Dayton

Mystery Monday – October 10, 2016

October 10, 2016 By Tom Gilliam

Welcome to Week 35 of Mystery Mondays. The answer to Week 34’s Mystery Photo is: Garden Station in Downtown Dayton along with a special appearance by my late beloved Scottish Terrier (aka Scottie) Lucy. I took this photo on September 22, 2016 during our final adventure together, the morning I had to have her put down after a short but painful illness. She would’ve been 12 years old on November 1, 2016.

Lucy Scott Terrier Gilliam

November 1, 2004 – September 22, 2016

We congratulate our randomly drawn winner Like S of Beavercreek. Rapid Fired Pizza certificates are coming your way!

We challenge you to tell us where in the Dayton area this photo was taken by filling out the form below. We’ll do a random drawing from all those with a correct answer and the winner will get 2 pizzas from Rapid Fired Pizza.

Enter here:

http://goo.gl/forms/dyU55fzc48

We’ll post the winner next Monday with details about the photo as well as a new photo to challenge your knowledge of the Dayton area.

Thanks for playing and good luck!

Here’s our Mystery Photo for Week 35:

Photo by Tom Gilliam of DaytonGram & Tom Gilliam Photography.

Bourbon Street Cafe: Oooh, That Chicken….

October 6, 2016 By Dayton937 1 Comment

Bourbon Chicken – Their signature dish and main draw

Bourbon Street is again on Brown Street, and has been for a while. The Bourbon Street Grill and Cafe is in a no frills dining room where the line can get long, but it goes fast. From UD Students, to locals, people come from all over. Whether for a work lunch, or taking dinner home, people are getting wise to this place. Why? It is simple – GOOD FOOD, GOOD VALUE! And …. oooooh that chicken, …. people go crazy over it !

This place is EXACTLY what Food Adventures is about… a locally owned spot where practically everything on the menu is a winner. We should know it, because in the 6 or 7 times we have visited, Bourbon Street Grill & Cafe, we have tried practically every menu item. And that’s what sets our blog apart.

Located at 1043 Brown Street

HERE’S THE SKINNY on BOURBON STREET GRILL & CAFE:

— Located at 1043 Brown St. in Dayton, they are open everyday from 11am-9pm, except Sundays when they are closed.

— Owned by Hassan Abdalla, who moved to Dayton as young adult from the Middle East. He always had the dream of being a pilot. His father passed away unexpectedly, forever prolonging that dream and Hassan found himself working in kitchens to make ends meet. He worked himself up

Blackened Salmon over Corn and Potatoes

to high end restaurants, like L’Auberge. He then decided to open his own business, for years doing catering and festivals. He opened a restaurant on W Second Street, then took an opportunity on a new location on Brown Street.

— They still cater and make several festival appearances during the year.

— Note that their chicken is grilled thigh meat, that is pulled and finished on the flat grill and cubed. The result is a one of a kind, almost melt in your mouth taste.

— Helpful and hard working staff, always busting their butts to fill orders.

We first were exposed to these guys at festivals, and after eating their food at Big Brews and Blues, then Garlic Fest, we have been hitting the brick and mortar location regularly. Over time, the Food Adventure Crew has developed a list of Bourbon Street Grill and Cafe’s absolute best dishes. Or as we call them, our patented “Must Eats.”

Spicy Chicken over White Rice

MUST EATS at BOURBON STREET GRILL & CAFE:

— BOURBON CHICKEN: The signature dish. The mother ship on a plate. We suggest white rice or spicy rice with this, although many enjoy lo mein noodles or steamed vegetables as a side. When they serve this chicken, they scoop it up, then get another scoop of sauce and drizzle it over top. We drool every time.

Sides served right out of the piping hot steamers

— BLACKENED SALMON: Cajun spices dust the pan seared salmon filet. Again we suggest it over rice, but there are so many choices from beans to corn to potatoes, the sky is the limit. But the Salmon… holy cow is it good.

— SPICY CHICKEN: This is the Big Ragu’s favorite dish. He sweated in the summer heat and got lit up at a couple of festivals but it was worth it. He likes the spicy chicken poured over white rice, to cool down some of the heat. But choose whatever side you want.

Havent had cornbread this good since Burbanks

— CORNBREAD: An incredible throwback to southern style cornbread. One slight problem, they do not have butter on site. So if you are eating in, byob – “bring your own butter.” We could eat a brownie pan of this stuff.

— THE CHEESEBURGER: A 1/3 pound burger patty loaded on a sturdy bun with all the fixins. They top it off right. A delicious mix of flavors, napkins recommended for this one.

Honorable Mention: — The PHILLY CHEESESTEAK SANDWICH is a nice surprise (get extra mayo). Also, the BLACKENED SEA BASS is delicious.

Even their Burger surprised us

From salads to beans, to edible fried tortilla bowl options, you have an open canvas. With so many good entrees and sides to choose from, you can get lost in their menu. One thing you wont lose, is a lot of money, because the menu is a great value.

Now you know about this stellar place on Brown Street. Go check out Bourbon Street Grill & Cafe and make your own combinations. It is a great place, with an incredible owners story behind it. A story of hard work and perserverence.

Make sure you browse the photos below in our picture gallery. Our food pics are incomparable.

Remember, we are not food critics, we are 3 people with a passion for food. Follow Food Adventures on our Facebook Page by clicking HERE. It is a foodie’s paradise. Also, catch our upcoming appearances on DaytonFoodies.com since 2008.

Philly cheesesteak

Lo Mein Noodles Option

The staff is one of the hardest working in town

Corn and Blackened Salmon

The Gyro

Spicy chicken and rice

Grilling Chicken

Dining Room

Potato side with salmon

Tilapia – edible bowl

Mystery Monday – October 3, 2016

October 3, 2016 By Tom Gilliam

Welcome to Week 34 of Mystery Mondays. The answer to Week 33’s Mystery Photo is: The Happy Day Statue at RiverScape MetroPark in Downtown Dayton along with a special appearance by my late beloved Scottish Terrier (aka Scottie) Lucy. I took this photo on September 22, 2016 during our final adventure together, the morning I had to have her put down after a short but painful illness. She would’ve been 12 years old on November 1, 2016.

Lucy Scott Terrier Gilliam

November 1, 2004 – September 22, 2016

We congratulate our randomly drawn winner Carolyn R of Beavercreek! Rapid Fired Pizza certificates are coming your way!

Enter here:

http://goo.gl/forms/dyU55fzc48

We’ll post the winner next Monday with details about the photo as well as a new photo to challenge your knowledge of the Dayton area.

Thanks for playing and good luck!

Here’s our Mystery Photo for Week 34:

Photo by Tom Gilliam of DaytonGram & Tom Gilliam Photography.

National Coffee Day Tipple: Irish Coffee

September 29, 2016 By Brian Petro

We all take coffee for granted as just part of the daily routine. Wake up, brew or buy a cup of coffee, then get to doing something productive with your day. Before it was grown, roasted, boiled, and consumed, first it had to be discovered. The story is that a shepherd in Mocha saw his flock frolicking about after eating berries from a certain shrub. He took the berries, then to make them palatable roasted them then boiled them. He found the drink gave him vast amounts of energy, and the technology spread through the Middle East and Africa. It had to fight various bans for its mind altering effects, as scholars debated on whether or not it counted as being intoxicated when you were hopped up on caffeine. It passed the test with Muslim imams and eventually the Catholic church. According to the story, Pope Clement VIII was charged by his followers with banning the drink of the Muslims. He tasted it before the ban and chose to allow the drink to spread, stating it should be baptized as Catholic to get it from Muslim hands. This is all around 1600.

Coffee has always warmed us up and given a little jolt of energy. It also encourages conversation and the spreading of ideas. From the coffee houses of Shakespeare’s time to Starbucks, people who were looking to connect with others came together under one roof. The chef at an airport bar in Ireland concocted the drink for passengers coming off a plane looking cold and miserable. He offered hem some coffee with a little shot of Irish Whiskey in it. The passengers loved it, and it became a menu item on at the bar in question. One of the travelers that eventually enjoyed the cocktail was Stanton Delaplane, who brought the drink to San Francisco with him and championed it to the city. It was first served at the Buena Vista Cafe in 1952, and embraced by the city. It has been served there, and anywhere else that had coffee and Irish whiskey, ever since.

This is the critical ingredient: Irish whiskey

Irish Coffee

1.5 oz./ 45 mL Irish whiskey
2 tsp. brown sugar
4-6 oz./ 120 – 180 mL hot coffee
Glass: Irish Whiskey
Garnish: Whipped cream
Ice: None

Prepare the glass by warming it with hot water. Empty the glass when warmed, then add the coffee and sugar. Stir to dissolve the sugar, then add the Irish whiskey. Stir again. Evenly spread the whipped cream over the top of the coffee and serve.

I love this drink. It is delightful any time, day or night. It is just warm and inviting, the bite and sweetness of the whiskey just peeking through the coffee flavor. You may be tempted to stir the whip cream in, but don’t. The layer of cream on top gives you a little with each sip, and acts as a delicious insulator for the coffee. If you are looking for some caffeine to add to your liquor, I suggest this over vodka and Red Bull any day. And you get whipped cream!

This is day 27 of a series, #100DaysOfCocktails, being done by Smart Guy In A Tie Cocktails. You can follow along daily on my Instagram page on Facebook, and on Twitter.

What Does It Mean To Invest In Community?

September 27, 2016 By Nikki Nett

So, I’ve done some research and I should probably share it with you. Look, I know it may be shocking, but hear me out.

As it turns out, binge-watching Flipping Out With Jeff Lewis, HGTV, and Rehab Addict does not make one a real estate expert. No matter how much you love those sassy Joshes from Million Dollar Listing, they may not be the best teachers of success in the real estate market, though I sure do like their parties. Tarek & Christina, Jonathan & Drew, et. al are probably not the ones to consult about real estate in the Dayton Ohio market. There is no amount of Shark Tank that sets you up for financial security, right here, right now. Yes, I know, I am just as surprised and disappointed as you are.

Ok then, we’ve established that we’ve gotta do more than build our Pinterest boards while binge watching. Reality tv isn’t making me a professional investor, flipper or rehabber (for real, keep me away from the spackle & grout), I don’t know about the housing market, but I DO know about Dayton. I know about marketing and how that works a little differently here in the Miami Valley. Most importantly, I know that we are protective of our communities around here.

So why the hell is any of this connected or relevant??

Frankly, I didn’t think it was until recently. I just started working with Real Estate U in Beavercreek. I’ve been up to my eyeballs in their branding, mission statements, processes, classes and more for the last few weeks. The more I am immersed in all things REU, the more I begin to understand what similar companies from out of town do.

As someone who has spent the majority of my life in the Dayton area, that pisses me off. As someone who, over the years, has been involved in all the Daytonish things, that really really pisses me off. Why, though? Because their investment in Dayton is not a long term investment in the residents of Dayton. Because they breeze in, make some promises and breeze out with our assets. Nah, no thank you.

We’ve seen the lists that Dayton appears on, and we get a little braggy when we hear that people all across the nation are talking about how affordable it is to live here. This is amazing! Right???

Wellllllll….yes and no.

Dayton is prime real estate right now. But that means more than just high income creatives moving into all the cool, historic neighborhoods. It means that investors across the country are sweeping in and buying up foreclosures. It means that Joe & Suzy Suburbs from Nebraska are looking at some of the older areas and seeing opportunities for a DIY house flip. It means that available money going into these homes, is ultimately leaving the area.

But we want to keep it here. Locally. In the Miami Valley where it can benefit our entire community. How’s THAT for Return On Investment?

Cool. So now what?

If you are interested in learning about real estate investing, rehabbing, flipping, rentals, and beginning to build generational wealth, then you have to attend one of Real Estate U’s FREE Real Estate Investing classes. REU is a nationwide company headquartered here in Dayton. At their free classes, REU teaches you how to find great deals, what areas in Dayton to avoid, where the sweet spots are, and even coaches you through the day to day activities of flipping a house.

There are classes this Thursday & Friday night, and they have added 2 more classes for Saturday. I added the Eventbrite link below so you can choose your time slot.

Maybe this isn’t your thing, that’s fine, but if you know someone of any age (over 18) that would like a jump start into this market, feel free to pass this along. Everyone is welcome, you don’t have to be a Wall Street banker to make this work for you. You just have to want to work…for you.

RSVP to this weekend’s classes by clicking here.

Find REU on Facebook by clicking here.

Double tap on the ‘Gram here.

See what the heck REU is all about here.

Mystery Monday – September 26, 2016

September 26, 2016 By Tom Gilliam

Welcome to Week 33 of Mystery Mondays. The answer to Week 32’s Mystery Photo is: The ceiling of the Agriculture Building (aka Exposition Hall and/or the Roundhouse) at the Montgomery County Fairgrounds in Downtown Dayton. Built in 1874, the “Roundhouse” is listed on the National Register of Historic Places but is currently in danger of demolition since the fair will be changing locations after 2017. I took this photo on September 3, 2016 during the 164th Annual Montgomery County Fair.

We congratulate our randomly drawn winner Chad McCoy of Dayton! Rapid Fired Pizza certificates are coming your way!

Enter here:

http://goo.gl/forms/dyU55fzc48

We’ll post the winner next Monday with details about the photo as well as a new photo to challenge your knowledge of the Dayton area.

Thanks for playing and good luck!

Here’s our Mystery Photo for Week 33:

Photo by Tom Gilliam of DaytonGram & Tom Gilliam Photography.

Haunted Food Adventure at Amber Rose Oct 7th

September 21, 2016 By Dayton937 Leave a Comment

Rhinegiests & Poltergeists Returns Oct 7th to the Amber Rose

Sellout crowd expected again !!

FOOD, BEER, … GHOSTS

This is a post that many of you have been waiting for… Dayton Most Metro is kicking of the fall season with a “BOO!”

—October 7th, the popular “RHINEGEISTS and POLTERGEISTS” ghostly beer dinner returns! A brainchild of local bloggers, the Food Adventure crew, this popular scarefest looks to again to have a sellout crowd of over 100 foodies at the Amber Rose restaurant. There will also be a special presentation from a nationally known paranormal investigative group, ParaSense.

Pierogies and More on the Menu

HERE IS THE SKINNY ON “RHINEGEISTS and POLTERGEISTS”

WHEN: FRIDAY, OCTOBER 7th at 7pm

WHERE: AMBER ROSE RESTAURANT at 1400 Valley St. in Dayton

WHAT: 4 COURSE DINNER from AMBER ROSE and 4 BEERS from RHINEGEIST BREWERY

Visit the Haunted Amber Rose for this Food Adventure

—COURSE 1: Sausage, Potato and Sauerkraut Pierogies and German Bier Cheese Dip

—COURSE 2: Beef Rouladen (rolled) with Roasted, Rustic Vegetables

—COURSE 3: Apple Cinnamon Smoked Pork Chop with German Potato & Bavarian Hash

—COURSE 4: Cherry Almond Bread Pudding

Each course will be paired with a Rhinegeist Beer:

—BEER 1: “ALICE” a Belgium Style Ale

—BEER 2: “EXUM” a Pale Ale

—BEER 3: “HUGH” an Oktoberfest brew

—BEER 4: “STEVE” a Dark Lager

Parasense – Paranormal Investigator Team – Alicia, Shelly and Kat

WHAT ELSE: A special presentation from a local paranormal investigative team with national exposure, called PARASENSE. ParaSense will be sharing their findings from numerous overnight ghost hunts from 2015 and 2016. NEW FINDINGS, NEW GOOSEBUMPS !

COST: $35 per person includes the tip ! Tickets are PRE-PAY and ONLY AVAILABLE at THIS LINK. This event has always sold out and will be limited to 100 people.

EACH ATTENDEE GETS A FREE RHINEGEIST PINT GLASS !

ALICE from Rhinegeist Brewery

*****The party continues after the event, downstairs at the bar with “Happy Hour” pricing*****

As many of you may know, The Amber Rose is supposedly a haunted venue. The ghost is believed to be the daughter of the former house owner. She is a playful ghost named Genevieve Ksiezopolski aka “Chickie.” Employees have many stories of glasses flying off of shelves, lights being turned on and even the appearance of a poltergeist. Take for example this case, where a cook claimed to see a full apparition of a lady in a long dress who walked into the room, then turned and walked away. When the frightened cook alerted the staff, they quickly pulled the security surveillance camera footage. What they saw at the same time the cook claimed to encounter the ghost was this: click to see video

Who is Haunting the Amber Rose? Some think it is this lady….

A local, three person “ghost hunter” crew will be investigating the Amber Rose facility in the weeks leading up to the dinner. They have appeared on on National Television! Their work has been featured in“America’s Most Haunted,” “My Ghost Story”, and Haunted Ohio VI. Independent Paranormal Investigators Kat Powell and Shelly Suittor met in 1999 as tour guides for the Ohio State Reformatory, Prospect Place, and Snow Hill Country Club. Teaming up with Alicia Soich in 2012, they’ve logged hundreds of hours of field research and private investigations across the state.

What will their findings be? Will they be contacted by “Chickie” or some other poltergeist? Join us and find out ! And stay for the Happy Hour after party at the bar !

BUY YOUR TICKETS HERE! TICKETS ARE PRE-PAY ONLY! LIMITED SEATING!

Browse the photos below…

“LIKE” FOOD ADVENTURES on FACEBOOK HERE !

Sausages Locally made

1400 Valley street – is it HAUNTED>>>

Bier Cheese Dip

Cut into a sausage with some sweet kraut

Staff at the Amber Rose make the whole experience

Beautiful upstairs area

wave hi

excellent food

Chef JT, Joe from Amber Rose and Trevor from Rhinegeist

Lucky guy

Pondering ghost evidence

Serving

Amber Rose Food

Bar upstairs

Happy Hour here “after party”

TIFF 2016 – Day #9 – Wrapping Up This Year’s Fest

September 17, 2016 By Jonathan McNeal

Hello Everyone,

My first film of my final day of screenings was PLANETARIUM – directed by Rebecca Zlotwoski and starring Natalie Portman and Lily-Rose Depp. This is the story of two sisters who are mediums living in France and their relationship with a film producer. Though the concept is intriguing (“sometimes you have to turn off the lights to see something” was an early quote that had promise) and I liked moments of the film, this was the biggest mess I saw at TIFF. I don’t know what happened, but about an hour in, I felt like there were several films happening at once – and not in a good way. There were also a couple moments where Portman let out laughs that seemed like she was becoming completely unhinged…not her character, but Portman herself. Attempts at “kinda sexy/kinda creepy” were in full swing – but the results were mostly just on the creepy end of the spectrum, and I eventually couldn’t wait for it to end. Here’s a trailer…but you’ll have no idea what’s in store.

THE SECRET SCRIPTURE, directed by Jim Sheridan, was my second film of the day. It was also Rooney Mara’s third film in this year’s festival. Though Rooney was the star of the film, it was Vanessa Redgrave who shined. This is the story of an older woman in a mental institution who has keep a journal in between the lines and in the margins of her Bible. One of the first quotes we get from her journal is “I did not kill my child.” Through a series of flashbacks, we see her as a younger woman in the 1940’s. A true beauty, she turns heads everywhere she goes, and people in the town are quick to call her a whore…including the town’s priest who is clearly infatuated with her. Though I felt the story got a little muddled, it’s ultimately beautifully told and will easily find fans. The Q&A with Jim Sheridan was a treat. With Irish accent seemed to forgive all of his foul-mouthed responses, and the stories of working with actors (Vanessa Redgrave and the children from IN AMERICA in particular) were fantastic and full of insight. There’s no trailer for this film yet, but here’s a still.

My last film of the fest was THE LIMEHOUSE GOLEM, directed by Juan Carlos Medina and starring Bill Nighy & Olivia Cooke (ME AND EARL AND THE DYING GIRL). In Victorian-era London, a detective has been given his first murder case – a case that has the city on edge as a serial killer is performing more and more heinous acts. This beautifully styled period piece is a far cry from what you’d expect given the costumes and set-pieces. With lots of blood and gory details of the crimes, it’s at times unsettling but ultimately rather predictable. There are some moments that should be big…but the materials isn’t there…so the decision was to over-score them – which actually ends up detracting from the scenes in question. I wanted to like this film more, but I came out feeling it was really quite average. There’s no trailer for this film yet, so here’s a still. (Upon looking for images from the film, I found out that Alan Rickman was originally supposed to play the part of the detective – which would have added a different level of eeriness.)

And so my screenings have come to an end.

I saw 30 films (not counting the two I walked out of), I met several great folks in the industry, I saw numerous big stars and directors, and I ate a lot of poutine. In all, it was an incredible trip.

So here’s the wrap-up. (All categories have films listed in the order in which I saw them.) My 3 favorites were: MOONLIGHT, NOCTURNAL ANIMALS and LA LA LAND. Close behind were JULIETA, LOVING and SOUVENIR (BIRTH OF A NATION would be on this list, but I actually saw it several weeks ago and not at TIFF). Some really good films that are 100% worth viewing but didn’t make it to the very top of my list are MANCHESTER BY THE SEA, FRANTZ, LION, A UNITED KINGDOM, THEIR FINEST, MAUDIE, PATERSON, JACKIE, and UNKNOWN GIRL. For the other 15 films and how I felt about them, you’ll have to back-track through my blog.

Thanks so much for reading, and I appreciate your continued interest in THE NEON.

All the best,

Jonathan

TIFF 2016 – Day #8

September 17, 2016 By Jonathan McNeal

Hello Loyal TIFF Followers,

Unfortunately, MostMetro has been experiencing quite a bit of trouble with their website…and that’s why you haven’t heard from me for a couple days. They’re working hard to iron out all the kinks, and I appreciate you coming back for more (some of you with multiple attempts).

My first film on Thursday was John Butler’s HANDSOME DEVIL. Though a little light, there’s certainly an audience for this crowd-pleasing film about an outcast with bright red hair at a boarding school in Ireland. The unlikely friendship he strikes up with his handsome roommate has them eventually entered in a talent night where they’ll sing and play guitar together…and it’s really charming. However, the focus at this school is rugby, and the behaviors of the new guy don’t fit in with the agenda of his rugby coach. DEAD POETS’ SOCIETY meets SCHOOL TIES meets SING STREET. If it doesn’t get released sooner, you can certainly look for this film at next year’s PRIDE screening in June. There is no trailer for this film, so you only get a still at this time.

Next up was THE UNKOWN GIRL – a film by the Dardenne Brothers (KID WITH A BIKE, TWO DAYS ONE NIGHT). The Dardennes are known for this social-realist style of filmmaking. Always commenting on class as well as economic and social justice, this film still fills that role…but goes in a bit of different direction. This is the story of a doctor who doesn’t answer the buzzer at her office door. It’s after hours, and she figures a person would buzz multiple times if it was an emergency. The next day, she finds out that the girl who buzzed has been found dead across the street…she was a prostitute who buzzed the door in a panic – looking for help. Driven by guilt, the doctor begins her own investigation to find the name of the unknown girl. Without any scoring to trigger emotions, this mystery feels all the more real. Though not embraced by critics like their previous two films, I found it very satisfying.

SOUVENIR, starring Isabelle Huppert and directed by Babo Defurne, this is the story of a woman who works in a pate factory. She used to be a famous singer, but her star faded early after coming in 2nd place during a televised European singing contest (ABBA took home first place that year). The opening titles for the film are beautiful bubbles floating through water. Bubbles, bubbles, more bubbles. It’s pretty and hypnotizing. It’s light, it’s airy, it’s effervescent…it’s alka-seltzer. Thus we get a joke right from the opening credits. This French gem – which becomes a December/May romance, won’t be embraced by everyone. But I really like it! There’s no trailer for this film, but here’s a clip.

After my three films, I met up with an old friend for dinner. Then I met up with a few more friends (film programmers, PR folks, etc.) for cocktails. This was by far the latest I stayed out…and I paid for it the next morning. (But it was worth it.)

Thanks for reading,

Jonathan

TIFF 2016 – Day #7

September 15, 2016 By Jonathan McNeal

Hello Everyone,

Thanks for coming back! Today was my last day during this trip when I have to wake up before 6am! I saw three more films (which takes me to 24 total), and I had a nice dinner. Though there was an invitation to meet up for late drinks, I had to turn it down. I’m simply too tired and getting more than 4 hours of sleep sounds much better.

My first film of the day was PATERSON, by Jim Jarmusch – who has a cult-like following. This film stars Adam Driver as “a working-class poet in a small New Jersey town who practices his craft amidst the quiet magic of everyday life.” (TIFF on-line catalog) As always, Jarmusch finds both humor and pathos in the idiosyncrasies and mundane routines of his characters. That said, I think this film is his most accessible. And though not a lot “happens,” I was engaged and liked peeking in on these rather charming characters. (There is not trailer available, but here’s a clip.)

JACKIE, the new film about Jackie O’ starring Natalie Portman, was next on my list. Directed by Pablo Larrain (who also has a film about Pablo Neruda at the festival), this film takes a look at the assassination of JFK through the point of view of Jackie. The film opens with Jackie greeting a journalist just a few days after the assassination. As she answers questions, we get her version of the story – both anecdotes about the making of the TV special when she led press through the White House as well as her account of what happened in Texas and preparing for the funeral. She is very candid, but she also makes quite clear that she’ll have the final edit on the piece that is written. When the journalist says that he just wants the truth, it is finally said that “I will settle for a story that’s believable.” That sentiment is the film in a nutshell. It took me a little while to buy Portman as Jackie, but eventually she won me over. Fox Searchlight picked up this film within the last 48 hours, and they plan to have it released in time for Oscar season.

My final film of the day was UNA – a new film based on the play BLACKBIRD, directed by Benedict Andrews and starring Rooney Mara & Ben Mendelsohn. This is the story of a young woman in her mid-20’s confronting a middle-aged man at his place of work. It’s been 12 years since they’ve seen each other…and that was when she was 13 and he sexually abused her. It’s my understanding that the play is just two characters…and adapting it for the screen seemed a bit forced to me. From ducking behind boxes and into bathroom stalls to hide from other workers, it seemed a bit of a stretch to buy the actions of the characters. I ultimately had really mixed feelings. The material is intriguing and bold, but I didn’t buy the set-up (trouble with the man’s position at work is a tangent that seems oddly tacked on). In addition, I feel like the material didn’t ring with honesty. SPOILER ALERT…don’t read more if you don’t want to know too much! The director spoke of each character having “unfinished desire” for one another. I’d be anxious to hear a true feminist read of this material/adaptation. By the end, I didn’t hate it, but I also can’t recommend it. There is no trailer for this film, but here’s a clip:

I’ve got three films tomorrow and I get to sleep in until 7:30! I also plan to meet an old friend for dinner – someone I met in line for Almodovar’s TALK TO HER back at the festival in 2002.

Thanks for reading,

Jonathan

TIFF 2016 – Day #6

September 14, 2016 By Jonathan McNeal

maudie-movie-poster-lg Hello!

Today’s schedule had me down for 5 films…and though I got into the fifth, I just wasn’t loving it enough to stick around (thus I won’t review it). Instead, I’ll go over the four films I screened in their entirety.

THEIR FINEST was my first screening at 9:30am, and it was packed in one of Scotiabank’s biggest venues. Lone Scherfig (AN EDUCATION) delivers a very solid film about the film industry in England during WWII. The story centers around a female writer who is initially hired to help write and flesh out the female voices just as the industry is also realizing that they need to make a picture that boosts morale on the homefront. Bill Nighy, who plays an egotistical old pro actor, is a scene-stealer…and the film will be an crowd-pleaser. Full of nostalgic winks and nods as well as colorful characters, this is an “acquisition title,” and I believe it will get picked up. There’s no trailer yet for THEIR FINEST…so a photo will have to do at this point.

Their Finest Hour and A Half
Directed by Lone Sherfig

MAUDIE, a biopic about Canadian folk artist Maud Lewis, was next on my list. With an outstanding performance by Sally Hawkins which is touching, physically demanding and full of hysterical funny moments that make Maud all the more endearing, the film is about Lewis’s relationship with her husband (played by Ethan Hawke) and her rise to fame in the art world. Challenged by childhood rheumatoid arthritis, everything from daily chores to even holding a brush look painful for Maud – but we fall in love with her desire to paint on just about any stationary object. Directed by Aisling Walsh (she’s done a lot of television work including FINGERSMITH with Hawkins), this is a slower character piece – but I think it could easily find an audience with Neon patrons. There’s no trailer for this film yet, but here’s a clip.

Once in a while at TIFF, I let myself see a big, splashy Hollywood movie. One that clearly won’t be coming to THE NEON, but one that’s receiving some critical buzz. A couple years ago, it was GRAVITY…this year, it was another sci-fi film – ARRIVAL, directed by Denis Villeneuve. Though I can rattle off a handful of sci-fi films that I greatly admire, this isn’t a genre that usually attracts my attention, and this alien film intrigued me because it wasn’t going to be full of explosions and battle scenes. Amy Adams plays a linguist who is hired by the government to attempt communicating with aliens who have landed 12 ships around the world. There’s some really lovely work happening in this film – from the central performance to terrific special effects. But there’s also some clunky ideas (especially in the third act) that keep me from embracing the film. I realize that many, many people will love this one…but it’s not for me.

My last full film of the day was THE SALESMAN, directed by Asghar Farhadi (A SEPARATION and THE PAST). The film opens with people needing to evacuate their building as it is beginning to crack and may soon crash. We follow a young theatrical couple (who are mounting a production of DEATH OF A SALESMAN) as they are displaced and soon find a new apartment that was formerly inhabited by a prostitute (though they don’t know that immediately). An incident in the new place leaves the couple forever changed, and the film then becomes a subtle thriller. With narrative elements and themes that I greatly admire, this film is well-done and solid – though not quite up to par with his previous two films due to a somewhat strained final act. There is no trailer yet for this film, but here’s a clip:

I wrapped up the night by attending a low-key party for lgbt industry folks. I was glad to meet a few new people, and I’m crawling into bed before 2:00…so glad tomorrow is the last day I have to get up before 7:00.

Thanks for reading,

Jonathan

TIFF 2016 – Day #5

September 13, 2016 By Jonathan McNeal

Hello Everyone.

Thanks for coming back to my blog. I had intended to see more films today, but I got turned away from a screening of JACKIE (along with 200+ other people) because the demand was too big and being 25 minutes early wasn’t enough. That said, there will be another screening Wednesday, so I will know to be extra early.

My first screening of the day was the latest by the prolific (especially for being quite young) Xavier Dolan – IT’S ONLY THE END OF THE WORLD. This is essentially a chamber piece about a gay man who comes to visit his family and tell them he’s dying…he hasn’t been home for 12 years…and it’s quickly evident why he’s been away so long. Though I clearly understand what he’s doing, and the film is ultimately well done (though I do have some complaints about several of his choices), this is a film that’s hard to stomach. The cast is exceptional (I love Marion & Gaspard), but shouting matches, unlikable/annoying characters…it’s not something I can highly recommend.

LOVING, the new film by Jeff Nichols (TAKE SHELTER, MUD), was next on my list. It’s also a film I’ve been looking forward to, and I’m happy to say that it didn’t disappoint. This quiet and eloquent film is about the an interracial couple in Virginia whose illegal marriage and subsequent punishment (they went to D.C. to get married, but it wasn’t recognized in Virginia) eventually caught the attention of the ACLU…and eventually went to the Supreme Court to overturn miscegenation laws. For a film that’s largely about court battles, we only spend a few minutes in court rooms…and that’s refreshing. Instead, we spend lots of time with this Mildred & Richard (stunningly and lovingly played by Ruth Negga and Joel Edgerton) – and watching a couple who are so clearly in love with each other makes such a strong case for marriage equality on many levels.

My final film of the day was LA LA LAND, directed by Damien Chazelle (WHIPLASH). This splashy, colorful, song-and-dance musical harkens memories of a bygone era of the Hollywood studio system. But even more, its influence is from one of my favorite musical directors – Jacques Demy. The opening scene, shot on an L.A. highway, will blow your mind and immediately had me scribble YOUNG GIRLS OF ROCHEFORT in my notes. Starring Emma Stone (who will clearly be nominated for an Oscar) and Ryan Gosling, this film had me on my feet immediately as the “The End” appeared on screen. For the rest of the night, melodies swirled in my head and merely walking down the street was accompanied by the film’s infectious score. I can’t wait to obtain the soundtrack and see the film again!

Tomorrow is an extra busy day. Hoping I’ll be able to stay awake for all of it.

Thanks for reading,

Jonathan

TIFF 2016 – Day #4

September 12, 2016 By Jonathan McNeal

julieta620x709-1461716694 Hello Everyone,

I’m up to my old TIFF tricks now. Long days/nights…minimal sleep.

My first film today was The Weinstein Company’s big Oscar hopeful for this year – LION, directed by Garth Davis and starring Dev Patel. This is the story of a little Indian boy who gets lost in the streets of Calcutta – hundreds of miles away from home. After eventually being adopted by an Australian family, 20+ years later he begins a trip to find his birth family. Once again, I found myself interested in trimming this film down. Perhaps it has something to do with the fact that I’m watching dozens of movies…but I’m finding most material would be better if trimmed down. This film shouldn’t be 2 Hrs & 10 Min…it should be 20-30 minutes shorter. That said, what it accomplishes is indeed lovely, and the story is wonderful. The final bit of archival footage at the end resulted in even more tears.

I met up with a friend to catch the next film on my list – A UNITED KINGDOM, directed by Amma Asante (director of BELLE). This is the film about the relationship between Seretse Khama (a former African royal) and his wife Ruth Williams. Being a black man, alarm bells go up on each side of the fence when he courts and eventually asks for a white Englishwoman’s hand in marriage. This film feels old-fashioned in a good way. The storytelling is very direct – nothing edgy here, just solid storytelling, and I came away feeling as though I’d just had a good (and entertaining) history lesson. David Oyelowo is fantastic as Khama – his speeches are particularly moving and seem like they could stand alone as inspirational messages about race and patriotism. Rosamund Pike plays Williams, and she’s lovely as usual.

After lunch with a friend from Dayton I hadn’t seen in almost a decade – who now works at Almo Drafthouse (in Austin), I took a little nap before heading to my two evening screenings. Next up was a film I had already seen at an exhibitor screening. I almost never see a film at TIFF that I’ve already seen…but because I got a tip that Pedro Almodovar was in town, I got a ticket to JULIETA. Unfortunately, the tip was some bad intel. He wasn’t there. That said, I had tweeted a hopeful message that I wished Rossy de Palma would attend…and imagine my giddiness when she was introduced – her first time to Toronto. The film was even better with a second viewing – it’s richness in color and layers of storytelling all the richer. This is the story of a woman who decides to stay in Madrid in hopes that her daughter will return – someone who left her side 20 years before. With an exceptional score and great performances (Julieta is played by three different actresses in different stages of her life), this film is lovely. It’s hard to let an Almodovar film stand on its own without comparison. When compared to his other work, it falls short of being one of Almodovar’s masterpieces…if it stood alone, it would be heralded as superb. And P.S. The Q&A was delightful…and Rossy was so funny, warm and personable. I got my picture taken with her at the stage door, and my day was made!

Tom Ford’s second feature film NOCTURNAL ANIMALS was my final film of the day. I’ve been waiting 7 years since A SINGLE MAN to see what Tom Ford would do next, and this new film is exceptional! Starring Amy Adams, Jake Gyllenhaal and Michael Shannon, this is the story of a woman who receives an advanced reading copy of her ex-husband’s novel which is a terrifying story that hits a little too close to home. The film uses certain visual devices to distinguish three different stories happening at once – the present story, the story of the novel and flashbacks to the relationship that spurred the novel. The costume design, sets and photography are stunning, the performances are incredible, and the story is intense and emotional. With a late 2016 release in store, I think this film will certainly begin to create some award buzz. (no trailer is available yet)

nocturnal

I then went out to meet up with a bunch of industry folks for a couple beers. That 5:50am alarm is gonna be hard.

Thanks for reading,

Jonathan

TIFF 2016 – Day #3

September 12, 2016 By Jonathan McNeal

Hello Everyone,

I got the tickets I needed this morning (for Monday), so the day was off to a great start. I hightailed it to the Scotiabank multiplex for my first screening of the day – a movie I know we won’t play (but I felt like I wanted something ridiculous) – Christopher Guest’s MASCOTS (which will soon make its debut on Netflix). It’s been a long time since we saw Guest and his crew, and I was delighted by the opening scenes. I thought “he’s back!” The set-up is an competition for mascots from around the world – and it lends itself to some really fun material. Unfortunately, the material lost some steam…and though the movie is sprinkled with a few gems, I felt like it didn’t quite live up to previous films (though the return of one of Guest’s most famous characters was a moment that made me feel like applauding).

ALL I SEE IS YOU, the new film by Marc Forster (FINDING NEVERLAND, MONSTER’S BALL) starring Blake Lively, was next on my list. This is a dramatic film with Lively playing a woman who lost her sight in an accident when she was a child. The first 20 minutes of the film has a certain experimental tone – as Forster has us experiencing many moments as the lead character “sees” them. It’s a lovely, interesting approach, and the film works in setting a tone (though I never understood why it was set in Thailand). An operation is available for Lively’s character to have her vision restored, and everything changes. With sight, she is surprised by how the world around her looks…and her husband quickly becomes disappointed in how their lives are changing. The movie then shifts tone and becomes more of a quiet thriller. I won’t give away more of the story, but I did feel like the tonal shift was surprising and the final 6 minutes of the film wrapped things up in a very frantic pace from what started as a slow and methodical first 90 minutes. The sound design is incredible, and the photography is lovely. I think this film will find an audience, but it’s not incredible.

After a short nap and a bite to eat, I went to an event – IN CONVERSATION WITH ISABELLE HUPPERT. This 80 minute curated Q&A was incredible. Accented with clips of Huppert’s body of work (she’s made over 100 films/television appearances), she sat with Piers Handling and talked about her craft. From insight to how she doesn’t feel like she truly “prepare” for roles to inside stories about movies like HEAVEN’S GATE to the fact that sometimes she takes a role because she reads the script and falls in love with one line, it’s a wonderful inside look at one of the greatest actresses working today. Here’s a treat…you can watch the taped event by visiting this LINK and clicking the image of Huppert.

My final film of the day was also the highlight of the festival so far – Barry Jenkins’ MOONLIGHT. This gorgeous, poetic look at the life of a black man growing up in Miami, is based on the play IN MOONLIGHT, BLACK BOYS LOOK BLUE. The film is told in three chapters – with the protagonist played by three different actors (each giving incredible performances). We see him grow from a bullied, guarded young boy to a hyper masculine drug dealer. This examination of masculinity is one of the most thoughtful and beautifully told stories I’ve seen in recent years. Performances are incredible across the board, the photography is lovely, and the screenplay is touching and heartbreaking and honest. I think this film will see a lot of love this award season. (Janelle Monae, one of my favorite music artists, has a small role in this film…and seeing her on screen seemed like a natural extension of her talents. She sat across the aisle from me at the screening, and though I contained myself, I was a giddy schoolgirl inside.) The cast, director and playwright had a Q&A after the screening, and it was also incredible.

After the screening, I met up with a friend from NYC for a couple beers and a bite to eat. I returned to my apartment at 2:00…so my alarm going off at 5:50 will not be a welcome sound.

Thanks for reading,

Jonathan

TIFF 2016 – Day #2

September 10, 2016 By Jonathan McNeal

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Hi Everyone,

I was in bed by 12:30 last night, so getting up by 6:00am wasn’t so rough today (it will get much worse later in the festival). That said, the line was already about 15 deep when I arrived at the industry box office at 6:40 (by 7:30/7:45, it was at about 100).

BURN YOUR MAPS, directed by Jordan Roberts, was my first film of the day. This is a film with Jacob Tremblay (the little guy from ROOM) & Vera Farmiga, and they give really wonderful performances…unfortunately, I can’t say the same for everyone else. This is a story about how a kid begins to say that he’s actually Mongolian. He becomes “obsessed” with wearing traditional costumes and shepherding his make-believe goats. His parents are having marital problems after the loss of a child, and the desire for the boy to connect with his “true heritage” is a pleasant distraction for his mother…and a source of frustration for his father. The story eventually “takes” us to Mongolia, and budget restrictions rear their heads. There were some lovely moments in this film, and it will certainly find its fans – but overall, it wasn’t a big success for me. (There is no trailer currently available, so a photo is all I can post.)

burnyourmaps_01

FRANTZ was up next for me. Francois Ozon is a French director who has made some of my favorite films (I adore UNDER THE SAND, 8 WOMEN, SWIMMING POOL, TIME TO LEAVE and IN THE HOUSE). That said, he’s quite unpredictable and difficult to nail down as an auteur, and he’s made a couple magnificent clunkers, too. Tone, themes and genres are often in flux, and this film lends itself to that sentiment quite well – as it’s his most accessible work. Gorgeously shot in black and white, this post WWI story is about a German woman who meets the French man who has been visiting her fiancee’s grave. The film is shrouded in mystery, and and to tell you more of the story is to reveal too much. In both setting and a story with twists-and-turns, this film had me thinking of A VERY LONG ENGAGEMENT – a film that I admire much more than critics did. This film has found American distribution with Music Box Films, and I hope the timing works for us to be able to bring it.

A MONSTER CALLS, directed by J.A. Bayona, was next on my list. People may immediately want to dismiss a story about a pre-teen boy who is visited by a monster as being too fantastical or juvenile…but this lovely film connects and works on so many levels and is certainly not for children. Dealing with repeated nightmares and constant fear of the declining health of his mother, the boy summons a monster who comes to tell him stories…and potentially save his mom (played by Felicity Jones). Though I thought the film could use some trimming, it’s ultimately quite wonderful (albeit a challenge to market).

AMERICAN PASTORAL, the directorial debut of Ewan McGregor (based on the novel by Philip Roth), was my final film of the day. With a story that spans from the late 40’s to the early 90’s, this beautifully shot and gorgeously art directed film stars McGregor and Jennifer Connelly. Examining the breakdown of American society via looking at an American family who has to deal with the radicalization of a daughter who eventually becomes an underground terrorist, this film sadly falls a bit flat and didn’t live up to my hopes for the material. Though the look of the film and the performances are solid, I came out feeling like the film never really hit the mark.

Tomorrow morning is an important one for me. There are two tickets for Sunday that I really want to make sure I get for Monday – LOVING and LA LA LAND. Wish me luck.

Thanks for reading,

Jonathan

TIFF 2016 – Day #1

September 9, 2016 By Jonathan McNeal

Hello Everyone.

With the pass that I have, I can screen as many “press/industry screenings” that I’d like during the festival. That said, those screenings are just screenings. It’s awesome to have the opportunity to see so many films with an audience, but part of the reason I come to a festival (people come for a variety of reasons) is to hear filmmakers talk about their craft. Thus I have the opportunity to obtain two “public screening” tickets per day. Public screenings are the fun, glamorous screenings where they roll out the red carpet and hold Q&A’s with directors, producers, screenwriters and actors. These tickets are only available two days in advance of each screening, so I find myself in line every day during the festival…usually before 7am.

This morning, I was out to obtain tickets for Barry Jenkins’ MOONLIGHT and a curated interview with Isabelle Huppert. Both take place on Saturday…and I got both!

Then I was off to my first screening at 9:00am – Kenneth Lonergan’s MANCHESTER BY THE SEA. This film had a lot of tonal qualities of Lonergan’s first feature – YOU CAN COUNT ON ME. With a wonderful central performance by Casey Affleck (and a spectacularly touching small role by Michelle Williams), the story is about a man who seems to lead a rather thankless life of mundane routines (he’s a janitorial handy man for an apartment complex). When he gets a call that his brother has passed away, he is forced to confront lingering pain from his past – told through a series of flashbacks. Though I thought the film was a bit overscored, the drama really works and the story unfolds in a lovely way. There were a couple moments of schtick that I thought seemed a bit out of place – but so is life. I think this film will go far.

Olivier Assayas’ PERSONAL SHOPPER was next on my list. This non-traditional ghost story had me teetering back and forth throughout…I was invested, I was raising my eyebrows, I was intrigued, I was disappointed…and then I ultimately was sold by the final 10 minutes. Kristen Stewart gives a great performance as a woman who shops for high-end designer clothing and jewelry for a wealthy client who is always on the go. She’s also a medium. While trying to connect to the spirit world for a client, she’s also hoping to catch a sign from her recently deceased brother. Assayas’ previous work included THE CLOUDS OF SILS MARIA (with Juliette Binoche as well as Stewart) and of my favorites from TIFF in 2008 – SUMMER HOURS. This film won’t go down as one of my favorites, and I know many people will be quite disappointed, but I was a fan by the end.

The third film of the day for me was Terence Davies’ A QUIET PASSION – a film about Emily Dickinson starring Cynthia Nixon. The film opens in a sort of parochial school. A teacher asks students who have given themselves to Christ to go to one side and for students who are still working toward giving themselves to Christ to the other. Left in the middle is one student – a young Emily Dickinson (at this point played by Emma Bell). The dialog is sharp and thoughtful (one of the best strengths throughout the film), and the teacher eventually tell Dickinson, “You stand alone in your rebellion.” This telling line haunts the remainder of the film. Though I found some filmmaking devices to be odd choices (one superimposed was particularly weird), it’s ultimately a thoughtful and visually stunning film with wonderful performances and some very funny moments due to razor sharp dialog.

The official “Opening Night Film” was a big Hollywood remake – THE MAGNIFICENT SEVEN, directed by Antoine Fuqua (SOUTHPAW, BROOKLYN’S FINEST) and starring Denzel Washington, Chris Pratt, Ethan Hawke and many more. Here’s the point that some of you might find disappointing…I left 20 minutes into the film. (I almost never write about films that I don’t finish.) I went to the Opening night with my friend Glenn Kiser – a great filmmaker who attended The Dayton LGBT Film Festival with his short film SABBATICAL. We had “great” seats – very close to the stage…only paces from all of the stars and director. The movie started an hour late and the speakers were above us – thus pushing the sound far behind us and bouncing off the back walls. Having difficulty understanding any of the dialog, we decided to leave. Not being a film I would seek out under any other circumstances, I wasn’t disappointed…it gave me a great opportunity to catch up with Glenn and finally grab dinner.