)     The First Thing Carrie Fisher Said To Bill Pote

 

Bill Pote, Carrie Fisher And J.T. Ryder

The oddly arranged living room held treasures and memorabilia that competed for attention so ferociously that it was difficult to focus in on one particular item. Celebrities smiled forth, frozen in frames strewn about shelves and tables. R2D2 sat on top of an old suitcase, peeking out from behind a leather couch as I walk in and a lone coffee table cascaded with various items, including cans of Coke Zero and a prescription bottle filled with M&Ms. The only thing that shattered the illusion of entering an eccentrically rich crazy cat-woman’s home was the glaring spotlights…and the 1,300 or so seats that were lurking out in the darkness. Of course, this was not someone’s home: this was the set of Carrie Fisher’s one woman show, Wishful Drinking.

Bill Pote (the über brain of Dayton Most Metro) and I were granted an audience with the princess and she did not keep her diligent followers waiting. She breezed onto the stage as naturally as most of us cross through our living room. Bill tried to ply Miss Fisher with cookies from Ghostlight Coffee & Thistle Confections, the fantasies of his youth playing through his head. Luckily, Miss Fisher was not aware that he had worn his favorite Star Wars underwear for the occasion…you know…the ones that have Yoda saying, “Size matters not. Judge me by my size, do you?”

Anyway, after Bill presented her with the cookies and a list of things to do in Dayton while she was here, we dove right into the interview rather quickly…

Bill: So, J.T. here interviewed you on the phone a couple of weeks ago…

J.T.: Yeah, you had just gotten back from overseas. You sounded sleepy.

Carrie: Yeah, I had just gotten back from Asia. It was very exciting. Which part of Asia was I getting back from?

J.T.: Japan.

Carrie: Oh, Japan!

J.T.: Coming back from the ‘celebrity lap dance,’  is, I think, the way you put it. I was talking with someone, another writer, last night about you and one of the things he brought up was something that I hadn’t noticed.  I had to go back and reread some of your fictionalized work. He was amazed with your dialogues and the natural way in which it flows. Is it so natural because it is based on real conversations?

Carrie: Well, a lot of it is, but I also think it’s a self consciousnesses, like you are sort of watching yourself or listening to yourself. I would also say that I write some of the stuff that I wish I had said or something that I didn’t say in that context and so I drag it over.

J.T.: That is probably the more fun part of writing. Well, he was just talking about the natural flow and the way that you craft your writing. Is all that natural or something that you have been honing?

Carrie: Well, I fell in love with words as a kid and I used to go through books and underline things. Really, I like wordplay more, but that’s also how I talk. I talk in wordplay. I once saw a line of mine, although I don’t know that they knew that it was mine, that said, “Start putting the ‘fun’ in ‘funeral.’” I hear words and they break down automatically.

J.T.: Right. Bill can attest to this: I don’t speak in the same way that I write. Most people who have read something I have written before meeting me don’t believe that I wrote it when they do meet me.

Carrie: Some of my writing isn’t how I talk.

J.T.: Well, with the show, the connectivity that you have with the audience is amazing. How do you get that when most of the events that you’re talking about are so disparate from most people’s experiences?

Carrie: Well, I don’t think that they are necessarily. Also, it’s not so much what your experiences are, it’s how it hits you. I mean, everyone has had, from a certain slant, a weird childhood. It may not be exactly like mine and it probably isn’t, but from a certain slant, you’re going to have funny stories.

J.T.: So it’s based off of the emotion rather than the event.

Carrie: Definitely!

J.T.: So how are you finding the Dayton audience’s responding?

Carrie: They are fantastic!

J.T.: Just as receptive?

Carrie: Beyond receptive! Last night they were talking back! A lot!

Bill: I know that we have a thing about sex and nakedness here in Dayton, Ohio…

Carrie: Apparently! That was what was hilarious about it. The questions that they asked like, “Was he naked?”, “Were you naked?” That’s where you mind goes. If you find a dead body, they’re usually not naked. (Writer’s Note: A reference to Carrie waking up next to the lifeless body of Republican Party media adviser R. Gregory Stevens who died from a OxyContin/cocaine overdose in her bed)

Bill: That’s a great way to start the show too. It kind of lets you know that…

Carrie: Yeah, “This is where we are at and it’s going to get more normal from here…but not much.”

I know this probably isn't the time nor the place, but looking at these pictures, I believe I am going bald.

J.T.: Well, Daytonians aren’t the only nudity focused people. Look at George Lucas’ No Underwear In Space Theory… (Writer’s Note: According to Lucasian Physics, one would face many different pressure changes while tooling around in space and with all the expansion and contraction of the human body under these conditions, you would be strangled by your underwear. I think that this is based upon twisted yet justified fantasies and not on any kind of scientific protocols.)

Carrie: That’s what he said. I think it just destroyed the line of that stupid white dress and then if people were aware that you were wearing a bra, they wouldn’t accept that you were Darth Vader’s daughter. No, I think not.

J.T.: True. With Shockaholic, is that kind of a stepping stone to the next memoir?

Carrie: God no! I think that I’ve said about all I can say.

J.T.: Really?

Carrie: Well, about…the stuff that I’ve written about that was the toughest is that I exposed my daughter to any kind of drug abuse and it would be something that you would figure would happen, (whispering) but I didn’t do a lot. The fact that it happened at all is probably the thing that is most shameful about my life. But most of it was already out. They (the tabloids) wrote about me being in a mental hospital, so then I’m going to write my version and I’m going to say my version. Then they (the tabloids) write stuff saying that I’ve had a facelift and that just kills me because this would be the worst facelift ever! I’ve seen online…go online and I read that I’ve had a facelift and it’s not that good and there’s like three doctors commenting how it looks pulled here and pulled there (Carrie demonstrates by tugging at her face). I’m like, no, but I’ve been thinking about having one…

J.T.: Ryder: That’s another thing about the show, since you kind of brought it up: Somehow you have managed to avoid it seeming tabloid-ish. It’s not sensationalized.

Carrie: It’s not sensational. If you were in the situation, it’s just people. I mean, they might wear more make-up or they might have gotten where they are because they have…(pause)…more well ordered features, but they are just humans. It’s not…now I’m intimidated by the ‘good looking’ people, but you shouldn’t treat ‘good looking’ like it’s an accomplishment. It’s kind of valued that high, like you did something amazing and it was just that they were born with really nice features. Those are the people inHollywoodwho…I don’t know how to talk to them and I’m not really curious about them either. ‘How did you get those eyes? Oh! Your mom had them?’ Those are the people who got where they are purely on their features.

J.T.: That is across the board. People being ‘proud’ of genetics. A lot of people equate that with celebrity…

Carrie: It would have been a bigger trick to stay out of show business than to go in. I didn’t go in. It was…I had to tiptoe out. No. I wouldn’t have picked it, because I was sort of introverted, watching all those people.

J.T.: Which is hard to believe when one sees your stage show.

Carrie: Well, now I’m older and it’s now it’s acceptance run riot. Self acceptance. I mean, you get to a certain age…

J.T.: ..and you say to yourself, ‘Ah, screw it!’

Carrie: Right! ‘What the fuck!’

Bill: So if you weren’t thrown into that at an early age…

Carrie: I might not have chosen it.

Bill: What would you be doing?

Carrie: Well, I might have been a writer because of the whole word thing. It killed me, the word thing. I would have liked to have been Beethoven….not for his whole life, but just the part where he wrote his music. I want to be someone who can hear music like theat. Where does that come from? There are those people like that that have that kind of gift, but I do have a thing with words and I am grateful that I’ve got it because it a distraction for me and I listen to people better  so it makes me enjoy reading and listening  to people’s points of view and the way people say things.

Bill: You mentioned last night (during the opening night performance) that poetry was is something that you started at an early age and it actually helped you.

Carrie: I started writing, but you wouldn’t call what I wrote ‘poetry.’ It would be more like lyrics. But, I like some of what I wrote and I remember getting into states where I would be kind of taking dictation from somewhere that had nothing to do with me, but it did have to do with my emotional state. The way that it organized itself into…it’s an intense experience, then your way of managing it is basically to photograph it verbally so that you’re not just at the effect of it then, so you’re not saying, ‘Okay, now what is this like?’ It’s finding some way to say it. Otherwise, I’m just an incredibly emotional person, which I am.

J.T.: Well, at least when you’re performing, you have the ability to emote and convey a tone or meaning more than writing.

Carrie: Well, I’ve also gotten to the point where I’m also able to receive it. You just kind of get out of the way, so it isn’t me. I’ve been given something where impressions come to me and I can say, ‘Oh, that’s what that feels like!’ If I just wait, I let this thing in me that does that anyway…I can’t ignite it, I can just get out of the way of it.

Bill: Well, that leads me to this then: after watching your show last night, which I enjoyed a lot by the way…

Carrie: Thank you.

Bill Pote And J.T. Ryder Double Teaming Carrie Fisher...Wait...That's Doesn't Sound Right....

Bill: How much…I know it’s mostly scripted, if not all scripted, so how often do you go off script?

Carrie: A lot! I open it up for questions and the because the people that you (the audience) are talking with, I’ve never met them before…

Bill: Well, not even talking about audience members, but even with bringing up stories from your life, how often do you just think of something like, ‘I haven’t even told anybody this.’

Carrie: I said something the other night and…I say things by accident and it is sort of leaving it open to mess with, so there is a lot more I could say about any of the things I talk about and sometimes I will go off into it…and it’s more fun if I do. You really have to be alert…hyper-vigilant and hyper-alert, and that’s exhausting, but it’s interesting.

J.T.: Yeah, it’s great fun when you shut off all the filters.

Carrie: Yeah! And you’re in front of a lot of people and that can be very interesting.

 

(Photographs by Blush Boudoir, then heavily edited by J.T. without permission nor any sense of artistic content.)

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Support Local Artists at the Annual DVAC Art Auction

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"Life Raft" - MB Hopkins

The Dayton Visual Arts Center (DVAC) presents the Annual DVAC Art Auction on April 27, 2012 at the Sinclair Community College Ponitz Center. The much anticipated auction, now in its 18th year, is the only auction in the region dedicated exclusively to visual art and is responsible for generations of Daytonians living with and making art a part of their daily lives. This year, 109 works of art by DVAC member artists in a wide range of media and prices will be presented in both silent and live auctions.

DVAC presents artworks of the highest quality by respected veteran and emerging regional artists. Artists represented in the 2012 Auction include painters Julie Beyer, MB Hopkins, Katherine Kadish and Jean Koeller; photographers Doug McLarty, Richard Malogorski, Fred Niles and Francis Schanberger; and printmakers David Leach, Ray Must and Kim Vito.

About the Auction

The Annual DVAC Art Auction expects to draw in 600 guests and will also feature live music by Puzzle of Light, a cash bar, ample hors d’oeuvres and free parking. Not to miss: the DP&L Live Auction––an event in itself, the live auction features Dayton’s “Superstar” auctioneer, Doug Sorrell, whose high-spirited coaching of new and experienced bidders has become a highlight of the event.

Tickets are $50 for DVAC Members, $60 for nonmembers, and $75 at the door. Tickets may be purchased online at www.daytonvisualarts.org; or by calling DVAC at (937) 224-3822. All auction artwork will be available to be viewed digitally on our Web site, www.daytonvisualarts.org, beginning April 6. If you are unable to attend the auction, you are able to make a sealed bid.

"Spring Garden" - Kim Vito

About the Auction Preview Exhibition

You may also view selected artwork in person at DVAC’s Auction Preview Exhibition, April 6-24, 2012. The opening reception will take place as part of downtown Dayton’s 1st Stop 1st Friday celebrations, Friday, April 6, 5-8 p.m.

About DVAC

The Dayton Visual Arts Center provides art for the community and a community for artists. DVAC receives operating support from the Ohio Arts Council, Culture Works, Montgomery County, the Virginia W. Kettering Foundation and Members.

Ticket Contest

As proud media sponsors for the Annual DVAC Art Auction on April 27, we are happy to give YOU a chance to win a pair of tickets to this very popular event – a $150 value!  Simplythis article and then fill out the form below – we’ll announce winners on Monday April 16th… Good Luck!

Contest Closed…. and Congratulations to 

Jennifer Lockwood, Brenda Boyd and Lynn Kesson – you have each won a pair of tickets to the DVAC Art Auction!

 

Food Adventures Get Hooked at JJ’s Fish and Chicken

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Fried Tilapia and Perch Meal

You may have seen billboard signs in Dayton for JJ’s Fish and Chicken, calling fried food lovers like the “bat signal.”  As you know Deep Fried Foods have always had a special place in our heart.  Our fascination with such calorie busting meals took us on a little Food Adventure in North Dayton.  The destination was an old converted Taco Bell building which is the North Main Street location of JJ’s Fish and Chicken Drive Thru.  This place was brought back to life by a couple of brothers of Mediterranean decent.  Most of their business is drive thru or carryout, but we wanted the dine in experience to mingle with the staff and customers.  There isn’t much mingling as you are separated by plexiglass and an intricate spinning device where you pay and receive your food.  Let the Food Adventure begin…

JJ’s Fish and Chicken, North Main St, Dayton

We noted right away that they had some pretty good prices and a huge variety of fried seafood offerings.  Sure, they might offer some baked fish, but we were on mission of breaded pleasure.  They had some great specials for under $5, but we decided to go for a couple of the fish dinner offerings and a “pick 2 combo” of fried shrimp and chicken wings.  Your Food Adventure Crew also noticed a display case with dozens of containers of side dishes.  If there is ever a shortage of side dishes in the world, this case would feed North America for a week.  We ordered a personalMac n Cheese.  They nuked it and it was served so piping hot that we scorched our mouths and even after 5 minutes, we could still hardly take a bite of the mac n cheese.

Our eyes turned to a drink case that housed a bunch of Faygo pop, the pride of Detroit.  That’s all they have to drink, no water, no ice tea, just regular Faygo pop, the large 24 ounce bottles.  Your Food Adventurers dove in head first and grabbed 2 of them.  Already in a comical mood, a scalded and galded Big Ragu looked to take a seat.  With some of booths mysteriously missing, we decided to squeeze our petite frames into a front row seat on a couple of stools.  This allowed us to watch the cooks and customers interact like a breaded ballet.

Shrimp and Chicken Wing Combo

A bell rang and the plexiglass swivel device turned like a set of The Price is Right, to reveal a large brown bag.  Our feast had arrived.  We were fascinated with the glass separating the workers from the customers.  This is where all the action takes place.   There was a tender moment when we picked up our food, when the cook placed his palm against the bulletproof glass, and we put our hand directly against his, just like a prison scene….the walls cannot keep the man down!  The touching scene was halted when we smelled the aroma of freshly fried fish in the bags we were holding and realized we needed to eat now.

Inside the bag were 2 HEAPING white containers overstuffed with food.  The weight of each dinner alone required the use of a “spotter” to lift.  We heard angels singing as we opened styrofoam vessels of joy.  We noticed they served each meal with coleslaw, fries and a couple of slices of white bread.  We are talking old school stuff here.  Our meals were good, with the highlight being the fish.  The fried tilapia and fried perch were incredible.  We would also recommend fried walleye and the fried orange roughy.  We enjoyed the fish selections very much.  Meanwhile, The Big Ragu even downed some fried oysters which were fresh and juicy.    The Big Ragu did one of his patented “fat kid tricks”in which he made a po’ boy sandwich by putting perch, coleslaw, fries and hot sauce on the included bread slice.

The Mac N Cheese that scalded our mouth

We thanked the staff and left JJ’s stuffed to the gills.

If you love fried fish, you have to check this place out.  With such a huge variety of different fish and seafood choices, you cannot go wrong.  We had to chuckle at the menu saying zero grams of trans fat.  JJ’s Fish and Chicken is a national chain, with 2 other Dayton locations on N. Gettysburg and Salem Ave.  We noticed they do a brisk business.  Many hungry customers were in and out during our visit getting their “fried food on.”  So, we ask you, do you want a mountainous pile of fried food at a stunningly low price?  Then visit JJ’s Fish and Chicken Drive Thru and get hooked like us.

Shocking Stories From Beyond The Stars With Carrie Fisher

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An Interview With Actress Carrie Fisher

Debbie Reynolds, Carrie, Todd and Eddie Fisher

(see details on our ticket give-away to Carrie Fisher’s show “Wishful Drinking” below the article)

It seems apropos that the daughter of Hollywood’s Royalty would eventually take up her predestined mantle as a Princess. Yet, for whatever charms that galaxy far, far away might hold,  Carrie Fisher’s real life is more of an epic tale than anything Lucas could ever deem to dream. From awakening to Republican Party media adviser R. Gregory Stevens’ lifeless body lying next to her (a victim of an OxyContin/cocaine overdose), to having the father of her daughter leave her for another man, Carrie Fisher’s life make the cantina scene in Star Wars look about as interesting as a seminar on new accounting techniques.

Carrie was born on October 21st, 1956 in Beverly Hills,California to America’s Sweethearts, singer Eddie Fisher and actress Debbie Reynolds. When Carrie was only two, Eddie Fisher left the house to console Elizabeth Taylor after the death of her husband Mike Todd (who was also Eddie’s best friend and whom he named his son after) and he never came back. The next year, Carrie’s mother Debbie married shoe magnate Harry Karl, whose penchant for roaming about without pajama bottoms and an acute case of chronic flatulence added yet another odd character in Carrie’s galactic menagerie.

            Sometimes, there are those born into celebrity who, through no fault of their own, do not realize that their lives are much different than that of the average person. During a recent telephone interview, I asked Carrie when she became aware that her life was vastly unlike the lives of others and what her perception of her early years were.

“Obviously it’s nice to live comfortably and I really didn’t know that there was another way to live until I was like ten. People would say, ‘You think you’re so great because you’re Debbie Reynolds’ daughter!’ I was embarrassed of that.” Carrie paused, rolling over in bed as she had just returned from a celebrity meet and greet in Japan. She went on to say that, “I did know that other people didn’t live like this and I didn’t like it because that separated me from being like everyone and I couldn’t fit in. I wanted to fit in, and none of this stuff makes you fit in. I wanted to have the option to join up. Anything that made me different…I don’t know…I lived mostly in my head, so I don’t know that I was very aware of my surroundings. I was extremely introverted.”

At seventeen, Carrie landed a role in Shampoo with Warren Beatty and Goldie Hawn. In 1973, as Carrie puts it, “George Lucas ruined my life” by casting her in the iconic role of Princess Leia Organa in his upcoming sci-fi movie, Star Wars – released in 1977. In reflecting on the deal that was made at the time, Carrie has been quoted as saying that, “We signed away our likeness, so when I look in the mirror, I have to pay George a couple of bucks.” Following Empire Strikes Back (1981) was Return of the Jedi (1983) in which Carrie once again reprised her role as Princess Leia, becoming the gold plated bikini babe – slave to and amorphous arm candy of the gelatinous villain Jabba the Hutt. It was this revealing representation that launched Carrie into the stratosphere as a sex symbol, a position that she was uncomfortable with and an image that she unwittingly didn’t realize at the time would follow her throughout her whole career.

Having been inundated and interrogated throughout the years pertaining to her experiences with George Lucas and the Star Wars empire, I wanted to only briefly touch on that topic. I asked if she felt that there was a weight from living under the legacy of such an iconic movie so early in her career, to which she replied:

“I mean, I never really wanted…I was never much of an actress. It was never really what I wanted to do. If I had wanted to be an actress, it would have been bad.”

Click On Image...It's Animated

Carrie has been oft quoted as saying she never really wanted to become a celebrity as she had seen firsthand what fame such as that had wrought. The ensuing years after Star Wars were fraught with drug addiction and psychological problems, becoming overly apparent both on and off the screen, as evidenced in her appearance on the Star Wars Holiday Special in 1978. Her erratic behavior and rampant drug use even led to her almost getting fired from the set of The Blues Brothers, where she was unable to turn in a decent performance due to her intoxication.

After entering rehab and cleaning herself up (with a few admitted slips here and there) it seemed that Carrie eventually returned to the refuge that she had found in her teenage years: writing. I asked Carrie if she found that writing became a part of her self-therapy.

“Well, I never did it for that reason, but when I was young, I guess I did.” After a slight pause, she went on to say that, “My thoughts would get all kind of crowded, so it kind of became a way of kind of organizing the crowd.”

I Always Suspected This...

I was curious as to whether Carrie felt more comfortable writing about her life veiled behind the safety net of fiction or if it was easier to just write it all down without having to think up scenarios and plots to introduce one event or another.

“Fictionalized!” Carrie said, without hesitation. “Well, it’s a different kind of writing. Your tone with first person prose is much more conversational, so it’s hard to get more descriptive. There’s a certain kind of way that I like to write that doesn’t suit itself to a first person narrative.”

Was it easier to tell the whole truth about something that happened to herself and the people involved in a situation when it was couched behind the shroud of fiction?

“I don’t know about myself, but I would never say anything that would make anyone uncomfortable that was obvious, no. I don’t want to do anything like that.” Carrie said. “I have probably made people uncomfortable with certain things, but I do my best not to do that. It’s easier in fiction because you make up stuff and you use stuff and you disguise stuff.”

While still appearing in acting roles (When Harry Met Sally, Austin Powers: International Man Of Mystery, Scream 3), a large portion of her creative energy seemed to go into her writing, whether it be fictional (Postcards From The Edge, Surrender The Pink, Delusions Of Grandma), screenwriting (These Old Broads, The Young Indian Jones Chronicles) or non-fiction (Wishful Drinking, Shockaholic). In 2006, Carrie debuted her screenplay of Wishful Drinking as a one woman show, replete with videos, photos and more anecdotes that you could shake a light saber at.

In a world saturated with reality entertainment, it seems as if celebrities’ bad behavior is sometimes an intentional ploy for attention or a casting call for the next Lifetime Network show, yet in Carrie’s case this is not so. Most of her life was not lived out in front of the camera lens, like most other celebrities bent on revealing their day to day lives. When you read or watch Wishful Drinking, you are left with the impression of a woman coming to the realization of what the events in her life meant and accepting the repercussions that her decisions and actions have produced. It is also not a ‘woe is me’ pity fest, yearning for the audience’s sympathy in a desperate maneuver to gain forgiveness and acceptance. I did wonder if performing her own life out night after night desensitized and somewhat separated her from the integral epochs of her past.

“God I wish! What it does is, it makes me own it and I’m not ashamed of it. It makes you feel brave. It certainly makes you feel not ashamed and sometimes it can make you feel like, ‘Look at me motherfucker! I used to not even be able to talk about this!’” Carrie went on to define what she meant by saying, “Well, I mean, if I’ve gotten through the stuff I’ve gotten through, you can get through anything. I look for the ordinary in the extraordinary, whether it being bi-polar or a celebrity or the child of a celebrity or any of that.”

At the age of forty, Carrie had a full blown breakdown which required her to be admitted into a psychiatric hospital. Over the course of time, medications were tried and therapies instituted, but the real breakthrough came when electroconvulsive therapy (ECT) was applied. In Carrie’s words, it was as if there was cement obstructing her mind and the ECT treatment seemed to break all of that away. There has been some short term memory loss, indicated by her answering machine, which asks callers to leave their name, number and how they know Carrie. She has some problems with remembering names or some events, but she highly recommends ECT, stating that it is not how it is depicted in movies like One Flew Over The Cuckoo’s Nest.

“I would recommend it to other people if they were in a massive depression, but the way it’s depicted” She paused before going on, “…I saw it on a preview of that show Homeland, and it’s not like that! I mean, maybe they do it like that in some places, but from my experience, they put you out and…it’s just weird. Anyway, I would recommend it or any measure you needed to take to deal with a massive depression, but of course, I tried everything else first.”

For a taste of what it’s like living life on the edge, collecting the postcard and coming back, check out Carrie Fisher’s one woman show, Wishful Drinking. Also, read her short follow up book, Shockoholic, which details some of the funnier anecdotes from her life. AS we wrapped up our interview, I asked Carrie what I should tell Daytonians about the show and what to expect. She stated that there was a lot of audience interaction, making each show a unique experience. Carrie signed off by simply saying…

“I do involve the audience, so come and see me and tell me some stories!”

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Ticket Giveaway

We have a pair of tickets to see Carrie Fisher’s Wishful Drinking on Tuesday April 10, courtesy of the Victoria Theatre Association!  Simply this article, On Stage Dayton and then in the comment section below, tell us your favorite Carrie Fisher role and why (make sure it posts to your FB page as well).  We will randomly draw one winner on Monday 4/9 at 3pm.  GOOD LUCK!

Food Adventures: Small Bites for 4/5/2012

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Food Adventures with the Big Ragu and Crew: Another installation of  “Small Bites.”

Here in “Small Bites,” we feature some of our favorite food items across the Dayton area.  We are not food critics, we love to eat.  Often imitated never duplicated, we set out to let you know about some of the better eats around the area that you may not know about !

Owners Rick “Voltzy” & Jack Sperry Want Your Vote to Decide!

THROWDOWN: VOLTZY’S vs. THE HAMBURGER WAGON, on  Saturday June 9, 2012

Our first small bite is actually a coming attraction.  Two of the most popular burger joints in the Dayton area are going to have an old fashioned “Throwdown!” at the Rock n’ Green Tomato Festival in Miamisburg, Ohio.  The Hamburger Wagon of Miamisburg will go toe to toe with Voltzy’s Rootbeer Stand of Moraine.  Get to this festival and cast your vote on Saturday June 9th.  Who will win this burger brawl to settle it all ??  We visited with Voltzy’s owner Rick Volz and the Hamburger Wagon owner Jack Sperry, and they both think they are going to win !  The Throwdown  is in the early stages, so there will be more details in the coming weeks.  Look for a follow up feature story from the Big Ragu in May right here on DaytonMostMetro, when we will cast our votes for the best burger!

 

THE SANDWICHES at JIMMIES LADDER 11:

The Ladder 11 Sandwich

Are you looking for a great, casual bar and grill that serves up top notch sandwiches?  Food Adventures recommends that you try Jimmie’s Ladder 11 on Brown Street.  Jimmie’s ladder 11 resides in an old renovated 1892 firehouse and is full of atmosphere.  They also make some amazing sandwiches.  One of our favorite sandwiches is the Ladder 11 which consists of Romanian Style Pastrami, Corned Beef, Hand Cut Cole Slaw, and House Russian Dressing on Rye.  The menu has a large variety of sandwiches, pastas, and some incredible appetizers.  Try the creole cheesecake…… you will not be sorry.  Jimmies Ladder 11 is located at 936 Brown Street across from Miami Valley Hospital.  For more information, check out jladder11.com.

 

 THE CREPES at CREPE BOHEME at the 2nd Street Market:

Veggie Crepe

From the crepes in Paris, France to a Chocolate Crepe from a street vendor.  We have been fans ever since!  Fortunately for us, we have Crepe Boheme located at the 2nd Street Market in Downtown Dayton. Today we even opt for for a Vegetarian Crepe rather than the crepes made with Nutella.  The Crepe-Master Sabine skillfully pours the thin layer of batter on the hot plate and the magic begins.  We suggest you try a create your own crepe you with:  Spinach, Tomatoes, Mushrooms, Brie and an incredible Red Pepper Sauce.  For the carnivores out there, you can always try the Black Forest Ham Crepe.  This crepe is packed with Black Forest Ham, Brie, and topped with Mushrooms.  Give Crepe Boheme a try and you will be hooked!

 

 

THE 2 FISH OR CHICKEN SANDWICHES FOR 2 BUCKS at RALLY’s:

Rally’s: 2 Nice Sized Fish Sandwiches for 2 Bucks

Two dolla to make you holla!  We don’t usually write about fast food chains, but every once in a great while, we will see something worth mentioning.  Such is the case with the current deal at Rally’s Hamburgers, the infamous double drive-thru place.  The Big Ragu’s obsession with fast food had him doing a double take.  Rally’s has a deal of 2 fish or chicken sandwiches for 2 bucks total.  The sandwiches aren’t tiny either.  The bang for your buck is great.  Satisfy your hunger for 2 dollars?  When is the last time that happened?  Other monster chains are charging around 4 bucks for the same thing, so make sure you stop in at Rally’s for this fantastic deal during the Lenten season.

 

 

 Look for our FOOD ADVENTURES every THURSDAY on DaytonMostMetro.com!

 

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Quebecois Party Time With De Temps Antan

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The end of another Ohio winter (even one as strange as this one has been) is the perfect time for a good old-fashioned Québec kitchen party. Much like a bluegrass picking party, a kitchen party in Québec offers plenty of music and singing, some high-spirited dancing and a pervasive feeling of warmth, community and friendship. Just what the doctor ordered for an end of winter/hello to spring blow-out. And there is no better group to apply this magical tonic than the Quebecois acoustic power trio known as De Temps Antan.

De Temps Antan consists of Éric Beaudry (guitar, mandolin, bouzouki, vocals, foot percussion), André Brunet (fiddle, vocals, foot percussion) and Pierre-Luc Dupuis (accordion, harmonica, vocals, foot percussion). Formed in 2003, De Temps Antan is an off-shoot of La Bottine Souriante, the hugely popular and influential 10-piece Québec band.

The size of La Bottine Souriante precluded it from playing smaller venues, which led directly to De Temps Antan. “The project for the trio was born in 2004, following a request by a friend who does bookings for a room,” says Pierre-Luc Dupuis. “He wanted to hear the three of us playing together. It meant really bringing things down to basics, to the essence of the music.”

André Brunet

The band’s name is a pun that doesn’t really translate from the French, but it means, roughly, both “of olden days” and “from time to time.” The joke dates to the band’s early days when they were all still members of La Bottine Souriante. “It’s because we were only able to perform every now and then, between our commitments with La Bottine,” says Dupuis. “We still managed to tour a bit and to make an album, A l’Année.”

The essence of Quebecois music can be distilled to a single word: fun. Writers generally use the French phrase joie de vivre, but fun serves just as well. “We work a lot to bring the spirit of a kitchen party,” says André Brunet. “It’s really fun to bring people there. Even if they don’t know what to expect for sure, people will go home from the show smiling.”

“Our approach has stayed the same in many ways [as when the three played in La Bottine Souriante], even though we are a much smaller band,” adds Pierre-Luc Dupuis. “You have to play grooves and have fun on stage. You have to be tight and keep the same energy. For us, it’s not only the story of the music we need to tell, but we try to live the story on stage, to really get across what you’d hear and feel and do during a family party.”

Pierre-Luc Dupuis

The repertoire of De Temps Antan is a highly entertaining mixture of traditional songs and tunes and material written by the three band members. “A goal of the band is always to find songs that audiences are not used to hearing,” says Brunet. “Lots of French songs are about church, drinking and women. Finding good old songs is nice, but they are rare.”

Rare or not, the band members have collected hundreds of old songs and tunes from their region and beyond. “A lot comes from our own families,” says Dupuis. “On the album [À l’Année], especially, there’s a lot from the village of Saint-Cí’me, where Eric was born. You get a sense of the richness of just one little corner of the country. Our aim is to keep the essence of that music, but to have an open-minded attitude—in short, to let it live.”

In another aspect of keeping the tradition alive, Andre Brunet has made fiddle history as well, representing his home province with distinction. In 2008, competing against more than 20 top fiddlers from throughout Canada, Brunet took top honors at the Canadian Grand Masters Fiddling Competition. A year later, he won the Annual Pembrooke Old Time Fiddling and Step Dancing Championship in Ontario. Brunet was the first Quebecois fiddler to win either prestigious title.

De Temps Antan has recorded a pair of critically acclaimed albums: À l’Année and Les Habits de Papier. The albums contain traditional material as well as original songs and tunes by the band members, but the music ranges far beyond the band’s Canadian home. De Temps Antan forges a pan-Acadian sound that merges traditional Québec music with the Cajun style of south Louisiana (a perfect example is “La maison renfoncée” on Les Habits de Papier).

Éric Beaudry

Part of this musical connection is historical, rooted in the forced migration of the French Canadians to Louisiana in the 1700s (as immortalized in Longfellow’s poem “Evangeline”). The more recent part of the connection comes from the band’s travels, particularly engagements at music festivals in the U.S., where the three musicians have had ample opportunity to play with and learn from Cajun and old-time country fiddlers. Adding bits and pieces from those styles is just another way the men in De Temps Antan are moving the tradition forward.

Two elements that are deeply characteristic of the traditional music of Québec —the ubiquitous foot percussion and the “mouth music” known as turlutte—might look exotic to outsiders, but each in fact represents a practical solution to a musical problem. The foot percussion, essentially a seated form of clogging that seems to be unique to Québec, stems from the days when a solitary fiddler would be the only one providing the music for a house full of dancers.

To make the music louder and to provide a steady beat that could be heard by the dancers, a chair for the fiddler would be placed atop the kitchen table. “The fiddler would get up on the table and tap in middle of kitchen,” explains Dupuis. “That would make it much louder and get everyone in the whole house dancing.”

To Andre Brunet, the tradition is even more deeply rooted in the Quebecois soul. “We start tapping the feet before walking when we are young,” says Brunet. “It’s the basic rhythm of the Quebecois spirit. It’s just a groove.”

Cityfolk Presents De Temps Antan

April 24, 2012 8pm at University of Dayton’s Boll Theatre

The World Rhythms Series is co-sponsored by Cityfolk and the UD Arts Series

Tickets and More Info

(Written by Jon Hartley Fox)

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